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Rncm Chamber Music Festival Songs Without Words Rncm Chamber Music Festival Songs Without Words
Friday 04 – Sunday 06 March 2016 RNCM CHAMBER MUSIC FESTIVAL SONGS WITHOUT WORDS RNCM CHAMBER MUSIC FESTIVAL SONGS WITHOUT WORDS WELCOME The RNCM Chamber Music Festival plays an enormous role in the story of the College and is a major event in our calendar. Chamber music is at the core at what we do - the RNCM has a proud tradition of chamber ensemble training and our alumni appear with high profile ensembles such as the Elias, Heath and Navarra String Quartets plus the Gould Piano Trio to name but a few. Every year, the Chamber Music Festival goes from strength to strength, presenting the opportunity to see our wonderful students, internationally renowned staff and special guests perform beautiful music across a jam-packed weekend. This year is no exception, as we explore German Romanticism in Songs Without Words. We focus particularly on the music of Mendelssohn and Schumann and our students will be involved in a major composition project, as they are asked to create responses to Mendelssohn’s Songs Without Words. So the Festival will include works from across the 19th century but will also dip into the 20th century with composers such as Richard Strauss. This year’s line-up features some of the finest musicians performing today including the Talich Quartet, Elias Quartet, Michelangelo Quartet, plus RNCM Junior Fellows the Solem Quartet and our International Artist chamber ensemble the Diverso String Quartet. We also welcome chamber groups from Chetham’s, St Mary’s, Junior RNCM, the Royal Irish Academy of Music and Sheffield Music Academy. So please join us and immerse yourself in this weekend of lush musical landscapes. -
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word. -
Musmeds&Notes-October 21, 2020
MUSICAL MEDITATIONS: CELEBRATING CLASSICAL MUSIC Wednesday, October 21, 2020 * * * Songs without Words………………………………………...….Felix Mendelssohn Op. 19, No. 1: Andante con moto Op. 19, No. 4: Moderato Op. 102, No. 3: Presto Sonata Op. posth. 164, D. 537…………………..…………………Franz Schubert Allegro, ma non troppo Allegretto, quasi Andantino Allegro vivace Karen Harvey, piano * * * Thank you for tuning in to today’s musical meditation. Please consider joining us next week, which will feature music of Bach, Copland, Satie and Griffes. Notes on today’s music Jakob Ludwig Felix Mendelssohn Bartholdy (February 3, 1809 – November 4, 1847), a.k.a. Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions incluDe symphonies, concertos, piano music, organ music and chamber music. His best-known works incluDe the overture and incidental music for A Midsummer Night's Dream (containing the famous Wedding March), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The meloDy for the Christmas carol "Hark! The HeralD Angels Sing" is also his. Songs Without Words are his most famous solo piano compositions. A grandson of the philosopher Moses MenDelssohn, Felix MenDelssohn was born into a prominent Jewish family, anD though he was recogniseD early as a musical proDigy, his parents were cautious and did not seek to capitalise on his talent. MenDelssohn enjoyeD early success in Germany, anD singlehandedly reviveD interest in the music of Johann Sebastian Bach with his performance of the St. Matthew Passion in 1829. -
September 1918) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1918 Volume 36, Number 09 (September 1918) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 36, Number 09 (September 1918)." , (1918). https://digitalcommons.gardner-webb.edu/etude/650 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE PRESSERS MUSICAL MAGAZINE SEPTEMBER 1918 NINE MUSES AND APOLLO MUSIC WILL HELP WIN THE WAR THE MUSIC-LOVERS OF AMERICA PROUDLY POINT TO THE IMMENSE ACCOMPLISHMENTS OF THE ART IN THIS HOUR OF NATIONAL CRISIS BY STIMULATING PATRIOTISM MAINTAINING GOOD CHEER AROUSING RECRUITING RAISING WAR MILLIONS INSPIRITING FIGHTERS ENTERTAINING “OUR MEN” COMFORTING THE WOUNDED MUSIC IN OUR HOMES KEEPS COURAGE IN OUR HEARTS PRICE 20 CENTS $1.50 A YEAR THE ETUDE SEPTEMBER 1918 Page 557 "Just Out! New and Important publications An Absolutely New RECENT MUSIC PUBLICATIONS OF MERIT_ SELECTED Teaching Aid BE CONVINCED THAT THE JJWJM- VOCAL MATERIAL PIANOSCRIPT BOOK^ i ALBUMS of PIANO MUSIC j TIONS OF THEO. -
1 Rockport Chamber Music Festival 2018 Opening Night
1 ROCKPORT CHAMBER MUSIC FESTIVAL 2018 (r)Evolution June 15-July 15, 2018 BARRY SHIFFMAN, artistic director OSVALDO GOLIJOV, composer-in-residence Location: Shalin Liu Performance Center Friday, June 15, 2018 8 PM OPENING NIGHT Miriam Khalil, soprano | Barry Shiffman, violin/viola | Danny Koo, violin | Roberto Diaz, viola | Milena Pajaro-van de Stadt, viola | Andres Díaz, cello | Clive Greensmith, cello | Roberto Occhipinti, bass | Tara Helen O’Connor, flute | Todd Palmer, clarinet | James Sommerville, horn | Claudio Ragazzi, guitar | Ina Zdorovetchi, harp | Michael Ward- Bergemann, hyper accordion | Dave Burns, percussion | Jeremy Flower, laptop Joel Ivany, director | Jason Hand, lighting designer String Sextet in D minor, Op. 70 (Souvenir de Florence) (1887-92) Pyotr Il’Yich Tchaikovsky (1840-1893) Ayre, for soprano and ensemble (2004) Osvaldo Golijov (b. 1960) Saturday, June 16, 2018 4 PM KAFKA AND SON Alon Nashman, actor and creator ENSEMBLE Danny Koo, violin | Barry Shiffman, viola | Andres Diaz, cello Roberto Occhipinti, bass | Tara Helen O'Connor, flute | Todd Palmer, clarinet LULLABY AND DOINA, FOR FLUTE, CLARINET, VIOLIN, VIOLA, CELLO AND DOUBLE-BASS (2001) Osvaldo Golijov (b. 1960) KAFKA AND SON (one-act play) Musical Accompaniment: YIDDISHBBUK (1992) Osvaldo Golijov (b. 1960) Saturday, June 16, 2018 8 PM MONTROSE TRIO Jon Kimura Parker, piano | Martin Beaver, violin | Clive Greensmith, cello With Barry Shiffman, viola Pre-concert talk, 7 PM Piano Trio No. 2, in B minor, Op. 76 (1933) Joaquín Turina (1882-1949) Piano Trio No. 2, in C minor, Op. 66 (1845) Felix Mendelssohn (1809-1847) Piano Quartet No. 1, in G minor, Op. 25 (1861) Johannes Brahms (1833-1897) 2 Sunday, June 17, 2018 5 PM Frederic Chiu, piano | Andres Diaz, cello | Todd Palmer, clarinet Percussion: Dave Burns, Matt Sharrock, Aaron Trant, Michael Williams Pre-concert talk, 4 PM Snow in June Erbarme dich, mein Gott from St. -
New Strains of an Old Virus the Changing Face of Shylock P/2
AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un consensus, came the farce of his run-off with avoidable later on. -
What If You Stumbled Upon a Long-Lost Masterpiece That Possessed the Power to Change History?
WHAT IF YOU STUMBLED UPON A LONG-LOST MASTERPIECE THAT POSSESSED THE POWER TO CHANGE HISTORY? “A ‘what if’ novel that begins in the glittering salons of Enlightenment Berlin where, beneath the surface, are sentiments too sinister to be named and culminating in New York present day, And After the Fire is an intellectual thriller and a beautiful love story. Sure to establish Belfer as a fearless, provocative writer. Impossible to put down.” —Sara Gruen, #1 New York Times bestselling author of At the Water’s Edge and Water for Elephants “Can any mortal adjective convey my adoration for this brilliant and mesmerizing story? Ask my friends: Since reading And After the Fire, I’ve been trumpeting it as the best novel I’ve had the pleasure of reading in years. Brava, Lauren Belfer. I thank you for this fascinating, virtuoso, unforgettable book.” —Elinor Lipman, New York Times bestselling author of Then She Found Me Dear Colleague, The unexpected discovery of a shocking Meisterwerk is the inspiration behind New York Times bestselling author Lauren Belfer’s atmospheric, enthrallingly suspenseful novel, AND AFTER THE FIRE (Harper, $26.99/$33.50; Hardcover; ISBN 13: 9780062428516; on-sale: May 3, 2016). Belfer explains, “I was taking a class on Johann Sebastian Bach and I thought, what if I found a work of art stolen during World War II—not a painting, but an unknown choral masterpiece, a cantata by Bach, and what if its content was, by modern standards, prejudicial and inflammatory?” The result is her best novel yet. AND AFTER THE FIRE is a transporting, unputdownable, multi-generational saga, spanning centuries and continents, and interweaving two women’s lives through the riveting history of Belfer’s imagined choral score. -
November 1916) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1916 Volume 34, Number 11 (November 1916) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 34, Number 11 (November 1916)." , (1916). https://digitalcommons.gardner-webb.edu/etude/630 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. presser’s musical magazine THE ETUDE 1 THE ETUDE 761 Choicest dates of the Arabian date crop, Dromedary Dates come to you as fresh and dean as if you picked them yourself in the mellowing sunlight of the East. After being carefully selected, they are packed three layers deep in air-tight, dust-proof packages. Eat Dromedary Dates. They are appetizing as a food, as a confection, as a dainty. Better than candy for children. Send for Free Cook Book Containing 100 Prize Recipes for Date Dishes THE HILLS BROTHERS COMPANY, Dept. 37, 375 Washington Street, New York Dromedary And wonderful in tone. An instrument that will endure and become more cherished as the years go by. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the t®rt directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, be^nning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Aibor MI 48106-1346 USA 313/761-4700 800/521-0600 FELIX MENDELSSOHN-BARTHOLDY ' S MUSIC FOR MEN'S VOICES INCLUDING A DETAILED ANALYSIS OF FESTGESAMS: AN DIE KÔNSTLER, OPUS 68 AND ZNEI GEISTLICHE MÂNNERCHÔRE, OPUS 115 WITH SUGGESTIONS FOR REHEARSAL AND PERFORMANCE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University by Joseph H. -
Fingal's Cave Grade 12 2020 FINGAL's CAVE 1
Fingal’s Cave Grade 12 2020 FINGAL’S CAVE 1. Composer 2. Dates and Style 3. The Concert Overture 4. Composition: Titles, dates, form, notes, etc. 5. Description 6. Exam questions and answers 1. Composer Full names: Felix Mendelssohn-Bartholdy, commonly known as Mendelssohn. German pianist and composer of the early Romantic period. 2. Dates: 1809-1847 General: Mendelssohn’s compositions include symphonies, concertos, piano music and chamber music. His best-known works include his Overture and Incidental music to A Midsummer Night’s Dream, the Italian Symphony, the Scottish Symphony, the oratorio Elijah, the overture The Hebrides, his mature Violin Concerto, and his Octet for Strings. The melody for the Christmas carol “Hark! The Herald Angels Sing” is also his. Mendelssohn’s Songs Without Words (character pieces) are his most famous solo piano compositions. Contemporaries: Chopin, Schumann, Liszt, Berlioz, Weber. 3. The Concert Overture (definition) i. A concert overture has one movement and a descriptive title. ii. It is usually in sonata/first part form and may contain an introduction. The exposition is not necessarily repeated. It may be compared to the first movement of a symphony. iii. The romantic concert overture was modelled after the opera overture, a one-movement composition that establishes the mood of an opera. But the concert overture is not intended to usher in a stage work; it is an independent composition performed independently, often used to open the programme of a symphony concert. iv. It was most commonly based on some literary theme, painting, or legend, etc. v. Well-known concert overtures include Mendelssohn’s Hebrides Overture (also known as Fingal’s Cave) and Tchaikovsky’s 1812 Overture and Romeo and Juliet Overture. -
Composer of the Month Units for Fifth and Sixth Grade Music
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1958 Moments with the masters: Composer of the month units for fifth and sixth grade music G. Newton. Buker The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Buker, G. Newton., "Moments with the masters: Composer of the month units for fifth and sixth grade music" (1958). Graduate Student Theses, Dissertations, & Professional Papers. 7712. https://scholarworks.umt.edu/etd/7712 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. MOMENTS WITH THE MASTERS Composer of the Month Units for FIFTH AND SIXTH GRADE MUSIC by G. NEWTON BUKER B, M. Montana State University, 1951 Presented in partial fulfillment of the requirements for the degree of Master of Music in Music Education MONTANA STATE UNIVERSITY 195Ô Approved by: Chairman, Board of Ex Dean, Graduate Schoor^ AUG 1 81958 Date Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: EP38513 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction Is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
Schubert Forever, 1829–1995
concert program vi: Schubert Forever, 1829–1995 FELIX MENDELSSOHN (1809–1847) August 4 and 5 Selected Lieder ohne Worte (Songs without Words) Book 1, Opus 19b, no. 1 in E Major: Andante con moto (1830) Tuesday, August 4, 8:00 p.m., Stent Family Hall, Menlo School Book 4, Opus 53, no. 3 in g minor: Gondellied (1839) Book 2, Opus 30, no. 1 in E-flat Major: Andante espressivo (1830) MS Wednesday, August 5, 8:00 p.m., The Center for Performing A Gloria Chien, piano Arts at Menlo-Atherton R ANDRÉ PREVIN (b. 1929) G Vocalise for Soprano, Piano, and Cello (1995) Joélle Harvey, soprano; Hyeyeon Park, piano; Keith Robinson, cello Program Overview As our festival nears the end of Schubert’s life on Earth, we pause JOHANNES BRAHMS (1833–1897) our journey to celebrate his unparalleled posthumous career. A Zwei Gesänge for Voice, Viola, and Piano, op. 91 (1884) few prominent musicians recognized Schubert’s potential dur- Gestillte Sehnsucht (Rückert) (1884) Geistliches Wiegenlied (Lope de Vega) (1863–1864) ing his lifetime (Robert Schumann was one of them), but it fell to PRO ERT Sara Couden, contralto; Arnaud Sussmann, viola; Gilbert Kalish, piano composers and performers of later generations to discover and C popularize most of Schubert’s music. Concert Program VI pays JOHN HARBISON (b. 1938) tribute to an array of distinguished composers whose music con- November 19, 1828 for Piano, Violin, Viola, and Cello (1988) nects to Schubert in powerful ways—through lyricism, magical I. Introduction: Schubert Crosses into the Next World ON harmonies, drama, and, above all, a reverence for the vocal line as II.