Moses Mendelssohn and the Bach Tradition by Steven P

Total Page:16

File Type:pdf, Size:1020Kb

Moses Mendelssohn and the Bach Tradition by Steven P Click here for Full Issue of Fidelio Volume 8, Number 2, Summer 1999 It was lawful that the Jewish liturgy would be rewritten in the Classical musical mode developed by the genius of the great composers Bach, Beethoven, Mozart, Mendelssohn, and Schubert, because the Jewish reform movement was an intellectual collaborator and heir of this Classical tradition. Moses Courtesy of the LEO BAECK INSTITUTE, NY Mendelssohn had been the odern history is indebted to Moses father of them both. Lessing, Mendelssohn (1729-1786), the German philoso- Mpher and orthodox Jew, who was the singular Schiller, the Humboldt individual whose work in reviving the ideas of Plato and brothers, and other Leibniz made possible the great German Classical peri- od of the Eighteenth and Nineteenth centuries [SEE prominent individuals, Helga Zepp LaRouche, “What It Takes To Be a had contributed to World-Historical Leader Today,” page 14, this Jewish emancipation. issue]. In addition, although it is little known The German Classical today, Moses Mendelssohn and his family period and the played a crucial role in keeping alive the music of J.S. Bach, and in transmitting this Jewish reform music to Mozart and Beethoven. It is this movement were role which lies behind the well-known 1829 performance of the “lost” St. parts of the same Matthew Passion by Moses whole. Mendelssohn’s grandson, the composer Felix, which revived interest in Bach’s music in Europe in that period. A true Renaissance indi- vidual, Mendelssohn played a Right: Moses Mendelssohn. pivotal role in keeping alive Top: New Synagogue, the Platonic tradition in philos- Mannheim, Germany. ophy, music, the natural sciences, Corbis/Bettmann and statecraft, which he inherited from Leibniz. As a young man, Mendelssohn and his lifelong collaborator Gotthold Ephraim Lessing entered the essay contest 46 © 1999 Schiller Institute, Inc. All Rights Reserved. Reproduction in whole or in part without permission strictly prohibited. Moses Mendelssohn And the Bach Tradition by Steven P. Meyer of the Berlin Academy of Sciences to defend the ideas of Schiller, the great poet of universal freedom, and the sci- Leibniz, which had been under attack for more than a entist-statesmen Alexander and Wilhelm von Humboldt, decade by the academy’s director, Pierre-Louis de Mau- are among the most prominent. pertuis. Maupertuis’ clear intent was to destroy continen- During the last period of his life, Mendelssohn devoted tal science, by replacing the scientific authority and himself to the emancipation, both civil and intellectual, of knowledge of Leibniz, with that of the untruthful, inferi- Europe’s ghettoized Jewish community. The condition of or Newton. Over the years, Mendelssohn wrote numer- the Jews, over the preceding several centuries, with few ous essays promoting Leibniz’s ideas. exceptions, had been horrendous. Jews were forced to live Mendelssohn learned classical Hebrew as a child, and in squalid, crowded ghettoes; special taxes were levied through the help of Jewish scholars associated with the upon them, including taxes for celebrating the holy Sab- Berlin Academy, later taught himself Greek, German, bath and congregating for religious prayer service; they French, English, Italian, and Latin. were banned from the skilled trades and most professions He was a scholar of the Hebrew Pentateuch (the and could not own land. There was little secular educa- Torah, or Five Books of Moses), the book of law upon tion. There were even laws enacted to reduce their total which he based his belief in Judaism. As a young boy, he numbers—only first-born sons were allowed to marry mastered the Guide for the Perplexed by Moses Mai- and have children. In effect, through religious, social, and monides, and later the Theodicy of Leibniz. financial oppression, there were efforts to exterminate Mendelssohn studied Homer and Plato, and translated Judaism. Any Jew could step away from this nightmare— the first three books of Plato’s Republic into German. Sev- but only by converting to Christianity. eral of his philosophical treatises are written in Platonic dialogue form, and his famous work, Phaedon, or On the Immortality of the Soul (1767), is based upon the Phaedo of Plato. It was this work which catapulted Mendelssohn into the role of preeminent philosopher of Europe, earning him the appellations “Berlin Plato” and “Jewish Socrates.” Lastly, he studied and recited the works of Shakespeare, and took a keen interest in the American Revolution and the nascent United States of America. Mendelssohn’s life activity directly shaped what would become the great- est republican minds of the day in Ger- many: the poets Gotthold Lessing, Heinrich Heine, Goethe, and Friedrich Lower Rhine Music Festival, Aachen, Germany. Corbis/Bettmann In Jerusalem—a work written for Christians, Moslems, would learn pure German as the gateway to other Classi- and Jews alike—Mendelssohn detailed the separate roles cal subjects. He helped found the Berlin Free School, a of Church and State, and defined Mosaic law to be coher- secular school where impoverished Jewish children could ent with Reason as defined by Plato, a concept which was learn the natural sciences, languages, and philosophy. to revolutionize Judaism. He translated the Jewish Torah and other sacred writings, as well as the traditional daily Reason and Mosaic Law prayer book, from Hebrew into German, so that Jews Although Mendelssohn’s secular, philosophical, and reli- gious works were coherent with the conception of ortho- dox Judaism he practiced, these ideas were rejected by the From Jerusalem: fundamentalist rabbis of his time, especially among the Hasidic Jews of Eastern Europe, who rejected the coher- On Church and State ence of reason with Mosaic law. They dismissed Mendelssohn’s notion that the marriage of religious train- he reasons which lead men to rational actions ing with the most advanced secular knowledge, was not Tand convictions rest partly on the relations of only natural, but essential to modern life. They also men to each other, partly on the relations of men to refused to accept the related idea, that man’s obligation to their Creator and Keeper. The former are the the whole of civil society—regardless of his individual reli- province of the state, the latter that of religion. Insofar gious beliefs—should be defined in a ecumenical way. as men’s actions and convictions can be made to serve Mendelssohn’s writings became the basis for the mod- the common weal through reasons arising from their ernizing tendency within Judaism, known as the Reform relations to each other, they are a matter for the civil Movement, which spread for several generations constitution; but insofar as the relations between man throughout Europe and Russia, and into the United and God can be seen as their source, they belong to States (it is known in the U.S. today as both Reform and the church, the synagogue, or the mosque. Public Conservative Judaism). institutions for the moral development of man that Mendelssohn’s Jewish collaborators, and those that fol- concern his relations with God I call church; those lowed his teaching, called themselves maskilim (intellectu- that concern his relations with man I call state. By the als). Under the influence of Mendelssohn’s legacy and the formation of man I understand the effort to arrange Humboldt education reforms of the early 1800’s, young both actions and convictions in such a way that they Jewish intellectuals who were studying to become rabbis, will be in accord with his felicity; that they will edu- attended universities for the first time, and approximately cate and govern men. ... Laws do not alter convictions; arbitrary punish- sixty of these students received advanced degrees. ments and rewards produce no principles, refine no These rabbis were trained in philology, Platonic phi- morals. Fear and hope are no criteria of truth. losophy, astronomy, geometry, and other Classical sub- Knowledge, reasoning, and persuasion alone can jects—a truly monumental accomplishment, as the tradi- bring forth principles, with the help of authority and tional rabbinate which preceded them had little or no example, can pass into morals. And it is here that secular education! They used this university training in religion should come to the aid of the state and the German Classical culture, to educate their Jewish congre- church should become a pillar of civil felicity. It is gants. Trained in the Greek Classics and Platonic the business of the church . .. to show then that method, they sought to bring reason to a reinvigorated duties toward men are also duties toward God, the Judaism. It was these rabbis who led the Reform Move- violation of which is the greatest misery; that serving ment, and were bitterly opposed by elements within the the state is true service of God; that charity is his entrenched orthodox rabbinate. most sacred will, and that true knowledge of the In the tradition of Mendelssohn, these Reform leaders Creator can not leave behind in the soul any hatred considered themselves, first, to be men and women who for men. To teach this is the business, duty, and voca- shared the universal gift of reason from God. They saw tion of religion; to preach it, the business and duty of themselves as participants in the life of their nation, with its ministers. How, then, could it ever have occurred obligations for its present and future, and Judaism served to men to permit religion to teach and its ministers as their moral guide. This was a major break with the to preach the opposite? orthodox rabbinate, who believed that the Jews were a —Moses Mendelssohn, from ‘Jerusalem, or On theocratic nation in exile, awaiting their return to Zion. Religious Power and Judaism’ Several exceptional reform rabbis stepped outside the traditional role of theological and educational matters, to 48 attempt to organize the entire population into republican forms of government throughout Europe.
Recommended publications
  • Impressum V. I. S. D. P.: Mendelssohn Gesellschaft E. V., Berlin Www
    IMPRESSUM V. i. S. d. P.: Mendelssohn Gesellschaft e. V., Berlin www.mendelssohn-gesellschaft.de Texte: Hans-Günter Klein, Gerhild Komander, Thomas Lackmann, Felix Müller-Stüler, Elke von Nieding, Sebastian Panwitz und Ernst Siebel Gestaltung: buschfeld.com - graphic and interface design, setz it. Richert GmbH Kartenvorlage: mit freundlicher Genehmigung von Typoly Konzept & Gestaltung und www.panorama-berlin.de Abbildungen: Bundesarchiv (Station 7: BArch, Bild 102-02016 / Georg Pahl / CC-BY-SA 3.0), Landesarchiv Berlin (2), Staatsbibliothek zu Berlin, Stiftung Stadtmuseum, Heimatmuseum Treptow, Mendelssohn-Archiv (4), Büttner, Müller-Stüler, Siebel. Leider konnten nicht alle Rechts- inhaber ermittelt werden. Berechtigte Ansprüche bitten wir beim Herausgeber geltend zu machen. AUSSTELLUNGEN Ausführliche Informationen unter: www.mendelssohn.berlin Die Mendelssohns in der Jägerstraße Mendelssohn-Remise, Jägerstraße 51, 10117 Berlin (zwischen Gendarmenmarkt und U-Bahnhof Hausvogteiplatz), 11 Fon: 030–817047–26, [email protected], www.mendelssohn-remise.de, Öffnungszeiten: täglich 12–18 Uhr (Ausnahmen: siehe Website unter „Veranstaltungen“) Die Familie Mendelssohn und ihre Gräber vor dem Halleschen Tor Friedhöfe vor dem Halleschen Tor (Friedhof Dreifaltigkeit I), Mehringdamm 21, 10961 Berlin, Fon: 030–622–1080/2032 www.evfbs.de Mendelssohn-Raum in der Staatsbibliothek zu Berlin Lesesaal (1. Etage), Potsdamer Straße 33, 10785 Berlin Öffnungszeiten: Mo–Fr , 9–21 Uhr, Sa 10–19 Uhr www.staatsbibliothek-berlin.de »Sorgenfrei«: Die Geschichte der Villa Oppenheim und ihrer Bewohnerinnen und Bewohner Museum Charlottenburg-Wilmersdorf, Schlossstraße 55, 14059 Berlin, Fon: 030–902924106 Öffnungszeiten: Di–Fr, 10–17 Uhr, Sa, So und Feiertage 11–17 Uhr, 19 www.villa-oppenheim-berlin.de via A115/Avus VERANSTALTUNGEN UND FÜHRUNGEN oder S3 + RE1 Alle Informationen zu den Veranstaltungen in der Mendelssohn- Remise und zu den Führungen finden Sie auf der Website 12 der Mendelssohn-Gesellschaft: www.mendelssohn-remise.de Abb.
    [Show full text]
  • ELIJAH, Op. 70 (1846) Libretto: Julius Schubring English Translation
    ELIJAH, Op. 70 (1846) Libretto: Julius Schubring Felix Mendelssohn-Bartholdy (1809-1847) English Translation: William Bartholomew PART ONE The Biblical tale of Elijah dates from c. 800 BCE. "In fact I imagined Elijah as a real prophet The core narrative is found in the Book of Kings through and through, of the kind we could (I and II), with minor references elsewhere in really do with today: Strong, zealous and, yes, the Hebrew Bible. The Haggadah supplements even bad-tempered, angry and brooding — in the scriptural account with a number of colorful contrast to the riff-raff, whether of the court or legends about the prophet’s life and works. the people, and indeed in contrast to almost the After Moses, Abraham and David, Elijah is the whole world — and yet borne aloft as if on Old Testament character mentioned most in the angels' wings." – Felix Mendelssohn, 1838 (letter New Testament. The Qu’uran also numbers to Julius Schubring, Elijah’s librettist) Elijah (Ilyas) among the major prophets of Islam. Elijah’s name is commonly translated to mean “Yahweh is my God.” PROLOGUE: Elijah’s Curse Introduction: Recitative — Elijah Elijah materializes before Ahab, king of the Four dark-hued chords spring out of nowhere, As God the Lord of Israel liveth, before Israelites, to deliver a bitter curse: Three years of grippingly setting the stage for confrontation.1 whom I stand: There shall not be dew drought as punishment for the apostasy of Ahab With the opening sentence, Mendelssohn nor rain these years, but according to and his court. The prophet’s appearance is a introduces two major musical motives that will my word.
    [Show full text]
  • Words Without Music Free
    FREE WORDS WITHOUT MUSIC PDF Philip Glass | 432 pages | 02 Apr 2015 | FABER & FABER | 9780571323722 | English | London, United Kingdom WORDS WITHOUT MUSIC | Kirkus Reviews An award-winning team of journalists, designers, and videographers who tell brand stories through Fast Company's distinctive lens. Leaders who are shaping the future of business in creative ways. New workplaces, new food sources, new medicine--even an entirely new economic system. Want to stream Heroes, read the interactive novel, then bid online for artwork from the show? Thank Comstock for all that, too. The economics of television used to be simple. Do you understand how to make money today, when I can watch 30 Rock pretty much Words Without Music We understand it a lot better than we used to. Digital media allow us to open up new windows without the cannibalization you might expect. So yes, we can offer 30 Rock in preview, then on-air, then streaming, then iTunesthen mobile, and then syndication. Some know what they want, some less so. They expect us to Words Without Music in on targeted consumers: What do we know about them, and how do we reach them? A lot of those are repeat viewers. Others are time-shifting. It has to. We have to find the right solution. Words Without Music personal expression [by viewers], the desire to be involved in the storytelling. With success, you get a bit more confident. But we still have to be more focused and more Words Without Music. This business is hypersensitive like that. You have to pick a path, keep to it, and feel good about it.
    [Show full text]
  • New Strains of an Old Virus the Changing Face of Shylock P/2
    AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un­ consensus, came the farce of his run-off with avoidable later on.
    [Show full text]
  • What If You Stumbled Upon a Long-Lost Masterpiece That Possessed the Power to Change History?
    WHAT IF YOU STUMBLED UPON A LONG-LOST MASTERPIECE THAT POSSESSED THE POWER TO CHANGE HISTORY? “A ‘what if’ novel that begins in the glittering salons of Enlightenment Berlin where, beneath the surface, are sentiments too sinister to be named and culminating in New York present day, And After the Fire is an intellectual thriller and a beautiful love story. Sure to establish Belfer as a fearless, provocative writer. Impossible to put down.” —Sara Gruen, #1 New York Times bestselling author of At the Water’s Edge and Water for Elephants “Can any mortal adjective convey my adoration for this brilliant and mesmerizing story? Ask my friends: Since reading And After the Fire, I’ve been trumpeting it as the best novel I’ve had the pleasure of reading in years. Brava, Lauren Belfer. I thank you for this fascinating, virtuoso, unforgettable book.” —Elinor Lipman, New York Times bestselling author of Then She Found Me Dear Colleague, The unexpected discovery of a shocking Meisterwerk is the inspiration behind New York Times bestselling author Lauren Belfer’s atmospheric, enthrallingly suspenseful novel, AND AFTER THE FIRE (Harper, $26.99/$33.50; Hardcover; ISBN 13: 9780062428516; on-sale: May 3, 2016). Belfer explains, “I was taking a class on Johann Sebastian Bach and I thought, what if I found a work of art stolen during World War II—not a painting, but an unknown choral masterpiece, a cantata by Bach, and what if its content was, by modern standards, prejudicial and inflammatory?” The result is her best novel yet. AND AFTER THE FIRE is a transporting, unputdownable, multi-generational saga, spanning centuries and continents, and interweaving two women’s lives through the riveting history of Belfer’s imagined choral score.
    [Show full text]
  • Felixmendelssohngustav Mahler
    Catalog TOC <<Page>> FELIXMENDELSSOHN­GUSTAV MAHLER Two Borderline Cases ofGerman­Jewish Assimilation Eric Werner, New York For my revered old Firend Dr. Robert Weltsch I No more appropriate motto for this essay could be imagined than the deeply felt understanding expressed in the unforgettable words of the poet Else Lasker­Schueler: Hab mich so abgestroemt Von meines Blutes Mostvergorenheit. .. Und immer, immer noch der Widerhall in mir, Wenn fern im Ost Das morsche Felsgebein, Mein Volk Zu Gott schreit. This essay intends to examine two individual cases of the German­Jewish symbiosis, two borderline cases of attempted assimilation, whose protagonists have given us universally acclaimed works of art. They are ex­ treme­ or borderline ­ cases, because both men attempted integration, through assimilation, with German culture, not the German nation, for Mendelssohn was Prussian and Saxon, Mahler was Austrian ­ and both came close to the realization of it. In the case of Mendelssohn, the attempt succeeded as far as the Germans would ever permit it to succeed; in Mahler's case it failed, despite good­will on both sides. In Mendelssohn's case we find typical as well as atypical elements. He belonged to a fairly homogeneous social elite ofNorth­ German bankers and their descendants; yet his own descent from Moses Mendelssohn ­ who had certainly never been considered an apostate ­ was rather a retarding circumstance. Mahler's background was that of a petite bourgeoisie, ethnically and religiously quite separate from a society that itself was many­faceted in its religious beliefs and its everyday language, in a country that, like all of old Catalog TOC <<Page>> Felix Mendelssohn ­ Gustav Mahler 241 Austria, was anything but homogeneous and that showed no particular desire for harmonious mutual understanding.
    [Show full text]
  • Humboldt, Mendelssohn, and Musical Unity R
    CHAPTER 1 Humboldt, Mendelssohn, and Musical Unity R. Larry Todd If a scholar of unusual interdisciplinary breadth – I suspect there are some in attendance today – were to write a comparative monograph about prominent historical figures who happened to be polymaths, surely one full chapter would concern the remarkable life of Alexander von Humboldt. Often described as the last great universalist, Humboldt traversed with a facility that strains credulity an astonishing number of disciplines – astronomy, geol- ogy, botany, zoology, climatology, meteorology, oceanography, anthropol- ogy, geography, cartography, and political science, and the list could continue. His overarching purpose – to study the interconnectedness of phe- nomena, to lay bare the underlying unity of nature – inspired his prolific out- put as an author, including the Personal Narrative of Travels to the Equinoctial Regions of America, the popular account of Humboldt’s New World expedition (1799 to 1804), the bicentenary of which we are celebrat- ing. His life’s work culminated in the colossal, five-volume Kosmos, over which the scientist ruminated for decades before releasing in 1845 its first volume, with the unassuming subtitle, Entwurf einer physischen Weltbes- chreibung, or Sketch of a Physical Description of the World. In the preface, Humboldt acknowledged his purpose – “the earnest endeavor to comprehend the phenomena of physical objects in their general connection, and to repre- sent nature as one great whole, moved and animated by internal forces.” (Cosmos: A Sketch of A Physical Description of the Universe, trans. E. C. Otté, London, 1849, I, ix.) Invoking classical authority, Humboldt placed on the title page an apposite quotation from the Naturalis Historia of Pliny the Elder, who centuries before in his Natural History had compiled an elephan- tine compendium of knowledge.
    [Show full text]
  • Culture and Exchange: the Jews of Königsberg, 1700-1820
    Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2010 Culture and Exchange: The ewJ s of Königsberg, 1700-1820 Jill Storm Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/etd Part of the European History Commons Recommended Citation Storm, Jill, "Culture and Exchange: The eJ ws of Königsberg, 1700-1820" (2010). All Theses and Dissertations (ETDs). 335. https://openscholarship.wustl.edu/etd/335 This Dissertation is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of History Dissertation Examination Committee: Hillel Kieval, Chair Matthew Erlin Martin Jacobs Christine Johnson Corinna Treitel CULTURE AND EXCHANGE: THE JEWS OF KÖNIGSBERG, 1700-1820 by Jill Anita Storm A dissertation presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2010 Saint Louis, Missouri Contents Acknowledgments ii Introduction 1 Part One: Politics and Economics 1 The Founding of the Community 18 2 “A Watchful Eye”: Synagogue Surveillance 45 3 “Corner Synagogues” and State Control 81 4 Jewish Commercial Life 115 5 Cross-Cultural Exchange 145 Part Two: Culture 6 “A Learned Siberia”: Königsberg’s Place in Historiography 186 7 Ha-Measef and the Königsberg Haskalah 209 8 Maskil vs. Rabbi: Jewish Education and Communal Conflict 232 9 The Edict of 1812 272 Conclusion 293 Bibliography 302 Acknowledgments Many people and organizations have supported me during this dissertation.
    [Show full text]
  • The Intersection of Gender, Religion, and Culture in Nineteenth-Century
    THE INTERSECTION OF GENDER, RELIGION, AND CULTURE IN NINETEENTH‐ CENTURY GERMANIC SALONS Jennifer Lauren Psujek A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August: 2010 Committee: Mary Natvig, Advisor Eftychia Papanikolaou ii ABSTRACT Mary Natvig, Advisor Modern salons began as gatherings for conversation among the French aristocracy in the seventeenth century. By the eighteenth century it had become a bourgeois tradition, with its importance cumulating in the French Revolution. The French salon moved to Germany and Austria in the late eighteenth century, however, its heyday in those lands was in the nineteenth century. The salon became a place where women in both France and the Germanic lands could gain an education and power. What has yet to be discussed in scholarship is the extent to which the salon in the Germanic lands moved away from its French roots and Became its own unique tradition. First, purely musical salons began during the Biedermeier period, as will be seen when examining the German salons of Sara Levy, Amalie Beer, Lea Mendelssohn, Fanny Mendelssohn‐Hensel, and Clara Wieck‐Schumann. Second, Germany and Austria saw the first salons hosted by Jewish women. This thesis highlights those of Henriette Herz, Rahel Levin‐Varnhagen, Fanny von Arnstein, Sara Levy, Amalie Beer, Lea Mendelssohn, Fanny Mendelssohn‐Hensel, Berta Zuckerkandl, and Salka Viertel. Finally, to demonstrate the benefits of Germanic salon culture, the last chapter focuses on Johanna Kinkel’s involvement with the Berlin salon tradition. Kinkel was a composer, writer, and political activist.
    [Show full text]
  • Fanny Hensel's Piano Works: Opp. 2, 4, 5 and 6
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Fanny Hensel's Piano Works: OPP.2, 4,5 and 6 Kyungju Park Lee Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC FANNY HENSEL’S PIANO WORKS: Opp. 2, 4, 5 and 6 By Kyungju Park Lee A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2008 The members of the Committee approve the treatise of Kyungju Park Lee defended on March 28, 2008. __________________________ Karyl Louwenaar Professor Directing Treatise __________________________ Leonard Mastrogiacomo Committee Member __________________________ Douglass Seaton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS TABLE OF CONTENTS …………………………………………………..….………. iii LIST OF TABLES …………………………………………………..………………….. iv LIST OF MUSICAL EXAMPLES ………………………………..……….……………. v ABSTRACT …………………………………………………………………………… vii 1. INTRODUCTION ………………………………..………………….….………. 1 Background and Purpose of the Project ………….…..……………………… 1 Method and Approach ……………………………..…………………….….. 3 Literature Review .……………………………..…………………...….…….. 4 2. BIOGRAPHY OF FANNY HENSEL …………...…………………………… 10 3. MUSICAL SALON …………………………..……………………….………...19 Sarah Levy …………………………………….…………………………… 20 Fanny von Arnstein ………………………….………………………………22 Cäcilie von Eskeles
    [Show full text]
  • Gemeinschaftskatalog2021.Pdf
    Lobgesang Büchern bin ich zugeschworen, Bücher bilden meine Welt, Bin an Bücher ganz verloren, Bin von Büchern rings umstellt. Zärter noch als Mädchenwangen Streichl’ ich ein geliebtes Buch, Atme bebend vor Verlangen Echten Pergamentgeruch. Inkunabeln, Erstausgaben, Sonder-, Luxus-, Einzeldruck: Alles, alles möcht’ ich haben / Nicht zum Lesen, bloß zum Guck! Bücher sprechen ungelesen / Seit ich gut mit Büchern stand Weiß ich ihr geheimstes Wesen: Welch ein Band knüpft mancher Band! Bücher, Bücher, Bücher, Bücher Meines Lebens Brot und Wein! Hüllt einst nicht in Leichentücher / Schlagt mich in van Geldern ein! Karl Wolfskehl Redaktion: Frank Albrecht, Schriesheim Meinhard Knigge, Hamburg Michael Schleicher, Stade (Register) Katharina Tilemann, Köln Umschlaggestaltung: Florian Hardwig, Berlin © Deutsche Schillergesellschaft e.V. Marbach. Gesamtherstellung: Mit herzlichem Dank für die Abdruckgenehmigung. AMDO GmbH & Co. KG, Heilsbronn „Bücher, Bücher, Bücher, Bücher …“ Wertvolle Autographen, Bücher, Graphik, Handschriften und Plakate Gemeinschaftskatalog der Antiquare 2021 veranstaltet von der Genossenschaft der Internet-Antiquare eG Verkaufsbedingungen Der Gemeinschaftskatalog der Antiquare 2021 wird unterliegen der Differenzbesteuerung, hier ist die von der Genossenschaft der Internet-Antiquare eG Mehrwertsteuer in der Marge enthalten, kann aber (GIAQ) herausgegeben, sie selbst bietet jedoch keine nicht einzeln ausgewiesen werden. Der Versand Waren zum Kauf an. Anbieter sind die jeweiligen erfolgt in der Reihenfolge der Bestellungen und auf Antiquariate, an die Bestellungen zu richten sind. Kosten der Besteller. Die Ware bleibt bis zur voll- Kaufverträge kommen nur zwischen den einzelnen ständigen Bezahlung Eigentum des anbietenden Antiquariaten und den Käufern zustande, und Antiquariates. Rechnungen sind, soweit nicht etwas zwar dadurch, dass ein Antiquariat eine Bestellung anderes mit dem liefernden Antiquariat vereinbart annimmt und die Lieferung bestätigt oder die wurde, sofort nach Erhalt ohne Abzug zu zahlen.
    [Show full text]
  • Facets of My Family History. Part 2. Chapters 13-20
    Facets of my Family History Part 2. Chapters 13 - 20 Edward Gelles Edward Gelles (in 1959) his father Dr. David Gelles (in 1927) and his mother Regina Gelles nee Griffel with his brother Ludwig (in 1920’s) Edward Gelles (2011) Contents Introduction Genealogical charts of my ancestral background 1 My childhood in Vienna 1927-1938 2 Adolescence in England 1938-1948 3 Refugees in wartime London and Oxford 4 Ludwig Friedrich Gelles 1922-1943 5 Dr David Gelles, Advocate and Zionist 6 Rabbi Nahum Uri Gelles and Chasidic connections 7 Gelles and Weinstein 8 Moses Gelles of the Brody Klaus 9 Some of my Wahl cousins 10 Lucia Ohrenstein and the Tripcovich family of Trieste 11 Viola Sachs 12 Tad Taube and his family connections 13 Some Griffel cousins 14 The Chayes family 15 Family chess notes 16 Mendelssohn family connections 17 Gelles and Jaffe family migration from 16th century Prague 18 Benveniste of Barcelona and Shem Tov Halevi of Gerona 19 From the Spanish Inquisition to the island of Rhodes 20 Remote cousins in distant places on our long journey 21 From the Low Countries to England since the 14th century 22 Connections with Italy and Sicily since ancient times 23` Millennial migrations across Europe 24 Some Family Legends Papers of Edward Gelles Chapters 13 - 20 13 Some Griffel cousins Edward Gelles, An Ancient Lineage ( 2006 ), section iv, My Mother’s Family My maternal great-grandfather Eliezer Griffel was the patriarch of a large tribe in Austrian Galicia He was an entrepreneur who owned oil deposits and forests and ran a substantial timber export business.
    [Show full text]