Literatures of Migration in the Berlin Republic
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The Variants of Warburg's Manuscripts on His Indian
The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel Como citar: WEIGEL, S. The Epistemic Advantage of Self-Analysis for Cultural- Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey. MODOS. Revista de História da Arte. Campinas, v. 4, n.3, p.386-404, set. 2020. Disponível em: ˂https://www.publionline.iar.unicamp.br/index.php/mod/article/view/4 794˃; DOI: https://doi.org/10.24978/mod.v4i3.4794. Imagem: The Diptych Oraibi (GUIDI; MANN, 1998). The Epistemic Advantage of Self-Analysis for Cultural-Historical Insights: The variants of Warburg’s manuscripts on his Indian Journey A vantagem epistêmica da autoanálise para insights histórico-culturais: as variantes dos manuscritos de Warburg em sua jornada indígena Dra. Sigrid Weigel* Abstract The article is devoted to analyze different versions and drafts of the 1923 Warburg’s Lecture, held in Kreuzlingen in 1923, on his travel to the United States in 1895/96, at the end of his long convalescence in the sanatorium of Ludwig Binswanger, as well as the respective lectures of 1897. This essay focuses on how the dispersion of these texts, their different dates and interferences in publications over decades had epistemological implications in the interpretation of his famous Conference. Thus, the contrast between fundamental points of these texts, both in their forms and contents – including deliberate terminological fluctuations –, raises theoretical questions that interfere with the understanding of Warburg’s work in its methodological specificity. -
Bachmann's Feminist Reception
CHAPTER 2 Bachmann’s Feminist Reception One must in general be able to read a book in different ways and to read it differently today than tomorrow. (Ingeborg Bachmann, Wir müssen wahre Sätze finden) Every reader, when he reads, is in reality a reader of himself. —Ingeborg Bachmann, Werke, quoting Proust Since the late 1970s, the enthusiastic response of feminist readers, critics, and scholars to the writing of Ingeborg Bachmann has produced a radical reassessment of her work. As I explained in chapter 1, she owed her reputation during her lifetime to the two highly accomplished volumes of lyric poetry she published in the 1950s, Die gestundete Zeit and Anrufung des Großen Bären. Her critics responded more negatively to her subsequent attempts at prose fiction, The Thirtieth Year (1961) and the first finished volumes of her “Ways of Death” cycle, Malina (1971) and Three Paths to the Lake (1972). But after her death in 1973, feminist readers rediscovered her fiction, now focusing their attention on representations of femininity in the “Ways of Death,” augmented in 1978 by the posthumous publication of two novel fragments, The Franza Case (now called The Book of Franza) and Requiem for Fanny Goldmann. By the 1980s “the other Ingeborg Bachmann,” as Sigrid Weigel termed her (“Andere” 5), had achieved the status of cult figure within German feminism; feminist literary scholars’ spirited and subtle reinterpretations of her writing had produced a renaissance in Bachmann scholarship; and Bachmann’s texts had become central to the Ger- man feminist literary canon. In a study of Bachmann’s reception before 1973, Constance Hotz argues that 1950s journalists constructed an image of her that met the political needs of their era, turning Bachmann into an “exemplum for [Germany’s] reconstruction, its reattainment of international standards, its reachievement of recognition in the world” (72). -
BIRGIT TAUTZ DEPARTMENT of GERMAN Bowdoin College 7700 College Station, Brunswick, ME, 04011-8477, Tel.: (207) 798 7079 [email protected]
BIRGIT TAUTZ DEPARTMENT OF GERMAN Bowdoin College 7700 College Station, Brunswick, ME, 04011-8477, Tel.: (207) 798 7079 [email protected] POSITIONS Bowdoin College George Taylor Files Professor of Modern Languages, 07/2017 – present Assistant (2002), Associate (2007), Full Professor (2016) in the Department of German, 2002 – present Affiliate Professor, Program in Cinema Studies, 2012 – present Chair of German, 2008 – 2011, fall 2012, 2014 – 2017, 2019 – Acting Chair of Film Studies, 2010 – 2011 Lawrence University Assistant Professor of German, 1998 – 2002 St. Olaf College Visiting Instructor/Assistant Professor, 1997 – 1998 EDUCATION Ph.D. German, Comparative Literature, University of MN, Minneapolis, 1998 M.A. German, University of WI, Madison, 1992 Diplomgermanistik University of Leipzig, Germany, 1991 RESEARCH Books (*peer-review; +editorial board review) 1. Translating the World: Toward a New History of German Literature around 1800, University Park: Penn State UP, 2018; paperback December 2018, also as e-book.* Winner of the SAMLA Studies Book Award – Monograph, 2019 Shortlisted for the Kenshur Prize for the Best Book in Eighteenth-Century Studies, 2019 [reviewed in Choice Jan. 2018; German Quarterly 91.3 (2018) 337-339; The Modern Language Review 113.4 (2018): 297-299; German Studies Review 42.1(2-19): 151-153; Comparative Literary Studies 56.1 (2019): e25-e27, online; Eighteenth Century Studies 52.3 (2019) 371-373; MLQ (2019)80.2: 227-229.; Seminar (2019) 3: 298-301; Lessing Yearbook XLVI (2019): 208-210] 2. Reading and Seeing Ethnic Differences in the Enlightenment: From China to Africa New York: Palgrave, 2007; available as e-book, including by chapter, and paperback.* unofficial Finalist DAAD/GSA Book Prize 2008 [reviewed in Choice Nov. -
Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Nationalism in Japan's Contemporary Foreign Policy
The London School of Economics and Political Science Nationalism in Japan’s Contemporary Foreign Policy: A Consideration of the Cases of China, North Korea, and India Maiko Kuroki A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, February 2013 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of <88,7630> words. Statement of use of third party for editorial help I can confirm that my thesis was copy edited for conventions of language, spelling and grammar by Josh Collins and Greg Demmons. 2 of 3 Abstract Under the Koizumi and Abe administrations, the deterioration of the Japan-China relationship and growing tension between Japan and North Korea were often interpreted as being caused by the rise of nationalism. This thesis aims to explore this question by looking at Japan’s foreign policy in the region and uncovering how political actors manipulated the concept of nationalism in foreign policy discourse. -
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences -
Turkish Language Provision in Berlin
TURKISH LANGUAGE PROVISION IN BERLIN A dissertation submitted to the University of Manchester for the degree of Master of Arts in the Faculty of Humanities 2008 LUCY HOTTMANN SCHOOL OF LANGUAGES, LINGUISTICS AND CULTURES Contents Introduction 10 Multilingualism and Monolingualism 12 The Monolingual Nation 12 Demographic Change 13 Multilingualism and Immigrant Languages 14 The Vitality of Turkish 19 Profile of the Turkish Population in Germany 22 Population and Migration Status 22 Turkish Population in Berlin 24 Immigration of Turks to Germany 26 Focus, Limits and Methods of the Investigation 30 Investigation: Education 33 Kindergartens 33 Komşu Kindergarten 33 Mosaik Kindergarten 34 Schools 36 Rixdorfer Primary School 37 Franz Schubert Primary School 38 Heinrich Heine Secondary School 39 Robert Koch Secondary School 39 Neukölln Adult Education Centre 40 Comment 40 Investigation: Local Council Offices 43 Official Representative for Migrants 43 Office for Youth 44 Citizens' Office 46 Office for Nature Conservation and Green Areas 46 Comment 46 Investigation: Health 48 Vivantes Hospital 48 Nurses 48 Gynaecology and Maternity Department 49 Accidents and Emergencies 50 Berlin Ambulance Service 50 Comment 50 Investigation: Other Public Services 51 Libraries 51 Central and City Library of Berlin 51 2 Family Library Kreuzberg 52 Swimming Pool Network 53 Unemployment Office 54 Waste Recycling Organisation 55 Community Interpreters 55 Comment 56 Evaluation 57 Motivation of Provisions 57 Symbolic Provisions 58 Provision of Information 58 Provisions -
Prose by Julia Franck and Judith Hermann
Studies in 20th & 21st Century Literature Volume 28 Issue 1 Writing and Reading Berlin Article 10 1-1-2004 Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke Biendarra University of Cincinnati Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Biendarra, Anke (2004) "Gen(d)eration Next: Prose by Julia Franck and Judith Hermann," Studies in 20th & 21st Century Literature: Vol. 28: Iss. 1, Article 10. https://doi.org/10.4148/2334-4415.1574 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Abstract In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new German literature by female authors-"Fräuleinwunder"… Keywords 1999, Volker Hage, Der Spiegel, new German literature, female authors, Fräuleinwunder, Julia Franck, Judith Hermann, critic, gender, generation This article is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/vol28/iss1/10 Biendarra: Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Gen(d)eration Next: Prose by Julia Franck and Judith Hermann Anke S. Biendarra University of Cincinnati In March 1999, critic Volker Hage adopted a term in Der Spiegel that subsequently dominated public discussions about new Ger- man literature by female authors-"Frauleinwunder."' He uses it collectively for "the young women who make sure that German literature is again a subject of discussion this spring." Hage as- serts that they seem less concerned with "the German question," the consequences of two German dictatorships, and prefer in- stead to thematize "eroticism and love" in their texts. -
German Studies Association Newsletter ______
______________________________________________________________________________ German Studies Association Newsletter __________________________________________________________________ Volume XLIV Number 1 Spring 2019 German Studies Association Newsletter Volume XLIV Number 1 Spring 2019 __________________________________________________________________________ Table of Contents Letter from the President ............................................................................................................... 2 Letter from the Executive Director ................................................................................................. 5 Conference Details .......................................................................................................................... 8 Conference Highlights ..................................................................................................................... 9 Election Results Announced ......................................................................................................... 14 A List of Dissertations in German Studies, 2017-19 ..................................................................... 16 Letter from the President Dear members and friends of the GSA, To many of us, “the GSA” refers principally to a conference that convenes annually in late September or early October in one city or another, and which provides opportunities to share ongoing work, to network with old and new friends and colleagues. And it is all of that, for sure: a forum for -
Pan-Asianism As an Ideal of Asian Identity and Solidarity, 1850–Present アジアの主体性・団結の理想としての汎アジア主 義−−1850年から今日まで
Volume 9 | Issue 17 | Number 1 | Article ID 3519 | Apr 25, 2011 The Asia-Pacific Journal | Japan Focus Pan-Asianism as an Ideal of Asian Identity and Solidarity, 1850–Present アジアの主体性・団結の理想としての汎アジア主 義−−1850年から今日まで Christopher W. A. Szpilman, Sven Saaler Pan-Asianism as an Ideal of Asian Attempts to define Asia are almost as old as the Identity and Solidarity,term itself. The word “Asia” originated in ancient Greece in the fifth century BC. It 1850–Present originally denoted the lands of the Persian Empire extending east of the Bosphorus Straits Sven Saaler and Christopher W. A. but subsequently developed into a general term Szpilman used by Europeans to describe all the lands lying to the east of Europe. (The point where This is a revised, updated and abbreviated Europe ended and Asia began was, however, version of the introduction to the two volume never clearly defined.) Often, this usage collection by the authors ofPan-Asianism. A connoted a threat, real or perceived, by Asia to Documentary History Vol. 1 covers the years Europe—a region smaller in area, much less 1850-1920; Vol. 2 covers the years 1850- populous, poorer, and far less significant than present, link. Asia in terms of global history. The economic and political power of Asia, the The term “Asia” arrived in East Asia relatively world’s largest continent, is increasing rapidly. late, being introduced by Jesuit missionaries in According to the latest projections, the gross the sixteenth century. The term is found, domestic products of China and India, the written in Chinese characters 亜細亜( ), on world’s most populous nations, will each Chinese maps of the world made around 1600 surpass that of the United States in the not-too- under the supervision of Matteo Ricci distant future. -
First Century German Literature and Film
Abstract Title of Document: AMERICAN BLACKNESS AND VERGANGENHEITSBEWÄLTIGUNG IN TWENTY- FIRST CENTURY GERMAN LITERATURE AND FILM Christina Wall, Doctor of Philosophy, 2014 Directed by: Professor Elke P. Frederiksen, Department of Germanic Studies This study represents a unique examination of the convergence of constructs of Blackness and racism in twenty-first century novels and films by white Germans and Austrians in order to demonstrate how these texts broaden discourses of Vergangenheitsbewältigung. The increased prominence of minority voices demanding recognition of their national identity within Nazi successor states has transformed white German perceptions of “Germanness” and of these nations’ relationships to their turbulent pasts. I analyze how authors and directors employ constructs of Blackness within fictional texts to interrogate the dynamics of historical and contemporary racisms. Acknowledging that discourses of ‘race’ are taboo, I analyze how authors and directors avoid this forbidden discourse by drawing comparisons between constructs of American Blackness and German and Austrian historical encounters with ‘race’. This study employs cultural studies’ understanding of ‘race’ and Blackness as constructs created across discourses. Following the example of Toni Morrison’s Playing in the Dark (1992), my textual analyses show how these constructs create a “playground for the imagination” in which authors confront modern German racism. My study begins with a brief history of German-African American encounters, emphasizing the role American Blackness played during pivotal moments of German national identity formation. The subsequent chapters are divided thematically, each one comprised of textual analyses that explore discourses integral to Vergangenheitsbewältigung. The third chapter examines articulations of violence and racism in two films, Oskar Roehler’s Lulu & Jimi (2008) and Michael Schorr’s Schultze gets the blues (2008), to explore possibilities of familial reconciliation despite historical guilt. -
What Can Taiwan (And the United States) Expect from Japan?
Journal of East Asian Studies 5 (2005), 1–34 What Can Taiwan (and the United States) Expect from Japan? Gregory W. Noble In the 1990s and into the new century, increased Japanese sympathy toward Taiwan and antipathy toward mainland China led to a series of moves to improve treatment of Taiwan, including enhanced transporta- tion links, a higher level and frequency of official contacts, posting of a military attaché, and expressions of support for Taiwan’s participation in regional and international organizations. Nevertheless, Japan remains firmly wedded to a One China policy that opposes both the use of force by the mainland and a declaration by Taiwan of independence from China. Japan’s willingness to cooperate with the United States to defend Taiwan is increasingly in doubt. The sources of Japan’s supportive but restrained policy include the decline of traditional ties with Taiwan, the increasing size of the mainland market, and above all a perception of security risks that ultimately diverges sharply from that of Taiwan. Seri- ous cooperation in defense and diplomacy requires shared (or comple- mentary) threats, not just shared adversaries. KEYWORDS: Japanese foreign policy, Japan-Taiwan relations, Japan- China relations, Sino-Japanese relations onfrontation over the sovereignty of Taiwan is the most likely trig- C ger for superpower conflict in East Asia and perhaps in the entire world. North Korea may brandish a small stock of missiles and nuclear devices for blackmail or deterrence, but only Taiwan sets today’s domi- nant military