Annual Report 2018/2019

Section name 1 Section name 2 Section name 1 Annual Report 2018/2019

Royal Academy of Arts Burlington House, Piccadilly, London, W1J 0BD Telephone 020 7300 8000 royalacademy.org.uk

The Royal Academy of Arts is a registered charity under Registered Charity Number 1125383 Registered as a company limited by a guarantee in England and Wales under Company Number 6298947

Registered Office: Burlington House, Piccadilly, London, W1J 0BD © Royal Academy of Arts, 2020 Covering the period Coordinated by Olivia Harrison Designed by Constanza Gaggero 1 September 2018 – Printed by Geoff Neal Group 31 August 2019 Contents 6 President’s Foreword 8 Secretary and Chief Executive’s Introduction

10 The year in figures 12 Public 28 Academic 42 Spaces 48 People 56 Finance and sustainability

66 Appendices

4 Section name President’s On 10 December 2019 I will step down as President of the Foreword Royal Academy after eight years. By the time you read this foreword there will be a new President elected by secret ballot in the General Assembly room of Burlington House. So, it seems appropriate now to reflect more widely beyond the normal hori- zon of the Annual Report. Our founders in 1768 comprised some of the greatest figures of the British Enlightenment, King George III, Reynolds, West and Chambers, supported and advised by a wider circle of thinkers and intellectuals such as Edmund Burke and Samuel Johnson. It is no exaggeration to suggest that their original inten- tions for what the Academy should be are closer to realisation than ever before. They proposed a school, an exhibition and a membership. Each to be mutually supporting “to promote the arts of design”. The question for us is: how can we maintain our character and inde- pendence while making this virtuous circle endure? It is tempting to write endure ‘for ever’ rather than the less emotive and anodyne ‘in the long term’, but we are certainly making serious progress, and several endowed scholarships have been created recently towards our goal of permanently funding all our students. This will free up the income from our Friends and exhibitions to raise the quality of art and the experience for our visitors – all of which we see in a national and international context. I believe the generous help we received in the last decade towards the masterplan and the opening of Burlington Gardens demonstrates the deep well of support and affection for the Academy. Now our next great project is to repair and prepare the RA Schools for their future. As an artist today I look to the future while drawing sustenance from the past, so it was a particular pleasure to be so closely involved in the display of the RA Collection. The Collection is informed by the specific strands of the Academy’s history: works acquired to be studied and copied by students of the RA Schools and diploma works and gifts by the artists and architects elected in the past 250 years. This is an important resource and it is such an enormous archive of art and architecture that it is well beyond the scope of any single gallery to display. Nevertheless, it contains some of our greatest treasures and it is a pleasure to see it being enjoyed by our visitors for free. Increasingly, this quiet space is being discovered by those who wish to draw and study, just as was intended by our predecessors. I leave confident in the talents of my fellow Academicians and of our staff, ably led by the new Secretary and Chief Executive Axel Rüger. Whether my successor is an architect, painter, sculptor or printmaker, I know they will ensure that the Acade- my’s unique identity as an institution run and led by artists and Christopher Le Brun PRA architects will continue to make its special contribution to the President of the Royal Academy modern world of the visual arts.

6 Foreword 7 Secretary and The Royal Academy has undergone an extraordinary transformation Chief Executive’s in recent years and I am deeply privileged to join as Secretary and Introduction Chief Executive at such a critical time in its evolution. I arrived in May 2019, one year after the re-opening of Burlington Gardens and, indeed, the Royal Academy’s milestone 250th birthday. There has been much to celebrate. The new campus has allowed us to showcase our mission with greater impact than ever before and supported us in reaching and engaging new audiences who may otherwise not have visited the RA. The new Collection Gallery and various displays across the campus have provided a new – and for the first time, free – way to engage with the RA and better understand our core mission. And we have brought that mission to life with an impressive programme of contemporary art and architecture exhibitions and displays, a growing programme of public events in the brand-new Benjamin West Lecture Theatre and an exceptional expanded learning programme in the Clore Learning Centre. The celebrations continued into 2019, when we celebrated the 250th anniversary of the RA Schools. We marked the occasion by launching The Future Academy campaign, an ambitious capital and endowment project aimed at restoring and renewing the Schools’ historic fabric and supporting the RA in delivering its mission activities for the next 250 years. A generous gift from Julia and Hans Rausing brought our vision one step closer to reality, providing significant support for the RA Schools capital project. A subsequent major contribution by Dunard Fund towards both the restoration of the RA Schools and the endowment of a student scholarship has given us even greater confidence in our plans. I am very grateful to all our supporters who have so far put their faith in our future, and I look forward to seeing the campaign develop to fruition. While new beginnings bring with them the promise of new adventures, they are all too often bittersweet. As much as we look ahead with great anticipation, we also say goodbye to colleagues and leaders who have shepherded us in achieving our ambitions thus far. I would like to extend my greatest gratitude to Christopher Le Brun for his passion, dedication and inspired leadership throughout his eight-year presidency. His unwavering tenacity and commitment to the RA’s core values as an institution have helped the RA stay true to its purpose and mission – not always an easy feat for an organisation in a phase of significant expansion. Equally, I would like to congratulate Tim Marlow, for his imagination and contributions as Artistic Director during his tenure. He has invested an electric creative energy in the organisation, and we will benefit from the momentum he has built for years to come. Looking ahead, I am excited to turn my attention now to giving Axel Rüger shape to the RA’s strategy and working with our leadership team Secretary and Chief Executive to set out our ambition for the future and execute a clear plan to delivering our shared vision.

8 Introduction 9 The year in figures

total revenue submissions to our generated by in sales from the Summer inaugural Young Artists’ the sponsorship Exhibition 2019 Summer Show £3.6m team £5.8m 6,200

school group people tuned in 846,021 to our second visits exhibition instalment of 669 27k #LifeDrawingLive attendance 18k people attended students enrolled in our Executive people participated in applicants for 15 Masters in Cultural family workshops and volunteers places at the RA an event in the Leadership events Schools Royal 17 2,488 162 767 Benjamin West Academicians elected Lecture Theatre 4

followers accross Facebook, employees staff 1.1m Twitter and Instagram 346 (FTE) 81% engagement 92k 639 Friends of the RA objects from the RA gin cocktails sold during generated Collection on display the Summer in retail 8,671Exhibition! £4.3m sales 1,205 across the campus people participated pledged to the in courses or Front of exhibitions House staff Future Academy classes hours 8 37,752 £20.7m campaign so far

10 The year in figures The year in figures 11 One year on from its opening in May 2018, the newly expanded Royal Academy has fundamentally transformed the way it delivers Public its mission. The redevelopment of Burlington Gardens – the RA’s major enhancement of its site to mark its 250th anniversary – has extended its ability to ‘reveal, celebrate and explore’ its heritage for a broad 21st-century audience. The capital project set out to bring The Royal Academy’s the RA’s long tradition of artistic practice and its commitment to training artists to the forefront: revealing to audiences for the first expanded campus offers time the RA Schools that sit at the heart of what it does. Equally, the new campus has been designed to help the RA celebrate its heritage by providing the space for innovative displays of the RA visitors a greater range Collection, as well as establishing the RA as a prominent home for learning and debate. New dedicated learning facilities, such of activities than ever as the Clore Learning Centre and the Benjamin West Lecture Theatre, encourage the exploration of art and art-making more explicitly than ever. before in the RA’s history. The beautifully expanded Gabrielle Jungels-Winkler Galleries now give the RA the opportunity to significantly diversify its ambitious exhibition programme and take more creative risks in With Burlington House order to continue to surprise and delight audiences. The new Architecture Studio likewise is a space for exploration and now linked to Burlington experimentation, a place where curators can explore new ideas in architecture and actively engage visitors. The first full financial year in the new campus – with its increasing Gardens, visitors can appeal as a destination for exhibitions, events, shopping, eating and drinking – has begun to demonstrate the valuable potential enjoy a wider choice of that the RA’s new home presents. In the coming years the RA will continue to learn, to evolve its approach and to maximise the impact it delivers. The 2019/20 strategic planning phase exhibitions and events, will establish clear objectives and key performance indicators by alongside free galleries which the RA will track its success from this point forward. Main Galleries The 2018/19 exhibition programme was framed by two ambitious showing new work and and pioneering loan exhibitions in the Main Galleries. The opening ceremony for Oceania, the first-ever major survey of Pacific art to centuries-old art from be held in the UK, began with the sound of a conch shell blown in Green Park at sunrise followed by a traditional Maori blessing. The wide-ranging exhibition celebrated the art and culture of the RA Collection. Melanesia, Micronesia and Polynesia, from New Guinea to Easter Island, Hawaii to New Zealand. Around 200 exceptional works included art by nine contemporary artists and collectives shown alongside historic objects from public collections worldwide. The displays, spanning over 500 years of art-making, were a rare opportunity to be immersed in the art and culture of a vast area that represents nearly a third of the world’s surface, a region rich in history, ritual and ceremony. An audience of over 135,000 attended the exhibition and press coverage was overwhelmingly positive. The Times praised the

12 Section name Public 13 Oceania opened with public An installation view of Klimt / performances in the Annenberg Schiele: Drawings from the Courtyard by cultural groups Albertina Musuem, Vienna from across the Pacific

show as ‘a feat of diplomacy, procurement and preservation’. extremely intelligent interleaving of images by theme, time and The exhibition was made possible with generous support from place brings into unusually close focus not only the art of these New Zealand, the Kingdom of Tonga and Papua New Guinea. two great Viennese modernists, but the nature of drawing itself.’ Additional support was given by Creative New Zealand, The The exhibition, supported by Ömer Koç and Jake and Hélène Ruddock Foundation for the Arts and Edwardian Hotels. Marie Shafran, was seen by an audience of over 173,000. Later in the year, Bill Viola / Michelangelo: Life, Death, ‘A sexy, sacred riot of flesh’ was the Guardian’s enthusiastic Rebirth presented a bold juxtaposition of works by 20th- headline to a five-star review ofThe Renaissance Nude, century video artist and Honorary Royal Academician Bill Viola organised with the J. Paul Getty Museum. Paintings and studies (b.1951) in conversation with the drawings of Michelangelo by Titian, Raphael, Dürer, Cranach and their contemporaries (1475–1564). It was the first ever exhibition at the Royal ‘A sexy, sacred riot illustrated changes in how the human body was depicted in Academy devoted to video art. Though working five centuries of flesh’ Europe in the 15th and 16th centuries: the influence of classical apart and in radically different media, Viola and Michelangelo The Guardian on models, experiments with more naturalistic approaches, The Renaissance Nude share a deep preoccupation with the nature of human religious and non-religious contexts. The exhibition, seen by experience and existence. Bill Viola / Michelangelo created an an audience of over 81,000, was supported by the Thompson artistic exchange between these two artists and presented a Family Charitable Trust and Peter and Geraldine Williams. unique opportunity to see together for the first time major works Félix Vallotton: Painter of Disquiet brought the Swiss artist from Viola’s long career and some of the greatest drawings into the limelight for London audiences. Associated with Pierre by Michelangelo, generously loaned by the Royal Collection. Bonnard and Édouard Vuillard, Vallotton worked in a variety of The exhibition’s innovative pairing attracted just under 86,000 genres. Paintings, prints and striking woodcuts ranged from visits and was supported by Genesis Foundation, with special dreamlike landscapes of the Loire and Normandy to satirical thanks to John Studzinski CBE, as well as Blain|Southern and Parisian social scenes to the disquieting particularity of his Self- Dunard Fund. Portrait at the Age of Twenty (1885). The show was supported by Jaeger-LeCoultre, The Pictet Group and Pro Helvetia. Jillian and Arthur M. Sackler Wing of Galleries To mark the centenary of the death in 1918 of two of Austria’s Gabrielle Jungels-Winkler Galleries most celebrated artists, the opening exhibition in the Jillian The new Gabrielle Jungels-Winkler Galleries offer the RA an ‘A substantial artist, a genius...printmaker and and Arthur M. Sackler Wing of Galleries presented Klimt / expanded space to extend the remit of its exhibitions programme. acute documenter of Schiele: Drawings from the Albertina Museum, Vienna. The In its first full year following the opening of Burlington Gardens, Parisian life at the fin de show proved one of the highlights of the year. Self-portraits the programme opened with a retrospective of the work of siécle.’ and erotic nudes, landscapes and allegories conveyed both Renzo Piano Hon RA and later showcased a new installation by The Evening Standard on Félix Vallotton: Painter of the end of an era and a shared artistic temperament. ‘The Phyllida Barlow RA. Renzo Piano: The Art of Making Buildings Disquiet judicious selection,’ wrote Laura Cumming in the Observer, ‘and attracted international media attention, from Al Jazeera to

14 Public Public 15 An installation view of Renzo welcomed them into the Central Hall. The Evening Standard Piano: The Art of Making Buildings wrote that ‘the show has never looked so coherent’ and praised the ‘impressive flair’ with which such a vast number of works was arranged. BBC2 broadcast a one-hour television programme on the Summer Exhibition, which attracted 722,000 viewers. The exhibition itself had an attendance of 195,000, a comparable figure to 2017 despite a shorter run of only 63 days. Proceeds from the sale of art in the show also achieved new heights, in part due to the success of online sales via the Summer Exhibition Explorer. Total gross sales of £5.8m were realised, translating into a net commission of over £1.6m to the RA – the highest commission the show has ever generated. Proceeds from art sales at the Summer Exhibition support a range of activities at the RA, including the training and development of young artists in the RA Schools. In the great tradition of the RA, the Annual Dinner marked the formal opening of the Summer Exhibition. Greg Doran, artistic ARD German Radio. Italian-born Piano is one of the world’s director of the Royal Shakespeare Company, addressed the leading architects, whose practice has since 1981 realised 270 guests including the HE The High Commissioner of over 100 projects around the world, from housing and offices Papua New Guinea. Following this, the Summer Exhibition to landmark cultural centres. The exhibition attracted just under Preview Party, a fundraising event chaired by Grayson Perry 77,000 visits and proved especially successful in drawing RA and sponsored by Insight Investment, raised £0.5m in a distinctly younger audience: one third of those who visited ticket sales and generated more than £1.0m in art sales in were under the age of 35. Models, sketches, photographs less than three hours. Guests included Kylie Minogue and and archival materials of Piano’s signature collaborations and James Norton, and singer James Bay performed at the end of designs were on display, including the Pompidou Centre the party. The Preview Party received wide press coverage. in Paris, the New York Times Building and London’s Shard, Free displays across among others. The exhibition was supported by Rocco Forte the campus offered an Collection Gallery and displays important new level of The redevelopment of Burlington Gardens has provided ever Hotels, Turkishceramics, iGuzzini, the Italian Trade Agency, and access to audiences, with Scott and Laura Malkin. one in five people now more opportunities for the RA to showcase its own Collection, In the latter half of the year, Phyllida Barlow RA: cul-de-sac visiting the RA to see which has been made available to the public for the first time. explored the limits of the Gabrielle Jungels-Winkler Galleries, things outside the main The curation of the Collection Gallery presented works by exhibition programme using everyday materials – concrete, timber, fabric – to create the RA’s founding artists and in its first year welcomed an towering sculptures that impelled visitors to engage with their audience of over 150,000 to experience highlights from the scale and weight. ‘My relationship with making sculpture,’ said RA’s Collection, including works by J.M.W. Turner RA, John the British sculptor, ‘has to be adventurous, on the edge of Constable RA, Angelica Kauffman RA and Mary Moser RA. being beyond my control’. Phyllida Barlow RA: cul-de-sac In total, free displays across the campus offered an important was supported by Art Fund and Hauser & Wirth. new level of access to audiences, with one in five people now visiting to experience the RA outside the main exhibition Summer Exhibition programme. Audience feedback to the new free displays was Acclaimed British painter Jock McFadyen RA was the co- outstanding: ‘It provides easy access to art. You can just walk ordinator of the 251st Summer Exhibition, sponsored by in and have a look!’ Visitors noted especially that the RA had Insight Investment. The 2019 Summer Exhibition received changed, praising that it had taken risks ‘outside its comfort zone’ Sarah Leader @sarahleaderLDN over 16,000 entries, of which 1,600 works were selected and becoming ‘a place for everybody [that] encourages creative @royalacademy Never for display in the Main Galleries and in the Ronald and Rita thinking and a community of people with similar interests’. disappointed. I love this McAulay Gallery in Burlington Gardens. Throughout the year Royal Academicians and others show for its diverse range In the Annenberg Courtyard, towering sculptures by were invited to engage with the RA’s history, building and of art. There’s always something that delights Thomas Houseago responded to the statue of Joshua Collection and present their own interventions – breathing and inspires #RASummer Reynolds PRA. As visitors progressed, an artistic menagerie new life and perspectives into its rich 250-year heritage. The

16 Public Public 17 interventions encouraged visitors to engage with the RA as Sarah Pickstone’s An Allegory ‘Since being here, I have of Painting was a tribute to learnt something new they journeyed across the site. Bob and Roberta Smith RA: Angelica Kauffman RA and was literally every day. I feel The Secret to a Good Life included works by family members enabled by funding from the like my brain is a sponge to shape a portrait of how artists are defined and who gets National Lottery Heritage Fund again. It is a very exciting to be an artist. An Allegory of Painting by Sarah Pickstone, place to be, and it is pushing me further in ways a graduate of the RA Schools, was a tribute to Angelica I didn’t think was possible.’ Kauffman RA, one of the two female founding members of Anna Smallman, AttRAct the Academy in 1768. A recent graduate of the RA Schools, and Access Art 25 Assistant – former NHLF Richie Moment, encouraged visitors to consider how artists Learning Trainee need private spaces to experiment and fail. The interventions were supported by the National Lottery Heritage Fund and Anniversary Partner, BNY Mellon. Adam Hogarth: Spring and Summer was a tribute to founding member Mary Moser RA. Sculptures made of flowers quoted anecdotes about Moser by her contemporaries. To accompany Adam Hogarth’s works, which were installed in the Wohl Entrance Hall, a public thoroughfare in Burlington Gardens, two flower paintings by Moser were hung in the Collection Gallery. sponsorship from BNY Mellon as RA250 Anniversary Mali Morris RA presented her top picks from the RA Partner, focused on broadening and diversifying the RA’s Collection in a display curated in the Collection Gallery. audience engagement. There were 32 different strands Selecting oil studies and drawings by Thomas Gainsborough including contemporary commissions based on the RA RA and others, along with everyday artefacts of studio life – Collection; art-making workshops for teachers, building new doodles, shopping lists, tools and materials – Morris sought to partnerships, recruitment models and training sessions for capture the tactile immediacy of studio practice. At the same volunteers; and, creating job opportunities for a larger range time, in Burlington House a Tennant Gallery show of Morris’s of applicants through the apprenticeship programme. own work was on display. With 23 works on paper from The plan allowed the RA to test new ways of working with across the artist’s career, this free display explored the vibrant and engaging audiences and the overall result was immensely ‘[Free displays] provide and abstract paintings of the contemporary Royal Academician. easy access to art, you positive. Audiences for activities at the RA are as a result more To explore contemporary topics in architecture, free displays can just walk in and have a diverse, more representative of London and the UK, younger, now feature in the Architecture Studio, set within the Dorfman look!’ RA visitor feedback more likely to learn about the RA, more likely to feel at home Senate Rooms in Burlington Gardens. They included Invisible at the RA, and more likely to come back after a first-time visit. Landscapes, an investigation in three acts of the impact digital The programme has also changed how the RA works. A more technologies have on our lives and everyday environments. Acts collaborative, cross-organisational approach has created I and II of the series were supported by Turkishceramics. In the innovative processes and a sense of shared professional latter part of the year, Knock Nothing Down considered the engagement throughout the institution. The RA plans to build architectural and urban benefit of retaining existing buildings on the momentum this plan has given it in the years ahead. rather than demolishing them. The display showcased designs by the late Will Alsop RA. Architecture Programme Beyond the Architecture exhibition programme the RA National Lottery Heritage Fund Activity Plan welcomed 5,000 participants to a variety of events in Generous funding from the National Lottery from 2013 which over 70 speakers discussed topics that ranged from to 2019 enabled the RA to deliver the capital project architecture for non-humans to the political implications and widen engagement with its new spaces and artistic of walls. A live-streamed in conversation event with Renzo programme. Through various strands of work, the RA was Piano Hon RA and Razia Iqbal received over 35,000 views able to experiment and develop its public programming by on social media. French architect Jean-Philippe Vassal gave means of new types of free display, better online access, the Annual Architecture Lecture in the new Benjamin West more diverse learning programmes, and a wider involvement Lecture Theatre, which has since then attracted 4,000 online of apprentices and volunteers. views on the RA website. The Annual Architecture Lecture The National Lottery Heritage Fund Activity Plan, with was supported by Vhernier. In June 2019, the RA hosted

18 Public Public 19 The Annual Architecture Lecture was delivered by architect Jean-Philippe Vassal

the main symposium of the London Festival of Architecture. Alternate Languages was an architecture day based on an earlier RA programme at the Venice Biennale. Installations, sound workshops, performances and discussions were run across the RA’s two-acre campus commenting on our response to built environments. The Architecture Programme was supported by Rocco Forte Hotels and many of the talks continue to be available on the RA website. The RA’s annual Architectural Awards Week took place in May 2019. The Royal Academy Architecture Prize was The Royal Academy Architecture Prize was awarded to Elizabeth Diller and Ricardo Scofidio for their awarded to Elizabeth Diller interdisciplinary work demonstrating how buildings enhance and Ricardo Scofidio cities. Four finalists were nominated for the RA Dorfman for their interdisciplinary Award, including Fernanda Canales (Mexico), Alice Casey work demonstrating how buildings enhance cities and Cian Deegan, TAKA (Ireland), and Mariam Kamara, Atelier Masomi (Niger). The award was presented to Thai architect Boonserm Premthada from the Bangkok Project Studio. Premthada’s interests include the use of local craft skills and traditional methods, as well as the ways in which non-architects can intuitively solve spatial problems. The work of the four finalists for the RA Dorfman Award was put on display in the Architecture Studio in Burlington Gardens. The Dorfman Foundation is a founding partner of the Architecture Awards and individual awards were sponsored by Derwent London and the British Council as international partner.

Visitors can engage with the latest ideas in architecture for free in the Architecture Studio 20 Public Section name 21 Caption for the image ‘Family labels’ Lorem ipsum

The menagerie at the heart of this year’s Summer Exhibition, curated by Jock McFadyen RA Little22 blurb Section name59 Section name 23 Phyllida Barlow RA’s cul-de-sac in the Gabrielle Jungels- Winkler Galleries 24 Section name Section name 25 Visitors enjoy a free tour of the RA Collection Gallery

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Little26 blurb Section name59 Section name 27 Luke Samuel, class of 2021, Academic in his RA Schools studio At the heart of the RA is its commitment to training the next generation of artists. The RA Schools has done Since its foundation, the RA has made a solid commitment so for 250 years and this to education – from the postgraduate fine art programme in the RA Schools to its diverse learning activities for year embarked on a major schoolchildren. In between lie programmes for young adults, lifelong learners and most recently, the RA’s newly launched Executive Masters in Cultural Leadership, an advanced study programme to enhance programme offered in partnership with Maastricht University.

The Future Academy its facilities for all who In February 2019, the RA announced a major new campaign which will both restore and renew the RA Schools and build up study there. A profound the RA’s endowment to support its mission for the next 250 years. The Future Academy campaign was launched with a major gift from Julia and Hans Rausing. The £10m gift, the commitment to the study most significant in the RA Schools’ history, will support the restoration and renewal of the Schools’ buildings. The newly of art and architecture named Julia and Hans Rausing Campus will be designed by architects Sir David Chipperfield CBE RA and Julian Harrap. The Future Academy campaign marks 250 years of the RA extends across a dynamic Schools and aims to restore the Schools’ historic fabric as well as create a new suite of technical workshops that reflect today’s range of learning changing artistic practices. A major gift of £5m from Dunard Fund has also made a significant contribution towards this essential project. In addition, Dunard Fund is endowing a student programmes, designed to scholarship which will help to secure its free postgraduate education offer in perpetuity. Another generous endowment educate and inspire both from Ronald and Rita McAulay will also ensure that two student places at the RA Schools have guaranteed long-term funding. adults and children. The RA Schools Since its founding in 1769, the RA Schools have sat at the heart of the RA, charged with developing a new generation of artists. Today, 15 students are selected annually into its

28 Section name Academic 29 before it gets unsettled again Schools. The exhibits took inspiration from Russian music Artwork by RA Schools student Charley Vines, class of 2021, as reimagined by Walt Disney; architectural casts from the in the RA Schools Show 2019 historic RA Collection; and the use of print and other working methods by artists today. The Weston Studio also provided exhibition space for Premiums: Interim Projects and the RA Schools Show, bringing the works of RA Schools students into free public view for all visitors. The final display was The Garden, a celebration of the 250th anniversary of the RA Schools. Works held in the RA Collection by recent graduates were shown alongside their selection of art by Royal Academicians and graduates from the past also from the RA Collection, including works by J.M.W. Turner RA, Edwin Landseer RA and others. Other improvements in RA Schools facilities for students included a new studio for photography, performance, video and sound, and the reintroduction of a ceramics workshop, with funding from the Rose Foundation and Machin Foundation. Supporters of the RA Schools included Newton Investment current three-year postgraduate programme, which brings Management, whose generous ten-year sponsorship drew them into direct contact with leading artists and practitioners. to a close in February 2019. The RA Schools are grateful for Last year nearly 770 applicants competed for the fully funded their long-term support, as well as that of The Ronald and places in what is one of the UK’s leading art schools, with its Rita McAulay Foundation, the Eranda Rothschild Foundation, unique proximity to the outstanding galleries of the RA itself. Red Butterfly Foundation, William Brake Charitable Trust, Sir Highlights of the academic year at the RA Schools Paul Smith and Lady Smith and the Charles Michael Holloway included lectures by Robert Mills on Hieronymus Bosch and Charitable Trust. Galen and Hilary Weston also generously by philosopher Federico Campagna. A study trip to Madrid supported the RA Schools and RA Learning programme. Other enabled students to examine masterpieces by Velázquez and financial help throughout the year included the annual RA Goya in the Prado and Picasso’s Guernica at the Reina Sofia Schools Auction, supported by Tileyard Studios, which raised museum. Public events included a discussion of the architecture £0.4m, with donations from each of the graduates of 2018 and Last year nearly 770 of painting by artist Rochelle Feinstein. The recipient of the applicants applied for the works by 28 Royal Academicians. fully funded places in what Starr Fellowship, a year-long fellowship at the RA Schools is one of the UK’s leading for US nationals with a contemporary art practice, was Kelly Masters Degree in Cultural Leadership art schools Lloyd. The American artist interviewed students and collected Last year, in partnership with the University of Maastricht, their hair as part of ongoing work which eventually featured in the RA launched a new postgraduate degree course aimed her end-of-residency show in July 2019. at developing the next generation of leaders in cultural Collaborations saw RA Schools students work with A-level institutions. The Executive Masters in Cultural Leadership art students in London through the AttRAct programme. A is taught in intensive modules in London and Maastricht, six-month residency at Turner’s House in Twickenham, built by with trips to art fairs and biennales around the world. The the artist in 1813, enabled RA Schools graduate Nicky Carvell programme provides students with unprecedented access to develop work in response to the museum and exhibit it at to leading figures in the international art world and a network the lodge. The residency was funded by the National Lottery of relationships at the Royal Academy of Arts. Heritage Fund. An exchange programme funded by the K11 The first cohort of 17 students began in January 2019 Art Foundation saw graduate Martin Gross working for two and have been full of praise. One called the course ‘a great months in a studio space in Wuhan, China, and Juin-Jun journey’, while another said ‘the course is superb and I very Zhang welcomed from China to work in the RA Schools much appreciate all the effort the RA has put into making it so studios during the summer. intelligent, diverse and fun.’ In a way that was never before possible, visitors moving through the RA can now engage with work and ideas from Primary and secondary schools the RA Schools in the new Weston Studio. The space’s first Learning programmes for children and young adults in the full-year programme was created and curated by the RA RA’s new spaces have begun to take new directions. The

30 Academic Academic 31 Clore Learning Centre has widened the possibilities for The inaugural Young Artists’ In 2018/19, eight percent Summer Show attracted more of visits to the RA were workshops and displays and provides a valuable new venue than 6,200 entries made by families, with for exhibitions, opening up the important work the RA does numbers more than for the wider public to see. doubling since the Nearly 700 school groups booked a visit to the RA in reopening of Burlington Gardens 2018/19 during which teachers and staff introduced 20,000 students to the history of art and architecture, and the RA itself. New workshops were developed to engage students with the newly displayed RA Collection, as well as creative sessions and interactive guided tours of exhibitions. Students from Further Education Colleges and home-educated groups were also welcomed. In partnership with Goldsmiths and the Institute of Education, the RA trialled two workshops for PGCE students training to be teachers. New publications for teachers included resources on stories from the RA Collection (for primary school) and sculptures (for secondary school), featuring information, images and suggested activities for a face considerable barriers to being involved in the arts. It selection of works and artists, with links to exam topics and also drew on the strong relationships the RA has established learning outcomes. The RA also published a new sculpture with different community organisations over the years. study guide for 15–19 year olds to support independent A second exhibition in the Clore Learning Centre was visits to the RA Collection. a fresh, creative complement to the RA’s annual Summer Exhibition. Drawing on the success of the earlier A-level Family and community events Summer Exhibitions Online, the RA launched a new Young ‘You can be creative whenever you want,’ answered one Artists’ Summer Show in 2019. Artists aged 7–19 submitted child who was asked what they had learned at an RA art more than 6,200 drawings, paintings, photographs, sculptures workshop. In 2018/19, eight percent of visits to the RA were and videos. A selection was shown in the RA itself, while made by families, with numbers more than doubling since the for the online exhibition, 329 were chosen by the panel of reopening of Burlington Gardens. Children participated in a Academicians, teachers and artists. Christopher Le Brun, range of art-making opportunities and were, among a diverse President of the Royal Academy, awarded prizes for two programme of events, given the chance to meet children’s inspiring artworks from each key stage. The show was made author Jacqueline Wilson and engage in a singalong possible by Robin Hambro, and its positive outcome can be screening of the award-winning Disney film Moana set in seen in a short video interviewing several of the young artists, ancient Polynesia, an activity linked to the popular Oceania which is available online. exhibition. Online, parents and others can download the Other community events at the RA included life drawing ‘Family how-to’ series: step-by-step guides for creative workshops for blind and partially sighted people. Summer activities based on the RA Collection and exhibitions. At the Exhibition Edits, tours of the Summer Exhibition that provide RA itself, Art Detectives guides were available to encourage a unique perspective, worked with homeless charity The young artists to look, question and draw in RA exhibitions. Connection, the Abbey Centre (who support families in need The new Clore Learning Centre enabled the Learning in Westminster) and ActionSpace (an organisation for artists department to lead two innovative exhibition projects. The with learning disabilities). Claire first, Art is Part of the Equation, encouraged artists to work @poppyandpeanut Do with schoolchildren and community groups, including Action not visit the #RASummer Adult courses Space, Age Concern City of London, Arlington House, British exhibition without popping The RA encourages the public to engage with all aspects of Red Cross, Capital A, Crisis, Leonard Cheshire, Marylebone in to the Young Artists’ art. From studio spaces to the elegant and newly refurbished Summer Show Project, Portugal Prints, St Christopher’s Hospice, St @royalacademy such an British Academy Room, facilities are used to deliver classes Mungo’s, The Connection, The Passage and Whitechapel amazing display of young in the history, theory and business of art, as well as practical Women’s Groups. Sponsored by BNY Mellon, the exhibition talent and lots of teaching workshops in drawing and painting. In 2018/19, the RA celebrated a diverse range of makers who might otherwise inspiration! ran 50 courses for adults. Topics ranged from the influence

32 Academic Academic 33 Wendy Shearer delivers an London and gave students invaluable work experience at interactive story-telling session Digital records from the during the inaugural Festival RA Collection and Archive the RA as part of the National Lottery Heritage Fund Activity of Ideas available to view on the Plan. The Birthday Party proved a great success in attracting website grew by nine new and diverse young audiences to the RA: 31 percent percent to nearly 16,000 were first-time visitors, 85 percent were under 35 years old, and 89 percent described that event as ‘relevant for people like me’. RA Lates continued to be a sell-out success, attracting 8,000 participants in 2018/19. From a Vienna Cabaret, marking the world of Gustav Klimt and Egon Schiele, to a Summer’s Night in Montmartre, inspired by the paintings of Félix Vallotton, RA Lates continue to reach out to new audiences, with as many as one in three of those attending being on their first visit to the RA, and one in two under the age of 35. Their popularity was enhanced by partnerships with Time Out and Wilderness Festival, where the RA ran an immersive Pleasure Garden After-Party. of Oceanic art on artists such as Gauguin to changing approaches to self-portraiture; the art of collecting and buying A resource for learning prints, and the impact of fakes and theft on the art market. The RA is an important resource for scholars and institutions around the globe. The Academy is unusual in having a record Events of every student admitted to the RA Schools since it opened RA events make exciting connections across the arts. In in 1769. With support from the Polonsky Foundation and September 2018 the RA launched its first Festival of Ideas. Samuel H. Kress Foundation, the RA has digitised lists of Thinkers and practitioners from the realms of art, music, the 5,500 students admitted before 1922. Staff are now dance, film and literature engaged in discussion, debate and preparing a comprehensive index of the registers, which will creative thinking on a range of compelling topics relevant to be accessible online worldwide. Throughout the year the today’s audiences. Speakers in the opening festival ranged Historic records such as these make the library and RA held more than 100 from Gilbert and George RA discussing how collaboration events for adults, reaching archive of the RA a rich academic resource. The past year informs their creative process to historian David Cannadine 18,000 visitors saw the Press Office archive from 1934–2019 catalogued, lecturing on Winston Churchill and the statesman as an and the digital imaging of more than 3,000 works from the artist. The event proved so popular that a second Festival archive, library and object collections. Digital records of of Ideas was held in May 2019. Among many prominent RA materials available to view on the website grew by nine contributors, Ken Loach discussed his 50 years directing percent to nearly 16,000. films; Kwame Kwei-Armah, artistic director of the Young Research and loans make the RA Collection more widely Vic, spoke of his passion for opening up theatre to wider known. A visiting scholar from the Palace Museum in Beijing audiences; and cartoonist Posy Simmonds revealed what undertook a 12-week residency to study the RA’s exhibition inspires her satirical drawings. In total the festivals reached a of Chinese art in 1935. Loans from the Collection were seen live audience of nearly 9,500 people. in Sweden, Russia, Hungary, Korea and the UAE, as well as Throughout the year the RA held more than 100 events in the UK. Gifts to the Collection included the photographic for adults, reaching an audience of over 18,000. The annual archive of the sculptor Robert Clatworthy RA and paintings Rothschild Foundation Lecture was given by Dr Demis and works on paper by Anthony Whishaw RA. Hassabis, CEO of DeepMind, who spoke about artificial intelligence and neuroscience. Singer-songwriter Chrissie Hynde of The Pretenders discussed her interest in painting. For the RA Student Night: The Birthday Party, art students, recent graduates and young creatives took over the campus to co-curate a free celebration of the RA’s 250 years. The event was a partnership with the University of the Arts

34 Academic Academic 35 Rebecca Salter RA, Keeper of the Royal Academy, has guided the RA Schools since 2017

36 Section name Section name 37 A magical summer’sCaption night TBC at the RA Late: Summer Pleasure Garden

38 Section name Section name 39 A life drawing session for AttRAct students, part of a year long series of free practical workshops for young people aged 16-18 40 Section name Section name 41 In May 2018, the new RA campus sprang to life with the public opening of the newly combined Burlington House and Spaces Burlington Gardens. In the first year, on average there were over 4,600 visits to the new RA each day. The new spaces invited audiences to try new things – to experience works from the Collection in the new Collection Gallery; to engage with artist interventions in the Ronald Since reopening in and Rita McAulay Gallery; to start conversations around the ideas sparked by the Architecture Studio; to see the works May 2018, the Royal of the RA Schools students in the Weston Studio. The newly expanded RA opens its audiences to learning about and engaging with the ever-changing process of making art. Academy now has 70 Special guests included HRH The Duchess of Cornwall who, with the Trustees of the Clore Duffield Foundation, percent more public visited in January 2019. In the Clore Learning Centre, the Duchess spoke to children from Roe Green Junior School as they made works of art and explored their own creativity. space. New galleries The VIP group also observed a life-drawing session for adults with mental health issues and, in the Benjamin West and spaces have created Lecture Theatre, listened to students from the Royal College of Music perform a work composed in response to a painting rich new experiences, by Angelica Kauffman RA. A sense of welcome The new RA campus, more diverse and more widespread, from free displays of has posed a new set of questions about what visitors do at the RA and how they find their way around. To meet these paintings and sculpture challenges, the RA has brought together its visitor experience, retail and catering departments into a single division. The aim is to ensure that the RA consistently delivers a warm to a more diverse array welcome for all its visitors. Over the first year of operations, it has become clearer of exhibitions and events how the RA’s audiences experience the building and the challenges it needs to address in continuing to ensure that its audiences feel at home and well-oriented in the new that aim to stimulate spaces. In recent months, the RA has started to refine how the communal spaces are used, adding additional seating, debate and shape future improved signage and better access for its visitors. In September 2018 the RA opened its refurbished shop in Burlington House. The shop contains a changing range of thinking on art and prints, postcards and designs – from stylish hats to picnic ware – that reflect the work of specific artists and exhibitions, and the creative process more generally. The selection of architecture across books has been increased, and the retail area expanded to create a new space: Gallery X. The room features limited the world. edition works of art and artist collaborations. A refurbishment of the Friends’ room in the Keeper’s House was completed in September 2019.

42 Section name Spaces 43 The newly re-designed RA Shop Bob and Roberta Smith RA’s extends to Gallery X, a space free display The Secret to a dedicated to limited edition Good Life in the Ronald and Rita ranges and artist collaborations McAulay Gallery

The digital space Sustainability As the physical RA has expanded, so has its presence as The RA has reviewed the impact of its operations upon a digital space. In 2018/19 the RA website attracted 3.4m the environment and taken a view on how it could operate visits. RA online events have an international following. With more sustainably. To this end, the 2013 Sustainability Policy support from the New Zealand government, an introduction has been revised into two governing documents: ‘The RA to the Oceania exhibition, with live musical performances, Environmental Sustainability - Statement of Principles’, and was streamed to reach both a primetime UK audience and ‘The RA Environmental Sustainability Objectives.’ While the a weekend morning Pacific one. The RA’s second live- former states how the RA intends to support the mitigation streamed life drawing class took place in February 2019. of climate change and associated system pressures where The focus was anatomy, and the session featured not only it can, the objectives detail specific areas of improvement a male model, but Romeo, a Welsh mountain pony. Over across the campus. Measures will be taken to ensure the 25,000 people from around the world joined the class organisation minimises energy consumption and carbon (#LifeDrawingLive), a video of which can be seen on the RA emissions directly. Supply chains will also be assessed for website along with thousands of participants’ sketches. their environmental impact. On social media, popular items included a video on tattoo and body art in the Pacific, which drew 110,000 views on Facebook. The first-ever naturist visit to the RA went viral and became the RA’s most liked Instagram post to date. Followers of the RA on Instagram grew by 53,000, a rise of 18 percent over 2017/18. Overall the RA has 1.1m followers Katy Swift on Facebook, Instagram and Twitter. @ArtsActivist The digital RA is closely integrated with the visitor This is how we roll on experience. The Customer Experience project, which is Thursday these days. Enjoying picking up a implementing a new single database of RA customers, pencil for the first time in launched entirely new systems of selling and servicing tickets, 10 years @royalacademy memberships and donations. As part of this, the website #LifeDrawingLive haven’t was redesigned, which helped to raise the percentage of been able to afford life drawing classes so this tickets sold online including an additional donation to the RA is a joy! from approximately 15 percent to over 50 percent. Online purchases of works of art from the Summer Exhibition rose by 30 percent, generating sales of almost £0.9m. Ada, the exhibition-management application developed by the digital and exhibitions teams, was launched in December 2018.

44 Spaces Spaces 45 Visitors look on to the Lovelace Courtyard from the Weston Bridge, which connects Burlington House with Burlington Gardens

Little46 blurb Section name59 Section name 47 Niall McLaughlin and John Akomfrah CBE were elected People Royal Academicians in May 2019 The RA is unique: an artist-led institution where Royal Academicians and RA staff join together to promote art and The Royal Academicians are the core community that make the RA what it is today. Changes to the Membership in architecture. The RA 2018/19 saw architects Adam Caruso and Peter St John and Niall McLaughlin elected Royal Academicians, as were painters Lubaina Himid and John Akomfrah. Artists Carmen now offers an even larger Herrera and Kara Walker, both based in the United States, were elected Honorary Royal Academicians. platform to demonstrate In December 2019, Christopher Le Brun stepped down as President of the Royal Academy after serving for eight years. He has led Academicians, staff and supporters the excitement of art in the biggest collaboration and fundraising campaign in the Academy’s history. Highlights of his Presidency include welcoming Her Majesty The Queen to open the and architecture today. new buildings in March 2018 and leading the celebrations of the 250th anniversary. He oversaw the masterplan redevelopment, in which he was involved in all aspects from conception to completion. He has continued to build on the strength of the RA’s world-class membership, admitting artist collaborations such as Gilbert & George and Jane and Louise Wilson to the Academy for the first time. A number of appointments were made: Lord Peter Ricketts as Secretary for Foreign Correspondence, Professor Roger Kneebone as Professor of Anatomy, Bronwyn Ormsby as Professor of Chemistry and Gerald Libby as Emeritus Professor of Anatomy. The RA was saddened to learn of the death in May 2019 of the outstanding Chinese-born architect I.M. Pei, who was an Honorary Academician.

A living Academy Academicians participated in public activities throughout the RA. Professor Farshid Moussavi RA discussed aesthetics and

48 Section name People 49 architecture with philosopher Jacques Rancière. Phyllida Barlow Cornelia Parker RA, Transitional Object (PsychoBarn) in the RA and Barbara Rae RA spoke about their careers as artists. Annenberg Courtyard The Spring 2019 edition of the RA Magazine was an Art Education Special Issue. Guest editor Rebecca Salter RA, Keeper of the Royal Academy, commissioned a report on the crisis of art education in schools, an investigation into the challenges facing UK art colleges, and a wide range of contributions from students, alumni and Academicians including Sonia Boyce RA, Brian Catling RA and Mali Morris RA. Stephen Farthing RA and Michael Farthing published a study of the anatomical drawings of Leonardo da Vinci. In addition to catalogues associated with exhibitions, the work of Royal Academicians featured in a number of RA publications, including travel sketchbooks by Chris Wilkinson RA, volcanic landscapes by Emma Stibbon RA and scenes of Greek islands by Anne Desmet RA. Monographs examined the work of, among others, Jock McFadyen RA, John Carter RA and Mick Moon RA. Art by Royal Academicians was displayed in the Keeper’s responsible for an extremely successful exhibition programme House and included work by Leonard McComb RA, Humphrey that has attracted both critical acclaim and new audiences to Ocean RA and Tess Jaray RA. In the Annenberg Courtyard, the Royal Academy. Outstanding exhibitions include: Ai Weiwei Cornelia Parker RA exhibited her large-scale sculpture, (2015), Painting the Modern Garden: Monet to Matisse (2016), Transitional Object (PsychoBarn). Originally commissioned Abstract Expressionism (2016), Dali / Duchamp (2017), Jasper Marshall Julius for the Metropolitan Museum of Art in New York, the work Johns (2017), Charles I: King and Collector (2018), Oceania @MarshallJulius Though Norman wasn’t used the components of a traditional American barn to create (2018), Renzo Piano: The Art of Making Buildings (2018) and home last night, my spine a version of the house seen in Alfred Hitchcock’s 1960 film Antony Gormley (2019). Marlow has also been responsible still tingled at the sight Psycho, itself modelled on a painting by Edward Hopper. for overseeing the Collections, Learning, Publishing and of Cornelia Parker’s In Florida, at The Gallery at Windsor, Michael Craig-Martin #PsychoBarn in the Architecture teams as well as introducing the annual Festival courtyard of the RA exhibited Present Sense. Recent paintings, sculptures of Ideas and Architecture Awards Week. The RA wishes him @royalacademy, a and prints by the artist extended beyond the walls of the every success in his new role as Chief Executive and Director frightening façade of the gallery into the grounds at Vero Beach. The exhibition of more of the Design Museum. Bates Mansion, which than 35 works was the second of a three-year collaboration was itself inspired by Edward Hopper’s eerie between the RA and the American gallery. Staff 1925 painting House by A study of the Gender Pay Gap at the RA reported that, the Railroad. Appointments and departures excluding casual workers, 63 percent of RA staff members Axel Rüger was announced as the new Secretary and Chief were female. An analysis of pay averaged across the entire Executive of the Royal Academy in February 2019, joining organisation showed that men earned ten percent more in in May 2019. His appointment followed the departure of Sir hourly rates than women. The rates show an improvement on Charles Saumarez Smith CBE at the end of 2018. Axel Rüger the last report published in 2018, where the pay gap in favour was previously curator of Dutch paintings, 1600–1800 at the of men for hourly pay was 14 percent. The RA extended its National Gallery, London, and most recently director of the commitment to the London Living Wage by negotiating with Van Gogh Museum in Amsterdam. its outsourced catering providers to ensure those employed In December 2018, Alison Myners became the new by these external companies and working on site are paid the Chair of the Royal Academy Trust, which looks after the London Living Wage. RA’s endowment, aiming to ensure the stability of the Royal The bi-annual staff survey was completed by over 80 Academy for its next 250 years. A member of the Trust since percent of employees. Staff responded to the demands of 2003, Lady Myners replaced Lord Davies of Abersoch, the new RA campus, and the greater variety of work the RA following his six-year tenure as Chair. is undertaking. The results will help to shape how the RA The end of 2019 marked the departure of the RA’s Artistic builds a sense of connection with what it is trying to achieve Director, Tim Marlow. Over the past six years Marlow has been among its employees.

50 People People 51 Support for staff included the Inspiring Managers Tim Marlow broadcasting ‘We have been able to engage in such a direct programme for current and potential managers, and a live from Tacita Dean and personal way with Wellbeing Week held in January 2019. A Learning Fortnight RA’s 2018 exhibition, visitors quite unlike other in October 2018 offered courses in recruitment, writing LANDSCAPE gallery/museum tours I effectively, saving for retirement as well as inspiring talks on have been on over the years.’ RA Volunteer personal and professional development. feedback Volunteers In 2018/19, volunteers enabled the RA to undertake an ever-greater number of activities. Volunteer guides led 735 tours of the building for more than 5,000 visitors. Volunteers introduce the Collection, the architecture and the fascinating story of the RA and its Academicians. Visitors appreciate the difference volunteers make. As one wrote, the half-hour tour they took was an ‘extremely interesting introduction to the history of the RA and its relevance to today’s art’. Beyond tours, volunteers and trainees support a range of RA programmes such as workshops for schools. A drawing trolley was launched in the Collection Gallery to encourage children to respond to the works on display, as was a new programme of free 15-minute Taster Talks given by volunteers and staff. The response to greater efforts to involve volunteers, from both the public and those volunteering, has been overwhelmingly positive: 97 percent of volunteers surveyed stated that they felt valued for the contribution they made to the RA. The RA has also significantly increased the diversity of its volunteers. Those who help are now more representative of London and the RA’s audiences. The RA has appointed a Volunteer Advisor to maintain the range of opportunities for volunteers and others.

Xeris rem quiTusantur, omnimus venis sima ad eum, cum esequi

52 People Section name 53 HRH The Duchess of Xeris rem quiTusantur, Sussex visited Oceania omnimus venis sima ad on her first solo royal eum, cum esequi engagement 54 Section name Section name 55 The expansion of the campus from the redevelopment programme brings with it both opportunities and challenges Finance and from a finance perspective. There are opportunities to grow the already impressive financial support from fundraising sustainability initiatives, commercial income and loyal Friends, Patrons and corporate supporters, as well as to increase income from an extended exhibition, events and learning programme; but also challenges, from the increased costs of operating The RA has shown that a larger site with much added public space and offering an enhanced programme, including a far greater free public its strong planning for offer than ever before. The opening of the expanded RA campus is a major milestone in the Academy’s history and the challenge now the future has been is to develop an operating and financial model to ensure the RA’s financial sustainability over the short, medium and longer term horizons. The RA can only then take full fundamental to its recent advantage of the multi-million pound redesign of the campus and other significant recent investments made in essential success. The outstanding infrastructure, to support its public and charitable objectives and to safeguard its future. financial support for its Friends The Friends of the Royal Academy, a separate registered redevelopment has now charity, donated £11.6m to the RA, four percent more than the previous year, which represents just over 29 percent of the RA’s total income from ongoing activities. Just over 8,600 evolved into the exciting new Friends joined in 2018/19, with an annual renewal rate of 87 percent, in line with the previous year. The year closed phase of running a wider with just over 92,000 members. The new limited edition RA250 membership scheme – to celebrate the RA’s 250th anniversary in 2018 and the RA Schools 250th anniversary campus, with more in 2019 – closed with a membership of nearly 600. activities than ever before. Patrons As part of their annual subscription, a membership of 430 International Patrons, RA Patrons and Young Patrons Support for the RA remains contributed over £1.3m to supporting the RA’s continued operations. Patrons of the RA enjoyed a diverse range of events including cultural art trips to Marrakech, Paris, Rome, Venice wonderfully generous, from for the Biennale, Hong Kong for the Art Basel contemporary art show and Frieze New York. A journey to Vienna explored the public, from Friends places that inspired the artists Egon Schiele and Gustav Klimt. In addition, Patrons of Royal Academy America enjoyed an artist talk by Ai Weiwei Hon RA and visits to the studios of and Patrons, and from a Antony Gormley RA and Thomas Heatherwick RA. wide range of sponsors, Academicians’ Room The Academicians’ Room, the private members club at the donors and trusts. RA in the Keeper’s House, has just under 1,400 members.

56 Section name Finance and sustainability 57 The RA’s cafés and restaurants Live music from Black Deer generated £0.5m in sales Festival musicians at across the year EXPRESSWAY, an event curated by the Academician’s Room

Events curated by the Academicians’ Room, for both Friends The RA is grateful to all those who contributed to the and the Academicians’ Room members, include the popular enormously successful RA250 campaign marking the Royal Art of Sound series, with DJ sessions and live jazz, and the Academy’s 250th year, as well as those who continue to popular On the Big Green Sofa series hosted by broadcaster support our exhibitions, learning and other programmes. Mary Nightingale. Commercial income Fundraising campaigns RA Enterprises Limited, a trading subsidiary of the RA, The opening of the RA’s new campus in 2018 drew to a close generated sales of £7.2m in 2018/19, with over £6.3m from the largest fundraising campaign in the RA’s history. Over ten retail and publications, £0.5m from catering and £0.4m from years, nearly 2,000 people contributed. In December 2018, academic courses. the final major gift was announced: a £2.5m donation from Retail sales rose by 7 percent, with customers spending Julia and Hans Rausing. In honour of their generosity, the 19th- £14 per transaction on average. Categories that performed century Vaults – now opened up as a prominent display area most strongly included books, jewellery, stationery, prints The opening of the RA’s along the public route linking Burlington House to Burlington and posters. For the exhibition Oceania, the RA collaborated new campus in 2018 Gardens – were renamed the Julia and Hans Rausing Hall. directly with makers and artists from the Pacific islands and drew to a close the largest fundraising campaign in showcased original prints, carvings, textiles and jewellery. the RA’s history. Over ten Corporate support The launch of Gallery X in September 2018 has allowed for years, nearly 2,000 people Extensive corporate support for the RA’s 250th anniversary a series of successful sales initiatives and collaborations, as contributed continued throughout 2018/19. BNY Mellon was the RA’s well as the expansion of the bookshop. Anniversary Partner, supporting exhibitions and events The RA Shop also realised £0.2m in art sales throughout throughout the year. They included a special display in the the year, including prints by Michael Craig-Martin RA, Paula Tennant Gallery that drew on the company’s own art collection. Prue Leith Rego RA and other Academicians. RA Editions launched The paintings in British Watercolours from the Collection of @PrueLeith the first-ever etching by Bill Viola’s studio based on one of BNY Mellon spanned the first 100 years of the RA’s history, with Just been to the his drawings. Angelica, a screen-print by Sarah Pickstone, works by Paul Sandby RA, J.M.W. Turner RA, John Constable @royalacademy to see debuted at the annual London Original Print Fair which the stunning #oceania RA and others. Showing the watercolours at the RA gave them exhibition. I couldn’t resist was held at the RA in April 2019. Solo art sales shows by much greater exposure: over 17,000 visitors attended. this necklace. Stunning. Leonard McComb RA, Humphrey Ocean RA and Tess Jaray Corporate Founding Benefactors and Corporate Members RA generated £0.1m across the year. offered the RA generous support. New Corporate Members RA Publications released 25 new titles, of which the most in 2018/19 included BNY Mellon, Connor Broadley, Jeffries, well received included Klimt / Schiele, which sold 11,000 Native Land, Oil Brokerage, Permira, and Slaughter and May. copies, and the catalogue for the Oceania exhibition, which Insight Investment agreed to support the Summer Exhibition won the International Tribal Art Book Prize 2018. The RA and Preview Party for the next four years. Magazine, a leader in the sector for revenue, raised £0.7m

58 Finance and sustainability Finance and sustainability 59 through advertising, subscriptions and sales. The Royal Academy of Arts, established in 1768 by Royal Revenue from academic courses rose by nine percent to Charter, was incorporated as a 2018/19 Income - £39.8m company limited by guarantee £0.4m, while the new Executive Masters in Cultural Leadership on 2 July 2007 under company attracted a joint income of £0.6m for the first intake of the registration number 06298947, and is registered with the Charity programme from January 2019 to April 2020, of which the RA Commission under charity recognised income of £0.1m in 2018/19. registration number 1125383. The Royal Academy of Arts has three trading subsidiaries, R.A. 1.8% 2.1% Charitable activities: Donations: RA Trust Enterprises Limited, Burlington RA Schools/Library/Education House Limited and RA (Arts) Limited, the results for which are Note: The aggregated figure for consolidated within the financial 16.0% Charitable activities: total visits to exhibitions accounted statements. Exhibitions for in this financial year slightly 2018/19 Exhibitions differs from the number of annual The figures quoted on these pages 29.1% exhibition visits quoted elsewhere are drawn from the Consolidated Donations: Friends of (846,021). The total figure for Statement of Financial Activities the RA annual exhibition visits represents (“SOFA”), which form part of Total 7.3% visits to all paid-for exhibitions Paid Friends Free Daily the audited financial statements, Sponsorship, during the period 1 September Average Attendance and represent the income and rent and other expenditure from ongoing activities 2018 – 31 August 2019 so Summer Exhibition 2019 1,272 1,152 615 3,040 194,537 includes the opening weeks and therefore exclude the Burlington of Helene Schjerfbeck, which Klimt / Schiele: Drawings 892 947 113 1,952 173,722 Project financial activities. opened on 20 July 2019, and does from the Albertina Museum, For internal management reporting not include the full run of Félix Vienna Vallotton: Painter of Disquiet, which purposes, the Royal Academy 16.6% closed on 29 September 2019. Oceania 581 1,027 249 1,857 135,555 of Arts uses net income from Donations: Other ongoing activities (before interest, 27.1% Bill Viola / Michelangelo: 516 608 193 1,317 85,618 depreciation and amortisation) Commercial activities Life, Death, Rebirth as a key reporting metric. One of the Royal Academy of Arts’ Renaissance Nude 334 466 80 879 80,890 key performance indicators is Renzo Piano: The Art 307 233 74 614 76,706 measuring this against a target of Making Buildings sustainable amount of £4.0m per annum on average over a rolling Félix Vallotton: Painter 238 453 72 763 70,171 five-year period. This £4.0m of Disquiet target is to provide funding for the ongoing maintenance of our Phyllida Barlow RA: 64 140 40 243 29,462 2.5 acre campus and investment cul-de-sac in technology; periodic plant 2018/19 Expenditure - £36.8m upgrade and gallery refurbishment Total attendance in 2018/19 846,661 programme; financing; and deficit recovery contributions to our legacy defined benefit pension scheme.

The figures in the charts (right) 0.1% are derived from those in the Other Consolidated SOFA and exclude £0.6m of net interest payable; 20.8% £3.6m of depreciation; and £0.4m Charitable activities: 12.7% of amortisation. In the Consolidated RA Schools/Library/Education Fundraising SOFA, a £0.4m credit from Museum and Galleries Tax Relief is recognised as an “other gain” but is included in the chart (right) as a reduction in exhibition expenditure.

19.9% Commercial activities

46.5% Charitable activities: Exhibitions

60 Finance and sustainability Finance and sustainability 61 The Summer Exhibition Preview Party generated more than £1.0m in art sales in less than three hours

62 Section name Section name 63 Contemporary stainless steel water bottles were a stylish and functional addition to the RA Shop range

64 Section name Section name 65 Jennifer Durrant (1994) Honorary Curator Election of Members Tracey Emin CBE (2007) Prof Stephen Farthing RA (1999) Prof Stephen Farthing (1998) Honorary Curator of Architecture Appendix 1 10 December 2018 Gilbert & George (2017) Vacant Lubaina Himid CBE (Royal Appendices Sir Antony Gormley OBE (2003) Honorary Curator of Prints and Academician) Piers Gough CBE (2001) Drawings Adam Caruso and Peter St John Thomas Heatherwick CBE (2013) Dr Andrew Wilton FSA HON RWS (Royal Academician) Membership and Lubaina Himid CBE (2018) FRSA (2003) Gary Hume (2001) Honorary Surveyor 30 May 2019 committees Louisa Hutton OBE (2014) Roger Zogolovitch RIBA (2015) John Akomfrah CBE (Royal Timothy Hyman (2011) Academician) Vanessa Jackson (2015) Council Members Niall McLaughlin (Royal Academician) Neil Jeffries (2013) Christopher Le Brun PRA (Chair) (as at 31 August 2019) Prof Chantal Joffe (2013) Ron Arad RA Honorary Fellows Isaac Julien CBE (2017) Helen Boaden Senior Royal Academicians Svetlana Alpers (2014) Sir Anish Kapoor CBE (1999) Anne Desmet RA Prof Norman Ackroyd CBE (1988) Sir David Attenborough OM CH CVO Michael Landy (2008) Brendan Finucane QC Diana Armfield (1989) CBE FRS (1992) Christopher Le Brun PRA (1996) Simon Friend Basil Beattie (2006) Alan Bennett (2000) Sir Richard Long CBE (2001) Gary Hume RA Dame Elizabeth Blackadder DBE Sir Harrison Birtwistle CH (1994) Jock McFadyen (2012) Louisa Hutton OBE (1971) Prof Sir Quentin Blake CBE RDI Prof David Mach (1998) Michael Landy RA Olwyn Bowey (1970) (2001) Prof Ian McKeever (2003) Prof Humphrey Ocean RA Frank Bowling OBE (2005) Alfred Brendel HON KBE (2009) Niall McLaughlin (2019) Hughie O’Donoghue RA James Butler MBE (1964) Dame Antonia S Byatt DBE FRSL Lisa Milroy (2005) Eric Parry RA Jeffery Camp (1974) (2009) Prof Dhruva Mistry CBE (1991) Prof Cathie Pilkington RA John Carter (2007) Dr Richard Cork (2011) Mali Morris (2010) Fiona Rae RA Prof Sir Peter Cook (2003) The Duke of Devonshire KCVO CBE Prof Farshid Moussavi OBE (2015) Rebecca Salter RA Sir Michael Craig-Martin CBE (2006) (2016) David Nash OBE (1999) Wolfgang Tillmans RA Edward Cullinan CBE (1989) Edward Fox OBE (1993) Mike Nelson (2013) Rebecca Warren RA Frederick Cuming HON D LITT Sir Nicholas Goodison FBA FSA Prof Humphrey Ocean (2004) Richard Wilson RA (1969) (1987) Hughie O’Donoghue (2009) (In attendance: Treasurer, Keeper, Gus Cummins (1992) Agnes Gund (2016) Cornelia Parker OBE (2009) Secretary and Chief Executive, Prof Trevor Dannatt OBE (1977) Sir Nicholas Hytner (2014) Eric Parry (2006) Artistic Director, Chief Operating Dr Jennifer Dickson (1970) Sir Jonathan Miller CBE (1990) Grayson Perry CBE (2011) Officer*) Jennifer Durrant (1994) Pierre Rosenberg (2000) Prof Cathie Pilkington (2014) Anthony Eyton (1976) Prof Joseph Rykwert CBE (2011) Dr Barbara Rae CBE (1996) Committees of Council Lord Foster of Thames Bank OM Prof George Steiner FBA (1999) Fiona Rae (2002) (as at 31 August 2019) (1983) Sir John Tusa (2011) Peter Randall-Page (2015) Peter Freeth (1990) Marina Warner DBE FBA FRSL Prof Ian Ritchie CBE (1998) Annual Dinner Committee Anthony Green (1971) (2018) Mick Rooney (1990) President Sir Nicholas Grimshaw CBE PPRA Jeanette Winterson CBE (2011) Eva Rothschild (2014) Secretary and Chief Executive (1994) Rebecca Salter (2014) Keeper Nigel Hall (2003) Honorary Members Ex Officio Jenny Saville (2007) Richard Wilson RA David Hockney OM CH (1985) President of the Royal Scottish Sean Scully (2012) Helen Boaden Sir Michael Hopkins CBE (1992) Academy Tim Shaw (2013) (In attendance: Michael Eldred, Ken Howard OBE (1983) Arthur Watson (2012) Conrad Shawcross (2013) Alexandra Collini) Prof Paul Huxley (1987) President of the Royal Hibernian Yinka Shonibare CBE (2013) Bill Jacklin (1989) Academy Bob and Roberta Smith OBE (2013) Architecture Committee Tess Jaray (2010) Abigail O’Brien PRHA (2018) Alan Stanton OBE (2009) Alan Stanton OBE RA (Chair) Eva Jiricna CBE (1997) President of the Royal West of Emma Stibbon (2013) Kate Goodwin (Secretary) Allen Jones (1981) England Academy Wolfgang Tillmans (2013) Secretary and Chief Executive Prof Phillip King CBE PPRA (1977) Stewart Geddes (2016) Rebecca Warren (2014) Sir David Adjaye OBE RA Prof Bryan Kneale MBE (1970) Gillian Wearing CBE (2007) Eliza Bonham Carter Paul Koralek CBE (1986) Honorary Members Prof Alison Wilding OBE (1999) Prof Adrian Forty Sonia Lawson (1982) Chaplain Chris Wilkinson OBE (2006) Prof Farshid Moussavi OBE RA (Prof John Maine (1995) The Revd Lucy Winkett (2010) Jane and Louise Wilson (2018) of Architecture RA Schools) Mick Moon (1994) Professor of Ancient History Richard Wilson (2006) Louisa Hutton OBE RA Prof Chris Orr MBE (1995) Prof Sir John Boardman FBA (1989) Bill Woodrow (2002) Prof Ian McKeever RA Tom Phillips CBE (1984) Professor of Ancient Literature Richard Wilson RA Dame Paula Rego DBE (2016) Prof Dame Mary Beard OBE (2013) Honorary Royal Academicians Roger Zogolovitch (Hon Surveyor to David Remfry MBE (2006) Professor of Law Marina Abramović (2011) the Fabric and Chair of Architecture Lord Rogers of Riverside CH (1978) The Rt Hon Sir Alan Moses (2006) Prof El Anatsui (2014) Patrons) Prof Michael Sandle (1989) Antiquary Laurie Anderson (2018) (In attendance: Prof Sir Peter Cook Terry Setch (2009) James Fenton (2002) Prof Tadao Ando (2002) RA, Dr Maurice Davies, Gonzalo Philip Sutton (1977) Professor of History of Art Georg Baselitz (1999) Herrero Delicado, Helen Ikla, Joe Tilson (1985) Prof Dawn Ades CBE FBA (2008) Jim Dine (2014) Rebecca Lyons, Tim Marlow) Dr David Tindle (1973) Secretary for Foreign Marlene Dumas (2013) William Tucker (1992) Correspondence Olafur Eliasson (2016) Audit Committee Anthony Whishaw (1980) Lord Ricketts (2018) Frank O Gehry (1998) Simon Friend (Chair) John Wragg (1983) Corresponding Members Carmen Herrera (2019) Steve Caine Rose Wylie OBE (2014) Sir Simon Robertson (2008) Jenny Holzer (2016) Ann Christopher RA Prof Rebecca Horn (2009) Clive Humby, Chair of Friends Royal Academicians Professors Prof Arata Isozaki (1994) David Mach RA Sir David Adjaye OBE (2017) Architecture Jasper Johns (1989) Ian Ritchie RA John Akomfrah CBE (2019) Prof Farshid Moussavi OBE RA William Kentridge (2014) (In attendance: Chris Wilkinson Ron Arad (2012) (2017) Anselm Kiefer (1996) RA (Treasurer), Andrew Stickland Fiona Banner (2017) Eranda Professor of Drawing Jeff Koons (2010) [Moore Kingston Smith], Richard Prof Phyllida Barlow CBE (2011) Prof Alison Wilding OBE RA (2018) Daniel Libeskind (2003) Weaver [Haysmacintyre], Secretary Prof Gordon Benson OBE (2000) Painting Bruce Nauman (2001) and Chief Executive, Tzo Tony Bevan (2007) Vacant Mimmo Paladino (1999) Zen Ang*, Carl Hitchcock, Charlotte Sonia Boyce OBE (2016) Perspective Senator Renzo Piano (2007) Gellatly, Jordan Hickman, Sofia Adam Caruso and Peter St John Prof Humphrey Ocean RA (2012) Ed Ruscha (2004) Lundberg (Secretary)) (2018) Sculpture Julian Schnabel (2010) Prof Brian Catling (2015) Vacant Richard Serra (1995) Buildings Committee Stephen Chambers (2005) Emeritus Professor of Anatomy Cindy Sherman (2010) Spencer de Grey RA (Chair) Sir David Chipperfield CBE (2007) Prof Gerald Libby FRCP FRCPSYCH Kiki Smith (2017) President Ann Christopher (1980) (1975) Frank Stella (1993) Treasurer Eileen Cooper OBE (2001) Professor of Anatomy Rosemarie Trockel (2013) Keeper Stephen Cox (2010) Prof Roger Kneebone (2018) James Turrell (2002) Secretary and Chief Executive Prof Sir Tony Cragg CBE (1994) Chemistry Bill Viola (2017) Tzo Zen Ang* Richard Deacon CBE (1998) Prof Bronwyn Ormsby (2019) Kara Walker (2019) Richard Baldwin Tacita Dean CBE (2008) Computer Vision Ai Weiwei (2011) Piers Gough RA Spencer de Grey CBE (2008) Prof Roberto Cipolla (2004) Wim Wenders (2018) (In attendance: Tom Billington, Eliza Anne Desmet (2011) Honorary Archivist Peter Zumthor (2014) Bonham Carter, Carl Hitchcock, Kenneth Draper (1990) Vacant

66 Appendices Appendices 67 Geoffrey Staines Nigel Thomas Dasha Shenkman Louisa Service O.B.E. Charlotte Appleyard, Abigail Treasurer The Friends of the Royal Martin Veasey (In attendance: Alison Myners, Axel William and Maureen Shenkman David and Sophie Shalit Dawson) Secretary and Chief Executive Academy (In attendance: Carl Hitchcock, Rüger, Carl Hitchcock, Helena The estate of the late Mrs Pauline Mr Brian Smith Michael Landy RA Appendix 2 (as at 31 August 2019) Collections and Library Rob Suss Helena Sawbridge) Sawbridge, Sofia Lundberg Sitwell Mr Christopher Smith (Secretary)) David and Deborah Stileman Mr and Mrs Roger Staton Committee Professor by rotation Honorary Patron of the Friends Executive Committee The Swire Charitable Trust Sir Hugh and Lady Stevenson Hughie O’Donoghue RA (Chair) Staff representative by rotation of the RA Axel Rüger, Secretary and Chief Royal Academy America The late Sir Anthony Tennant and The late Sir David Tang KBE Dr Maurice Davies (Secretary) Student representative by rotation HRH The Duke of Edinburgh (1977 Executive (as at 31 August 2019) Lady Tennant Julian and Louisa Treger President (In attendance: Charlotte Appleyard, Trustees and - 2016) Tzo Zen Ang, Chief Operating Officer* The Thompson Family Charitable Martin and Anja Weiss Keeper Mark Hampson (Head of Fine Art HRH The Duchess of Cornwall Charlotte Appleyard, Director Benefactors Honorary Patron Trust Sian and Matthew Westerman Treasurer Processes)) (2016 -) Secretary and Chief Executive of Development and Business HRH Princess Alexandra, The Hon Sir Siegmund Warburg’s Voluntary Chris Wilkinson OBE RA and Diana Innovation Lady Ogilvy KG GCVO Settlement Wilkinson Prof Dame Mary Beard OBE Summer Exhibition Committee Patron The Friends Board of Directors Eliza Bonham Carter, Curator and The Welton Foundation Mr Peter Williams Stephen Cox RA President (Chair) HM The Queen Clive Humby (Chair) Head of RA Schools Honorary Trustees Mr W. Galen Weston and the Hon Ivor and Caroline Windsor Prof Stephen Farthing RA (Honorary Edith Devaney (Secretary) Secretary and Chief Executive Will Hattam, Chief Marketing Officer Christopher Le Brun PRA Mrs. Hilary Weston Manuela and Iwan Wirth Curator) Stephen Chambers RA Trustees of the Royal Academy Andrea O’Keeffe (Treasurer) Carl Hitchcock, Director of Finance Sir Nicholas Grimshaw CBE PPRA Mr Yuzo Yagi Isaac Julien CBE RA Spencer de Grey CBE RA Trust Nicola Waskett Bannister Tim Marlow, Artistic Director Prof Phillip King CBE PPRA Benefactors of the and those who wish to remain Prof Humphrey Ocean RA Anne Desmet RA (as at 31 August 2019) Rebecca Salter RA Jo Prosser, Director: Commercial and Redevelopment Project anonymous Emma Stibbon RA Timothy Hyman RA Gregory Sanderson Visitor Experience President Emerita Aldama Foundation (In attendance: Mark Hampson, Jock McFadyen RA Honorary President Siobhan Moriarty (In attendance: Natasha Mitchell, Katherine M Ockenden OBE Lord and Lady Aldington Major Benefactors towards Rebecca Lyons, Tim Marlow, Mark Hughie O’Donoghue RA HRH The Prince of Wales Neil Jeffries RA Director of Strategy) Mrs Allen-Huxley redeveloping the RA Schools Pomeroy, Helen Valentine, Adam Dr Barbara Rae CBE RA Oliver Rawlins Trustees Joan and Robin Alvarez Julia and Hans Rausing Waterton, Dr Andrew Wilton FSA Bob & Roberta Smith OBE RA Trustees Richard Philipps Monika McLennan (Vice-chair) The Anson Charitable Trust Dunard Fund HON RWS FRSA) Jane and Louise Wilson RA Elect Lady Alison Myners (Chair) Verity Harding Elizabeth Crain (Acting Chair and The Band Trust The Band Trust Richard Wilson RA Mr Rob Suss (Deputy Chair) Nigel Abbas Treasurer) Sir David and Lady Bell Adrian Cheng Exhibitions Committee (In attendance: Secretary and Chief President of the Royal Academy Diana Carney Aryeh Bourkoff Ms Linda Bennett and Mr Philip Lady Alison Deighton Prof Stephen Farthing RA (Chair) Executive, Sinta Berry, Bronte Earl, (ex officio) (In attendance: Tzo Zen Ang*, Will Ilaria Bulgari Harley The Garfield Weston Foundation Tim Marlow (Secretary) Paul Sirr) Treasurer of the Royal Academy Hattam, Clare Taylor, Natasha Prof Sir David Cannadine FBA Molly Lowell and David Borthwick Mrs Gabrielle Jungels-Winkler President (ex officio) Mitchell, Ka Lai Brightley-Hodges) Keeper Other Committees Secretary and Chief Executive of the Jim Clerkin The Deborah Loeb Brice Foundation Nicolette and Frederick Kwok C Hugh Hildesley The Consuelo and Anthony Brooke The Mead Family Foundation Treasurer (as at 31 August 2019) Royal Academy (ex officio) Presidents’ Circle David Hockney OM CH RA Charitable Trust Milner Educational Trust Secretary and Chief Executive Mr Petr Aven Blavatnik Family Foundation Bill Jacklin RA Garvin & Steffanie Brown The estate of the late Miss Prof Dawn Ades CBE FBA Corporate Advisory Group Mr Aryeh Bourkoff The Clore Duffield Foundation Dame Jillian Sackler DBE Mr and Mrs John Burns Constance-Anne Parker (Professor of History of Art) Dame Carolyn McCall DBE (Chair) Sir Richard Carew Pole Bt OBE DL Dunard Fund David Sabel Peter and Sally Cadbury Jake and Hélène Marie Shafran Prof Brian Catling RA Tess Alps (Chair) Mr Richard Chang Mervyn & Jeanne Davies Joan N Stern Carew Pole Charitable Trust Sir Siegmund Warburg’s Voluntary Richard Deacon CBE RA Desiree Bollier Dr Adrian Cheng The Dorfman Foundation Dr Edmund Carter Settlement Anne Desmet RA Guy Dawson Ms Melanie Clore Heritage Lottery Fund Japanese Committee of Honour Mr Richard Chang Prof David Ekserdjian Maria Fay Lady Deighton Mrs Drue Heinz Hon DBE (as at 31 August 2019) Sir Trevor and Lady Susan Chinn Major Benefactors of the RA Chantal Joffe RA Simon Gulliford Sir Lloyd Dorfman CBE Mrs Gabrielle Jungels-Winkler Mr and Mrs Jonathan Clarke Schools Endowment Fund Alan Stanton OBE RA Tristia Harrison Mr Stephen Fry Sir John Madejski OBE DL HE Ambassador Hiroaki Fujii (Chair) Mr Andrés Clase Dunard Fund Jane and Louise Wilson RA Elect Brent Hoberman Lady Heywood Ronald and Rita McAulay and Mrs Fujii The John S Cohen Foundation Ronald and Rita McAulay (In attendance: Charlotte Appleyard, Sarah Manley Mr Clive Humby The McLennan Family Ina De & James Spicer Cheneviére Travel Award Dr Maurice Davies, Edith Devaney, Gillian Sheldon Mr Philip Marsden The Mead Family Foundation Corporate Members The Roger De Haan Charitable Trust Sir Roger de Grey Memorial Fund Ann Dumas, Allen Jones RA, Sarah Amanda Walsh Dame Carolyn McCall Mr and Mrs Robert Miller Mr Nobuyuki Idei (I Concept) and Sir Harry Djanogly The Eranda Rothschild Foundation Lea, Dr Adrian Locke, Rachel Jones Sian Westerman Mr Scott Mead The Monument Trust Mrs Idei The John Ellerman Foundation Peter Greenham Fund (RA Schools Student) Per Rumberg, Mrs Batia Ofer Julia and Hans Rausing Mr Yoshitoshi Kitajima (Dai Nippon Mr Richard Elman E Vincent Harris Fund Andrea Tarsia) Ethics Advisory Group Mr Duro Olowu Simon and Virginia Robertson Printing Co Ltd) and Mrs Kitajima The Lord Farringdon Charitable Trust J Heritage Peters President (Chair) Ms Christina Ong The Rothschild Foundation Mr Shinzo Maeda and Mrs Maeda Mr and Mrs Stephen Fitzgerald Maintenance Fund Finance Committee Brendan Finucane QC (Deputy Chair) Lord Ricketts of Shortlands GCMG, Dame Jillian Sackler DBE (Shiseido Co Ltd) Mr Thomas Gibson Ivor Rey Scholarship Fund Treasurer (Chair) Treasurer GCVO The Garfield Weston Foundation Mr Yoshihiko Miyauchi (ORIX The Golden Bottle Trust Schools Portfolio Fund Anne Desmet RA Simon Friend (Chair of Audit Dame Jillian Sackler DBE The Maurice Wohl Charitable Corporation) and Mrs Miyauchi Nicholas and Judith Goodison’s The estate of the late Mrs Pauline Simon Friend Committee) Mrs Sian Westerman Foundation Mr Yuzaburo Mogi (Kikkoman Charitable Settlement Sitwell Andrea O’Keeffe Lord Ricketts of Shortlands GCMG, Mr Peter Williams The Wolfson Foundation Conrad Shawcross RA GCVO Mr Iwan Wirth Corporation) and Mrs Mogi Antony Gormley & Vicken Parsons Starr Fund Mrs Minoru Mori (Mori Building Sir Nicholas Grimshaw CBE PPRA Patricia Turner Award Peter Williams (In attendance: Benedict Anstey Andrea Wong Major Benefactors of the Co Ltd) The late Sir Ronald Grierson Vandaleur (In attendance: Iain Speirs, Secretary (General Counsel), Harriet Redevelopment Project Mr Takeo Obayashi (Obayashi Fiona and Peter Hare and Chief Executive, Tzo Zen Ang*, Jarman (Research and Resources Emeritus and Honorary Trustees The 29th May 1961 Charitable Trust Corporation) and Mrs Obayashi Mr & Mrs Julian Heslop Benefactors of the RA Schools Charlotte Appleyard, Carl Hitchcock, Manager)) Lord Aldington Aryeh & Elana Bourkoff, LionTree Mr Nobutada Saji (Suntory Holding Mr and Mrs Jeremy Hosking Artists Collecting Society Rose Wright, Sofia Lundberg Mrs Susan Burns Sir Francis & The Hon. Lady Brooke Co Ltd) and Mrs Saji Harry Hyman and family Charlotte Bonham-Carter Charitable (Secretary)) RA Magazine Editorial Board Sir James Butler CBE DL Ambassador Matthew Barzun & Mr Toichi Takenaka (Takenaka The Inchcape Foundation Trust Dr Richard Cork Sir David Cannadine FBA Brooke Brown Barzun Corporation) and Mrs Takenaka Japanese Committee of Honour of the William Brake Trust Learning Committee Anne Desmet RA Sir Trevor Chinn CVO Sir Richard and Lady Carew Pole Mr Yuzo Yagi (Yagi Tsusho Ltd) and Royal Academy of Arts John S Cohen Foundation Brian Catling RA (Chair) Tom Holland Mr John Coombe The Cadogan Charity Mrs Yagi Alistair D.K. Johnston CMG FCA The Gilbert and Eileen Edgar Rebecca Lyons (Secretary) Fiona Maddocks Lord Davies of Abersoch CBE Adrian Cheng Christopher Le Brun PRA and Foundation President Mali Morris RA Ambassador Edward E Elson Jeremy Coller Foundation Patrons Charlotte Verity Epson Treasurer Eric Parry RA Mr John Entwistle OBE John and Gail Coombe Prof Tadao Ando Hon RA and Mrs The David Lean Foundation The Eranda Rothschild Foundation Secretary and Chief Executive Sam Phillips (Editor) Mr Michael Gee Lady Alison Deighton Ando The Lennox and Wyfold Foundation Holbeck Charitable Trust Keeper Greg Sanderson The Rt Hon the Earl of Gowrie PC The Eranda Foundation HE Ambassador Hiroaki Fujii (Chair) Mr Nelson Leong The Charles Michael Holloway Eileen Cooper OBE RA Jane and Louise Wilson RA HRH Princess Marie-Chantal of The Fidelity UK Foundation and Mrs Fujii Mr and Mrs Mark Loveday Charitable Trust Vanessa Jackson RA (In attendance: Secretary and Chief Greece The Foyle Foundation Mr Shinji Fukukawa and Mrs Dr. Lee MacCormick Edwards Intrinsic Value Investors Neil Jeffries RA Executive, Eliza Bonham Carter, C. Hugh Hildesley J Paul Getty Jnr Charitable Trust Fukukawa Charitable Foundation Mr and Mrs Mark Loveday Prof Farshid Moussavi OBE RA Claire Clutterbuck, Kate Goodwin, Mrs Anya Hindmarch CBE Horace W. Goldsmith Foundation Prof Arata Isozaki Hon RA Mr and Mrs Donald Main Mr Nelson Leong Eva Rothschild RA Imogen Greenhalgh, Will Hattam, Mrs Susan Ho Milner Educational Trust Mr Hideo Morita and Mrs Morita Mr Javad & Mrs Narmina Marandi The Maccabaeans (In attendance: Tim Marlow, Kate Rebecca Lyons, Tim Marlow, Clare Lady Barbara Judge CBE Mr and Mrs Jim Grover Mr Koichi Nezu and Mrs Nezu J P Marland Charitable Trust The Machin Foundation Goodwin, Margarita Gluzberg Taylor, Nick Tite) The Lady Lever of Mancester The Alexis and Anne-Marie Habib Mr Yoji Shimizu and Mrs Shimizu The late Mr Minoru Mori Hon KBE Batia and Idan Ofer (representing RA Schools)) Sir Sydney Lipworth QC Foundation Mr Masayoshi Son and Mrs Son and Mrs Mori Christina Ong Trustees of the Chantrey Bequest The Rt Hon Lord Luce GCVO DL Charles & Kaaren Hale Mr Jonathan Stone and Mrs Stone HRH Princess Marie-Chantal of Red Butterfly Foundation Remuneration Committee President (Chair) Sir Keith Mills GBE DL Nicolette and Frederick Kwok Mrs Tadao Suzuki Greece The estate of the late Mr Ivor Rey President Treasurer Mr Ludovic de Montille The Kirby Laing Foundation Mr Hideya Taida Hon CBE and Mr Charles Outhwaite Peter Rippon Helen Boaden (Chair) Secretary and Chief Executive Mrs Minori Mori Lord Leverhulme’s Charitable Trust Mrs Taida Simon and Midge Palley The Rose Foundation Chris Wilkinson RA (Treasurer) (Secretary) Mr John Raisman CBE Christian Levett and Mougins Mr Shuji Takashina and Mrs Takashina John H Pattisson Archie Sherman Charitable Trust John Collier Dr Judith Collins John Roberts Esq FRIBA Museum of Classical Art HE Ambassador Tsuneharu Takeda The Pilgrim Trust The South Square Trust Anne Desmet RA The Rt Hon Sir Alan Moses Sir Simon Robertson The Linbury Trust and Mrs Takeda Mr and Mrs Maurice Pinto Sir Paul and Lady Smith Peter Newhouse Dr Alison Smith Sir Evelyn de Rothschild Miss Rosemary Lomax Simpson Mr Hiroyasu Tomita and Mrs Tomita Mrs Tineke Pugh Stanley Picker Charitable Trust Bill Woodrow RA Desmond Shawe-Taylor Mrs Maryam Sachs Mr William Loschert Mrs Toshio Yamazaki Sir Simon and Victoria, Lady Robey The Nina and Roger Stewart Secretary and Chief Executive (In attendance: Carl Hitchcock) The Hon Richard Sharp Philip and Valerie Marsden OBE Charitable Trust (In attendance: Tzo Zen Ang*, Carl Mr David Stileman The Lord Mayor’s Appeal Director Richard and Ruth Rogers Tileyard Studios Hitchcock, Sarah Myers, Jo Pickles, Trustees of the Royal Academy The Paul Mellon Estate Mrs Yu Serizawa Sir Paul and Lady Ruddock Celia Walker Art Foundation Kathryn Rowe (Secretary)) Pension Scheme Investment Sub-Committee P F Charitable Trust Mr Wafic Rida Saïd Mr W Galen Weston and the Hon Pension Scheme Peter Williams (Chair) The Porter Foundation Secretariat Mrs Coral Samuel CBE Mrs Hilary Weston RA Schools Committee Andrew Threadgold (Chair) Adam Bennett John Porter Charitable Trust Mrs Yuko Tadano The Basil Samuel Charitable Trust The Harold Hyam Wingate Gary Hume RA (Chair) Sofia Lundberg (Secretary) Richard Milliken The Schroder Foundation Edwina Sassoon Foundation Eliza Bonham Carter (Secretary) Dan Cowap Andrew Threadgold Mr Sean Scully RA Guy Senior, in memory of Brian & And others who wish to remain President Susanne Dawson William de Winton Jake and Hélène Marie Shafran Mary Senior, Friends of the RA anonymous Keeper Bryony Medus Rob Suss Mr Richard S Sharp

68 Appendices Appendices 69 RA Schools Ambassadors Tatiana Fokina Mr Richard Baldwin The Hayden Family Foundation Roderick and Maria Peacock Mr Alessandro Conti support and continued enthusiasm. Sky Arts Mr Stephen Gosztony Lorna Anne Barker Sir John Hegarty and Miss Philippa Mr and Mrs D J Peacock Clementine Dowley Turkishceramics Rebecca Salter RA Mr Jim Grover Mrs Jane Barker Crane David Pike Christopher Eaton Associate Wells Fargo Keeper of the Royal Academy Charles and Kaaren Hale Constance and Boris Baroudel Sir Michael and Lady Heller Mr and Mrs Anthony Pitt-Rivers Erola Farre Sola Bank of America White & Case Mr Yan Huo Ms Martina Batovic Mrs Katrin Henkel Mr Basil Postan Dr Brian Fu Beaumont Nathan Art Advisory Ltd Hauser & Wirth Rob Suss Mr Ivan Katzen Mr David Baty Lady Heseltine Mr Malcolm Poynton Pierre-Antoine Godefroy BNP Paribas Derwent London Chair of the RA Schools Campaign Mrs Elizabeth Lenz Catherine Baxendale Mrs Pat Heslop Lady Purves Miss Lemara Grant Bonhams 1793 Ltd The Pictet Group Mr and Mrs John Olsen Mr and Mrs Jonathan and Sarah Mrs. Michele Hillgarth John and Anne Raisman Mr Sidney Hiscox British American Tobacco Jaeger-LeCoultre Royal Academician Ambassadors Mrs Bianca Roden Bayliss Mr and Mrs Jonathan Hindle Mr William Ramsay Miss Amelia Hunton Connor Broadley Wealth Vhernier Marina Abramovic Hon RA David and Sophie Shalit Francesca Bellini Joseph Mary Hobart Ms Mouna Rebeiz Mr Phoebus Istavrioglu Management Arts Council of New Zealand Toi Basil Beattie RA Alex Beard and Emma Vernetti Mrs J K M Bentley, Liveinart Mr and Mrs Patrick Hofmann Mrs Catherine Rees Ms Huma Kabakci Deutsche Bank AG London Aotearoa Eileen Cooper OBE RA Jean and John Botts Anne Holmes-Drewry Ms Alessandra Morra Rasika Kajaria EY iGuzzini Gary Hume RA Gold Eleanor E Brass Professor and Mrs Ken Howard RA Peter Rice Esq Miss Min Kemp GlaxoSmithKline PLC Italian Trade Agency Vanessa Jackson RA Joan and Robin Alvarez Viscountess Bridgeman Mr Philip Hudson Mrs Yosmarvi Rivas Rangel Bella Kesoyan Heidrick & Struggles International Inc New Zealand Farshid Moussavi OBE RA Miss Emma Baylis Mr and Mrs Richard Briggs OBE Mr and Mrs Jon Hunt Erica Roberts Miss Flora Kessler Imperial College Healthcare Charity Papua New Guinea Chris Orr MBE RA Tom and Diane Berger Mrs Elizabeth Bristow Mark and Fiona Hutchinson Mr Bruce Roe Miss Petra Kwan Jones Day ROCCO FORTE HOTELS David Remfry MBE RA Sam and Rosie Berwick Mrs Marcia Brocklebank Lyndsey Ingram Rothschild Foundation Miss Carolina Lane Lazard The Kingdom of Tonga Yinka Shonibare CBE RA Molly Lowell Borthwick Mr and Mrs Zak Brown S Isern-Feliu Miss Elaine Rowley Mr Henry Little Lubbock Fine Richard Bram and Monika Machon Jeremy Brown Zane Jackson, Director of Three Point Sir Paul and Lady Ruddock Miss Rachelle Lunnon Momart Benefactors of the RA Learning Ambassadors Sir Francis Brooke Bt Mrs Charles Brown Enterprises Mrs Janice Sacher Mrs Victoria Luxem Morgan Stanley & Co International Programme Hannah Bays Mrs Diana Carney Lord Browne of Madingley Mrs Caroline Jackson Richard Saltoun Christina Makris PLC The Nicholas Bacon Charitable Trust Charlie Billingham Ms Lisa Carrodus Simon Morris and Annalisa Burello Sir Martin and Lady Jacomb Anthony and Sally Salz Ms Kimiya Minoukadeh Pentland Group PLC Jeanne and William Callanan Lady Sarah Chatto Mr Andres Clase Ms Pauline Cacucciolo Mrs Raymonde Jay Mr Paul Sandilands Mr Samuel Morton Morris Ralph Lauren UK Limited Capital Group May Calil Mr Jeremy Coller Sir Andrew Cahn Mrs Cathy Jeffrey Paula Sankoff Miss Miruna Onofrei SMBC Corporation Europe Ltd Dunard Fund Matthew Darbyshire Christopher and Alex Courage Mr F. A. A. Carnwath, CBE Suzanne Ferlic Johnson Christina Countess of Shaftesbury Mr Daniel Stewart Park Flow Foundation Lord Mervyn Davies Patrick and Benedicte de Nonneville Sir Roger and Lady Carr Fiona Johnstone Mr Robert N Shapiro Mr Joe Phelan Corporate Robin Hambro Lady Alison Deighton Mrs Patricia Franks Brian and Melinda Carroll Mrs Marcelle Joseph Ms Elena Shchukina Mr Sebastian Plantin Bird & Bird LLP The Marandi Foundation Emilia Fox Swag and Nupur Ganguly Mrs Caroline Cartellieri Karlsen Mrs Ghislaine Kane Mr James B Sherwood Sophia Robert Kacacinskas Bloomberg LP The Margaret and Richard Merrell Kira Freije Mrs Carol Gibson Jackson Ursula Casamonti Dr Elisabeth Kehoe Mrs Veronica Simmons Mr Elliot Safra The Boston Consulting Group Foundation Clive Humby Mr Alexander Green Diana Cawdell Trew Paul and Susie Kempe Alan and Marianna Simpson Ziba Sarikhani Christie’s Alexandra Nash Kit Kemp Amy Griffin Mr Steven Chambers Miss Rebecca Kemsley Brian D Smith Manon Elise Sel Clifford Chance LLP Peacock Charitable Trust Tarka Kings Mrs Robin Hambro Mrs Ann Chapman-Daniel Mrs Emma Keswick Mrs Jane Smith Irene Sieberger The Cultivist Peter Storrs Trust Chris Kneale Rosalyn and Hugo Henderson Sir Trevor and Lady Chinn Princess Jeet Khemka Mr Stuart Southall Jane Singer Generation Investment Management The Weston family Nicolette Kwok Mrs Elizabeth Hosking Mr Philip Chitty Mr Gerald Kidd The Lady Henrietta St George Sharon Strom LLP Lord Leonard and Lady Estelle Aarti Lohia Mr Charles Irving Jenny Christensson Mr D H Killick Miss Sarah Straight The Honourable Clarence Tan Hakluyt & Company Wolfson Foundation Helena Morrissey Mrs Kit Kemp Alex Haidas and Thalia Chryssikou Mrs Anna Kirrage Mrs Sue Strang Mr Milan Tomic iGuzzini Worshipful Company of Chartered Hannah Perry Mr Christopher Kneale Damian and Anastasia Chunilal Mrs Aboudi Kosta Mrs Ziona Strelitz Mr Vassili Tsarenkov Index Ventures Architects Sarah Pickstone Sir Sydney Lipworth QC and Lady Mr Michael L Cioffi Mrs Alkistis Koukouliou Jeffery C Sugarman and Alan D H Makar Tsurkan Jeffries International Limited Watercolour World Prem Sahib Lipworth CBE Rosalind Clayton Mr and Mrs Herbert Kretzmer Newham Miss Navann Ty John Lewis Partnership Sir Paul Smith Mr William Loschert Mrs Alyce Faye Cleese Nicolette Kwok Sir Hugh and Lady Sykes Ms Zeynep Ugan Lindsell Train Benefactors of the RA Exhibition Hélène Marie Shafran Mr Nicholas Maclean Mr Richard Clothier Kathryn Langridge Mr Matt Symonds Frederike von Cranach Marie Curie Programme David Stileman Scott and Laura Malkin Mr and Mrs George Coelho Mr Matthew Langton Anne Elizabeth Tasca Miss Anna Wallington Permira Cockayne Grants for the Arts Emma Vernetti Federico Marchetti Denise Cohen Charitable Trust Jessica Lavooy Mr Ian Taylor Caspar Giorgio Williams Rathbone Brothers PLC Creative New Zealand Jan Verwoert Mr Stephen Marquardt Sir Ronald and Lady Cohen Mrs Anna Lee Mr Sacha Thacker Ms India Williamson Ridgeway Partners Dunard Fund Sarah Walter Mr Michael Marx Mr and Mrs Paul Collins Florian and Henriette Lefort Nick Thexton Jade Yang The Royal Society of Chemistry Genesis Foundation Tom Worsfold Sir Keith and Lady Mills Vanessa Colomar de Enserro Alan Leibowitz & Barbara Weiss Mr Anthony J Todd Miss Burcu Yuksel Sky Ömer Koç Lady Alison Myners Mrs Jennifer Coombs Mr George Lengvari and Mrs Inez Mrs Kirsten Tofte Jensen Trowers & Hamlins LLP Scott and Laura Malkin RA Patrons Simon and Sabi North Ms Linda Cooper Lengvari Mr Ray Treen Legators and In Memoriam UBS Wealth Management Peter and Geraldine Williams Mr and Mrs Simon Oliver Andrew M Coppel, CBE and June Mrs Stephanie Léouzon Mrs Arabella Tullo Value Retail Pro Helvetia Chair Yana and Stephen Peel V Coppel Lady Lever of Manchester Miss M L Ulfane We wish to remember those Cate Olson and Nash Robbins Rob Suss Paulo and Caroline Pereira Mark and Cathy Corbett Dr Julie Llewelyn Marlene von Carnap / Michael Werner who have supported the Royal Premier The Ruddock Foundation For The Arts Mrs Catherine Petitgas Anne Cortazzi Mrs Susanne Lobel Gallery Academy of Arts with a gift in The Arts Club Jake and Hélène Marie Shafran International Patrons Melanie Rademacher Mr and Mrs Ken Costa Miss R Lomax-Simpson Marek and Penny Wojciechowski their will and those whose loved BNP Paribas The Terra Foundation for American Art Lady Rayne Lacey Mrs Caroline Cullinan Mr Guido Lombardo John and Carol Wates ones have given in their memory. BNY Mellon The Thompson Family Charitable Mrs Niloufar Bakhtiar-Bakhtiari Jean and Geoffrey Redman-Brown Mrs Georgina David Mr and Mrs Robin Lough Mr Craig D Weaver These special gifts help to protect Cazenove Capital Management Trust Mr Lars Bane The Lady Renwick of Clifton Mr Daniel Davies The Loveday Charitable Trust The Duke and Duchess of Wellington our future, ensuring that the RA Charles Stanley Mr Howard Bilton, The Sovereign Art Carol Sellars Juliet de Baubigny Mr Jeff Lowe Mrs Juliana Wheeler can be a voice for art and artists, Chestertons Benefactors of the RA Collection Foundation Richard Sharp Ms Miel de Botton Charles G Lubar Mrs Diana Wilkinson inspiring generations to come. This FTI Consulting LLP The Samuel H. Kress Foundation Marc Bolland Dasha Shenkman OBE Peter and Andrea De Haan Ms Kathryn Ludlow Mrs Janet Winslow year we would like to thank and Insight Investment The Polonsky Foundation Lady Alison Deighton Mr Richard Simmons CBE The de Laszlo Foundation Mr and Mrs Henry Lumley Mrs Adriana Winters commemorate the following: JM Finn & Co. Mrs Sophie Diedrichs-Cox Mr Kevin Sneader and Ms Amy Mrs Kate de Rothschild Sally Mackereth Mr and Mrs Maurice Wolridge JTI RA Benefactors Jacques and Valentina Drouin Muntner Mrs Cathy Dishner Sir John Mactaggart Mr Riccardo Zacconi Mrs Annemarie Aschenagi KPMG LLP The Atlas Fund Belma Gaudio David and Alison Sola Mrs Dominic Dowley Mr George Maher David Zwirner Martin Bailey LetterOne CHK Foundation Mr Alexis Habib Jane Spack Mr and Mrs Jim Downing Madeline and Donald Main Miss Joan Bowles Linklaters LLP Joseph Strong Frazer Trust Mrs Ellen Hanson Raksha Sriram Ms Noreen Doyle Olivier & Priscilla Malingue Patron Donors Stephen Burbridge Newton Investment Management Rose Foundation Mrs Stella Kesaeva Mr Michael Stiff Thomas A Doyle Philip and Val Marsden Geoffrey Ainsworth and Johanna John Charles Edwin Dean Pinsent Masons LLP Nelson Leong David Stileman Mrs Janet Dwek Mr Paul Marshall Featherstone Mr Francis Dunn Sanlam UK Mr Christian Levett Robert and Simone Suss Lord and Lady Egremont Mr and Mrs Richard C Martin William Brake Charitable Trust Dr Hussein El-Shamy Smith & Williamson Mrs Aarti Lohia Kathryn Uhde Mrs Samira El Hachioui Mr Charles Martin Lady Barbara Judge CBE Mrs Judith Heath Sotheby’s Mr Nick Loup Mr Philip Vecht Mr and Mrs Jeff Eldredge Gillian McIntosh Mr and Mrs James Kirkman Joyce Little Weil Gotshal & Manges LLP Mrs Fatima Maleki Erica Wax Susan Elliott Andrew and Judith McKinna Jacqueline and Marc Leland Mabel Mavor Mr and Mrs Scott Mead Aleksandra Williams Nigel and Christine Evans Itxaso Mediavilla-Murray Ms Ida Levine Miss Ursula Overbury Corporate Founding Benefactors Steven and Annie Murphy Mr Peter Williams Mrs Catherine Farquharson The Anthony and Elizabeth Mellows Mrs Alexandra Nash Mrs Doris Simms BNY Mellon Mrs Christina Ong Manuela and Iwan Wirth Catherine Ferguson Charitable Trust Cate Olson & Nash Robbins Thelma Tinker Index Ventures Mr Hideyuki Osawa Mr Robert John Yerbury Mrs Stroma Finston Mrs Victoria Mills John Pattisson Lady Heather Trethowan Newton Investment Management Maya Rasamny Alex Zadah Mr Alexander Flint Mrs Sophie Mirman The Michael and Nicola Sacher Mrs Barbara Siedlecka Ralph Lauren Frances Reynolds Mrs Jocelyn Fox Victoria Miro Charitable Trust Mrs Iris Joanna Stobbs Sisk Mr Thaddaeus Ropac Silver Virginia Gabbertas Mr David Mirvish H M Sassoon Charitable Trust Mrs Susan Stockman Sky Negin Rostami Lady J Lloyd Adamson Mrs Jill Garcia Mr Daniel Mitchell Mr James Seaton Mrs Jean Mary Vigar Mrs Sabine Sarikhani Mrs Spindrift Al Swaidi Kent and Gaye Gardner Ms Bona Montagu Jake and Hélène Marie Shafran Mrs Angela Kay Wynn Corporate sponsors and Yukiko and Anders U. Schroeder Mrs Anna Albertini Mr Stephen Garrett Jim Moyes Anthony and Rachel Williams Mr Norman Barnett Yeadon supporters of the Royal Academy Petri & Jolana Vainio Lord and Lady Aldington Mr Mark Garthwaite Mr Eli Muraidekh Ms Cynthia Wu of Arts Andrea Wong Mrs Susie Allen-Huxley Mrs Mina Gerowin Herrmann Mr Stephen Musgrave and those who wish to remain Corporate Membership of the Art Fund Ms Chizuko Yashiro Poppy Allonby Jacqueline and Jonathan Gestetner Mr James Nicholls anonymous Royal Academy of Arts BNP Paribas Mr and Mrs Basil Zirinis Ghalia and Omar Al-Qattan Caroline and Alan Gillespie Mrs Tessa Nicholson BNY Mellon, Anniversary Partner of Mercedes Zobel Ms Ruth Anderson Mr Mark Glatman Ms Emma Norden Young Patrons Launched in 1988, the Royal the Royal Academy of Arts Miss H J C Anstruther Stephen and Margarita Grant Emma O’Donoghue Kalita al Swaidi Academy’s Corporate Membership Edwardian Hotels Platinum Mrs Jacqueline Appel Mrs Michael Green HRH Princess Marie-Chantal of Sophie Ashby Scheme has proved highly Google Arts and Culture Celia and Edward Atkin CBE Mr Andy Ash Mrs Margaret Guitar Greece Ms Vanessa Aubry successful. Corporate membership HS1 Ltd Mr Christopher Bake Marco and Francesca Assetto Mr Lindsay Hamilton Ms L C O’Hara Mr Gergely Battha-Pajor offers company benefits for staff, HTC VIVE The Deborah Loeb Brice Foundation Mr John Attree David Remfry RA and Caroline Mr Richard Orders Mr Nicholas Bonsall clients and community partners Insight Investment Mr and Mrs Frank Destribats Mrs Leslie Bacon Hansberry Neil Osborn and Holly Smith Mr Alexander Bradford and access to the Academy’s JM Finn Joseph and Marie Donnelly Mrs Enfys Bagguley Mr Christopher Harrison Hussam Otaibi Jacqueline Chan facilities and resources. We thank Momart Hugo Eddis Mr Edward Baker and Dr Annie Yim Mrs Sarah Harvey-Collicott Mr Michael Palin Mr Matthew Charlton all members for their valuable Newton Investment Management

70 Appendices Appendices 71 Florence Mytum Schools Wai Chan Development Events Assistant Marketing & Audiences – Loyalty Peter Bellamy Summer Exhibition Assistant Patrick Conlon Team Leader - RA Shop Charlotte Appleyard Ned Smith Ka Lai Brightley-Hodges Art Handler Appendix 3 Per Rumberg Family Programme Assistant Aoife Collins Director of Development and Research Officer Senior Loyalty Manager Daniel Cowap Curator Sarah Cooper Shop Assistant Business Innovation Beth Stansfield Alexandra Constantine Galleries Manager and Head of Art Jennifer Schussler Access Programmer Robert Fife Michael Eldred Events Manager, Private Hire Friends Membership Assistant Handling Departmental Administrator - Mary Ealden Retail Shops Supervisor Deputy Director Development Emma Stones Francesco Desideri Jeremy Dart Exhibitions Project Manager - Young People and Nicolas Godbold Caroline Kelley Events Operations Manager - Public Friends Membership Assistant Deputy Head of Art Handling Staff of the Royal Paul Sirr Teachers Team Leader - RA Shop Executive Assistant to the Director of Programmes Maria Gimlik Philip Drewry Database and Summer Exhibition Rebecca Jelly Kay Harwood Development Mayumi Tomita Friends Membership Assistant Art Handler Academy of Arts Manager Community Partners and Clore Team Leader - RA Shop Senior Events Manager Kirsty Henley-Washford Mark Game Andrea Tarsia Learning Centre Programmer Sarah Kinder Development – Major Gifts and Navasha Wray Friends Membership Assistant Art Handler Employees on permanent and Head of Exhibitions Kevina Khan Team Leader - RA Shop Campaigns Trust and Foundations Manager Lee Jackson Max Holder fixed term contracts as at 31 Anna Testar Student and Teachers Programmes Ramon Mota Davalos Alice Boff Amelia Young Membership Assistant Art Handling Manager August 2019 Assistant Curator Manager Deputy Retail Shops Manager Senior Major Gifts Manager Events Assistant Biagia Longhitano Patricia Venancio De Oliveria Joanna Thomas Kira Milmo Pouya Motallebzadeh Olivia Chamberlain Friends Membership Supervisor Art Handler President’s Office Exhibition Coordinator Adult Learning Programme Manager Team Leader - RA Shop Legacy Campaigns Officer Marketing & Audiences Lucy Maclure Smith John Robinson Christopher Le Brun PRA Susana Vazquez Fernandez Emily Peachman Anne-Louise Peckham Joseph Green Will Hattam Friends Membership Assistant Art Handler President Rights & Reproductions Co-ordinator Learning Assistant Book Buyer & Merchandiser Deputy Head of Capital Campaigns Chief Marketing Officer Edward Reardon Prof Chris Wilkinson OBE RA Elana Woodgate Jessica Rutterford Neil Shepperson Frances Griffiths Olivia Harrison Onsite Membership Sales Supervisor Operations – AV RA Treasurer Exhibitions Manager Adult Learning Programmer Team Leader - RA Shop Senior Legacy Manager Executive Assistant and Special Rui Rodrigues David Corbett Anna Smallman James Starbuck-Machin Karin Grundy Projects Marketing Officer Onsite Membership Sales Supervisor Audio-Visual Technician Secretary and Chief Executive’s Artistic Programmes - Learning Heritage Traineeship: Learning Retail Shops Supervisor Head of Patrons Sarah Surgeon Sophie Nicole Ellison Office and Collections Zoe Smith Scott Valentine Mariel Fox Marketing & Audiences – Friends Membership Assistant Audio-Visual Technician Axel Rüger Rebecca Lyons Learning Editor and Producer Team Leader - RA Shop RA Trust and International Liaison Communications Clare Taylor Benji Fox Secretary and Chief Executive Director of Learning & Collections Ryan Lawer Manager Johanna Bennett Head of Loyalty & Partnerships Audio Visual Events Manager Elizabeth Smith Artistic Programmes – Publishing Warehouse Manager Sarah Hilliam Head of Communications Development Daniel Gunning Executive Assistant to Secretary and Artistic Programmes - Learning Charlotte Agace Ian Sankey Head of Major Gifts & Campaigns Alexandra Bradley Lighting and AV Manager Chief Executive & Collections - Academic Advertising Sales Executive Warehouse Assistant Ilka Kemp-Hall Senior Press Officer Marketing & Audiences – Michael Moody Alexandra Collini Programmes Catherine Cartwright Patrons Officer Elena Davidson Marketing Audio-Visual Technician Head of Membership Affairs William Iron Advertising Production Manager and Commercial & Visitor Experience Cassy Martell* Press Officer Georgia Anderson Elisha Hindley-Cupper Natasha Mitchell Special Projects Advisor Listings Editor – Art Sales Senior Major Gifts Manager Daisy Drury Senior Design and Production Audio-Visual Senior Events Technician Director of Strategy Anna Pojer Maya Champaneri Alison Acampora Isobel Morris Internal Communications Manager Manager Academic Programmes Manager Advertising Sales Executive Senior Lead: Artist Collaborations Patrons Manager Annabel Potter Helen Butcher Operations – Cleaners & Porters Artistic Programmes David McAllister Florence Dassonville and Art Sales Florence Newlove Senior Press Officer Marketing Manager - Exhibitions Malgorzata Andrulewicz Tim Marlow Academic Programmes Intern Production Co-ordinator Robin Spalding Patrons Manager Ellen Weerasekera Jen Devonshire Cleaner/Porter Artistic Director Imogen Greenhalgh Art Sales Co-ordinator Leslie Ramos Press Assistant Digital Designer Maria Batista Doireann Cott Artistic Programmes - Learning Deputy Editor, RA Magazine Senior Patrons Manager Gabriella Efthimiou Morning Cleaner Executive Assistant to the Artistic & Collections - Lates and Special Jane Grylls Commercial & Visitor Experience Jonathan Stubbs Marketing & Audiences – CRM Marketing Manager (Loyalty, Daniel Burnage Director Events Advertising Manager – Visitor & Friends Experience Senior Major Gifts Manager Harriet Dalton Fundraising and B2B) Cleaner/Porter Imogen Willets Alison Hissey Numan Ahmed Retention Marketing Manager Alison Forbes Oziel Camacho Lates and Special Events Creative Project Editor Supervisor: Ticket Sales Development – New Business & Alicia Eames Head of Marketing Cleaner/Porter Artistic Programmes – Programmer Rosie Hore Jonathan Andrews Sponsorship CRM Marketing Manager Conor Fuller Bernardo Evasco Architecture Project Editor Duty Manager, Visitor & Friends Simon Armstrong Michelle Kettner Marketing Assistant Cleaner/Porter Kate Goodwin Artistic Programmes - Learning & Carola Krueger Experience Head of New Business Head of Customer Relationship Emily Harris Tomasz Hajduk Head of Architecture and Drue Heinz Collections - Collections Production Manager - Books Alison Barlow Charlotte Biddle Management Marketing Officer Cleaner/Porter Curator Peter Bogle Renata Lopes Visitor Services Assistant Senior Corporate Events Manager Lauren Jones Rebekah Holloway* Terence Hamilton Gonzalo Herrero Delicado Digitisation Co-ordinator Contract Publishing Manager Nicholas Barrett Natalie Bone Senior Marketing Executive – Loyalty Head of Marketing Supervisor, Cleaners and Porters Programme Curator Daniel Bowmar Samuel Phillips Visitor & Friends Experience Co-ordinator Senior Sponsorship & Partnership Programmes and B2B Matthew Hunt Rona Hamilton Helen Ikla Collections Manager Editor, RA Magazine and Special Karen Bomprezzi Manager Graphic Designer Cleaner/Porter Architecture Programme and Awards Alexandra Burnett Projects Supervisor: Welcome Jessica Bramfitt* Marketing & Audiences – Digital Alexandra Mulrennan Anabela Henriques Manager Collections Project Manager Peter Sawbridge Beata Burdelak Senior Corporate Events Manager Becky Bolton Senior Marketing Manager - Events Cleaner/Porter Hana Nihill Jennifer Camilleri Editorial Director, RA Publications Visitor Experience Host Eithne Brennan Software Developer Charlotte Riley James Howe Architecture Programme Assistant Picture Library Administrator Nicholas Tite Ivona Camacho Sponsorship and Partnerships Rania Clark Design and Production Assistant Cleaner/Porter Rebecca Comber Publisher Switchboard Operator Administrator Senior Database Officer Rachel Whitehouse Andrew Kiswiriri Nsiiro Artistic Programmes – Registrar Erin Lee Marcal Cuberta George Brodie Louise Cohen Senior Marketing Manager Cleaner/Porter Exhibitions Maurice Davies RA Magazine Intern Visitor Experience Host Events Manager Head of Digital Content Taoufik Louardi Giulia Ariete Head of Collections Aleksandra Durman Verity Casey Liz Dewar Operations Morning Cleaner Rights and Reproduction Manager Morgan Feely Commercial & Visitor Experience Visitor Experience Host Events Manager - Patrons Program Manager – Customer Tzo Zen Ang* Odilia Matias Caroline Arno Manager for Works on Paper Jo Prosser Eleni Kitsou Sarah Cranmer* Experience Project Chief Operating Officer Cleaner Supervisor Senior Rights and Reproduction Linda Macpherson Director, Commercial and Visitor VFE Schedule Co-ordinator Head of Events Michelle Doyle Sofia Lundberg Victor Pablo Mendez-Muzia Manager Assistant Librarian Experience Alex Lundstrom Philippa Forrester* Digital Content Designer/Editor Executive Assistant to the Chief Cleaner/Porter Rebecca Bailey Luke Mills Thom Rhoades Visitor Experience Host Senior Events Manager Wes Gilpin Operating Officer Dejan Mitrovikj Assistant Exhibitions Manager Digital Trainee EA and Special Projects Officer Scott Macfadyen Patrick Frazier Wood Digital Assistant Cleaner/Porter Idoya Beitia Edwina Mulvany Visitor Experience Host Head of Events Majeeda Goodall Operations – Estates Paul Nunn Head of Exhibitions Management Senior Registrar Commercial & Visitor Experience Hugo Madureira De Sousa Mariel Fox Digital Project Manager Tom Billington Cleaner/Porter Sinta Berry Mark Pomeroy – Retail & Trading Visitor Experience Host Trust and International Liaison Michael Harris Head of Estates Dean Nunn Summer Exhibition Manager Archivist Jonathan Ping Philippa Merrett Manager Technical Lead Abigail Dawson Cleaner/Porter Stephanie Bush Andrew Potter Head of Customer Experience and Visitor Services Assistant Lucy Grantham Verity Honebon Estates Administrator James O’Connell Senior Exhibitions Manager Research Assistant Sales James Orr Corporate Events Manager Software Developer Stjon Bavin Cleaner/Porter Lucy Chiswell Helen Record Anna Balan Senior Ticketing and Sales Manager Ian Grierson Amy Macpherson Logistics Manager John O’Reilly Assistant Curator Curatorial Assistant Buyer Henrietta Pelling Senior Events Manager Deputy Head of Digital Content Eileen Gallagher Facilities Manager Catherine Coates Karine Sarant Hawkins Eduardo Brigagao Customer Service Call Centre Isabelle Hanson Liam Palmer Post Room Manager Margarida Reis Assistant Exhibitions Manager Research Assistant Merchandiser and Range Manager Operator Events Manager Software Developer Elinor McDonald Cleaner/Porter Nancy Cooper Miranda Stead Stephen De Costa Alexander Price Ann Hartigan Alicia Scheibner Build Manager Harry Yorke Assistant Exhibitions Manager Assistant Librarian Warehouse Assistant Duty Manager, Visitor & Friends Senior Corporate Membership Project Manager - Customer Beatrice Moran Cleaner/Porter Lucy Davis Laura Valentine Catrina Dunn Experience Manager Experience Project Architect and Senior Build Manager Assistant Exhibitions Manager Picture Library Manager Planning and Logistics Manager Susan Reitsis Su-Fang Hsiao Nick Sharp Laura New Operations – Security Edith Devaney Helen Valentine Rosanna Hardstaff Ticket Office Assistant Senior New Business Manager Digital Director Operations Manager, Exhibitions Nicholas Bowen Head of Summer Exhibitions and Senior Curator Ecommerce Assistant Kimberly Schumacher Katie Isitt Alison Strawbridge & Events Security Guard/Blue Collar Nights Contemporary Curator Adam Waterton Melissa Hockings Visitor Experience Host Trust and Foundations Manager Head of Data Integrity Philip Pearce Nicola Elworthy Bronte Earl Head of Library Services Ecommerce Assistant Kate Topham Chloe Jamieson Rachel Walker Head of Surveying Security Guard/Blue Collar Summer Exhibition Coordinator Annette Wickham Mhairi Holland Head of Visitor and Friends Events Assistant Senior Product Manager Roland Philbert Tiago Godinho Rebecca England Curator of Works on Paper Buyer Experience Harriet Jarman Alice Warley Health and Safety Advisor Security Guard/Blue Collar Nights Exhibitions Manager Claire Mothersole Alex Walker-Skinner Senior Research and Resources Database and Training Officer David Vobes Luca Golino Flora Fricker Artistic Programmes - Learning & Buyer Customer Service Call Centre Manager Jessica Webb Head of Estates Operations Security Guard/Blue Collar Senior Exhibitions Manager Collections - Learning Bethany Naylor Operator Stacey Langham Young Artists’ Project Manager Emily Whitaker Carl Harris Rhiannon Hope Molly Barker Merchandise Assistant Thomas Waters Deputy Head of New Business Alessia Zaja Project Manager Security/Duty FOH Manager Assistant Curator Department Administrator Sin-Ting Cheung Ticketing and Sales Assistant Alice Morrison* Database Assistant Francine Williams Sarah Howard Olivia Bladen Ecommerce Manager Manager Senior Corporate Membership Help Desk Assistant Curator Family Programmer Felix Barham Tuesday Yearwood Manager Marketing & Audiences – Insight Belén Lasheras Díaz Amy Bluett Retail Shops Manager Supervisor: Welcome Florence Mulheron Claire Clutterbuck Operations – Art Handling Assistant Exhibitions Manager Adult Learning Programme Manager Afomya Beyene Abbey-Gail Orsler Manager, Sponsorship & Partnerships Head of Insight Richard Ascroft Adrian Locke Molly Bretton Team Leader - RA Shop Visitor & Friends Experience Alice Robinson Art Handling Manager Senior Curator Head of Families, Access and Apprentice

72 Appendices Appendices 73 Rinardo Khan Vincent Wright Dates: 29 September 2018 – 12 January 2019 Loan: John Singer Sargent RA, An Interior in Security Guard/Blue Collar Volunteering Advisor Loan: Frank Bowling RA, Wintergreens, (06/2415), Venice, (03/1387); John Callcott Horsley RA, A Abel Kiros Appendix 4 Appendix 5 Acrylic on canvas Pleasant Corner, (03/944); Lawrence Alma-Tadema Security/Duty FOH Manager Operations – IT RA, Improvisatore, (03/917); David Roberts RA, The Peter Lukwata Vladislav Antonov Exhibition: John Singer Sargent Gateway to the Great Temple at Baalbec, (03/842); Security/Duty FOH Manager IT Systems Administrator Venue: National Museum Stockholm, Stockholm, Henry Stacy Marks RA, Science is Measurement, Sherwyn Mason Manju Chhantyal Sweden (03/702) Security/Duty FOH Manager IT Security Administrator Summer Exhibition Prize Winners Loans from the Collections Dates: 13 October 2018 – 13 January 2019 Gonzalo Mateos Tores Dominic Evans Loan: John Singer Sargent, Interior in Venice, Exhibition: Eric Parry: Drawing Security/Duty FOH Manager IT Support Team Leader 1 September 2018 – 31 August (03/1387) Venue: Sir John Soane’s Museum, London, UK Amer Najmaden Jeremy Gunaranjan 2019 Dates: 20 February – 27 May 2019 Security/Duty FOH Manager IT Support Officer Exhibition: Fuseli. Drama and Theater Loan: Eric Parry RA, 30 Finsbury Square: Navjeet Hullen perspective looking northeast, (07/3178), Pencil Michael O’Halloran The Royal Academy of Arts Charles Wollaston Loans for Exhibition Venue: Kunstmuseum, Basel, Switzerland on wove paper Deputy Head of Security IT Support Officer Award (All loans are oil on canvas unless otherwise stated) Dates: 20 October 2018 – 17 February 2019 Surjeet Hullen Daniel Phillips £25,000 for the most distinguished work in the Loan: Henry Fuseli, RA, Thor Battering the Midgard Exhibition: Beyond Boundaries: an Security/Duty FOH Manager IT Network and Security Manager exhibition. Exhibition: G. F. Watts: England’s Serpent, (03/995) Pavlos Kanakis interaction between the Central Academy Victor Pinto Winner: Joe Tilson RA, Finestra Venezia (Cat no. 410, Michelangelo of Fine Art, Beijing and the Slade School of Security/Duty FOH Manager Senior IT Systems Administrator Gallery II) Judges: Richard Deacon CBE RA, Andrea Venue: Watts Gallery – Artists’ Village, Compton, Exhibition: Repton Revealed Gary Philip Fine Art, UCL Steve Rampasard Rose, Andrew Nairne Surrey, UK Venue: Garden Museum, London, UK Venue: Somerset House, London, UK Security/Duty FOH Manager IT Support Officer Dates: 26 November 2017 – 30 November 2019 Dates: 24 October 2018 – 03 February 2019 Igor Saucek Dates: 5 March – 9 April 2019 Sainey Sabally-B The Jack Goldhill Award for Sculpture Loan: George Frederic Watts RA, The Death of Loan: Humphry and John Adey Repton, Design Loan: Neil Jeffries, Mildew Blighting Barley, Security/Duty FOH Manager Head of IT £10,000 for a sculpture. Cain, (03/1348) for ‘Burlington Place’, Burlington House site (17/3945), Oil on aluminium Winner: Cathy Lewis, Orlando (Cat no. 458, Gallery II) redevelopment, Piccadilly, Westminster, London: Operations – Legal Operations – Finance Judges: Simon Goldhill, Jake Goldhill, Kate Mccgwire, Exhibition: Virginia Woolf: an exhibition north elevation to Vigo Lane, (07/199), Pen with Benedict Anstey Exhibition: Painting Childhood: From Holbein Wieslawa Amidu Richard Wilson RA inspired by her writings black pen and grey washes; Humphry and John Adey to Freud Cashier General Counsel Venue 1: Tate St. Ives, Cornwall, UK Repton, Design for ‘Burlington Place’, Burlington Sarah Iddon Venue: Compton Verney, Warwickshire, UK Jana Archs Roca The Jerwood London Original Print Fair Prize Dates: 10 February 2018 – 29 April 2018 House site redevelopment, Piccadilly, Westminster, Dates: 16 March – 16 June 2019 Senior Financial Anaylst Counsel £10,000 awarded for a print in any medium. Venue 2: Pallant House Gallery, Chichester, UK London: perspective looking north, (07/198), Pen Loan: Sir John Everett Millais PRA, Souvenir of Lee Bennett Winner: Bella Easton, Angel Heart (Cat no. 1192, Dates: 26 May 2018 – 16 September 2018 with black pen and coloured washes; Humphry and RA Schools Velazquez, (03/721) AP & Purchasing Supervisor Gallery VII) Venue 3: The Fitzwilliam Museum, Cambridge, UK John Adey Repton, Design for ‘Burlington Place’, Rebecca Salter RA Patricia Blackledge Judges: Gordon Cooke, Helen Rosslyn, Philippa Dates: 2 October – 9 December 2018 Burlington House site redevelopment, Piccadilly, Keeper of the Royal Academy Exhibition: The Lie of the Land Cashier Hogan-Hern, Rebecca Salter RA Loan: Laura Knight RA, Portrait of Joan Rhodes, Westminster, London: ground floor plan with overlay Venue: MK Gallery, Milton Keynes, UK Michael Casartelli Eliza Bonham Carter (11/1168) of part-plan of first floor, (07/197), Pen with black ink Dates: 16 March – 26 May 2019 Head of Procurement Curator & Head of Schools The British Institution Awards for Students and coloured washes Loan: Laura Knight RA, The Pool no. 2, (04/2009), Paul Cooper The British Institution Fund was established to promote Exhibition: Capturing a Star: Dame Flora Oil on canvas with chalk Payroll and Pensions Manager Guler Ates excellence in the arts through the awarding of prizes to Robson and other works by Dame Ethel Walker Exhibition: Gainsborough’s Family Album Jacintha Cusack Digital Print Tutor students. Work is assessed across a comprehensive Venue: South Shields Museum & Art Gallery (Tyne & Venue1: National Portrait Gallery, London, UK Exhibition: David Hockney Friends Finance Assistant Leigh Clarke range of disciplines from painting to architecture. Two Wear Archives & Museums), Newcastle, UK Dates: 22 November 2018 – 3 February 2019* Cristina Drake Venue: Seoul Museum of Art, Seoul, Korea Print Tutor prizes of £5,000 and £3,000 were awarded by the Dates: 22 September 2018 – 27 April 2019 Venue 2: Princeton University Art Museum, New Dates: 22 March – 04 August 2019 Senior Finance Analyst - Masterplan Henrietta Coleman-Ratten trustees. Loans: Dame Ethel Walker ARA, Portrait of a man Jersey, USA Charlotte Gellatly Loan: David Hockney RA, Double Study for ‘A Digital Print Tutor Winners: £5,000 Prize: Seungjo Jeong, Interface V1 with flowers in the background, (03/3858); Dame Dates: 23 February – 9 June 2019 Closer Grand Canyon’, (03/891) Head of Accounting Services David Cooper (Cat no. 1352, Gallery VIII) £3,000 Prize: Bichsaem Ethel Walker ARA, The Jade Necklace, (03/505); Loan: Sir Thomas Gainsborough RA, Self Portrait of Terry Golding Schools Programme and Alumni Kwon, The Tent (Cat no. 952, Gallery VI) Dame Ethel Walker ARA, Portrait of Flora Robson, Thomas Gainsborough RA, (03/1395) Exhibition: Artists, by Themselves Cashier Relations Manager Judges: Michael Claridge, Rosa Sepple, Penny (03/911); Dame Ethel Walker ARA, The Zone of *Displayed from 11 December 2018 Jordan Hickman Venue: Penlee House Gallery, Penzance, Cornwall, Peter Donaldson Johnson, Des McMahon, Andrew Stahl Love, (04/3432), Ink, chalk, graphite and watercolour UK Senior Financial Accountant Sculpture Tutor on paper; Dame Ethel Walker ARA, Life study: Three Exhibition: Seen and Heard: Victorian Children Carl Hitchcock Dates: 23 March – 8 June 2019 Richard Elliott The Hugh Casson Drawing Prize standing female figures, (12/182), Watercolour and in the Frame Loan: George Clausen, Portrait of Stanhope Director of Finance Sculpture and Workshop Manager £5,000 for an original work on paper in any medium, pencil on paper; Dame Ethel Walker ARA, Zone of Venue: Guildhall Art Gallery, London, UK Danyel Madrid Forbes, (03/597); Frank Bramley, The Beaver Margarita Gluzberg where the emphasis is clearly on drawing. Love, (03/1847), Marble; Dame Ethel Walker ARA, Dates: 23 November 2018 – 28 April 2019 Hat, (03/259); Harold Knight, Laura Johnson, Finance Assistant Senior Lecturer Winner: Alexandra Blum, Goose Eye View (Cat no. Bust of a man, (03/1848), Plaster Loan: William Owen RA, Cottage Children, Nicola Mills* (03/566) Brian Griffiths 984, Gallery VI) (03/1225); Henry Raeburn RA, Boy and Rabbit, Deputy Director of Finance - Decision Senior Lecturer Judges: Carola Zogolovitch, Diana Edmunds, David Exhibition: Princely Painters (03/703); Martin Archer Shee PRA, The Artist’s Exhibition: Behind the Lines: Alfred Support Richard Hampson Remfry RA Venue: Bundeskunsthalle, Bonn, Germany Son, (03/606) Melissa Morris Munnings, War Artist, 1918 Head of Fine Art Processes Dates: 28 September 2018 – 27 January 2019 Venue: The Munnings Art Museum, Colchester, UK Sales Ledger/Credit Controller Yasue Ichige Rocco Forte Hotels Architecture Prize Loan: George Frederic Watts, RA, Portrait of Exhibition: Landseer’s The Monarch of the Glen Wioletta Olszewska Dates: 23 March – 3 November 2019 Digital Instructor £5,000 for an outstanding work of architectural design. Frederic, Lord Leighton PRA, (03/713); George Venue: National Gallery, London, UK Loan: Canadian War Memorials 1919 Catalogue, Accounts Payable Assistant James Irwin Winner: Threefold Architects, From Forest to Façade, a Atchison, RA, Design for House and Studio of F. Dates: 29 November 2018 – 3 February 2019 Charlotte Pelter (RA Cat. No. A111) Sculpture Technician Woodlands Survey (Cat no. 669, Large Weston Room) Leighton Esq. ARA., Kensington from: Building Loan: George Stubbs ARA, Working drawing for Development & Business Intelligence Richard Kirwan Judges: Olga Polizzi, Ellie Stathaki, Spencer de Grey News, 9 November 1866, (06/1481), Lithograph; ‘The Seventh Anatomical Table of the Muscles Exhibition: Van Gogh and Britain Analyst Senior Lecturer MBE RA David Wilkie Wynfield, Lord Leighton PRA, ... of the Horse’, (03/5731), Graphite, black and Lotte Pople Hoskins Venue: Tate Britain, London, UK Simon Lawson (03/6188), Carbon print on mount with textured red chalk Dates: 27 March – 11 August 2019 Finance Analyst - Operations, Print Tutor The Sunny Dupree Family Award for a Woman paper surface layer; Ralph W. Robinson, George Loan: Frank Brangwyn RA, Sunflowers, (03/959), Learning and Collections Joana Rodrigues Artist Atchison RA, (06/1069), Platinotype print; Sir Exhibition: Painting in Miniature, Pastel and Helena Sawbridge Oil on board RA Schools Programme Administrator £4,000 for a painting or sculpture. Thomas Brock, RA, Bust of Frederic, Lord Leighton Watercolour at the Royal Academy, 1768-1810 Senior Investment and Project Martha Todd Winner: Marjorie Abela, Maya (From the Series PRA, (03/1682), Bronze; Sir Thomas Brock, Venue: Victoria and Albert Museum, London, UK Exhibition: The Triumph of the Body: Accountant Sculpture Technician ‘Seeing’) (Cat no. 1437, Gallery IX) RA, Model for the tomb of Lord Leighton PRA, Dates: 1 December 2018 – 28 April 2019 Michelangelo and Sixteenth-Century Italian Lauren Seaton Maciej Urbanek Judges: Sunny Dupree, Anne Desmet RA, Eliza (03/1681), Plaster with bronze painted figures and Loan: Ozias Humphry, A Fortune Teller, (08/3577), Draughtsmanship Friends Finance Assistant Photography Tutor Gluckman stone-coloured plinth Watercolour and gouche on vellum Ismail Shah Venue: Museum of Fine Arts, Budapest, Hungary Dates: 5 April – 30 June 2019 Finance Assistant - Sales Ledger & The Arts Club Award Exhibition: William Hunter and the Anatomy of Exhibition: LS Lowry: Salford’s Royal Loan: Attrib. to Rosso Fiorentino, Leda and the Credit Controller £2,500 awarded to an artist aged 35 or under for a the Modern Museum Academician Swan, (04/282), Black chalk on paper Ajita Vyas work in any medium except architecture. Venue 1: The Hunterian, Glasgow, UK Venue: The Lowry, Salford, UK Senior Cashier Awarded to two artists this year, who received a prize Dates: 28 September 2018 – 06 January 2019 Dates: 8 December 2018 – 3 March 2019 Exhibition: The Coming World: Ecology as the Theresa Webster of £1,250 each. Venue 2: Yale Center for British Art, New Haven, Loan: RA Minutes of Elections covering the New Politics 2030-2100 Friends Finance Manager Winner: Grace Mcmurray, George Michael (Cat no. United States years 1954-62, (facsimile of RAA/GA/5/3); RA Venue: Garage Museum of Contemporary Art, Rose Wright 1345, Gallery VIII) Dates: 14 February – 20 May 2019 Nominations for Membership covering the year Moscow, Russia Deputy Director of Finance - Decision Winner: Melissa Kime, Superman Has Delivered! (Cat Loan: Unidentified maker, Ecorché figure,1771, 1954, (facsimile of RAA/GA/11/2/4), LS Lowry’s Dates: 15 May – 31 January 2020 Support no. 1015, Gallery VI) Judges: Alice Chadwyck-Healey, (03/1435), Plaster cast* completed Particulars for Official Records, (RAA/ Loan: Edward Muybridge, Elephant; walking, Inge Borg-Scott, Bob and Roberta Smith RA *Displayed at the Hunterian Glasgow only. LIB/2/107), Press release for RA’s 1976 LS Operations – HR Lowry retrospective, (RAA/REG/3/4/2), Letter (04/2775), Collotype on white wove paper Jennifer Canario The BKI Architecture and Materials Prize Exhibition: Art and Magic from Nicholas Usherwood to LS Lopwry dated Exhibition: Mirrors: The Reflected Self HR Apprenticeship £2,500 for a work celebrating material excellence. Venue: Palazzo Roverella, Rovigo, Italy 18 Dec 1975, (RAA/EXH/1/22/1), L.S Lowry, Venue: Museum Rietberg, Zurich, Switzerland Sarah Myers Winner: Tonkin Liu, Opening Bridge to Crystal Palace Dates: 29 September 2018 – 27 January 2019 Five ships, (03/344), Oil on board; L.S.Lowry, Dates: 17 May – 22 September 2019 Head of Human Resources Dinosaur Islands (Cat no. 581, Large Weston Room) Loan: Sir George Frampton, Lamia, (03/1723), Station Approach, (03/416), Oil on board; L.S Loan: Frank Cadogan Cowper RA, Vanity, Jo Pickles Judges: Bahadir Kayan, Spencer de Grey CBE RA, Ivory, bronze, opals and glass Lowry, Portrait of Ann, (03/825), Oil on panel; (03/1013), Oil on panel; John Gibson RA, Interim Head of Human Resources Martin Brudnizki, Dexter Moren L.S Lowry, Tanker, (03/421), Oil on board; L.S Narcissus, (03/1918), Marble Ella Roberts Exhibition: Frank Bowling: Mappa Mundi Lowry, Woman with Shopping bag, (03/417), HR Officer The Rose Award for Photography Venue 1: Haus der Kunst, Munich, Germany Oil on board Exhibition: Frank Bowling Zoe Rogers-Wright £1,000 for a photograph or series of photographs. Dates: 23 June 2017 – 7 January 2018 Venue: Tate Britain, London, UK HR Business Partner Winner: Hannah Collins, Nelson Mandela’s Teenage Venue 2: Irish Museum of Modern Art, Dublin, Exhibition: British Painting from Turner to Dates: 31 May – 26 August 2019 Kathryn Rowe Home, National Monument (Cat no. 63, Wohl Central Ireland Whistler Loan: Frank Bowling RA, Wintergreens, (06/2415), HR Business Partner Hall) Dates: 24 March – 8 July 2018 Venue: Fondation de l’Hermitage, Lausanne, Acrylic paint, acrylic gel, fom and mixed media on Alexandra Vetrov Judges: Peter Rose, Michael Hoppen, Isaac Julian Venue 3: Sharjah Art Foundation, United Arab Switzerland canvas Recruitment Advisor CBE RA Emirates Dates: 1 February – 2 June 2019

74 SectionAppendices name SectionAppendices name 75 Architectural model of the Newport Street Gallery, Exhibition: William Powell Frith: The People’s The Drue Heinz Endowment for Architecture Vauxhall Painter Donated by Mrs Drue Heinz in 1993, The Drue 2016 Venue: Mercer Art Gallery, Harrogate, UK Appendix 6 Appendix 7 Appendix 8 Heinz Endowment for Architecture supports the Painted MDF Dates: 15 June – 29 September 2019 development of the Architecture Programme of The 36 x 38 x 160 cm Loan: William Powell Frith RA, Self Portrait of Royal Academy of Arts. Diploma Work William Powell Frith RA, (03/1341); William Powell Frith, RA, The Sleeping Model, (03/837); William The McAulay Scholarship Michael Landy RA Powell Frith RA, Study for the Sleeping Model, Immunity from Seizure Acquisitions 1 September 2018 Trusts and Special Funds Originally established by a donation from Mr Ronald Saint Stephen, 2014 (03/4283), Charcoal and pencil on paper – 31 August 2019 Administered by the Royal McAulay and the Hon Mrs McAulay in 1997, with The DCMS approved the Royal Academy Fibre glass and limewood a further donation in 2019. Provides fees and Head: 112 x 100 x 105 cm Exhibition: Shadows, from the Renaissance of Arts for the purposes of Part 6 of the Academy Trust, maintenance to two students in the RA Schools. 3 x Kevlar “rocks”; 30 x 40 x 40 cm each to the Present Day Tribunals, Courts and Enforcement Act 2007 September 2018 Diploma Work Venue: Fondation de l’Hermitage, Lausanne, (protection of cultural objects on loan) with 1 September 2018 – The Paul Mellon Endowment Fund Switzerland effect from 17 September 2008. Willi Soukop RA 31 August 2019 Received following a bequest in 2000, the Paul Dates: 28 June – 27 October 2019 Bust of Sidney Hutchison, 1980 Mellon Endowment Fund supports the general May 2019 Loan: Charles West Cope RA, The Night Alarm: the During the year under review, the Royal Bronze resin purposes of The Royal Academy of Arts. Academy was granted Immunity from Seizure Advance!, (03/1287) 43.8 x 19.8 x 23.2 cm The British Institution Fund for 227 artworks as follows: Gianni Berengo Gardin The British Institution Fund was established to The Agnes Ethel Mackay Fund 16 photographs of Renzo Piano’s buildings and his Exhibition: A Journey in the Gardens of John Ward promote excellence in the arts through the awarding Received in 1981 from the estate of Miss Agnes Oceania team at work Europe: From Le Nôtre to Henry James Sketch of Churchill at RA Banquet, 1959 of prizes to students. Work is assessed across a Ethel Mackay, in memory of André Dunoyer de 25 September – 10 December 2018 Purchased from the photographer Venue: La Venaria Reale, Turin, Italy Pen and ink comprehensive range of disciplines from painting to Segonzac Hon RA, to award travelling scholarships Main Galleries Dates: 5 July – 20 October 2019 23.7 x 16.7 cm architecture. Two prizes of £5,000 and £3,000 are to students in the RA Schools. Objects: 16 Anthony Whishaw RA Loan: John Singer Sargent RA, At Torre Galli, awarded annually by the trustees. 6 paintings and 20 works on paper (03/1388) Textiles: 5 Arnold Machin RA The Pitchforth Fund RA medal depicting the Tondo 1979 The Sir Hugh Casson Drawing Award Proceeds from the sale of pictures donated Klimt / Schiele: Drawings from the Albertina The Blind Leading the Blind II Exhibition: John Frederick Lewis: Facing Silver gilded bronze Given annually in recognition of the best drawing by (Roland) Vivian Pitchforth RA to provide a Museum, Vienna 1978-1990 Fame 6.3 cm diameter in the Summer Exhibition, in memory of Sir Hugh scholarship fund for the RA Schools. 04 November 2018 – 03 February 2019 Acrylic and collage on canvas Venue: Watts Gallery, Surrey, UK Casson PRA. 198 x 420 cm Dates: 9 July – 3 November 2019 Sackler Wing of Galleries 2 scrapbooks of Royal Academy ephemera. The Pauline Sitwell Bursary Fund Loan: Charles West Cope RA, The Council of Works on paper: 108 The Chantrey Bequest Received in 2012 from the estate of the late Pauline Summer Field the Royal Academy selecting Pictures for the Bequest of Margaret Toms Received under the will of Sir Francis Chantrey Sitwell, the fund awards an annual maintenance Renaissance Nude 1981-2 Exhibition, 1875, (03/1288); John Frederick Lewis RA. Provides for the purchase of works of art of the bursary to a student in the RA Schools. 3 March – 2 June 2019 Acrylic on canvas RA, The Door of a Café in Cairo, (03/1006), Oil on Jonathan Yeo highest merit in painting and sculpture, executed Sackler Wing of Galleries 168 x 458 cm panel; John Frederick Lewis RA, Self-portrait of the Maquette for Homage to Paolozzi (Self Portrait), 2017 entirely within the shores of Great Britain, in order The Ivor Rey Scholarship Fund artist as a boy, (07/3339), Pencil on brown wove Works on paper: 26 Bronze, series of 9, each unique Established following a gift in the will of the late Ivor Bullfight With Falling Picador to form a public national collection of British fine art. paper; John Frederick Lewis RA, Portrait sketch Paintings: 26 35 x 20 x 20 cm Alan Rey. An annual award is made to students of 1951-2 of John Frederick Lewis, (07/3105), Pencil with Sculptures: 16 Given by the artist The Selina Chenevière Travel Award the RA Schools to visit Paris, for the purpose of Oil on canvas pen and ink on brown wove paper; John Frederick Established in 2000 by Antoine Chenevière in studying art. Félix Vallotton: Painter of Disquiet 102 x 129 cm Lewis RA, Portrait sketch of John Frederick memory of his late wife Lady Selina Chenevière. 30 June – 29 September 2019 Lewis with his brothers Charles and Frederick, December 2018 Awards an annual bursary to a third-year student in The Salaman-Seelig Art Fund Sackler Wing of Galleries Interior With Figure (07/2698), Pencil on wove paper; John Frederick the RA Schools to help further his or her practice Established in 2016 by a legacy from Auriol Seelig. Works on paper: 10 2004-8 Lewis RA, Self-portrait sketch, (07/3102), Pencil George Adolphus Storey RA through travel. The purpose of the fund is to make an annual award Acrylic and collage on board and chalk on wove paper Paintings: 20 An Anatomy Class at the Royal Academy Schools to a second-year student of the RA Schools. 34 x 67 cm with Professor Partridge, 1854 The Sir John Reeves Ellerman Picture New long term loan Due diligence was carried out by following Royal Pen and ink Purchase Fund The Starr Fund Academy procedures, which include identifying H211 FKE I Borrower: Science Museum, London, UK 19.1 x 24.8 cm Bequeathed by Sir John Reeves Ellerman, 1st Donated by the Starr Foundation to endow an artist- areas for further research and holding internal staff 1997-2010 Dates: 4 April 2019 – 3 April 2021 Purchased from the Maas Gallery, London Baronet. The purpose of the Ellerman Fund is to in-residence scholarship for an American student in meetings to review and discuss any issues arising Acrylic and collage on canvas Loan: D. Bruccianni & Co, Écorché à la Colonne, support the growth of The Royal Academy of Arts the RA Schools. as appropriate, as well as consulting external 91 x 122 cm (03/1437), Plaster Zhang Enli Collection by applying the income to the purchase specialists as required. The Royal Academy’s No. 254 Life Room, 2018 of works of art, in accordance with the Acquisitions The Patricia Turner Award Long term loans renewed Exhibitions Office has received no enquiries or Oil on canvas Bequeathed by James Turner, in memory of his Maelstrom I and Disposals policy. Borrower: Jesus College, Cambridge claims under Section 7 of the Protection of Cultural 267.5 x 217 cm wife Patricia, to provide a bursary to a graduating 2004 Dates: 1 October 2018 – 31 October 2020 Objects on Loan (Publication and Provision of Given by the artist The Eranda Drawing Professorship sculpture student to support his or her professional Information) Regulations 2008 (provision of Acrylic and collage on canvas Loans: David Nash RA, Crack and Warp Column, Awarded by the Eranda Foundation to establish a development in his or her first year after leaving the information: potential claimants). 183 x 122 cm (07/2355), Oak Bernard Dunstan RA professorship of drawing in the RA Schools. RA Schools. Portrait of Arnold Mason RA and L.S. Lowry RA List available for the works on paper on request. Borrower: British Embassy, Washington DC, Oil on board The Eranda Scholarship The Edna Rose Weiss Award United States 23.1 x 20.7 cm Received from the Eranda Foundation in 2013 to Donated by Edna Rose Weiss. Provides an annual Given by the artist. Dates: 1 November 2018 – 30 June 2020 Given by Diana Armfield RA provide a scholarship allowing three students to prize to a student in the RA Schools working in a Loans: Sir William Reid Dick RA, Sir Edwin pursue a three-year postgraduate course of study figurative style. Landseer Lutyens PRA, (03/3622), Bronze; at the RA Schools. June 2019 William McMillan RA, George VI, (04/1276), February 2019 The Charles Wollaston Award Bronze; Edwin Witney Smith, Sir Alfred J Munnings, The Richard Ford Award Donated by Charles Wollaston in 1977. Provides an Sam Keelan PRA,(03/3756), Bronze; Sir Alfred Gilbert RA, Tacita Dean RA Received from Brinsley Ford in 1976, in memory of annual award for the most distinguished exhibit in Am I replica of someone that you loved?, 2018 Lionel Percy Smythe RA, (03/1666), Bronze* David Hockney Portraits, 2016 his great-grandfather Richard Ford, to enable British the Summer Exhibition, on the recommendation of a Inkjet print mounted on 3mm dibond with 18mm 16 mm colour film, optical sound figurative painters to visit Spain for the purpose of specially appointed panel. sub frame Borrower: Spencer House, London 16 mins studying paintings, particularly in the Prado. 44 x 80 x 2 cm Dates: 1 April 2019 – 30 April 2021 Edition 1 of 4 RA Keeper’s Purchase Prize 2019 Loan: Gainsborough’s paint scraper, (03/4355), 2 x internegatives, 2 x sound negatives The Frampton Fund Ivory and silver with steel blade & accompanying film prints Bequeathed by Sir George Frampton RA for Purchased jointly by the National Portrait Gallery executing in permanent material works by British July 2019 Borrower: Tate Britain, London and the Royal Academy of Arts with support from sculptors currently existing only in material of a non- Dates: 1 May 2019 – 31 December 2019 Art Fund and The Deighton Family Foundation permanent nature, to be presented to the nation John Davies Loan: John Bacon RA, Sickness, (03/1672), Marble; or placed in any park, open space, museum or art Dhruva Mistry, Kasauli, 1979 Richard Westmacott RA, Jupiter and Ganymede, Album of photos and ephemera and one drawing gallery in the United Kingdom or its dominions, Pencil on paper (03/1852), Marble relief relating to the RA Schools and the Reynolds Club, colonies or dependencies. 1950s and 1960s 550 x 450 cm Given by the artist Borrower: Bridgewater House, London Presented by Mary Millar Watt The Jack Goldhill Award for Sculpture Dates: 1 August 2019 – 31 August 2021 Donated by Jack Goldhill, an award is made Loan: John Gibson RA, Venus, (03/6185), Marble; annually in recognition of the best sculpture in the John Gibson RA, Grazia, Puella Capuensis, March 2019 Summer Exhibition. (03/2415), Plaster; John Gibson RA, Lilah Clifden, (03/2414), Plaster; John Gibson RA, Leonard Rosoman RA The Peter Greenham Fund Luisa, (03/2413), Plaster; John Gibson RA, Bust Preparatory sketch relating to ‘The Meeting, Royal Donated in memory of Peter Greenham RA, of Edith Margaret Mozley, (03/2411), Plaster; Academy of Arts’, c. 1978 former Keeper of the RA Schools, a full three-year Edward Onslow Ford, John Bagnold Burgess, Pen and ink scholarship to a student in the Schools. (03/1224), Bronze; Domenico Trentacoste, Philip 21.5 x 21 cm Hermogenese Calderon, (03/3618), Bronze; Purchased from Goldmark Gallery, London The de Grey Memorial Fund Thomas Woolner RA, Edward Middleton Barry, April 2019 Established in memory of Sir Roger de Grey PRA to (03/3757), Marble; Unknown maker, Laocoön, provide maintenance grants to students in the RA (04/297), 19th century plaster cast; Unknown Adam Caruso and Peter St John RA Schools and the City and Guilds of London Art maker, Queen Victoria,(04/446), 19th century Caruso St John Architects LLP School. plaster cast

76 Appendices Appendices 77 Appendix 9 Image captions Cover: RA Schools student Alex Charley Vines. PVC, just, cotton, Canonico, class of 2020, in his acrylic, wood. Artwork supported studio. Photo: © Cat Garcia. by DZD. Photo © Benedict Inside cover: Inside the RA Johnson. Royal Academy Schools Awards, Scholarships Schools studios. Photo © Cat p. 33: Installation view of the and Maintenance Founds Garcia. ‘Young Artists Summer Show’ p. 4: Installation view of the featuring ‘Me and my sister’ by ‘Bill Viola / Michelangelo: Life Annie, Year 11. Photo © Justine Death Rebirth’ exhibition at the Trickett. p. 34: An interactive story telling Premiums: Interim Projects 2019 Prizes and Awards Bursary and Scholarship Funds 2018/19 Royal Academy of Art, London (26 January – 31 March 2019). workshop in the Clore Learning Sponsor/Name of Award Amount (£) Awardee Scholarship Bursary Bill Viola, Tristan’s Ascension Centre. Photo © Justine Trickett. Sponsor/Name of Award Name Amount Amount (The Sound of a Mountain pp. 36-37: Portrait of Rebecca Artist’s Collecting Society Prize 1000 Jenkin van Zyl Under a Waterfall), 2005. David Salter RA, Keeper of the Royal The Aquarius Trust - 4000 Andrew Maughan Parry/© Royal Academy of Arts. Academy. Photo © Hollie E Vincent Harris Prize 860 Clara Hastrup Exhibition organised by the Royal Fernando. The Charlotte Bonham Carter Trust - 4500 Materials Fund E Vincent Harris Prize 860 Lidija Kononenko Academy of Arts, London in pp. 38-39: RA Lates: Summer William Brake Charitable Trust 15000 5000 Glen Pudvine partnership with Royal Collection Pleasure Garden. Photo © Max Edna Rose Weiss Award* 500 Agnieszka Szczotka Trust and with the collaboration Meichowski. Ernest Cook Fund - 1190 Sofía Clausse of Bill Viola Studio. pp. 40-41: An AttRAct life Ivor Rey Scholarship 7266 Amanda Kyritsopoulou p. 6: Portrait of Christopher Le drawing workshop. Photo © SIV Cooke Fund - 1810 Lidija Kononenko Brun PRA. Photo © Rory Mulvey. Justine Trickett. Landseer Prize 605 Tania Blanco p. 44: The Royal Academy Shop. Gilbert & Eileen Edgar 6000 - Pascal Schwendener p. 8: Portrait of Axel Rüger. Landseer Prize 605 Toby Jury Morgan Photo © Cat Garcia. Photo © Jonathan Ping. 14000 6000 Frances Drayson p. 14: ‘Oceania’ opened with a p. 45: Bob and Roberta Smith, The Keeper’s Prize* 455 Alexandre Canonico 14000 6000 Débora Delmar traditional Maori blessing. Photo Etta Smith and Jessica Smith The Eranda Scholarship 14000 6000 Richard Lockett © Benedict Johnson. with ‘This is Deirdre Borlase The Keeper’s Prize* 455 Joe Pearson 14000 6000 Jala Wahid p. 15: Installation view, ‘Klimt ARCA’, 2018, by Bob and / Schiele: Drawings from the Roberta Smith. Photo © Nina The Maccabeans Prize* 500 Irini Bachlitzanaki The Peter Greenham Scholarship - 4640 Tania Blanco Albertina Museum, Vienna’, Sologubenko. Fund Peter T Rippon Travel Scholarship 3000 Harminder Judge Royal Academy of Arts, London, pp. 46-47: The Weston Bridge Holbeck Charitable Trust 10000 5000 Sofía Restorp 4 November 2018 — 3 February and view of the Lovelace Sir Frank and Lady Short Award 626 Sofía Clausse 2019. Photo: © Royal Academy Courtyard. Photo © James Charles Michael Holloway Charitable of Arts / David Parry. Exhibition Harris. Celia Walker Art Foundation Prize* 455 Paul Barlow - 5000 Millie Layton Trust organised by the Royal Academy p. 49: Portrait of newly of Arts, London and the Albertina elected Royal Academicians Stannus Grey Robinson Travel Prize 2000 Jenkin van Zyl Intrinsic Value Investors 10000 5000 Olu Ogunnaike Museum, Vienna. Niall McLaughlin and John Salaman-Seelig Art Prize 3500 Olu Ogunnaike 6000 Lucas Dillon p. 16: Installation view of the Akomfrah CBE. Photo © Nina 6000 Emmanuel Awuni ‘Renzo Piano: The Art of Making Sologubenko. Salaman-Seelig Art Prize 3500 Liv Preston Nelson Leong - 6000 Hannah Farrell Buildings’ exhibition at the Royal p. 51: Cornelia Parker, 6000 Rebecca Kay Academy of Art, London (15 Transitional Object * In addition to various other awards September 2018 - 20 January (PsychoBarn), 2018. Photo © Victoria Levin Fund - 160 Paul Barlow 2019) © David Parry / Royal Phil Sayer. RA Schools Show 2019 Prizes and Awards Academy of Arts. Exhibition p. 53: Tim Marlow broadcasting The Mr Ronald and The Hon. Mrs Rita - 2690 Irini Bachlitzanaki McAulay Fund organised by the Royal Academy from Tacita Dean RA’s 2018 Sponsor/Name of Award Amount (£) Awardee of Arts, London, in collaboration exhibition ‘LANDSCAPE’. 6000 James Lomax with Renzo Piano Building Artwork by Tacita Dean: The Selina Chenevière Travel Award 4266 Glen Pudvine The McAulay Scholarship - 6000 Nicola Gunnarsson Workshop and the Fondazione Courtesy the artist; Frith Street Almacantar Studio Award - Charley Vines Renzo Piano. Gallery, London, and Marian Heritage Peters Fund - 4190 Alexandre Canonico p. 19: Sarah Pickstone installing Goodman Gallery, New York/ Almacantar Bursary 1000 Charley Vines Paris. Photo © Royal Academy 1250 Eva Gold a mural on the ceiling of 1250 Matilda Moors Burlington House, part of her of Arts. André Dunoyer de Segonzac Hon 903 Débora Delmar Stanley Picker Charitable Trust - 1250 Hamish Pearch project ‘An Allegory of Painting’. pp. 54-55 HRH The Duchess of RA Prize Lucas Dillon 1250 Jenkin van Zyl Photo © Justine Trickett. Sussex attends the opening of Frances Drayson Eva Gold p. 20: The 2019 Annual Oceania at the Royal Academy 2500 1000 Daniel Burley Rachel Jones Pitchforth Fund Architecture Lecture. Photo © of Arts, London © Lucy Williams. 2500 1000 Ewan Macfarlane Richard Lockett Benedict Johnson. p. 58: The Courtyard Café at the Ewan Macfarlane Royal Academy of Arts. Photo © 17000 8000 Agnieszka Szczotka p. 21: Gilles Retsin Architecture, Matilda Moors Red Butterfly Foundation 17000 8000 Ayo Akingbade Installation view, Real Virtuality, James Harris. 2019 ©NAARO. p. 59: Live music from Black Royal Society of Sculpture Bronze - Charley Vines Award Supported by Milwyn Ivor Rey Scholarship - 7270 Charley Vines pp. 22-23: Installation view of Deer Festival musicians at the ‘Summer Exhibition’ 2019, EXPRESSWAY, an event Patricia Turner Sculpture Award 4476 Daniel Burley Archie Sherman Charitable Trust 11000 6000 Liv Preston coordinated by Jock McFadyen curated by the Academicians’ Jala Wahid RA. Photo © Justine Trickett. Room. Photo © Justine Trickett. Pauline Sitwell Bursary Fund - 10600 Joe Pearson pp. 24-25: Installation view, pp. 62-63: The Summer Chelsea Arts Club Trust Award 2000 Eva Gold Paul Smith & Pauline Denyer-Smith 10000 5000 Luke Samuel ‘Phyllida Barlow RA cul-de- Exhibition Preview Party. Photo Royal Academy Collection Purchase - Sam Keelan sac’, Royal Academy of Arts, © Benedict Johnson. Nina & Roger Stewart Charitable Toby Jury Morgan - 5000 London, 23 February – 23 pp. 64-65: Stainless steel water Gold Medal - Richard Lockett Trust June 2019. Artwork: Courtesy bottles for the RA Shop summer the artist and Hauser & Wirth. range. Photo © Royal Academy 6000 Hannah Farrell Frances Drayson South Square Trust - © Phyllida Barlow. Photo: © of Arts. Dissertation Distinction - Rachel Jones 6000 Matthew Peers Royal Academy of Arts, London. Back inside cover: Studying life Ewan Macfarlane Catherine Sparkes - 300 Paul Barlow Photography: David Parry. drawing in the RA Library. Photo Hugh Merrill Book Award for pp. 26-27: RA Guide Charlie © Cat Garcia. - Ewan Macfarlane Dissertation Distinction Alma Tadema Fund - 1465 Thomas Langley Chichester leads a free tour of the Royal Academy Collection Vandaleur Fund - 3540 Rachel Jones Gallery. Photo © Justine Trickett. 1900 Daniel Burley p. 29: Luke Samuel, class of Celia Walker Art Foundation - 1900 Ewan Macfarlane 2021, in his RA Schools studio. Photo © Cat Garcia. Galen & Hilary Weston 3000 Paul Barlow p. 30: Installation view of the ‘RA Schools Show 2019’, Artwork: The Harold Hyam Wingate - 5000 Lene Vollhardt before it gets unsettled again, Foundation

78 SectionAppendices name Section name 79 80 Section name Section name 81 Annual Report 2018/2019

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