ARTS COUNCIL CONTENTS

C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country .

The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION

and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . The machinery o f quality of the arts in London is a grea t administration is of secondary account . national and international asset and that nothing should be done to harm thi s Nevertheless, this has been a year in whic h achievement . At the same time the very the machinery of administration has been large populations which live outside changed by two important reports . The London deserve to have the opportunity t o first, which appeared in October 1983 was enjoy art on something closer to th e %Ir Clive Priestley's report on the financial metropolitan level . This cannot be ~c rutiny of the Royal Opera House and the achieved quickly. It took about 25 years to Royal Shakespeare Company . Mr bring London to its present position as Priestley, after an exhaustive enquiry into probably the greatest arts capital in the the work of the ROH and the RSC, found world, and it will almost certainly tak e 1 hat in both cases they needed a substantia l another generation to complete an increase of funding to corny out their adequate programme for the rest of Britain , neces au}• work at its right level. Although and particularly the rest of England . 11 r Priestley was only asked to examin e Nevertheless, the adoption of The Glary of t wo clients of the Arts Council - two very the Garden marks a determined start on 1983/84 was a year of great activity in all important ones - his particular case such a programme . the art forms supported by the Arts studies confirmed the general view that Council. These activities and their artistic had been put forward strongly by the Arts During the next year the Arts Council will success are the justification for all the Arts Council that the great majority of arts undertake a thorough review, in Council's work, and indeed for the principl e institutions needed more money than we consultation with its own staff, of it s of public funding. Not every concert or were currently able to give them if the y internal organisation and practices . We are exhibition or opera or play can expect t o were to do their job properly . The Priestley also deeply involved in the consequences of attract the maximum audience or to b e Report provides solid evidence of the the proposed reorganisation of local praised by the critics, but the artistic health general underfunding of the arts in Britain . government which will in 1986 give us new of the performing arts - dance, theatre, responsibilities . 1983/84 was a year of music, opera - was undoubtedly good, and The second major report - Tim Glopyofthe great importance for arts administration . many companies achieved work o f Garden - was published by the Art s The next two years will be no less outstanding quality. Council itself on 30 March 1984 . This important. All this will undoubtedly assist represented a complete review of the Art s arts achievement . The work of the Arts Council is often Council's grants to clients and the written about in terms of artistic development of a new strategy which the administration rather than in terms of Council is now pursuing. The strategy is artistic performance . That is not how based on two principles . The f irst is a k i~4' fZ4v 4a . k members of the Arts Council see it. We principle of bringing the regions nearer t o regard our own administration as simpl y the London level of support . The second is IT. being a necessary way of helping creative the principle of partnership, partnership William Rees-Mogg

SECRETARY-GENERASS PREF

gratitude to the staff needs to be recorde d go a long way towards securing art s before all else . Why a particularly difficul t funding, but that will be for future annual time? It was not only because of a lack of reports. finance (heaven knows the Arts Council should be used to that by now), but also tha t As if all these events were not enough, the a whole range of fundamental issue s Council decided at its meeting in Ilkley in seemed to be called into question by events October that it would embark on a majo r and demanded our time and attention . The review of all its activities, both external and (;rnt-ral Election of June 1983 heralded a internal. The decision was the Council' s nrw %I inister for the Arts, and so ne w response to two situations . The first was :vlat i; mships had to be forged . The 117o cut the awareness that despite a decrease in its iii the budget imposed immediately after real level of funding over the last six o r the nice l ion, left clients reeling when many seven years the Council was still reactin g were already facing desperately difficult and responding as it had done when fund s problem. The Priestley Report, published were increasing annually . This meant in October 1983, confirmed our belief tha t spreading the jam for margarine as one the Royal Shakespeare Company and the client put it) even more thinly. Almost Royal Opera House were underfunded, bu t without exception, every client was i n the solutions suggested once more opene d difficulty. Furthermore it was increasingl y the debate about direct governmen t difficult to respond to new initiatives, le t subsidy . In the event Lord Govtirie stuck t o alone create them. I an annual report provides the Arts Council channel but earmarke d t i;1ritsi'ontrnt With a the funds, and that in its turn create d And so from November to March every ial[1III C ;rl 1, ;, opportunity of further problems for the Arts Council . member of staff, every Panel, every from the dail y Committee and every Regional Art s r<

develop the artistic fife of the nation . We the Crush Bar at the Royal Opera House to it has to make decisions, it has to develop have the prospect of much adde d mark his retirement was a tangible policy, it has to say yes and it has to say no . responsibility following the demise of th e indication of the feeling of affection that we A former Chairman of the Arts Council said metropolitan authorities, and as we go to all have for Tony . Due tribute is paid to him 'It is a mistake to think that the arts must press we are embarking on a major interna l elsewhere in this report . necessarily be subsidised . Agreat number review of staff structures and panels . This of concerts, plays and exhibitions are, an d review will take until April 1985 and will The second of the three constituencies I should be, self-supporting. Financial yet again involve all the staff in extra work, want to address is those involved in artistic support is frequently both unnecessary an d both practical and thoughtful. creativity, whether or not they are clients o f undesirable. What is nearly always the Arts Council, and I include the much necessary is professional guidance' . If we During the year there have been a number maligned administrators. The Arts Counci l do not have enough money to offer, the of staff changes . At the end of April can never be 'all things to all men' . Its task Council does have at its disposal a Anthony Field left the Council after 2 8 is not an enviable one, though it is remarkable pool of expertise and I hope years' service . Gratitude and sadness wer e important. It is easy for the Arts Council to that in future vears the Council will be abl e mixed in equal quantities at Tony 's become too defensive about what it i s to develop its back-up service to the art s departure, and the size of the gathering in doing, about the decisions it is making . But throughout the country .

Luke Rittner with Nancy Raffour, ex-chairman of the Contemporary An SmIety and Chairman of Art Services Grants, at The Sculpture Show, Hayward Galley . Notting Hill Carnival. Photo Martin Mayer Photo: Philip Wolmuth &rmtaay-Genera! ;s Preface

The seemingly endless arguments over have our senses heightened, our been, for the Arts Council, an important money sometimes separate us from th e experience widened, our emotions torn . one. Future annual reports will chronicl e essence of the arts, and there are som e The Arts Council exists to encourage the how important . The Council's new strateg y whose total dedication to the arts become s arts by distributing tax payers' money - an may not have gone as far as some would self defeating and leads to what the sam e essentially bureaucratic occupation - but wish, others believe it to have gone too far Arts Council Chairman referred to as 'tha t it exists to serve artists and the community and in the wrong direction . Again, onl y depressing sense of superiority and tha t as a whole . and it is all too easy for us t o time will tell . What cannot be in doubt i s "preciousness" too often affected by arts become distanced from both . that the Council has taken an importan t clubs and arts circles. Don't', he went on to step to correct the imbalance of fundin g say, 'let us be afraid of being amused' . The third constituency to whom our annual between London and the regions, and that report is addressed is Members o f in the past twelve months the Council's We have serious work to do, but we mus t Parliament, the media, and the genera l relationship with the Regional Arts not forget that the arts are about fun and public with perhaps only a vicariou s Associations has become a closer and , enjoyment, about enlightenment an d interest in our affairs . To those I would say hopefully, more constructive one . This can perception . To be touched by the arts is to that the year covered by this report has only be good for the arts in Britain .

Right to left: Sir William Rees Mogg, Chairman, Lord Gowrie, Minister for the Arts, and Since joining the Council I have paid visits Jonathan Barker, poetry librarian, at the re-opening of the Arts Council's poem librar y to all the Regional Arts Associations an d fo lowing its move back to 105 Piccadilly from long Acre, Covent Carden. have seen at first hand the wealth of artistic 14?"t lola{,lfe activity being undertaken throughout the country. The variety of product, th e quantity of events and the number an d variety of people involved makes me even more convinced that to argue that the arts are a minority interest in which there are no votes and to which the British only pay lip service looks increasingly futile .

If we have to fight to save what has been achieved in the arts we will, but how much better if we could simply enjoy them . Reading back through past annual reports of the Council it seems that times ar e always difficult, money always short. Turbulence and change can concentrate I t= n; ind and are not in themselves bad, so u ing as we. remember just what it is that the Arts U)uncil exists to do, and as long as we pursue its objectives with all the skill an d energy at our disposal . DEP

ART have always felt for this most French of DANCE painters. Mime is an increasingly important part of The year at the Hayward included thre e A reduced version of the Dub, exhibition the Council's work . Expenditure in thi s remarkably diverse exhibitions, eac h went on to Plymouth and Nottingham . area doubled in 1983184 over the previous underlining the surprising adaptability ofa Three Exhibititms aboutPainting and Three year. Mime is one of the most economical building often seen as a most inflexible Exhibitions about Sculpture provided t of the performed arts . around 550 example of modernism . The Eastern Carpe seasons of exhibitions in eight regiona l performances and over 300 workshops an d in the 1116-tenr Work[offered a great display f galleries exploring the common concerns o lecture/demonstrations were held of carpet masterpieces from collection s painters and sculptors from a wide range of throughout the country for project grant s throughout the world . The Sculptun, Shou, historical periods and cultures . The light of totalling just over £50,000 . More fundin g included the work of fifty contemporar y Alchemist was seen Wright of Derby's was given to mime groups and soloists in British sculptors and extended to includ e across the room from the Impressionism o f the form of grants and bursaries. The the South Bank, the Serpentine Gallery and Sisley and a mirage-like Bridget Riley . London International Mime Festival, for Kensington Gardens . It caused controvers y Rodin's Age njBronw could be seen with which no funds were available in 1982183 , but was Asited by over 100,000 people . Etruscan and African warrior figures . was reinstated . Three Women Mim e The third exhibition was the Raoul Dufv Collaborations with funded galleries Company undertook a mime-artists-in- retrospective which brought the war m enabled tours of major Ben Nichols(: and education scheme in Bransholme School , south to the wintry South Bank . Its success Gaudier-Brzeska exhibitions, organised by Hull, and the mime animateur in Kendal , underlined the special affection the English Kettle's Yard in Cambridge, and Julia Margaret Camermr, organised by the John The Royal Ballet in China at a reception Hansard Gallery in Southampton . Richard following the opening night of The Sleeping Hamilton, Howard Hodgkin, Anthon y Beauty. Caro and Marc Chaimowicz were commissioned to design Four Rormrs . The Regent Street store Liberty was th e unusual setting for the first showing of thi s unusual exhibition ,

The new Photography Advisory Grou p began a detailed review of policy in th e light of the 1982 working party report The Arts G)unt it and Plmtogmphy .

The Film Section has always stressed th e vital role of distribution in any film funding activity. Video is providing new ways o f ruching the public and the education ,;t-ctor. In response, a network of vide o acres- libraries has begun to be develope d with new libraries opening at the Midlan d Group. Nottingham and Tyneside Cinema , Newcastle. Arts Council Video has also been launched, making all Arts Council films available on videotape for the firs t time. Departmental Reports

Cumbria (a post set up with funds from th e Arts Council in 1982) continued to stimulate a great deal of interest .

Meanwhile, the dance explosion continues . This can be seen partly by the number of III people wishing to participate actively, an d partly by attendances at performances - on the upturn again after a reduction . All the Council's revenue clients (except Th e Royal Ballet at Covent Garden) give up to three-quarters of their performances on tour throughout the country sn regional box office results are very important .

1983 was the vear in which British dance companies consolidated their international reputations. The Royal Ballet and London Contemporary Dance Theatre had smas h hits in New York for the Britain Salutes New York celebrations . Sadler's Well s Royal Ballet gave an extensive tour of Canada. London Festival Ballet made an important visit to Venezuela for the Simon Bolivar celebrations. The Royal Balle t made a hugely-successful first visit t o 4P China, following tours of Japan and Korea . Northern Ballet Theatre made a secon d visit to Bong Kong . Ballet Rambert made several highly acclaimed forays int o Europe, to France, Germany and Finland . These companies may not use Arts Counci l funds for overseas work. But thi s international success of which the Council is proud could not be achieved without public subsidy at home .

Merville Jones and Vilnwre James, members of Phoenix Dance Company in Nightlirr at the Flaming), choreographed by Edward Lvnch .

DepanW"laI Repmi_s

DRq _ of David Pownall's new play ?bfasterrlass has succeeded in attracting a generally was included in the newly renovated Old younger audience than was previously seen Vic's first season before transferring to at the Playhouse . The company's TIE The Council's work in drama covers every W,yndham's Theatre early in I984. work continues to flourish and to maintain ,-,ca le and type of production . This variety its reputation nationally as one of the of work is demonstrated by two highly - A greater adventurousness in the policy o leaders in the field . Successful building-based companies- The y f Leeds Theatre Trust became apparent i exemplify the present range and artisti c n 1982183 with the very successful quality of English theatre . LITERATURE production of The Rockv Horror Show. In 1983184 the company's programm During the year the main house of the e included two plays of exceptional interest In 1983 the Gtuncil decided to establish a Leicester Haymarket mounted tw o which had earlier received their firs t three-yeair development programme for the musicals, Grease and West Si k Str m productions by the English Stage Compan writers' fellowships scheme . In 1983184 the amongst a programme of eight plays whic h y and the National Theatre Company - p number (if fellowships supported was included Ibsen's classic drama Ghosts, Ben To Girls and On the Razzle, two classical doubled to eighteen . Of these five wer e Travers's farce Rex*m. Nook, the revivals - The L)ruil Dtiscipk, and continuations of existing appointments an d contemporary comedies Accidental Death s Charley's Aunt, and two world premieres - thirteen were new ventures . The range o f ofan Anarrhrsl by Dario FoandHat>ing a Prisoners and the musical Alice. This policy host organisations was extended and Ballby Alan Bleasdale, and the regiona l several fellowships were established in less premiere of Peter Nichols's Passion Play. traditional settings than before. In Ballet Rambert and London Contemporary Derbyshire, junction 28 Community Arts Dance Theatre toured into the theatre, and project, Frederick Gent Comprehensive a festival of local dance and drama took School, Glebe Junior School, and Kirkstead place. Junior School all combined to appoint a miter at South Normanton and Pinxlon . In In the Studio, productions of recentl y Lincoln, the. Adult Education Centre wa s premiered plays included Anthon y host to a writer in collaboration with Minghella's A Little Like Lhmmingan d Nottingham University and the Workers Caryl Churchill's Top Girls . The policy of Education Association . In Ipswich, Suffol k co-productions with national touring County Council was able to base a companies continued with the premieres of fellowship jointly at Gainsborough Publi c Sue Townsend's The Great Celestial C ou , Library and Nacton Heath School . (with Joint Stock) and Robert Hewett's Gulls (with Bristol Express) . Visits by Carib This year the Council organised its third Theatre, Tara Arts Group and Temb a writers' tour to the north-west in Theatre Company reflected the policy of conjunction with North West Arts . promoting the ethnic arts in Leicester. Maureen Ihuffy, Rose Tremain and Marin a Warner spent a week giving readings and David Aukin, Director since December 11; ing pan in disc ussions with audiences

1983, is keen to continue to emphasise th e T. I11-r 11,1 Lhr31 rt t he region. The writers were Company's importance as both a regional rr-, received . Venues included and a national theatre_ He has already T'11,', . Norihuxirh. Padgate, Bury , achieved a good start with excellent box h, ? r :i nl R(,Iton. The numberof office results for West Side Story and l ?urin:~tht,wecrkwasone Passum Play, prior to their transfer to th e ii the interest in West End . The February 1983 production n, !t f ur tnur generated . Departmenta I Reports

During 1983 the Arts Council's Poetry KU$IC they act as standard-bearers for British Library moved from bong Acre, Covent music-making all over the world. In London the Council subsidises, via the Garden, to a large ground-floor room in the England is fortunate in the standard of it s Council's headquarters at 105 Piccadilly . London Orchestral Concert Board, a host orchestras . Outside London, there are four The official opening, with speeches b y of organisations, including the four self- symphony orchestras (in Birmingham , governing symphony orchestras . Direct Marghanita Laski and the Arts Minister, Bournemouth, Liverpool and Manchester) Lord Gowrie (himself a published poet) , subsidy forms a relatively small part of and two chamber orchestras (in their income and thev obtain commercia l took place in September. The library Bournemouth and Newcastle-upon-Tyne) e sponsorship and engagements, including contains this country's most complet supported by the Arts Council . All have an h foreign tours, to help cover the losses on collection of twentieth-century Englis international reputation . Not only do the y their own promotions . That so many of language poetry . It continues to attrac t provide their local communities with high - many readers and loaned over 6,000 books these are of a high standard is a reflection quality orchestral playing ; through of the resilience and sheer professionalism Ong the year. recordings and foreign tours gramophone of our orchestral musicians .

Depart"wnlal Reports

The 1983184 Contemporary Musi c Grand Theatre, Wolverhampton, withou t Council backed, for the first time, a short Network presented 70 concerts on ten capital assistance from the Arts Council tour by Cannon Hill Music Theatre to national tours. Attendances rose by 16% on and without any commitment to provide venues in the Midlands, with a remarkable the last season. In London three concerts - opera and dance, marked the first practical production of Britten's The Turn ofthe Les Percussion de Strasbourg, John result of a policy narrowed by limited cas h Screw. In dance, a similar concern resulte d Surman Brass Project, and the Ganeli n to concentrate large-scale lyric theatre in first time touring grants to Mantis an d Trio - were sold out . Three other groups touring on major population cen tres . Berth London City Ballet . Funds everywhere - the English Gamelan Orchestra, Mik e decisions sparked controversy . Added t o were short but touring opera once again Gibbs Band and the London Sinfonietta - existing difficulties was the effect on provided some memorable highlights : achieved over 84% capacity. The touring of the Government's cut in th e Welsh National Opera's production of The appearance in Britain for the first time of a Council's grant mid-year: drama and danc e Valktirie, Glyndebourne Touring Opera' s Soviet jazz group, the Ganelin Trio, cause d tours virtually ceased during the winter and production of Prokofiev's Lame of Three considerable interest and packed houses spring. Oranges in a new translation by Tom around the country . As in previous years , Stoppard, and Opera North's first Com- there was strong emphasis on supportin g New initiatives could take place only on the m issioned work, Wilfred Joseph's Rebecca , educational activity. More than half th e smaller scale. After a two year gap Sheila premiered in Leeds in October . fifty-eight educational events include d Hancock led another enormously some forni of audience participation , successful tour by the Royal Shakespeare EDUCATION ranging from masterclasses with the Nash Company to venues all over England wit h Ensemble, to a performance by th e productions of Romeo and Juliet and A 1983184 marked the launch of a audience of a piece specially written fo r AlidsummerA'ighl sDream. In trying to development period for education and the them by Les Percussions de Strasbourg . fund more small-scale opera touring the establishment of a separate allocation for Brightly coloured, new-style publicity undoubtedly contributed to increase d Left to right Philip Jackson (Bottom), Penny Downie (Titania) and Roger Allam (Oberon) in the Roya l audiences, although promoters reported Shakespeare Company's production of A Midsummer Nights Drwm- difficu] ty in keeping posters on their sites ! Pholn: D Cooper

REGIONAL ti AN _

Tourin g Running a national touring programme o n a budget steadily reduced in its purchasing power brought an umber of importan t issues sharply into focus this year. Visits by English National Opera to Plymouth i n May and by the Royal Opera t o Manchester in September, both successful artistically and at the box office, were the last full scale tours in the foreseeable future by these companies . With diminishing funds the Council decided that it could n o longer sustain the high cost of such visit s and should instead plough increased investment into opera companies base d outside London . The re-opening of the Departmental Reports

this area of the Council's work . Funds were a specially written rock opera - Birdbrain acting skills for its members. Funding was primarily available for music and a number - staged by a local youth theatre ; a also provided for a very well attended of imaginative projects took place, often performance of Britten's opera The Little Summer School of Indian Dance whic h receiving local and regional as well as Arts Sweepby professionals and local children; took place at the Bhavan Centre in Londo n Council subsidy . and jazz and rock events . This uniqu e during August 1983. venture received additional support fro m London Sinfonietta, for example, arrange d Esso, North Dorset District Council, the In recent years, a priority for dance has a series of practical workshops for teachers Musicians' Union, Friends of the been the development of a national and pupils designed to enhance their Bournemouth Orchestra and Bournemouth network of dance animateurs . Three dance understanding of the music which the y Lions. specialists received training grants were to hear at the Ravel-Varese Festival designed to develop their skills as by involving them directly in the creative The first four projects under the Art s animateurs and increase the number of process behind it. The workshops involved Council's Jazz in Education scheme took people qualified to fill these posts . A Richard McNicol of the Apollo Trust; place at Impington Village College, bursary was also offered for advanced George Benjamin, composer; and members Cambridge ; in primary and secondary mime training in response to the shortage of the London Sinfonietta . Another schools in Kent and Manchester ; and at of talented trained mime artists in this initiative by South West Arts resulted in venues in the Northern Arts area . The country . The directors' training scheme the Blandford Music Week which brough t scheme is designed to encourage was extended to dance and Corinn e music of all kinds to all sectors of the musicians, composers, teachers and others Bourgaard was able to train with community in the Dorset town of Blandford in the community to develop and improv e Extemporary Dance Theatre, as an artisti c Forum. The project involved the the knowledge, understanding and practice director . Bournemouth Sinfonietta in working with of jazz by working collaboratively . school children and amateur groups Musicians and composers involved A new development has been the funding throughout the week . Other activitie s included Eddie Harvey, Michael Garrick , of traineeships in exhibition organisation. included performances by the folk group Ian Carr. Digby Fairweather and Stan Three exhibition organisers are currentl y The Yetties and the Royal Corps of Signals, Barker. Funds came from the Arts Council , completing a two-year attachment t o the Musicians Union, the Regional Art s galleries in Southampton, Sheffield and Associations and local education Durham . All have achieved an admirable Jazz in Education Scheme, Kent Music Centre . authorities . level of expertise and have been involved in Photo: Marlin Maven mounting highly-successful exhibitions . At TRAININ G Southampton, trainee John Gillet ha s recently organised a touring exhibition -- The Council made a number of trainin g Semi Detached - Pictures ofPeople and awards during the year in response to area s Places - which visits Swansea, Ramsgate, of special need not catered for b y Sheffield and Milton Keynes . traditional schemes. Sir community arts training bursaries were The Ethnic Arts received special awarded. some of which were funded in consideration . A number of groups were partnership with Regional Arts given awards to improve their performanc e Associations. Bursaries went to long- and workshop skills and grants were made serving community artists including to enable individuals to attend short community circus and community video administration courses. The Tara Arts specialists . Previously, community artists Group, a professional Asian touring drama were not able to apply for awards under group based in Wandsworth, London , schemes restricted to more traditional art s received £500 to provide further training in practices and forms . MILT-LA-D

F'uller&-tails are girrn in theSmtt vh Arts Council's oxen A nnual Report, published srpamtejy

This has been a year of re-assessment, a consequence has often been increasin g Council issued a discussion paper Taruards year in which the Scottish Arts Council demands on SAC's slender resources so a A'ezv Partttership, which proposed that began to prepare a five-year programme that arts organisations can maintain a n local authorities should take increased for change and development and looked adequate level of activity . responsibility for the well-being of locally - again at its relationship with other source s based arts activities and performances by of futancial support for the arts in Scotland . To complicate an already difficult situation, touring companies within their ow n the Local Government and Planning boundaries . SAC meanwhile would be the Successive years without real growth in its (Scotland) Act 1982 was implemented i n principal provider of subsidy for the base grant-in-aid have increasingly reduced the April 1983. Under the act the principal costs of the touring companies and flexibility the Council needs if it is to responsibility for leisure and recreation , nationally significant organisations whose respond both to the pressing problems of and some other public services, transferred responsibilities crossed regional many existing clients and to the claims of from the regional to the district councils . boundaries . new initiatives . In response to thi s This change, coinciding with the situation, in December 1983 the Council government's determination to limit publi c The local authority response to the began a major review of its present pattern expenditure, meant that many district proposals in Tou.vrds a Nere Parhwrship has of expenditure . councils found themselves with ne w been, for the most part, welcoming . Arts responsibilities and no apparent additiona l organisations however have expresse d In 19831$4, central and local government s funds to pay for them. The arts are ofte n their concern, often having little confidence invested approximately £35 million in the only a small financial part of leisure and in the ability of local authorities to take on a arts in Scotland . The SAC's share of thi s recreation services . While local authorities larger share of the funding responsibility. expenditure was £10,990,000, so that whil e sought to maintain the latter, this coul d the Council is the largest single source of only be done at the cost of the independent The Council respects these views but it i s arts subsidy, its contribution is less than a arts organisations which he at the very nevertheless convinced that a re - third of the total. The Council must centre of the funding partnership with assessment together with local authoritie s therefore work in close cooperation with SAC. of the roles and responsibilities in art s other funding agencies to ensure that the funding is essential . best use is made of its limited resources . All this only served to convince the Counci l that it was essential to the long term This and the first steps towards th e The pressures of financial restraint hav e interest of the arts in Scotland that a clea r implementation of SAC's development created difficulties for us all . Increasin g understanding between the arts findin g programme for the next five years will be demands on available funds have force d agencies was properly established , the major tasks of the next financial year , local authorities and the universities, bot h particularly in relation to support given b y important partners in the support of the local authorities and SAC. Timothy Mason arts, to reassess priorities, not always wit h Director favourable results for the arts. The Consequently at the end of 1983, the Scottish Arts Council kw-

Fulkr&feidi (I rf ,girfw in flu, WeLsh A rf.-Xouncil'sown it nnualRepo?lpiibli5arrikl. . In my first report for the year 1966-67 1 organised by the Welsh Sculpture Trust i n wrote ' Wales needs an opera company on a collaboration with West Glamorgan Count y permanent footing, a symphony orchestra, Council, an outdoor exhibition which too k a national theatre and at least one art place at Margam Country Park ; and Siww gallery capable of holding large nationa l Business - images from the Theatre and international exhibitions' . Seventee n Museum at the Victoria and Albert - years later, in my final year, I can report which toured to Manchester as well as the that some of these have been achieved . The Mostyn Art Gallery, Llandudno and impressive reputation of the Wels h Chapter, Cardiff. But the need for a National Opera Company and th e national gallery for Wales remains with us . burgeoning excellence of the enlarged BBC Welsh Symphony Orchestra show that During my term of office as director of the even within the limited resources of a small Welsh Arts Council we have been face d country the establishment and with many new challenges, never more s o maintenance of major arts institutions is than in 1983184 when the Council had t o possible . During 1983184 Welsh National retrieve from its clients 1%of the proffered Opera toured extensively in England an d grant for the year ; accept the earmarking of Wales. There were new productions o f special funds for opera in the 1984185 Carmen and The Merin Widow, and a grant: and chose to undertake a review of landmark was reached with the inception its own priorities, hopes and procedures. of the company's first Ring cycle (the fast The regional character of popular art s to be seen in Wales) with productions of could decline if a larger share of decreasin g The Rheingold and The Valkvni . There resources has to be concentrated on centres were also major revivals of Peter Grimes of excellence, upsetting the balance and Jenuja . For the smaller but technicall y between the popular and the quality arts . well-equipped theatres a production of Wales is well placed to meet thes e The Drama ofAida was specially mounted challenges because of its history, the Welsh and Ion Jose's Carmen toured to language, and the culture associated with community venues . A concert performance them. It should be possible for us to have of Tristan and Isolde was given by the the four'cornerstones' i hoped for in 196 6 company at the Frankfurt Festival . The and thriving'popular' regional arts if number of art galleries, mostly of modest resources are carefully nurtured and size, has increased dramatically in recent coordinated . A link between the best of the years and major exhibitions shown in arts and the popular has to be forged . Wales this year included Ivor Roberts- Jones RA The Jourwy to Harkrh which was Aneurin Thomas organised by the National Museum of Director Wales for the Roval National Eisteddfod at Welsh Arts Council Llangefni; Sculpture in a CountryPark COUNCI L

The Council is appointed by the Minister for the Arts and its Chairman and 19 othe r unpaid members serve as individuals, no t representatives of particular interests or organisations . The Vice-Chairman is appointed by the Council from among its members and with the Minister's approval. The Chairman serves for a period of five years and members are appointed initiall y for four years.

Sir William Rees-Mogg Chairma n Marghanita Laski Vice-Chairma n Tony Churc h The Lady Digby Gerald Elliot Sir Hvwel Evans KCB Jeremy Hardie CBE Ronald Henson M D Philip Jones OBE Gavin Laird James Loga n Colin Nears Mathew Prichard Robert Rowe CB E Donald Sinden CB E Sir Roy Stron g Elizabeth Thomas Dr Robert Woof Sir Brian Youn g

Finance and Policy Committee Sir William Rees-Mogg Chairma n Jeremy Hardie CBE Vice-Chairmmn Tony Churc h Gerald Elliot Sir Hywel Evans KCB Marghanita Laski Colin Nears Sir Roy Stron g Elizabeth Thomas Sir Brian Young

(June 19&4) MEMBERSHIP OF COUNCIL AND STAF F

Council Staff A personal valedictory to Tony Field The following left the Council: Finance Director Anthonv Field CBE Buchi Emecheta resigned and Anthony Blackstock was When Tony Field accepted his appoint- Albert E Frost CBE appointed to succeed him . ment as Assistant Accountant with the Professor Derry Jeffares Arts Council of Great Britain in February Director for Wales Aneurin Thomas retired John Last 1957, he wrote to the then Secretary- and Thomas Arfon Cloven was appointed to John Manduell CBE General, 'I look forward toa long and succeed him . happy association with the Council' . He left The following were appointed as Counci l Eric Thompson OBE retired as Associate us as Finance Director 27 years later wit h members : Music Director . the proud and honourable claim that in all Jeremy Hardie CBE - accountant, that time he had never arrived at the offic e Deputy Drama Director Dennis Andrews Chairman of Alexander's Discount plc, an d without keenly looking forward to the da y retired and Jean Bullwinkle was appointed of the National Provident Institution fo r ahead. to succeed him . Life Assuranc e Formal valedictions have already pai d proper tribute to Tony 's unique profes- PhilipJones OBE - Trumpeter, Director of Honours sional contribution to the Arts Council, t o the Philip Jones Brass Ensemble, and Head Our congratulations are extended to countless arts organisations up and dow n of Wind and Brass Department at the Anthony Field, until recently the Council' s the country and to the study and practice of Guildhall School of Music and Drama , Finance Director, who was appointed CB E arts administration both nationally an d London in the 1984 New Year Honours . internationally. Serving under six Garin Laird - General Secretary of the Our congratulations are extended to Lady Chairmen and five Secretaries-General, he Amalgamated Union of Engineerin g Barbirolli, member of the Advisory Pane l provided a continuity of experience an d Workers on Music and the Advisory Committee o n expertise which was a prime factor i n Training, awarded OBE in the 198 4 securing successive increases in th f e James Logan - Former Chairman o Birthday Honours . Council's grant-in-aid, from £I million in d Aberdeen Arts Centre and founder an . Our congratulations are extended toJoan 1957158 to over £ 100 million for 1984185 former Chairman of the Friends of Although a finance man, he saw thi s Knight, Member of the Scottish Art s Aberdeen Art Gallery financial progress always in terms of Council, awarded OBE in the 1984 Birthda y t benefits to the arts in Britain, a cause whic h Elizabeth Thomas - Chairman of Wes Honours. Midlands Arts and of the Council o f can never have a more dedicated or s passionate advocate . Regional Arts Association Obituary We record with great sorrow the death of But perhaps the most inspiring memories o f (June 1984) Mary Glasgow CBE who was Secretary- Tony as a colleague are personal ones. The General of the Arts Council, and its genuine warmth of his friendliness, his predecessor CEMA, from 1939-1951 . instinctive loyalty and his delightful an d unfailing sense of humour have breathed life into us all. It is the customary lot of the finance director to be cast as an ogre. Yet Tony takes with him to Theatre Projects such deep affection as to make others des - pair of their personal inadequacies. We wish him well and can only hope that he will think of us as often and as fondly as we do of him . Richard Pulford Deputy Secretary-General ADVISORY PATNELS AND COMMITTEE S

A key element of the Council's structure is Francis Greenacre Joseph Seeli g its Advisory Panels and Committees . Nerys Johnson Robert Sykes$ Council appoints their members from David Phillips Barr• Wordsworth nominations which are open to the public . Members, who serve voluntarily for up to Advisory Committee on Arts Film s Dance and Mime Projects an d four years, are generally specialists in eac h Sir Brian Young Cluurnan Awards Sub-Committe e arts discipline: working artists, arts Dr Dawn Ade s Jude Kelly Clwirman administrators, scholars and critics. They Edward Bennett Val Bourn e advise the Council and its officers on the John Bradshaw T David Glass formulation and implementation of policy . Wayne Drew Shobana Jeyasingh Peter Ferres Desmond Jones Listed below are members of the Panel s Lynda Miles Graeme Kayt and Committees of the Arts Council of Bruce Nightingale$ Marie McCluskey Great Britain, and the Scottish and Welsh A L Rees Chester Morriso n Arts Councils (themselves committees of Michael Whyte Jeremy Ree s the Council) as at June 1981 . Peter Wolle n ADVI'SORY P N1'LONDRAMA . Artists' Film and Video Tony Church Chatr own ENGLAND Sub-Committe e Dr Robert Woof Vice-Chairma n ()\ ADN'i, - ; :', f'\'.1 - 1, .1It T A L Rees Chairma n Mike Alfreds Sir Roy Strong Chairnurn John Bradshaw t John Bond Professor Christopher Frayling Jo Comino Stephen Boyce t Vice-Clutimwn Mick Hartney Brian Cox Colin Amery Tina Keane Robert Fowler Julian Andrews $ Vera Neubauer Pamela Howard Gillian Ayres David Parsons Nicolas Kent Helaine Blumenfeld Anne Kees-Mogg Robin Midgley Marc Chaimowicz Roger Wilson Clive Perry John Clark John Potts David Joh n 1DVISO RN P .NNELON'DANC E Guy Slater Barbara Morris Colin Nears Chairma n Elizabeth Sweeting MB E Diana Pain t The Lady Digby Vice-Chairma n Robert Sykes$ David Phillips Richard Alston John Wallbank Robert Rowe CBE Val Bourn e 01wen Wymark Hilary Spurling Peter Brinson Nikos Stangos Robert Cohan Projects Sub-Committee David Thompson Sallv Gilmou r Mike Alfreds Shobana Jeyasingh Karin Gartzke Exhibitions Sub-Committe e Graeme Kayt Caroline Pinder David Thompson Chairma n Jude Kelly Guy Slater Dr Dawn Ades Brenda Last Jenny Toppe r Marc Chaimowicz June Layson Sam Walters Robert Cumming Veronica Lewis Stephen Farthing Joan McLaren § Tony Fostert David Palmer

Ad risorv Panels and Cam mittees

Theatre Writing and Bursarie s Dr Peter Mannin g Richard Francis Sub-Committe e Eddie Prevost Clare Higney Jahn Bond Anthony Wills Chrissie Iles Steve Gooch Christopher Kerr Nicolas Kent 111 .1% I~ti1:5 (IN"1 1 1 0N Michael Lanchbury t John Wallban k I I IIt,I - 0(IR .A1 1 11 1 Diana Pain t Matthew Walters Sir Brian Young C'hainnan Bob Ramdhanie 01wen Wymark Dr Michael Weaver Vkr.-Chairnwn Charles Washington Stevie Bezencenet John Bradshaw T Touring Sub-Committee i i is l i l NI., Colin Ford David Brierley Ch aimll an Marghanita Laski Chairma n Professor Christopher Fray ling Val Bourne Dr Robert Woof Vi(w-Chainwn Fay Godwin Christopher Durham Dr Ken Churchill) Laxmi Jamdagn i Patric Gilchrist Violet Hughes Stewart Mann Roger Lancaster t Michael Ratcliffe Murray Martin Graham Marchan t Tim Rix Daniel Meadows Clive Perry Laurence Staig t David Watt Ian Reekie Anne Stevenson Stephen Remington Tul(il()NA1,A1)VISO RY Angus Watson (- t)111EITTEE Sir Brian Young 0wirma n Elizabeth Thomas Chairma n 1IaN l44)RY Ct)\I)I1TTE1-1ti \ John Acton$ Ronald Henson Vice-Chairman TI? WIN G Susan Alcock David Beeton The Lady Digby Chairman Lady Barbirolli OB E Oliver Bennett Pat Abrahamt Peter Croppe r Helaine Blumenfeld Lady Barbirolli John de la Cour t David Brierley Professor S J Eggleston John Fordham Peter Brinson William Forster Ian Horsbrugh Da,,Id Brown Nicholas Hooton Viram Jasan i Frederick Emery-Wallis Violet Hughes Philip Jones OBE Anthony Everittt David Joh n Philip Langridge William Forster June Layson Graham Marchan t Violet Hughe s Gerald McDonald OB E George Pratt Roger Jefferies Caroline Phillips Ian Ritchie Adrian Kellett John Turtl e William Waterhouse Christopher Kerr John Wallban k George Pratt New Music Sub-Committee Elizabeth Sweeting Ian Horsbrugh 0rairnian David Watt $ British Council ex officio f Michael Berkeley tObserver nominated by the Council o m Combined Arts Sub-Committee Regional Arts Associations John Fordha Observer nominated bythe InnerLandon r William Forster Chtainna n S Rolf Gehlhaa Education Authority Sally Groves Oliver Bennet t Philip Jones Fred Brookes Tim Joss -' Hugh Championt Nicholas Kenyon John Cumming

. I . : : : L .,,,;,,: -:

Keith Ingham 1-,an Lini;ard SCOTLAND William Scott Colin Maclea n Peter Seddon Willis Pickard Gerald Elliot tr luaimmn` Will McLean tan Crichton Smith James Logan lice-Chairman` Liz Munro Mollie Abbott CBE Rita Winters Bursaite s Panel Christopher Allen Joan Lind,=ard Chainna n William Cunningham Erhihirirnts Parcel Professor Peter Bayley PetePeterr Evans Robert Logan Chaim= Elizabeth Marshall Graham` Atlioll Hill Willis Pickard Brian Ivory' Keith Hartley Dr Hilda Spea r Andrew Johnstone Alexander Moffat Joan Knight OBE` Andy Neil Bcxiks ;'l uwrdi Panel Joan g Pamela Robertson Willis Pickard Chairman Robert Logan' Arthur Watson Lt Cdr Diarmid Gunn Father Colin Maclnnes Professor Rosalind Mitchison Colin MacLean Drama Committee Ishbel Maclean Alexander Moffat Roderick Graham Chaim= Dr Anne Smith Alexander Orr' Ron Bain Professor Donald Pack CBE Margaret Gordon ~iranGS to Puhlishen Panel Stewart Sanderson' Marilyn Ireland Stewart Sanderson Chainnan Ann Turner Thomson Andrew Johnstone Peter Cochran e Joan Knight Janis Fox ' Member of Policy and Resources Professor Jan McDonald Professor Andrew Hook Committee Stephen Mulrine Alan Taylor Professor Peter Lord Ida Schuster Dr George Watso n (for Housing the Arts only) Judy Steel Art Committee Andre Tammes Combined Arts Committee Robert Logan Chairman Mike Perks Brian Ivory Chaimwn William Cunningham Christopher Allen Kenneth Dingwall Dance and Mime Committee Astrid Huggins Alexander Fraser Joan Knight Chairman Moosa Jogee Atholl Hill Mollie Abbott Father Colin MacInnes Alexander Moffat Helen Bryce Graeme McKinnon Michael Clavton Ann Turner Thomson Mary- tIrquhart Richard Jarman Duncan Thompson Evelyn Langland Music Committee Peter Lincoln Alexander Orr Clutinwi n Aurards to Arttst_S Panel Alexander Moffat Chainown Elaine McDonald OBE Geoffrey Bal l Mick Campbell Peter Evan s Kenneth Dingwall Literature Committee John Maxwell Geddes Alexander Fraser Stewart Sanderson Chainnan Anne Lorne Gillies Stewart Conn lain Halliburton Janis Fox Robin Mille r Professor Donald Pack CBE Advison,Panels and Cmmmittees

Haydn Taylor Drama Committee WALES Muriel Wilson $ Professor Hugh Hunt Chairman 1t h :l .' 1! IKTSCOUNCIL Mary Yapp Janek Alexande r Sir Hywel Evans KCB Chairman * Professor Michael Anderson Mathew Prichard Vice-Chairman Panels of the Art Committee Jane Bell Michael J M Clarke Artist Panel Sybil Crouch' Walford Davies* Art Galleries andExhibitions Panel Lindsay Evans Ann Edwards Bernard Evans Professor D Ellis Evans The following, who are not members of the Professor Richard Griffiths Lindsay Evans main Committee, serve on the Panel : Maurice Jenkins Professor John Eynon' Sally Moss Lyn Jone s Professor Richard M Griffiths lUtyd Lewis* Lady Harlech Craft Committee Peter Mumfor d Professor Hugh Hunt CBE' Professor John Eynon Chairman Geoff Powell David Jenkins Ceri Barclay Chaimian Savill Cllr Norman Lloyd-Edwards Peter Cambridge x Michael William s Professor W Mathias* Dr Peter Cannon-Brookes Professor Brian Morris Tony Ford 0 Panel of the Drama Committee: Captain H W Phillips Lady Harlech YoungPeople'sand Community Theatre Mervyn Phillips* Amber Hiscott-Pearl Panel Aled Vaughan* Duncan Longde n Margaret Williams* Victor Margrie 0 The following, who are not members of the Valerie Wynne-Williams Peter Starkey main Committee, serve on the Panel : DerrickFrank Turne r David Adams ' Member of the Finance and Policy Frank Vining Haydn Huws Committee Llion Williamst Valerie Wynne-William s Film Committee Multi Media Panel Aled Vaughan Chairma n (a Sub-Committee of the Finance and Dance Committee Gill Branston Policy Committee) Margaret Williams Chairman Harry Carter lanek Alexander Roland Dennin g Mathew Prichard Chairman David Best Lindsay Evans Margaret Williams Christine Butle r Lowri Gwily m Norman Lloyd-Edwards Margaret Evans John Hartley Janet Fieldsend Clifford Jones Art Committee Cllr Norman Lloyd-Edwards Cliff McLucas Mathew Prichard Chairman Sara Marshall David Owen Michael J M Clarke Dick Matchetast * Gruffudd Roberts ' Alistair Crawford Penny Nicholas *' Nichollas Medwen Roberts Pau] Davies Geoff Powell Malcolm Smith Glyn Jones John Priort Irene Whitehead 00 Andrew Laing David Rees Valerie Wynne-William s CUr Norman Lloyd-Edwards Peter Lord Ronald Lowe * Hugo Perks t Mervyn Phillips Advisory Panels and U mnrittees

Literature Committee Music Committee Walford Davies Chairraan Professor William Mathias Chairman Professor Richard Griffiths Vice-Chairman John Davies Professor Ellis Evan s Ann Edward s Adam Hopkins Nigel Emery t David Hughes Ken Evans ' W Randal Jenkins ' Professor Richard Griffiths Dr R Brinley Jones Lady Harlech Geraint Lewis Dr David Harries Rheinalt Lluyd George Heald Professor Brian Morris Or Norman Lloyd-Edwards Elfyn Pritchar d Professor Brian Morris Catrin Puw Davis Geoffrey Murph y Tomi Scourfieldt A J Heward Ree s Dr David Smit h Huw Tregelles William s Wvnn Thoma s J P Ward Regional Committee T Arfon Williams Captain H W Phillips Chairma n Michael J M Clarke Panels of the Literature Committee: Frank Evans Awar& to Writers Panel Sue Harries Grants to PublishersPanel Dr Glyn Tegai Hughes Ch ildren 's Literature Panel Hugo Perk s Havdn Rees The following, who are not members of the Tomi Scourfield main Committee, serve on a Panel: Elan Closs Stephens Alun Creunant Davies Michael J H Tricke y Anne Saer Llion Williams Gwerfyl Pierce Jone s Valerie Wynne-William s Philip Wyn Jones Eleri Rogers t Observer on behalf of the Council of Elan Closs Stephen s Welsh Regional Arts Associations Menna Lloyd Williams $ British Council - ex-officio 0 Crafts Council - ex-officio 00 British Film Institute - ex-officio 11M I t t Dance Officer, ACG B x Design Council

STAFF

SeniorStaf f Based at its headquarters in Piccadilly . HEADQI .;ARTERS Secretary-( ,ral Luke Rinner London, the Council's staff work with its 105 Piccadilly Depruh- Secretan,-G cneral Richard Putford members, advisory panels and committees London W 1 VOA ( Finance D irrrhn-Anthony Blackstock FC A to administer the Council's programmes 01-6299495 (from July 1984) and to advise on and execute policy an d Lout Finance Director Peter Younie ACA funding decisions . For the Council's work Art Director Joanna Dre w in England there are nine departments. Drama Director Dickon Reed aputy Drama Director Jean Bullwinkle In addition the Council administers th e Music Director Richard Lawrence Hayward and Serpentine Galleries and the Dana,DirefIvr Jane Nicholas Wigmore Hat], in London, and has its, ow n Literature DircctorCharles Osborne shop in Covent Garden- Outside London Deputy Literature Director Josephine Falk the Council funds nine marketing c 'icer s Regz final D itecim David Pratley in major regional centres to support its D irectaroj-Perumnel and Administration touring programme . Carol Harris FIP M Head of Scc'retaruit Lawrence Mackintos h The Scottish and Welsh Arts Councils have Accountant David Pelham FCA their own staffs based in Edinburgh an d SCOTLAND DiredorTimothy !Maso n Cardiff . 19 Charlotte Square Depute, Director Harry McCann Edinburgh EH2 4DF Art Director Lindsay- Gordon 031-2266051 Music Director Christie Dunca n Drama Director Bob Palmer Literature Director Walter Cairns Touring Director Tony Wraight Combined Arts Director John Murph y WALES Director Thomas Owe n Holst House Deputy Ihrectorand Music Director Museum Place Roy Bohana MB E Cardiff CF13NX Art Director Peter Jones 0222-394711 Drama Director Roger Tomlinso n Literature Director Meic Stephens Dirnrtoroi Finance and Administration Andrew Malin

(June 19$-4) ANNUAL ACCOUNTS FOR T ENDED 31 MARCH 19

Finance Directors no tt- 26 Foreword 27 Arts Council of Great Britain accounts 29 Scottish Arts Council accounts 55 Welsh Arts Council accounts 75 Table A Housing the arts 93 Table B Special funds beneficiaries 95 Comptan Pouln, Fund Guilhermina Su&na Gift HA Then- Fund Henrv and LihvIkrtis Fund Minain Limfle Scholarship Mn Thornton Beques t Table C Subsidiaries to regional art s associations 96 Table D Art exhibitions 98 Table EContemporary music network 10 2 Table F Schemes and awards 103

FINANCE DIRECTORS NOTE

1 These Accounts differ significantly from 6 The accounts show that with a previous years . They now follow as closely .L9~ 1),s l 1 , 1 100 show]-, t o turnover of some £100 million, includin g as possible and practicable, one of the Expenditure Account C' : 1(led 31 direct promotions, the Arts Council ende d formats prescribed by the 1981 Companies %larch 1984 includes the su r,jl -m(-ntary the year 1983184 with a net surplus Act. The major changes are : grant of £3,500,000announccd by the before prior year adjustments of Government in :March 1981 to help clear £162,784 . The Scottish Arts Council a)A restructuring of the front page of the past deficits of subsidised companies . This showed a surplus of £11,815 the Welsh Income and Expenditure Account to reflec t supplementary grant was allocated a s Arts Council a deficit of £86,662 . more clearly the distinction between the follows: subsidising and promoting functions . 7 The Administration of Subsidies an d Services - Staff and Operational Costs b) A change of accounting policy in th e Royal Opera House 1,244,226 (see Notes 4 and 5) include many modes t depreciation of fuzed assets, (Note 1(c ) Royal Shakespeare Company 720,11 5 uplifts, and in some cases, reductions . explains) . This has resulted in a prior year English National Opera 218,206 However, there has been a significan t adjustment of f:3.9 million, some £3.1 Opera North 184,10 2 increase in rates and rents caused mainly million of which relates to property held Scottish Opera 917,85 1 by loss of subtenancy agreements. jointly by the Arts Council and the Roya l Welsh National Opera 215,500 Opera House, Covent Garden Limited 3,500.004 through a charitable trust . Since this property does not form part of the Council's 3 The implementation of the operating fixed assets the £3.1 million ha s computerised subsidy system presented been treated as a specific reserve on th e further difficulties which are now being face of the Balance Sheet . The Income and resolved. Both these and the negotiation Expenditure Account surplus of £1 .7 over the reformatting of the Account s million is required in part to fund the have regrettably led to a delay in Council's operating Fixed Assets (net boo k publishing these accounts. value, excluding Covent Garden poperty £687,364) and is not fully distributable 4 The Touring Section of Schedule 1 lists for other purposes, those organisations which received subsidy for touring only . Touring c)The due apportionment of indirect staff activities which are a part of a total and operational costs to the direc t annual programme of many music, danc e promotions . Notes 5 and 7 explain . The and drama organisations are included i n effect is to transfer a sum in excess of £0 .5 figures shown in those sections o f million from general administration costs, Schedule 1 . to the net operating deficit of the Council' s promotions . 5 The subsidies listed in Schedule 1 for Regional Arts Associations comprise th e NB The disck)sure of grants and guarantees basic annual subsidies totalling to 1Jw Cr unril's clients remains unclwnged. £10,230,249 for 1983184 together with th e additional funds made available by th e Council for a range and variety of schemes and activities. The final total of £11,174,148 is analysed in Table C on pages 96 and 97. FOREWO 31 MARCH 4

History Employment policy The Arts Council (if Grt:ai Britain wa s The Arts Council is committed to a policy formed in August 1946 to continue in of equality of opportunity in its peacetime the work be) n with employment practices. Government support by the Council for the Encouragement of Music and the Arts. In particular the Council aims to ensure The Arts Council operates under a Royal that no potential or actual employees Charter, granted in 1967 in which its receives more or less favourable treatment objects are stated as on the grounds of race, colour, ethnic or national origins, marital status, sex, sexual (a)to develop and improve the knowledge , understanding and practice of the arts . orientation, disability or religious beliefs . (b)to increase the accessibility of the arts to Statement of surplu s the public throughout Great Britain. The Surplus for the year amounted to (c)to advise and co-operate wit h £162 .7134, for the Arts Council of Great departments of Government, local Britain, a surplus of 1:11.815 for the authorities and other bodies . Scottish Arts Council and a deficit o f £86,662 for the Welsh Arts Council, all of Review of activities which has been retained by the Council as a The Secretary-General's preface includes a contribution towards the funding of future review of the Council's activities. activities .

Council members For a list of Council members who have served throughout the year see page 17 .

The Arts Council of Great Britain INCOME AND EXPENDITURE ACCOUNT 31 MARCH 1984

1984

Income Parliamentary grant inaid Note2 96,080,00 0 Other income Note 3 7,115 96,087,11 5 Grants and guarantees accrued in previous year, not now required 958,349 97,045,464

Expenditure Administration of subsidies and services Staff costs Note 4 2,049,2 Depreciation Note 9 253, Operational costs Note 5 1549 67 3,852,193

Grants and guarantees Note 6 90,484 .' Other activities Note 6 301,7 Direct promotions: net deficit Note 7 2,443. General expenditure on the arts in Britain Note 6 93,230,109 97,082,302 Operating (deficitYsurplus (36.838) Interest receivable 197.875 Surplus for the financial year 161,03 7 Transfers to provisions Note 13 (4,000) Transfers from reserves Note 14 5,747 162,78 4 Accumulated surplus brought forward Income and expenditure account as previousl y reported 724,039 Prior year adjustment Note I5 3,930,61 5 Restated accumulated surplus brought forward 4,654.654 4,817.438 Transfer to Covent Garden property reserveNote 16 3,150,058 Accumulated surplus carried forward 1,667,380

The Arts Council of Great Britain BALANCE SHEET AS A 31 MARCH 1984

198

Fixed assets TattgtNe assets .Vote 9 4 3,837,422 Investments Note 1 0 3,729 Loans to clients Note 11 48,500 3.889,651

Current assets Stocks Note 12 73,8:16 . Debtors and prepayments: Grant in aid receitiable Note 2 8,974,1.& Other 1,045,579 Grants and guarantees paid in advance 2,107,934 Casts at bank and in band 141,061 12,642,476

C u rrent liabilities Grants and guarantees outstanding 9,137,304 Creditors : amount falling due within one yea r 1,436,288 Grants outstanding to Sc t ish Arts Councl and Welsh Arts Council 1,093,000 11,666,592 Net current asset s 975,88 4 Total assets less current liabilities 4,865.535

Financed by ProvisionsNote 13 29,50 0 Income and expenditure accoun t 1.667,380 Reserves Covent Garden property NokN 981 6 3,150,05 8 OtherNote 14 18,597 4,865,535

William Rees•kiog q Chairman

Luke Rittne r Saxetary General

'19 October 198.3

The Arts Council of Great Britain SOURCE AND APPLICATION OF FUNDS FOR THE YEAR ENDED 31 MARCH 1984

1984 i Source offunds Surplus i xzw i:iina :t~t!tic, 161,037 Adjustment fur items not invr lying tii c movement (it funds Depreciation 324,647 Total generated from operadop 485.684

Funds from other sources Repayment of loans by clients 122,625 608,309

Application offunds Purchase of tangible fixed assets 395,511 Loan made to clien t - -- (395,511) t l}tt;.;7r Increasein working capital _. 212,798 . _ 511,3497--

Components of increase (decrease) in working capital kirks AW & - Debtors W-M 1.144,79t Creditors

_ Movement in net liquid funds Cash at bank and in hand 64,501. 7 .1 M) -- - 2121798 511,34 7

The Arts Council of Great Britain NOTES TO THE ACCOUNTS

:r, ? 1 . Accounting policies Council's clients . Grants and guarantees equal to the ~ made during are charged to the Income and Expenditure the year. le` dispr> iI< ,ti a made from the Account in the year in which funde d Income and Expenditure account to a The financial statements are prepared a) activities take place; if this is not Capital Account . This change of under the historical cost convention . determinable they are charged in the year accounting policy entails the writing back Without limiting the information given, the in which activities begin . Any amount s of the Capital Account and the accounts meet the requirements of the unpaid from grants and guarantees at th e establishment of the net book value of fixe d Companies Acts 1948 to 1981, and of the year end are shown as creditors in th e assets brought forward. Note 15 details the Statements of Standard Accounting Balance Sheet and any advance payments resulting prior year adjustment . Practice issued by member bodies of th e to the client in anticipation of grants and Consultative Committee of Accountancy guarantees to be charged in the following d) Stock s Bodies so far as those requirements are financial year are shown in the Balance Stocks are stated at the lower of cost and appropriate . Sheet as assets . net realisable value . Significant departures from Statements of c) Depreciation and fixed assets e) Consolidatio n Accounting Practice are disclosed in th e Depreciation is provided on all tangible The Arts Council of Great Britain is legall y notes to these accounts and the financial fixed assets at rates calculated to write off responsible for the affairs of the Scottish effect is quantified where practicable to d o the cost less estimated residual value o f Arts Council and the Welsh Arts Council So . each asset systemmatically over it s which are by constitution committees of expected useful life as follows : the Council. However in view of the powers b) Accruals convention delegated to those committees they presen t (i) All income and expenditure is taken into Freehold buildings over 50 year s separate accounts which are not account in the financial year to which it Leasehold buildings over the life of the consolidated with those of the Arts Council . relates. Setting up costs incurred on an lease exhibition promoted by the Council are Fixtures and fittings over 4 years f) Special funds charged to the year in which that exhibition Motor vehicles over 4 years The Arts Council administers eight trust is officially opened to the public . Setting up funds, but is not in all cases the sole tntstee . costs incurred in a year prior to tha t Freehold land is not depreciated . Works of The information relating to these fund s opening are treated as a prepayment . Art are fully depreciated in the year of showing total net assets of £240,O68 (1983 : acquisition . £233,003) is shown by way of note see pag e (ii)Subsidy expenditure is incurred in the 52 and does not appear on the face o form of grants and guarantees which ar f e In previous years fixed assets were no t the accounts. formally offered to and accepted by the depreciated as such but an appropriation

Nis to the Acwunts AxisCawa:ci! of t amt .

Account includes a sum to finance these 2.Oramt iinaid umnatured liabilities, which will be met momentary Grant in Aid is voted to from cash Grant in Aid receivable in future g seat the Council's cash payments fallin financial years . due during the financial year. The Counci l accounts for its expenditure on an accruals Reconciliation of Parliamentary Grant In basis, and incurs liabilities duringa Aid as shown in the Income and financial year which will not need to b e Expenditure Account with the cash sum satisfied by cash payments until future voted by Parliament in 198314 . financial years . The Grant In Aid figur e ahown in the Income and Expenditure

{h Grunt in aid voted by Parliament and paid i n fu8 in 1983184 as stated in the OAL Class X , Vote 21 Appropriation account . 94,580,00 Less debtor for Grant In Aid accrued at I April 198 3 7,474,084 87,105,91 6 Flus debtor for accrued grant in aid outstanding at 31 March 1984 8,974,084 Grant in aid shown in Income and Expenditure Account . . T 96,080,00 0

1984

3 Other income Donations , Sundry income 3,051 Sale of fixed assets 2,064 --- 7,115

Notes to the Anmunts The Aris Council ofGreat Britain

198-1 C 4 administration of subsidies andservices Salaries and wages 1,750,165 Staff costs Employers National Insurance 110,00 1 Arts Council of Great Britain Retirement Plan (1975) 189,060 2,449,222 The Chairman. Council and Panel members arerAt paid for their services.

The average w~~•kl,, number of employ(les during

:Administration of subsidies and services Nectpromotions

5 :Administration of subsidies and services Travellingandsubsistence 121,294 Operational: costs Rent and rates `67?9,442 Fuel, light and house expenses Publicity and entertainment Postage and telephon e Stationery and printing Professional fees Enquiries and investigation s - Office and sundry 143,261 _ 1,549,676 _ Thew accounts reflect a change of accounting The effect of this changeof method is to reduce staff method from previous pears since a due proportio n costs by 098,108 and operR6on a of indire; i staff and aperational costs is now ro7 :, ; by i'117,fi0S3 . , a11~xanri .,li,o [17, Mi,1(!rt„ilcdinnote 7 .

14atas to the Arrounts Arts Council ofGreat Bntain

1994

6 Expenditure by art form National Companies Grants and guarantees 29,102,935 Regional Arts Associations Grants and guarantees 11.179,148 Music Grants and guarantees 6,127,444 Contemporary Music Network scheme expenses 34,506 European Music Year 27,548 Wigmore Hall (net deficitl 156,958 6,346,456 Dance Grants and guarantees 2,868,724 Other activities 6,636 2,875,360 Drama. Grants and guarantees 11,858,506 Scheme expenses 5,953 11,864,459 Touring Grants and guarantees 5,887,734 Publicity, salaries and sundry expenses 153,832 6,041,566 Art Grants and guarantees 1,365,043 Galleries and exhibitions (net deficit) 1,827, 702 Arts films (net deficit) 330,716 Other activities 5,613 3,529,074 Literature Grants and guarantees 825,862 Poetrv Librarv 5,982 Writers' tours 5,324 Publications and promodons - 837, 1 fwd - 71,776166

Notes to the Accounts Arts Council of Great Britain

1984

6 Expenditure by art form (Gmtinued) BrmghtfmrcaQrd 71.T76,166 Arts centres and community projects: Grants and guarantees 1,186,456 Training in the Art s Grants and guarantees 628,073 Short courses and training schemes (net deficit) 9,512 637,585 Education projects and courses 33.707 Reports and surveys 13,171 Publications (net deficit) 128,363 Housing the Arts Grants 979,00 0 Total expenditure for the year in England 74,754.448 Grant to Scottish Arts Council 11.938.831 Grant to Welsh Arts Council 6,536,830

General expenditure on the arts in Great Britain 93,230,109

Summary Grants and guarantees 90,484,586 Other activities 301,78 4 Direct promotions 2,443,739

General expenditure on the arts in Great Britain 93,230,109

7 Direct promotions Wigmore Hall Galleries and Exhibitions Arts films Publications Totals Z- 1984 1984 1984 1984 1984

Income _ 105,263 547,232 173,246 636,00 4 1 .461.745 Staff cost s Salaries and wages 109,971 754.021 46,736 207,655 1,118,383 Employers N.I. 8,186 55,887 3,102 14,916 82,09 1 Retirement Plan 13,039 91,270 9,779 22,81 7 136,905 (131,196) (901,178) (50I7) (245,388) (1,337,379) - Operational costs (119,935) (1,438,747) (433,373) (504.691) (2,496,746 ) Depreciation costs (11,090) (35,009) (10,972) (14.288) (71,359)

Net deficit (156,958) (1,827,702) (330,716) (128,363) (2,443,739) Staff and operational costs include a proportion of indirect overheads as detailed in note 5 .

Notes to the Accounts Arts C7xincil of Great Britain

19&4 .

8 Surplus for the year 162,78 4 Stated after chargin g (a) Auditors remuneration nil (b) Employees receiving remuneration over M,00OOO( ml Land & Fixtures Vehicles Works Total Bldgs & fittings of Art £ £ £ £ 9 Tangible fixed assets Cost at 1 April 1983 3,720,903 818,352 84,521 9(A,825 5,528,60 1 Additions 149,360 109.479 14,912 121,760 395,51 1 Disposals - (700) (16,047) - (16,747) at 31 March 1984 3,870,263 927,131 83,386 1,026 .585 5,907,365

Depreciation at 1 April 1983 224,853 575,624 56,741 904,825 1,762,043 provided 1983/84 38,495 143,761 20,631 121 .760 32.1347 Less depreciation on disposals in 1983/84 - (700) (16,047) - (16,747) 263,348 718,685 61,325 1,026,585 2,069,94 3

Net book value at 1 April 1983 3,496,050 242.728 27,780 - 3,766,558 Net book value at 31 March 1984 3,606,915 208,446 22,061 - 3,837,422 1984

Depreciation is allocated t o Subsidies and serv ices 253.288 Direct promotions Note 7 71,359 324,647

The net book value of land and buildings comprises Freehold 3.262,013 Long leasehold improvements Short Leasehold improvements 344,902 - Zau0lr

Included in the freehold land and buildings is Trust, and the rights and interest of The Arts £3,150,058 in respect of property held jointl y Council of Great Britain in such property, as se t by the Arts Council of Great Britain and Roya l out in a trust deed dated 27 February 1981 , Opera House, Covent Garden. It is held subject include a charge in excess of £3 .15m over any to and on the terms of a charitable trust known proceeds of sale of such land . as the Royal Opera House Development Land

Notes to the Accounts Arts Council ofGreat Britain

198.4 1 cis .;

10 Investments 5%n Treasury Stock 1986189 (market value £604 ) 647 Equities Investment Fund for Charities (5870 units market value £14,998 ) 3.082 3,729

11 Loans Balance at 1 April 198 3 171,125 Add loan made in year 171,125 Less repayments in year 122,625 48,500 --

12 Stock Films 12,902 Publications and shops 358,928 Bar 1,988 373,81 8 i . : Transfer Approp- Balance at i "0"- from riations 31 March provisions 1984

13 ProN isions Provision for indemnity - 4,000 24,00 0 Provision for doubtful debts - - 5,500 - 4,000 29,500 Transfer Prior Year Balance at ' from Adjust- 31 March reserves ment 1984 £ £ £ 1 1 Reserves Reserve for Special Art Projects 5,000 - 18,597 Reserve for capital expenditure - 164,057 - Reserve for manuscripts 747 - - 5,747 164,057 18,597

In previous year, the Council has maintained a ordered but not delivered at that date . This ha s capital expenditure reserve, the balance o n been written back to the Income and which was sufficient to meet the sum Expenditure Account as a prior year committed by the Council for Capita] items adjustment as detailed in note 15 .

Notes to the Accounts Arts Council of Great Britain

1984

15 Prior year adjustment Write back of Capital Account to establish book value of fixed assets brought forward Note I r Operating fixed assets 616,500 Covent Garden property Notr 16 3,150,058 Total fixed wets Note 9 3,766,x58 -- +f4914 161.057

Covent Garden Property In order to reflect the special namne of the ' Covent Garden property as detailed in note 9, a specific reserve capital to its cost has bee n created by transfer from the Income and Expenditure Account and after crediting the related prior year adjustment detailed i n note 15.

Certificate of Comptroller and Auditor Genera l I have examined the foregoing Income and Expenditure Account, Balance Sheet and th e supporting information set out in the Statemen t of Source and Application of Funds and Motes. In my opinion these give, under the historical cost convention. a true and fair view of the state of affairs of the Alts Council of Grea t Britain at 31 March 1984 and of its surplus an d the Source and Application of its funds for th e year ended on that date,

R' Lake Director of Audit for Comptroller and Auditor General

Audit Office er 1984

Arts Council of Great Britain SCHEDULE TO THE ACCOUN T 31 MARCH 1984

1 . GRANTS AND GUARANTEES £ Brmy; hl fmuvard 704,120 (including subsidies offered but not paid at that date) Orchestral and other concerts Actual Music 18,150 NATIONAL COMPANIES Almeida Theatre Company Limited 15,000 Arditti String Quartet 4,135 English National Opera 5 .988,401 Arslonga International Limited 1,500 National Theatre Board 6,869,446 Capricorn Trust Royal Opera House . Covent Garden Limited 11,554,776 Concerts 2,000 Society Limited Royal Shakespeare Theatre 4,660,312 470,250 Compatible Recording and Publishin g Total as Note 6 (page 3.5) £29,102,935 (Promotions) Limited 5,450 Contemporary Concerts Co-ordination 4,000 REGIONAL ARTS ASSOCIATIONS Cut, Tear and Curl 2,000 Eastern Arts Asso elation 728,305 Early Music Centre Limited 29,700 Eastern Authorities Orchestra l East Midlands Art-, Association 927,160 Association 103,950 Greater lj)ndon Arts Assc ciation 1,487,240 Lincolnshire and Humberside Arts 556 740 Electroacoustic Music Association o f Great Britain, Merseyside Arts 535,158 4,000 Elms Concerts Limited 3,000 Northern Arts 1,819,020 English Gamelan Orchestra 34,184 North West Arts 932 393 English Sin rear Limited 47,050 South East Arts Association 581,659 Ensemble Dreatntiger Southern Arts Association 884,447 900 Ganelin Trin 9,38000 South West Arts Association 883,678 Good Vibes Records and Music Limited 1,000 West Midlands Arts 1,100,434 Haller Concerts Society 465,300 Yorkshire Arts Association 737,914 Haydn-Mozart Society 19,800 11,174,148 International Jazz Federation 450 Council of Regional Arts Associations 5,000 Iskra 1903 and Evidence 4,294 Total as Note 6 (page 35) £11,179,148 Jazz Centre Society Limited 84,150 John Surman Brass Project 24,004 R. Knowles (Jazz Promotions) 2,300 MUSIC London Musicians' Collective Limited 15,025 Opera London Music Productions 600 Handel Opera Society 44,550 London Orchestral Concert Board Musica nel Chiostro 3,000 Limited 1,326,600 New Opera Company Limited 45,000 Last Jockey Music Co-operative Nexus Opera Limited 2,675 Limited 3,000 Regional Opera Trust Limited MW Promotions 872 (Kent Opera) 606,395 Mike Gibbs Band 24,342 University College London 2,500 Momington Trust 4,000 Music ProjectslLondon Trust 5,200 Nash Ensemble Productions 22,823 National Federation of Music Societies 435,600 National Youth Jazz Orchestra Limited 9,500 New Ensemble 500 Carried f nvard 704,120 Carried frn mrd 3,204,009 704,120

Schedule I Arts Council oj'Great Britain

£ £ Broughtfontard 3,204, 009 704,120 Brought f "ward 169,779 5,83Z 194 New Macnaghten Concerts Limited 13,000 The Wire 2,000 Northern Sinfonia Concert Society Youth and Music Limited 50,400 Limited 213,091 222,179 Park Lane Group Limited 8,600 Les Percussions de Strasbourg 21,647 Recordings Real Time Music 800 Arc Records 4,000 Royal Liverpool Philharmonic Society 455,400 BBC Enterprises Limite d 15,000 Sinfonietta Productions Limited 28,349 Chandos Records Limite d 170 Society for the Promotion of New Music 8,500 Hyperion Records Limited 36,000 Tsafrika 1,000 Incus Records 5,250 Western Orchestral Society Limite d 843,734 Spotlite Record s 3,242 West Square Electronic Music Unicorn Records Limite d 4,409 Ensemble with Harry Sparnaay 11,576 68,071 4,809,706 Total as Note 6 (page 35) £6,127,444 Festivals Aldeburgh Foundation Limited 46,500 DANCE AND NAME Bath Festival Society Limited 36,500 1,500 Brighton Festival Society Limited ?,5,000 Academy of Indian Dance Cheltenham Arts Festivals Limited 37,500 Association of Dance and Mime Artists: Harrogate Festival of Arts and Science s British Summer School of Mime Theatre 2,200 Limited 34,580 Chisenhale Dance Space 8,400 : King's Lynn : St. George's Guildhall Cockpit Theatre and Arts Workshop 4 16,500 Limited 22,000 London International Mime Festival 198 556,612 Leeds Musical Festival Limited 19,553 Contemporary Dance Trust Limited 239 London: English Bach Festival Creative Dance Artists Trust 25,000 Trust 36,630 Dance Umbrella Limited 3,550 London Borough of Camden 18,563 Direct Dance d 82,613 Sanskntik Centre of Indian Extemporary Dance Company Limite 500 Arts Limited 8,500 Fine Line Marv Fuikerso 2,000 Stroud Festival Limited 7,722 n 2,500 Three Choirs Festival Association David Glass Mime 6,000 Limited 17,820 Intriplicate Mime Company 2,600 York Early Music Festivals Limited 12,500 Shobanajeyasing h The Kosh 9,800 323,368 Peta Lav 1,500 Other Activities London Borough of Hammersmith an d Awards to Artists 145,95 9 Fulham: Allsorts - A Young Festival 1983 640 Contact 2,480 London City Ballet Trust Limited 15,200 Music Information Centre Trust 18,810 London Festival Ballet Trust Limited 915,750 National Music Council of Great Britain 875 London Mime Theatre (Nola Rae) 5,000 Southern Rag 1,655 Lurching Darts 1,700

Camed.ioruvrd 169,779 5,837,194 Carriedforunrd 1,659,804

Schedule 1 Arts Council of Groat Britain

Broughtfoncard 1,659,804 Broughtforuvrd 221,930 5,293,61 1 Mantis Dance Company Limited 34,300 The Flying Tortoise Theatre Company Mercury Theatre Trust Limited Limited 30,000 (Ballet Rambert) 569,250 Frisby and Kemp Limited 14,000 Mime and Movement Trust (Moving The Grand Union 21,400 Picture Mime Show) 24,750 LAD Theatrical Productions Limited 26,987 New Dance Publishing Limited 8,000 New Shakespeare Company Limited 50,000 Northern Ballet Theatre Limited 399,680 The New Vic Theatre 47,736 Phoenix Dance Company 750 Portman Theatrical Productions Pratap and Priya Pawar 2,100 Limited 12,000 Tara Rajkumar 2,000 The New Theatre 5,470 Second Stride Dance Company 44,100 Triumph Apollo Productions Limited 130,000 Janet Smith and Dancers 41,850 WSG Productions Limited 45,000 6,500 Three Women Mime Company 604,523 1,500 Trestle Theatre Company Visiting Arts Unit of Great Britain 39,600 Trickster Theatre Company 7,300 Miranda Tufnell 1,000 Total as Note 6 (page 35) £5,887,734 Union Dance Company 2,850 2,805,734 DR4MA Awards to artists 62,990 Building-based companies Total as Note 6 (page 35) £2,868,724 Basingstoke: Horseshoe Theatre Company Limited 74,693 Birmingham Repertory Theatre TOURING Limited 415,800 Opera Bolton : Octagon Theatre Trust Limited 113,850 Glyndebourne Productions Limited 366,300 Bristol Old Vic Trust Limited 428,150 Opera 80 Limited 218,188 Cheltenham: Gloucestershire Everyman Opera North Limited 2,055,481 Theatre Company Limited 23,780 Scottish Opera Limited 292,050 Chester: Gatewav Theatre Trust Limited 84,150 Welsh National Opera Limited 2,295,842 Colchester Mercury Theatre Limited 178,200 5,227,861 Coventry : Belgrade Theatre Trust (Coventry) Limited 190,080 Dance Derby Playhouse Limited 161,370 Scottish Ballet Limited 15,750 Exeter: Northcott Devon Theatre & Drama Arts Centre 198,990 Acclaim Productions Limited 11,500 Farnham Repertory Company Limited 123.255 Century Theatre Limited 79,000 Guildford: Yvonne Arnaud Theatre Channel Theatre Company 19,430 Management Limited 108,450 Charles Vance Limited 15,000 Harrogate (White Rose) Theatre Trust Cheek by Jowl Theatre Company 37,000 Limited 127,71 0 Cliff Hanger Theatre Company 20,000 Ipswich : Wolsey Theatre Company E&B Productions (Theatre) Limited 40,000 Limited 142,560

Carriedfonvard 221,930 5,243,611 Carriedfaiward 2,371,038 Schedule I Arts Council of Great Britain

£ C Broughtforw and 2,371, 038 Brought fomwrd 7,537,548 Lancaster: The Duke's Plavhouse Plymouth : Theatre Royal (Plymouth ) Limited 121,770 Limited 213,84 0 Leatherhead : Thorndike Theatre Salisbury Arts Theatre Limited : 137,61 0 (Leatherhead) Limited 155,000 Scarborough Theatre Trust Limite d 108,900 Leeds Theatre Trust Limited 226,710 Sheffield: Crucible Theatre Trust Leicester Theatre Trust Limited 311,850 Limited 4'25,700 Liverpool: Merseyside Everyman Southend : Palace Theatre Trus t Theatre Company Limited 150,480 (Southend-on-Sea) Limited 84,150 Liverpool Repertory Theatre Limited 283,140 Stoke-on-Trent and North Staffordshire London: Alternative Theatre Company Theatre Trust Limited 168,300 Limited 115,477 Watford Civic Theatre Trust Limited 94,050 Caryl Jenner Productions Limited 195,050 Worcester Arts Association (SAMA) Churchill Theatre Trust Limited 87,120 Limited 87,120 Crovdon Alternatives Theatre Worthing and District Connaught Company Limited 70,785 Theatre Trust Limited 73,260 English Stage Company Limited 532,708 York Citizens' Theatre Trust Limited 197,030 Greenwich Theatre Limited 130,680 Half Moon Theatre Limited 96,030 9,127,508 Hampstead Theatre Limited 102,960 Touring companie s Hornchurch Theatre Trust Limited 142,560 Actors Touring Company (London) Kings Head Theatre Productions Limited 64,350 Limited 41,580 Avon Touring Theatre Co-operativ e Oval House 53,460 Limited 70,290 Pioneer Theatres Limited 176,260 Black Theatre Ca-operative 61,380 Polka Children's Theatre Limited 103,300 Cambridge Theatre Company Limite d 249,480 Richmond Fringe Limited 64,380 Cast Presentations Limited 45,540 Soho Theatre Company Limited 57,915 Eastend Abbreviated Soap-box Theatre 34,650 Wakefield Tricycle Company Foco Novo Limite d 69,795 Limited 85,655 Galactic Smallholdings Limited 101,690 Young Vic Company Limited 256,250 Hull Truck Theatre Company Limited 64,845 Manchester : Royal Exchange Theatre Interplay Trust 43.065 Company Limited 456,000 IOU Limited 48,015 Manchester Young People's Theatre Joint Stock Productions Limited 88,110 Limited 123,750 Lumiere and Son Theatre Company Newcastle: Tyne and Wear Theatre Limited 55,935 Trust Limited 198,000 M6 Theatre Company Limited 43,065 Northampton Repertory Players Major Road Theatre Company 39,380 Limited 81,180 Mikron Theatre Company Limited 27,720 Nottingham Theatre Trust Limited 411,840 Monstrous Regiment Limited 65,100 Oldham Coliseum Theatre Limited 103,950 Natural Theatre Compan y 35,650 Oxford: Anvil Productions Limited 230,670 Paines Plough Limite d 62,370

Camed.foru'ard 7,537,548 Carried foruvrd 1,270,430 9,127,508 SChedufe 1 Arts Council of Great Britain

£ E 1: 1: Broughtforward 1,270,430 9,127,508 Broughtfrmaard 394,332 11,041,71 8 The People Show Society 39,600 Medieval Players Limited 44,695 Perspectives Theatre Co-operative Mercian Theatre & Arts Compan y Limited 43,065 Limited 10,000 The Red Ladder Theatre Company Moving Parts 28,800 Limited 70,290 National Theatre of Brent 12,000 7:84 Theatre Company (England) Northern Black Light Theatre Company 24,300 Limited 89,100 Northern Studio Theatre 11,000 Shared Experience Limited 91,100 Oily Cart Theatre 2,000 Spectrum Theatre Trust Limited 33,670 Optik Limited 6,000 Temba Theatre Company Limited 73,000 Rational Theatre 47,000 Theatre Centre Limited 143,550 Tara Arts Group Limited 16,558 Women's Theatre Group Limited 60,405 Theatre International 1,500 Theatre of Thelema Limited 35,750 1,914,210 Theatro Technis 20,000 Projects Top Floor Productions 25,500 Actors Unlimited 5,000 Triple Action Theatre Grou p All Day Suckers Children's Theatre Limited 4,500 Group 6,500 683,93 5 Blood Group 10,000 Bristol Express Theatre Company 11,800 Theatre Writing Schemes Bucket Theatre Company Limited 9,184 Africa Centre 780 Burnt Bridges Theatre Company 8,000 Birmingham Festival Theatre 2,000 Camouflage 15,000 Bubble Theatre Company 2,000 Carib Theatre Productions Limited 21,000 Chats Palace 715 The Chipping Norton Theatre Company Cherub Theatre Company 300 Limited 9,500 Cockpit Theatre 1,100 Common Stock Theatre Company Colway Theatre Trust Limited 388 Limited 3,021 The Combination Limited 660 Covent Garden Community Theatre Community Play For Restormel 1,000 Limited 26,714 Compass Theatre Company 800 DAC Theatre Company 26,000 Cornerstone Theatre Company 545 Direct Current Theatre Company 2,600 Disrepertory Theatre Company 500 Extraordinary Productions 13,500 Drill Hall Productions 500 Forkbeard Fantasv 20,000 Durham Theatre Company 875 Gay Sweatshop Limited 13,000 Forest Forge Theatre Company Graeae Theatre Company Limited 27,417 Theatre 450 Hesitate and Demonstrate Limited 33,000 Dr Foster's Travelling Theatre 565 Impact Theatre Co-operative 35,000 Humberside TIE Company 600 Incubus Theatre Company Limited 27,500 Inner City Theatre Company 1,500 Interim Theatre Productions Limited 21,896 Little Women Theatre Company 500 Kaboodle Productions Limited 42,000 Liverpool Playwrights' Company 450 Majestic Theatre Company 6,700

Carried forward 394,332 11 .041,718 Camed forward 16,228 11,725,653

Schedule 1 Arts C(vncil of Great Britain

IE z £ C Brvughtforward 16,228 11, 72,5, 653 Brought forward 764,775 Merseyside Young People's Theatre Newlyn : Newlyn Orion Company Limited 2,500 Galleries Limited 39,600 Milton Keynes Miracle Cycl e 1,250 Oxford: Museum of Modem Art Northumberland Theatre Compan y Limited 128,70 0 Limited 4,520 Southampton : John Hansard Gallery 41,580 Nuffield Theatre Company 2,250 York: Impressions Gallery of Pascal Theatre Compan y 1,000 Photography Limited 49,005 Playwrights Co-operativ e 750 1,023,660 RAT Theatre Company 700 Red Shift Theatre Company 500 Grants and guarantees towards exhibitions Rent-a-Role Drama Service 1,000 Bradford : Cartwright Hall: Salamander Theatre 500 Tristram Hillier 1,600 Theatre Venture 6,300 Bolton: Museum and Art Gallery Triangle Arts Centre Limite d 1,000 Drawing in Air 2,000 Wakey-Wakey Theatre Company 1,000 Canterbury: University of Ken t Zap Schools and Community Theatre 1,275 I Leonardo 1,500 Coventry : Herbert Art Gallery Bursaries 45,625 The Nude: Studies 1880-1980 1,500 Royalty Supplement Guarantee s 24,455 Grasmere: Dove Cottage The Lake District Discovered 2,500 110,85,$533 Keighley: Cliffe Castl e Other subsidies Petals from a Lotus 5,450 British Theatre Association 16,000 Leeds: City Art Gallery Puppet Centre Trust 6,000 Terry Atkinson 1,500 Joseph Beuvs Drawings 4,000 22,000 Liverpool: Walker Art Gallery Total as Note 6 (page 35) £11,858,:106 Peter Moores Liverpool Project 7 6,000 London: Architectural Associatio n Emo Golditnger 2.000 ART Camden Arts Centre Visual Arts Ten Sculptors in Scotland 3,000 Birmingham : Ikon Gallery• Limited 89,100 Creation for Liberation Bristol: Amolfini Gallerv Limited 193,050 Contemporary Black Art Exhibition 1,000 Cambridge : Kettle's Ward Gallery 46,530 New Contemporarie s London: Acme Housing Association New Contemporaries 1983 2,700 Limited 10,890 Royal Academy Art Services Grants Limited 71,280 The Hague School 9,000 Half Moon Photograph y Tristram Hillier 4,000 Workshop Limited 51,975 Wapping Artists The Photographers Gallery Limited 143,550 Open Studios Exhibition 1,500 Whitechapel Art Gallery 158,400 Women's Images of Men Pandora's Box 4,000

Carried fortvard 764,775 Carriedforward 17,250 1,023,660

Schedule 1 Arts Councilof Great Britain

£ £ £ £ Broughtforward 53,250 1,023,660 Bnmghtfonturd 4,000 1,115,84 7 Woodlands Art Gallery Milton Keynes Exhibition Gallery New Sculpture 2,500 improvements to Gallery Walls 1,000 Manchester : Whitworth Art Gallery Nottingham: Castle Museum Northern Young Contemporaries 1983 4,000 Installation of Flexible Screening Middlesborough : Cleveland Art Gallery System 6,000 Nine Contemporary Sculptors 2,255 11,000 Milton Keynes Development Corporation Artists in Residence Exhibition Officer appointment 6,500 Paul Burwell: South Hill Park Arts Newcastle: Laing Art Gallery Centre, Bracknell 3,000 Capability Brown and the Northern Paul Gopal-Chowdhury : Kettle's Yard Landscape 2,000 Gallery, Cambridge 6,000 Northampton : Central Museum David Medalla : South Hill Park Arts T L Shoosmith - A Closer Look 1,000 Centre, Bracknell 3,000 Norwich : Sainsbury Centre Kevin O'Brien : National Gallery, Constructive Art and Design 1,000 Landon 2,250 Giacometti : Sculptures, Drawings, 14 ,250 Paintings 2,300 Preston: Harris Museum and Art Art in public sites Gallery London : Contemporary Art Society 5,000 Arthur Devis 4,500 Colourspace 1983 1,000 Rochdale: Art Gallery Greater London Council 2,750 Exposed to the Elements 5,000 Public Art Development Trust 5,000 Sheffield : City Polytechnic 13,750 The Expanded Media Show 5 2,000 Graves Art Gallery Provision of studios The Moment of Realism 4,000 Liverpool: Art Space Merseyside Mappin Art Gallery Limited 1,000 Judgement at the Mappin 1,882 London : Acme Housing Association Limited 32,001 92,187 Art Services Grants Limited 5,940 Gallery for gallery improvements 38,941 Chester: Grosvenor Museum Refurbishment of Gallery 1,000 Incentive grants Exeter: Roval Albert Memorial Barcham Green and Company Limited : Museum artists' paper making facility 5,000 Refurbishment of Temporary Art magazine s Exhibitions Gallery 1,500 Artery 1,500 Manchester: Whitworth Art Gallery ArtLanguage 600 Purchase of Audio and Visual Art Monthly 8,700 Equipment 1,500 Artscribe 12,000

Carni dfa ward 4,000 1,115,847 Carrkd fomard 22,800 1,198,788

Schedule 1 Arts Council of Great Britain

£ £ £ £ Brought fonuard 22,800 1,198, 788 Brought famwrd 73,949 1,289.283 Audio Arts 3,000 Slow Dancer 646 Block 2,000 Sound, Performance, Installation, Video Control 500 Show 620 International Architect 3,000 Undercut 545 Undercut 4,000 - 75,760 35,300 Total as Note 6 (page 35 ) £1,365,04 3 Grants for publishing and documentatio n Bluecoat Gallery Past Imperfect 700 LITERATURE Ceolfrith Press Arvon Foundation Limited 42,570 Grizedale Forest Sculpture 3,000 Book ,Marketing Council 8,000 Leonie Cohn Arts Enterprises English Centre of International PEN 6,930 Artists Talking (recording) 2,000 Federation of Worker Writers an d 5,700 Community Publishers 19,500 National Book League 81,675 Photography commissions The Poetry Book Society 7.920 London : Christian Aid 2,000 The Poetry Society 94,644 Photography magazines - 261,239 Creative Camera 20,000 Screen 3,600 Literary magazines Ten 8 15,000 Agenda 15,900 Ambit 8,000 38,600 Books For Your Children 8,900 Photography publishing Encounter 14,000 Comedia Publishing Group The Fiction Magazine 5,000 Photographic Practices : Towards a Index on Censorship 16,000 Different Image 1,500 Interzone 3,000 Jonathan Cape London Magazine 39,000 Handsworth 2,995 London Review of Book s 35,000 Lucida Publications Limited PN Review 16,850 From Edge to Edge 3,800 Thames Poetry 2,500 Rollmop Press 164,150 Natural Histories 600 Grants to publishers 8,895 Alan Ross Limited : Artists film and video Transit by Brian Taylor 800 Awards to Film Makers/Video Artists 54,808 Anvil Press Poetry Limited 40,950 Artstra Information Limited 900 The Bodley Head ; Cambridge Animation Festival 2,500 English Fain Talesby Joseph Jacobs 628 London Film :Makers Co-op Limited 3,542 Braithwaite & Tavlor : London Video Arts 12,199 The Grx~ Book Guide to Children's Books 10,000

Carried ionuvrd 73,949 1,289.283 Carried forward 52,378 425.389

Schedule 1 Arts Coune d ofGreat Britain

£ £ £ £ Broughtforuard 52,378 425,389 Brought fonmrd 14,316 633,017 Calder Educational Trust Limited : 35,000 The Bosworth College (Paul Hyland) 5,750 Carcanet New Press Limited : 52,000 Chester: The Tattenhall Centre Chatto & Windus Limited : (Liz Lochhead) 3,875 Being Geniuses Togetherby Robert Crawley: Thomas Bennett Community McAemon and Kay Boyle 1,000 School (Nicld Jackowska) 7,750 Paving Guests by EF Benson 700 Epping : St John's School (Paul Binding) 7,000 Mrs Ames by EF Benson 950 Farnham College (Matthew Sweeney) 7,750 English Centre of International PEN: The University of Kent (Carol Rumens) 8,754 PEN111ew Fiction 1 1,500 Lancaster : S Martin's College (UA Enitharmon Press : 7,500 Fanthorpe) 4,280 Faber and Faber Limited : Leeds: Trinity and All Saints' College Plays Introduction 1 4,000 (Anita Mason) 6,750 Philip Larkin and Douglas Dunn: A South Normanton : Junction 28 Arts FaberPoetry Cassette 3,300 Project (June Oldham) 5,813 Harry Chambers/Peterloo Poets : 21,000 The University of Nottingham The Harvester Press Limited : (Bill Turner) 8,650 Thyrza by George Gissing 1,000 Oxford Polytechnic (Jan Mark) 5,813 The Life of Jane Austen by John Sheffield City Polytechnic (Barry Hines) 4,377 Halperin 2,000 Sudbury : Great Cornard Upper School The Whirlpool by George Gissing 900 (Rodney Pybus) 6,500 Hodder and Stoughton Limited : Suffolk County Council Great Cobbett by Daniel Green 2,000 (Barbara Machin) 5,813 Journeyman Press: Sunderland Polytechnic The Conquerors by Andre Malraux 2,500 (Zoe Fairbairns) 2,188 Johnny Got His Gun by Dalton Winchester School of Art Trumbo 2,500 (Kevin Crossley-Holland) 5,813 Martin Secker and Warburg Limited : 111,19 2 in respect of nine poetry titles 9,000 Edmund Gosse - a biography by Ann Bookshops and book ordering point s Thwaite 5,000 The Bookbug, Suffolk 10,000 Trigon Press : Mark Only by TF Powys 1,500 Augmentation of Prize s Virago Press Limited: The Authors' Club : The Writings of Amur Wtt:kham: Free First Novel Award & Sir Baniste r Woman and Poet 1,900 Fletcher Award 600 Children's Book Circle: 207,628 Eleanor F eon Award 700 Writers' Fellowships English Centre of International PEN : Andover: Cricklade College Silver PEN Award and JR Ackerley (John Milne) 6,566 Prize 1,900 Bingley : Nab Wood Grammar School Faber and Faber Limited : (Jan Needle) 7,750 Geoffrey Faber Memorial Prize 500

Carriedforward 14,316 633,017 Cariedforward 3,700 754,209 Schedule 1 Arts Council of Great B17tain

£ £ £ £ Broughttoruvrd 3,700 751,209 Bnnwhtfonvard 333,183 12,375 The Federation of Children's Book London: Institute of Contemporary Arts Groups : Limited 356,400 Children's Book Award 595 The Riverside Trust 101,00 0 National Book League : National Association of Arts Centres 3,120 John Llewelyn Rhys Memorial Prize 900 793,703 The Poetry Society: Alice Hunt Bartlett Award and the Community Arts Dylan Thomas Award 1,210 Action Space Mobile 4,000 Royal Society of Literature Aklowa Association 17,000 Winifred Holtby Prize 750 Arts and Technology Laboratory Society of Authors: Limited 20,000 Scott--Moncrieff Prizeand Charivari 12,000 Schlegel-Tieck Prize 1,400 Ekome Dance Company 37,000 Trustees of the Hawthornden Prize: Fantasy Factory Video Limited 13,400 Hawthornden Prize 1,298 Free Form Arts Trust Limited 81,000 LazelCo-operative 8,000 9,853 Major Mustard's Travelling Show 7,200 Manuscripts National Association for Asian Youth 17,000 The Brotherton Library, University of Leeds: Shelton Trust 5,000 manuscript material of Rayner Steel an' skin (Arts) Limited 38,400 Heppenstall 250 Suitcase Circus 1,000 University College, London: 1,800 Tara Arts Group 8,000 manuscript material of George Orwell : Word and Action (Dorset) Limited 5,000 literary magazines and small press 275,000 poetry Minorities Arts Advisory Servic e The University of Liverpool : Limited 20,790 manuscript material of Adrian Henri 1,750 Shape Limited 15,840 3,800 Special applications Awards to writers 58,000 Centre Ocean Stream 7,250 Total as Note 6 (page 35) £825,86-2 Horse and Bamboo 10,000 Intermedia 800 Mary Longford In c 2,000 ARTS CENTRES AND COAVffLNM PROJECTS Sue MacLennan 1,000 Buckinghamshire Arts Kate Owen 1,400 Federation 12,375 Performance Magazine 9,000 Arts Centres Station House Opera 750 Birmingham : Cannon Hill Trust Miranda Tufnell 1,350 Limited 209,040 33,550 Bracknell: South Hill Park Trust Limited 124,143 Carnival Ballisave 500

CarriedtiTmvrd 333,183 12.375 Carried-forward 500 1,151.258 .Schedule 1 Arts Council o! Great Britain

£ £ £ £ Broughtfonvard 500 1,151,258 Brought onward 229,238 Carnival Industrial Project 750 Training schemes Cocoyea 1,250 Administrators: Diploma Course Costume and Mas Design Association 900 Bursaries 36,840 Design In Mind 500 Practical Training Scheme Bursaries 21,000 Dominica Carnival and Arts 450 In•Service Bursaries 14,268 Ebony Steel Band 2,000 City University 48,000 Elimu Centre 1,750 Exhibition Organisation Bursaries 14,100 Factory Carnival Group 1,500 Community/Ethnic Arts 7,338 Finsbury Park Carnival Committee 2,600 Dance Animateurs 3,060 510 United Club 450 Designers 19,416 Genesis 1,500 Directors 30,500 Hackney United Club 1,200 Joint Training Fund 1,125 Hippos 800 Performers : Advanced Training for Lion Youth Band 1,900 Musicians 2,980 London All Stars Steel Band 500 National Centre for Orchestral Massando 848 Studies 22,500 Metronomes 600 National Opera Studio 31,100 Notting Hill Carnival and Arts Puppeteer 4,500 Committee 4,000 Royal Northern College of Music 22,500 Paddington Youth Steel Band 600 Theatre Performers 14,723 Peoples War Sound System 350 Technicians : Association of Britis h Perpetual Beauty Carnival Club 1,950 Theatre Technicians 94,000 Quintessence 1,000 Bursaries 5,985 Renegades Players 2,250 Piano Tuner 4,900 St. Mary of the Angels Church 700 398,83 5 Starland United Club 450 Starlite Mas Association 1,650 Total as Note 6 (page 36) £628,073 Sukuya 250 Twelfth Century 1,500 HOUSING THE ARTS West Indian Development Organisation 500 National Companies 35,198 English National Opera 35,000 National Theatre Board 56,000 Total as Note 6 (page 36) £1,186,456 91,000 TRAINING Music Benesh Institute of Choreology Limited 72,534 London : Friends of Domus 500 National Opera Studio 156,704 Friends of St John's 7,500 National Jazz Centre Limited 75,000 83,000 Dance Uechi Ryu Karate Association (GB)/Spiral Dance Company 1,500

Carvedforward 229,38 Carriedforward 175,500

Schedule 1 Arts CouncilojGreatBritain

Brought (orumrd 175,500 Brought forward 162,500 758.000 Drama Gainsborough Area Arts Associatio n Cheltenham Borough Council : (Trinity Church) 30,000 Everyman Theatre 132,000 London : Hounslow Arts Trust Limited 8,000 Derby Playhouse Limited 5,000 Luton Community Arts Trust 500 Leeds: Interplay Trust 20,000 Stafford Borough Council (Borough Hall) 10,000 London : Half Moon Theatre Limited 50,000 Worcester Arts Workshop Limited 10,000 Pioneer Theatres Limited 10,000 221,00 0 Northampton Repertory Players Limited 70,000 Total as Note 6 (page 36) £979,000 North Staffordshire : Victoria Theatre (New Theatre) Limited 65,000 Oldham Coliseum Theatre Limited 3,500 355,500 Tourin g Bath: Theatre Royal Bath Limited 60,000 Birmingham : Hippodrome Theatre Trust Limited 50,000 Kingston-upon-Hull New Theatre Company Limited 3,000 113,000 Art Bradford City Council (National Museum of Photography) 50,000 Cambridge Darkroom 10,000 Darlington Arts Centre Trust 4,000 London: Whitechapel Art Gallery 50,000 114,000 Regiona l Alnwick: Northumberland Theatre Company Limited 7,000 Banbury : Spiceball Arts & Communit y Association Limited 20,000 Birmingham: Cannon Hill Trust Limited 5,000 Bracknell: South Hill Park Trus t Limited 130,000 Brighton Community Arts Project Limited 500

Carriedjonwrd 162,5010 758,0000

SrhMuk 2 Arts Counal of Gres! Britain

Schedule 2 Special Funds 1984 Camptett Da &&MM Henry & Li f. mir5am H A Them- Thantoo A C Trust Totak Poetry Fund Buda Gdt Daw Fund Liana Furl Fund for Special Fwd S Funds

Income and expenditure h mm 5,947 364 1,072 9,549 1142 10 1270 2,413 x,796 IgmapmrTaure 4,520 - 1,145 9,82; 3.497 1,250 10 - 21187 SurphMdefidtl LO 364 (1231 061 245 189 16101 2.413 3,609 Balaacebro#fawaid 11051 1274 188 3,548 1,b72 307 L141 4,379 25,560 Balance 14,478 1,638 65 3,272 1,917 496 511 6,792 29,169

Balance sbeet Immshnents CM 2,005 6,898 96471 23,426 5,33 3 29271 216 .868 Debrn,s 76 2.A 632 6,350 s Cas A14147, I9 4,260 23,498 h Total aurert asset b7 3.39 4,892 29.81 8 s Creditor A- 2, 1 6,6488 1,63 3 L 67 1 4,892 23200 Netcurrerpssw 13,189 49 Total net assets 60,435 3,638 6,965 98,962 344 5830 34,163 24046 8

Financed by Capital Aemuntat ] Apri 19M 45,957 2,000 6,900 93,327 23,427 5334 4220 26,278 207,443 Additions ------455 45,9 Surphrslfdektl on sale of imstments - - - 2,363 - - - 638 3.001 Balartceat311Marchl984 45,957 2,000 6.900 95.690 23 .427 5,334 4M 27,371 210,899 Resenres 14,478 1,638 65 3,'272 1,917 496 511 6,792 29,169 60,435 3,638 6,%5 98,962 25,344 5,830 4 .731 34,163 240,068 S4wdule 3

Scottish Arts Council INCOME AND EXPENDITURE ACCOUN T 31 MARCH 1984

19&1 I: £ Income Grant from Arts C+iunc:ii of sn°,u Britain 11,938,83 1 Other operatingincomt , Nf,ta 10,839 11,949,670 Grants and guarantees accrued in previous year, not now required 124,829 12,074,499

Expenditure Adnihsn6on of subidies and services Staff costs N43 395,033 Depreciation Note8 45,590 Operational costs Note 4 256.394 697.017 Grants and guarantees Notes 11,012,460 Otheractivities Notes 96,397 Direct promotions : net deficit N46 294,367 General expenditure on the arts in Scotland Nuk, 5 11,403,224 12,100,241 Operating (deficitYMlus (25.742) Interest receivable 37,557 Surplus for the financial year 11,815 Accumulated surplus brought forward Income and expenditure account as previousl y reported 127,344 Prior year adjustment Nate 10 330.666 Restated accumulated surplus brought forward 458,01 0 accumulated surplus carried for w-di 469,825

Scottish ArtsCouricil BALANCE SHEET AS A 3 19

11984 1983

Fixedassets "tangMeam is N*8 180,349 ti • .

Currentassets Debtors and prepayments Grants due from Arts Cound of Great Britain 702,000 Other 2'13,287 Grants and guarantees paid in advance 397,875 , Cash at bank and in hand 8,061 1,331,223

Current liabilities Grants and guarantees outstanding 1,088,902 Creditors : amount falling due within one yea r 52,84 5 1,141,747 Net current assets 189,476 Total assets less current liabilities 469,825

Financed by Income and Expenditure Account 469.825 -1fi9.825

Gerald Elliot Chairman of the Scottish Arts Council

l ., :XX Rittner . rct.an- General

Scottish Arts Council SOURCE AND APPLICATION OF FUNDS FOR THE YEAR ENDED 31 MARCH 1984

1984

5ourceoffunds Surplusl(deficit)onordinagacd),ities 11,815

Adjustment for items not involving the movement of fund s Depreciation 55,74 2 Total generated from operations 67,557

Application of funds Purchase of tangible fixed assets (46,705) Increase in working capital 20,852

Components of increase (decrease) in working capital Debtors (177,189 ) Creditors 197,11 4

Movement in net liquid funds Cash at bank and in hand 927 20,852

Scottish Arts Council NOT TO THE riCCO

1. Accounting policies c) Depreciation and fixed assets Depreciation is provided on all tangible fixed assets at rates calculated to write off a) The financial statements are prepare d under the historical cost convention . the cost less estimated residual value of each asset systematically over its expecte d Without limiting the information given, the accounts meet the requirements of the useful life as follows: Companies Acts 1945-1981, and of th e Statements of Standard Accountin g Freehold buildings over 50 years Leasehold buildings over the life of the Practice issued by member bodies of the Consultative Committee of Accountancy lease Fixtures and fittings over 4 year s Bodies so far as those requirements are appropriate . Motorvehicles over 4years

Significant departures from Statements of Freehold land is not depreciated . Works of Accounting Practice are disclosed in the Art are fully depreciated in the year of acquisition . notes to these accounts and the financial effect is quantified where practicable to d o so. In previous years fixed assets were not depreciated as such but an appropriatio n b) Accruals conventio n equal to the cost of purchases made durin g (i)All income and expenditure is taken into the year, less disposals was made from the account in the financial year to which it Income and Expenditure Account to the relates. Setting up costs incurred on an Capital Account. This change in exhibition promoted by the Council are accounting policy entails the writing back of the Capital Account and th charged to the year in which that exhibitio n e is officially opened to the public. Setting up establishment of the net book value of fixe d costs incurred in a year prior to that . assets brought forward . Note 10 details the opening are treated as prepayments. resulting prior year adjustment.

(ii)Subsidy expenditure is incurred in the d) Consolidatio n form of grants and guarantees which ar e The Arts Council of Great Britain is legall y formally offered to and accepted by the responsible for the affairs of the Scottish Arts Council's clients . Grants and guarantees Council and Welsh Arts Council which are by constitution committees of th are charged to the Income and Expenditure e Council. However, in view of the power Account in the year in which funde d s activities take place ; if this is no t delegated to those committees they presen t separate accounts which are no t determinable they are charged in the year consolidated with those in which activities begin . Any amount of the Arts Council. unpaid from grants and guarantees at th e year end are shown as liabilities in the Balance Sheet and any advance payments to the client in anticipation of grants and guarantees to be charged in the followin g financial year are shown in the Balance Sheet as assets .

Notes to the Accounts Scottish Arts Council

1984 19$3 £ _£ 2 Other operating income Donations 290 6,270

Sundry income 4,605 ,,,377 Sale of fixed assets 5,944 2,309 10,839 14,156

3 Administration of subsidies and services Salaries and wages 341,028 313.085 Staff Costs Employers National Insurance 20,375 17 ,ti0 3 Arts Council of Great Britain Retirement Plan (1975) 33,630 :i(~, fiR t 395,033

The Chairman, Council and Panel Members ar e not paid for their services .

The average weekly number of employees during the year was made up as follows :

No Administration of subsidies and services 38 Direct promotions 16 54

4 Administration of subsidies and services Travelling and subsistence 46,611 t x,950 Operational costs Rent and rates 56,483 4-064 Fuel, light and house expenses 58,721 10.750 Publicity and entertainment 31,827 :17.M Postage and telephone 31,655 '.'.780 Stationery and printing 22,247 _ i 2K)-

Professional fees 2,436 1 .7 11 1 Office and sundry 31,414 -. +++ 281,394 Less administration charge for exhibitions 25,000 256,39 4 These accounts reflect a change of accounting effect of this change of method is to reduce staf f method from previous years since a du e costs by £53,585 • ` - and operational proportion of indirect staff and operational cost is costs by F25,000 . : : now allocated to the exhibition programme. The

Notes to the Accounts Scottish Arts Council

1984 lr f; _ 5 Expenditure by art form Music Grants and guarantm 4,598,169

Danceand dime Grants and guarantees 1,147,11 1

Touring Grants and guarantees 318.212 Less: local Authority Contnbutions Aberdeen District Council 58,31 1 Edinburgh District Council 32,137 Glasgow District Council 28,629 Kirkcaldy District Council 6,599 Kyle & Carrick District Council 5,801 Strathclyde Regional Council 28,629 160,106 - - 158,10 6 Drama Grants and guarantees 2,202,767 International exchange 631 2,203,39 8 Art Grants and guarantees 676,27 1 Net cost of exhibitions 294,36 7 Provision of studio - Amsterdam 1,630 Cost of maintainingco0ection 8,726 An film tours 526 Lechres scheme 15,153 Other activities 550 997.223 Film Grants and guarantees 58.000 Carried foamd 9,169.007

Notes to the Accounts Scottish Arts Council

1984

Brought inward 9.162,007 Literature Grants and .guarantees 439,365 Poetry readings 4,874 Writers in schools and in Public 31,514 Other activities 6.516 Ned Gurus Fellowship 7.393 Scottish/Canadian Writers Fello%%5hip 3.018 Smttish/Austrahan Writers Fepou-ship 2,580 Magazines to hbranes scheme 4.121 Poetry posters - 499,381 Festivals Grants and guarantees 477,710

Projects, arts centres and clubs Grants and guarantees 759,96 1

Reports, surveys and seminars 9,165

Housing the Arts Grants 495,000

General expenditure on the arts m Scotland T1740-3,-22-4 101992,339

Summary Gm nts and guarantees 11,012,460 Other activities 96.397 Direct promotions 994,367

General expenditure on the arts in Scotland 11,403,224

Notes to the Acownts Scottish Arts Council

Exhibitions & Galleries 1984

6 Direct promotions Income 32,205 Staff costs Salaries and wages (89,120) 77;7 ~Tj 1 Employers National Insurance (5,696) Arts Council of Great Britain Retirement Plan (1975) (8.200) IL list (103,016) (97.277. ) Operational cost (including administrative charge) (213,404) 'H-5.T'0) Depreciation (10.152) iS, t57)

Net deficit (294,367) (275.853)

7 Surplus for the year 11,815 Stated after charging (a) Auditors remuneration nd it (b) Employees receiving remuneration over M0,000 nil Notes to the Accounts Scottish Arts Council

Land & Fixtures Vehicles Works Total buildings & fittings of Art £ £ £ £ £ 8 Tangible fixed assets Cost at 1 April 1983 389,850 81,240 73,815 239,255 784,160 Additions 7,241 3,995 23,210 12,259 46,705 Disposals at 31 March 1984 (65) - (31,083) - (31,148) 397,026 85,235 65,942 251,514 799,71 7

Depreciatio n at 1 April 1983 158,446 56,456 40,617 239,255 494,774 Provided 1983184 16,013 10,985 16,485 12,259 55,742 Less depreciation on disposals in 1983184 (65) - (31,083) - (31.148) 174,394 67,441 26,019 251,514 519,368

Net book value at 1 April 1983 231,404 24,784 33.198 - 289,386 Net book value at 31 March 1984 222,632 17,794 39.923 - 280,349 1984

Depreciation is allocated to Subsidies and services 45,590 Direct promotions Note 6 10,152 55,742 The net book value of land and buildings comprises Freehold 135,71 0 Long leasehold improvements Short leasehold improvements 86,922 222,632

Notes to the Accounts Scottish Arts Council

;i. .. Prior Year Balance at Adjust- 31 March ment 1984 £ £ 9 Reserves Reserve for capital expenditur e 41,280 - -- I 41,280 - In previous years the Council has maintained a ordered but not delivered at that date . This has capital expenditure reserve, the balance on been written back to the Income and which was sufficient to meet the sum Expenditure Account as prior year adjustmen t committed by the Council for Capital items (see note 10) . 1984

10 Prior year adjustment %ting back of undepreciated assets following the change of accounting policy on depreciation Note B 289,38 6 Writing back of capital reserves Note 9 41 .280 330,6641

Certificate of Comptroller and Auditor Genera l I have examined the foregoing Income and Ex- penditure Account, Balance Sheet and the sup - porting information set out in the Statement o f Source and Application of Funds and the Notes. In my opinion these give, under the historical cost convention, a true and fair view of the state of affairs of the Scottish Arts Coun- cil at 31 March 1984 and of its surplus and the Souce and Application of its funds for the year ended on that date .

R W Locke Director of Audit for Comptroller and Auditor General

National Audit Office 30 October 1984

Scottish Arts Council SCHEDULE TO THE ACCOUNTS 31 MARCH 1954

S C E 1 . GRANTS AND GUARANTEE 20,355 2,826,322 Iitic[ uding ub,,idies;offeredbu t £ Cove .i,i.i l:,l . r Akan Literar ; , 75 not paid at that date ) Cowal :tlu> :, Club 1,100 Cunibernankl :\rts Guild 1,000 music Cumncnk i1iu:,ic Club 650 Oper a Dalkeith and Dist riot Arts Guil d 750 Aberdk-un : I laddn 1Choral and Dingwall : lighland Regional Counci l 80 Operahr tirx ie['ti 2,1100 Dollar MwSic 5Ixiet y 350 1);usder : hat~irleOlrr°r a 2,150 Dornoch Area Community Council 1,100 F(hnburt;h: Edinburgh ( ;rand Opera '~,f1U41 Dumfries: The Giwild of Players 1,800 F,dinhurWh Opera C ompall y Sil#i Dumfries Folksong Club 150 Glasgow- ( ;la s.L+f1 Grand Opera "(Wit tv 2,500 Dumfries Music Club 1,000 Elgin ()perAk tirK-i0 V 304 ) Dunblane Cathedral Arts Guild 1,475 Kirkcadd • : Fife Opera 42 5 Dundee: Dundee Chamber Music Club 1,800 Scottish Opera Limite d 2,816,00 1 University of Dundee 1,700 2,826,322 Platform Dundee 2,700 Dunfermline Arts Guild 9001 Concerts East Kilbride Music Clu b 750 Aberdeen: Aberdeen Chamber Eastwood Music Society 2,400 Music Clu b 1,500 Edinburgh: Clarsach Society Haddo House Choral and Operati c (Edinburgh Branch) 400 Society 1,400 Edinburgh Chamber Music Trust 15,350 Pl, farm Aberdee n 3,400 Edinburgh Contemporary Arts Trust 3,500 U r. . .-ersity of Aberdeen 500 Edinburgh District Counci l 1,500 Airdrie Arts Guild 100 Edinburgh Organ Recitals Committe e 279 Annan: Royal Burgh of Annan Riding o f Georgian Concert Society 2,750 the Marches 250 Mondrian Trio Trust 1,500 Argyll Folk Clu b 330 New Town Concerts Society Limite d 4,500 Arran Music Society 1,100 Platform Edinburgh 6,000 A,.T : Ayr Arts Guil d 3,000 The Saltire Society 600 Avr Music Club 1,000 Scottish Philharmonic Club 500 Badenoch Arts Club 470 University of Edinburgh 1,950 Banffshire Arts Guil d 1,100 Forfar Arts Guild 350 Bearsden and Miingavie Arts Guil d 600 Forces Entertainments Committee 380 Beith Arts Clu b 750 Fort Augustus : Clarsach Society Bernerav Communitv Council 11 01 (Highland Branch ) 100 Biggar Music Clu b 1.200 Fraserburgh Folk Club 175 Brechin Arts Guil d 150 Gadie Folk Club 250 Bridge of Allan and District Music Club 1,8$01 Galashiels Afts Association 1,750 Bute Arts Society 600 Gatehouse Musical Society 650 Carnoustie Music Club 600 Girvan Arts Guild 1501 Clydebank: Braidfield High School 200 Glasgow: Asian Artists Associatio n 1,500 Cott Hall Committee 75 John Currie Singers Limited 14,8501

CamW.Ioniurd 20,355 2,826,322 Camedifunturd 99, 11.9 2,826322

Se%dine 1 Sex4f sh Arts Council

£ £ £ £ Brvughtforuwrd 99,119 2,826,322 Broughtforaaard 138,554 2,826,322 Glasgow Classical Guitar Society 100 Newton Stewart and District Music Club 1,150 New Academy Concerts Society of Oban: Oban Music Society 2,479 Scotland 1,200 Radio Lorn 75 New Glasgow Music Society 1,600 Orkney Arts Society 1,950 Platform Glasgow 5,000 Perth Chamber Music Society 650 Society of Friends of Glasgow Peterhead Community Centre 450 Cathedral 150 Port Ellen Gaelic Junior Choir 100 Strathkelvin Arts Association 90 Port William Community Association 40 University of Glasgow 1,000 Prestwick Arts Guild 200 Glenkens and District Music Club 1,000 Renfrew District Arts Guild 2,500 Gordonstoun Concerts Society 600 St Andrews : St Andrews Jazz Society 360 Grampian Regional Council 240 St Andrews Music Club 1,600 Greenock: Greenock Alts Guild 1,250 Shetland Arts Society 1,950 Greenock Chamber Music Club 1,100 Skye: Skye Arts Guild 900 Hamilton District Arts Guild 1,300 Isle of Skye Folk Music Association 1,200 Hawick Music Club 1,000 Urras an Eilein 206 Helensburgh Music Society 1,500 South West Ross Arts Society 500 Invergordon Arts Society 1,300 Stonehaven Music Club 900 Irvine Burns Club 900 Stranraer Music Association 1,800 Platform Inverness 2,700 Stratheam Arts Guild 950 Jura Hall Committee 80 Sutherland Arts Committee 950 Kelso: Kelso Music Society 2,400 Thurso : Miller Academy 25 Edenside Primary School 25 Thurso High School 85 Kilmardinny Music Circle 1,800 Thurso Live Music Association 4,500 Kintyre Music Club 2,000 Tiree Christmas Parties Committee 120 Kirkcaldv: Platform Fife 2,250 Troon Arts Guild 569 Kirkcudbright : Audience Club 450 Ullapool Folk Club 375 Lanark Arts Guild Music Club 650 West Linton Music Society 200 Lewis and Harris Piping Society 850 Wick Arts Club 1,600 Linlithgow Arts Guild 1,000 Lochaber Music Club 575 British Accordeon Musicological La.hgelly Centre 250 Society 400 Lockerbie Musical Society 245 John MacFadyen Memorial Trust 200 Melrose Music Society 750 National Federation of Music Societies 26,730 Miingavie Music. Club 2,000 New Music Group of Scotland Trust 4,500 Mingany Choir and Senior Citizens' Club 150 Platform (Music Societies) Limited 16,830 Moffat and District Musical Society 4,30 Scottish Baroque Ensemble Limited 105,480 Monklands District Council 150 Scottish Chamber Orchestra Limited 421,450 Morav Arts Club 650 Scottish Early Music Association 6,500 Motherwell District Libraries 50 Scottish National Orchestra Society Music in Peebles 650 Limited 927,300 1,676,328

Carned.t'onvard 738 554 28-96,322 Carnedtorward 4,502.650

Schedule 1 Scottish Arts C ouncal

Brought tanturd 4,502,650 Contemporary Music DANCZANDBMW Avr Music Clu b 280 Bearsden and Miingavie Arts Guil d 320 Auchtermuchty : Antics Community Miingavie Music Club 320 Dance Company Platform Aberdeen 1,140 Edinburgh: Basic Space Dance Theatre Platform Dunde e 1,140 Limited 74,300 Platform Edinburgh 1,71 4 Belford Centre For Dance 13,193 Platform Glasgow 1,620 Chinese Performing Art Sub-Group 500 University of Aberdee n 1,21 9 Dance Connectio n 700 University of Edinburgh 670 Edinburgh Chinese Dance an d University of Glasgow 1,749 Cultural Youth Group 500 10,172 Edinburgh Indian Association 275 Krazy Kat Theatre Company 1,800 Other Activities Fife Regional Council 600 Awards 7,550 Glasgow: Asian Artists Association 1,500 Commissions and Performing Material 23,797 Lom Arts and Crafts Association 150 31,347 Mid Argyll Community Dance Group 190 Musselburgh: East Lothian Community Queen's Hall (Edinburgh) Limited 10,000 History and Arts Trus t 112 Scottish Music Archiv e 14,000 Ci ist Association for Dancing 189 Scottish Society of Composer s 1,500 British Summer School of Mime Theatre 2,233 Pianos : Dance Umbrella in Scotland 6,492 Mull Fiddlers 200 English Dance Theatre 1,500 Shotts Arts Guild 1 ,000 Mark Saunders 350 1,200 The Scottish Ballet Limited 1,013,230 Scottish Council for Dance 500 Recordings: Tony and Derek 2,500 Chandos Records 3,000 Phoenix Record s 2,000 Bursaries : Mime 6,712 Saltire Society 3,004 Dance 8,448 Scottish Chamber Orchestra Limited 12,000 8,137 Scottish Early Music Association 21340 Commissions: Dance 22,300 Total as Note (page 60) £1,147,111 Capital: Greenock Arts Guild 5,000 5.400 TOURING Byre Theatre of tit Andrews Limited 3,500 Total as Note 5 (page 60) £4,598,169 Flying Tortoise Theatre Compan y Limited 3,406 Bill Kenwright Productions Limited 14,000

Carrier! jrmuard 20.906

£ £ £ C 13y, i4, : h t Irl)1f Card 20,906 Brujigh ., i,,nTron Theatre Limited 83,362 Mercury Theatre Trust Limited Irvine : a)rde rline Theatre Compan y (Ballet Rambert) 23,655 Limited 111,77 5 National Theatre Board 101,682 Harbour Arts Centre 251 Portman Theatrical Productions 8,206 Kirkcudbright Puppet Festival 768 Royal Opera House, Covent Garde n Musselburgh : East Lothian District Limite d 5,750 Council 14,850 Scottish Ballet Limited 12,000 East Lothian History and Arts Trust 50 Scottish Theatre Trust Limited 75,234 Orkney Community Youth Theatre 8,000 Triumph Apollo Productions Limited 37,350 Perth Repertory Theatre Limited 153,865 Visiting Arts Unit of Great Britain 5,500 Pitlochry Festival Society Limited 142,590 Whirligig Theatre Company Limited 6,500 St Andrews: Byre Theatre of The Young Vic Company Limited 13,234 St Andrews Limited 57,850 Total as Note 5 (page 60) - where loca l authority contributions of £160,106 are detaile d £318,212 Actors Touring Company (London) Limited 1,000 DRAMA Assembly Productions Limited 7,500 Aberdeen : Guizer Theatre Company 25,500 The Badinage Theatre Company 9,000 North East Theatre 1,000 Blackbox Puppets 5,000 Castle Douglas Player s 357 CAST Presentations Limited 600 Cumbernauld : On Yer Bike Theatre Channel Five Theatre 3,960 Company 1,700 Commun Drama Uibhist 100 Cumbernauld Unemployed Youth Communicado Theatre 12,977 Theatre Association 840 Eastern Angles Theatre Company 2,712 Dervaig Arts Theatre Limited 21,345 Joint Stock Productions Limited 2,000 Dundee: University of Dundee - Boaar Lumiere and Son Theatre Company Hall 1900 Limited 1,000 Dundee Repertory Theatre Limited 156,960 The Medieval Players Limited 5,462 Edinburgh: Edinburgh Playwright s Moving Parts Theatre Company Workshop 4,252 Limited 408 The Netherbow 3,094 Northumberland Theatre Compan y Queen Margaret College 66 Limited 8,400 Royal Lyceum Theatre Company 7:84 Theatre Company Limited 137,29 0 Limite d 328 740 Skin and Bones Theatre Company 500 Traverse Theatre (Scotland) Limited 225 rAg Whisper and Shout Puppets 1,500 Ettrick Bridge : Kirkhope Creativit y Wildcat Stage Productions Limited 115,14 0 Company 540 Winged Horse Touring Production s Glasgow: Citizen's Theatre Limited 334,376 (Edinburgh) Limited 4,334 Bursaries 16,630 Circuit for Alternative Theatre in Scotland 250

Carried fo uwd 1,106.219 Carriedfonwrd 2,016,993 Schedule 1 Scottish Arts Cimnt`al

Bmughtfrmvard 2.016.993 Bmughttinuvard 146,344 Dumfries and Galloway Regional Richard Demarco Gallery Limited 36,400 Council 3,500 City of Edinburgh District Council 2,143 Highland Regional Council 650 The Fruitmarket Gallery 4,000 International Theatre Institute - Gorgie Memorial Hall Youth Club 200 British Centre 238 New 57 Gallery Association Limited 39,802 Mayfest 27,000 Printmakers Workshop Limited 33,270 Scottish Community Drama Association 1,300 Recession Pictures 1,000 Scottish Society of Playwrights 31,680 The Shore Gallery 280 Scottish Student Drama Festival 650 Talbot Rice Art Centre 12,870 Scottish Theatre Archive 6,000 Tartar Gallery 2,700 Scottish Theatre Trust Limited 99,990 The 369 Gallery Limited 20,820 Scottish Youth Theatre Limited 14,766 University of Edinburgh 1,500 Wester Hailes Education Centre 4,500 Total as Note 5 (page 60) £2,202,767 Elgin : Edward Smith 78 Girvan Community Council 444 Glasgow: Compass Gallery Limited 21,780 ART Cranhill Community Arts Project 200 Glasgow Art Gallery and Museum 3,110 Aberdeen: Aberdeen Art Gallery and 4,000 Museum 320 Glasgow Group Glasgow Print Studio Limited 44,540 Aberdeen University Library 1300 Glasgow School of Art 2,225 Artspace Galleries (Aberdeen) Transmission 2,000 Limited 32,700 University of Glasgow 2,637 Grays School of Art 160 Women Artists Conference Glasgow 1,500 Peacock Printmakers (Aberdeen) Grampian Regional Council 166 43,210 Limited Peter Potter Gallery (Haddington) Trus t Bearsden and Miingavie District d 550 Council 2,248 Limite Highland Regional Council 4,198 Cupar : Gallery 2 2 450 Inverness : Art Society of Inverness 62 Dollar Summer School in the Arts 720 Kelso Arts Appreciation Society 48 Dumfries and Galloway Regional Kilmarnock & Loudon District Council 403 Council 7,000 Kirkcaldy Museums and Art Gallery 650 Duncan of ]ordanstone College of Art 1,431 20 Kirkcudbright : Harbour Cottage Art Dundee Art Society Galler y 1,436 Dundee Group (Artists) Limited 22,770 Kyle and Carrick District Council 1,568 Dundee Museums and Art Galleries 1,553 192 Dundee Printmakers Workshop Limited 29,780 Larbert: Portf oho Four : Border Country Life Museum 241 Dunfermline: Fife (Dunfermline) Print Lauder Lasswade High School Centre 850 Workshop 2,000 Lumsden: Scottish Sculpture Workshop 7,736 Duns: Berwickshire Art Society 82 Monifieth Art Societ y 37 Edinburgh: Edinburgh International Motherwell District Council 1,600 Film Festival 600 North Berwick Painting Group 33

Carried forward 146,344 G7" ed foritwrd 408.113

Schedule 1 Scottish Arts Council

Brought froward 408,113 Brought froward 592,526 Perth: Fair Maids House Gallery 281 Award s 37,245 Perth and Kinross District Council 150 Commissions 46,500 Stirling: Stirling Smith Art Gallery and Museum 150 83,745 Friends of the Smith Art Gallery an d Total as Note 5 (page 60 ) £676,27 1 Museum 652 Strathclyde Regional Council 1,500 Stromness: Pier Arts Centre Trust 15,350 F" Orkney Arts Society 315 Scottish Film Production Fund Limited 53,000 Alastair Strachan, Alastair Magee an d Scottish Film Training Trus t 5,000 Peter Hill 200 Total as Note 5 (page 60) £58.000 Ba)birnie Edition s 1,250 British Organisers of the Trilateral Student Fine Art Exhibition 2,500 LITERATURE Channel 1,375 4 Association for Scottish Literary The Contemporary Art Society 3,500 Studies 8,500 C R Mackintosh Society 750 Edinburgh Book Fair Limited 14,450 Royal Incorporation of Architects in Edinburgh Children's Book Group 350 d 10,000 Scotlan The Gaelic Books Council 48,880 Scottish Photography Group Limite d 41,300 Meet the Author 6,500 Federation of Scottish Sculptors 500 National Book League 16,830 Scottish Sculpture Trust 20,300 Scottish National Dictionary Workshop and Artists' Studio Provisio n Associatio n 8,000 Scotland Limited 44,550 Scottish Poetry Library Association 2,500 552,736 Scottish Publishers Association 33,240 University of Edinburgh 1,500 Artists in Residence Amsterdam Studio : Katherine Downie 4,640 140,750 Cranhill Community Arts Project : Publications 0 Alastair McCallum 7,00 Akros 2,250 n Gorbals Fair Society : Kate Thomso 4,750 Books in Scotlan d 4,600 : Nigel Irvine Development Corporation Cencrastu s 11,692 5,578 Lloyd Chapman 3,900 : Maureen Soulisquoy Printmakers Cruisgean 220 1,172 Binnie Gairm 8,250 Scottish Development Agency: Kate Glasgow Magazin e 450 11,150 Lorimer Lallans 895 University Marine Biological Station Leopard Magazine 2,500 5,500 Millport: Joanna Scott Lines Review 4,400 39.790 New Edinburgh Review 6,642

Carried forward 592.526 Carried forward 45, 7.99 140,750

Schedule 1 &vttish Arts Council

£ £ £ £ Broughtforward 45,799 140,750 Broughtfortivrd 10,800 204,241 The Scottish Review 6,250 The Bodley Head Tocher 2,300 One Night in Win ter by Allan Massie 2,000 54,349 Byway Books When the Beacons Blazed by M A Literary Events Wood 750 Comhdhail na Seanachaidh 1,700 The Year the Raiders Carne by M A Edinburgh University Students Wood 750 Publications Board 175 Canongate Publishing Limited Feminist Writers Conference 409 The Foundling by Hector Malot Glasgow Writers Club 130 translated by Douglas Munro 2,000 Harrison Arts Promotions 350 Dbd and Davie by Wilhelm Rusch International PEN Scottish Centre 468 translated by J K Annand 1,250 Pakistan Art and Literary Circle 500 Bed of Stone by Valerie Gillies 1,250 Poet Sound'84 4,000 Fire-side Taksof the Traveller Children Scottish Writers' Co-operative 800 by Duncan and Linda Williamson 1,500 Scottish Young Publishers' Society 100 Canongate Kelpie Series : 5,000 Strathkelvin District Libraries 300 The Spanish Letters by Mollie Hunter University of Glasgow 120 The DrsXmteJaurney by Kathleen Workers' Educational Association 90 Eidler 9,142 Hill of the Red Fox by Allan Campbell Sir Lines of Fankle the Cat by George Grants to Publishers Mackay Brown Aberdeen University Press Gillespie by J MacDougall Hay 1,250 The Place Naves of Upper Dresuie by Moss by Angus Ogilvy and Davi d Adam Watson and Elizabeth Allan 1,000 Thomson 850 A Blasphenua-and Refornwr - a study Journal of a Dead Man anal Other' oflaw..s Leslie Mitchell - Lewis Stories by Ron Butlin 1,500 Grassic Gibbon by William K Calum Tod by Norman Malcolm Malcolm 1,750 Macdonald 1,300 Torn Modern Scottish NmrLs by Isobel Island on the Edgeof the World by Murray and Robert Tait 1,250 Charles Maclean 1,000 Speak to the Hills edited by Hamish Jonathan Cape Limited Brown and Martin Berry 1,250 Lean Talcs by Agnes Owens, James Cobbett's Tour in Scotland edited by Kehnan and Alasdair Gray 920 Daniel Green 1,750 William Collins Sons and Company Portable Utopia by Bernard Aspinall 1,250 Limited Tine Gentkenen by Hamish Brown 750 Scottish Short Stones 1984 3,600 Albyn Press Limited Croom Helm Limited D'Arm s Farewell by Paul R Hyde 1,000 Linguistic Alias of Scotland- Vollll by William Blackwood and Sons Limited Speitel 1,500 Jim Corbett by Alexander Maitland 800 The Scots Abroad by R A Cage 1,250

Carnead.forward 10,800 204,241 Curried forward 38.470 204,241

Schedule 1 Scottish Arts Council

£ £ £ £ Brought foru and 38.470 204,241 Bnnight forward 67,445 204,241 A History of the Highland Clearances: Mainstream Publishing Company Vol 1Iby Eric Richards 1,500 (Edinburgh) Limite d John Donald Publishers Limited Aesthetics in &vtland by Hugh jacnM7ism and ToryPolitics 1710-14 by MacDiarmid edited by Alan Bold 1,750 Daniel Szechi 2,000 Labour in Scotland: A Pictorial Shetland Life and Tnzde 1550. 1914 by Histon from the Eighteenth Century Hance D Smit h 1,000 to the Presentedited by Ian Scottish Fuddle Music in the 18th MacDougall 5,000 Centun by David Johnson 3,500 SnoH sh Labour Leaders 1918-1939 Gaelic in Scotland 1698-19,81 by by William Knox 2,500 Charles W J Withers 2,000 lames and Jim : A Biography of Rural Houses of the North of Ireland by james Kenna-way by Trevor Royle 2,000 Alan Galley 1,500 Dancing in the Streets by Clifford Water Pou+er in Scotland 1550-1870 by Hanley 1,500 John Patrick Shaw 3,000 Scotland , The Rml Divideedited by Richard Drew Publishing Limited Gordon Brown and Robin Cook 2,000 Burrell.- Portrait of a Collector by Manchester University Press Richard Marks 4,225 TillDoorrrsday in the Afo?wn by Faber and Faber Limited Ewan Maccoll and Peggy Seeger 3,000 Silver Darlings by Neil Gun n 500 The Mariscat Press Collected I`b ms qt-Edwin Muir 800 Spring's Witch by Brian McCabe 200 Victor Gollancz Limited Moorfoot Publishing Night Falls on Andnamurchan by The Last I-4cture Slums - Edinburgh Alasdair MacLean 750 by Brendon Thomas 1,000 The Hardie Press The Orkney Press Limited Straths pe , Plavers - Past and Present The Men of Ness by Eric Linklater 1,500 by W C Honeyma n 600 Oxford University Press Paul Harris Publishin g Canna by J L Campbell 1,500 Ford -A Village in the West Polygon Book s Highlands of Scotland by John B Dreaming Frankenstein and Collected Stephenson 1,250 Poems by Liz Loehhead 1,250 The Thistle and the Gmilby Robi n Gentlemen of the West by Agnes Jenkins 1,250 Owens 750 Kylin Press Limited The Dear Green Place by Archie Hind 1,000 Recollecturns of a Scottish Novelist by L An nals of the Fire Sensesby C M B Walford 1,000 Grieve 880 Macdonald Publishers Bras OmductorHinec by James A Gariorh Miscellany by Robin Fulto n 1,750 Kelman 800 Strathini-rn A Pwftit Album 1945-1993 by Robin Bell 750 Ripeness is Allby Eric Linklater 1,600

Carried forward 67,445 204,241 Carried jomurd 94,075 20+1,24 1

Schedule 1 Scottish Arts Council

£ £ £ £ Broughtforward 94,075 204,241 Broughtforward 31,183 313,807 The Ramsay Head Pres s Fred Cogswell : Scottish/Canadian Dazzling Darkness by Tessa Ransford 550 Fellowship at Edinburgh University 7,000 The Salamander Press Edinburgh Bernard MacLaverty: University of Limited Aberdeen 7,000 Difjicultyby William Logan 750 James Rankin : University of Dunde e 5,500 The Modem Copernicus by lain Allan Massie: University of Edinburg h 6,175 Bamforth 725 56,858 Collected Poems by Michael Longley 2,250 Joseph Con rad and Charles Darwin: Book Awards 7,200 A Study of the Influence of Scientific Thought on Conrad's Fiction by Bursaries 53,000 Redmond O'Hanlon 1,750 Come Aboard and Sail Away by John Special Awards 500 Fuller 1,000 Charles Skilton Limited Travel Grants 8,000 Lullabies andHushingSongs of Scotland by F Marian McNeill 1,500 Total as Note 5 (page 61 ) £439,365 Souvenir Press Limite d Blood Hunt by Neil Gunn 750 The Albannach by Fionn MacColla 750 COMBINED ARTS TAXVS Aberdeen Arts Centre Association 7,315 Seagate 11• An Anthology of Dundee. Aberdeen Community Arts Association 500 Writing edited by Brenda Shaw 866 Auchtermuchty Festival Society 500 Third Eye Centre (Glasgow) Limited Cumbernauld Theatre Trust Limite d 72,352 MasterPeterPathelin translated by Dingwall: Highland Traditional Music Edwin Morgan 600 Festival 330 Three Rivers Books Limited Easterhouse Festival Society 15,840 Marriage by Susan Ferrier 1,750 East Lothian Community History and The Inheritance by Susan Ferrier 2,250 Arts Trust 2,500 109,566 Edinburgh: Craigmillar Festival Society 14,280 Cafe Graffiti 3,000 Writers in residence Edinburgh Indian Association 2,000 Tom McGrath : Duncan of Jordanstone Optical Tracks 2,000 College of Art 6,100 Pilton Central Association 2,750 Donna Franceschild: University of Theatre Workshop Edinburgh Glasgow and Strathclyde 4,000 Limited 71,100 James Kelman: Renfrew District Library 6,000 Wester Hailes Festival Association 7,150 Renfrew District Library (Linwood) 5,500 Fife Regional Council/Arts in Fife 8,600 Donald John MacLean : Sabhal Mor Girvan Traditional Folk Festival 330 Ostaig 6,250 Glasgow: Third Eye Centre (Glasgow) Paul Radley: Scottish/Aust mhan Limited 222,113 Fellowship 3,333

Carried joncrrrd 31,183 313.807 Ca»7ed fonwrd 432,660

Schedule I Scottish Arts Council

Bmughtforward 432,660 Bmughtforward 8,670 Dolphin Arts Centre 250 Edinburgh : Edinburgh Festival Society Glasgow Arts Centre 4,609 Limite d 426,990 Haddington : Lamp of Lothian Collegiate Festival Fringe Society Limited 12,870 Centre 7,900 Glasgow International Folk Festival Inverness : Arts Hive Association 2,500 Society 500 Eden Court Theatre 133,650 Inverness Folk Song Club 450 Merkinch Arts Workshop Project 880 Kirkcaldy Folk Club 100 Irvine : Harbour Arts Centre 2,000 Kirkwall: St Magnus Festival 10,450 Kelty Community Centr e 250 Livingston Festival Committee 425 Lothian Play Forum 2,500 Perth Festival of the Arts 12,215 Mid-Argyll Arts Association 750 Pittenweem Heritage Society 690 Orkney Folk Festival Society 500 Renfrew District Council 500 Rosyth Community Festival 375 Stirling District Festival 500 Shotts Arts Guild 650 Wick Festival 1,850 Stirling: Stirling Festival Fringe 294 Women Live in Scotland 1,500 University of Stirling : MacRobert Centre 107,170 Total as Note 5 (page 61 ) f477,710 Strathaven Arts Guild 1,100 Strathclyde Community Relations Counci l 130 Ullapool Entertainments Committee 2,745 HOUSING THE ARTS University of St Andrews: Crawford Music Arts Centre 33,320 Scottish Opera Limited 465,000 Wick: Lyth Arts Centr e 4,748 Dance and Mime An Comann Gaidhealac h 5,850 Scottish Ballet Limited 30,000 Scottish Committee for Arts an d Total as Note 5 (page 61 ) £495,000 Disability 2,000 Training Bursarie s 13,030 Travel Grants 100

Total as Note 5 (page 61 ) £759,961

FESTIVALS Ayrshire Arts Festiva l 2,400 Barra Festival Society 2,255 Carrbridge Live Music Club 300 Dumfries and Galloway Arts Festival 1,615 Dunfermline Abbey Festival Society 750 East Kilbride Festival 1,350

Carried fomwrd 8,670

Welsh Arts Council INCOME AND . -' IT COUNT 31 MARCH 193

1984

Income Grant froin Ans ; C o init`l 4 Great Britain 6,536,83 0 Other opera mig ino,me Note2 4,656 6,541,486 Grants and guarantees accrued in previousyear,not now required 48,10 9 6,589,59 5

Expenditure Administration of subidies and service s Staff costs Note 3 F 372,868 Depreciation AINM 16,81 6 Operational costs Note4 171,470 561,153 Grants and guarantees Notes 5,702,573 Other activities Note 5 111,061 5,813,634 Grants received Note 5 (112,320 5,701,314 Direct promotions: net deficit Note 6 452,473 General expenditure on the arts in Wales Note 5 6,153,787 6,714,940 Operating (deficitllsurplus (125,345) Interest receivable 38,683 (DeficitYsurplus for the financial year (86,662) Accumulated surplus brought forward Income and expenditure account as previously reported 136,277 Prior year adjustment Note11 92,627 Restated accumulated surplus brought forward 228,904 Accumulated surplus carried forward 142.242

Welsh Arts Council i-BALAINCE SHEET AS AT 131 MARCH 19

198.1 19K.3

Fixed assets Tangible assets Note 8 78,34 9

Current assets Stocks Note9 47,087 Debtors and prepayments Grant due from Arts Council of Great Britain 391,000 Other 80,131 Grants and guarantees paid in advance 212,780 Cash at bank and in hand 15,328 746,326

Current liabilities Grants and guarantees outstanding 566,882 Creditors : amount falling due within one year 115.55 1 682,433 Net current assets en on q Total assets less current liabilities

Financed by Income and expenditure account 142,242

Hywel Evans Chairman of the Welsh Arts Council

Luke Ritme r Secretary General

29 October 1984

Welsh Arts Council SOURCE AND~AM-~ ICATION OF FUNDS FOR THE YEAR ENDED 31 MARCH 198 4

19834

Source of funds Net (deficitVsurplus on ordinary activitie s (86,662) Sale proceeds of fixed tangible assets 13,533 Adjustment for items not involving the movement of funds Loss on sale of tangible fixed assets 896 Depreciation 30.171 31,06 7 Total (absorbed byNgenerated from operations (42,062)

Application of funds Purchase of tangible fixed assets (49,492) (Aecreaself atase in working capita l (91,554)

Components of (decreasOrmcrease in working capital Stocks 8,574 Debtors 115,460 Creditor s (221.211) Movement in net liquid funds Cash at bank and in hand 5,623 (91,554)

%'Velsh Arts Council NOTES TO THE ACCOUNT

1 . Accounting policies c) Depreciation and fixed assets Depreciation is provided on all tangibl e fixed assets at rates calculated to write of The financial statements are prepared f a) the cost less estimated residual value o under the historical cost convention . f each asset systematically over its expecte Without limiting the information given, the d accounts meet the requirements of the useful life as follows: Companies Acts 1948 to 1981, and of the Freehold buildings over 50 years Statements of Standard Accounting Practice issued by member bodies of the Leasehold buildings over the life of the Consultative Committee of Accountancy lease Fixtures and fittings over 4 year s Bodies so far as those requirements are appropriate. Motor vehicles over 4 years

Significant departures from Statements of Freehold land is not depreciated . Works of Accounting Practice are disclosed in th e Art are fully depreciated in the year of notes to these accounts and the financial acquisition . effect is quantified where practicable to do so. In previous years fixed assets were no t depreciated as such but an appropriatio n g b) Accruals conventio n equal to the cost of purchases made durin (i)All income and expenditure is taken into the vear,less disposals was made from the account in the financial year to which it Income and Expenditure Account to a . This change o f relates. Setting up costs incurred on an Capital Account event promoted by the Council are charged accounting policy entails the writing back to the year in which that event takes place . of the Capital Account and the Setting up costs incurred in a year prior to establishment of the net book value of fixed that opening are treated as a prepayment. assets brought forward. Note 11 details the resulting prior year adjustment . (ii)Subsidy expenditure is made in the form of grants and guarantees which ar e d) Stocks Stocks are stated at the lower of cost an formally offered to and accepted by the d net realisable value. Council's clients . Grants and guarantees are charged to the Income and Expenditure Account in the year in which funded activities take place ; if this is no t determinable they are charged in the year in which activities begin . Any amount s unpaid from grants and guarantees at the year end are shown as creditors in th e Balance Sheet and any advance payments to clients in anticipation of grants an d guarantees to be charged in the followin g financial year are shown in the Balanc e Sheet as debtors. Notes lv th e WV Leh Arls C'ou wil

19&1 fL 2 Other operating income Sundry income 3,552 Lass on sale of fixed assets (896) 4,656

3Adntutistratiottofsubsidio,andsenices S;abiries and wages 309,304 Staff casts Employers National Insurance 33.437 ArtsC.ouncA of Great Britain Retirement Plan (1975 ) 30.127 372,1368

The Chairman, Council and Panel Members are imtpaid for their services ,

neaverage weekly number of employees duringthe year was made up as follows : No Administration of subsidies and service s 39 Direct promotions 24 63

•1 _administration of subsidies and senices Travelling and subsistence 68,508 Operational costs Rent and rate s 27,511 Fuel, light and house expenses 10,542 Publicitv and entertainmen t 6,613 Postage and telephone 26.388 Stationery and printin g 10,524 Professional fees 3,767 Enquiries and investigations 5,629 Bad debts written off 508 Office and sundry 11.480 171,470

These accounts reflect a change of accountin g in note 6. 'Mee effect of this change of method is to method fmm previous years sine a du e reduce staff costs by £32,6.756 - and proportion of indirect staff and operational costs operational costs by £10,949 is now allocated to the direct promotions detailed

Notes to the Accounts H-Wsh Arts Council

1984

5 Expenditure by art form Regional .acts Associations Grants and guarantees 445,07 0

Music Grants and guarantees 1,907,26'2 Scheme expenses 979 Concert programme Note6 157,522 Young Welsh singers competition 2,065,763

Festival s Grants and guarantees 123,706

Dance Grants and guarantees 140,210 l i }t , Scheme expenses 5I0 1 Trainin g 2,830 143,550 l

Art Grants and guarantees 327,82 8 Exhibition touring service Note6 101,77 2 Publications 238 Visual Art Development Schem e Salary 7,731 Employers National Insurance 902 Other casts 10 05 1 18,68 4 "Maintenance of Welsh Collection 8,278 Collectorplan, Artists register, Slide library and other activities Salary 3,592 Employers National Insurance 301 Other casts 21,385 25,278 Scheme expenses 3,038 Depreciation 1,889 487,005 Carried fmwrd 3,315,094

Notes to the Acrmmts Welsh Arts Council

19&1 £ £ Brought fm wrd 3,315,09 4

Drama Grants and guarantees 1,60$,298 Scheme expenses 1,126 1 .609,414

Film Grants and guarantees 83,197 Other activities 2.469 Depreciation 2,946 88,61 2 Less grant from British Film Institute 46,820 41.792

Literature Grants and guarantees 501,81 5 Scheme expenses 1,051 Publications (14) Competitions and events 5.281 Other activities 1.184 509,317

Multi media Grants and guarantees 304,88 5 Presence at the Royal tiadorW Eisteddfod of Wales 7,352 312,23 7

Regional Grants and guarantees 94.050 Carried romiard 5,881 .9104 ,'rotas to the Amwntc Welsh A YY.5 Cinincil

Brmightforuvrd 5,881.904

Craft Grants and guarantees 36,262 Scheme expenses 62.1 Showcase nemork and exhibitions IK913 Publications and records 3XV-) Other actiNities 70 64,2o 4 Less grant from the Crafts Council 65,5300 0 .246)

Oriel bookshop and galley-3-Nott 6 193.179

Housing the Arts Grants 80,M)

General expenditure on the arts in Wale- 6.153.787

Summary Grants and guarantees 5,702,573 Otheractivities 111 A61 Direct promotions NoM6 452.473 Grant from British Film Institute Grant from the Crafts O)uncil (112.320)

General expenditure on the arts in Wale- 6,153,787

24rde-5' frr the Accounts lS'E l.~lt .A ;Is C'ouni-il

6 Direct promotions Exhibitions Concerts Oriel Bookshop Total and Gallery 1984 1984 1984 1%4

Income - 53,167 126,651 179.818

Staff cost s Salaries and wage~ 51,622 12.164 131.161 194,947 Employers National insurance 3,663 796 9,997 14,456 Arts Council of Great Britain Retirement Plan 0975) 7,025 1 .6388 115 24,603 7 n9~410 (62.310) (14.598) I (15!,098) (234.006) - - Operationalcasts (34,685) (196.091) 1158.9881 (389.764) Depreciation (4.777) - 0.7441 (8.521) ;

Net deficit (101.772) (157,522) (193,179) (452.473) -- -- '

Staff and 6perational costs include a proportion of indirect overheads as detailed in note 4 .

Notes to the Accounts Welsh Arts Council

198-4 1983 £ C 7 (Deficit)/surplus for the year (86.662) Stated after chargin g (a)Auditors remuneration nil (b)Employees receiving remuneration over £30,000 nil

Land & Fixtures Vehicles Works Total buildings & fittings of Art £ £ £ £ £ 8 Tangible fixed assets Cost at 1 April 1983 67,888 109,787 60,3% 127,295 365,36 0 Additions 3,44 25,691 20,307 450 49,492 Disposals - (799) (26,2641 (530) (27,593) Cost at 1 April 1984 70,932 134,679 54,433 127.215 387,259

Depreciation at 1 April 1983 36,062 97,899 30,647 127,295 291,90 3 Provided 19084 2,842 14,029 12,850 450 30,17 1 Less depreciation on disposals in 198314 - (799) (11.835) (530) (13,164) 38,904 1I1,129 31,662 127,215 308,91 0

Net book value at 1 April 1983 31,826 11,888 29,743 - 73,45 7 Net book value at 31 :March 1984 32,028 23,550 22,771 - 78.349 1984

Depreciation is allocated to Subsidies and services 16,815 Direct promotions Note 6 8,521 Art departments 4,835 30,17 1

The net book value of land and buildings comprises Freehold 9,959 Long leasehold improvements - Short leasehold improvements 22,069 32,028 Land and buildings include property amounting to £8,500 at 1978 -,aluation

,Votes to 11w Armunfs- HHih Arts Owuil

19 1 s: 9 Stock Bookshop trading stock 15 .228 Stali i;,;..

1'r p 11 .I . Adjust - mea t

10 Reserves Ri er-, (19,170) -

livered at that date . This has :-I,it"11 rXllc11(iit,a,. :, ., ol l to the Income an d

%k filch was sutfi kill to tore± ;ile -',cl l ExpcnciiturE .1 Lount as a prior yea r committed by the Council for capital items adjustment (see note 11) . 1984

11 Prior year adjustment Writing back of undepreciated assts following the change of accounting policy on depreciation Naha It an, ;: ,%T,te 8 73,457 Writing back of capital reserve Note 10 19,17 0 92,&27

lc•rtificate of Comptroller and Auditor General h :tvt: examined the foregoing Income and Ex- ;n' :lrk oimt. E Glance Sheet and the sup- . :ui1,n'°t out ~i the Statement o f of Funds and th e tDv , nndrr the R W Locke r.7 . .. Mie :air Niew i ~ '~'ti -I• r,J :krts Council Director of Audit l and the for Comptroller and Auditor Genera Application o> , : ~ :,,r the year National Audit Office Cndec u:, :hat date. (1 ?.,her 1984

Welsh Arts Council SCHEDULE TO THE ACCOUNTS 31 MARCH 1954

1 . GRANTS AND GUARANTEES 1r I% rr~111 ncard 58,183 (including subsidies offerEYfbut Llangollen International Music not paid at that date) Eisteddfod 25,740 REG IONAL ARTS COUNC IL Llantilio Crossenny Festival of Music and Drama 2,200 129,289 North Wales :\nz, As>,("tion ITower Machen Festival 1,525 South East Wales Arts Association 226,948 Forth Wales Music Festival 7,673 West Wales Arts Association 138,833 5t David's Cathedral Bach Festival 2,150 Total as Note 5 (page 80) £495,070 Swansea Festival of Music and the Arts 17,523 Vale of Glamorgan Festival 8,712 MUSIC Total as Note 5 (page 80) £123,706 Oper a Welsh National Gera Limited 1,393.920 DANC E Other Activities Revenue Clients Performing Companies BBC Welsh Symphony Orchestra 270,256 Jumpers, 41,045 Merlin Music Society 4,210 Community Danc e St David's Hall, Cardiff 59,400 Footloose Dance Company 21,285 University College of North Wales: South-East Wales Arts Association - Archive of Welsh Traditional Music 1.485 Cardiff Community Dance Project 2,970 Welsh Amateur Music Federation 77,220 Welsh Dance Theatre Trust - Cardiff Welsh jazz society 7,826 Community Dance Project 29,700 University College, Cardiff: Welsh Music Information Centre 17,325 53,955 437,722 Projects Clients Communit y Dance Recordings of Welsh Music 24 380 Clwyd Dance Project 4,593 Contemporary Music Network 6.500 South-East Wales Arts Association - Commissions to composers 24,270 Rhondda Dance Project 1,275 Bursaries for advanced study 15,970 TIC West Glamorgan 3,912 Publications Valley and Vale Community Arts Guild for Promotion of Welsh Music 3,960 (formerly Vale of Glamorgan Soundings 540 Community Arts) 1,000 4,500 10,780 Total as Note 5 (page 80) £1,907,262 Project Aid and Commissions Jenny Bayliss - Tottering "f ime 'Tunes 2,400 FESTIVALS Cwmni Dawns Gwylan 3,960 Dancancee Wales 8,549 Cardiff Festival of Music 19,980 Francis Rozelaar-Green - Solo Show 5,445 Fishguard Music Festival 11.880 St Donat's !Music Theatre Ensemble 1,000 Gwyl Gerdd Menai 98 Llandaff Festival 26,235 22,354

Carried forward 58,18,? Carried forward 128,134

Schedule 1 Walsh Arts Umnril

C C E C Brrwght loncard 128,134 Brought hmcard 105,-930 185.100 Touring/Residence s Cardiff Laboratory Theatre 67,815 Cwmni Dawns Gwylan 1,864 Caricature Theatre 41,580 Howard and Eberle Dance Theatre 925 Clwyd Outreac h 37,620 North Wales Arts Association 931 Theatr Clwy d 188,10 0 Penvrheol Theatre, Gorseinon 300 Coracle 10,890 South-East Wales Arts Associatio n 1,210 Theatr Crwban 20.790 Valley and Vale Community Arts Theatr Cwmni 196,02 0 (formerly Vale of Glamorga n Gwent TIE 28,215 Community Arts) 1,000 Moving Being 96,000 West Wales Arts Association 2,128 Paupers Carnival 23,760 8,358 Theatr Powys 42,075 Spectacle Theatre 28,710 Bursaries and Award s Tic West Glamorgan 28,710 Urdd Gobaith Cymru Youth Theatr e 200 Torch Theatre 147,51 0 Awards to Individual s 1,846 1,063,725 2,046 Theatr Projects Miscellaneous Grants and Guarantee s Cwmni Cvfri Tri 14,850 Clwyd Dance Project Commission 400 Fresh Claims Theatre 17,575 Footloose Dance Company 282 Hijinx Theatre 17,325 Jumpers Youth Dance Theatr e 360 Made in Wale s 56,430 South-East Wales Arts Association 500 Masquerade Theatr e 10,395 Valley and Vale Community Arts Prosiect Hwyi a Fflag/Sgwar Un 17,575 (formerly Vale of Glamorgan Theatre Wales 57,420 Community Arts ) 130 191,570 1,672 Drama Touring Guarantee Scheme Theatr Bara Caws 1,250 Total as Note 5 (page 80 ) £140,210 Brith Gof 2,000 Cardiff Laboratory Theatre 4,000 DRAMA Caricature Theatre 1,000 Receiving Theatres and Arts Centres Theatr Clwyd 27,000 5,000 Aberystwyth : Arts Centre 44,650 Panto '84 Bangor: Theatr Gwynedd 45,650 Cwmni Cyfri Tri 900 Cardiff: New Theatre 19,800 Theatr Cvmr-u 5,850 Sherman "I'heatre 59,500 Fresh Claims Theatre 2,000 Swansea: Grand Theatre 15,500 Made in Wales 15,100 Moving Being 1,000 185,100 Paupers Carnival 4,837 Drama Companie s Theatr Powys 3,000 Action Pie 29,700 Prosiect Hwyl a Fflag/Sgwar Un 2,100 Theatr Bara Caws 49,500 Torch Theatre 4,700 Brith Gof 26,730 79,737

Gam , fon

Schedule I 1*1sh Arts Council

Brought forward 1.520,132 Brought fotuvrd 57,185 Amateur and Youth Drama Llantarnam Grange Arts Centre 6,123 Drama Association of Wales 26,730 Margam Country Park 150 National Youth Theatre of Wales 5,645 Mostyn Art Gallery 84,630 Cwrs Drama Ieuenctid Cymru 1,800 National Library of Wales 300 Newport Museum and Art Gallery 835 34,175 Orie13I, Welshpool 4,170 Theatr Writing Polytechnic of Wales 450 Made in Wales 1,500 Raglan Castle Festival Committee 681 BBC Radio Wales 1,000 South Glamorgan Institute of Highe r Awards to Individuals 14,136 Education 900 900 16,636 St Donat's Art Centre Swansea City Council 6,684 Training Torch Theatre 1,090 Brith Gof 2,000 University College, Cardiff: Sherman British Summer School of Mime 3,213 Theatre 980 Made in Wales 7,840 University College of North Wales , Performing Arts Factory 3,000 Bangor 4,930 Yr Academi Gymreig 2,000 University College, Swansea 1,050 Awards to individuals 19,292 Vale of Glamorgan Community Art s 37,345 Team 130 West Wales Arts Association 1,770 Total as Note 5 (page 81) £1,608,288 Wyeside Arts Centre 750 173,708 ART Grants: for Gallery Staffing Improvements Grants and guarantees towards galleries and Aberystwyth Arts Centre 3,500 exhibition s Clwyd County Council 3,500 Aberc onwy Area Library 450 Aberystwyth Arts Centre 900 7,000 Association of Photographers in Wales 34,230 Aid to Artists Organisation s Caldicot Castle Museum 150 Association of Artists and Designers in Carmarthen Library 150 Wales 50,703 Chapter Arts Centre, Cardiff 450 Bethesda Community Arts Centre 4,455 Clwyd County Council : Chapter Arts Centre : U-Print 2,000 Oriel Theatr Clwyd 3,100 Contemporary Art Society for Wales 1,980 Wrexham Library Arts Centre 14,755 56 Group Wales 1,980 Cowbridge Arts Group 450 Live Support Systems 1,500 Dyfed College of Art 450 The Pioneers 5,940 Gwynedd County Council 150 Welsh Sculpture Trust 15,840 Llangefni Library 300 84,398 Llanover Hall Arts Centre 1,650

Ca»ied fonwrd 57,185 Carried forward 265,106 Schedule 1 Welsh Arts Council

£ £ £ £ Brought fomeard 265,106 Brmghtfatward 65,023 Grant Aid for Commissions Film Completion Grants 10,295 Clwyd County Council 2,500 Film Distribution Grants 985 Hywel Dda Committee . Whitland 2,428 Film Exhibition Grants 456 South-East Wales Arts Association 1,300 Training and Education Grants Vale Activity Centre, Barry 2,477 Aberystwyth Arts Centre 200 Welsh Development Agency 1,568 Aberystwyth Community Association 200 10,273 Chapter Film Workshop Educatio n Group 2,000 Artists in Residence South Wales Independent Film Makers Llanover Hall Arts Centre 4,653 Association 425 Swansea City Council 4,950 South Wales Women's Film Group 300 9,603 University College, Cardiff: Extra Young Artists Grants 7,425 Mural Department 70 Special Projects Grants 18,600 University College, Swansea : Extra Loans to Artists 36,344 Mural Department 50 Less: amounts repaid (21,523) Wrexham Community Video 1,000 Awards to individuals 2,193 14,821 6,438 Grants for Display Equipment Total as Dote 5 (page 81) £83,197 Aberystwyth Arts Centre 1,400 Wolvesnewton Farm Museum 600 LITERATURE 7 ,000 Welsh Book, Council 160,085 Total as Note 5 (page 80) 1:327,828 Yr Academi Gymreig 64,845 Tir na n-0g Festival 1,350 FILM 226,280 Bwrdd Ffilmiau Cymraeg 13,930 Grants to Publishers Celtic Film Festival 5,970 Yr Academi Gymreig 4,750 Cymdeithas Cerdd Dafod 1,900 Production Awards FilmNideo Christopher Davies 5,500 Boadicea Films 4,975 Gwasg Gee 4,975 Ely Festival Committee 920 Gwasg Gomer 17,120 Gweithdy Radio Theatre 420 Gwasg Gregynog 5,450 Awards to Individuals 36,427 Gwasg y Dref Wen 6.930 42,742 Poetry Wales Press 17,710 900 Equipment Purchases Grants University of Wales Press 750 Wrexham Communitv Video 2,000 Welsh Books Council Haverfordwest Film Society 381 65,985 2,381 Children's Literature BarnOwl Press 2,500

Carried forr card 65,023 Carriedfmwrd 2.500 292,265

Srhedule 1 Welsh Arts Unm l

£ £ £ £ Broughffwuwrd 2,500 292265 Gwasg Gomer 6,000 REGIONAL Lund Humphries Publishers Limited 170 Harlech: Theatr Ardudwy 24,750 National Centre for Children's Royal National Eisteddfod 69,300 Literature 11,880 Total as Note 5 (page 81) £94,050 Sain (Recordiau) Cyf 2,000 Percy Thomas Partnership 3,000 MULTIMEDI A Welsh Books Council 3,500 ( pter ArtsCentr e 270,150 Book Production Grants 2,650 Grants for Special Projects 31,700 Arts for Disabled People in Wales 2,970 Periodicals British Council Visiting Arts Unit 3,000 'Anglo Welsh Review' 7,345 Gregynog Fellowship 5,250 'Barn' 13,545 St Donat's Music Theatre Ensemble 2,475 'Llaf ir' 500 Swansea Festival Fringe Company 'Poetry Wales' 5,735 Limited 990 'The Powys Review' 2,330 Welsh Branch of the British Psycholog y 'Taliesin' 3,055 Society : 'Traethodydd' 3,150 Psychology and the Arts 'Y Casglwr' 820 Conference 250 47,190 'Y Faner' 14,935 83,670 Vehicle and Equipinent Purchase Grants Writers on Tour Yr Academi Gymreig 2,000 North Wales Arts Association 2,100 Chapter Arts Centre 1,900 South-East Wales Arts Association 2,100 Drama Association of Wales 4,100 West Wales Arts Association 2,100 The Ffotogailery 4,400 3,700 6,300 Jumpers Dance Company Poetry Wales Press 1,200 Reading and Other Activities Touch and Go 2,500 BBC Wales 2,000 Cymdeithas Cerdd Dafod 9,900 19,800 Percy Thomas Partnership 9,900 Total as Note 5 (page 81) £304,885 University College, Cardiff 100 University of Wales Press 7,940 29,840 Prizes and Bursaries 58,040 Total as Note 5 (page 81) £501,81•"5

Schedule I We&h Arts Council

CRAFT Conin ission Aid Coeduie Comprehensive School 160 Friends of the Glynn Vivian Art Gallery_ 400 Lland_vsul Communitv Council 300 South (Ilanlorgan County Council 2,500 University of Wales Institute of Science and'Fechnology 800 West Glamorgan Education Authority 900 Awards to individuals 376 5,436 Projects Aberystwyth Arts Centre 200 Bodeilio Weaving Centre 485 Theatr Ardudwy 157 Glynn Vivian Art Gallery 745 Gwasg Gregynog 5,500 Mostyn Art Gallery 2,000 Moving Being 600 Newport Museum and Art Gallery 350 Oriel 31 Welshpool 450 Pembrokeshire Craftsmens Circle 50 South Wales Potters 1,600 Vale of Glamorgan Batik Guild 65 Awards to individuals 6,874 19,076 Craftsmen in Residence 11,000 Ceramic Research Award 750 Total as mote ~i (page 82) 06,262

HOUSING THE ARTS New Theatre, Cardiff 70,000 The Guildhall, Brt-con 10.000 Total as Note 5 (page 82) £80,000

Table A ~G THE ART TS

In 1983184 the Arts Council's Grant-in-Aid ENGLAND of £96,080,000 included £1,554,000 for Housing the Arts . The details of how this Ncrtiu~utl C :vntpri»i.: was spent can be found at the end of schedules 1, where £979,000 is accounted National Theatre ! 33,400 for in England, £495,000 in Scotland and 33,400 £80,000 in Wales . The sum of £56,000 wa s Music paid to the National Theatre Board in Cambridge City Council: 1983184, making a total of £316,600 paid t o Corn Exchange Concert HaL 250,000 date out of the special grant of £350,00 0 250,000 earmarked in 1980181. for the cost of Dance completing the South Bank Theatre London - Tower Hamlets: Art Place Trust Limited complex; the remaining sum of £35,000 has (Chisenhale Dance Space) 5,000 been paid to English National Opera out o f 5,000 a special grant of £500,000 available i n 1981182 towards the cost of rehearsal Drunw facilities and improvements to the Landon Cheltenham Borough Counad: Coliseum; and a sum of £465,000 has been Everyman Theatre 93,000 paid to Scottish Opera Limited in respect o f Leeds: Interplay Trust 1. 0,0. 00 the capital deficit on the refurbishment of London - Lambeth : the Theatre Royal, Glasgow out of the Young Vic Company Limited 5,000 special supplementary grant of £3,500,00 0 London - Tower Hamlets: made available by the Government Half Moon Theatre Limited 50,000 following the Priestley Report . London - Westminster; _ Soho Theatre Company Limited 3000 The Arts Council was also empowered to 0 enter into commitments during 1983184 t o Rochdale : M6 Theatre Company Limited _ 1,00 make provision for Housing the Arts up to _ 162,000 a total of £2,446,000 . At 31st March 1984 , Toarring £1,922,200 had been committed out of the Birmingham: Hippodrome Theatre total of £2,446,000 . The details are set out Trust Limited 50,000 in the following table : Liverpool: Empire Theatre (Liverpool ) Trust Limited 2,000 Oxford: Apollo Leisure (UK) Limited 10,000 62,000 Art _ Cheltenham : Axiom Centre for the Arts Liverpool: Bluecoat Society of Arts 2,000 London - Tower Hamlets: Whitechapel Art Gallery 150,000 Middlesbrough : Cleveland County Councd (Art Gallery) 15,000 _ 187.000 Ca priedfonvant F? +1'-"(w)

Table A

BmWh t fomwYd 699.400 Regiona l Aldershot : West End Centr e 15,500 Alnwick: Northumberland Theatre Company Limited 5.000 Banbury : Spiceball Arts and Community Association Limited 20,000 Birmingham: Cannon Hill Trust Limited 5,000 Boston: Blacldriars Theatre Limited 20,000 Helmsley: Old Meeting House Trust 3,800 Hexham: Northumberland County Council (Queens Hall Arts Centre ) 30.000 London - Hounslow : Hounslow Arts Trust Limited 27.000 Manchester: Greater Manchester Arts Centre Limited 125,000

Newcastle: Live Theatre Compariv 3,000 Oxford Area Arts Council (St Paul's Project ) :x,000 Salisbury: St Edmund's Arts Trust Limited 10,000 Tunbridge Wells: Trinity Theatre & Arts Association 10,000 282,300 SCOTLAND Aberdeen: His Majesty's Theatre 100,00 0 Edinburgh Theatre Trust Limited 145,000 Glasgow: Citizens "Theatre Limite d 193,00 0 Glasgow: Scottish Ballet Limited 20.000 Irvine : Borderline Theatre Compan y Limited 40.000 Perth Repertory Theatre Limited 100,000 601,000 WALES Cardiff: Chapter Arts Centrt • 2,500 Neartown : Theatr Hafren 14 .000 Swansea Grand Theatre F n k,000

Swansea: University College Arts Cenu , -. 41 , (100 Swansea: Welsh Dance Theatre Trust Limited ,~ , I 11)91 339,500 £ 1,922.210

Table B SPECIAL FU

Beneficiaries during the year ended 31st March 1984

Compton Poetry Fund Dannie Anse 341 Adelaide Festival of Arts Incorporated 1,550 Beer 31 1 Uavin Ewart 299 'toawichand Suffolk Book League 2.000 P V~,fasus I J 100 ~. " ;iigRaine, {}1 -._ :idols' Poetry Association "x' Guilhermina Suggia Gift l .ias~i :Abramson forthe'Cello DaireFiCzgerald 350 Corinne Morris 100 Emma-jane :Murphy 75 7 . quelini Phillips 75 Orrin Shevlin 200 100 Jonathan Kenny i 200 Kirkdale Band 2S0 Liverpool Institute of Higher Education _ 150 Merseyside Youth Association _ 1130 Helen Sorrell Colette Williams University of Liverpool Henry and Lily Davis Fund Susan Bickley 25U Marilyn Dale JON _ Penelope Davis 1000 _ James Dower _ &% Meryl Drower Soo Alasdair Elliott 250 ' Stephen Hough 2000 .Dun ]ones 1000 :riv ;Miller dw .. :". Salmon 400 Nncwrut g -1 iaeringtm y :,laude Wrigley %firiam Licette Scholarship Deborah Stuart-Roberts N1rs Thornton Bequest Sarah Brabiece Sul Coldwell - - _ $ob Law William Pye lfidiael Sandle - - - Richard Wilson

Table C 1 TO _ VsSac-IATIION S Axr.~r~rr:,rs„r ;;rr:,;- ~rtf;icCounnIduringI& ajrvn&;d31 March 1984

Basic Dance Drama Subsidy Music (including touring) (including touring) Art Eastern a 637,560 3,000 - 17,200 8.600 b - 1,319 6,975 13,500 - c - 5,000 2,500 - 23,950 East Midlands a 769,230 - - - 72,200 b - 1,198 5,400 15,980 - c - 10,000 2,200 - 21,732 Greater a 1,421,640 - - - 17,750 London b - 190 7,485 16,420 - c - - 2,500 - 2,265 Lincolnshire a 504,900 - - - 3.300 & Humberside b - 818 5,800 26,622 - c - - 2,500 - 11,000 Merseyside a 504,227 - - - 6,000 b - 190 2,091 7,500 - c - 5,000 3,650 - 3,500 Northern a 1,702,800 - - - 17,500 b - 1,594 4,998 21,264 - c - 10,000 500 - 56,632 North West a 851,400 - - - 12,460 b - 362 7.643 12,348 - c - 18,000 500 1,000 13,759 Southern a 837,540 - - - 3,900 b - 1,747 4,235 15,415 - c - - 1,800 - 12,500 South East a 543,015 - - - 5,935 b - 1,068 4,291 11,000 - c - 2,000 2,500 - 10,300 South West a 811,567 - - - 7,700 b - 1,401 3,728 18,885 - c - 10,000 3,172 - 21,725 West Midlands a 1,005,840 - - - 6,400 b - 1,781 14,005 41,208 - c - 10,000 - - 15,850 Yorkshire a 640,530 - 2,000 - 12,250 b - 3,332 6,036 17.466 - c - 10,000 4,000 - 26,700 Totals £10,230,249 £98,000 000,509 £235,808 £393,908 (a) Basic subsidies and additional funds for expected to make provision in future years (b) Subsidies made available for small scal e organisations and events in their areas for with funds handed over by the Arts touring schemes, and the Regional which the Regional Arts Associations are Council. Contemporary Music Circuit, which are

Table C

Literature Education Training Other* Sub totals Total s - - - 666,36 0 - - - - - 21,794 728,30 5 - 4,201 - 4,500 40,151_ - -- - - 841,43 0 - - - - 22,578 927,160 - 3,700 - 25,520 63,152 - - - - 1,439,390 - - - - 24,095 1,487,240 18,490 - - 500 - 23,755 - - - - 508,20 0 - - - - 33,240 556,740 - 1,800 - - 15,300 - - - - 510,22 7 - - - - 9,781 535,158 - 2,500 500 - 15,150 - - - - 1,720,300 -- - - 27,856 1,819,020 1,000 732 i --- 2,000 70,864 - - - - 863,860 - - -- - 20,353 932,393 8,000 3,321 1,600 2.000 48,180 - - - - 841,44 0 - - - - 21,397 884,447 - 110 200 7,000 21 .610 - - - - 548,950 - - - 16,359 581,65 9 - 1,550 - - 16,350 - - - - 819,267 - - - - 24,014 883,678 - 5,500 - - 40,397 - - - 1,012,240 - - - 56,994 1,100,434 - - 1,350 4,000 31,200 - - - - 654,780 - - - - 26,834 737,91 4 1,400 - 14,200 56,300 £27496 £24814 £4,150 £59,220 £11,174.148 £11,174,148 Sbmdard schemes administered, Unvugh (c) Other subsidies made available to the * The 'Other' heading comprises subsidies dieAssociations. Regional Arts Associations. offered forgeneral regional development .

Table D ~TIONS HELD IN GRFBRITAIN ~~~,1983/84

ARTS COUNCIL OF GREAT BRITAI N 'dote 1-9 Total number of showings in financial year $3184 L Exhibited in London other than at the Hayward or Serpentine Galleries S Also exhibited in Scotland W Also exhibited in Wales

Ha)-ward Gallery 3 Raoul Dufy=1877-1953 (also toured ) 1 The Eastern Carpet in the Western World 3 Anthony Hill, retrospective (also toured ) 3 Hockney's Photographs (also toured) I The Sculpture Show 1 Whistler in London and Venice

Serpentine Gallery 1 Eugene Atget : photographs of Old France (organised by the Museum of Modern Art, New York ) 3 Gillian Ayres, recent paintings (also toured) 1 Adrian Berg, watercolours I Nigel Henderson: Head-Lands, self portraits and imagined landscapes 1960-83 1 Rebecca Horn (organised by the Kunsthaus Zurich with the John Hansard Gallery , Southampton ) 4 Leonard McCom b (organised in association with the Museum of Modern Art, Oxford) (also toured) 1 John Murphy: beyond the fining of appearance s 1 The Sculpture Sho w 1 Serpentine Summer Shows I and I I I Leon Villaincour, paintings 1968-83

Touring Exhibition s 2 Alive to it All 3S Books and Folios : screenprints by Derrick Greaves, Robert Medley an d Edward Middleditch 2W Brancusi Photographs (organised by the Centre Pompidou, Paris) 1 Julia Margaret Cameron 1815-187 9 (organised by the John Hansard Gallery, Southampton ) 4S Anthony Caro: five sculptures from the Arts Council Collection 9S Constructed Images: Approaches to Modern Art III 6S Sonia Delaunav : illustrations to Arthur Rimbaud's Illuminations 2 Marcel Duchamp's Travelling Box (organised by the Centre Pompidou, Paris ) 9S Experimental Photography 19204 0 2 Five Modern Paintings from the Tate Galler y 1 L Four Rooms: Howard Hodgkin, Marc Camille Chaimowicz, Richard Hamilton and Anthony Caro Table D

3 Henri Gaudier-Brzeska, sculptor 1891-191 5 (organised in association with Kettle's Yard Gallery, Cambridge ) 8SW George Fullard, drawings 7S W Giacometti's Paris : lithographs from Alberto Giacometti's Padssans Firs 3 Lawrence Gowing, retrospective (shown Serpentine Gallery, 1983 ) 4 Indian Drawing: selected by Howard Hodgkin (shown Hayward Gallery, 1983 ) 2 Inner Worlds: an Arts Council Collection exhibition of sculptures, paintings and drawings selected by Paul Overy 3 Landscape in Britain 1850-1950 (shown Hayward Gallery, 1983 ) SS Leaves never grow on trees: Max Ernst's Histoire Naturelle 2 Manet, etchings 1 A Mansion of Many Chambers: Beauty and other works. An Arts Council Collection exhibition selected by Dr David. Brown 2 Matisse : illustrations to Ronsard 5 Raymond Moore, photographs 4 Ben Nicholson : the years of experiment 1919-1939 (organ ised in association with Kettle's Yard Gallery, Cambridge ) 4L Painter as Photographe r 3 Painter as Photographer (smaller version ) 5LW Paper as Image 9W Private Views : an Arts Council Collection exhibition 7S Reality and Artifice: Approaches to Modern Art II 9S Bridget Riley Screenprints 1965-1978 9S Romanticism Continued : Approaches to Modern Art IV 3W Room for Thought: eight works from the Arts Council Collection 4 John Ruskin 3 Matthew Smith (organised by the Barbican Centre Gallery ) 1 Sounds of Colour SS Ten 20th Century Houses : documentary 3 That's Shell - That is! (organised by the Barbican Centre Gallery )

Three Exhibitions about Painting 4 1 Light 4 2 Movement 3 3Image

Three Exhibitions about Sculpture 4 1 Flesh and Stone 4 2 Sculpture's Dance 3 3 Mind over Matter

3 Through Children's Eyes : a fresh look at contemporary art (organised in association with Southampton Art Gallery ) 8W Timber Framed Buildings : documentary 6 The Village Green : documentary 9SW Andy Warhol, Portrait Screenprints 1965-80 TableD

6 What is Abstract Art"? Approaches to Modern Art 1 I Working with Colour : recent paintings and studies by Bridget Riley

66 exhibitions were held in 138 separate galleries in 110 different places (34 9 showings including 20 held in London at the Arts Council's Hayward Galler y and Serpentine Gallery, and other galleries including Camden Arts Centre an d the Crafts Council Gallery). A number of exhibitions listed received showing s prior to the year under review and are already listed in the annual report of 1982183 .

SCOTTISHARTSCOUNCIL Note Ed Exhibited in Edinburg h T Tour in Scotland

Ed Sandro Chia T Etching and other inuigho techniques Ed Four north east artists - Ian Howard, Frank Pottinger, Fred Bushe, Lenno x Dunbar (Peacock Printmakers, Aberdeen) T Grease and Water : the Art and Technique of Lithography T Anthony Green: One day in the life of a picture T Jack Knox - Painting and Drawings 1960-83 Ed Memphis in Edinburgh (Boilerhouse Project, Victoria & Albert Museum, London ) Ed Gerhard Merz T Henry Moore sculpture Ed Mulheimer Freiheit (in collaboration with the Institute of Contemporary Arts, London ) T News from the Thirties - photojournalism between the War s T Nijinsky 1912 - photographs by De Meyer T Out of this world - the art of science fictio n T Picasso prints Ed Sixty Seasons: David Nash (Mostyn Art Gallery, Llandudno/Third Eye Centre . Glasgow ) T Graham Sutherland in Pembrokeshire (in collaboration with the Welsh Arts Council ) Ed The storv of the Artists International Association 1933-53 (Museum of Modem Art, Oxford )

Seventeen exhibitions were held in Scotland (27 venues in 21 centres. 54 showings in all).

Travelling Gallery Industry into Landscape Rail Steam Speed - Art and the Railways Scottish Light

Table D

WELSH ARTS COUNCIL - !I Note All exhibitions were shown and/or toured in Wales unless otherwise described .

A Organised by others with agency services from the Welsh Arts Counci l T Toured by the Welsh Arts Council O Oriel exhibition E One showing only, in England

AT The Artist and the Castle (organised by the National Library of Wales ) A Centenary Painting Competition (organised by University College, Cardiff ) AT A Child's Christmas in Wales (organised by the Welsh National Centre for Children's Literature ; continued from last year) O Distant Voices (Paupers Carnival ) E From Edge to Edge (a Welsh Arts Council touring exhibition ) O Gardens of Pleasure O Martyn Jones/lan Parker O Sasha Kagan (organised with the Craft Department of the Welsh Arts Council ) O Metamorphoses, Peter Bailey O New Heritage, young artists A Open Exhibition on the Theme of Children (organised by Dr Barnardo's ) O The Oriel Christmas Exhibitio n A Ivor Roberts-Jones RA (organised by the National Museum of Wales ) A Sculpture in a Country Park (organised by the Welsh Sculpture Trust in collaboration v4th West Glamorgan County Council) AT Show Business (organised by the Theatre Museum, Victoria and Albert Museum) O Landscape of Feeling, Derek Southall O Peter Starkey/Ted Hamlyn O Trout from the Rapid Stream, D R Wakefield AT Charles F Tunnicliffe RA (organised by the Isle of Anglesey Borough Council) A Wales 1983 (organised by the Welsh Group)

Ten exhibitions organised with the agency services of the Welsh Arts Counci l and 7 from the Arts Council of Great Britain were shown in Wales at 19 centres in 28 different buildings, giving 34 showings in all. In addition, 10 new exhibitions were originated at Oriel .

Table E CONTEMPORARY L; _C~ETUY RK € 1983/84 TOURS

Arditti String Quarte t :Bike Gibbs Band Bristol London Birmingham Newcastle Colchester Rosehill Llantwit Major Sheffiel d London Southampton English Gamelan Orchestr a Manchester Cardiff London Durham Manchester Nash Ensemble Production s Lancaster Norwic h Coventry London Leeds Southampton Huddersfield Oxford Leicester Wells Hull Sheffield Liverpool Les Percussions de Strasbourg Evidence (East Germany) and Iskra (France ) 1903 Bristol Nottingham Birmingham Liverpool Keele Sheffield Bristol London London York Mancheste r Ganelin Trio (USSR ) Birmingham Llantwit Major Sinfonietta Productions Limited Coventry London (London Sinfonietta) Kendal Manchester Birmingham Leeds Leicester Southampton Bristol London Coventry Sheffield John Surman Brass Project Durham York Bristol Mancheste r Coventry Newcastle West Square Electronic Music Kendal Sheffiel d Ensemble with Harry Sparnaay Leicester Southampton Birmingham London London Worcester Bristol Nottingham Keele Sheffield

Note: All tours began at the Bloomsbury Theatre, London .

Table F E5D AWADS

ENGLAND Im +, l EMES Bursaries John Antrobus Stephen Lowe Howard Barker Stephen Mallatratt Simon Bent David Mowat Tony Coult Caryl Phillips Rib Davis Barry Reckord Stephen Davis James Robson Alfred Fago n David Rudkin David Farnsworth Andy Smith Berta Freistad t Anthony Vivis Keith Goodall Michelene Wando r Tunde Ikoli Alan William s Errol John Snoo Wilson Bryony Lavery

John Whiting Award Peter Flannery for his play Our Frueuds in the North

Contract Writers Award s Organisattun Writer All Day Sucker s Andy Cunningham Carib Theatre Productions Limited Michael Abbensetts Chats Palace John Perry Cherub Theatre Compan y Roxanne Shafer Cockpit Theatre Clive Barker Colway Theatre Trust Limited Fay Weldon The Combination Limited John Turner and the Collective of th e Combination at the Albany , Barbara Wright The Common Stock Theatre Company Lt d Tony Coult Compass Theatre Company Neil Sissons Community Play for Restorme l Nick Darke Cornerstone Theatre Company Richard Cooper DAC Theatre Company Sheila Kelly, Martin Riley Disrepertory Theatre Company Alan Drury Drill Hall Productions Jude Alderson Durham Theatre Company Phil Woods Forest Forge Theatre Company Gary Powell Dr Foster's Travelling Theatre Phil Smith Graeae Theatre Company Patsy Rosenburg, Chris Speyer Humberside TIE Company Paul Swift Inner City Theatre Compan y Les Miller, Nigel Townsend Little Women Theatre Company Limited Julia Pascal Table F

The Medieval Players Limited Adrian Mitchell, Edwin Morgan Merseyside Young People's Theatre Company Limited John Lain g Milton Keynes Miracle Cycle Nick Fisher, John Rudlin :Moving Parts Theatre Company Leslie Davidoff The New Theatre Phil Smith and Paul Stebbings Northumberland Theatre Company Steve Chambers, Richard Cooper, Limited Peter Dillon, Shaun Prendergast Nuffield Theatre Company Bob Mason, Stephen Mallatratt Pascal Theatre Company Seamus Finnega n RAT Theatre Company Joyce Cheeseman Red Shift Theatre Company Dave Fox Rent-a-Role Drama Service Richard Pinner Salamander Theatre Peter Godfre y Tara Arts Group Jatinder Verma Theatre of Thelema Limited Ian Barnett and Guy Groen "Theatre Venture John Derbyshire, Steve Gooch Triangle Arts Centre Limited Jacki Holborough The Wakey-Wakey Theatre Company John Burrow s Zap School and Community Theatre Company Alan Drury, Nigel Townsend

Resident Dramatist Attachments Organiwtum Writer Alternative Theatre Company Limited Julia Kearsley Bubble Theatre Company Stephen Wyatt Caryl Jenner Productions Limited Adrian Mitchell English Stage Company Limited Sarah Daniels Major Road Theatre Company Garry Lyons Merseyside Young People's Theatr e Company Limited John Lain g Pioneer Theatres Limited Karim Alrawi The Riverside Trust Stephen Lowe Shared Experience Limited Timberlake Wertenbake r Theatre Venture Steve Gooch Wakefield Tricycle Company Limited Bob Mason York Citizens' Theatre Trust Limited Frances McNeil Tabk F

Royalty Supplement Guarantees 11,'riler Pla-V ftan4wlimi Ian Barnett and Guv Groen Birds of a Feather : Sky High Theatre of Thelema Limite d Steve Chambers Mice Northumberland Theatre Compan y Limited Joyce Cheeseman Tales of Finn MacCool Cannon Hill Puppet Theatr e Tonv Coult Magical Powers (For 24 Hours) The Common Stock Theatre Compan y Limited Gregory Day and Andrew Mullett Behind the Clouds Central Five John Derbyshire Night Shift Theatre Venture John Downie Today of AD Days Colway Theatre Trust Limite d Peter Durrant The Brylcreem Boys High Command Theatre Compan y Michael John Ellis A Temporary Rupture Lambeth Ensemble TheatrelJimi Ran d Seamus Finnegan North Pascal Theatre Company Berta Freistadt The Burning Time Theatre Venture John Godber Bouncers Yorkshire Actors Compan y Anthony Higgins Mtn of the World Liverpool Lunchtime Theatre Ann Jellicoe The Western Women Colway Theatre Trust Limite d Joel Kay On the Raft Oxfordshire Touring Theatre Company John Lang Wanted Merseyside Young People's Theatre Company Limited Bryony Lavery Hot Time The Common Stock Theatre Compan y Limited Richard Maher and Roger Michell The White Glove Lyric Theatre Hammersmith Trus t Les Miller Doctor Jelley Inner City Theatre Company Roy Mitchell The Walking Class Birmingham Youth Theatre Edwin Morgan Peter Pathelin The Medieval Plavers Limited Jeremiah O'Neil Diehards Fulcrum Theatre Caryl Phillips The Shelter Lyric Theatre Hammersmith Trus t Shaun Prendergast Dawn of the Firefawn Northumberland Theatre Company Limited Colin Sell Iron Harvest Direct Current Theatre Company Dave Simpson Two Sides of the Coin Pan Theatre Company Dave Simpson Three Women Liverpool Lunchtime Theatre Julian Sluggett Cora New Brewd Limited Chris Speyer The Endless Variety Show Graeae Theatre Company Dudley Sutton Quack Quack The Chipping Norton Theatre Company Mike Vowles The Flytipper Theatre Venture TRAINING, SClIE: IE-S Admiinistrator% Karen Levi Susan Taylor Diploma Gmirsr Joanna Littlejohns Diana Treacher Ellen Birlev Helen Marriage Jennifer Waldman Marion Daniels Richard ;Morgan Sarah Hase Fabio Perselli Pnzdiml TminingSche►ne Roula Konzotis Jane Sillis Gillian Buttimer Jane Stenning Mary Greig Table F

Josephine Hilton Stephen Miller Designers Janet Marshall Nick Owen Francesca Boyd Andrew Smith Steven Paget Ellen Cairns Suzette Sully Kiran Pankhania Jennifer Care y Alan Williams Susan Mary Pemsell Anita Chowdry Barbara Pottier Jacqueline Gunn In-Senlic<> Bursaries Matthew Prendergast Rebecca Hale Julie Ackland Bob Ramdhanie Perry Hall David Beidas Jane Russell Carmen Holender Rhiannon Bell Sheila Seal Jenny King Colette Bennett Hilary Simmons Kate Kneale Ghislaine Boddington Steve Skinner Leone Sharp Frances Brace Julia Smith Juliette Shillingford Wozzy Brewster Christine Swindells John Stokes Elizabeth Brinson Karin Taylor Kath t_?kleja Emilyn Claid Deirdre Voce Fiona Copland Ingrid von Arnim Director s Geoff Cox Liz Waters Deborah Bestwick Jane Dadswell Stephen White Corinne Bougaard Leslie Davidoff Christine Willison Jane Collin s Graham Devlin Paul Wilson Dilys Hamlett Adrian Evans James Woods Ellis Jones Catrina Garratt John Young Paulette Randall Noetle Goldman Les Smit h Marie Green Exhibition Organ EwIirm Bursaries Diane Trevi s Richard Hansom John Gillett Stephen Unw•i n Mark Harris Alison Redwoo d Debra Hauer Helena Tomlin Performer s Karen Hetherington Adirnred RainingfnrMusicians Patricia Hewertson Community/Ethnic Arts David Bardee t Jo Howard Reg Bolton David Francis Madeline Hutchins Danse de 1'Africlue Sally PloNvrigh t Laxmi Jamdagni Greater London Association of Sirius Ensemble David Johnson Community Artists Jennifer Jones Peter Gregg National Centre for Orchestral Shutins Jane Kavanagh Jenny Harris Timothy Allen Hilary Keenlyside Carol Kenna Mark Calde r Charlotte Kelly Bernard Ross Stuart Caruthers Judy Seymour Deirdre Kelly Nicola Clarke Christine Ledger Social Arts Trust Janet Crouc h Hilary MacDonald Tara Arts ('Troup Ruth Hudso n Judi McCartney Angela Hun t Sam McGuire Dance Animateurs Thomas Prentice Fiona McLeod Liz Bruen Helen Thompso n Sheenagh Mayo Sarah Rubidge Jim Melvin Beverley Stevens Denny Wheeler

Table F

National Opera Studio Ian Dakin Technicians Clive Birch Kevin Deland William Bund y Elizabeth Collier Nigel Evans Jack Clark Louisa Cooper Valerie Martin Max Finbow Elizabeth Gronow Anne Morrison Ben Ormerod Paul Hodges Andrew Scrivener Linda Kitchen Jeffrey Snowdon Piano nner Graham Lilly Richard Stamper John Gibson Hugh Mackey Martin Wallington Colette McGahon Richard Whitehouse Joint Training Fun d Jenny Miller Peter Anderso n John Milne Theatre Performers Ross Cameron Russell Moreton Madeline Adams Barrie Gibson Evelyn Nicholson Gabrielle Agis Nita Spektorov John Oakman Graham Callan Ann Whitle y Mark Packwood Jill Connick Janine Roebuck Liz Crowther AWARD S Alma Sheehan Nicky Croydon ~i l 1 Donald Stephenson Susan Curtis Commissions Karen Dni y Simon Bainbridg e Organisations Lennox Greaves Sinfonietta Productions Limited Bhavan Institute of Indian Culture Gillian Hanna Richard Barrett Chisenhale Dance Space Limited Derek Hardy New Macnaghten Concerts Dance Co 7 Celia Hulton Gerald Barry Dancework Ewart James-Walters Institute of Contemporary Arts Limite d Direct Dance Company Karen Lewis David Bedford Interim Theatre Productions Limited Jackie Lye Harry Spamaay Janet Smith and Dancers Timothy Mason Richard Rodney Bennett Major Road Theatre Company Martin McEvoy National Federation of Music Societie s Midlands Dance Company Limited Tony McEwan Royal Philharmonic Society Monstrous Regiment Limited Ruth Mayo Michael Berkeley Phoenix Dance Company Leone Mellinger Carl Flesch International Spiral Contemporary Dance (Merseyside) Cheryl Anne Pay Violin Competition Limited Mark Perry Cheltenham Arts Festivals Limited Women's Theatre Group Limited Christine Pilgrim Judith Bingham Zippo and Company Margaret Praglowska David Roblou Stephen Rashbrook Harrison Birtwistle Pr4ppetcer Mario Renzullo City Arts Trust Limited Rosemary Riggs Denise Sayers John Harle Katrina Smith Derek Bourgeois RovaI Northern College of Music Sinlonta Lesley Staples British Youth Wind Orchestra John Allen Judith Street Syrinx Warwick Armstrong Malcolm Tulip Martin Butler Cannel Barber Arabella Weir Sinfonietta Productions Limited Kay Barker Charles Camilleri Martin Cook Fine Arts Brass Ensemble Table F

Gary Carpente r Nash Ensemble Production s Anthony Payne Lontano Simon Holt Divertimen ti South Hill Park Trust Limited Royal Institute of British Architect s John Paynte r Edward Cowie John Hopkins Apollo Trust (2 ) Medici String Quartet British Youth Wind Orchestra Anthony Powers Gordon Crosse Vic Hoylan d New Macnaghten Concert s Hartlev Tri o New Macnaghten Concerts Park Lane Group Martin Dalby Steve Ingham Milton (Shorty) Roger-, Park Lane Group Limited New Macnaghten Concerts National Youth Jazz Orchestra Peter Maxwell Davie s Wilfred Joseph s Ned Rorem Royal Philharmonic Orchestra Harrogate Festival of Arts and Sciences King 's Singers Edison Denisov Limited Edwin Roxburgh Elizabeth Wilson Geoffrey King Gagliano Trio and Sebastian Bell Peter Dickinson University of Nottingham Thames Chamber Orchestra Limited Jennifer Bate Tony Kinse y Peter Saberto n Zsolt Durkd Powell Productions Limited Lesowes Bank Arts Centre Capricorn Concerts Trus t John Lambert Robert Saxton Simon Emmerson Gilbert Biberian Sinfonietta Productions Limited Jane Mannin g Jonathan Lloyd Malcolm Singer Richard Emsley Sinfonietta Productions Limited Yehudi Menuhin School Elizabeth Davi s Elizabeth Maconchy Roger Smalley Brian Ferneyhough Nicholas Logi e Fires of London Limited Arditti String Quartet Roger Mars h Tim Souster Christopher Fox Vocem Cambridgeshire County Youth Orchestra Lontano (2) Colin Matthews Association Erika Fox National Federation of Music Societies Martin Stebbin g Lontano Schubert Ensemble of London Endymion Ensembl e Mike Gibbs David ;Matthews John Tavener Contemporary Music Network Nash Ensemble Production s Tallis Scholar s Orlando Gough Regional Contemporary Music Circuit Trevor Watt s Almeida Theatre Company Limited Trio Zingar a South Hill Park Trust Limited Janet Graham Stephen Montagu e Judith Weir Anna Pope Academy of London Clive Conway Pawlu Grech Thea Musgrave Peter Wiegold Christodoulos Georgiade s Royal Philharmonic Society Ensemble Dreamtige r Ondine Ensemble George Nicholson Graham Williams Edward Gregson London Music Production s Esterhazy Singers Lquale Brass Alfred Nieman James Wood Timothy Hugh Gilbert Biberian (2 ) New Macnaghten Concerts Barry Guy. Stephen Oliver Regional Contemporary Music Circuit Capricorn Concerts Trus t Anthea Gifford Douglas Young John Harl e Nigel Osborn e Cumming String Trio Albany Brass Ensemble Timothy Hugh Leicestershire Schools' Symphony Jonty Harrison Paul Patterso n Orchestra Simon Desorgher Clarion Concert Agency Limited Proteus Ensemble Robin Holloway London Gahrieli Brass Ensemble

Table F

Bursaries Christopher Bannerma n Sara and Jerry Pearso n Christopher Biscoe London Youth Dance Theatre Midlands Dance Company Limited Christopher Burn Cipher - Brighton Youth Dance Grou p Quinny Sachs Lol Coxhill Direct Dance Company Focus On . . . Dance Patrick Cru my Micha Bergese Ian Spink Elton Dean Mantis Dance Company Limited Intermedia Roger Dean Darshan Bhuller Sally Sykes Colin Dudman Harehills Youth Dance Theatr e Leicestershire County School of Dance William Evans Laurie Booth John Wright Digby Fairweather Thamesdown Contemporary Youth Intriplicate Mime Company Michael Finnissy Dance Rolf Gehlhaar Kim Brandstru p Composers Gerald Cold Spiral Dance Company (Merseyside) Eleanor Alberga David Green Limited Midlands Dance Company Limite d Antony Haynes Michael Clark Christopher Benstea d John Hopkins English Dance Theatre Janet Smith and Dancers Peter King Mantis Dance Company Limited London and Commonwealth Yout h Peter Maxfield Jane Dudle y Ensemble Will Menter Phoenix Dance Company Orlando Gough Nigel Morris Nelson Fernandez Second Stride Dance Company Susan O'Brien English Dance Theatre John-Marc Gowan s Jan Ponsford Kate Flatt Mantis Dance Company Limited Michael Pyne Merseyside Youth Association Jon Keliehor John Russell Beyhan Fawkes Dance Tales Veleroy Spall Ludus North West Dance in Education Alan Lisk Ken Stubbs Limited Ludus North West Dance in Educatio n Giles Swayne Gil Graystone Limited Roger Turner Mara Ya Pil i Annea Lockwood David Tyas Matthew Hawkin s Miranda Tufnell and Dennis Greenwoo d Geoff Warren Mantis Dance Company Limited Barrington Pheloun g Don WeUer Paul Henry Spiral Dance Company Bob Wellins Performing Clothes Tim Souster John Haynes Ludus North West Dance in Education Residency Young London Balle t Limited University of York (Bob Wellins) Timothy Lamford Jane Wells Merseyside Deaf Centre Intermedia Jayne Lee Midlands Dance Company Limited Designers I 1 \ t I Ingegerd Lonnrot h Zanna Beswick Choreographers Dance Tale s Focus 0hn . . . Dance Stewart Arnold William Louther Carmel Collins Performing Clothes Direct Dance Company Intermedia Richard Alston Greta :Mendez Elisabeth Dalton Second Stride Dance Company The Combination Limited London City Ballet Trust Limited AUister Bain Sally Owen Tim Dodd Dance Co 7 English Dance Theatre English Dance Theatre Table F

Craig Givens Tony Thatcher Peter Gidal Midlands Dance Company Limited Basil Wanzira Judith Goddard (2 ) Jane Dudley (Dance Projects) N Gordon-Smith Second Stride Dance Company British Summer School of Mime Roberta Graham/John Stewart Spiral Dance Company (Merseyside) Theatre Richard Grayson Limited (Dance Bursaries) Nicky Hamlyn James Helps Marie Adams Mick Hartney Janet Smith and Dancers Ian Cameron Roger Hewin s Jenny Henry Wayne Condo Tony Hill Second Stride Dance Company Gabrielle Cowburn Susan Hiller Andrew McAlpine Mollie Guilfoyle David Hilton (2 ) Mantis Dance Company Limited Desmond Jones Chrissie Isles Antony McDonald Sarah Jones Tina Keane Intermedia Peter Lovstrom Jeff Keen Second Stride Dance Company (2) Hermia McIntosh Patrick Keiller (2) Peter Mumford Michael Mizrahi John Kippen Second Stride Dance Company Lesley Moss Richard Layzell Kate Owen Kate Newlyn Stephen Littman (2) Laurie Booth Kieron O'Connor Jock McFadyen (2 ) Mark Erskine Pulleine Jon Oram John Maybury Mantis Dance Company Limited Brendan Stapleton Michael Maziere (2) Piers Rawson Ingrid Statman Katharine Meynell Focus On . . . Dance Gerry Turvey Joanna Millett/Rob Gawthro p Charles Smith Jennifer Weston Joanna Millett (2) English Dance Theatre Robert Williams Will Milne (2) Helen Turner Peter Milner Spiral Dance Company (Merseyside) International Dance Course for Jayne Parker Limited Choreographers and Composers David Parsons Isobel Warrender (Dance Bursaries) Valerie Penn (2 ) Intriplicate Mime Company Susan Crow William Raban Ian Gardiner Zoe Redman Dance Bursaries Jennifer Jackson Alan Renton Laurie Booth Christopher Williams Kate Richards Rosemary Butcher Simon Robertsha w Michael Clark VISUAL ARTS Peter Savage Sarah Green Film-Makers and Video Artists Helen Sear Christine Juffs Mineo Aayamaguchi Martin Sercomb e Tamara McLorg Kevin Atherton Guy Sherwin Susan MacLennon Nick Collins (2) John Smith John Mowat Nina Danino Cordelia Swann Namron Peter Davis Noel Taylor Heinz Dieter Pietsch Robert Fearns Tony Thatcher Selwa Rajaa (2) Christine Felce (2) Kerry Trengove Alpana Sengupta David Finch Holly Warburton (2) Chitra Sundaram Keith Frake Chris Welsby Virginia Taylor Charles Garrad Jeremy Welsh Alison Winckle Table F

LIT1 : I? -V111? E- Jennifer Clar k John McLeod Writers Nexus Dance Theatre Edinburgh Royal Choral Union William Anderson Leon Coates Richard Orlando Thomson Stephen Benatar Philomusica of Edinburgh Richard Michael Roy Fisher Francis Cowan Fife Youth Jazz Orchestra Roger Garfitt Edinburgh Academ y Robert Morsberger John Haffenden Lyell Cresswell Khoros Dance Theatre Ronald Hayman Edinburgh University Musical Society Nextstep Dance Theatre Ursula Holde n University of Aberdee n Peter Naylor Shena Mackay Martin Dalb y Carpetbag Puppets John Hope Mason Glasgow and Galloway Diocesan Music Michael Norris R ichard Ollard Association Helensburgh Saturday Orchestr a Peter Reading St Magnus Festival Limited John Purser Christopher Reid Ronald Duncan Phillip Thorne Clive Sinclair Royal Scottish Academy of Music John Sampson & Robert Handleigh Carolyn Slaughte r and Drama Basic Space Dance Theatre Limited George Szirte s Bruce Fraser Bernard Shaw Rose Tremai n Caledonia Brass Scottish Youth Theatre Limited Hugo Williams Fife Youth Percussion Ensemble Ronald Stevenson Anthea Gomez Geoffrey Allan Pitlochry Festival Society Limited Alan Tavlor SCOTLAND Haflidi Hallgrimsso n Platform Music Societies Limite d 1!I ai l Scottish Chamber Orchestra Limited Derek Watson Special Awards lain Hamilton Citizens' Theatre Limited Lyell Cresswell Paragon Ensemble John Weeks Bruce Frase r Jonathan Harvey Phillip Thorn e John Maxwell Geddes Edinburgh Festival Society Limited William Wordsworth Haflidi Hallgrimsson Ian Humphries John Currie Singers Limited Edward Harper Fife Regional Counci l Phillip Thorn e Peter Inness John Jouber t William Kitching Diocese of Brechin Music Festiva l Bursaries Edward McGuire Geoffrey King Gordon Christie Michael Norris Edinburgh Organ Recitals Committe e Faith Elliott Michael Philip St Magnus Festival Limited Anne Evans William Sweeney St Marys Music School Geoffrey King John Lunn Willie John Macaulay Commission s Phillip Thorn e Fiona Mitchel l Javier Alvarez Hugh Macdonald Clair Moll John Kenn y Peter Evans Peter Moore Cliff Atkinson Edward McGuire Sheena Nicoll Pitlochry Festival Society Limited Paragon Ensemble Timothy Paxton Neil Butterworth John Currie Singers Limited Judy Proctor Neil MacKay DANC E Edinburgh Contemporary Arts Trust Commissions Meadows Chamber Orchestra Tricia Anderson Philomusica of Edinburgh Dundee Dance Group

TableF

I zi id Bates Stephen Williams Alan Watson v<<,ic Space Dance Theatre Limited Alan Wilson Artist yet to be appointed by Nvville Campbell Gordon Wilson Edinburgti Printmakers Workshop Pep; Dwice Theatre ChrisHemsworth Du VNIA Commission s Area One Dance Company Bursaries John Elder Expo Dance Andy Arnold Third Eye Centre Glasgow Limited Shellev Lee Kate Copstick Ron O'Donnell Basic Space Dance Theatre Limited Catherine Fraser Third Eye Centre Glasgow Limited Tamara McLorg Paul Godfrev Yet to be appointed Fife Regional Council Jenny Killick Dundee District Counci l Royston Maldoom Ferelith Lean K Downie Nextstep Dance Theatre Tom McGrath Torry Former Pupils Association Chris Orvis Anne MacLeod Paul Masson/Roland Piche l Basic Space Dance Theatre Limited Alice Purcell Gavin Scobie Martin Palmer Vari Sylvester Aberdeen District Council Basic Space Dance Theatre Limited Rhona Taylor Martin Rayner Eberle Pringle & Howard Cooper Steven Whinnery Fife Regional Counci l Fife Regional Council Yet to be appointed Peter Royston ART Windex Limited Tron Theatre Limited Bursaries and Awards Steve Scott Ian Cook I. I TE 1:AT t -R 1: Tron Theatre Limited Steven Doffman Bursaries Jeanette Siddall Lennox Dunbar Edward Boy d Dundee Dance Group Elizabeth Fisher lain Finlayson Joanna Tagney Simon Fraser Tom Gallacher Khoros Dance Theatre Kay Greer Mary Gladstone Andrew Hambleton Daniel Green Bursaries Robert Hellyer Tom Leonard Laini Christmas Peter Hill Norman Macdonald Michael Deighan Carol Ann Hindle Alasdair MacLea n Kevin Denvir Moira Innes Catriona Montgomery Carolyn Gavin Brian Kelly Robin Munro Christopher Hemsworth Christopher Kelly William Neil l Shelley Lee Scott Kilgour James Nicolson Francis McConnell David Linley Walter Perrie Morag Muir Donald Saunders 1i111Fullarton Peter Reeve Travel Grant s Margo McLaughlin Ian McKenzie Smith Alan Bol d Leslie Morrison Linda Taylor Jenny Carte r Alison Peebles Cluny Trotter Catherine Czerkawska Bob Pegg Andrew Walker Therese Durie z Geoffrev West D C Fraser

Table F

Antony Kamm Helen Edwards Alun Hoddinott Andro Linklater Christopher Enston Equale Brass C A McLaren Philip Lloyd-Evans Pontarddulais Male Choir Alexander Maitland Jane Griffiths Royal Schools of Church Music Festival Gavin Robertson Michael Henderson Llandaff Festival Bruce Sandison Hilary Jones Sirenian Singers Charles Smith Kari Jones West Glamorgan Youth Orchestra Frank Worsdall Phillip Levy Arwel Hughes Mary Roberts Rhos Orpheus Male Choi r Book Awards David Smith Nicholas Jackson R D Anderson Mari Williams Cardiff Festival of Musi c Ron Butlin Helen Willis Robert Sherlaw Johnson Gordon Donaldson Lyn Davies Ton) Gallacher Commissions to Composers Daniel Jones Alasdair Gray Samuel Adler Moray Welsh/BBC Welsh Symphony Harry Horse University College Cardiff Orchestra James Kelman Stephen Begley Richard Elfyn Jones Norman MacCaig Rhymney Valley District Council University College Cardiff Lyn Macdonald Michael Berkeley Jeffrey Lewis Bernard MacLaverty Merlin Music Society University College North Wales Ruth Michaelis-Jena Desmond Bradley William Mathias Christopher Rush Fishguard Music Festival Sirenian Singers John Buckley Llandaff Festival COMBINED ART , University College Cardiff John Metcalf Travel Grant Mervyn Burtch Albanv Brass Ensemble Joe Heavenstone Welsh College of Music and Drama Welsh National Opera Cardiff Chamber Orchestra David Nevens 1 11l 1 \ i "C 1. VII ().N Lyn Davies Rhymney Valley Arts Festiva l Training Bursaries Musica Cam brensis John Pickard Lucinda Bredin Paul Engel North Wales Music Festival Zibby Campbell Cardiff Festival of Music Philip Sparke Hilary Fogg Michael Finnissy Cory Brass Band Elizabeth Keidan St Donaat's Arts Centre John Tavener Mary Lewis Gareth Glyn St David's Cathedral Bach Festival Angela Mc5herry BBC Welsh Symphony Orchestra Stan Trace y Annie Reddick John Golland Welsh Jazz Festival John Stalker Lewis Merthyr Band Rod Walker Dalwyn Henshall Cardiff Festival of Music WALES Welsh Amateur Music Federation Arthur W ill s National Youth Brass Band of Wales Robert Crowley Gerhard Winkler s for y Awards for Advanced Stud Cardiff Festival of Music Cls:~rl c Gareth Wood Churl c, Barb National Youth Orchestra for Wales Hvleli n+ G )11 Hint Dallis" chnslo ;)Iler ]auks Table F

DANCE Nicholas Evans Philip Snow Awards John Gingell Brian Thoma s Jessica Cohen Jonathan Heale David Tress Dylan Davies John Petts Simon Van de Put Geraldine Hurl Lesley Sunderland Paul Vick Phillips Waite Paul Vick Lesley Elizabeth West horp e Carol Walker Stephen Young Loans to Artist s ANT Richard Aylwin FILM Young Artists Grants Peter Bailey Film-making Grant s Alain Ayers Stewart Barker Frances Bowye r Elizabeth Bessant Paul Beauchamp David Cohen Timothy Budden Steve Benbow Terry Dimmick Roger Bullen Alwyn Bloomfield Marc Evans Simon Callery Paul Brewer Angela Friedburg Pauline Carter Eleaner Jayne Brown Steve Gough Peter Cole Barrie Cook Dane Gould Andre Collett Jack Crabtree Catrin Hughes Michele Deeley Michael Crowther Graham Horde r Sian Edwards Barbara Cunliffe-Prelogauskas Wayne Jenkins Angela Elliott Anthony Davies Julian Kell y David Lloyd Evans Godfrey Dowson Tamara Krikorian Robert Harding Michael Flynn Caroline Limme r Dereck Harris David Gould Beata Lipman Janet Hedges Bernard Green Alan Miller Clare Hobson Jonathan Heale Chris Monger Julia Howarth Graham Hembrough Dick Powell Huw Jones Ned Heywood Serena Rule Leslie Jones Ian Hickman Michele Ryan David Newman Falcon D Hildred Penny Stempe l Linda Norris Harvey Hood Mike Stubbs Sue Packer Don Jackson Gareth Thomas Freya Purdue Lucilla Jones Nic Thomas Sian Richards Michael Knowles Peter Turne r Nicholas Ripley Linton Lowe Christine Wilks Matthew Roberts Alan McMahon Andrea Williams Selina Scheeres Phil Muirde n Jacqueline Smith David Newman Awards Keith Towler Alison Nock Tim Diggles Sue Williams Peter Prendergast Kathleen Harri s Richard Wiltshire John Michael Redhead Harold Roberts-Cox LI-l LIt: TUIt F Special Project Grants Peter Robinson Commission and editing grants Barrie Cook Terry Setch Marian Delyth Jack Crabtree Jack Shotbolt Islwyn F fowc Elis Erica Daborn Jacki Sime Alun L Jones Table F

John Pinion Jones David Colwell T Llew Jones Molly Curley Elfyn Pritchard Rita Delpeche Gwyn Thomas Paul Delru e Michael Flynn Prizes Graham Jackson Brett Breckon Walter Keeler Duncan Bush Philippa Le e Suzanne Chapman Merlin Maddocks Donald Evans Trefor Owe n Gwynn ap Gwilym Philip Rogers Emyr Humphreys Christian Savage Sian James Mandy Tudor Geraint H Jenkins Martin Weatherhea d Mike Jenkins Alun Jones Ceramic Research Award Robert Minhinnick Philip Wood Jan Nesbitt DRAMA Bursaries Training Awards Eirian Davies Janet Dube Trainee Director Attachments Jane Edwards Angela Griffiths Robert Minhinnick Theatre Wales Clare Morgan Eirwen Hopkins Theatr Clwyd Other Awards Mick McCarthy Mariwen Gwynn Jones Cardiff Laboratory Theatre Alison Morgan Other Training Attachments C R .xFT Gilly Hayward Commission Aid Hijinx Jocelyn Burton Emyr Morris Jone s David Colwell Theatr Bara Caws Kathleen Makinson Elinor Roberts Hwyl a Fflag Awards to Craftsmen Maggie Andrews Mime Bursaries David Bisson Peter Burton Helen Butler Llio Silyn TableF

Smaller Training Grant s Yvonne Cheal Lesley Jones Catrin Davies Norman Jone s Cardiff Arts Marketing Llion Lloyd Rhiannon Davies Caroline Lynch-Blosse John Kim Dent John North Sally Dick Kay Roberts Peta Lily George Roman Doubletake Theatre Theatr Clwy d Richard Gough Carl Tighe David Hedley-Williams Eirwen Hopkin s Theatr Ardudwy

Theatre Writing Scheme s Resident Dramatist Attachments Organi alirm Writer TheatT Powys Greg Cullen Hijinx Jaimie Garven Action Pie Geoff Gilha m Gwent TIE Charles Way Fresh Claims John Wilkie

Commissions and Royalty Supplement Guarantees Organisation pkn YVri tar Vale of Glamorgan Community Arts Team Sticks and Stones Duncan Bush Torch Theatre The Harvesters' Feast Denise Deega n Made in Wales Canned Goal s Dick Edwards Torch Theatre A Touch of the Sun Ken Jago Clwyd Outreach Godiva Joe McGinle y Prosiect Hwyl a Fflag/Sgwar Un Unwaith Eto yng Nghymru Gareth Miles Theatre Wales According to the Regulation s Elizabeth Morga n Theatr Crwban Baled Alun Jones John Glyn (live n Theatr Clwyd Portrait of the Artist as a Young Dog Jonathan Petherbridge Theatr Bara Caws Chwarae Plant Michael Povey Masquerade Sinhad Oliver Reynold s Cwmni Cyfri Tri Anterliwt Wil Roberts

Thirty-ninth Annual Report and Accounts 1984 ISSN 0066-8133 Published by the Arts Council of Great Britain 105 Piccadilly, London W IV OAU Telephone 01-629 14495 Designed by The Jenkins Group Typeset and printed by Bow-Towning Ltd