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Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM
Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM Henry Hollander Bookseller Tishrei 5763 Catalogue No. 25 German Language Judaica Art | Fascism, Economics, Agriculture | German Jewish History, Holocaust, Ancient and Medieval History | Literature | Psychology | Religion, Religious Philosophy, Old Testament | Theater, Music | Zionism, Israel | Art 1. Barlach, Ernst. “Zeichnungen von Ernst Barlach.” Munich, R. Piper & Co. (4793) Verlag, 1948. Second printing. Quarto in dust jacket, 90 pp., 64 b/w illus. $35.00 Mit einer Einfuhrung von Paul Fechter. 2. Gohr, Siegfried, edited by. “Max Beckmann Symposium 15. und 16. Mai 1E984.” (15319) Cologne, Veranstaltet von der Josef-Haubrich-Kunsthalle, Stadt Köln, 1987. First $30.00 Edition. Quarto, paper covers, 123 pp., b/w plates throughout. Articles are “Das Symbol der ‘verkehrten Welt’ im Werk Max Beckmanns,” Claude Gandelmann, “Max Beckmann: Die nacht,” Matthias Eberle, “Max Beckmann in seinen Illustrationen und seine Symbolwelt am Beispiel der Illustrationen zur Apokalypse,” Peter Beckmann, “Beckmann: Randbemerkungen zu Buddha,” Peter Beckmann, “Nachgedanken zur Bielefelder Ausstellung der Frühen Bilder Max Beckmanns,” Ulrich Weisner, “Rolenspiel für eine Utopia Zu Beckmanns Selbstdarstellung,” Fritz Erpel, “‘Somnabulismus und Bewusstseinshelle’ Zu Max Beckmanns ‘Auferstehung’ 1916/18,” Stephen von Wiese, “Max Beckmann, Die Illustrationen zur Apokalypse 1941-44,” Ernst Wagner. file:///Users/metafo/Polis/Clients/Henry%20Hollander/HOLLANDERCATS/Cat%2025/cat25.htm Page 1 of 46 Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM 3. Schmidt, Manfred. “Manfred Schmidt’s Bilderbuch für Überlebende.” Stuttgart (20621) Hamburg, Rowohlt, 1947. First Edition. Oblong royal octavo, illustrated paper $35.00 covers, 84 pp., b/w cartoons throughout. -
Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Valley of Vision
21 January to 19 March 2017 Saturdays and Sundays 3 to 5pm Wolfson Fine Arts in collaboration with the University of South Wales Valley Valley of Vision www.wolfson.cam.ac.uk/fine-arts Foreword - Painting the Valleys is the subject matter. Apart from a scattering of small mines and a few huge, opencast sites on the rim of the coalfield, there is no longer a coal industry. There For over two hundred years, the Valleys of South Wales have inspired are memories and ruins, books, photographs and articles, industrial museums painters and printmakers. J M W Turner, Richard Wilson and Julius Caesar and visitors’ centres. And there are ghosts and paintings. Ibbetson were among the early visitors, drawn to the coalfield by the promise of extraordinary images – the visual combination of burgeoning I know for certain that the ghosts are still out there, haunting abandoned heavy industry and dramatic landscapes. mineshafts, winding-sheds and chapels where the physical evidence of an industry that once employed a quarter of a million miners in these Valleys has They came to witness the fiery spectacle of iron furnaces giving birth to a new almost disappeared. Even the scarred hillsides have been blanketed in new industrial age. Here was the cutting edge of Britain’s pioneering technologies. forests as the Valleys continue to be greened. Yet they discovered, within a stone’s throw of the blast furnaces and pit shafts, a landscape of waterfalls, precipitous forests and wild, romantic moorland. Thankfully, the paintings have survived. Some of them are gathered here, at this exhibition. -
$**\ S THREE BRITISH PAINTERS HITCHENS HERMAN DAVIE
$**\ s THREE BRITISH PAINTERS HITCHENS HERMAN DAVIE tft^k- FOREWORD With this show we hope to begin a series of exhibitions introducing contemporary European painters to the New Zealand public with a rather greater representation than is possible in large mixed exhibitions. We are most grateful to the lenders, particularly to Gimpel Fils, Leicester Galleries and Messrs Roland Browse and Delbanco, for their generosity and ready co-operation. The exhibition is being toured through New Zealand with financial help from the Arts Advisory Council, and will be seen in Auckland, Wellington, Christchurch and Dunedin. Mr C. McCahon, Keeper of the Gallery, has compiled the catalogue. INTRODUCTION These three artists, from different generations, represent three different trends in contemporary British painting. I von Hitchens, the doyen of this group, is the most easily recognisable as an English artist, for his landscapes are bedded quite firmly in the British Romantic tradition that commenced with the watercolours of Constable, Turner, and their contemporaries. The neo-romantic movement in British painting of the thirties and forties produced a group of such romantics — Nash, Sutherland, Piper, Hitchens, and others who sought for an expressive image in the landscape of England. Hitchens is probably the least literary of all these painters and his own theory of painting is derived from Kandinsky. Hitchens' long canvases are intended to develop this theory which can almost be seen as a harmonic and chromatic system of variations. Herman on the other hand, belongs to the central European tradition. His miners are essentially international figures — seen as monuments or monoliths of labour. -
Rogers Jones &
Rogers Jones & Co. The Auction Rooms 17 Llandough Trading Estate The Welsh Sale in Cardiff - 300 works of art from Wales Penarth Road Cardiff CF11 8RR Started 06 Jul 2013 11:00 BST United Kingdom Lot Description After E MEIRION ROBERTS caricature of the Llanelli Rugby Team commemorating their victory over New Zealand in 1972, bearing a 1 Welsh poem by Dick Jones, 13 x 16.5 ins. After SIR KYFFIN WILLIAMS RA Artist`s Proof; Snowdonia cottage, signed fully in pencil, 15.5 x 21.5 ins (39 x 54 cms), (Provenance: 2 gifted by the artist to the late Mr William `Bill` Lloyd Williams, his gardener, and by descent). 3 After SIR KYFFIN WILLIAMS RA Limited Edition (72/150) print; portrait of Norma Lopez, signed fully in pencil, 14 x 10 ins (36 x 25 cms). After SIR KYFFIN WILLIAMS RA Limited Edition (82/150) linocut print; a walking farmer wearing overcoat and with crook, signed with 4 initials, 19.75 x 11 ins (50 x 28 cms). After SIR KYFFIN WILLIAMS RA Limited Edition (22/50) linocut print; a farmer with crook struggling up a hill, signed fully in pencil, 9 x 5 12.5 ins (23 x 32 cms). After ANEURIN JONES coloured print; two farmers in conversation with their dogs at their side , signed fully in pencil, 22.25 x 15.5 ins 6 (15 x 39 cms). SIR KYFFIN WILLIAMS RA framed poster; depicting a farmer on a hillside in a storm (produced for Royal Welsh Agricultural Society), 7 22.5 x 17 ins (57 x 43 cms). -
New Strains of an Old Virus the Changing Face of Shylock P/2
AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un consensus, came the farce of his run-off with avoidable later on. -
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001-010 1/10/13 12:44 PM Page 1 Law as Culture? 1 CONTEMPORARY LEGAL PHILOSOPHISING 001-010 1/10/13 12:44 PM Page 2 2 DISCIPLINARY ISSUES PHILOSOPHIAE IURIS Edited by CSABA VARGA Series Editor Emeritus Professor CSABA VARGA <http://drcsabavarga.wordpress.com> Founder of the Institute for Legal Philosophy, Pázmány Péter Catholic University of Hungary H–1088 Budapest, Szentkirályi u. 28 (visit) H–1428 Budapest 8, P.O.B. 6 (mail) +361-4297230; 4297226 (fax); 4297227 & 4297226 (secretary) [email protected] / [email protected] (secretary) 001-010 1/10/13 12:44 PM Page 3 Law as Culture? 3 CONTEMPORARY LEGAL PHILOSOPHISING Schmitt, Kelsen, Lukács, Hart, & Law and Literature, with Marxism’s Dark Legacy in Central Europe (On Teaching Legal Philosophy in Appendix) CSABA VARGA SZENT ISTVÁN TÁRSULAT Az Apostoli Szentszék Könyvkiadója Budapest, 2013 001-010 1/10/13 12:44 PM Page 4 4 DISCIPLINARY ISSUES A kötet részben az OTKA K 62382. számú projektuma finanszírozásának köszönhetôen készült Cover: Allegoric Justice (1625) on the Mural of St. James’ Church at Lôcse/Leutschau/Leutsovia [now Levocˇa, Slovakia] (photo by the author in 2008) Back cover: Reichskammergericht Wetzlar (Conspectus Audientiae Camerae imperialis) [Audience at the Imperial Chamber Court] (Frankfurt am Main, 1750) from the Städtische Sammlungen Wetzlar ISBN 978 963 277 ??? ? ISSN 1218-0610 © Cs.Varga 2013 Szent István Társulat 1053 Budapest,Veres Pálné utca 24. www.szit.katolikus.hu Responsible publisher: Dr. Huba Rózsa Responsible manager: Olivér Farkas Printed and bound by Prime -
KAJ NEWSLETTER July 4, ‘19 א' תמוז תשע"ט a Monthly Publication of K’Hal Adath Jeshurun
KAJ NEWSLETTER July 4, ‘19 א' תמוז תשע"ט A monthly publication of K’hal Adath Jeshurun Volume 49 Number 10 The Board of Trustees takes this opportunity to wish all of KAJ’s members an enjoyable, safe and restful summer season. ז''ל CHAZON DAVID KENNER on ,מורנו דוד גדליה בן ר' אברהם יצחק ,of Chazon David Kenner פטירה It is with great sadness that we note the the 21st of Sivan, June 24th. Chazon Kenner served for decades as one of K’hal Adath Jeshurun’s Chazonim, imparting feeling, Kavono, and dignity to the Kehilla’s Tefillos. As a tribute on the Shabbos following his Rabbi Sammy Moeller, who led the davening that Shabbos, incorporated many of the ,פ' שלח ,Petiro melodies that Chazon Kenner had introduced to KAJ. As Rav Mantel noted in his hesped at the Levaya in front of Shul, Chazon Kenner had Semicha from made it a surprise indeed to learn יראת שמים Gedolim, and his entire demeanor and personality, so full of he grew up in Canada, and not pre-War Europe. Chazon Kenner, who, with the voice and musical gifts he was blessed with, surely could have made a more lucrative living in other venues, chose instead to represent K’hal Adath Jeshurun as one of its devoted Shelichei Tzibur for decades. Pictured above right with Rav Schwab at a Chupah, as a KAJ Sheliach Tzibur, Chazon Kenner was also often called upon to be one of the Eidei Kidushin at Kehilla Chasunos. Chazon Kenner was taught the Ne’ilo Nusach and Nigunim by Rav Schwab. -
Monica Bohm-Duchen 1 October 2019
From Warsaw to Wales and Beyond: The Art and Life of Josef Herman Background Notes Monica Bohm-Duchen – 16 October 2019 “Some European émigré artists… enlivened and complicated the artistic life of the post-war years for they brought a direct European influence to their adoptive country… Herman is the outstanding painter of this group and his influence is probably the most familiar, because the most easily recognized. He has acquired some of the aura of the legendary wandering Jew, driven by the circumstances of history and the vagaries of chance…” Eric Rowan, “The Visual Arts”, in Stephens, Meic (ed.). The Arts in Wales 1950-75, 1979 Winchester Art History Group www.wahg.org.uk 1 Born in Warsaw in 1911 into a working-class Jewish family, Josef Herman arrived in Britain (via Belgium) in 1940, settling first in Glasgow and then in the South Welsh mining village of Ystradgynlais. By the early 1950s, known mainly for his images of Welsh miners, he had established himself as a major figure in contemporary British art. Throughout his long life (he died in London in 2000) he remained true to his conviction that art and morality should never be far apart, that technique, though important, should always be subservient to subject-matter and that working men and women – whether in Poland, Wales, Suffolk, Mexico or Israel - embody a profound and universal human archetype. Yet, as this seminar will reveal, his oeuvre is far more diverse and complex than even his admirers will have suspected. It precedes the first major exhibition of Herman’s work for many years, to be held at Flowers Gallery, London, between 15 November 2019 and 1 February 2020. -
KAJ NEWSLETTER a Monthly Publication of K’Hal Adath Jeshurun
KAJ NEWSLETTER A monthly publication of K’hal Adath Jeshurun י' תמוז תש"פ July 2, ‘20 Volume 50 Number 9 RETURN TO OUR BEIS KNESSES, PHASE II -the Kehilla has been able to continue its return ,הקב''ה With an ongoing feeling of tremendous gratitude to to-Shul plan. With seats marked off for social-distancing, masks required at all times, and many other precautions and guidelines in effect, Shul was, as of Shabbos Parashas Shelach, open for both men and women. (From the perspective of the ladies’ gallery it was, in fact, shelach lecho anoshim.) the following week, as of Shabbos Parashas Korach, children under Bar/ Bas Mitzvo were allowed to attend as well. In lieu of the traditional Shabbos Mevorchim sermon on Parashas Shelach, Rav Mantel, on the preceding Wednesday evening, delivered the last of his telephone Divrei Chizuk, and focused on the Kedusho of a Beis Knesses. Ideally, a person does not merely enter Shul, but Shul enters the person! The Rav continued the idea of Shul as a Mokom Kodosh, a Mikdosh Me’at, when, on Shabbos after Mincho he discussed the Mishno in Pirkei Ovos (5:5) which enumerates the ten Nisim which occurred in the Beis HaMikdosh. We owe the Rav many thanks for—among so many other things—the Divrei Chizuk by teleconference that the Rav prepared and delivered for these past few months. that the situation, both locally and on a world-wide scale, continues to stabilize and הקב''ה We pray to improve. זצ''ל AZKORO ON THE SHELOSHIM OF RAV PERLOW An Azkoro was held, via teleconference, on the occasion of the Sheloshim of Rav Yaakov Perlow, on Thursday, June 4th/ 12 Sivon. -
Jillian Tomm School of Information Studies Mcgill University, Montreal October 2012 a Thesis Submitted to Mcgill University In
THE IMPRINT OF THE SCHOLAR: AN ANALYSIS OF THE PRINTED BOOKS OF MCGILL UNIVERSITY’S RAYMOND KLIBANSKY COLLECTION Jillian Tomm School of Information Studies McGill University, Montreal October 2012 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy © Jillian Tomm 2012 TABLE OF CONTENTS Abstract ................................................................................................................................... iv Résumé ..................................................................................................................................... v Acknowledgements ............................................................................................................... vi List of Tables ....................................................................................................................... viii List of Figures ......................................................................................................................... x Abbreviations ........................................................................................................................ xii PART I: Introduction and Orientation to the Study ....................................................... 1 Chapter 1: General Introduction and goals of the study ................................................. 1 1.1 Background to the research ....................................................................................... 3 1.2 Research framework................................................................................................. -
ARCHIWUM EMIGRACJI W Poprzednich Zeszytach M.In
ARCHIWUM EMIGRACJI W poprzednich zeszytach m.in.: Czesław Miłosz, Bieliński i jednoroŜec Jan K. Kapera, Od Guggenheim Museum do Currier Gallery. Jan Lebenstein — Kronika Amery- kańska Dobrochna Ratajczakowa, O teatrze Bronisława Przyłuskiego Ryszard Löw, Literatura polska w przekładach hebrajskich Wojciech Ligęza, Metafory Moralisty — o poezji Tadeusza Sułkowskiego Czesław Miłosz, Wielkie pokuszenie. Dramat intelektualistów w krajach demokracji ludowej Tymon Terlecki, Głos diabelskiego adwokata (w sprawie literatury na emigracji) Jerzy Malinowski, O malarstwie Leona Weissberga Lajos Pálfalvi, Recepcja Józefa Mackiewicza na Węgrzech Tymoteusz Karpowicz, Władca wyspy czystej świadomości. O poezji Zdzisława Marka Magdalena Szwejka, Sztuka religijna Adama Kossowskiego Listy A. Bobkowskiego i K. A. Jeleńskiego do M. Grydzewskiego, J. Kosińskiego do J. Chałasińskie- go, M. Wertenstein do K. Kott, J. Stempowskiego do J. i W. Kościałkowskich, W. Gombrowicza do T. Terleckiego oraz korespondencja M. Chmielowca z H. Elzenbergiem, listy róŜnych osób do M. Modzelewskiej Rozmowy z Z. Michałowskim, S. Frenklem, J. Czapskim, W. Gombrowiczem, J. Nowakiem- -Jeziorańskim, Cz. Miłoszem, B. Taborskim, J. Giedroyciem, W. Iwaniukiem i K. Wierzyńskim, J. Baranowską, A. Kossowskim Wspomnienia m.in. o: T. Karren-Zagórskiej, T. Nowakowskim, M. Reszczyńskiej-Stypińskiej, J. Kowalewskim, T. Wittlinie, Z. Broncelu, R. Kowalewskiej, K. Brandysie, S. Kotwiczu, A. Bogusławskiej, J. Kotcie, P. ŁabuŜku (Baro), E. Neusteinie, T. J. Nowackim, J. Eichlerze, Ł. Gliksman, A. Tomaszewskim, Rafaelu Chwolesie, Januszu Eichlerze, Natanie Grossie, Ja- ninie Kościałkowskiej, Mieczysławie Paszkiewiczu, Oldze Scherer Redakcja: Swietłana Czerwonnaja, Beata Dorosz, Anna Frajlich, Zbigniew Girzyński, Jarosław Koźmiński, Joanna Krasnodębska, Jerzy R. KrzyŜanowski, Wacław Lewandowski (z-ca red. naczelnego; historia literatury), Wojciech Ligęza, Rafał Moczkodan (sekretarz re- dakcji), Józef Olejniczak, Krzysztof Pomian, Dobrochna Ratajczakowa, Jan W.