DOCSLIB.ORG

Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download 001-010 1/10/13 12:44 PM Page 1 Law as Culture? 1 CONTEMPORARY LEGAL PHILOSOPHISING 001-010 1/10/13 12:44 PM Page 2 2 DISCIPLINARY ISSUES PHILOSOPHIAE IURIS Edited by CSABA VARGA Series Editor Emeritus Professor CSABA VARGA <http://drcsabavarga.wordpress.com> Founder of the Institute for Legal Philosophy, Pázmány Péter Catholic University of Hungary H–1088 Budapest, Szentkirályi u. 28 (visit) H–1428 Budapest 8, P.O.B. 6 (mail) +361-4297230; 4297226 (fax); 4297227 & 4297226 (secretary) [email protected] / [email protected] (secretary) 001-010 1/10/13 12:44 PM Page 3 Law as Culture? 3 CONTEMPORARY LEGAL PHILOSOPHISING Schmitt, Kelsen, Lukács, Hart, & Law and Literature, with Marxism’s Dark Legacy in Central Europe (On Teaching Legal Philosophy in Appendix) CSABA VARGA SZENT ISTVÁN TÁRSULAT Az Apostoli Szentszék Könyvkiadója Budapest, 2013 001-010 1/10/13 12:44 PM Page 4 4 DISCIPLINARY ISSUES A kötet részben az OTKA K 62382. számú projektuma finanszírozásának köszönhetôen készült Cover: Allegoric Justice (1625) on the Mural of St. James’ Church at Lôcse/Leutschau/Leutsovia [now Levocˇa, Slovakia] (photo by the author in 2008) Back cover: Reichskammergericht Wetzlar (Conspectus Audientiae Camerae imperialis) [Audience at the Imperial Chamber Court] (Frankfurt am Main, 1750) from the Städtische Sammlungen Wetzlar ISBN 978 963 277 ??? ? ISSN 1218-0610 © Cs.Varga 2013 Szent István Társulat 1053 Budapest,Veres Pálné utca 24. www.szit.katolikus.hu Responsible publisher: Dr. Huba Rózsa Responsible manager: Olivér Farkas Printed and bound by Prime Rate 001-010 1/10/13 12:44 PM Page 5 Law as Culture? 5 CONTENTS HISTORICAL BACKGROUND Philosophy of Law in Central & Eastern Europe: A Sketch of History [1999] 11 Philosophising on Law in the Turmoil of Communist Takeover in Hungary (Two Portraits, Interwar and Postwar: JULIUS MOÓR & ISTVÁN LOSONCZY) [2001–2002] 23 JULIUS MOÓR [23] ISTVÁN LOSONCZY [29] On the Survival of ILMAR TAMMELO’s Letter and Manuscript Addressed to Professor MOÓR [2009] 41 Professional Distress and Scarcity: ALEXANDER HORVÁTH and the Legacy of Natural Law in Hungary [2005] 45 Hungarian Legal Philosophy in the 20th Century [2011] 51 I. THE PRE-WAR PERIOD [52] 1. Bódog (Felix) Somló (1871–1920) [52] II. THE INTER-WAR PERIOD [55] 2. Gyula (Julius) Moór (1888–1950) [54] 3. Barna Horváth (1896–1973) [55] 4. József Szabó (1909–1992) [57] 5. István Bibó (1911–1979) [58] 6.Tibor Vas (1911–1983) [59] 7. István Losonczy (1918–1980) [60] III.THE POST-WAR PERIOD (COMMUNISM) [661] 8. Imre Szabó (1912–1991) [62] 9. Vilmos Peschka (1929–2006) [63] 10. Kálmán Kulcsár (1928–2010) [65] IV. CONTEMPORARY TRENDS AND PERSPECTIVES [66] 11. Csaba Varga (b. 1941) [66] 12. András Sajó (b. 1949) [69] 13. Béla Pokol (b. 1950) [70] V. OUR UNDERSTANDING OF THE LAW TODAY [71] AN IMPOSED LEGACY Looking back [1999] 75 1. On Ideologies and MARXism in general [75] 2. Life of an Intellectual in Communism [79] 3. On MARXism and its Socialist Cultivation in Particu- lar [82] 4. Legal Philosophising [87] 4.1.Approaches to Law [87] 4.2.Ar- riving at a Legal Ontology [91] 5. Conclusion [94] 001-010 1/10/13 12:44 PM Page 6 6 CONTENTS Legal Philosophy of the MARXism of Socialism: Hungarian Overview in an International Perspective [2003] 95 I. DEVELOPMENT AND BALANCE OF MARXIST PHILOSOPHISING ON LAW IN HUNGARY [96] 1. Preliminaries (until 1948) [96] 2. STALINism (from the Soviet Occupation on) [98] a) Liquidation of the »Residues« [98] b) Soviet- type Uniformisation [Gleichschaltung] [99] c) Denial of the Past, with a Dual Effect [99] d) »Socialist Legality«, Drawn from the Bolshevik Memories of the Progressive Past of Western Europe [103] e) Search for the Germs of Scholarly Evolution [103] 3. Institutionalisation Accompanied by Relaxation (from the 1960s) [104] a) Epigonism Becoming the Scholarly Ideal [104] b) STALIN- ism in a Critical Self-perspective [105] c) Disciples Diversified Launching their own Trends [107] d) Comparatism [110] e) (Re)discovery of the Western Legal Philosophy as a Competitor [112] f) A Leading Mediatory Role within the »So- cialist World Order« [114] 4. Disintegration (in the 1980s) [115] a) Attempt at Laying New Foundations for MARXism with Epigonism Exhausted [115] b) Competitive Trends Becoming Exclusive [115] c) Western Legal Philosophy Acknowledged as a Fellow-traveller within the Socialist Orbit Proper [116] d) Hungarian Legal Theory Transforming into a National Corpus [118] e) The Practical Promotion of Some Balance [119] 5. End-game of Legal Theorising as Substitute for a State Religion (in the 1990s) [120] II. MARXIST LEGAL PHILOSOPHISING IN AN INTERNATIONAL PERSPECTIVE [122] Ad 1: To the Preliminaries [122] Ad 2:To STALINism [124] Ad 3:To Institutionalisati- on Accompanied by Relaxation [125] a) Late Separation from VYSHINSKY’s Theory [125] b) From Ideological Self-closure to an Apparently Scholarly Openness [127] c) From Political Ideology to Genuine Scholarship [130] d) International Recognition of Socialist Jurisprudence as an Independent Trend [135] e) Together with Western Trends [137] Ad 4: To Disintegration [139] a) Loss of Attraction as Mere Epigonism [139] b) Exclusivity of Competing Di- rections [139] c) Fellowship with »Bourgeois« Trends [140] d) An own Trend, Internationally Recognised [141] e) A yet Progressive Role [143] Ad 5:To the Present state [000] III. A TEMPORARY BALANCE [145] Autonomy and Instrumentality of Law in a Superstructural Perspective [1986] 151 1.The Strange Fate of Concepts [151] I. A RELATIONAL CATEGORY [154] 2. Basis and Superstructure:The Genuine Meaning [154] 3. Exerting So- cial Influence as a Conceptual Minimum [156] 4. Relationships within the Prevailing Totality [158] 5. Attempts at Interpretation in Hungary [159] 6. The Lukácsian Stand [162] 7. Lukács’s Recognitions [168] 8. Some Criticism [169] II. THE LAW’S UNDERSTANDING [171] 9. Law Interpreted as Superstructure [171] 10. Conclusions Drawn for the Law’s Understanding [173] 001-010 1/10/13 12:44 PM Page 7 CONTENTS 7 Legal Theory in Transition (A Preface from Hungary) [2000] 177 Development of Theoretical Legal Thought in Hungary at the Turn of the Millennium [2006] 187 1. International Environment [188] 2. The Situation in Hungary [190] 3. Outlook I:The Historico-comparative Study of Legal Cultures and of the Legal Mind [203] 4. Outlook II:The Paradigmatic Enigma of the Transition to Rule of Law [207] 5. Incongruity in Practice [213] 6. Perspectives [214] TWENTIETH CENTURY CONTEMPORANEITY Change of Paradigms in Legal Reconstruction: CARL SCHMITT and the Temptation to Finally Reach a Synthesis [2002] 219 1. Dangers of Intellectualism [219] 2. SCHMITT in Facts [221] 3. SCHMITT and KELSEN [222] 4. On Bordering Conditions [226] 5.With KELSEN in Transubstantiation [230] 6. Polarisation as the Path of Theoretical Deve- lopment [232] KELSENian Documents in Hungary: Chapters on Contacts, Including the Genesis of Autobiography [2006] 235 1. Preludes [235] 2. The Search for MOÓR’s Bequeath [235] 3. MOÓR’s Collegiality [238] 4. BIBÓ as a Disciple Translating [241] The »HART-phenomenon« [2002] 245 I. THE HART-MIRACLE [246] 1. The Scene of Britain at the Time [247] 2.The Personal Career [250] 3.The Opus’ Career [252] 4.Verbal Socio- logism [255] 5. Growing into the British Pattern [259] II. THE HART- PHENOMENON [260] 6. Origination of a Strange Orthodoxy [261] 7. Mas- tering Periods of the 20th Century [263] 8. Raising the Issue of Reception in Hungary [265] Literature? A Substitute for Legal Philosophy? [2007] 269 1.The Enigma of Law and its Study [269] 2. “Law and Literature” [271] 3.Varieties of “Law and Literature” [247] 4.The German Study of Artistic Representations [287] 5. Some Literary Reconsiderations [285] 6. Con- clusion [287] 001-010 1/10/13 12:44 PM Page 8 8 CONTENTS APPENDIX The Philosophy of Teaching Legal Philosophy in Hungary [2007] 291 I.WHY AND HOW TO PHILOSOPHISE IN LAW? [291] II.THE STATE OF TEACH- ING LEGAL PHILOSOPHY [294] III.THE PHILOSOPHY OF TEACHING LEGAL PHILOSOPHY [296] IV.PROGRAMME AT THE CATHOLIC UNIVERSITY OF HUN- GARY [300] 1. Graduate Studies [300] a) Basic Subjects [301] b) Facultative Seminars [305] c) Closing Subjects [309] d) Written Memoranda and the The- sis [312] 2. Postgraduate Studies [313] 3. Conclusion [317] V.PERSPEC- TIVES [318] Index of Subjects 321 Index of Normative Materials 328 Index of Names 329 001-010 1/10/13 12:44 PM Page 9 Law as Culture? 9 HISTORICAL BACKGROUND 001-010 1/10/13 12:44 PM Page 10 10 DISCIPLINARY ISSUES 011-022 1/10/13 12:45 PM Page 11 Philosophy of Law in Central and Eastern Europe A Sketch od History 11 PHILOSOPHY OF LAW IN CENTRAL AND EASTERN EUROPE A Sketch of History* Central and Eastern European philosophy of law started its independent life in the second half of the 19th century by gradually distinguishing itself from the trends prevailing in the region, mainly German and Austrian ones, but also from French and Italian influence. Its formation bore the imprints of natural law, dominant in Europe at the time. In Central Europe this was primarily transmitted through ANTON MARTINI’s book on the principles of natural law.1 IMMANUEL KANT’s and GEORG WILHELM FRIEDRICH HE- GEL’s philosophies contributed to their influences. For his contemporaries, HEGEL was the main symbol of philosophical protest against officialdom. He opposed the German historical school’s respect for the past, with GUS- TAV HUGO’s textbook on natural law in 1798 as its first expression. Under the guise of natural law, conservative ecclesiastical actions com- peted with enlightening secularisation, feudal patriarchalism with contrac- tual theories (designed for confirming or rejecting privileges), and refutation of the ius resistendi with approval of revolutionary republican ideas. Political use of a CHRISTian natural law competed with the fashionable science of the law of reason (called as Vernunftrecht), launched at Budapest.2 By that time, national languages had already gained ground in legal philosophy,3 replacing Latin and German.
Load more

Recommended publications
  • Bibliografie
    BIBLIOGRAFIE ••~- REVISTA „FAMILIA", SERIA A III-A (1934-1940). INDICE BIBLIOGRAFIC de LUCIA CORNEA Şirul noilor serii ale Familiei a fost inaugurat la 1 martie 1926 de M. G. Samarineanu, care a început la acea dată publicarea seriei a li-a. Aceasta a continuat să apară la Oradea, o dată la lună, pînă în 1929. Fiecare nouă serie a revistei Familia, dintre cele apărute în peri­ oada interbelică, s-a proclamat de continuatoare a vechii publicaţii con­ dusă de I. Vulcan. lncepînd cu luna mai 1934, tot la Oradea, sub conducerea ace­ luiaşi Samarineanu, s-a tipărit cea de-a treia serie a revistei Familia, întreruptă în august 1940, cînd a apărut ultimul număr, prin punerea '.in aplicare a dictatului de la Viena. După această dată revista s-a mutat la Bucureşti, în localul tipografiei Universul, unde şi-a continuat existenţa, din ce în ce mai greu şi cu intermitenţe, sub forma celei de-a patra serii. Redactorul seriilor interbelice ale Familiei, Mihail Gh. Samari­ neanu, macedo-rornân de origine, s-a stabilit la Oradea în 1920 la in­ sistenţele lui George Bacaloglu, care la rîndul său se stabilise aici cu un an înainte şi se făcuse remarcat deja prin întemeierea şi conducerea Reunirmii culturale „Cele Trei Crişuri". Cu o scurtă intermitenţă, timp în care s-a reîntors în Macedonia, Samarineanu a rămas la Oradea pînă în 1940. Timp de cîţiva ani, între cele două serii ale Familiei (1929-1934) a lucrat în redacţia cotidianului orădean Gazeta de Vest. Ca scriitor, Samarineanu a fost cunoscut în deceniul patru ca autorul unor scrieri de importanţă minoră, de inspiraţie balcanică.
    [Show full text]
  • Open Etoth Dissertation Corrected.Pdf
    The Pennsylvania State University The Graduate School The College of Arts and Architecture FROM ACTIVISM TO KIETISM: MODERIST SPACES I HUGARIA ART, 1918-1930 BUDAPEST – VIEA – BERLI A Dissertation in Art History by Edit Tóth © 2010 Edit Tóth Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2010 The dissertation of Edit Tóth was reviewed and approved* by the following: Nancy Locke Associate Professor of Art History Dissertation Adviser Chair of Committee Sarah K. Rich Associate Professor of Art History Craig Zabel Head of the Department of Art History Michael Bernhard Associate Professor of Political Science *Signatures are on file in the Graduate School ii ABSTRACT From Activism to Kinetism: Modernist Spaces in Hungarian Art, 1918-1930. Budapest – Vienna – Berlin investigates modernist art created in Central Europe of that period, as it responded to the shock effects of modernity. In this endeavor it takes artists directly or indirectly associated with the MA (“Today,” 1916-1925) Hungarian artistic and literary circle and periodical as paradigmatic of this response. From the loose association of artists and literary men, connected more by their ideas than by a distinct style, I single out works by Lajos Kassák – writer, poet, artist, editor, and the main mover and guiding star of MA , – the painter Sándor Bortnyik, the polymath László Moholy- Nagy, and the designer Marcel Breuer. This exclusive selection is based on a particular agenda. First, it considers how the failure of a revolutionary reorganization of society during the Hungarian Soviet Republic (April 23 – August 1, 1919) at the end of World War I prompted the Hungarian Activists to reassess their lofty political ideals in exile and make compromises if they wanted to remain in the vanguard of modernity.
    [Show full text]
  • The Framing of the First Hungarian Citizenship Law (Act 50 of 1879) and the Acquisition of Citizenship
    THE FRAMING OF THE FIRST HUNGARIAN CITIZENSHIP LAW (ACT 50 OF 1879) AND THE ACQUISITION OF CITIZENSHIP NORBERT VARGA University of Debrecen, Faculty of Political and Law Sciences, Debrecen Hungary In 1879, Hungarian legislators deemed it was time to settle the issue of citizenship once and for all. The moment was not chosen by mere accident, because the previous years had witnessed an upsurge of legislative acts striving to legally settle the ques- tion of who should belong to the states of Europe. The bill was discussed and opined by the Naturalization Committee of the Parliament. The most important problems were the naturalization and the absence. The first regulation of Hungarian citizen- ship according to the contemporary constitutional reforms and legal practice only took place in 1879. It is a major milestone in Hungarian citizenship law, since it also incorporated in its system the cases of acquisition and loss of citizenship. The law contains detailed provisions on how the legal relationship between the citizen and the state could be established and terminated. The objective of the law was to make the system of citizenship clear and transparent. Keywords: legal history, constitutional law, citizenship, naturalization, loss of citi- zenship, acquisition, multiple citizenship, Naturalization Committee, parliamentary debate, absence, marriage, national status, dual monarchy The antecedents of the first Hungarian citizenship law date back to the period of the Revolution and War of Independence of 1848. The bill submitted to the Par- liament of 1847/48 already contained the conditions for the acquisition and loss of citizenship.1 Due to the importance of the bourgeois transformation, however, the detailed debate of the proposal was subsequently taken off the agenda.
    [Show full text]
  • "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937
    "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Johnson, Samuel. 2015. "The Architecture of the Book": El Lissitzky's Works on Paper, 1919-1937. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:17463124 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919-1937 A dissertation presented by Samuel Johnson to The Department of History of Art and Architecture in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History of Art and Architecture Harvard University Cambridge, Massachusetts May 2015 © 2015 Samuel Johnson All rights reserved. Dissertation Advisor: Professor Maria Gough Samuel Johnson “The Architecture of the Book”: El Lissitzky’s Works on Paper, 1919-1937 Abstract Although widely respected as an abstract painter, the Russian Jewish artist and architect El Lissitzky produced more works on paper than in any other medium during his twenty year career. Both a highly competent lithographer and a pioneer in the application of modernist principles to letterpress typography, Lissitzky advocated for works of art issued in “thousands of identical originals” even before the avant-garde embraced photography and film.
    [Show full text]
  • Oradea Academy of Law (1919 – 1934)
    Munich Personal RePEc Archive Higher Education at the Western Border of Great Romania: Oradea Academy of Law (1919 – 1934) Chirodea, Florentina University of Oradea 2011 Online at https://mpra.ub.uni-muenchen.de/62801/ MPRA Paper No. 62801, posted 18 Sep 2015 06:06 UTC FLORENTINA CHIRODEA ÎNVĂŢĂMÂNTUL SUPERIOR LA GRANIŢA DE VEST A ROMÂNIEI MARI ACADEMIA DE DREPT DIN ORADEA (1919-1934) Cuvânt înainte de prof.univ.dr. MIHAI D. DRECIN (Oradea) Oradea, 2011 CUPRINS CUVÂNT ÎNAINTE ……………………………………………… 7 INTRODUCERE ………………………………………………..... 11 CAPITOLUL I Organizarea Academiei de Drept din Oradea în perioada 1919-1934 ......................................................... 29 I.1 Tranziția de la autoritățile maghiare la cele românești (1919 – 1921) ……………………………………........... 35 I.2 Academia de Drept din Oradea în perioada consolidării statului național unitar român (1921 – 1928) .................. 41 I.3 Efecte ale crizelor interbelice asupra activității Academiei de Drept din Oradea (1929 - 1933) ………........................ 49 I.4 Proiectul de înființare a Universității „Regele Mihai I” la Oradea …............................................................................ 68 I.5 Desființarea Facultății de Drept „Regele Carol al II-lea” din Oradea (1934) ……………………………………….. 75 CAPITOLUL II Profesorii Academiei …………………………. 87 II.1 Colectivul profesoral al Academiei de Drept din Oradea în primii trei ani de guvernare românească …………….. 89 II.2 Consolidarea corpului academic ……………………….... 92 II.3 Stil de viață și statut social ……………………………..... 107 II.4 Afirmarea națională și internațională a universitarilor orădeni …………………………………………………. 112 II.4.1 Activitatea științifică ……………………………... 112 II.4.2 Prezențe ale profesorilor Academiei de Drept din Oradea în viața culturală locală și națională …..... 125 II.4.3 Implicarea profesorilor orădeni în viața politică românească ……………………………………… 136 CAPITOLUL III Studenții Academiei de Drept din Oradea ….. 145 III.1 Dinamica studenților în perioada românească a Academiei de Drept din Oradea ...................................
    [Show full text]
  • Veronica Porumbacu's
    Veronica Porumbacu’s ‘Return from Cynthera’ (1966): | 1 Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism Ovidiu Ţichindeleanu IDEA arts + society CONTACT: Ovidiu Ţichindeleanu, IDEA arts + society, Chişinău, Moldova, and Cluj, Romania, [email protected] To cite this article: [Ovidiu Ţichindeleanu. “Veronica Porumbacu’s ‘Return from Cynthera’ (1966): A Conceptual Manifesto of Socialist Feminism.” Wagadu: A Journal of Transna- tional Women’s and Gender Studies. Fall 2020] ABSTRACT: Veronica Porumbacu (1921-1977) was a Romanian poet and translator who has been unjustly forgotten today due to her proletcultist poems of the 1950s. Yet her work was widely published and well-known during the socialist re- gime, and is especially relevant for the two decades of growth and ideological innovation of the 1960s and 1970s. In my article I analyze a remarkable vol- ume of hers published in 1966, situating it in the context of her work and in the wider frame of the political context of Romania. I argue that Return from Cythera can be considered a conceptual manifesto of socialist feminism, rely- ing on reflexive eroticism, embodied thought, and historical consciousness to challenge the surrounding patriarchal order and to claim the necessity of developing a different cultural genealogy, centered on the standpoint and ex- periences of women. © Wagadu (2020) ISSN : 1545-6196 2 | Ovidiu Ţichindeleanu Postcommunist România has tried hard to abandon its own recent past, although as visual artist Ciprian Mureşan has reminded us, strictly speaking “Communism never happened.”1 In the past three decades of “post-socialist” or “post-communist” West-oriented transition, a specific type of forgetting has been perfected in aca- demia, the public sphere, as well as the larger culture industry.
    [Show full text]
  • Lunar De Cultură * Serie Veche Nouă * Anul VI, Nr. 4(64), Aprilie 2014 * ISSN 2066-0952 VATRA, Foaie Ilustrată Pentru Familie (1894) * Fondatori I
    4 Lunar de cultură * Serie veche nouă * Anul VI, nr. 4(64), aprilie 2014 * ISSN 2066-0952 VATRA, Foaie ilustrată pentru familie (1894) * Fondatori I. Slavici, I. L. Caragiale, G. Coşbuc VATRA, 1971 *Redactor-şef fondator Romulus Guga * VATRA VECHE, 2009, Redactor-şef Nicolae Băciuţ _______________________________________________________________________________________________________________________ Emil Chendea● Te văd Ilustraţia numărului: EMIL CHENDEA _______________________________________________________________________________________________________ să ne fie ploilor, decor. Antologie „Vatra veche” Eu mi-aş pune fruntea cea cu tâmple chiar în gura ei cu colţi. Inedit Ah, dar s-ar putea ca să se întâmple să o mănânce. Şi pe noi pe toţi! CĂTRE VERA Strigă leoparda de durere hh, o doare Leopardul dracului, azi, plânge NICHITA STĂNESCU după ce a lăsat un nor din alb-negru cum era, – în sânge Antologie Vatra veche, Inedit, „Către Vera”, de Nichita Stănescu/1 Festivalul Internaţional de Poezie „Nichita Stănescu” – 2014/3 Vasile Tărâţeanu: „Acesta este un festival de elită”, de Daniel Mihu/3 În numele poeziei, de Nicolae Băciuţ/3 Dragă frate Nicolae, de Vasile Tărâţeanu/4 Nicolae Băciuţ: „Premiul Nichita Stănescu poate fi asimilat cu un titlu de nobleţe”, de Daniel Mihu/5 Vatra veche dialog. Acad. Adam Puslojic, de Daniel Mihu/6 Gala poeziei la Ploieşti, de Codruţa Băciuţ/8 Vatra veche dialog cu Vasile Tărâţeanu, de Daniel Mihu/9 Poeme de Vasile Tărâţeanu/9 Poeme de George Stanca, Nicolae Dabija, Adrian Alui Gheorghe/10 Vatra veche dialog cu Teofil Răchiţeanu, de Viorica Manga şi Marin Iancu/11 Scrisori de la Mircea Eliade, de George Anca/13 E. Cioran Inedit, de Isabela Vasiliu-Scraba/14 Simbolismul numărului trei..
    [Show full text]
  • C BCU Cluj / Central University Library Cluj
    impriiL,Anul vii. RCVISTR D€ CULTURA Director-Fondator: GEORGE BACALOGLU BCU Cluj / Central University Library Cluj COLABORATORII ACESTUI NUMÂR • G- BOGDAN-DUICĂ. L AGÂRBICEANU. EUGENIU SPERANTIA. EMIL ISAC. i '• PAUL I. PAPADOPOL. GEORGE BAICULESCU. ION GANE, N. MILCU. AL. KERESZTURY-OLTEANU, TRAIAN BIRÂESCU. I. POGAN, A. DAVIDESCU. OVID O. DENSUŞ1ANU . CRONICI. - NOTE. - CÂRTI. - REVISTE. - MEMENTO. - CLIŞEE. SCRISOARE LITERARĂ PRESA ROMÂNEASCA DIN ARDEAL KT- C TREI SCRISORI ALE LUI IOAN DRAGOŞ DESPRE TRATATIVELE CU AVRAM IANCU CELE TREI CRIŞURI ABONAMENTE: Pe un an Lei 100.— Pe un an autorităţi Lei 350.— Pe un an : şcoli primare, normale şi secundare . Lei 250.— In străinătate : Europa 500 Lei; America 3 dolari. Anunţuri şi reclame după tarif. — Manuscrisele nu se înapoiază iiiiilllljitiiiiiifiiiiiiiiriiiiiiiriirijji[iiliiiiiiiijiMiiiifiiiii[[iiiiiiriiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii]ii]iiiiiiiiiiii]ii]iiillilililllsili[iiiiiiiilliiiiiiii[iiiiiiiiiiiiiiiillilifliiiiiltlliin CUPRINSUL: Col. George Bacaloglu : Presa românească din Ardeal CRONICI: (-presa care ne trebue-) : Pauli. Papadopol . : Prin Câmpina de azi. Impre- N. Milcu Pastel (versuri); siuni şi caracterizări; G. Bogdan-Duică . Scrisoare literară ; l. Pogan : Cronica Ştiinţifică (Construi­ Nestimatele ; rea caselor după planul lu I. Agârbiceanu .... M. Decourt); Al. Keresztury-Olteanu Trei scrisori ale lui Ioan Dia- MIŞCAREA goş despre tratativele cu CULTURALĂ PE GRANIŢA DE VEST: Avram lancu ; Emil Isac . In strada mea... (versuri); Eugeniu Sperantia . : Flori, propagandă flori .. • ; Traian Birăescu . : Scrisori dm Banat ; S Di Giacomo ; Prietenul Richter, — trad. de A. Davidescu : Scrisori din Sâtmar; Ovid O. Densuşianu ; * lan Gane . ScrisoarBCUe trecătoare Cluj / i Central(versuri) UniversityGeorge Baiculescu Library Scrisor Cluji din Bucureşti : NOTE: Influenta sârbă asupra muzicei româneşli. — Vladimir de Repta. CĂRŢI: — Teofi! Codreanu. Povestiri de pe dealuri, de Eug. Boureanul. — Nîuguri c enuşii, de Agatha Grigorescu.
    [Show full text]
  • Ars Libri, Ltd. / 500 Harrison Ave. / Boston, MA 02118 Electronic List
    ARS LIBRI ELECTRONIC LIST #59 MODERN ART : NEW ACQUISITIONS Ars Libri, Ltd. / 500 Harrison Ave. / Boston, MA 02118 [email protected] / www.arslibri.com / tel 617.357.5212 / fax 617.338.5763 Electronic List 59: Modern Art: New Acquisitions 1 BUCHHOLZ, ERICH. Design for a portfolio. Original composition in red gouache, black ink and gold metallic paint, on textured ochre leatherette, mounted on a red buckram slipcase, with inserted red buckram chemise and inner sleeve of white Bütten paper, reinforced with loose panels of cardboard. Painted panel: 368 x 275 mm. (ca. 14 1/2 x 10 3/4 inches). Slipcase: 423 x 325 mm. (ca. 16 5/8 x 12 3/4 inches). This large and majestically impressive handmade portfolio represents a variation of Buchholz’s painted wooden relief, “Roter Kreis im Goldkreis,” of 1922, of which Ingrid Weisenmayer has commented “Der Dreiklang der Farben Schwarz, Gold und Rot steigert die Wirkung der einzelnen Farben noch zusätzlich. Es ist charakteristisch, dass Buchholz, der sich so vehement von jeglicher Kunsttradition distanzieren wollte, auf mittelalterliche Traditionen zurückgreift, und diese in einen modernen Kontext stellt” (Weisenmayer, in Gassen/Mengden). Comparison might equally be made with another painted panel of 1923, Buchholz’s “Neue Tafel Nr. 70.” These and similar motifs were reprised by the artist many times, through late in his career. Slight rippling of the panel at foot; a little light rubbing, otherwise in fine, bright condition. [Berlin, n.d.]. $4,500.00 Gassen, Richard W. & Mengden, Lida von (hrsg.): Erich Buchholz. Graphik, Malerei, Relief, Architektur, Typographie (Köln, 1998), c.f.
    [Show full text]
  • The Tragicomedy of Romanian Communism
    RESEARCH REPORT T O NATIONAL COUNCIL FOR SOVIET AND EAST EUROPEAN RESEARC H TITLE : THE TRAGICOMEDY OF ROMANIAN COMMUNIS M AUTHOR : Vladimir Tismanean u CONTRACTOR : Foreign Policy Researc h Institute PRINCIPAL INVESTIGATOR : Vladimir Tismanean u COUNCIL CONTRACT NUMBER : 903-0 4 DATE : September, 198 9 The work leading to this report was supported by funds provided b y the National Council for Soviet and East European Research . Th e analysis and interpretations contained in the report are those o f the author . a NOTE This report, based on an article to be published i n Eastern EuropeanPolitics andSocieties, is an inciden- tal product of the Council Contract identified on the title page . It is not the Final Report, which wa s distributed in August, 1989 . TABLE OF CONTENTS Page Introduction 1 Stalin's Romanian Disciples 1 1 The Comintern and the RCP 1 6 Stalinism for All Seasons 3 4 The Anti-De-Stalinization Platform 3 9 The Road to Absolute Power 43 The Manipulated Manipulator 47 Assault on the Party Apparatus 5 2 Notes 57 The Tragicomedy of Romanian Communis m Vladimir Tismanean u Un monde sans tyrans serait aussi ennuyeux qu'un jardi n zoologique sans hyenes . E . M . Cioran, Histoire et utopi e Now, despite eternal cabals in the inner clique and unendin g shifts of personnel, with their tremendous accumulation o f hatred, bitterness, and personal resentment, the Leader' s position can remain secure against chaotic palace revolution s not because of his superior gifts, about which the men in hi s intimate surroundings frequently have no great illusions, bu t because of these men's sincere and sensible conviction tha t without him everything would be immediately lost .
    [Show full text]
  • Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM
    Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM Henry Hollander Bookseller Tishrei 5763 Catalogue No. 25 German Language Judaica Art | Fascism, Economics, Agriculture | German Jewish History, Holocaust, Ancient and Medieval History | Literature | Psychology | Religion, Religious Philosophy, Old Testament | Theater, Music | Zionism, Israel | Art 1. Barlach, Ernst. “Zeichnungen von Ernst Barlach.” Munich, R. Piper & Co. (4793) Verlag, 1948. Second printing. Quarto in dust jacket, 90 pp., 64 b/w illus. $35.00 Mit einer Einfuhrung von Paul Fechter. 2. Gohr, Siegfried, edited by. “Max Beckmann Symposium 15. und 16. Mai 1E984.” (15319) Cologne, Veranstaltet von der Josef-Haubrich-Kunsthalle, Stadt Köln, 1987. First $30.00 Edition. Quarto, paper covers, 123 pp., b/w plates throughout. Articles are “Das Symbol der ‘verkehrten Welt’ im Werk Max Beckmanns,” Claude Gandelmann, “Max Beckmann: Die nacht,” Matthias Eberle, “Max Beckmann in seinen Illustrationen und seine Symbolwelt am Beispiel der Illustrationen zur Apokalypse,” Peter Beckmann, “Beckmann: Randbemerkungen zu Buddha,” Peter Beckmann, “Nachgedanken zur Bielefelder Ausstellung der Frühen Bilder Max Beckmanns,” Ulrich Weisner, “Rolenspiel für eine Utopia Zu Beckmanns Selbstdarstellung,” Fritz Erpel, “‘Somnabulismus und Bewusstseinshelle’ Zu Max Beckmanns ‘Auferstehung’ 1916/18,” Stephen von Wiese, “Max Beckmann, Die Illustrationen zur Apokalypse 1941-44,” Ernst Wagner. file:///Users/metafo/Polis/Clients/Henry%20Hollander/HOLLANDERCATS/Cat%2025/cat25.htm Page 1 of 46 Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM 3. Schmidt, Manfred. “Manfred Schmidt’s Bilderbuch für Überlebende.” Stuttgart (20621) Hamburg, Rowohlt, 1947. First Edition. Oblong royal octavo, illustrated paper $35.00 covers, 84 pp., b/w cartoons throughout.
    [Show full text]
  • A Brief History of the University of Szeged and Its Predecessors
    A brief history of the University of Szeged and its predecessors “The intellectual power of teachers creates the good reputation and blessed opera- tion of a university, not its silent walls.” (Áron Berde, November 10, 1872) The era of the Jesuit Academy in Cluj The beginning of higher education in Cluj, exiled to Szeged in 1921, dates back to 1581. István Báthory, Prince of Transylvania and King of Poland, on May 12, 1581 issued a foundation letter in Vilnius, taking measures to establish a Catholic university consisting of two faculties (Arts and Theology), within the framework of the Jesuit Collegium in Cluj which had been founded in 1579. The Jesuit Order sent 20 to 30 well-renowned excellent professors to Cluj (e.g. Jakub Wujek, István Szántó, Alphonso Carillo, Petrus Maiorius). The foundation letter of the Prince provided five villages and five larger ecclesiastical buildings (the Benedictine Abbey in Mănăştur, and the Fran- ciscan and Clarist monasteries in Cluj) in Kolozs county for the development of the institution. At the end of the 16th century the Academy in Cluj was the sole higher educational institution in the Carpathian basin In 1603, amidst the Long War (1591-1606) and religious upheavals, the Abby was demolished and two years later the Jesuit order was expelled from Tran- sylvania. In 1616, Prince Gábor Bethlen allowed, however, for the Jesuits to open a school in Mănăştur which was namely a middle school but there was a teacher (Gergely Vásárhelyi) who, having been teaching at the University founded by Báthory, ensured a certain personal continuity between the two institutions.
    [Show full text]