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Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Prose by Julia Franck and Judith Hermann
Studies in 20th & 21st Century Literature Volume 28 Issue 1 Writing and Reading Berlin Article 10 1-1-2004 Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke Biendarra University of Cincinnati Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Biendarra, Anke (2004) "Gen(d)eration Next: Prose by Julia Franck and Judith Hermann," Studies in 20th & 21st Century Literature: Vol. 28: Iss. 1, Article 10. https://doi.org/10.4148/2334-4415.1574 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Abstract In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new German literature by female authors-"Fräuleinwunder"… Keywords 1999, Volker Hage, Der Spiegel, new German literature, female authors, Fräuleinwunder, Julia Franck, Judith Hermann, critic, gender, generation This article is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol28/iss1/10 Biendarra: Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke S. Biendarra University of Cincinnati In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new Ger- man literature by female authors-"Frauleinwunder."' He uses it collectively for "the young women who make sure that German literature is again a subject of discussion this spring." Hage as- serts that they seem less concerned with "the German question," the consequences of two German dictatorships, and prefer in- stead to thematize "eroticism and love" in their texts. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, begiiming at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9211205 Redeeming history in the story: Narrative strategies in the novels of Anna Seghers and Nadine Gordimer Prigan, Carol Ludtke, Ph.D. -
YOKO TAWADA Exhibition Catalogue
VON DER MUTTERSPRACHE ZUR SPRACHMUTTER: YOKO TAWADA’S CREATIVE MULTILINGUALISM AN EXHIBITION ON THE OCCASION OF YOKO TAWADA’S VISIT TO OXFORD AS DAAD WRITER IN RESIDENCE UNIVERSITY OF OXFORD, TAYLORIAN (VOLTAIRE ROOM) HILARY TERM 2017 ExhiBition Catalogue written By Sheela Mahadevan Edited By Yoko Tawada, Henrike Lähnemann and Chantal Wright Contributed to by Yoko Tawada, Henrike Lähnemann, Chantal Wright, Emma HuBer and ChriStoph Held Photo of Yoko Tawada Photographer: Takeshi Furuya Source: Yoko Tawada 1 Yoko Tawada’s Biography: CABINET 1 Yoko Tawada was born in 1960 in Tokyo, Japan. She began to write as a child, and at the age of twelve, she even bound her texts together in the form of a first book. She learnt German and English at secondary school, and subsequently studied Russian literature at Waseda University in 1982. After this, she intended to go to Russia or Poland to study, since she was interested in European literature, especially Russian literature. However, her university grant to study in Poland was withdrawn in 1980 because of political unrest, and instead, she had the opportunity to work in Hamburg at a book trade company. She came to Europe by ship, then by trans-Siberian rail through the Soviet Union, Poland and the DDR, arriving in Berlin. In 1982, she studied German literature at Hamburg University, and thereafter completed her doctoral work on literature at Zurich University. Among various authors, she studied the poetry of Paul Celan, which she had already read in Japanese. Indeed, she comments on his poetry in an essay entitled ‘Paul Celan liest Japanisch’ in her collection of essays named Talisman and also in her essay entitled ‘Die Niemandsrose’ in the collection Sprachpolizei und Spielpolyglotte. -
30 April 2015
Weekly Round-Up, 30 April 2015 * Any weekly round-up attachments can be found at the following link https://weblearn.ox.ac.uk/access/content/group/modlang/general/weekly_roundup/index.html Disclaimer: The University of Oxford and the Faculty of Medieval and Modern Languages accept no responsibility for the content of any advertisement published in The Weekly Round-Up. Readers should note that the inclusion of any advertisement in no way implies approval or recommendation of either the terms of any offer contained in it or of the advertiser by the University of Oxford or The Faculty of Medieval and Modern Languages. Contents 1 Lectures and Events Internal 1.1 How to Write the Great War? Francophone and Anglophone Poetics 1.2 OCGH events update: Tuesday 28 April, 2pm-6.30pm, St Antony's 1.3 DANSOX Events 1.4 Post-Kantian European Philosophy Seminar (PKEPS): Trinity Term 2015 1.5 Part of an endless river: Alberto de Lacerda – A Commemorative Exhibition 1.6 Intensive Weekend Courses at the Language Centre 1.7 The Archive and Forms of Knowledge seminar series : Carolyn Steedman 1.8 Bodleian Libraries Workshop for Week 2 1.9 Oxford Travel Cultures Seminar: 'Travel and Consumption' Programme 1.10 Oxford Podemos Talk 1.11 Dante at 750, Looking Back With Auerbach, Oxford, 5 June 2015 1.12 Clara Florio Cooper Memorial Lecture 2015 1.13 Liberal Limits of Liberalism: Saturday 2nd May 2015 1.14 OCGH and the Wellcome Unit for the History of Medicine: 'Disease and Global History' Workshop 1.15 OCGH Events Update 1.16 Events Organised by the Maison Française -
Temporality, Subjectivity and Postcommunism in Contemporary German Literature by Herta Müller, Zsuzsa Bánk and Terézia Mora
PASTS WITH FUTURES: TEMPORALITY, SUBJECTIVITY AND POSTCOMMUNISM IN CONTEMPORARY GERMAN LITERATURE BY HERTA MÜLLER, ZSUZSA BÁNK AND TERÉZIA MORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katrina Louise Nousek May 2015 © 2015 Katrina Louise Nousek PASTS WITH FUTURES: TEMPORALITY, SUBJECTIVITY AND POSTCOMMUNISM IN CONTEMPORARY GERMAN LITERATURE BY HERTA MÜLLER, ZSUZSA BÁNK AND TERÉZIA MORA Katrina Louise Nousek, Ph. D. Cornell University 2015 This dissertation analyzes future-oriented narrative features distinguishing German literature about European communism and its legacies. Set against landscapes marked by Soviet occupation and Ceauşescu’s communist dictatorship in Romania (Müller) and against the 1956 Hungarian revolution, eastern European border openings, and post-Wende Berlin (Mora, Bánk), works by these transnational authors engage social legacies that other discourses relegate to an inert past after the historic rupture of 1989. Dominant scholarship reads this literature either through trauma theory or according to autobiography, privileging national histories and static cultural identities determined by the past. Shifting attention to complex temporal structures used to narrate literary subjectivities, I show how these works construct European futures that are neither subsumed into a homogeneous present, nor trapped in traumatic repetition, nostalgic longing, or psychic disavowal. My analysis extends and contributes to debates in politics and the arts about the status of utopia after communism and the role of society in political entities no longer divided in Cold War terms of East/West, three worlds, or discrete national cultures. By focusing on Müller, Mora and Bánk, I widen the purview of FRG-GDR discussions about communism to include transnational, temporal and narrative perspectives that scholarship on these authors often overlooks. -
Farocki/Godard: Film As Theory 2015
Repositorium für die Medienwissenschaft Volker Pantenburg Farocki/Godard: Film as Theory 2015 https://doi.org/10.25969/mediarep/3558 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Pantenburg, Volker: Farocki/Godard: Film as Theory. Amsterdam: Amsterdam University Press 2015. DOI: https://doi.org/10.25969/mediarep/3558. Erstmalig hier erschienen / Initial publication here: http://library.oapen.org/handle/20.500.12657/32375 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 3.0 Attribution - Non Commercial - No Derivatives 3.0 License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/3.0 https://creativecommons.org/licenses/by-nc-nd/3.0 FILM CULTURE IN TRANSITION FAROCKI/ GODARD FILM AS THEORY volker pantenburg Farocki/Godard Farocki/Godard Film as Theory Volker Pantenburg Amsterdam University Press The translation of this book is made possible by a grant from Volkswagen Foundation. Originally published as: Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard, transcript Verlag, 2006 [isbn 3-899420440-9] Translated by Michael Turnbull This publication was supported by the Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie of the Bauhaus-Universität Weimar with funds from the German Federal Ministry of Education and Research. IKKM BOOKS Volume 25 An overview of the whole series can be found at www.ikkm-weimar.de/schriften Cover illustration (front): Jean-Luc Godard, Histoire(s) du cinéma, Chapter 4B (1988-1998) Cover illustration (back): Interface © Harun Farocki 1995 Cover design: Kok Korpershoek, Amsterdam Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. -
German Studies Association Newsletter ______
______________________________________________________________________________ German Studies Association Newsletter __________________________________________________________________ Volume XLII Number 1 Spring 2017 2 German Studies Association Newsletter Volume XLII Number 1 Spring 2017 __________________________________________________________________________ Table of Contents Letter from the President ................................................................................................................ 3 Letter from the Executive Director ................................................................................................. 6 Conference Details .......................................................................................................................... 9 Conference Highlights .................................................................................................................. 11 A List of Dissertations in German Studies, 2015-2017 ................................................................ 14 Statement of the German Studies Association on the Admission and Vetting of Non-Citizens to the United States, January 2017 .................................................................................................... 26 Announcements............................................................................................................................. 27 Austrian Cultural Forum New York: Young Scholars GSA Travel Grants 2017 .................... 27 Berlin Program for Advanced German -
Autumn 2014 Foreign Rights
FOREIGN RIGHTS AUTU M N 2014 REPRESENTATIVES China (mainland) Hercules Business & Culture GmbH, Niederdorfelden phone: +49-6101-407921, fax: +49-6101-407922 e-mail: [email protected] Hungary Balla-Sztojkov Literary Agency, Budapest phone: +36-1-456 03 11, fax: +36-1-215 44 20 e-mail: [email protected] Israel The Deborah Harris Agency, Jerusalem phone: +972-2-5633237, fax: +972-2-5618711 e-mail: [email protected] Italy Marco Vigevani, Agenzia Letteraria, Milano phone: +39-02-86 99 65 53, fax: +39-02-86 98 23 09 e-mail: [email protected] Japan Meike Marx Literary Agency, Hokkaido phone: +81-164-25 1466, fax: +81-164-26 38 44 e-mail: [email protected] Korea MOMO Agency, Seoul phone: +82-2-337-8606, fax: +82-2-337-8702 e-mail: [email protected] Netherlands LiTrans, Tino Köhler, Amsterdam phone: +31-20- 685 53 80, fax: +31-20- 685 53 80 e-mail: [email protected] Poland Graal Literary Agency, Warszawa phone: +48-22-895 2000, fax: +48-22-895 2001 e-mail: [email protected] Romania Simona Kessler, International Copyright Ageny, Ltd., Bucharest phone: +402-2-231 81 50, fax: +402-2-231 45 22 e-mail: [email protected] Scandinavia Leonhardt & Høier Literary Agency aps, Kopenhagen phone: +45-33 13 25 23, fax: +45-33 13 49 92 e-mail: [email protected] Spain, Portugal A.C.E.R., Agencia Literaria, Madrid and Latin America phone: +34-91-369 2061, fax: +34-91-369 2052 e-mail: [email protected] Stock/Corbis Umschlagmotiv: © Kirn Vintage Foreign Rights Service translated by Ruth Feuchtwanger, -
Social & Behavioural Sciences 9Th ICEEPSY 2018 International
The European Proceedings of Social & Behavioural Sciences EpSBS Future Academy ISSN: 2357-1330 https://dx.doi.org/10.15405/epsbs.2019.01.41 9th ICEEPSY 2018 International Conference on Education & Educational Psychology LEARNING HISTORY THROUGH STORIES ABOUT EAST GERMANY Nadezda Heinrichova (a)* *Corresponding author (a) University of Hradec Kralove, Faculty of Education, Rokitanskeho 62, 50003 Hradec Kralove, Czech Republic, [email protected] Abstract The article presents the results in which university students – majoring in teaching German as FL – expressed their ability, viewpoint and experience with using contemporary German literature to understand the life in East Germany as a part of history of the 20st century. The research was carried out in the winter term 2016 and 2017 on the basis of the following books, all awarded / nominated for the German Book Prize: Eugen Ruge’s (2011) In Zeiten des abnehmenden Lichts (In Times of Fading Light); Lutz Seiler’s (2014) Kruso; Uwe Tellkamp’s (2008) Der Turm (The Tower) and Angelika Klüssendorf’s (2011) Das Mädchen (The Girl). The aim of my literary course was, firstly, to provide the skills to read literature as a resource for understanding life and historical change, how other people experience emotional issues, and secondly, to give students an outline of the life in East Germany, to see the parallels with other countries in the Eastern Bloc and to stimulate students’ interest in the history of other countries in the Eastern Bloc. Thirdly, the aim was to use the texts as a stimulus to practice writing and speaking in discussions. Last but not least, to present how a teacher can enrich the foreign language lessons with literary text because the future teachers should not neglect the possibility of using literature in FLT. -
Books from Germany
Before the Festival BOOKS Literature in German: Highlights from 2014 FROM Vor dem Fest Höhepunkte deutschsprachiger GERMANY Literatur 2014 * Curated by Denis Scheck www.book-fair.com #fbm15 b blog.buchmesse.de In 2015, Germany celebrates the first Thanks to the generous funding by the Federal 25 years since Reunification. Foreign Office this book collection will be on Our cover shows young people in show on German collective stands at many book March 1990, climbing on the remains fairs worldwide in 2015. of the Berlin Wall. Wir danken dem Auswärtigen Amt für die 2015 feiert Deutschland 25 Jahre großzügige Unterstützung, dank derer diese Buch Wiedervereinigung. kollektion 2015 an deutschen Gemeinschafts Unser Covermotiv zeigt Jugendliche ständen auf vielen Buchmessen weltweit zu sehen auf den Resten der Berliner Mauer sein wird. am Brandenburger Tor, aufgenommen im März 1990. Our special thanks go to Denis Scheck who, as curator of this year’s collection, chose the titles and wrote the reviews. Besonderer Dank gilt Denis Scheck, der als Kurator in diesem Jahr die Titelauswahl und das Verfassen der Rezensionen übernommen hat. Contents Inhalt Foreword Vorwort 5 On Books and Drivel 8 Über Bücher und Blödsinn Denis Scheck Book Collection Buchkollektion 11 Selected Books from A to Z Ausgewählte Bücher von A bis Z 22 Longlist dbp 2014 (German Book Prize) Appendix Anhang 45 Index of Publishers Verlagsverzeichnis 47 Picture Credits Bildnachweise 48 Imprint Impresssum On Books and Drivel During the Frankfurt Book Fair recently, I was sitting in a car with a highly successful German writer. She said to me that writers have bigger souls than other people, which is why writers experience things more profoundly, and why they suffer more – more than normal readers, and especially more than literary critics. -
Veränderte Landschaft: East German Nature Poetry Since Reunification
Veränderte Landschaft: East German Nature Poetry Since Reunification Axel Goodbody, Bath ISSN 1470 – 9570 Veränderte Landschaft 103 Veränderte Landschaft. East German Nature Poetry since Reunification Axel Goodbody, Bath This paper asks what has become of the distinctive tradition of GDR landscape poetry since reunification. It examines the representation of the physical changes which have come over the East German landscape in the work of older and younger poets, and considers the extent to which they provide objective correlatives for the socio-political and cultural changes experienced since 1989. The role played by landscape poetry in identity construction is also discussed. The past, travel and Heimat are themes associated with a new critical regionalism in the new Länder founded on personal and collective, local and East German experience. The principal focus is on the poems of Volker Braun, Heinz Czechowski, Wulf Kirsten and Thomas Rosenlöcher, but reference is also made to texts by younger contemporaries such as Kurt Drawert, Durs Grünbein and Michael Wüstefeld. 1. The Landscape Poem as a genre articulating responses to social transformation ‘Veränderte Landschaft’ was the title of an anthology of GDR landscape poetry published by the Insel Verlag in 1979. Its editor, Wulf Kirsten, paid tribute to his former teacher at the Johannes R Becher Literature Institute in Leipzig, Georg Maurer, by opening the volume with Maurer’s poem ‘Veränderte Landschaft’, which expressed the feeling of a new beginning at the end of the Second World War, and adopting the phrase to denote a poetic programme celebrating the transformation of society in the GDR under socialism.