PATRICK PAINTER, INC
Glenn Brown
Born 1966, Northumberland, England
Lives and works in London
Education
1992 Goldsmiths’ College, London 1988 Bath College of Higher Education 1985 Norwich School of Art, Foundation Course
Solo Exhibitions
2006 Galerie Max Hetzler, Berlin, Germany
2005 Patrick Painter Inc., Santa Monica, CA
2004 Serpentine Gallery, London, England
Gagosian Gallery, New York, New York
2002 Galerie Max Hetzler, Berlin, Germany
2001 Patrick Painter Inc., Santa Monica, California Künstlerverein Malkasten, Düsseldorf, Germany
2000 Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, Franc Galerie Max Hetzler Berlin, Germany Patrick Painter Inc., Santa Monica, California Jerwood Space, London, England Galerie Ghislaine Hussenot, Paris, France
1996 Queen’s Hall Arts Centre, Hexham, England
1995 Karsten Schubert Gallery, London, England
Group Exhibitions
2005 Translations, Thomas Dane, London, England
Ecstasy: In and About Altered States, Museum of Contemporary Art, Los Angeles, California
Strata: Difference and Repetition, Fondazione Davide Halevim, Milan, Italy
2003 La Biennale di Venezia: Delays and Revolutions, Padiglione Italia, Giardini della Biennale, Venice, Italy
2002 Sao Paulo Bienal: Iconografias Metropolitanas, Oscar Niemeyer Bulding,
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Pavilhao Ciccillio Matarazzo, Parque Ibirapuera
Melodrama, Artium, Centro-Museo Vasco de Arte Contemporaneo, Spain and Palacio de los Condes de Gabia, Granada
Biennale of Sydney 2002: (The World May Be) Fantastic, Museum of Contemporary Art Sydney and Art Gallery of New South Wales, South Wales, Australia
Liebe Maler, maler mir (Cher Peintre, Peins-Moi; Dear Painter, Paint Me), Centre Georges Pompidou (Galerie Sud), Paris, France; Kunsthalle Wien; Vienna, Austria and Schirn Kunsthalle Frankfurt, Frankfurt, Germany
From the Saatchi Gift, Talbot Rice Gallery, The University of Edinburgh, Edinburgh, Scotland
Painting as a Foreign Language, Edifico Cultura Inglesa, Centro Brasileiro Britanico, Sao Paulo, Brazil
2001 Passion, Galerie Ascan Crone, Berlin and Hamburg, Germany
Azerty, Centre Pompidou, Paris, France
2000 Salon, Delfina Project Space, London, England
Hypermental Rampart Reality 1950-2000, from Salvador Dali to Jeff Koons, Kunsthaus Zurich, Zurich Switzerland; Hamburger Kunstahalle, Hamburg, Germany; Rudolfinum, Prague, Czechoslovakia
The Turner Prize 2000, Tate Modern, London, England
Suite Substitute IV: Beautiful Stangers, Hotel du Rhone, Geneva, Switzerland
Futuro – Decadent Art & Architecture, Center For Visual Arts, Cardiff, England
Glenn Brown, Julie Mehreti, Peter Rostovsky, The Project Room, New York, New York
The British Art Show 5, Edindurgh, Scotland; Southampton, Cardiff, Birmingham, England
The Wreck of Hope, The Nunnery Gallery, Bow, London
Blue, New Art Gallery, Wasall, England
Little Angels, Houldsworth Fine Art, London, England
Examining Painting, Armand Hammer, University of California, Los Angeles, California
1999 Disaster, Harris Museum and Art Gallery, Preston, England
Day of the Donkey Day, Transmission, Glasgow, Scotland
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John Moores 21, Walker Art Gallery, Liverpool, England
Fresh Paint: Recent Acquisitions from the Frank Cohen Collection, Gallery of Modern Art, Glasgow, Scotland
Examining Pictures: Exhibiting Paintings, Whitechapel Art Gallery, London; The Museum of Contemporary Art, Chicago, Illinois; UCLA Hammer Museum, Los Angeles, California Holding Court, Entwistle, London, England
1998 Secret Victorians, First Sight, Colchester; Arnolfini, Bristol; UCLA Hammer Museum, Los Angeles, California
Abstract Painting Once Removed, Contemporary Art Museum, Houston, Texas; Kemper Museum of Contemporary Art, Kansas City, Missouri
It’s a Curse, It’s a Burden, The Approach, London, England (curated by Glenn Brown)
Belladonna, Institute of Contemporary Arts, London, England
Treasure Island, Fundacao Calouste Gulbenkian, Centro de Art Moderna Jose de Azeredo Perdigao, Lisbon, Portugal
Pure Fantasy, Oriel Mostyn, Llandudno, North Wales, England (Glenn Brown, Simon Callory, Louise Hopkins, Chris Offili, James Riley, Domonic Shepard, Kathrine Webster, Richard Wright)
Glenn Brown, Alex Kats, Katherine Yass, Galerie Barbara Thumm, Berlin, Germany Sensation, Royal Academy of Art, London, England; Hamburger Banhoff, Berlin, Germany; Brooklyn Museum, New York, New York
1996 Glenn Brown, Peter Doig, Jim Hodges, Adriana Varejao, Galerie Ghislaine Hussenot, Paris, France
21 Days of Darkness, Transmission Gallery, Glasgow, Scotland Brilliant: New Art from London, Contemporary Arts Museum, Houston, Texas
Ace: Arts Council Collection New Purchases, Hatton Gallery, New Castle upon Tyne; Harris Museum and Art Gallery, Preston; Oldham Art Gallery, Hayward Gallery, London; Ikon Gallery, Birmingham; Mappin Art Gallery, Sheffield; Angel Row Gallery, Nottingham, England; Ormeau Baths Gallery, Belfast, Irelnad
Out of Space, Cole and Cole, Oxford, England
Strange Days, The Agency, London, England (Art Club 2000, Christine Borland, Philip – Lorca di Corcia, Glenn Brown, Fanni Niemi – Junkola, Raymond Pettibon, Julia Scher)
The Jerwood Painting Prize, Lethaby Galleries, Central Saint Martin’s College, London, England
Fernbedienung: Does Television Inform the Way Art Is Made?, Kunstverein, Graz, Austria (Alex Bag, Glenn Brown, Mat Collishaw, Vadim Fishkin, Oliver Hangl, Astrid 3 PATRICK PAINTER, INC
Herrmann, Bernard Joisten, Alix Lambert, Johannes Schweiger, Georgina Starr, Elise Tak)
About Vision, New British Painting in the 1990’s, Museum of Modern Art, Oxford, England
1995 From Here, Waddington Galleries and Karsten Schubert, London, England (Art & Language, Glenn Brown, Alan Charlton, Keith Coventry, Michael Craig-Martin, Ian Davenport, Peter Davis, Mark Francis, Patrick Heron, Damien Hirst, Gary Hume, Callum Innes, Zebedee Jones, Julian Lethbridge, Simon Linke, Jason Martin, Fiona Rae, Bridget Riley)
Summer Group Show, Karsten Schubert, London ‘Brilliant’ new art from London; Walker Art Centre, Minneapolis
Young British Artists V: Glenn Brown, Keith Coventry, Hadrian Pigott, and Kerry Stewart, Saatchi Collection, London, England
Obsession, The Tannery, London England (Glenn Brown, Jeremy Dickinson, Gregory Green, Stephen Hepworth, Brendan Quick, Andrew Renton, Paul Stone)
Painters’ Opinion, Bloom Gallery, Amsterdam (Tim Ayers, Tim Benjamin, Simon Bill, Mark Francis, Laurent Haro, Carla Klein, Serge Onnen, Jan Rothuizen, Dirk Skrebner, Glenn Brown)
Brilliant: New Art From London, Walker Art Center, Minneapolis, Minnesota
Every Now and Then, Rear Window at Richard Salmon, Ltd., London, England
Here and Now, Serpentine Gallery, London, England
That’s Not The Way To Do It, Project Space, University of Northumbria at Newcastle, England (Edward Allington, Fiona Banner, Glenn Brown, Jeremy Dickinson, Nicholas May, Paul Stone, Michael Stubbs, Wolfgang Tillmans, Catherine Yass)
Barclays’s Young Artist Award, Serpentine Gallery, London, England
Re-Present, Todd Gallery, London, England
Launch, Curtain Road Arts, London, England
Painting Invitational, Barbara Gladstone Gallery, New York, New York (Glenn Brown, Julie Roberts, Keith Weaver, Eric Wolf)
Mandy Loves Declan 100%, Mark Boote Gallery, New York, NY
Surface Values, Kettle’s Yard, Cambridge (Glenn Brown, Trevor Clark, Joanna Moss, Amikam Toren)
How Did These Children Come To Be Like That, Goldsmiths’ Gallery, London, England
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With Attitude, Galerie Guy Ledune, Brussels, Belgium (Glenn Brown, Jordan Baseman, Amikam Toren, Dean Whatmuff)
And What Do You Represent?, (Glenn Brown, Steven Parrino, Amikam Toren, Gerda Urkom), Anthony Reynolds Gallery, London, England
1991 B T New Contemporaries, Arnolfini Gallery, Bristol; John Hansard Gallery, Southampton; Dean Glough, Halifax; Ikon Gallery, Birmingham; Arts Council Gallery, Belfast, Irealnd; Third Eye Centre, Glasgow; Scotland; ICA, London, England
Group Show, Todd Gallery, London
1990 B T New Contemporaries 1990, ICA, London; Corner house Gallery, Manchester; South Hill Park, Braknell; Dean Glough, Halifax; Brewery Arts Centre, Kendal, Engalnd
1989 Christie’s New Contemporaries, Royal College of Art, London, England B T New Contemporaries 1989, ICA, London, England
Publications
2005 Myers, Terry R, “Coming Up Roses”, ArtReview, Volume LVI, June 2005: 38-40
Harvey, Doug. “High art: Affirming art’s secret history of substance abuse”, LA Weekly, November 4-10, 2005
2004 Glenn Brown, Serpentine Gallery, London, England, 2004. Essays by Alison M. Gingeras, Julia Peyton-Jones, Rochelle Steiner. (Exh. cat.)
MacMillian, Ian. “You Take My Place In This Showdown.” Modern Painters, Autumn 2004: 78-81. Freedberg, David. Glenn Brown, Against Cliché: Glenn Brown and the Possiblities of Painting, Gagosian Gallery, New York, 2004: 5-12 (catalogue).
Burnett, Craig. “Glenn Brown: The Divine and the Dirty,” Contemporary, no.66, 2004: 36- 42.
“Questionnaire: Glenn Brown.” Frieze, Issue 85, September 2004: 132. Lafuente, Pablo. “Glenn Brown: Classic Contemporary.” Flash Art, Vol. XXXVII, No. 236, May – June 2004: 110-112. “Modern Classic: Glenn Brown returns to shed new light on the Old Masters” ArtReview, V2N3, March 2004: 22.
2003 Nochlin, Linda. “New Tricks for an Old Dog: The Return of Painting,” Contemporary, Issue 58, 2003: 18-23.
Adams, Brooks. “Picabia, the New Paradigm,” Art in America, no.3, March 2003: 84-91.
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2002 Gingeras, Alison M. Liebe Maler, maler mir (Cher Peintre, Peins-Moi; Dear Painter, Paint Me). Centre Georges Pompidou, Paris France; Kunsthalle Wien, Vienna, Austria; Schirn Kunsthalle Frankfurt, Frankfurt, Germany, 2002. Essays by Alison M. Gingeras, Sabine Folie, Blaženka Perica, Michael Glasmeier, Carole Boulbès, Alexander Roob, Reiner Speck, Massimiliano Gioni, Parisa Kind. (Exh. cat.)
Bush, Kate. “Cher Peintre, Lieber Maler, Dear Painter,” Artforum, XLI, No.2, October 2002: 149.
Tufnell, Ben. “Dear Painter, Paint Me: Painting the Figure Since Late Picabia” Contemporary, September 2002: 90.
Levitte Harten, Doreet. Melodrama. Artium, Centro-Museo Vasco de Arte Contemporaneo, Victoria-Gasteiz; Palacio de los Condes de Gabia, Granada; Museo de Arte Contemporanea de Vigo, Spain, 2002. Essays by Pedro Almodóvar, Doreet Levitte Harten, Juan Miguel Company Ramón. (Exh. cat.)
2001 Carlisle, Isabel; Lampert, Catherine and Rosenthal, Norman. Frank Auerbach: Painting and Drawings: 1954 - 2001, Royal Academy of the Arts, London, England Azery, Centre Pompidou, Paris, France
2000 Frédéric, Paul. Glenn Brown. Domaine de Kerguéhennec, Centre d’art Contemporain, Bignan, France, 2000. Essays by Stephen Hepworth, Terry R. Meyers, Paul Frédéric. (Exh. cat.)
Cork, Richard. John Moors 21, National Museums and Galleries on Merseyside, Merseyside, England
Stalladrass, Julian. High Art Life, Verso, London, England
Gage, John and Toobey, Mike. Blue, The New Art Gallery Walsall, Walsall, England
Godfrey, Tony; Higgs, Matthew; Luckett, Helen; Spinelli, Marcalo. The British Art Show 5, South Bank Centre National Touring Exhibitions, London, England
HYPERMENTAL Rampant Reality 1950 – 2000. From Salvador Dali to Jeff Koons. Kunsthaus Zürich, Zürich, Switzerland; Hamburger Kunsthalle, Hamburg, Germany and Hatje Cantz Verlag, Ostfildern-Ruit, Germany, 2000. Essays by Bice Curiger, Norman Bryson, Griselda Pollock, Peter Weibel, Sibylle Berg, Paul D. Miller, Gero von Randow. (Exh. cat.) 1999 Sladen, Mark. “The Day the World Turned Auerbach,” Art/Text, 1999: 64.
Musgrave, David. “We’ll Drink Through it All This Modern Age, “ Untitled, 1999: 4-6
Darwent, charles. “ If You Want to Get Ahead, Get a Different Sort of Brain, “ The Independent, Sunday, April 25, 1999.
Pagel, David. Los Angeles Times, Friday, July 2, 1999.
Joni, Tom Ulford. “Glenn Brown, “ TNT Magazine, 1999
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Brittain, David. “Glenn Brown, “ Creative Camera, Issue 358, June/July 1999
Hunt, Ian. Glenn Brown, Jerwood Gallery, London, England
Examining Pictures, Whitechapel Art Gallery, London, england; Museum of Contemporary Art, Chicago, Illinois
Collings, Matthew. This is Modern Art, Channel Four Books, London, England
1998 Friis-Hansen, Dana; Pagel, David; Rubinstein, Raphael; Schedjal, Peter.
Abstract Painting One Revoved, Contemporary Arts Museum, Houston, Texas
1997 King, Phil and Spinelli, Marcelo. Glenn Brown, Queen’s Hall Arts Centre, Hexham; Kartsten Schubert, London, England
Sanches, Rui and Molder, Jorge. Treasure Island, A Llha Do Tesouro, Fundacao Calouste Gulbenkian, C.A.M.J.A.P., Lisbon, Portugal
Blimey, Mathew Collings, 21, London, England
Adams, Brook; Barrett, David; Jardine, Lisa; Maloney, Martin; Shone, Richard; Rosenthal, Norman; Sensation, Thames & Hudson, Royal Academy of Art, London, England
Kent, Sarah. “Glenn Brown, “ Time Out, 1997
King, Phil. Glenn Brown. Queen’s Hall Arts Centre, Hexham and Karsten Schubert, London, England, 1996. Interview by Marcelo Spinelli. (Exh. cat.)
Gruber, Klemens; Skocek, Johann; Joyrich, Lynne; Rian, Jeff; Stadler, Eva Maria; Ligthart, Theo; Trummer, Thomas. Fernbedienung, Does Television Inform the Way Art is Made, Grazer, Kunstverein, Austria
Elliot, David. About Vision: New British Painting in the 1990s, Museum of Modern Art, Oxford, England
1995 Kent, Sarah. Shark Infested Waters: The Saatchi Collection of British Art in the 90’s, Zwemmer, London, England
Wilson, Andrew. From Here, Waddington Galleries and Karsten Schubert, London, England
Cafopolous, Catherine. “Glenn Brown at Karsten Schubert, “ Arti, Athens, November/December 1995: 208-211.
Flood, Richard; Fogal, Douglas; Morgan, Stuart; Spinelli, Marcelo; Wakefield, Neville. Brilliant: New Art from London, Walker Arts Centre, Minneapolis, Minnesota
Fogal, Douglas. “Brilliant, New Art from London, “ Walker Art Center, 1995.
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Hooper, Mark. “ Space 1995,” The Face, November 1995: 84-85.
Kent, Sarah. Young British Artists V, Saatchi Gallery, London, England
Morgan, Stuart. “Confessions of a Body Snatcher, “ Frieze, No. 12, October 1993: 52-55
Morgan, Stuart. Mandy Loves Declan 100%, Mark Boote Gallery, New York, New York
1992 Kent, Sarah. Barclay’s Young Artist Award, London, England
1991 Brouwer, Marianne; Kaiser, Franz and McLennan, Alistair. BT New Contemporaries, London, England
1989 Craddock, Sacha. BT New Contemporaries, London, England
Reviews
2003 La Placa, Joe & Robinson, Walter. “New London Sun,“ Artnet Magazine, October 2003.
Adams, Brook. “Picabia, The New Paradigm,“ Art in America, March 2003: 84 – 91.
2002 Bush, Kate. “Cher Peintre, Lieber Maler, Dear Painter,” Artforum, XLI, No.2, October 2002: 148.
Gute, Charles; Menin, Samuele; Robecchi, Michele. “Focus Painting Part One,” Flash Art, XXXIV, No.226, October 2002: 80.
Tufnell, Ben. “Dear Painter, Paint Me: Painting the Figure Since Late Picabia,” Contemporary, September 2002: 90.
Foster, Stephen. “Painting As A Foreign Language,” Contemporary, June-July-August 2002; 148, 149.
2000 Kent, Sarah. “Artificial Intelligence,” Time Out, 25 October – 1 November 2000: 20 - 21
1999 Sladen, Mark. “The Day the World Turned Auerbach,” Art/Text, 1999: 64
Darwent, Charles. “If You Want to Get Ahead, Get a Different Sort of Brain,” The Independent, 25 August 1999
Pagel, David. “Mixed Media,” Los Angeles Times, 2 July, 1999
Joni, Tom Ulford. “Glenn Brown,” TNT Magazine, 1999
Brittain, David. “Glenn Brown,” Creative Camera, Issue 358, June/July 1999
Musgrave, David. “We’ll Drink Through it All This Modern Age,” Untitled, 1999: 4-5
Martin, Herbert. “Glenn Brown,” Time Out, 12 – 19 May 1999
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Jones, Jonathan. “Pick of the Day,” The Guardian, 17 May 1999
Collings, Matthew. “Higher Beings Command,” Modern Painters, 1999: 58 – 59
Jones, Jonathan. “I Thought I Was in Ulm,” Untitled, 1999: 6
1997 Kent, Sarah. “Glenn Brown,” Time Out, 1997
1996 Searle, Adrian. “The Best of British Painting?,” The Guardian, 11 November 1996: 10
Graham-Dixon, Andrew. “On The Surface,” The Independent Tabloid, 19 November: 4 - 5
Hilton, Tim. “The Best Painting in Britain?,” The Independent on Sunday, 17 November 1996: 30
Feaver, William. “Crooked Style,” The Observer Review, 17 November 1996: 9
Findlay, Judy. “21 Days of Darkness,” Flash Art, No. 189, June/July 1996: 99
Feldman, Melissa. “21 Days of Darkness,” Art Monthly, April 1996: 39 – 40
Dannatt, Adian. “Brilliant,” Flash Art, January/February
1995 Fogel, Douglas. “Brilliant, New Art from London,” Walker Art Center, 1995
Dorment, Richard. “Funny, But Too Peculiar,” The Telegraph, 1995: 16
Wilson, Andrew. “Breaking Content from Form,” Art & Design Magazine, No. 41, 1995: 6 – 19
Cafopoulos, Catherine. “Glenn Brown at Karsten Schubert,” Arti, Athens, Vol 27, Nov/Dec 1995: 208 – 211 (Greek and English)
Wakefield, Neville. “Quite, Quite Brilliant,” Tate Magazine, November, No. 8, 1995: 32 – 39
Hooper, Mark. “Space 1995,” The Face, No. 86, November 1995: 84 – 85
Brown, Glenn. “Glenn Brown on George Condo’s Clownmaker, A brush with Genius: 20”, The Guardian, 14 November: 9
Searle, Adrian. “Art in the Wrong Place,” The Independent, 10 October 1995: 9
Negrotti, Rosanna. “Spaced Out”, What’s On Magazine, 4 October 4: 12 – 13
Kent, Sarah. “Pretty Vacant,” Time Out, No. 1311, 1995: 51
McEwen, John. “Young British Artists V,” The Sunday Telegraph, 1 October 1995
Packer, William “Only Artists with Attitude,” Financial Times, 9 September 1995 9 PATRICK PAINTER, INC
Cork, Richard. “Bright Young Things at Work and Play,” The Times, September 1995
Hall, James. “Old Habits Die Hard,” The Guardian, 25 September 1995: 6
Kent, Sarah. “Glenn Brown, Karsten Schubert,” Time Out, 26 July 1995: 52
Hyman, James. “Presences and Spectral Traces,” Galleries Magazine, July 1995: 12
Brown, Glenn. “Glenn Brown on Willem de Kooning: Paintings,” Tate Gallery, Frieze, No. 22, May 1995: 54 – 55
Archer, Michael. “Licensed to Paint,” Art Monthly Magazine, No. 186, 1995: 8 –10
Coomer, Martin. “From Here,” Time Out, 19 April 1995: 46
Auty, Giles. “Edge of the Black Hole,” The Spectator, 15 April 15 1995: 42
Gayford, Martin. “The Medium That Refused To Die,” The Telegraph, 12 April 1995: 19
Hilton, Tim. “Fate, Hopelessness, Little Clarity,” The Independent on Sunday Review, 9 April 1995: 31
Searle, Adrian. “Any Colour You Like as Long as It’s a Joke”, The Independent, 4 April 1995: 21
Norman, Geraldine. “Stampede Starts From Here,” The Independent¸ 3 April 1995: 7
Morgan, Stuart. “Anglo-Saxon Attitudes,” Frieze, March/April, 1995: 7
1993 Bonami, Francesco. “Vitamin P: The Sound of Painting,” Flash Art, Nov/Dec, No. 173, 1993
Morgan, Stuart. “Confessions of a Body Snatcher,” Frieze, No. 12, October 1993: 52 - 55
Myers, Terry R. “Painting Invitational,” Flash Art¸ No. 172, 1993
Smith, Roberta. “Painting Invitational,” The New York Times, 2 July 1993
Pitt, Alex. “Copyright Issues,” Art Monthly Magazine, May, No. 166, 1993
Bennett, Oliver. “Exhibitionists!,” The Evening Standard Magazine, 1993
Pitt, Alex. “Whose Art is it Anyway,” The Observer, 9 May 1993
“Glenn Brown v The Dali Estate,” Untitled Magazine, Spring
Roberts, James. “Twin Peak: The Barclay’s Young Artists Award,” Frieze, March/April, No. 9, 1993
Whitford, Frank. “Blind Man’s Buff,” The Sunday Times, 31 February 1993 10 PATRICK PAINTER, INC
“Dali Dabbler,” The Times, 28 February 1993
Graham-Dixon, Andrew. “Radical Chic and the Schlock of the New,” The Independent, 16 February 1993
Beaumont, Peter. “Is Art Dead?,” The Observer, 14 February 1993
Harvey, William. “Copycat Crime,” City Limits, 4 February 1993
Kent, Sarah. “Awards to the Wise,” Time Out, 3 February 1993
Hilton, Tim. “Familiar Signs of a Misspent Youth,” The Independent on Sunday, 1993
Packer, William. “Crème de la Crème Goes Sour,” The Financial Times, 2 February 1993
Wilson, Andrew. “London Winter Round-Up,” Art Monthly, February, No. 163, 1993
1992 Lorent, Claude. “Quand l’Attitude Devient Art,” Art and Culture, November 1992
Palmer, Julie. “Surface Valules – A review, Art and Design,” Contemporary Painting, Autumn 1992
Kent, Sarah & Chu, Simon. “The Late Show,” BBC 2, 2 February 1992
1991 McEwen, John. “Artists A-Plenty,” The Sunday Telegraph, 8 December 1991
Collings, Matthew. “New Contemporaries, ICA”, City Limits, 15 August 1991
Dorment, Richard. “Painting With a Message,” 9 August 1991
Kent, Sarah. “New Contemporaries, ICA”, Time Out, 7 August 1991
Norrie, Jan. “B T New Contemporaries, Ikon Gallery,” Arts Review, April 1991
1990 Jennings, Rose. “New Contemporaries, ICA,” City Limits, 11 January 1991
1989 Cork, Richard. “New Art Goes Under the Hammer,” Telegraph Weekend Magazine, 11 March 1989
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