New Strains of an Old Virus the Changing Face of Shylock P/2
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ABSTRACT WHAT IF YOU're LONELY: JESSICA STORIES By
ABSTRACT WHAT IF YOU’RE LONELY: JESSICA STORIES by Michael Stoneberg This novel-in-stories follows Jessica through the difficulties of her early twenties to her mid- thirties. During this period of her life she struggles with loneliness and depression, attempting to find some form of meaningful connection through digital technologies as much as face-to-face interaction, coming to grips with a non-normative sexuality, finding and losing her first love and dealing with the resultant constant pull of this person on her psyche, and finally trying to find who in fact she, Jessica, really is, what version of herself is at her core. The picture of her early adulthood is drawn impressionistically, through various modes and styles of narration and points of view, as well as through found texts, focusing on preludes and aftermaths and asking the reader to intuit and imagine the spaces between. WHAT IF YOU’RE LONELY: JESSICA STORIES A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of English by Michael Stoneberg Miami University Oxford, Ohio 2014 Advisor______________________ Margaret Luongo Reader_______________________ Joseph Bates Reader_______________________ Madelyn Detloff TABLE OF CONTENTS 1. Revision Page 1 2. Invoice for Therapy Services Page 11 3. Craigslist Page 12 4. Some Things that Make Us—Us Page 21 5. RE: Recent Account Activity Page 30 6. Sirens Page 31 7. Hand-Gun Page 44 8. Hugh Speaks Page 48 9. “The Depressed Person” Page 52 10. Happy Hour: Last Day/First Day Page 58 11. -
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word. -
Legion of Decency Is Lauded by Pontiff
HP mm LEGION OF DECENCY IS LAUDED BY PONTIFF Yearly Report Given fh t R tfisttr H it thi InUrnitional N tv t Strvicl (Wiri and Mail), tin N. C. W. C. Newt Service (Includiaf Radios and Cables), Its Own Special Service. AH the Smaller Catholic Services, IntematloBai Illustrated News, and N. C, W. C Picture Service. SAYS CRUSADE DE PAUL MEN Local Local The Michigan Catholic, Edition Edition Detroit, tells us that *‘mem- SHOULD SPREAD bers of the Black Legion used EXPEND CLOSE to borrow chairs for their THE meetings from a Catholic un dertaker." TO ALL WORLD TO 6 MILLION 4 Father Charles E. Cough lin’s weekly, “Social Jus Encyclical Asserts ‘Painstaking Vigilance tice," just a few months old, Great Charity Work of Group Reveals Over Motion Pictures’ Is Necessary REGISTER(Name Registered in the U. S. Patent Office) has passed the million mark Fine Spiritual Achievement as To Protect Morality in circulation, with relative VOL. XII. No. 28 DENVER, COLO., SUNDAY, JULY 12,1936 TWO CENTS ly few free copies. Well as Material Aid Vatican City.— Utilizing the formal and impressive Leaders to Attend medium of an Encyclical letter. Pope Pius XI has bestowed “Washington Merry-Go- Washington.—^The annual report of the Superior coun Priest-Scientist at Field Work high praise on the crusade against immoral motion pictures Round,” a syndicated col cil, Society of St. Vincent*de Paul, shows that the amount conducted under the leadership of the American Hier of relief distributed by the organization in the year ended umn, not long ago carried an archy; has expressed a wish for its continuance; and has item about a cousin of Roose Sept. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Words Without Music Free
FREE WORDS WITHOUT MUSIC PDF Philip Glass | 432 pages | 02 Apr 2015 | FABER & FABER | 9780571323722 | English | London, United Kingdom WORDS WITHOUT MUSIC | Kirkus Reviews An award-winning team of journalists, designers, and videographers who tell brand stories through Fast Company's distinctive lens. Leaders who are shaping the future of business in creative ways. New workplaces, new food sources, new medicine--even an entirely new economic system. Want to stream Heroes, read the interactive novel, then bid online for artwork from the show? Thank Comstock for all that, too. The economics of television used to be simple. Do you understand how to make money today, when I can watch 30 Rock pretty much Words Without Music We understand it a lot better than we used to. Digital media allow us to open up new windows without the cannibalization you might expect. So yes, we can offer 30 Rock in preview, then on-air, then streaming, then iTunesthen mobile, and then syndication. Some know what they want, some less so. They expect us to Words Without Music in on targeted consumers: What do we know about them, and how do we reach them? A lot of those are repeat viewers. Others are time-shifting. It has to. We have to find the right solution. Words Without Music personal expression [by viewers], the desire to be involved in the storytelling. With success, you get a bit more confident. But we still have to be more focused and more Words Without Music. This business is hypersensitive like that. You have to pick a path, keep to it, and feel good about it. -
FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills
Welcome to FOREST LAWN MEMORIAL PARK Hollywood Hills Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Order of Service Waltzing Matilda Played by the Forest Lawn Organist – Anthony Zediker Eulogy to be read by Jack. L. Warner Pall Bearers, To be Announced. Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Photo by Tony Duran Orry George Kelly December 31, 1897 - February 27, 1964 Forest Lawn Memorial Park Hollywood Hills Orry-Kelly Filmography 1963 Irma la Douce 1942 Always in My Heart (gowns) 1936 Isle of Fury (gowns) 1963 In the Cool of the Day 1942 Kings Row (gowns) 1936 Cain and Mabel (gowns) 1962 Gypsy (costumes designed by) 1942 Wild Bill Hickok Rides (gowns) 1936 Give Me Your Heart (gowns) 1962 The Chapman Report 1942 The Man Who Came to Dinner (gowns) 1936 Stage Struck (gowns) 1962 Five Finger Exercise 1941 The Maltese Falcon (gowns) 1936 China Clipper (gowns) (gowns: Miss Russell) 1941 The Little Foxes (costumes) 1936 Jailbreak (gowns) 1962 Sweet Bird of Youth (costumes by) 1941 The Bride Came C.O.D. (gowns) 1936 Satan Met a Lady (gowns) 1961 A Majority of One 1941 Throwing a Party (Short) 1936 Public Enemy’s Wife (gowns) 1959 Some Like It Hot 1941 Million Dollar Baby (gowns) 1936 The White Angel (gowns) 1958 Auntie Mame (costumes designed by) 1941 Affectionately Yours (gowns) 1936 Murder by an Aristocrat (gowns) 1958 Too Much, Too Soon (as Orry Kelly) 1941 The Great Lie (gowns) 1936 Hearts Divided (gowns) -
Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM
Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM Henry Hollander Bookseller Tishrei 5763 Catalogue No. 25 German Language Judaica Art | Fascism, Economics, Agriculture | German Jewish History, Holocaust, Ancient and Medieval History | Literature | Psychology | Religion, Religious Philosophy, Old Testament | Theater, Music | Zionism, Israel | Art 1. Barlach, Ernst. “Zeichnungen von Ernst Barlach.” Munich, R. Piper & Co. (4793) Verlag, 1948. Second printing. Quarto in dust jacket, 90 pp., 64 b/w illus. $35.00 Mit einer Einfuhrung von Paul Fechter. 2. Gohr, Siegfried, edited by. “Max Beckmann Symposium 15. und 16. Mai 1E984.” (15319) Cologne, Veranstaltet von der Josef-Haubrich-Kunsthalle, Stadt Köln, 1987. First $30.00 Edition. Quarto, paper covers, 123 pp., b/w plates throughout. Articles are “Das Symbol der ‘verkehrten Welt’ im Werk Max Beckmanns,” Claude Gandelmann, “Max Beckmann: Die nacht,” Matthias Eberle, “Max Beckmann in seinen Illustrationen und seine Symbolwelt am Beispiel der Illustrationen zur Apokalypse,” Peter Beckmann, “Beckmann: Randbemerkungen zu Buddha,” Peter Beckmann, “Nachgedanken zur Bielefelder Ausstellung der Frühen Bilder Max Beckmanns,” Ulrich Weisner, “Rolenspiel für eine Utopia Zu Beckmanns Selbstdarstellung,” Fritz Erpel, “‘Somnabulismus und Bewusstseinshelle’ Zu Max Beckmanns ‘Auferstehung’ 1916/18,” Stephen von Wiese, “Max Beckmann, Die Illustrationen zur Apokalypse 1941-44,” Ernst Wagner. file:///Users/metafo/Polis/Clients/Henry%20Hollander/HOLLANDERCATS/Cat%2025/cat25.htm Page 1 of 46 Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM 3. Schmidt, Manfred. “Manfred Schmidt’s Bilderbuch für Überlebende.” Stuttgart (20621) Hamburg, Rowohlt, 1947. First Edition. Oblong royal octavo, illustrated paper $35.00 covers, 84 pp., b/w cartoons throughout. -
Billboard 1966-07-23
JULY 23, 1966 SEVENTY- SECOND YEAR 60 CENTS The International Music -Record Newsweekly Drive Pegged to Give Boot To Background Bootlegging LOS ANGELES -A campaign to halt bootlegging Merrimac's sales manager Neal Ames initiated the of American recording in the background music indus- campaign by sending a registered letter to nine manu- try is being launched by Merrimac music industry, a facturers and Rosell Hyde, the FCC's new chairman, Beverly Hills firm owned by a former major Canadian alleging heavy traffic in bootleg music. rack jobber, Don MacMillian. Ames warned that unless he hears from these manu- facturers to the contrary he would duplicate any or all of their products on master tape and provide this service to whoever wants to buy it. RMR Starts Rack Addressed to RCA, Columbia, Decca, Dot, Liberty, United Artists, A &M, London and Verve, it pointed to a brochure by a West Coast company which freely advertises its products as being dubbed onto tapes Research Service for lease to radio stations. The letter also states: "We NEW YORK -The national field force of Bill- are also aware that this same supplier supplies a back- board's Record Market Research Division went into ground music service for which it charges a fee, action on Monday (18) to start production of data to utilizing their products. Since this company advertises provide continuing reports of record sales through the most blatantly and most thoroughly, we can only nation's rack -serviced retail outlets. infer one of two things: (1) that their practice is illegal; More hits more often," proclaim the Warner Bros. -
The Museum of Modern Art Celebrates Vienna's Rich
THE MUSEUM OF MODERN ART CELEBRATES VIENNA’S RICH CINEMATIC HISTORY WITH MAJOR COLLABORATIVE EXHIBITION Vienna Unveiled: A City in Cinema Is Held in Conjunction with Carnegie Hall’s Citywide Festival Vienna: City of Dreams, and Features Guest Appearances by VALIE EXPORT and Jem Cohen Vienna Unveiled: A City in Cinema February 27–April 20, 2014 The Roy and Niuta Titus Theaters NEW YORK, January 29, 2014—In honor of the 50th anniversary of the Austrian Film Museum, Vienna, The Museum of Modern Art presents a major collaborative exhibition exploring Vienna as a city both real and mythic throughout the history of cinema. With additional contributions from the Filmarchiv Austria, the exhibition focuses on Austrian and German Jewish émigrés—including Max Ophuls, Erich von Stroheim, and Billy Wilder—as they look back on the city they left behind, as well as an international array of contemporary filmmakers and artists, such as Jem Cohen, VALIE EXPORT, Michael Haneke, Kurt Kren, Stanley Kubrick, Richard Linklater, Nicholas Roeg, and Ulrich Seidl, whose visions of Vienna reveal the powerful hold the city continues to exert over our collective unconscious. Vienna Unveiled: A City in Cinema is organized by Alexander Horwath, Director, Austrian Film Museum, Vienna, and Joshua Siegel, Associate Curator, Department of Film, MoMA, with special thanks to the Österreichische Galerie Belvedere. The exhibition is also held in conjunction with Vienna: City of Dreams, a citywide festival organized by Carnegie Hall. Spanning the late 19th to the early 21st centuries, from historical and romanticized images of the Austro-Hungarian empire to noir-tinged Cold War narratives, and from a breeding ground of anti- Semitism and European Fascism to a present-day center of artistic experimentation and socioeconomic stability, the exhibition features some 70 films. -
John Cassavetes
Cassavetes on Cassavetes Ray Carney is Professor of Film and American Studies and Director of the undergraduate and graduate Film Studies programs at Boston Uni- versity. He is the author or editor of more than ten books, including the critically acclaimed John Cassavetes: The Adventure of Insecurity; The Films of Mike Leigh: Embracing the World; The Films of John Cas- savetes: Pragmatism, Modernism, and the Movies; American Vision: The Films of Frank Capra; Speaking the Language of Desire: The Films of Carl Dreyer; American Dreaming; and the BFI monograph on Cas- savetes’ Shadows. He is an acknowledged expert on William James and pragmatic philosophy, having contributed major essays on pragmatist aesthetics to Morris Dickstein’s The Revival of Pragmatism: New Essays on Social Thought, Law, and Culture and Townsend Ludington’s A Modern Mosaic: Art and Modernism in the United States. He co- curated the Beat Culture and the New America show for the Whitney Museum of American Art in New York, is General Editor of the Cam- bridge Film Classics series, and is a frequent speaker at film festivals around the world. He is regarded as one of the world’s leading authori- ties on independent film and American art and culture, and has a web site with more information at www.Cassavetes.com. in the same series woody allen on woody allen edited by Stig Björkman almodóvar on almodóvar edited by Frédéric Strauss burton on burton edited by Mark Salisbury cronenberg on cronenberg edited by Chris Rodley de toth on de toth edited by Anthony Slide fellini on -
Filmklassiker Bel Ami (1939)
Filmklassiker Bel Ami (1939)...........................................................................................................................2 Der blaue Engel (1930)...............................................................................................................2 Ein blonder Traum (1932)...........................................................................................................3 Bomben auf Monte Carlo (1931).................................................................................................4 Die Brücke (1960) ......................................................................................................................4 Des Teufels General (1955) ........................................................................................................5 Das doppelte Lottchen (1950) .....................................................................................................6 3 Männer im Schnee (1956) ........................................................................................................6 Die Drei von der Tankstelle (1956) .............................................................................................7 Emil und die Detektive (1931) ....................................................................................................8 Die Feuerzangenbowle (1944).....................................................................................................8 Frauenarzt Dr. Prätorius (1950)...................................................................................................9 -
Austrian Cinema: a History'
Habsburg Warren on Dassanowsky, 'Austrian Cinema: A History' Review published on Friday, April 23, 2010 Robert von Dassanowsky. Austrian Cinema: A History. Jefferson: Mcfarland, 2007. 328 pp. $75.00 (paper), ISBN 978-0-7864-3733-7. Reviewed by John Warren (Oxford Brookes University) Published on HABSBURG (April, 2010) Commissioned by Jonathan Kwan A Very Timely Celebration of One Hundred Years of Austrian Cinema I suppose one must start with an acceptance that Austria's place in public consciousness as a filmmaking nation is not strong, but we now have a book, Robert von Dassanowsky'sAustrian Cinema, that provides a complete picture of cinema in Austria from 1895 to the early party of the twenty-first century. This reprint in paperback of the original case bound edition (published in 2005) is a valuable and brave venture, revealing that this small state has made many important contributions to the development of film, even if most of them have been abroad, most notably in Berlin and in Hollywood. Within some 285 pages of text, Dassanowsky has covered the widest possible range of topics: films and different film genres, directors, actors, production companies, finance, international connections and cooperation, and last but by no means least much reference to the Austrian political situation at various key periods in the development of its film industry. The author has organized the telling of the story into seven chronologically based chapters, outlining over one hundred years of Austrian cinema, and it will make sense if I briefly summarize their content, the last chapter bringing us into an important and successful phase of Austrian cinema, Austrian cinema in the twenty-first century.