Annual Report 2003
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Annual Report 2012 Adroddiad Blynyddol 2012
ANNUAL REPORT 2012 ADRODDIAD BLYNYDDOL 2012 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills SUMMERMuriel Delahaye -EXHIBITION Gossiping 29 x 25ins, oil2011 on canvas st rd 1SUMMER July – 3 EXHIBITIONSeptember An exhibition of work by more than 70 artists 28th June - 10th August 2013 A changing exhibition of work by more than 50 artists Diagonal Shadow 65 x 120cms egg tempera CERI AUCKLAND DAVIES CERI AUCKLAND DAVIES 13th September - 5th October 2013 9th September – 1st October For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029www.albanygallery.com 2048 7158 E: [email protected] W:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T: 029 2048 7158 E: [email protected] Gallery open: Monday - Saturday 10am - 5pm, Sundays and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2012 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Ken Spurlock MBE Mrs J M Rees-Mathews ✝ Mr Peter Clee Dr Tudor Jones Bernard H Rees Chairperson Dr Chris Evans Vice Chairperson 1 Mr John Fitzgerald OBE Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership Secretary Dr Dan Evans Mulberry Lodge, 3 Pencisely Rd, Llandaff, Cardiff CF5 1DG Tel:02920 226029 Email:[email protected] -
FGV-Newsletter-Summer-2018.Pdf
Painting From Memory The Landscape of Kyffin Williams Angela Hughes John ‘Kyffin’ Williams (1918– relentlessly by the Irish Sea; as Ian Jeffrey (in Sinclair, 2004, 18,) 2006) is one of the most wrote: “Snowdonia is not a biddable terrain in the style of the successful Welsh artists of the English shires”. Therefore, Williams developed a different mode of 20th century, best known for expression, what Nicholas Sinclair (2007, 31) called a “highly painting the people and land- individual language”, to communicate this ancient drama, which scape of Gwynedd and the he argues, separates Williams “from the English landscape low-lying farmland of north- tradition of the previous hundred years.” west Wales. Born and raised in these areas, he came to know A key component in Williams’ visual language is simplification; he the landscape and people strips the composition of everything except its essential elements, intimately and loved them as Alistair Crawford (quoted in Skidmore, 2008, 127) noted passionately. Whilst a student “Kyffin’s landscape is as sparse as a memory from childhood”. in the Slade School of Art, To achieve this uncluttered image, Williams would make sketches London (1941-1944), Williams of a scene using black Indian ink, water colour and soft 4b or 6b was clear that the land and sea pencils, trying to be exact as possible in capturing the essence of his cynefin - the metaphoric of a place, but “never attempted to interpret” at this stage. ‘square mile’ where he felt (Williams, 1973, 158) In his studio, Williams would then re-inter- a sense of belonging, would pret the landscape, discarding typographical accuracy, in favour form the central motif of his of the expressive qualities of mood and drama. -
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C o Distribution Wales Distribution & representation v e r england, scotland, ireland, europe Welsh books Council i m Central books ltd, 99 Wallis road uned 16, stad Glanyrafon, llanbadarn, a g e : london, e9 5ln aberystwyth sY23 3aQ s t i l phone 0845 458 9911 Fax 0845 458 9912 phone 01970 624455 Fax 01970 625506 l f r [email protected] [email protected] o m sales and Marketing Manager: tom Ferris T h representation e [email protected] G inpress ltd o s p Churchill house, 12 Mosley street, e l o newcastle upon tyne, ne1 1De north aMeriCa Distribution & f U s www.inpressbooks.co.uk representation d i r . phone 0191 230 8104 independent publishers Group D a Managing Director: rachael ogden 814 north Franklin street v e [email protected] Chicago il60610 M c K sales and Marketing : James hogg phone (312) 337 0747 Fax (312) 337 5985 e a [email protected] [email protected] n seren, 57 nolton street, bridgend, CF31 3ae 01656 663018 [email protected] www.serenbooks.com Facebook: facebook.com/serenbooks twitter: @serenbooks publisher: Mick Felton sales and Marketing: simon hicks Marketing: Victoria humphreys Fiction editor: penny thomas poetry editor: amy Wack poetry Wales: robin Grossmann, rebecca parfitt Directors: Cary archard (Founder and patron), John barnie, Duncan Campbell, robert edge, richard houdmont (Chair), patrick McGuinness, linda osborn (secretary), sioned puw rowlands, Christopher Ward no. 2262728. Vat no. Gb484323148. seren is the imprint of poetry Wales press ltd, which works with the financial assistance of the Welsh books Council www.serenbooks.com Preface 3 2011 was an exciting year in which we celebrated our 30th birthday and threw a street Cynan Jones Bird, Blood, Snow 4 party outside the seren offices on the sunniest october saturday since records began. -
A TIME for May/June 2016
EDITOR'S LETTER EST. 1987 A TIME FOR May/June 2016 Publisher Sketty Publications Address exploration 16 Coed Saeson Crescent Sketty Swansea SA2 9DG Phone 01792 299612 49 General Enquiries [email protected] SWANSEA FESTIVAL OF TRANSPORT Advertising John Hughes Conveniently taking place on Father’s Day, Sun 19 June, the Swansea Festival [email protected] of Transport returns for its 23rd year. There’ll be around 500 exhibits in and around Swansea City Centre with motorcycles, vintage, modified and film cars, Editor Holly Hughes buses, trucks and tractors on display! [email protected] Listings Editor & Accounts JODIE PRENGER Susan Hughes BBC’s I’d Do Anything winner, Jodie Prenger, heads to Swansea to perform the role [email protected] of Emma in Tell Me on a Sunday. Kay Smythe chats with the bubbly Jodie to find [email protected] out what the audience can expect from the show and to get some insider info into Design Jodie’s life off stage. Waters Creative www.waters-creative.co.uk SCAMPER HOLIDAYS Print Stephens & George Print Group This is THE ultimate luxury glamping experience. Sleep under the stars in boutique accommodation located on Gower with to-die-for views. JULY/AUGUST 2016 EDITION With the option to stay in everything from tiki cabins to shepherd’s huts, and Listings: Thurs 19 May timber tents to static camper vans, it’ll be an unforgettable experience. View a Digital Edition www.visitswanseabay.com/downloads SPRING BANK HOLIDAY If you’re stuck for ideas of how to spend Spring Bank Holiday, Mon 30 May, then check out our round-up of fun events taking place across the city. -
The Welsh Conservative Party and the National Assembly of Wales 1997
MSc (Econ) Department of International Politics, Aberystwyth University Submitted in partial fulfilment of the requirements for the degree of: MSc (Econ) Welsh Politics & Society (RT) The Welsh Conservative Party and the National Assembly of Wales 1997 – 2010 Kristian Hicks P a g e | 1 Abstract The Conservative Party in Wales has undergone a great deal of change since the creation of the National Assembly in 1999. As a party that vociferously opposed the passing of any devolution settlement,1 the ‘Yes’ outcome of the devolution referendum would push the party into a crisis of relevancy. How exactly does a conservative deal such changes in the structure of a political system? What are the environmental push-pull factors and themes that emanate from such a change?2 This dissertation seeks to explore such questions and also communicates the experiences of the Welsh Conservative party in the age of devolution. The structure of this dissertation is chronological in nature.3 It begins with the experiences of the Conservatives in the first assembly onwards to the present at the time of writing (2010). A myriad of materials will be utilised from the works of Conservative philosophers, specialists in devolution specifically of the Welsh form4, works on Welsh history and journalistic articles. 1 John Major, You can only be sure with the Conservatives, Conservative and Unionist Party Manifesto, 1997, P. 1 2 These themes include party leadership, the relationship between the Welsh and National party and the philosophy of conservatism as applied to institutional change amongst others. 4 Especially through the findings of the devolution monitoring reports. -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects . -
Kyffin Williams and Welsh Art
Gareth Lloyd Roderick Kyffin Williams Online at the National Library of Wales: presenting and interpreting art in a digital context. 0 1 Mandatory Layout of Declaration/Statements Word Count of thesis: 82,423 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed ....................................................... (candidate) Date .......................................................... STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where *correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed ..................................................................... (candidate) Date ........................................................................ [*this refers to the extent to which the text has been corrected by others] STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed ..................................................................... (candidate) Date ........................................................................ 2 Acknowledgements I would like to thank my supervisors, Professor Robert Meyrick and Professor Lorna Hughes for their help, guidance -
Valley of Vision
21 January to 19 March 2017 Saturdays and Sundays 3 to 5pm Wolfson Fine Arts in collaboration with the University of South Wales Valley Valley of Vision www.wolfson.cam.ac.uk/fine-arts Foreword - Painting the Valleys is the subject matter. Apart from a scattering of small mines and a few huge, opencast sites on the rim of the coalfield, there is no longer a coal industry. There For over two hundred years, the Valleys of South Wales have inspired are memories and ruins, books, photographs and articles, industrial museums painters and printmakers. J M W Turner, Richard Wilson and Julius Caesar and visitors’ centres. And there are ghosts and paintings. Ibbetson were among the early visitors, drawn to the coalfield by the promise of extraordinary images – the visual combination of burgeoning I know for certain that the ghosts are still out there, haunting abandoned heavy industry and dramatic landscapes. mineshafts, winding-sheds and chapels where the physical evidence of an industry that once employed a quarter of a million miners in these Valleys has They came to witness the fiery spectacle of iron furnaces giving birth to a new almost disappeared. Even the scarred hillsides have been blanketed in new industrial age. Here was the cutting edge of Britain’s pioneering technologies. forests as the Valleys continue to be greened. Yet they discovered, within a stone’s throw of the blast furnaces and pit shafts, a landscape of waterfalls, precipitous forests and wild, romantic moorland. Thankfully, the paintings have survived. Some of them are gathered here, at this exhibition. -
The Arts Council of Great Britain
A-YUAAt J`2 101" The Arts Council Twenty-ninth of Great Britain annual report and accounts year ended 31 March 1974 ARTS COUNCIL OF GREAT BR(fAMm REFERENCE ONLY DO NOT REAAOVE I j,FROM THE LIBRARY ISBN 0 7287 0036 0 Published by the Arts Council of Great Britai n 105 Piccadilly, London wIV oAu Designed and printed at Shenval Press, Englan d Text set in `Monotype' Times New Roman 327 and 334 Membership of the Council , Committees and Panels Council Committees of the Art Pane l Patrick Gibson (Chairman ) Exhibitions Sub-Committee Sir John Witt (Vice-Chairman ) Photography Committee The Marchioness of Anglesey Serpentine Gallery Committee Professor Harold C . Baldry Performance Art Committee The Lord Balfour of Burleigh Alan Bowness The following co-opted members serve on the Lady Casson Photography Committee : Colonel Sir William Crawshay, DSO, TD Michael Elliott Bill Gaskins The Viscount Esher, CBE Ron McCormic k The Lord Feather, CBE Professor Aaron Scharf Sir William Glock, CBE Pete Turner Stuart Hampshire Jeremy Hutchinson, Q c and the Performance Art Committee : J. W. Lambert, CBE, DsC Dr A. H. Marshall, CB E Gavin Henderso n James Morris Adrian Henri Neil Paterson Ted Littl e Professor Roy Shaw Roland Miller Peter Williams, OBE Drama Panel Art Panel J. W. Lambert, CBE, DsC (Chairman) The Viscount Esher, CBE (Chairman) Dr A. H. Marshall, CBE (Deputy Chairman) Alan Bowness (Deputy Chairman ) Ian B. Albery Miss Nancy Balfour, OBE Alfred Bradley Victor Burgi n Miss Susanna Capo n Michael Compton Peter Cheeseman Theo Crosby Professor Philip Collins Hubert Dalwood Miss Jane Edgeworth, MBE The Marquess of Dufferin and Av a Richard Findlater Dennis Farr Ian Giles William Feaver Bernard Gos s Patrick George Len Graham David Hockney G. -
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(~2C i ~c Co P / The Arts Council of Great Britai n Twenty fourth The Arts Council of Great Britai n s 105 Piccadilly annual report and account London W1 V OA U year ended 31 March 1969 01-629949 5 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE . FROM THE LIBRA] Membership of the council, committees and panels Council The Lord Goodman (Chairman ) Professor Sir William Coldstream, CBE, DLitt (Vice-Chairman ) The Hon . Michael Asto r Frederic R . Cox, OB E Colonel William Crawshay, DSO, T D Miss Constance Cumming s Cedric Thorpe Davie, OBE, LL D Peter Hall, CB E The Earl of Harewoo d Hugh Jenkins, M P Professor Frank Kermod e J. W. Lambert, DSC Sir Joseph Lockwoo d Colin H. Mackenzie, CMG DrAlun Oldfield-Davies, CB E John Pope-Hennessy, CB E The Hon . Sir Leslie Scarman, OB E George Singleton, CB E Sir John Witt Scottish Arts Counci l Colin H. Mackenzie, CMG (Chairman ) George Singleton, CBE (Vice-Chairman ) Neill Aitke n J . S . Boyl e Colin Chandler J. B . Dalby, OB E Cedric Thorpe Davie, OBE, LL D Professor T . A. Dun n David A . Donaldson, RSA, R P The Earl Haig, OB E Douglas Hall, FM A Clifford Hanley William Hannan, M P R . D . Hunter, MB E Ronald Macdonald Neil Paterso n Alan Reiach, OB E Professor D . Talbot Rice, CBE, TD, DLitt, FS A Dame Jean Roberts, DBE, DL, J P Alan Roger Ivison S . Wheatley Thomas Wilso n Welsh Arts Counci l Colonel William Crawshay, DSO, TD (Chairman ) Alex J . -
Annual Report 2013 Adroddiad Blynyddol 2013
ANNUAL REPORT 2013 ADRODDIAD BLYNYDDOL 2013 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills Caroline Bailey - Llandudno from the pier 28 x 28ins mixed media SUMMER EXHIBITION 2011 1st July – 3rd September An exhibition of work by more than 70 artists David Porteous-Butler - Boats at West Mersea 40 x 60cms Oil SUMMER EXHIBITION 27th June - 6th September 2014 A changing exhibition of work by more than 50 artists 12th September - 4thCERI October: AUCKLAND Mike Jones, DAVIES John Lines, Aled Pritchard Jones 10th9 thOctober September - 1st November: – 1st October David Grosvenor 7th November - 31st December: Christmas Exhibition For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029 2048 7158 E: [email protected] www.albanygallery.comW:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T:029 2048 7158 E:[email protected] Gallery open: Monday - Saturday 10am - 5pm, Sunday and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2013 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Bernard H Rees Mr Peter Clee Dr Tudor Jones Chairperson Dr Chris Evans Vice Chairperson Dr Sandra Harding 1 Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership