NOVEMBER 2020 JOURNAL the Association of Jewish Refugees

Total Page:16

File Type:pdf, Size:1020Kb

NOVEMBER 2020 JOURNAL the Association of Jewish Refugees VOLUME 20 NO.11 NOVEMBER 2020 JOURNAL The Association of Jewish Refugees BACK TO BASICS Remembering November is always one of the AJR’s busiest months but this year we are busy in different ways, as Michael Newman the Ghettos explains on page 4. For example, we are commemorating In November 1940, eighty years ago this month, the Warsaw Kristallnacht in different formats, including an online memorial service (see page 3) Ghetto was officially sealed, cutting off 380,000 Jews from the and a moving testimony by Kurt Marx rest of the world. It was the largest ghetto in Nazi-occupied (page 13). Poland. “When the ghetto was finally separated from the rest Equally moving are stories of how AJR members are giving something back of Warsaw,” writes Bryan Cheyette in his book, The Ghetto, (Pages 10-11) and a Korean third published in September, “it covered 452 acres and was surrounded generation refugee’s perspective (page 14 - 15). by 11 miles of roughly built wall… Thirty per cent of Warsaw’s population were jammed into 2.5 per cent of the city…” News ............................................................ 3 Why this November is different .................... 4 Letter from Israel .......................................... 5 Letters to the Editor .................................6 - 7 Art Notes...................................................... 8 Learning to swim the American way ............ 9 Giving something back ........................10 - 11 It’s the way we tell ‘em .............................. 12 A Kristallnacht Tale ..................................... 13 Kitchener through the eyes of a stranger ........................................14 - 15 The National Holocaust Memorial .......16 - 17 Reviews ...............................................18 - 19 Events & Looking for .................................. 20 Please note that the views expressed throughout this publication are not necessarily the views of the AJR. AJR Team Chief Executive Michael Newman Rozenfeld, Punkt etapowy (Etap point) - one of the very few surviving drawings from Finance Director David Kaye the Warsaw Ghetto, courtesy of Poland’s Jewish Historic Institute Heads of Department Community & Volunteer Services Carol Hart HR & Administration Karen Markham There are deeply moving accounts of the children of those who died. Some Educational Grants & Projects Alex Maws the Polish ghettos by those who never escaped during the war, but a surprising Social Services Nicole Valens survived. But some of the most powerful number stayed on in post-war Poland but AJR Journal accounts of the Nazi ghettos in Poland fled the Communist regime in the 1950s Editor Jo Briggs are by refugees, offering very different and ‘60s. Editorial Assistant Lilian Levy perspectives, as witnesses, survivors, Continued on page 2 Contributing Editor David Herman 1 AJR Journal | November 2020 AJR Journal | November 2020 Remembering the was deported to Auschwitz with the last the Polish ghettos. There are two things transport from Łódz‘ in 1944.” which stand out from these very different YOUNG AMERICANS UNAWARE Ghettos (cont.) accounts. First, we are not seeing The Polish poet, Czeslaw Milosz, wrote Like Hamermesh, Janina Bauman (née the ghetto as through a transparent two of the greatest poems about the Levinson) grew up in a middle-class windowpane. Bauman’s closing image Warsaw Ghetto from the point of view of Jewish family, but she was born and reminds us that what seems to be a an observer. Both were written in Warsaw grew up in Warsaw. Her family was description of a room could also be a in 1943 and are about testimony and the assimilated. “No one in my large family description of herself after her terrible guilt of the survivor. The final verse of A spoke Yiddish,” she later wrote in her experiences over six years. Poor Christian Looks at the Ghetto reads: remarkable memoir, Beyond These Walls: Escaping the Warsaw Ghetto – A Young Claude Lanzmann’s masterpiece, Shoah, “What will I tell him, I, a Jew of the New Girl’s Story, “wore beards, skullcaps or raises a similar question. It ends not in Testament, traditional Jewish gaberdines. Nobody 1945, like Bauman’s account, but in 1943 KRISTALLNACHT Waiting two thousand years for the was religious.” with the Ghetto Uprising and it ends not second coming of Jesus? in Warsaw but in Israel. These are the SERVICE My broken body will deliver me to his Bauman describes life in the Ghetto: the last words of the film: “l didn’t meet a sight fear of typhus, “the homeless, tattered, living soul. At one point, l recall feeling MONDAY 9 NOVEMBER, 2PM And he will count me among the helpers undernourished people we brushed a kind of peace, of serenity, when l said of death: The uncircumcised.” against in the streets”, rumours of a to myself, ‘l’m the last Jew. l’ll wait for Please join us for our Annual Service war between Germany and the Soviet morning and for the Germans.’’’ The deeper the red, the higher the percentage of young Americans in that state who, which will be led by Rabbi Jonathan His most famous poem, though, is Union, “shops with luxury goods, cafés according to the survey, believe that Jews caused the Holocaust Wittenberg and live streamed from Campo dei Fiori, named after the and restaurants” in the Ghetto, Germans Lanzmann’s film begins with Simon Belsize Square Synagogue. square in Rome where Giordano Bruno hunting people who traded on the black Srebnik, one of the few survivors of was burned for heresy in 1600. Milosz market, naked bodies buried in “a huge, Chelmno, and ends with the testimony 15 percent of American Millennials and revealed that nearly 20 percent of young Our guest speakers will be AJR continues, deep, rectangular hole in the ground” of two of the survivors from the Warsaw Gen Z think it is acceptable to hold neo- New Yorkers feel the Jews caused the member Professor Robert Shaw, and, worst of all, the mass deportations. Ghetto. It is about the terrible isolation Nazi views and almost a quarter of them Holocaust. The state of New York has Austrian Ambassador Michael “I thought of the Campo dei Fiori On Sunday 6 September she and her of the last Jews, the few who survived. believe that the number of Jews who died one of the lowest levels of Holocaust Zimmerman, and Hannah Lessing, in Warsaw by the sky-carousel family were suddenly woken. They It ends, crucially, with Jewish survivors in the Holocaust has been exaggerated. awareness, alongside Alaska, Delaware, General Secretary of the Austrian one clear spring evening had less than four hours to get ready. in Israel. It is as carefully structured as Maryland, Georgia, Hawaii, Louisiana, National Fund. to the strains of a carnival tune. “Anybody found in the block after 10am Milosz’s poems or Bauman’s memoir. The results of the first ever 50-State Florida, Mississippi, and Arkansas. The bright melody drowned would be shot dead.” On 25 January Second, all these acts of testimony survey on Holocaust knowledge were https://www.eventbrite.com/e/ the salvos from the ghetto wall, 1943 she escaped from the Ghetto with remind us of the devastation of these published by the Claims Conference in The full report can be seen on ajr-annual-kristallnacht-service- and couples were flying her mother and sister and after some experiences, whether the guilt of the September. The state-by-state analysis www.claimscon.org/millennial-study/ tickets-124989758733 high in the cloudless sky. extraordinary adventures managed to witness or survivor. One of the survivors survive the war. Her father didn’t survive. of the Warsaw Ghetto tells Lanzmann, At times wind from the burning She later discovered that he had been “lf you could lick my heart, it would would drift dark kites along shot at Katyn. poison you.” Mira Hamermesh begins GREAT HONOURS and riders on the carousel her memoir after the war, in London in Mazel Tov caught petals in midair. Towards the end of the book she 1959. She has gone to see Wajda’s film, The AJR warmly congratulates all That same hot wind describes returning to a flat. “I explained Generation, at the Academy Cinema on members who were included in HM The blew open the skirts of the girls that in that flat, under the rubble of Oxford Street. The film, she writes, “had Mindu Queen’s recent Birthday Honours list for and the crowds were laughing a half-ruined room, I had buried my torn open old wounds. My feet carried their services to Holocaust Education and on that beautiful Warsaw Sunday.” manuscripts just after the Warsaw me through London streets, but my head AJR member Mindu Hornick Awareness, including: remained in Poland, unable to part from Uprising… It still looked as I remembered has been awarded the Lifetime Lilian Black - OBE In 2009, the Polish refugee filmmaker, it, one leg of the piano dangling over the characters, and, by association, from Ellen Davis - MBE Mira Hamermesh, returned to Łódz‘, the precipice. And here they were, all my my own family. It exploded my defence Achievment Award from the Pride Eve Glicksman - OBE where her parents had been locked system, a makeshift survival kit devised to exercise books and loose sheets covered of Birmingham for her educational Renate Inow - BEM up in the Ghetto. She wrote about with my untidy handwriting, hidden release me from my accountability to the Hana Kleiner - BEM her experience in The Guardian. She safely in a hole in the floor, under a few dead.” work on the Holocaust in the Lady Zahava Kohn - MBE and her brother left Łódz‘ soon after bricks.” Midlands and beyond. Tomi Komoly - BEM the German invasion and after an Films and writings about the ghettos in Marcel Ladenheim - BEM extraordinary journey, described in The imagery is fascinating. Everything Poland seem so clear and straightforward. Having survived Auschwitz, Mindy Elfriede Starer - BEM her memoir, The River of Angry Dogs, is in ruins and destroyed: “rubble”, “a They are not.
Recommended publications
  • Movie Catalog Movie
    AVENGERS BY THE NUMBERS On-Board Inside front cover EVERYTHING GAME OF THRONES MOVIE CATALOG Pages 36-38 © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Paramount Pictures © 2019 Warner Bros. Ent. All rights reserved. © 2019 RJD Filmworks, Inc. All Rights Reserved. © Lions Gate Entertainment, Inc. STX Entertainment 2019 © © Amazon Studios © 2019 Disney Enterprises, inc. © 2019 STX Entertainment 2019 © © Lions Gate Entertainment, Inc. © 2019 Warner Bros. Ent. All rights reserved. July/August 2019 | 1.877.660.7245 | swank.com/on-board-movies H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H ExperienceH H H H H H H H H H H H H H H H HTHE H ADVENTURESH H H H H H H H of the AVENGERS H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Universal City Studios Productions LLLP. All Rights Reserved. © 2019 Marvel H HH H H H H H HH HH H HH HH H 2008H H H H H H HH H H H H 2008H H H H H H H H H H2010 H H H H H H H H H2011 H H H H H H H H H2011 H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel H H H H H2012 H H H H H H H H H2013 H H H H H H H H H2013 H H H H H H H H H2014 H H H H H H H H H 2014H H H H H H H H H 2015H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H H © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Marvel © 2019 Columbia Pictures Industries, Inc.
    [Show full text]
  • Preparatory Document
    Preparatory document Please notice that we recommend that you read the first ten pages of the first three documents, the last document is optional. • International Holocaust Remembrance Alliance, Recognizing and Countering Holocaust Distortion: Recommendations for Policy and Decision Makers (Berlin: International Holocaust Remembrance Alliance, 2021), read esp. pp. 14-24 • Deborah Lipstadt, "Holocaust Denial: An Antisemitic Fantasy," Modern Judaism 40:1 (2020): 71-86 • Keith Kahn Harris, "Denialism: What Drives People to Reject the Truth," The Guardian, 3 August 2018, as at https://www.theguardian.com/news/2018/aug/03/denialism-what-drives- people-to-reject-the-truth (attached as pdf) • Optional reading: Giorgio Resta and Vincenzo Zeno-Zencovich, "Judicial 'Truth' and Historical 'Truth': The Case of the Ardeatine Caves Massacre," Law and History Review 31:4 (2013): 843- 886 Holocaust Denial: An Antisemitic Fantasy Deborah Lipstadt Modern Judaism, Volume 40, Number 1, February 2020, pp. 71-86 (Article) Published by Oxford University Press For additional information about this article https://muse.jhu.edu/article/750387 [ Access provided at 15 Feb 2021 12:42 GMT from U S Holocaust Memorial Museum ] Deborah Lipstadt HOLOCAUST DENIAL: AN ANTISEMITIC FANTASY* *** When I first began working on the topic of Holocaust deniers, colleagues would frequently tell me I was wasting my time. “These people are dolts. They are the equivalent of flat-earth theorists,” they would insist. “Forget about them.” In truth, I thought the same thing. In fact, when I first heard of Holocaust deniers, I laughed and dismissed them as not worthy of serious analysis. Then I looked more closely and I changed my mind.
    [Show full text]
  • From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema
    This is a repository copy of From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/85099/ Version: Accepted Version Book Section: Sternberg, C (2016) From Pig Farmer to Infidel: Hidden Identities, Diasporic Infertility, and Transethnic Kinship in Contemporary British Jewish Cinema. In: Abrams, N and Lassner, P, (eds.) Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Cultural Expressions of World War II: Interwar Preludes, Responses, Memory . Northwestern University Press , Evanston, Illinois , pp. 181-204. ISBN 978-0-8101-3282-5 Copyright © 2016 by Northwestern University Press. Published 2016. All rights reserved. This is an author produced version of a book chapter published in Hidden in Plain Sight: Jews and Jewishness in British Film, Television, and Popular Culture. Uploaded with permission from the publisher. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request.
    [Show full text]
  • The Parkes Institute for the Study of Jewish
    The Parkes Institute for the Study of Jewish/ non-Jewish Relations Annual Review 2018 - 2019 Cover image: Shanghai Jewish Refugees Museum, courtesy of Corey Kai Nelson Schultz IN THIS ISSUE Professor Shirli Gilbert and Professor Joachim Schlör 04 22 35 Report of the Director Special Collections Publications, Papers and of the Parkes Institute and Library Report Talks by Members of the Dr Helen Spurling by Karen Robson and Parkes Institute Jenny Ruthven 08 CONTENTS Outreach report Report of the Director of the Parkes Institute 4 Tribute to Clinton Silver 6 and Diana Bailey Outreach 8 Conferences, Workshops, Lectures and Seminars 12 Journals of the Parkes Institute 14 Development 15 Internationalisation 16 Moss Memorial Prizes and David Cesarani Prize 17 23 MA and PhD Report 18 14 Reports by Parkes students 20 FEATURE: Journals of the Special Collections and Parkes Institute Library Report 22 Reports by Reports by Academic Members Academic Members of the Parkes Institute 23 Publications, Papers and Talks by of the Parkes Institute Members of the Parkes Institute 35 Members of the Parkes Institute 38 The Parkes Institute and Library Friends Membership Programme 39 3 REPORT OF THE DIRECTOR OF THE PARKES INSTITUTE Dr Helen Spurling James Parkes exhibition funded by the South, West and Wales Doctoral Training Partnership (AHRC), including archival materials from the Special Collections at the University of Southampton The purpose of the Parkes Institute is to explore relations between Jews and others throughout history, address major questions around inter-cultural relations, and combat racism and intolerance. Through research, teaching and public engagement, this mission reflects the goals of James Parkes, but also the ambitions and commitments of all our members.
    [Show full text]
  • Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM
    Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM Henry Hollander Bookseller Tishrei 5763 Catalogue No. 25 German Language Judaica Art | Fascism, Economics, Agriculture | German Jewish History, Holocaust, Ancient and Medieval History | Literature | Psychology | Religion, Religious Philosophy, Old Testament | Theater, Music | Zionism, Israel | Art 1. Barlach, Ernst. “Zeichnungen von Ernst Barlach.” Munich, R. Piper & Co. (4793) Verlag, 1948. Second printing. Quarto in dust jacket, 90 pp., 64 b/w illus. $35.00 Mit einer Einfuhrung von Paul Fechter. 2. Gohr, Siegfried, edited by. “Max Beckmann Symposium 15. und 16. Mai 1E984.” (15319) Cologne, Veranstaltet von der Josef-Haubrich-Kunsthalle, Stadt Köln, 1987. First $30.00 Edition. Quarto, paper covers, 123 pp., b/w plates throughout. Articles are “Das Symbol der ‘verkehrten Welt’ im Werk Max Beckmanns,” Claude Gandelmann, “Max Beckmann: Die nacht,” Matthias Eberle, “Max Beckmann in seinen Illustrationen und seine Symbolwelt am Beispiel der Illustrationen zur Apokalypse,” Peter Beckmann, “Beckmann: Randbemerkungen zu Buddha,” Peter Beckmann, “Nachgedanken zur Bielefelder Ausstellung der Frühen Bilder Max Beckmanns,” Ulrich Weisner, “Rolenspiel für eine Utopia Zu Beckmanns Selbstdarstellung,” Fritz Erpel, “‘Somnabulismus und Bewusstseinshelle’ Zu Max Beckmanns ‘Auferstehung’ 1916/18,” Stephen von Wiese, “Max Beckmann, Die Illustrationen zur Apokalypse 1941-44,” Ernst Wagner. file:///Users/metafo/Polis/Clients/Henry%20Hollander/HOLLANDERCATS/Cat%2025/cat25.htm Page 1 of 46 Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM 3. Schmidt, Manfred. “Manfred Schmidt’s Bilderbuch für Überlebende.” Stuttgart (20621) Hamburg, Rowohlt, 1947. First Edition. Oblong royal octavo, illustrated paper $35.00 covers, 84 pp., b/w cartoons throughout.
    [Show full text]
  • Refugees in Europe, 1919–1959 Iii Refugees in Europe, 1919–1959
    Refugees in Europe, 1919–1959 iii Refugees in Europe, 1919–1959 A Forty Years’ Crisis? Edited by Matthew Frank and Jessica Reinisch Bloomsbury Academic An imprint of Bloomsbury Publishing Plc LONDON • OXFORD • NEW YORK • NEW DELHI • SYDNEY Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com BLOOMSBURY and the Diana logo are trademarks of Bloomsbury Publishing Plc First published 2017 © Matthew Frank, Jessica Reinisch and Contributors, 2017 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the authors. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-8562-2 ePDF: 978-1-4725-8564-6 eBook: 978-1-4725-8563-9 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Cover image © LAPI/Roger Viollet/Getty Images Typeset by Deanta Global Publishing Services, Chennai, India To find out more about our authors and books visit www.bloomsbury.com. Here you will find extracts, author interviews, details of forthcoming events and the
    [Show full text]
  • Festival Report
    FESTIVAL REPORT 21–31 May 2015 Hay-on-Wye CONTENTS Welcome 3 Croeso 4 The Festival 6 The Festival in numbers 8 Schools Programme 10 Hay Fever 12 Hay on Earth 14 Marketing and Press 18 Marketing of Hay Festival with the Book Trade 20 Marketing of Hay Festival with University Partnerships 21 Marketing of Hay Festival with Theatres, Galleries, Tourism and Leisure 22 Marketing and Press Report 23 Media Partner Support 29 Sponsors 32 Hay Festival Report: Hay-on-Wye 2015 WELCOME “Imagine a party...where curiosity and discovery trump certainty and conviction.” Imagine a party for everyone – young and old, right and left, the country and the city; a party with a thousand stories rather than a manifesto; a party where poetry trumps rhetoric, and where curiosity and discovery trump certainty and conviction; a party where dreams are dearer than promises, where we revel in dissent, and where to change your mind is a strength and a pleasure. Imagine a party where we celebrate the possibility of art, the adventure of science and the deep understanding of humanity that comes from close attention to the lessons of history. Imagine a party that is first and foremost a party. There’s food and music and laughter; there’s time and there’s the best company you could hope for. That’s our party in Hay. Peter Florence Director, Hay Festival PAGE 3 CROESO ‘Dychmygwch hynny i gyd mewn cyd-destun sydd, yn y lle cyntaf, yn ddathliad ac yn barti.’ Â’r etholiad cyffredinol ar bob sianel ac ymhob papur newydd, dyma wahoddiad i chi ddychmygu cyd-destun lle mae yna groeso i bob un – yr hen a’r ieuanc, y rheiny ar y dde ac ar y chwith, trigolion y wlad a’r ddinas.
    [Show full text]
  • Fanatics!: Power, Identity and Fandom in Football
    6 ‘FOOTBALL’S COMING HOME’ BUT WHOSE HOME? AND DO WE WANT IT? Nation, football and the politics of exclusion Ben Carrington Racism manifests itself in plural and complex forms. In this situation the logic of racism needs to be appraised in what we shall call metonymic elaborations. This means that racisms may be expressed through a variety of coded signifiers…. Contemporary racisms have evolved and adapted to new circumstances. The crucial property of these elaborations is that they can produce a racist effect while denying that this effect is the result of racism. (Solomos and Back 1996:27, emphasis added) Introduction This chapter argues that the dominant discourse that surrounded Euro 96 (the 1996 European Football Championships) drew on, and reinforced, a form of cultural racism that currently appears to be pervasive. It is argued that the national ‘imagined community’ (Anderson 1991) that was re- constructed was one that actively worked to exclude certain categories of people—being both gendered and racially exclusive. Seeking to understand the underlying cultural processes that generated this discourse, I show the connections between other cultural spheres, notably pop music, and argue that these cultural expressions are part of a wider reassertion of a narrow and closed white male English identity which has become coded as the so- called ‘New Lad’ phenomenon. The chapter surveys some of the contemporary characteristics of popular culture before locating the pivotal role of comedians David Baddiel and Frank Skinner in generating the Euro 96 anthem, ‘Three Lions’ with its ‘football’s coming home’ chorus, and outlines why this song and related themes became so popular within both the public and political imagination.
    [Show full text]
  • Programme 2021 Thank You to Our Partners and Supporters
    8–17 October 2021 cheltenhamfestivals.com/ literature #cheltlitfest PROGRAMME 2021 THANK YOU TO OUR PARTNERS AND SUPPORTERS Title Partner Festival Partners The Times and The Sunday Times Australia High Commission Supported by: the Australian Government and the British Council as part of the UK/Australia Season 2021-22 Principal Partners BPE Solicitors Arts Council England Cheltenham BID Baillie Gifford Creative New Zealand Bupa Creative Scotland Bupa Foundation Culture Ireland Costa Coffee Dutch Foundation For Literature Cunard Embassy of the Kingdom of the Netherlands Sky Arts Goethe Institut Thirty Percy Hotel Du Vin Waterstones Marquee TV Woodland Trust Modern Culture The Oldham Foundation Penney Financial Partners Major Partners Peters Rathbones Folio Prize The Daffodil T. S. Eliot Foundation Dean Close School T. S. Eliot Prize Mira Showers University Of Gloucestershire Pegasus Unwin Charitable Trust St. James’s Place Foundation Willans LLP Trusts and Societies The Booker Prize Foundation CLiPPA – The CLPE Poetry Award CLPE (Centre for Literacy in Primary Education) Icelandic Literature Center Institut Francais Japan Foundation Keats-Shelley Memorial Association The Peter Stormonth Darling Charitable Trust Media Partners Cotswold Life SoGlos In-Kind Partners The Cheltenham Trust Queen’s Hotel 2 The warmest of welcomes to The Times and The Sunday Times Cheltenham Literature Festival 2021! We are thrilled and delighted to be back in our vibrant tented Festival Village in the heart of this beautiful spa town. Back at full strength, our packed programme for all ages is a 10-day celebration of the written word in all its glorious variety – from the best new novels to incisive journalism, brilliant memoir, hilarious comedy, provocative spoken word and much more.
    [Show full text]
  • Viewers at Its Peak
    Frank Skinner Comedian, Writer, TV and Radio Presenter Frank Skinner hosts Absolute Radio’s Sony Award winning Saturday morning flagship show, whose podcasts have been downloaded 6.5 million times. He is also President of the Samuel Johnson Society. He is the host of Room 101 and was a team captain on the recent I Love My Country. He is currently touring his latest stand up show, “Man In A Suit”. Skinner has done three series of the popular Frank Skinner’s Opinionated for BBC Two. As a keen ukulele fan, he has filmed a documentary investigating the life of George Formby for BBC Four. Additionally, Skinner has hosted the BBC Radio Three Christmas Day comedy panel show, The Right Notes in the Wrong Order; and in 2010, reunited with David Baddiel to exclusively present a series of shows for Absolute Radio throughout the FIFA World Cup™. This series reached number one in the iTunes Top 10 comedy podcasts chart within the first week of its launch and attracted over 3 million downloads in total. Skinner has also been a columnist for The Times. In 2009, Skinner completed the triple-extended, sell-out Credit Crunch Cabaret in London’s West End, offering recession-hit Londoners the chance to experience a variety of award-winning acts for just £10 a ticket. The show included Michael McIntyre, Al Murray - The Pub Landlord, John Bishop, Lee Mack, Russell Howard and Chris Addison. Skinner authored a Panorama (BBC One) special on taste and decency, as well as hosted Have I Got News For You? and Never Mind The Buzzcocks on BBC Two.
    [Show full text]
  • New Strains of an Old Virus the Changing Face of Shylock P/2
    AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un­ consensus, came the farce of his run-off with avoidable later on.
    [Show full text]
  • Download Pack
    “THE BEST OF ALL POSSIBLE WORLDS” THE OBSERVER • WELCOME • DID YOU KNOW? Edinburgh Festival Fringe is the world’s Since opening its doors with only eight shows in 1985, largest arts festival. The Pleasance Theatre Trust better known as simply The Pleasance, has become one of the most famous festival venues in the world. It stands at the very heart of the Edinburgh Festival Fringe and now spans 23 venues across 2 sites. In 2014, our 30th anniversary on the Festival Fringe, for each of the 27 days throughout the festival the Pleasance presented 240 shows from 12 different countries. We welcomed 500,000 people and sold over 420,000 tickets. The Pleasance is the first destination for anyone seeking the best shows at the Edinburgh Festival. Our year-round operation with two further theatre spaces and rehearsal room complex in central London enables those at the pinnacle of their careers alongside those just starting out, with the facilities to create and AND... develop brilliant new work. 1 in 4 tickets sold on the Fringe is for a Pleasance show. My love of the Pleasance is because it’s “ just got a great vibe. TIM MINCHIN ” • ABOUT US • As a registered charity in England, Wales and Scotland, The Pleasance Theatre Trust has created a powerful platform from which we can discover, nurture and support the best new talent from around the world. Promoters, industry experts, and festival managers from across the Globe come to the Pleasance looking for productions. The Pleasance receives no public subsidy and all revenue generated is reinvested back into future festivals and the London development programme.
    [Show full text]