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Braids of Song Gwead Y Gân
Braids of Song Gwead y Gân by Mari Morgan BMus (Hons), MA. Supervised by: Professor Menna Elfyn and Dr Jeni Williams Submitted in partial fulfilment for the award of the degree of Doctor of Philosophy in Creative Writing University of Wales Trinity Saint David 2019 Er cof am fy nhad, Y Parchedig E D Morgan a ddiogelodd drysor. In memory of my father, the Reverend E D Morgan who preserved a treasure. iii ACKNOWLEDGEMENTS With grateful thanks for the generous support of: North America Wales Foundation (Dr Philip Davies and Hefina Phillips) Welsh Women’s Clubs of America (Barbara Crysler) Welsh Society of Philadelphia (Jack R. Williams, Jr.) Diolch o galon: for the experience and guidance of my supervisors, Professor Menna Elfyn and Dr Jeni Williams, for the friendship and encouragement of Karen Rice, for my siblings always, Nest ac Arwel, for the love and steadfast support of Lisa E Hopkins, and for the unconditional love of my mother, Thelma Morgan. Diolch am fod yn gefn. iv Abstract The desire to recognise the richness, humanity, and cross fertilisation of cultures and identities that built today’s America is the starting point for Braids of Song. Its overarching concerns trace the interrelation between immigration, identity and creativity within a Welsh Trans-Atlantic context. Braids of Song is a mixed-genre collection of stories that acknowledges the preciousness of culture; in particular, the music, which is both able to cross different linguistic boundaries and to breach those between melody and language itself. The stories are shared through four intertwined narrative strands in a mixture of literary styles, ranging from creative non-fiction essays and poems to dramatic monologues. -
Myfanwy Mynyddog (Richard Davies), Joseph Parry
CANTABILE – THE LONDON QUARTET THE GREAT BRITISH A CAPPELLA SONGBOOK EIGENTUM DES VERLEGERS · ALLE RECHTE VORBEHALTEN ALL RIGHTS RESERVED PETERS EDITION LTD A member of the Edition Peters Group FRANKFURT/M. · LEIPZIG · LONDON · NEW YORK CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 1 110/8/20120/8/2012 1:06:361:06:36 PPMM Cantabile − The London Quartet is managed by artist management A Foggy Day. Music and Lyrics by George Gershwin and Ira Gershwin. Arranged by Cantabile − The London Quartet. © 1937 (renewed) Chappell & Co Inc, USA. This arrangement © 2012 Chappell & Co Inc, USA. Warner/Chappell North America Ltd, London W6 8BS. Reproduced by permission of Faber Music Ltd. All Rights Reserved. Pomp and Circumstance by Edward Elgar. Words © 2012 by Margarete and Julian Forsyth. Lullaby (‘Hush Macushla’) by Cantabile − The London Quartet. © Copyright 2012 by Cantabile − The London Quartet. All other arrangements in this collection © Copyright 2012 by Cantabile − The London Quartet. Peters Edition Limited 2−6 Baches Street London N1 6DN Tel: +44 (0)20 7553 4000 Fax: +44 (0)20 7490 4921 Email: [email protected] Internet: www.editionpeters.com CCantabileantabile AAnthologynthology LLAYOUT.inddAYOUT.indd 2 110/8/20120/8/2012 1:07:041:07:04 PPMM CONTENTS Foreword . 4 Vorwort . 5 About the Songs . 6 Über die Stücke . 8 Pastime with Good Company King Henry VIII of England . 11 Greensleeves Traditional English . 14 Oranges and Lemons Traditional English . 22 Myfanwy Mynyddog (Richard Davies), Joseph Parry . 30 Danny Boy, ‘I Would be True’ Traditional Irish (Londonderry Air) Frederic E. Weatherly, Howard Walter . 35 A Man’s a Man for A’ That Traditional Scottish / Robert Burns (‘Lady McIntosh’s Reel’) . -
Let's Electrify Scranton with Welsh Pride Festival Registrations
Periodicals Postage PAID at Basking Ridge, NJ The North American Welsh Newspaper® Papur Bro Cymry Gogledd America™ Incorporating Y DRYCH™ © 2011 NINNAU Publications, 11 Post Terrace, Basking Ridge, NJ 07920-2498 Vol. 37, No. 4 July-August 2012 NAFOW Mildred Bangert is Honored Festival Registrations Demand by NINNAU & Y DRYCH Mildred Bangert has dedicated a lifetime to promote Calls for Additional Facilities Welsh culture and to serve her local community. Now that she is retiring from her long held position as Curator of the By Will Fanning Welsh-American Heritage Museum she was instrumental SpringHill Suites by Marriott has been selected as in creating, this newspaper recognizes her public service additional Overflow Hotel for the 2012 North by designating her Recipient of the 2012 NINNAU American Festival of Wales (NAFOW) in Scranton, CITATION. Read below about her accomplishments. Pennsylvania. (Picture on page 3.) This brand new Marriott property, opening mid-June, is located in the nearby Montage Mountain area and just Welsh-American Heritage 10 minutes by car or shuttle bus (5 miles via Interstate 81) from the Hilton Scranton and Conference Center, the Museum Curator Retires Festival Headquarters Hotel. By Jeanne Jones Jindra Modern, comfortable guest suites, with sleeping, work- ing and sitting areas, offer a seamless blend of style and After serving as curator of the function along with luxurious bedding, a microwave, Welsh-American Heritage for mini-fridge, large work desk, free high-speed Internet nearly forty years, Mildred access and spa-like bathroom. Jenkins Bangert has announced Guest suites are $129 per night (plus tax) and are avail- her retirement. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Joseph Parry in Aberystwyth Text of a Talk Given by Frank Bott to the Aberystwyth Civic Society on May 9Th 2012
Joseph Parry in Aberystwyth Text of a talk given by Frank Bott to the Aberystwyth Civic Society on May 9th 2012 I’m sure the name of Joseph Parry will be familiar to most of you, if only because of the Joseph Parry Hall in Laura Place. But for those of you who are not quite sure who he was or why I should be talking about him, the best thing I can say is that he was the composer of the hymn tune Aberystwyth, which has carried the name of this town across most of the English-speaking world. The tune was written by Parry, when he was Professor of Music here, indeed, the first professor of Music in Wales. It was first sung in 1879 in the English Congregational Chapel in Portland Street, which is now the Church Surgery and on the front of which the Civic Society has placed a plaque commemorating the occasion. You may also be familiar with Joseph Parry from the television mini-series shown in 1983. This was an adaptation of a biographical novel about Parry, written by the Anglo-Welsh novelist, Jack Jones, from the Rhondda, called “Off to Philadelphia in the Morning”. It starred David Lyn as Joseph Parry and Siân Phillips as Myfanwy Llywellyn, Parry’s childhood sweetheart (according to Jack Jones) who became a famous opera singer. It is a very enjoyable novel and was a great success on television. Unfortunately, although Jack Jones never claimed the work was anything other than a fictionalised biography, much of what he invented has become generally accepted as true. -
ABERYSTWYTH DIGITAL HERITAGE WALK the Women's Heritage Walk Has Been Developed As Part of the Women's Archive of Wales '
ABERYSTWYTH DIGITAL HERITAGE WALK The Women’s Heritage Walk has been developed as part of the Women’s Archive of Wales ‘Century of Hope Project’, funded by the Heritage Lottery Fund. The project marks the centenary of some women getting the right to vote in parliamentary elections, and this walk draws attention to some of the remarkable women who have lived in Aberystwyth during the last two hundred years, and to the man who contributed powerfully to the campaign for the vote. The information in this booklet gives a very brief account of their achievements, but we hope that – especially for the less well known – it will lead to more interest in them. Length of walk: approximately 90 minutes. Ability level: this walk should be accessible to all levels of ability. Route: Ceredigion Museum, Pier Street, Old College, Vulcan Street, Chalybeate Street, Portland Street, Alexandra Hall, The Prom, the Coliseum Theatre and Cinema, Ceredigion Museum. Follow the walk on an App. The Women’s Archive of Wales would like to thank Advancing Aberystwyth for working in partnership with us to develop the free digital app version of this walk. Search for ‘Aber App’ at the App Store or Google Play using your IOS or Android device. The App is free and available in Welsh & English. The Women’s Archive of Wales works to raise the profile of women’s history in Wales and to preserve the sources which tell their story. We organise all kinds of events to promote and celebrate the history of women in Wales. Visit our website www.womensarchivewales.org for more details and to join us, and follow us at @AMC_WAW Copyright © Archif Menywod Cymru Women’s Archive Wales Tour Map – Detailed Aberystwyth town maps are available at Ceredigion Museum Location 1: Ceredigion Museum – The home of Olwen Davies’ opera dresses and a place where she performed. -
Download Publication
ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
'The College by the Sea' and Its Photographs
‘The College by the Sea’ and its photographs Introduction The University College of Wales, Aberystwyth (now Aberystwyth University) was founded in 1872 after years of struggle. During this period Scotland had its four well-established universities: Edinburgh, Aberdeen, Glasgow and St Andrews. England fared less well but had the ancient institutions of Oxford and Cambridge plus the newcomers Durham, King’s College and University College in London, and Owen’s College in Manchester. Ireland was blessed with Trinity College Dublin and the new Queen’s Colleges at Cork, Belfast and Galway. Only Wales was without a place of higher education (apart from St David’s College, Lampeter and other religious colleges). The effort to rectify this omission gathered pace during the nineteenth century. The story is in many ways a romantic one. The setting up of local committees in Wales, and in English cities such as London and Manchester, helped to further the cause, and money was collected in order to establish the foundation when all the pieces were deemed to be in place. The details have been set down on a number of occasions and will not be repeated here. 1 Suffice to say that Aberystwyth was not a well thought out location for the College, and indeed would have had few supporters in a referendum. It was rather the coming of the railway, the erection of hotels en route, the economic downturn of the 1860s and the bankruptcy of the speculator Thomas Savin which led to the unfinished Castle Hotel in Aberystwyth being put up for sale. The building was purchased and after a few hesitations the University College of Wales (UCW) opened its doors to a handful of students in October 1872. -
Culture, Welsh Language and Communications Committee Fifth Senedd Legacy Report
Welsh Parliament Culture, Welsh Language and Communications Committee Fifth Senedd Legacy Report March 2021 www.senedd.wales The Welsh Parliament is the democratically elected body that represents the interests of Wales and its people. Commonly known as the Senedd, it makes laws for Wales, agrees Welsh taxes and holds the Welsh Government to account. An electronic copy of this document can be found on the Welsh Parliament website: www.senedd.wales/SeneddCWLC Copies of this document can also be obtained in accessible formats including Braille, large print, audio or hard copy from: Culture, Welsh Language and Communications Committee Welsh Parliament Cardiff Bay CF99 1SN Tel: 0300 200 6565 Email: [email protected] Twitter: @SeneddCWLC © Senedd Commission Copyright 2021 The text of this document may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not used in a misleading or derogatory context. The material must be acknowledged as copyright of the Senedd Commission and the title of the document specified. Welsh Parliament Culture, Welsh Language and Communications Committee Fifth Senedd Legacy Report March 2021 www.senedd.wales About the Committee The Committee was established on 28 June 2016. Its remit can be found at: www.senedd.wales/SeneddCWLC Committee Chair: Bethan Sayed MS Plaid Cymru Current Committee membership: Mick Antoniw MS John Griffiths MS Welsh Labour Welsh Labour Carwyn Jones MS Helen Mary Jones MS Welsh Labour Plaid Cymru David Melding MS Welsh Conservatives Fifth Senedd Legacy Report Suggested areas of scrutiny for the Sixth Senedd Engagement The successor committee should consider holding more formal committee meetings virtually and/or mainstreaming hybrid meetings. -
Annual Review Report 2009/10 Annual Review Report 2009/10
Annual Review Report 2009/10 Aberystwyth Arts Centre Arts Council of Wales July 2009 About the Annual Review Meeting Venue: Arts Council of Wales, Carmarthen Office Date of meeting: 23 June 2009 Present (Aberystw(Aberystwythyth Arts Alan Hewson (Arts Centre Director) CentreCentre):):):): Present (Arts Council): Amanda Loosemore (Regional Director) Sian Griffiths (Lead Officer) Lowri Clement (Senior Client Liason Officer) Date of draft report: 16 July 2009 Date of final reporeport:rt:rt:rt: 4 August 2009 1 1.1.1. Programme of activity Based on the campus of Aberystwyth University, Aberystwyth Arts Centre continues to be one of Wales’ busiest and most vibrant cultural hubs. Last year, there were over 400,000 attenders for the Arts Centre’s vast and eclectic artistic programme. This programme included theatre performance, visual arts and new media, applied arts, film and cinema, festivals, music, literature, education/outreach programmes and community arts programmes. With such a diverse and wide-ranging programme it is almost invidious to pick out highlights. However, by mentioning some of the particular achievements, it becomes easier to offer an indicative sense of the Arts Centre’s programme policy. The visual arts and new media programme saw over 50 artists showing work in 2008/09). These included South African William Kentridge, Seven Fragments for George Melies, Day for Night and Journey to the Moon, an extraordinary installation of nine projected works playing alongside each other with one soundtrack. Jordan Baseman, with Inside Man , showed a programme of four projected works with one specifically commissioned by the Arts Centre projected at the entrance to the exhibition. -
Cartrefu Newsletter January 2020
cARTrefu January 2020 If you’re an artist or creative and would like to Phase 3 has begun.. attend a workshop, you can register on Eventbrite.co.uk by searching for cARTrefu—An cARTrefu Phase 3, Age Cymru’s arts in introduction for artists and creatives. These care homes project, will continue until events will be updated regularly throughout 2020 August 2021. - 2021. Phase 3 is focusing on empowering care home staff to improve the range and quality of creative provision in their care home, raising public awareness of the benefits of creativity in care homes, building capacity by sharing learning within the arts sector, and building sustainability. Thanks to the further funding from the Baring Foundation and Arts Council Wales, cARTrefu will be delivering care home workshops, activity plans, and artist workshops free of charge throughout Wales until August 2021. If you’re a care home manager, an activities Follow us on coordinator, or a member of staff from a care home, and would like to apply to be a part of Facebook cARTrefu, please visit agecymru.org.uk/cartrefu We are now on Facebook ...Cartrefu—Age Cymru. You can keep up to date with everything here including where we are hosting artist workshops, photos of our care home workshops, and of course the cARTrefu Cube tour. Proud to announce…. cARTrefu reached the finals of the Markel 3rd Sector Care Awards in London. Reaching the final three is testament to the hard work and dedication of the whole cARTrefu team! Meet the Phase 3 artists Ailsa Richardson Ailsa’s background includes being a dancer, theatre maker, visual artist and musician and much of her work has been in community engagement, teaching and research. -
Department of Theatre, Film and Television Studies 1 Contents
Department of Theatre, Film and Television Studies 1 Contents 3 Welcome 4 Welcome from Students 6 Department Facilities 8 Courses 20 Studying Through the Medium of Welsh 22 Industry Links 22 Studying Abroad Opportunities 24 Departmental Research 26 How to Apply Department of Theatre, Film and Television Studies Parry Williams Building Aberystwyth University Aberystwyth UK Important information The programme information published in this brochure was correct SY23 3AJ at time of going to print (July 2019) and may be subject to change. Prospective students are advised to check the definitive programme information, including entry requirements, that is available on our +44 (0) 1970 622828 website before making an application, to ensure that the programme [email protected] meets their needs. 2 3 Welcome As one of the few interdisciplinary departments of its kind in the UK, the Department of Theatre, Film and Television Studies has a distinct and unique location on the west coast of Wales, here we are able to provide high-quality focused learning, teaching and research opportunities to students from across the globe. As a Department, we offer integrated schemes of study, combining creative and critical approaches to all disciplines through innovative practical work and challenging scholarly enquiry. The intellectual, practical and transferable skills acquired will prepare you for a variety of careers in the creative industries and beyond. Many of the teaching staff in the Department are leading professionals working in the fields of Scenography, Theatre, Film and Media as well as being active researchers working at the cutting edge of their disciplines. Departmental staff have active working relationships with a range of companies including National Theatre Wales, Music Theatre Wales, National Dance Company Wales, Theatr Genedlaethol Cymru and Arad Goch.