PATRICK PAINTER, INC

Glenn Brown

Born 1966, Northumberland,

Lives and works in

Education

1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course

Solo Exhibitions

2006 Galerie Max Hetzler, , Germany

2005 Patrick Painter Inc., Santa Monica, CA

2004 Serpentine Gallery, London, England

Gagosian Gallery, New York, New York

2002 Galerie Max Hetzler, Berlin, Germany

2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany

2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France

1996 Queen’s Hall Arts Centre, Hexham, England

1995 Gallery, London, England

Group Exhibitions

2005 Translations, Thomas Dane, London, England

Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California

Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy

2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy

2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding,

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Pavilhao Ciccillio Matarazzo, Parque Ibirapuera

Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada

Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery of New South Wales, South Wales, Australia

Liebe Maler, maler mir (Cher Peintre, Peins-Moi; Dear Painter, Paint Me), Centre Georges Pompidou (Galerie Sud), Paris, France; Kunsthalle Wien; Vienna, Austria and Schirn Kunsthalle Frankfurt, Frankfurt, Germany

From the Saatchi Gift, Talbot Rice Gallery, The University of Edinburgh, Edinburgh, Scotland

Painting as a Foreign Language, Edifico Cultura Inglesa, Centro Brasileiro Britanico, Sao Paulo, Brazil

2001 Passion, Galerie Ascan Crone, Berlin and Hamburg, Germany

Azerty, Centre Pompidou, Paris, France

2000 Salon, Delfina Project Space, London, England

Hypermental Rampart Reality 1950-2000, from Salvador Dali to , Kunsthaus Zurich, Zurich Switzerland; Hamburger Kunstahalle, Hamburg, Germany; Rudolfinum, Prague, Czechoslovakia

The 2000, Modern, London, England

Suite Substitute IV: Beautiful Stangers, Hotel du Rhone, Geneva, Switzerland

Futuro – Decadent Art & Architecture, Center For Visual Arts, Cardiff, England

Glenn Brown, Julie Mehreti, Peter Rostovsky, The Project Room, New York, New York

The British Art Show 5, Edindurgh, Scotland; Southampton, Cardiff, Birmingham, England

The Wreck of Hope, The Nunnery Gallery, Bow, London

Blue, New Art Gallery, Wasall, England

Little Angels, Houldsworth Fine Art, London, England

Examining Painting, Armand Hammer, University of California, Los Angeles, California

1999 Disaster, Harris Museum and Art Gallery, Preston, England

Day of the Donkey Day, Transmission, Glasgow, Scotland

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John Moores 21, Walker Art Gallery, , England

Fresh Paint: Recent Acquisitions from the Frank Cohen Collection, Gallery of Modern Art, Glasgow, Scotland

Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London; The Museum of Contemporary Art, Chicago, Illinois; UCLA Hammer Museum, Los Angeles, California Holding Court, Entwistle, London, England

1998 Secret Victorians, First Sight, Colchester; Arnolfini, Bristol; UCLA Hammer Museum, Los Angeles, California

Abstract Painting Once Removed, Contemporary Art Museum, Houston, Texas; Kemper Museum of Contemporary Art, Kansas City, Missouri

It’s a Curse, It’s a Burden, The Approach, London, England (curated by Glenn Brown)

Belladonna, Institute of Contemporary Arts, London, England

Treasure Island, Fundacao Calouste Gulbenkian, Centro de Art Moderna Jose de Azeredo Perdigao, Lisbon, Portugal

Pure Fantasy, Oriel Mostyn, Llandudno, North Wales, England (Glenn Brown, Simon Callory, Louise Hopkins, Chris Offili, James Riley, Domonic Shepard, Kathrine Webster, Richard Wright)

Glenn Brown, Alex Kats, Katherine Yass, Galerie Barbara Thumm, Berlin, Germany Sensation, Royal Academy of Art, London, England; Hamburger Banhoff, Berlin, Germany; Brooklyn Museum, New York, New York

1996 Glenn Brown, Peter Doig, Jim Hodges, Adriana Varejao, Galerie Ghislaine Hussenot, Paris, France

21 Days of Darkness, Transmission Gallery, Glasgow, Scotland Brilliant: New Art from London, Contemporary Arts Museum, Houston, Texas

Ace: Arts Council Collection New Purchases, Hatton Gallery, New Castle upon Tyne; Harris Museum and Art Gallery, Preston; Oldham Art Gallery, , London; , Birmingham; Mappin Art Gallery, Sheffield; Angel Row Gallery, Nottingham, England; Ormeau Baths Gallery, Belfast, Irelnad

Out of Space, Cole and Cole, Oxford, England

Strange Days, The Agency, London, England (Art Club 2000, , Philip – Lorca di Corcia, Glenn Brown, Fanni Niemi – Junkola, Raymond Pettibon, Julia Scher)

The Jerwood Painting Prize, Lethaby Galleries, Central Saint Martin’s College, London, England

Fernbedienung: Does Television Inform the Way Art Is Made?, Kunstverein, Graz, Austria (Alex Bag, Glenn Brown, , Vadim Fishkin, Oliver Hangl, Astrid 3 PATRICK PAINTER, INC

Herrmann, Bernard Joisten, Alix Lambert, Johannes Schweiger, , Elise Tak)

About Vision, New British Painting in the 1990’s, , Oxford, England

1995 From Here, Waddington Galleries and Karsten Schubert, London, England (Art & Language, Glenn Brown, Alan Charlton, , Michael Craig-Martin, , Peter Davis, Mark Francis, Patrick Heron, , , Callum Innes, Zebedee Jones, Julian Lethbridge, Simon Linke, Jason Martin, , )

Summer Group Show, Karsten Schubert, London ‘Brilliant’ new art from London; Walker Art Centre, Minneapolis

Young British Artists V: Glenn Brown, Keith Coventry, Hadrian Pigott, and Kerry Stewart, Saatchi Collection, London, England

Obsession, The Tannery, London England (Glenn Brown, Jeremy Dickinson, Gregory Green, Stephen Hepworth, Brendan Quick, Andrew Renton, Paul Stone)

Painters’ Opinion, Bloom Gallery, (Tim Ayers, Tim Benjamin, Simon Bill, Mark Francis, Laurent Haro, Carla Klein, Serge Onnen, Jan Rothuizen, Dirk Skrebner, Glenn Brown)

Brilliant: New Art From London, Walker Art Center, Minneapolis, Minnesota

Every Now and Then, Rear Window at Richard Salmon, Ltd., London, England

Here and Now, Serpentine Gallery, London, England

That’s Not The Way To Do It, Project Space, University of Northumbria at Newcastle, England (Edward Allington, , Glenn Brown, Jeremy Dickinson, Nicholas May, Paul Stone, Michael Stubbs, Wolfgang Tillmans, Catherine Yass)

Barclays’s Young Artist Award, Serpentine Gallery, London, England

Re-Present, Todd Gallery, London, England

Launch, Curtain Road Arts, London, England

Painting Invitational, Barbara Gladstone Gallery, New York, New York (Glenn Brown, Julie Roberts, Keith Weaver, Eric Wolf)

Mandy Loves Declan 100%, Mark Boote Gallery, New York, NY

Surface Values, Kettle’s Yard, Cambridge (Glenn Brown, Trevor Clark, Joanna Moss, Amikam Toren)

How Did These Children Come To Be Like That, Goldsmiths’ Gallery, London, England

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With Attitude, Galerie Guy Ledune, Brussels, Belgium (Glenn Brown, Jordan Baseman, Amikam Toren, Dean Whatmuff)

And What Do You Represent?, (Glenn Brown, Steven Parrino, Amikam Toren, Gerda Urkom), Anthony Reynolds Gallery, London, England

1991 B T New Contemporaries, Arnolfini Gallery, Bristol; John Hansard Gallery, Southampton; Dean Glough, Halifax; Ikon Gallery, Birmingham; Arts Council Gallery, Belfast, Irealnd; Third Eye Centre, Glasgow; Scotland; ICA, London, England

Group Show, Todd Gallery, London

1990 B T New Contemporaries 1990, ICA, London; Corner Gallery, Manchester; South Hill Park, Braknell; Dean Glough, Halifax; Brewery Arts Centre, Kendal, Engalnd

1989 Christie’s New Contemporaries, Royal College of Art, London, England B T New Contemporaries 1989, ICA, London, England

Publications

2005 Myers, Terry R, “Coming Up Roses”, ArtReview, Volume LVI, June 2005: 38-40

Harvey, Doug. “High art: Affirming art’s secret history of substance abuse”, LA Weekly, November 4-10, 2005

2004 Glenn Brown, Serpentine Gallery, London, England, 2004. Essays by Alison M. Gingeras, Julia Peyton-Jones, Rochelle Steiner. (Exh. cat.)

MacMillian, Ian. “You Take My Place In This Showdown.” Modern Painters, Autumn 2004: 78-81. Freedberg, David. Glenn Brown, Against Cliché: Glenn Brown and the Possiblities of Painting, , New York, 2004: 5-12 (catalogue).

Burnett, Craig. “Glenn Brown: The Divine and the Dirty,” Contemporary, no.66, 2004: 36- 42.

“Questionnaire: Glenn Brown.” Frieze, Issue 85, September 2004: 132. Lafuente, Pablo. “Glenn Brown: Classic Contemporary.” Flash Art, Vol. XXXVII, No. 236, May – June 2004: 110-112. “Modern Classic: Glenn Brown returns to shed new light on the Old Masters” ArtReview, V2N3, March 2004: 22.

2003 Nochlin, Linda. “New Tricks for an Old Dog: The Return of Painting,” Contemporary, Issue 58, 2003: 18-23.

Adams, Brooks. “Picabia, the New Paradigm,” Art in America, no.3, March 2003: 84-91.

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2002 Gingeras, Alison M. Liebe Maler, maler mir (Cher Peintre, Peins-Moi; Dear Painter, Paint Me). Centre Georges Pompidou, Paris France; Kunsthalle Wien, Vienna, Austria; Schirn Kunsthalle Frankfurt, Frankfurt, Germany, 2002. Essays by Alison M. Gingeras, Sabine Folie, Blaženka Perica, Michael Glasmeier, Carole Boulbès, Alexander Roob, Reiner Speck, Massimiliano Gioni, Parisa Kind. (Exh. cat.)

Bush, Kate. “Cher Peintre, Lieber Maler, Dear Painter,” Artforum, XLI, No.2, October 2002: 149.

Tufnell, Ben. “Dear Painter, Paint Me: Painting the Figure Since Late Picabia” Contemporary, September 2002: 90.

Levitte Harten, Doreet. Melodrama. Artium, Centro-Museo Vasco de Arte Contemporaneo, Victoria-Gasteiz; Palacio de los Condes de Gabia, Granada; Museo de Arte Contemporanea de Vigo, Spain, 2002. Essays by Pedro Almodóvar, Doreet Levitte Harten, Juan Miguel Company Ramón. (Exh. cat.)

2001 Carlisle, Isabel; Lampert, Catherine and Rosenthal, Norman. Frank Auerbach: Painting and Drawings: 1954 - 2001, Royal Academy of the Arts, London, England Azery, Centre Pompidou, Paris, France

2000 Frédéric, Paul. Glenn Brown. Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, France, 2000. Essays by Stephen Hepworth, Terry R. Meyers, Paul Frédéric. (Exh. cat.)

Cork, Richard. John Moors 21, National Museums and Galleries on Merseyside, Merseyside, England

Stalladrass, Julian. High Art Life, Verso, London, England

Gage, John and Toobey, Mike. Blue, The New Art Gallery Walsall, Walsall, England

Godfrey, Tony; Higgs, Matthew; Luckett, Helen; Spinelli, Marcalo. The British Art Show 5, South Bank Centre National Touring Exhibitions, London, England

HYPERMENTAL Rampant Reality 1950 – 2000. From Salvador Dali to Jeff Koons. Kunsthaus Zürich, Zürich, Switzerland; Hamburger Kunsthalle, Hamburg, Germany and Hatje Cantz Verlag, Ostfildern-Ruit, Germany, 2000. Essays by Bice Curiger, Norman Bryson, Griselda Pollock, Peter Weibel, Sibylle Berg, Paul D. Miller, Gero von Randow. (Exh. cat.) 1999 Sladen, Mark. “The Day the World Turned Auerbach,” Art/Text, 1999: 64.

Musgrave, David. “We’ll Drink Through it All This Modern Age, “ Untitled, 1999: 4-6

Darwent, charles. “ If You Want to Get Ahead, Get a Different Sort of Brain, “ The Independent, Sunday, April 25, 1999.

Pagel, David. Los Angeles Times, Friday, July 2, 1999.

Joni, Tom Ulford. “Glenn Brown, “ TNT Magazine, 1999

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Brittain, David. “Glenn Brown, “ Creative Camera, Issue 358, June/July 1999

Hunt, Ian. Glenn Brown, Jerwood Gallery, London, England

Examining Pictures, Whitechapel Art Gallery, London, england; Museum of Contemporary Art, Chicago, Illinois

Collings, Matthew. This is Modern Art, Channel Four Books, London, England

1998 Friis-Hansen, Dana; Pagel, David; Rubinstein, Raphael; Schedjal, Peter.

Abstract Painting One Revoved, Contemporary Arts Museum, Houston, Texas

1997 King, Phil and Spinelli, Marcelo. Glenn Brown, Queen’s Hall Arts Centre, Hexham; Kartsten Schubert, London, England

Sanches, Rui and Molder, Jorge. Treasure Island, A Llha Do Tesouro, Fundacao Calouste Gulbenkian, C.A.M.J.A.P., Lisbon, Portugal

Blimey, Mathew Collings, 21, London, England

Adams, Brook; Barrett, David; Jardine, Lisa; Maloney, Martin; Shone, Richard; Rosenthal, Norman; Sensation, Thames & Hudson, Royal Academy of Art, London, England

Kent, Sarah. “Glenn Brown, “ Time Out, 1997

King, Phil. Glenn Brown. Queen’s Hall Arts Centre, Hexham and Karsten Schubert, London, England, 1996. Interview by Marcelo Spinelli. (Exh. cat.)

Gruber, Klemens; Skocek, Johann; Joyrich, Lynne; Rian, Jeff; Stadler, Eva Maria; Ligthart, Theo; Trummer, Thomas. Fernbedienung, Does Television Inform the Way Art is Made, Grazer, Kunstverein, Austria

Elliot, David. About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, England

1995 Kent, Sarah. Shark Infested Waters: The Saatchi Collection of British Art in the 90’s, Zwemmer, London, England

Wilson, Andrew. From Here, Waddington Galleries and Karsten Schubert, London, England

Cafopolous, Catherine. “Glenn Brown at Karsten Schubert, “ Arti, Athens, November/December 1995: 208-211.

Flood, Richard; Fogal, Douglas; Morgan, Stuart; Spinelli, Marcelo; Wakefield, Neville. Brilliant: New Art from London, Walker Arts Centre, Minneapolis, Minnesota

Fogal, Douglas. “Brilliant, New Art from London, “ Walker Art Center, 1995.

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Hooper, Mark. “ Space 1995,” The Face, November 1995: 84-85.

Kent, Sarah. V, , London, England

Morgan, Stuart. “Confessions of a Body Snatcher, “ Frieze, No. 12, October 1993: 52-55

Morgan, Stuart. Mandy Loves Declan 100%, Mark Boote Gallery, New York, New York

1992 Kent, Sarah. Barclay’s Young Artist Award, London, England

1991 Brouwer, Marianne; Kaiser, Franz and McLennan, Alistair. BT New Contemporaries, London, England

1989 Craddock, Sacha. BT New Contemporaries, London, England

Reviews

2003 La Placa, Joe & Robinson, Walter. “New London Sun,“ Artnet Magazine, October 2003.

Adams, Brook. “Picabia, The New Paradigm,“ Art in America, March 2003: 84 – 91.

2002 Bush, Kate. “Cher Peintre, Lieber Maler, Dear Painter,” Artforum, XLI, No.2, October 2002: 148.

Gute, Charles; Menin, Samuele; Robecchi, Michele. “Focus Painting Part One,” Flash Art, XXXIV, No.226, October 2002: 80.

Tufnell, Ben. “Dear Painter, Paint Me: Painting the Figure Since Late Picabia,” Contemporary, September 2002: 90.

Foster, Stephen. “Painting As A Foreign Language,” Contemporary, June-July-August 2002; 148, 149.

2000 Kent, Sarah. “Artificial Intelligence,” Time Out, 25 October – 1 November 2000: 20 - 21

1999 Sladen, Mark. “The Day the World Turned Auerbach,” Art/Text, 1999: 64

Darwent, Charles. “If You Want to Get Ahead, Get a Different Sort of Brain,” The Independent, 25 August 1999

Pagel, David. “Mixed Media,” Los Angeles Times, 2 July, 1999

Joni, Tom Ulford. “Glenn Brown,” TNT Magazine, 1999

Brittain, David. “Glenn Brown,” Creative Camera, Issue 358, June/July 1999

Musgrave, David. “We’ll Drink Through it All This Modern Age,” Untitled, 1999: 4-5

Martin, Herbert. “Glenn Brown,” Time Out, 12 – 19 May 1999

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Jones, Jonathan. “Pick of the Day,” , 17 May 1999

Collings, Matthew. “Higher Beings Command,” Modern Painters, 1999: 58 – 59

Jones, Jonathan. “I Thought I Was in Ulm,” Untitled, 1999: 6

1997 Kent, Sarah. “Glenn Brown,” Time Out, 1997

1996 Searle, Adrian. “The Best of British Painting?,” The Guardian, 11 November 1996: 10

Graham-Dixon, Andrew. “On The Surface,” The Independent Tabloid, 19 November: 4 - 5

Hilton, Tim. “The Best Painting in Britain?,” The Independent on Sunday, 17 November 1996: 30

Feaver, William. “Crooked Style,” The Observer Review, 17 November 1996: 9

Findlay, Judy. “21 Days of Darkness,” Flash Art, No. 189, June/July 1996: 99

Feldman, Melissa. “21 Days of Darkness,” Art Monthly, April 1996: 39 – 40

Dannatt, Adian. “Brilliant,” Flash Art, January/February

1995 Fogel, Douglas. “Brilliant, New Art from London,” Walker Art Center, 1995

Dorment, Richard. “Funny, But Too Peculiar,” The Telegraph, 1995: 16

Wilson, Andrew. “Breaking Content from Form,” Art & Design Magazine, No. 41, 1995: 6 – 19

Cafopoulos, Catherine. “Glenn Brown at Karsten Schubert,” Arti, Athens, Vol 27, Nov/Dec 1995: 208 – 211 (Greek and English)

Wakefield, Neville. “Quite, Quite Brilliant,” Tate Magazine, November, No. 8, 1995: 32 – 39

Hooper, Mark. “Space 1995,” The Face, No. 86, November 1995: 84 – 85

Brown, Glenn. “Glenn Brown on George Condo’s Clownmaker, A brush with Genius: 20”, The Guardian, 14 November: 9

Searle, Adrian. “Art in the Wrong Place,” The Independent, 10 October 1995: 9

Negrotti, Rosanna. “Spaced Out”, What’s On Magazine, 4 October 4: 12 – 13

Kent, Sarah. “Pretty Vacant,” Time Out, No. 1311, 1995: 51

McEwen, John. “Young British Artists V,” The Sunday Telegraph, 1 October 1995

Packer, William “Only Artists with Attitude,” Financial Times, 9 September 1995 9 PATRICK PAINTER, INC

Cork, Richard. “Bright Young Things at Work and Play,” The Times, September 1995

Hall, James. “Old Habits Die Hard,” The Guardian, 25 September 1995: 6

Kent, Sarah. “Glenn Brown, Karsten Schubert,” Time Out, 26 July 1995: 52

Hyman, James. “Presences and Spectral Traces,” Galleries Magazine, July 1995: 12

Brown, Glenn. “Glenn Brown on Willem de Kooning: Paintings,” Tate Gallery, Frieze, No. 22, May 1995: 54 – 55

Archer, Michael. “Licensed to Paint,” Art Monthly Magazine, No. 186, 1995: 8 –10

Coomer, Martin. “From Here,” Time Out, 19 April 1995: 46

Auty, Giles. “Edge of the Black Hole,” The Spectator, 15 April 15 1995: 42

Gayford, Martin. “The Medium That Refused To Die,” The Telegraph, 12 April 1995: 19

Hilton, Tim. “Fate, Hopelessness, Little Clarity,” The Independent on Sunday Review, 9 April 1995: 31

Searle, Adrian. “Any Colour You Like as Long as It’s a Joke”, The Independent, 4 April 1995: 21

Norman, Geraldine. “Stampede Starts From Here,” The Independent¸ 3 April 1995: 7

Morgan, Stuart. “Anglo-Saxon Attitudes,” Frieze, March/April, 1995: 7

1993 Bonami, Francesco. “Vitamin P: The Sound of Painting,” Flash Art, Nov/Dec, No. 173, 1993

Morgan, Stuart. “Confessions of a Body Snatcher,” Frieze, No. 12, October 1993: 52 - 55

Myers, Terry R. “Painting Invitational,” Flash Art¸ No. 172, 1993

Smith, Roberta. “Painting Invitational,” The New York Times, 2 July 1993

Pitt, Alex. “Copyright Issues,” Art Monthly Magazine, May, No. 166, 1993

Bennett, Oliver. “Exhibitionists!,” The Evening Standard Magazine, 1993

Pitt, Alex. “Whose Art is it Anyway,” The Observer, 9 May 1993

“Glenn Brown v The Dali Estate,” Untitled Magazine, Spring

Roberts, James. “Twin Peak: The Barclay’s Young Artists Award,” Frieze, March/April, No. 9, 1993

Whitford, Frank. “Blind Man’s Buff,” The Sunday Times, 31 February 1993 10 PATRICK PAINTER, INC

“Dali Dabbler,” The Times, 28 February 1993

Graham-Dixon, Andrew. “Radical Chic and the Schlock of the New,” The Independent, 16 February 1993

Beaumont, Peter. “Is Art Dead?,” The Observer, 14 February 1993

Harvey, William. “Copycat Crime,” City Limits, 4 February 1993

Kent, Sarah. “Awards to the Wise,” Time Out, 3 February 1993

Hilton, Tim. “Familiar Signs of a Misspent Youth,” The Independent on Sunday, 1993

Packer, William. “Crème de la Crème Goes Sour,” The Financial Times, 2 February 1993

Wilson, Andrew. “London Winter Round-Up,” Art Monthly, February, No. 163, 1993

1992 Lorent, Claude. “Quand l’Attitude Devient Art,” Art and Culture, November 1992

Palmer, Julie. “Surface Valules – A review, Art and Design,” Contemporary Painting, Autumn 1992

Kent, Sarah & Chu, Simon. “The Late Show,” BBC 2, 2 February 1992

1991 McEwen, John. “Artists A-Plenty,” The Sunday Telegraph, 8 December 1991

Collings, Matthew. “New Contemporaries, ICA”, City Limits, 15 August 1991

Dorment, Richard. “Painting With a Message,” 9 August 1991

Kent, Sarah. “New Contemporaries, ICA”, Time Out, 7 August 1991

Norrie, Jan. “B T New Contemporaries, Ikon Gallery,” Arts Review, April 1991

1990 Jennings, Rose. “New Contemporaries, ICA,” City Limits, 11 January 1991

1989 Cork, Richard. “New Art Goes Under the Hammer,” Telegraph Weekend Magazine, 11 March 1989

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