Is Marseilles Pronounced Munchen?
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Abrams, M. H. 167 Absurdist Theatre 271 Académie Française 141
Cambridge University Press 978-0-521-30011-7 - The Cambridge History of Literary Criticism: Volume 6: The Nineteenth Century, c. 1830–1914 Edited by M. A. R. Habib Index More information Index Abrams, M. H. 167 Andersen, Vilhelm 471, 472 Absurdist theatre 271 Anderson, Benedict 101–2 Academie´ Franc¸aise 141, 386, 424–5 Andreevich (Evgeny Solovyov) 224 The Academy 2, 30, 32 Anglican Church, defence of 432 Acmeism 227–8 Annenkov, Pavel 6, 209, 212–13, 214 Adams, Henry 339 The Extraordinary Decade 213 Adams, John 188 On the Meaning of Literature for Adderly, Charles 425 Society 213 Addison, Joseph 70, 583 Annensky, Innokenty 227 Adorno, Theodor 238, 244 anthologies 168–9 Aeschylus 146, 222 anthropology 570–1 Aestheticism 8, 10, 65, 231, 344–5, Antin, Mary 338 346–9, 524–5 Antoine, Andre´ 15, 305, 548, 549–50 aesthopsychology 515–16, 578–9 Apollinaire, Guillaume 11, 358–9, African Americans 332, 337 363 Aikins, John (ed.), British Poets 168 art criticism 358–9 Akhmatova, Anna 227 The Cubist Painters (1913) 358, Aksakov, Konstantin 208, 212, 217 372 Aksakov family 206, 211 ‘The Futurist Antitradition’ (1913) Albert, Prince Consort 163 368 Albright, W. F. 270 ‘Zone’ 358–9 Alcott, Bronson 201 Appia, Adolphe 558 Alcott, Louisa May 10 Appleton, Charles 30 Little Women 336 Aquinas, Thomas, St 269 Aldrich, Thomas Bailey 43 Aragon, Louis 365–6 Alfieri, Vittorio 410–11, 494 Paris Peasant 368 Allen, Grant 33, 34, 35, 41, 44 Arber, Edward 60–1 Althusser, Louis 284, 288, 412 Archer, Frank 560 Althusserian 100 How to Write a Good Play (1892) American Civil War (1861–5) 450 546 American Revolution 188 Archer, William 548 Ammons, A. -
An Investigation of Dalcroze-Inspired Embodied Movement
AN INVESTIGATION OF DALCROZE-INSPIRED EMBODIED MOVEMENT WITHIN UNDERGRADUATE CONDUCTING COURSEWORK by NICHOLAS J. MARZUOLA Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Nathan B. Kruse Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Nicholas J. Marzuola, candidate for the degree of Doctor of Philosophy*. (signed) Dr. Nathan B. Kruse (chair of the committee) Dr. Lisa Huisman Koops Dr. Matthew L. Garrett Dr. Anthony Jack (date) March 25, 2019 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Copyright © 2019 by Nicholas J. Marzuola All rights reserved 3 DEDICATION To Allison, my loving wife and best friend. 4 TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 LIST OF FIGURES .......................................................................................................... 10 ACKNOWLEDGEMENTS .............................................................................................. 11 ABSTRACT ...................................................................................................................... 13 CHAPTER ONE, INTRODUCTION ............................................................................... 15 History of Conducting .................................................................................................. -
Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM
Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM Henry Hollander Bookseller Tishrei 5763 Catalogue No. 25 German Language Judaica Art | Fascism, Economics, Agriculture | German Jewish History, Holocaust, Ancient and Medieval History | Literature | Psychology | Religion, Religious Philosophy, Old Testament | Theater, Music | Zionism, Israel | Art 1. Barlach, Ernst. “Zeichnungen von Ernst Barlach.” Munich, R. Piper & Co. (4793) Verlag, 1948. Second printing. Quarto in dust jacket, 90 pp., 64 b/w illus. $35.00 Mit einer Einfuhrung von Paul Fechter. 2. Gohr, Siegfried, edited by. “Max Beckmann Symposium 15. und 16. Mai 1E984.” (15319) Cologne, Veranstaltet von der Josef-Haubrich-Kunsthalle, Stadt Köln, 1987. First $30.00 Edition. Quarto, paper covers, 123 pp., b/w plates throughout. Articles are “Das Symbol der ‘verkehrten Welt’ im Werk Max Beckmanns,” Claude Gandelmann, “Max Beckmann: Die nacht,” Matthias Eberle, “Max Beckmann in seinen Illustrationen und seine Symbolwelt am Beispiel der Illustrationen zur Apokalypse,” Peter Beckmann, “Beckmann: Randbemerkungen zu Buddha,” Peter Beckmann, “Nachgedanken zur Bielefelder Ausstellung der Frühen Bilder Max Beckmanns,” Ulrich Weisner, “Rolenspiel für eine Utopia Zu Beckmanns Selbstdarstellung,” Fritz Erpel, “‘Somnabulismus und Bewusstseinshelle’ Zu Max Beckmanns ‘Auferstehung’ 1916/18,” Stephen von Wiese, “Max Beckmann, Die Illustrationen zur Apokalypse 1941-44,” Ernst Wagner. file:///Users/metafo/Polis/Clients/Henry%20Hollander/HOLLANDERCATS/Cat%2025/cat25.htm Page 1 of 46 Henry Hollander, Bookseller - Catalogue 25 - German Language Judaica 11/14/2005 04:11 PM 3. Schmidt, Manfred. “Manfred Schmidt’s Bilderbuch für Überlebende.” Stuttgart (20621) Hamburg, Rowohlt, 1947. First Edition. Oblong royal octavo, illustrated paper $35.00 covers, 84 pp., b/w cartoons throughout. -
The Drama of Celebrity
CONTENTS INTRODUCTION 1 1 DEFIANCE 21 2 SENSATION 45 3 SAVAGERY 68 4 INTIMACY 94 5 MULTIPLICATION 120 6 IMITATION 148 7 JUDGMENT 171 vi Contents 8 MERIT 194 CONCLUSION 215 ACKNOWLEDGMENTS 221 NOTES 223 BIBLIOGRAPHY 275 ILLUSTRATION CREDITS 297 INDEX 299 INTRODUCTION On January 28, 1966, Life magazine put a French- born actress named Cath- erine on its cover. Her long, straight hair cascaded down the page, fram- ing the charming face selected to represent a group of ten “lovely young film stars of Europe.” Calling the young women “stars” was something of a misnomer, since all were relative newcomers. But given that Life was then enjoying a peak circulation of 8.5 million copies, chances were good that at least some of the featured starlets would soon develop into true celebrities.1 Each had been handed an express ticket to fame, none more so than the woman showcased on the cover. What would it take for Catherine’s big break to result in true celebrity? If stars achieve their status primarily because they are uniquely gifted, attractive, and interesting people, then the answer would depend on the aspiring performer herself. If the public plays the chief role in determin- ing who becomes a celebrity, then Catherine’s success would depend on how well she realized its collective ideals and desires. And if the power to confer stardom resides first and foremost with the media, then publicity alone would do the trick. Each of these three explanations of how celebrity works has received considerable support among both scholars and the general public. -
New Strains of an Old Virus the Changing Face of Shylock P/2
AjR Information Volume XLVI No. 2 February 1991 £3 (to non-members) Don't miss ... i Lingering malady Es gibt mir p2 j The truth shall \ prevail p4 New strains of an old virus The changing face of Shylock p/2 ntisemitism, like the Hydra in Greek myth, has Mazowiecki; here the intellectuals were pilloried as Time of trial sprouted many heads: religious, economic, Jews. When Bishop Orszulik offered evidence to Acultural, nationalist, racist-biological. Since show that Mazowiecki's forebears had been Polish he Gulf War the last-mentioned head was cut off two new ones and Catholic for centuries the prelate was himself is a crucial have grown in its place: antisemitism without Jews, 'accused" of being a Jew. Tturning and punk antisemitism. Antisemitism without Jews Walesa claimed to fight the election as a 'true point. Having has been particularly prevalent in the country which Pole". Nor did he scruple to denounce Professor learnt the lesson of experienced greater Jewish bloodletting in recent Gcremek - who had been smuggled out of the the 1930s, the times than any other, namely Poland. During the Warsaw ghetto as a child and formally adopted by his democracies have Presidential elections phantom Jews were conjured Polish rescuers - of hiding his Jewish identity under elected to deploy out of thin air. The first round saw man-of-the-people an adopted name. force before the Walesa pitted against the intellectually inclined When history repeats itself, said Karl Marx, it accretion of power occurs first as tragedy and then as farce. After to Saddam makes Walesa's demagogic, and antisemitically tinged, anti- an even larger intellectualism which destroyed the Solidarity conflict un consensus, came the farce of his run-off with avoidable later on. -
The First Exhibition of the Art Collection of the Jewish Community Berlin1
The First Exhibition of the Art Collection of the Jewish Community Berlin1 From the report on the opening day by Moritz Stern Out of the great wealth of precious material our collection contains, only part of it can be exhibited due to limited space: an exhibition, I assembled from Albert Wolf’s donation, from acquisitions made, and from loans from the Community with the addition of several library treasures2. A so-called “Guide through the Exhibition,” it is to be hoped, will soon provide the necessary orientation. For today, the following overview shall offer a kind of substitute. Only few antiquities from Palestine can be found in Europe. These are solely owed to excavations. Wolf managed to acquire several that give us insight into private life in ancient Palestine. Reminding us in its shape of the worship in the time of the older kingdom is an idolatry figure (Astarte) from clay, even though it might originate only from the Maccabean period. The subsequent period, when the Second Temple was still in existence, emerges before our mind’s eyes thanks to an oil lamp, also from clay. We can see the inventory of Palestinian houses in the Roman period through various valuable glasses, a small gold chain, a little bronze lion, and other items. A valuable coin collection gradually assembled by Wolf is transferring us into the public life of the Jewish state. It is an excellent visual and educational example for our laypeople, but also a treasure trove for the archeological science; since it forms a complement to the collections of the Münzkabinett (Numismatic Collection) in Berlin and the British Museum in London. -
Download
001-010 1/10/13 12:44 PM Page 1 Law as Culture? 1 CONTEMPORARY LEGAL PHILOSOPHISING 001-010 1/10/13 12:44 PM Page 2 2 DISCIPLINARY ISSUES PHILOSOPHIAE IURIS Edited by CSABA VARGA Series Editor Emeritus Professor CSABA VARGA <http://drcsabavarga.wordpress.com> Founder of the Institute for Legal Philosophy, Pázmány Péter Catholic University of Hungary H–1088 Budapest, Szentkirályi u. 28 (visit) H–1428 Budapest 8, P.O.B. 6 (mail) +361-4297230; 4297226 (fax); 4297227 & 4297226 (secretary) [email protected] / [email protected] (secretary) 001-010 1/10/13 12:44 PM Page 3 Law as Culture? 3 CONTEMPORARY LEGAL PHILOSOPHISING Schmitt, Kelsen, Lukács, Hart, & Law and Literature, with Marxism’s Dark Legacy in Central Europe (On Teaching Legal Philosophy in Appendix) CSABA VARGA SZENT ISTVÁN TÁRSULAT Az Apostoli Szentszék Könyvkiadója Budapest, 2013 001-010 1/10/13 12:44 PM Page 4 4 DISCIPLINARY ISSUES A kötet részben az OTKA K 62382. számú projektuma finanszírozásának köszönhetôen készült Cover: Allegoric Justice (1625) on the Mural of St. James’ Church at Lôcse/Leutschau/Leutsovia [now Levocˇa, Slovakia] (photo by the author in 2008) Back cover: Reichskammergericht Wetzlar (Conspectus Audientiae Camerae imperialis) [Audience at the Imperial Chamber Court] (Frankfurt am Main, 1750) from the Städtische Sammlungen Wetzlar ISBN 978 963 277 ??? ? ISSN 1218-0610 © Cs.Varga 2013 Szent István Társulat 1053 Budapest,Veres Pálné utca 24. www.szit.katolikus.hu Responsible publisher: Dr. Huba Rózsa Responsible manager: Olivér Farkas Printed and bound by Prime -
The Stones of Paris in History and Letters
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES FROM THE LIBRARY OF JIM TULLY GIFT OF MRS. JIM TULLY THE STONES OF PARIS IN HISTORY AND LETTERS M.klaiiK' i.1e Sevii;ne. (I'Vom ihu portriut liy Miuiuinl.) THE STONES OF PARIS IN HISTORY AND LETTERS BY BENJAMIN ELLIS MARTIN AND CHARLOTTE M. MARTIN IN TWO VOLUMES Vol. II ILLUSTRATED NEW YORK CHARLES SCRIBNER'S SONS MDCCCXCIX Copyright, 1899, by CHARLES SCRIBNER'S SONS TROW DPBECTORT PRINTING AND BOOKBINDING COMPANY DC ' ; ,; .i5'5's CONTENTS Page The Southern Bank in the Nineteenth Century . 1 The Paris of Honore de Balzac 51 The Paris of Alexandre Dumas 89 The Paris of Victor Hugo 123 The Making of the Marais 163 The Women of the Marais 213 ^ B LIST OF ILLUSTRATIONS From drawings by John Fiilleylove, Esq. The portraits from photographs by Messrs. Braiin, CWment et Cie. Madame de Sevigne (from the portrait by Mignard) . Frontispiece PAGE Alphonse de Lamartine (from a sketch by David d'Angers, " tin soir chez Hugo") . facing lo Madame Recamier (from the portrait by Gros) . facing 40 The Abbaye-aux-Bois ........ 43 Portal of Chateaubriand's Dwelling in Rue du Bac ... 46 The Court of the Pension Vauquer .... facitig 5 2 Honore de Balzac (from the portrait by Louis Boulanger)y;zf/«^ 64 Les Jardies .......... 70 The Antiquary's Shop, and in the back-ground the house where Voltaire died ....... facing 78 The Pension Vauquer ........ 80 The Commemorative Tablet to Balzac . 84 The Figure of d'Artagnan (from the Dumas Monument by Gustave Dore) ...... facing 90 Alexandre Dumas ...... -
Copyright by Marnie Elizabeth Bethel 2012
Copyright by Marnie Elizabeth Bethel 2012 The Dissertation Committee for Marnie Elizabeth Bethel Certifies that this is the approved version of the following dissertation: Rachel, the Circulation of the Image, and the Death of Tragedy Committee: Alexandra K. Wettlaufer, Supervisor Jean-Pierre Cauvin Judith Coffin Michael D. Garval Michael Johnson Lynn Wilkinson Rachel, the Circulation of the Image, and the Death of Tragedy by Marnie Elizabeth Bethel, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2012 Acknowledgements This work was made possible by many people. In particular, I would like to acknowledge the contributions of Dr. Alex Wettlaufer and Dr. Mike Garval, who gave me guidance, support and confidence; the other members of my committee, Dr. Jean- Pierre Cauvin, Dr. Judith Coffin, Dr. Michael Johnson, and Dr. Lynn Wilkinson; Jade Valenzuela, tireless librarian; Dr. Florence Goulesque, Samuèle Baca, Rolando Villegas, Stephanie Lipkowitz, Julie Eckhardt, Karina Pena, Kylie Acosta, and all my colleagues at Albuquerque Academy, who supported me on this journey; Jeff, Adam, Zan and all my parents; and finally, the teacher without whom I could never have come so far. Mademoiselle Judine Taylor, I will always be grateful for your inspiration and your example. iv Rachel, the Circulation of the Image, and the Death of Tragedy Marnie Elizabeth Bethel, Ph. D. The University of Texas at Austin, 2012 Supervisor: Alexandra K. Wettlaufer Although it is frequently suggested that the idea of celebrity, as opposed to fame, is a construct of twentieth-century popular culture, many of the originating mechanisms and characteristics of modern celebrity have their roots in the more distant past. -
KAJ NEWSLETTER July 4, ‘19 א' תמוז תשע"ט a Monthly Publication of K’Hal Adath Jeshurun
KAJ NEWSLETTER July 4, ‘19 א' תמוז תשע"ט A monthly publication of K’hal Adath Jeshurun Volume 49 Number 10 The Board of Trustees takes this opportunity to wish all of KAJ’s members an enjoyable, safe and restful summer season. ז''ל CHAZON DAVID KENNER on ,מורנו דוד גדליה בן ר' אברהם יצחק ,of Chazon David Kenner פטירה It is with great sadness that we note the the 21st of Sivan, June 24th. Chazon Kenner served for decades as one of K’hal Adath Jeshurun’s Chazonim, imparting feeling, Kavono, and dignity to the Kehilla’s Tefillos. As a tribute on the Shabbos following his Rabbi Sammy Moeller, who led the davening that Shabbos, incorporated many of the ,פ' שלח ,Petiro melodies that Chazon Kenner had introduced to KAJ. As Rav Mantel noted in his hesped at the Levaya in front of Shul, Chazon Kenner had Semicha from made it a surprise indeed to learn יראת שמים Gedolim, and his entire demeanor and personality, so full of he grew up in Canada, and not pre-War Europe. Chazon Kenner, who, with the voice and musical gifts he was blessed with, surely could have made a more lucrative living in other venues, chose instead to represent K’hal Adath Jeshurun as one of its devoted Shelichei Tzibur for decades. Pictured above right with Rav Schwab at a Chupah, as a KAJ Sheliach Tzibur, Chazon Kenner was also often called upon to be one of the Eidei Kidushin at Kehilla Chasunos. Chazon Kenner was taught the Ne’ilo Nusach and Nigunim by Rav Schwab. -
Adelaide Ristori. Studies and Memoirs
3 1210 01712 6168 \Ji 1 ^^i<!ii<f^>l^iSlSISIililllSff0i<f<^i^^^^^ y^D&LAIDE p^STOR^ ;^. UBRARt DIVERSITY OF CALIFOf RiVEfiSlOE JTamoii5 Momeiu ADELAIDE R I S T O R I. : Already published George Eliot. By Miss Blind. Emily Bronte. By Miss Robinson. George Sand. By Miss Thomas. Mary Lamb. By Mrs. Gilchrist. Margaret Fuller. By Julia Ward Howe. Maria Edgeworth. By Miss Zimmern. Elizabeth Fry. By Mrs. E. R. Pitman. The Countess of Albany. By Vernon Lee. Mary Wollstonecraft. By Mrs. E. R. Pennell. Harriet Martineau. By Mrs. F. Fenwick Miller. Rachel. By Mrs. Nina H. Kennard. Madame Roland. By Mathilda Blind. Susanna Wesley. By Eliza Clarke. ^LAJiGARET OF Angouleme. By iNIiss Robinson. Mrs. Siddons.' By Mrs. Nina H. Kennard. Madame de Stael. By Bella Duffy. Hannah -More. By Charlotte M. Yonge. Adelaide Ristori. An Autobiography. ADELAIDE RISTORI STUDIES AND MEMOIRS. ^n ^utoluograpjjix-. BOSTON: ROBERTS BROTHERS. iS8S. Copyright, 1888, By Roberts Brothers. University Press; John Wilson and Son, Cambridge. PREFACE. "Life is a journey,'- they say. Certainly this proverb could be applied to me. My existence has been wholly passed in long journeys, and I have carried on my art in all countries. Under every sky I have personated the immortal heroines of immortal masterpieces, and I have seen the powerful accents of human passion thrill with intense emotion the most different peoples. I have brought into this task, often very heavy, my whole art conscience ; I have sought even to live the actual life of the personages I represented ; I have studied the manners of their times ; I have gone back to historical sources, which enabled me to reconstitute faithfully their personality, sometimes gentle, sometimes terrible, always grand. -
And Early Twentieth-Century American Novels
Graduate Theses, Dissertations, and Problem Reports 2012 Living Pictures: Performances of Jewishness in Late Nineteenth- and Early Twentieth-Century American Novels Nevena Stojanovic West Virginia University Follow this and additional works at: https://researchrepository.wvu.edu/etd Recommended Citation Stojanovic, Nevena, "Living Pictures: Performances of Jewishness in Late Nineteenth- and Early Twentieth-Century American Novels" (2012). Graduate Theses, Dissertations, and Problem Reports. 4925. https://researchrepository.wvu.edu/etd/4925 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. Living Pictures: Performances of Jewishness in Late Nineteenth- and Early Twentieth-Century American Novels Nevena Stojanovic Dissertation submitted to the Eberly College of Arts and Sciences at West Virginia University in partial fulfillment of the requirements