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Return of Private Foundation CT' 10 201Z '
Return of Private Foundation OMB No 1545-0052 Form 990 -PF or Section 4947(a)(1) Nonexempt Charitable Trust Department of the Treasury Treated as a Private Foundation Internal Revenue Service Note. The foundation may be able to use a copy of this return to satisfy state reporting requirem M11 For calendar year 20 11 or tax year beainnina . 2011. and ending . 20 Name of foundation A Employer Identification number THE PFIZER FOUNDATION, INC. 13-6083839 Number and street (or P 0 box number If mail is not delivered to street address ) Room/suite B Telephone number (see instructions) (212) 733-4250 235 EAST 42ND STREET City or town, state, and ZIP code q C If exemption application is ► pending, check here • • • • • . NEW YORK, NY 10017 G Check all that apply Initial return Initial return of a former public charity D q 1 . Foreign organizations , check here . ► Final return Amended return 2. Foreign organizations meeting the 85% test, check here and attach Address chang e Name change computation . 10. H Check type of organization' X Section 501( exempt private foundation E If private foundation status was terminated Section 4947 ( a)( 1 ) nonexem pt charitable trust Other taxable p rivate foundation q 19 under section 507(b )( 1)(A) , check here . ► Fair market value of all assets at end J Accounting method Cash X Accrual F If the foundation is in a60-month termination of year (from Part Il, col (c), line Other ( specify ) ---- -- ------ ---------- under section 507(b)(1)(B),check here , q 205, 8, 166. 16) ► $ 04 (Part 1, column (d) must be on cash basis) Analysis of Revenue and Expenses (The (d) Disbursements total of amounts in columns (b), (c), and (d) (a) Revenue and (b) Net investment (c) Adjusted net for charitable may not necessanly equal the amounts in expenses per income income Y books purposes C^7 column (a) (see instructions) .) (cash basis only) I Contribution s odt s, grants etc. -
Parliamentary Debates (Hansard)
Monday Volume 551 22 October 2012 No. 53 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 22 October 2012 £5·00 © Parliamentary Copyright House of Commons 2012 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 679 22 OCTOBER 2012 680 Mr Hammond: I am grateful to my hon. Friend. He is House of Commons absolutely right. As we build our Army reserve to a level of trained strength of 30,000, it will be essential that we Monday 22 October 2012 capture the skills of regular Army leavers, not just to help us with the numbers but because of the resilience The House met at half-past Two o’clock that they will give to reserve forces. I promise him that that is what we will do. PRAYERS Nick Smith (Blaenau Gwent) (Lab): Following Labour’s [MR SPEAKER in the Chair] lead, employers such as John Lewis and O2 will guarantee to interview veterans applying for jobs. Will the Minister Oral Answers to Questions introduce this scheme to all public sector employers? Mr Hammond: One of the tasks that we have asked Lord Ashcroft to undertake is a discussion across DEFENCE Government and the wider public sector to see what more we can do to ensure that service leavers have the The Secretary of State was asked— very best opportunities in relation not only to employment Service Leavers (Support) but access to benefits and social housing—all the other things that they need. I assure the hon. -
Archaeology in Northumberland Friends
100 95 75 Archaeology 25 5 in 0 Northumberland 100 95 75 25 5 0 Volume 20 Contents 100 100 Foreword............................................... 1 95 Breaking News.......................................... 1 95 Archaeology in Northumberland Friends . 2 75 What is a QR code?...................................... 2 75 Twizel Bridge: Flodden 1513.com............................ 3 The RAMP Project: Rock Art goes Mobile . 4 25 Heiferlaw, Alnwick: Zero Station............................. 6 25 Northumberland Coast AONB Lime Kiln Survey. 8 5 Ecology and the Heritage Asset: Bats in the Belfry . 11 5 0 Surveying Steel Rigg.....................................12 0 Marygate, Berwick-upon-Tweed: Kilns, Sewerage and Gardening . 14 Debdon, Rothbury: Cairnfield...............................16 Northumberland’s Drove Roads.............................17 Barmoor Castle .........................................18 Excavations at High Rochester: Bremenium Roman Fort . 20 1 Ford Parish: a New Saxon Cemetery ........................22 Duddo Stones ..........................................24 Flodden 1513: Excavations at Flodden Hill . 26 Berwick-upon-Tweed: New Homes for CAAG . 28 Remapping Hadrian’s Wall ................................29 What is an Ecomuseum?..................................30 Frankham Farm, Newbrough: building survey record . 32 Spittal Point: Berwick-upon-Tweed’s Military and Industrial Past . 34 Portable Antiquities in Northumberland 2010 . 36 Berwick-upon-Tweed: Year 1 Historic Area Improvement Scheme. 38 Dues Hill Farm: flint finds..................................39 -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
The Geffrye Museum Trust
THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Company Number 2476642 Charity Number 803052 THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Presented to Parliament Pursuant to Article 6 (2)(b) of the Government Resources and Accounts Act 2000 (Audit of Non-profit-making Companies) Order 2009 (SI 2009-476) Ordered By the House of Commons to be printed on 9th July 2012 HC 304 London: The Stationery Office £10.75 © The Geffrye Museum Trust Ltd (2012) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as The Geffrye Museum Trust Ltd copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at [email protected]. This publication is also for download at www.official-documents.gov.uk This document is also available from our website at www.geffrye-museum.org.uk ISBN: 9780102977349 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID 2487680 07/12 21997 19585 Printed on paper containing 75% recycled fibre content minimum THE GEFFRYE MUSEUM TRUST (Company Number 2476642) ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR -
Download Publication
ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Lambeth Heritage Festival, September 2014 a Month Long Festival Led by Lambeth Archives and the Lambeth Local History Forum
Lambeth Heritage Festival, September 2014 A month long festival led by Lambeth Archives and the Lambeth Local History Forum www.lambeth.gov.uk/heritagefestival Foreword Following the success of last year’s first And to bring local history to life using Lambeth Heritage Festival, I’m delighted modern day technology, there will be to invite you to take part in this year’s two separate examples of the use of exciting programme of events. phone app technology for presenting local history. Bring your smart phone or Throughout September, I hope you tablet along and join in a history walk take up the opportunity to explore around ‘Invisible Vauxhall’ or follow some Lambeth’s past. Why not discover of the “augmented reality” trails around William Blake’s mosaics in Waterloo, Loughborough Junction. taste Portuguese wine in South Lambeth, learn about ‘Streatham’s The Heritage Festival has been created Fashion Revolutionaries’ or venture and organised jointly by Lambeth Archives inside Lambeth’s only National Trust and the Lambeth Local History Forum, and property (the home of poet Khadambi the events in this brochure are a testament Asalache on Wandsworth Road). There to the inspiring work of Lambeth’s local will be guided tours around Brixton’s organisations and individuals. I’d like windmill and markets, Norwood‘s to thank everyone involved for their famous cemetery and visits to enthusiasm and expertise. Lambeth’s oldest building (Lambeth Palace) and our newest museum (the The Lambeth Heritage Festival showcases Clockworks in Norwood). the best of Lambeth, and I look forward to celebrating our borough with you. -
A CREATIVE PARTNERSHIP SEATON DELAVAL HALL the NATIONAL TRUST Paul Ring Associate Professor
Northumbria University Architecture Portfolios RISING STARS: A CREATIVE PARTNERSHIP SEATON DELAVAL HALL THE NATIONAL TRUST Paul Ring Associate Professor www.northumbriaarchitecture.com/research Front cover Fig. _ Seaton 01 Deleval Hall | interior detail Northumbria University Architecture Portfolios RISING STARS: A CREATIVE PARTNERSHIP / page 2 RISING Northumbria University Architecture Portfolios 1. Project Details STARS Principle Researcher Paul Ring Research Collaborator Jean Brown : A CREATIVE Title Rising Stars | a Creative Partnership Seaton Delaval Hall, the National Trust PARTNERSHIP Output type Creative Partnership | Designed Artefacts and Performance Venue Seaton Delaval Hall / page Curator Paul Ring | Jean Brown | The National Trust Function Heritage Buildings and Historic Environments 3 Location Seaton Delaval, North East England Client The National Trust Practical completion 2018 - 2021 Funding source NLHF | The National Trust | private donors Budget £150k (from £7.8m) Area Seaton Delaval Hall Collaborators The National Trust | Ubiquitous Arts | Walk the Plank | Historic Property Restoration Ltd | Mosedale Gillatt Co-exhibitors Jean Brown Support/acknowledgements Emma Thomas; General Manager, Seaton Delaval Hall | Sarah Bradbury; Local Partnership Co- ordinator | Helen Nisbet; Project manager North Region | Stuart Shiel; Senior Project Co-Ordinator | Andrea Couture, Rob Denton, Pete Dixon, Alasdair Graham, Conall Howe, Tim ingleby, Hattie Keel, Meryem Ozmen & Steve Roberts; Northumbria University | URL www.northumbriaarchitecture.com/research Fig. _ Seaton 02 Devaval Hall | south facing portico elevation with Vanburgh’s sloped stair. Rumour has it that they doubled as an external stage for the Delaval families theatre productions Northumbria University Architecture Portfolios RISING STARS: A CREATIVE PARTNERSHIP / page 4 RISING STARS: A CREATIVE PARTNERSHIP Northumbria University Architecture Portfolios 2. Summary programme of activity. -
The Geffrye Museum Trust Annual Report and Financial Statements Year Ended 31 March 2012. HC 304 Session 2012-2013
THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Company Number 2476642 Charity Number 803052 THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Presented to Parliament Pursuant to Article 6 (2)(b) of the Government Resources and Accounts Act 2000 (Audit of Non-profit-making Companies) Order 2009 (SI 2009-476) Ordered By the House of Commons to be printed on 9th July 2012 HC 304 London: The Stationery Office £10.75 © The Geffrye Museum Trust Ltd (2012) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as The Geffrye Museum Trust Ltd copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at [email protected]. This publication is also for download at www.official-documents.gov.uk This document is also available from our website at www.geffrye-museum.org.uk ISBN: 9780102977349 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID 2487680 07/12 21997 19585 Printed on paper containing 75% recycled fibre content minimum THE GEFFRYE MUSEUM TRUST (Company Number 2476642) ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR -
Financial Incentives and Opportunties for Historic Preservation and Archaeology in Virginia
Financial Incentives and Opportunities for Historic Preservation and Archaeology in Virginia Department of Historic Resources 2008 Table of Contents Section Page Introduction…………………………………………………………………….. 1 Tax Credits……………………………………………………………………... 2 Local ………………………………………………………………………... 2 State…………………………………………………………………………. 2 Federal ……………………………………………………………………… 3 Syndication of Tax Credits………………………………………………….. 4 National Trust Community Investment Corporation………………………... 4 Easements………………………………………………………………………. 5 Historic Preservation Easement Program…………………………………… 5 Virginia Outdoors Foundation………………………………………………. 5 Other………………………………………………………………………… 5 Loans…………………………………………………………………………… 6 Enterprise…………………………………………………………………… 6 Housing and Urban Development…………………………………………... 6 National Trust for Historic Preservation……………………………………. 7 Tax-Exempt Borrowing……………………………………………………... 8 Enterprise Zones………………………………………………………………… 9 Local……………………………………………………………………….... 9 State…………………………………………………………………………. 9 Resources for Lower- and Moderate-Income Housing…………………………. 10 Virginia Department of Housing and Community Development…………... 10 Additional Local Incentives……………………………………………………. 12 Façade and/or Whole Building Incentives…………………………………. 12 Local Property Tax Partial Exemption……………………………………... 12 Service Districts……………………………………………………………. 12 Additional State Incentives…………………………………………………….. 13 Department of Housing and Community Development…………………… 13 Virginia Department of Historic Resources……………………………….. 13 Virginia Tourism Corporation……………………………………………. -
Getting Here Getting Here
Getting Here Getting Here This guide provides the address, a grid reference to help locate the place on the maps at the back of this booklet and Sat Nav details where necessary. Please note that the long grid reference at the start of each entry refers to Ordnance Survey Landranger Series maps (OSNI for Northern Ireland), also that the postcode in the Sat Nav section will take you near to the place, but not necessarily to it, so please look out for signs, especially brown ones. Up-to-date details of how to get to places without a car are given on our website, nationaltrust.org.uk and other helpful public transport resources are listed below. Sustrans: for NCN routes and cycling maps visit sustrans.org.uk National Rail Enquiries: for train times visit nationalrail.co.uk or telephone 03457 48 49 50. Traveline: for bus routes and times for England, Wales and Scotland visit traveline.info or telephone 0871 200 2233. Taxis from railway stations: traintaxi.co.uk Public transport in Northern Ireland (train and bus): translink.co.uk or telephone 028 9066 6630. Transport for London: for all travel information visit tfl.gov.uk or telephone 0343 222 1234. Contents Cornwall 3 Devon and Dorset 12 Somerset and Wiltshire 23 The Cotswolds, Buckinghamshire and Oxfordshire 30 Berkshire, Hampshire and the Isle of Wight 38 Kent, Surrey and Sussex 42 London 52 East of England 55 East Midlands 64 West Midlands 69 North West 76 The Lakes 80 Yorkshire 85 North East 90 Wales 93 Northern Ireland 103 Maps 108 Index 121 2 Cornwall Find out more: 01326 252020 or [email protected] Antony Torpoint, Cornwall PL11 2QA Botallack Map 1 E8 H G A 1961 on the Tin Coast, near St Just, Cornwall 201:SX418564. -
William Newton (1730-1798) and the Development Of
William Newton (1730-1798) and the Development of the Architectural Profession in North-East England Richard Pears A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of History, Classics and Archaeology, Newcastle University April 2013 ABSTRACT This thesis examines the emergence of the professional architect in the provinces of eighteenth-century Britain, drawing upon new research into the career of William Newton (1730-1798) of Newcastle upon Tyne. Section I assesses the growth of professionalism, identifying the criteria that distinguished professions from other occupations and their presence in architectural practitioners. It contrasts historians’ emphasis upon innovative designs by artist-architects, such as Sir John Vanbrugh and Robert Adam, with their absence from the realisation of their designs. Clients had to employ capable building craftsmen to supervise construction and this was an opportunity for an alternative practitioner to emerge, the builder-architect exemplified by Newton, offering clients proven practical experience, frequent supervision, peer group recommendation and financial responsibility. Patronage networks were a critical factor in securing commissions for provincial builder-architects, demonstrated here by a reconstruction of Newton’s connections to the north-east élite. Section II reveals that the coal-based north-east economy sustained architectural expenditure, despite national fluctuations. A major proposal of this thesis is that, contrary to Borsay’s theory of an ‘English urban renaissance’, north-east towns showed continuity and slow development. Instead, expenditure was focused upon élite social spaces and industrial infrastructure, and by the extensive repurposing of the hinterlands around towns. This latter development constituted a ‘rural renaissance’ as commercial wealth created country estates for controlled access to social pursuits by élite families.