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Violinist Lana Trotovsek Has Won Admiration for Her Expressive Playing and Unique Musicality
Violinist Lana Trotovsek has won admiration for her expressive playing and unique musicality. The Washington Post has described her as ‘Radiant’ and praised her ‘clean, refined tone with musical sense of phrasing and impeccable intonation’. The Strad Magazine has mentioned her ‘true feel of live intuitive performance’ . She has captivated audiences with her ‘warm sound and formidable technique’ La Vanguardia and her talent of bringing ‘freshness, depth and insight’ Broad Street Review to her interpretations. Since her debut with the Mariinsky Theatre Orchestra under Valery Gergiev in 2012, Lana Trotovsek appeared with some of the world’s finest orchestras. In 2014, she toured with the Moscow Soloists and Yuri Bashmet and in 2016 she performed Prokofiev’s Violin Concerto No.1 with the London Symphony Orchestra under Gianandrea Noseda. Her recent schedule included the BBC 3 live recording of a Violin Concerto “Venus Blazing” composed by Deirdre Gribbin with the Ulster Orchestra in Belfast, Tchaikovsky violin concerto with the Royal Philharmonic Orchestra under Raphael Payare, a premiere of Hugo Wolf Violin Concerto in Congress Centre Villach in Austria, Mendelssohn violin concerto with the RTS Symphony Orchestra in the Shanghai Oriental Arts Centre as well as in Klagenfurt Konzerthaus with Carinthian Symphony Orchestra, and an evening recital in Wigmore Hall, which has been described as “remarkable” by the Strad magazine. Over the past few years Lana has collaborated with Tan Dun and Orchestra Teatro Verdi, the Shanghai and Slovenian Philharmonic, as well as Uros Lajovic and the Sarajevo Philharmonic Orchestra, the RTV Slovenia under George Pehlivanian, the Kalamazoo Symphony Orchestra, and the Chamber Orchestra of Philadelphia, where she was described as “an emerging voice to watch” by Philadelphia Inquirer. -
Parliamentary Debates (Hansard)
Monday Volume 551 22 October 2012 No. 53 HOUSE OF COMMONS OFFICIAL REPORT PARLIAMENTARY DEBATES (HANSARD) Monday 22 October 2012 £5·00 © Parliamentary Copyright House of Commons 2012 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. 679 22 OCTOBER 2012 680 Mr Hammond: I am grateful to my hon. Friend. He is House of Commons absolutely right. As we build our Army reserve to a level of trained strength of 30,000, it will be essential that we Monday 22 October 2012 capture the skills of regular Army leavers, not just to help us with the numbers but because of the resilience The House met at half-past Two o’clock that they will give to reserve forces. I promise him that that is what we will do. PRAYERS Nick Smith (Blaenau Gwent) (Lab): Following Labour’s [MR SPEAKER in the Chair] lead, employers such as John Lewis and O2 will guarantee to interview veterans applying for jobs. Will the Minister Oral Answers to Questions introduce this scheme to all public sector employers? Mr Hammond: One of the tasks that we have asked Lord Ashcroft to undertake is a discussion across DEFENCE Government and the wider public sector to see what more we can do to ensure that service leavers have the The Secretary of State was asked— very best opportunities in relation not only to employment Service Leavers (Support) but access to benefits and social housing—all the other things that they need. I assure the hon. -
MAY, 2010 New York Avenue Presbyterian Church Washington
THE DIAPASON MAY, 2010 New York Avenue Presbyterian Church Washington, D.C. Cover feature on pages 30–31 May 2010 Cover.indd 1 4/12/10 12:15:10 PM May 2010 pp. 2-19.indd 2 4/12/10 12:16:29 PM THE DIAPASON Letters to the Editor A Scranton Gillette Publication One Hundred First Year: No. 5, Whole No. 1206 MAY, 2010 Kudos played for the inauguration program. He Established in 1909 ISSN 0012-2378 It is always a happy day when The also played the November 1942 dedica- An International Monthly Devoted to the Organ, Diapason arrives. Your magazine re- tion of the Aeolian-Skinner here in Aus- the Harpsichord, Carillon, and Church Music kindles my love for the pipe organ. tin, for he was Dean Doty’s teacher at Thanks for the tremendous contribu- the University of Michigan. tion you make with the publication of My father was an architect, therefore this marvelous journal. I was intrigued when they had a display CONTENTS Editor & Publisher JEROME BUTERA [email protected] Dan Stokes that showed how the planners for St. 847/391-1045 Louisville, Kentucky John’s determined what style of architec- FEATURES ture they wanted. They had two formats Two Organs by Bossi Vegezzi Associate Editor JOYCE ROBINSON Organ stoplists to choose from: they chose the one now in Altamura (Bari), Italy [email protected] I devour each issue with keen an- in Denver, and the other choice turned by Bill Halsey 20 847/391-1044 ticipation. My comment/suggestion re- out to be the building for the chapel that University of Michigan 49th Conference Contributing Editors LARRY PALMER lates to the cover story on pages 30–31. -
Annual Report 2014 ANNUAL REPORT 2014 Table of Contents Staff Sean E
THE ROYAL OAK FOUNDATION Annual Report 2014 ANNUAL REPORT 2014 Table of Contents Staff Sean E. Sawyer, Ph.D. Executive Director (through 5/15) Board of Directors, Advisory Council and Board Committees 2 [email protected] Letter from the Chairman and the Executive Director 3 Lorraine L. Brittle Executive Director (from 10/15) SUPPORT: Grants and Donors [email protected] Marilyn Fogarty Grants Awarded Director of Operations & Finance Interim Executive Director (from 6/15) Grants to National Trust Projects 4 [email protected] Winifred E. Cyrus Grants to Sponsored Projects 7 Director of Member Services [email protected] Scholarships 8 Jan Lizza Donations Received Member Services Associate [email protected] National Trust Properties 9-14 Jennie L. McCahey Program Director Support for Royal Oak Foundation 15-16 [email protected] Kristin Sarli Licensed Products Program 16 Assistant Program Director [email protected] Corporate Matching 17 Robert Dennis Royal Oak Sponsored Projects 17 Program & Development Assistant [email protected] Legacy Circle 2014 18 Chelcey Berryhill Timeless Design Gala Benefit 19-20 Development & Communications Manager Heritage Circle 2014 21 [email protected] Sam McCann EXPERIENCE: Membership 22-23 Communications Associate [email protected] Travel 24 Jacqueline Bascetta (from 10/14) Executive Coordinator & LEARN: Lectures and Tours 25-27 Board Liaison [email protected] Programs Support 28 Jessie Walker Financial Summary 29-30 Foundation Volunteer Our Mission The Royal Oak Foundation inspires Americans to learn about, experience and support places of great historic and natural significance in the United Kingdom in partnership with the National Trust of England, Wales and Northern Ireland. -
And Progress to St Martin's Chamber Music Competition Final
Competition Final: Tuesday 27 April, 7.30pm Thank you Iceland: Finalists Defy 'Act of God' and progress to St Martin's Chamber Music Competition Final The Piatti String Quartet, Greenwich Trio and Elixir Trio will perform in their bid to become the first ever winners of St Martin's Chamber Music Competition in partnership with Making Music. After making it through the preliminary and semi−final rounds, the three groups will compete for the coveted prize. Piatti String Quartet, stranded in France by the cloud of volcanic ash which wreaked havoc for travellers across Europe last week, drove through the night to a ferry from Dunkirk in order to make their scheduled semi−final last Tuesday 20 April. While those stranded were cursing Iceland's volcanic activity, The Greenwich Trio are newly converted fans of the volcano. As the reserve ensemble for the semi−final of the competition, they were called on Monday 19 April when it became clear that unfortunately, not all semi−finalists would make it back to London to perform, and were offered a place in the semi−final the next day. Their performance of excerpts from Beethoven's Archduke Piano Trio and Ravel Piano Trio in A minor impressed the panel with its vivacity, passion and technical brilliance. Paris based Elixir Trio according to one semi−final panellist, gave the "most extraordinarily moving and engaging" performance of the slow movement from Francaix's Piano Trio to secure their place in Tuesday's final. "We gave them extra points for the violinist's blue hair" joked another panellist, then hastening to add that actually, it was the groups musical performance which saw them succeed. -
BRITISH and COMMONWEALTH CONCERTOS from the NINETEENTH CENTURY to the PRESENT Sir Edward Elgar
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Sir Edward Elgar (1857-1934) Born in Broadheath, Worcestershire, Elgar was the son of a music shop owner and received only private musical instruction. Despite this he is arguably England’s greatest composer some of whose orchestral music has traveled around the world more than any of his compatriots. In addition to the Conceros, his 3 Symphonies and Enigma Variations are his other orchestral masterpieces. His many other works for orchestra, including the Pomp and Circumstance Marches, Falstaff and Cockaigne Overture have been recorded numerous times. He was appointed Master of the King’s Musick in 1924. Piano Concerto (arranged by Robert Walker from sketches, drafts and recordings) (1913/2004) David Owen Norris (piano)/David Lloyd-Jones/BBC Concert Orchestra ( + Four Songs {orch. Haydn Wood}, Adieu, So Many True Princesses, Spanish Serenade, The Immortal Legions and Collins: Elegy in Memory of Edward Elgar) DUTTON EPOCH CDLX 7148 (2005) Violin Concerto in B minor, Op. 61 (1909-10) Salvatore Accardo (violin)/Richard Hickox/London Symphony Orchestra ( + Walton: Violin Concerto) BRILLIANT CLASSICS 9173 (2010) (original CD release: COLLINS CLASSICS COL 1338-2) (1992) Hugh Bean (violin)/Sir Charles Groves/Royal Liverpool Philharmonic Orchestra ( + Violin Sonata, Piano Quintet, String Quartet, Concert Allegro and Serenade) CLASSICS FOR PLEASURE CDCFP 585908-2 (2 CDs) (2004) (original LP release: HMV ASD2883) (1973) -
Family Tree Maker
Descendants of Robert Squire Generation No. 1 1. ROBERT1 SQUIRE was born Abt. 1650 in St Giles in the Wood, Devon, England, and died 26 Nov 1702 in St Giles in the Wood, Devon, England. He married MARY. She died 24 Oct 1701 in St Giles in the Wood, Devon, England. Child of ROBERT SQUIRE and MARY is: 2. i. FRANCIS2 SQUIRE, b. 1670, St Giles in the Wood, Devon, England. Generation No. 2 2. FRANCIS2 SQUIRE (ROBERT1) was born 1670 in St Giles in the Wood, Devon, England. He married (1) MARGARET TROWING 17 May 1694 in St Giles in the Wood, Devon, England. She was born Abt. 1670 in St Giles in the Wood, Devon, England, and died Jun 1700 in St Giles in the Wood, Devon, England. He married (2) ESTER GEATON 06 Jan 1703 in St Giles in the Wood, Devon, England. She was born 1676 in St Giles in the Wood, and died 1750 in St Giles in the Wood, Devon, England. More About FRANCIS SQUIRE: Baptism: 18 Oct 1670, St Giles in the Wood, Devon, England Notes for MARGARET TROWING: Name could be Margaret Crowling. More About FRANCIS SQUIRE and MARGARET TROWING: Marriage: 17 May 1694, St Giles in the Wood, Devon, England More About ESTER GEATON: Baptism: 21 May 1676, St Giles in the Wood Burial: 24 Apr 1750, St Giles in the Wood, Devon, England More About FRANCIS SQUIRE and ESTER GEATON: Marriage: 06 Jan 1703, St Giles in the Wood, Devon, England Children of FRANCIS SQUIRE and MARGARET TROWING are: i. -
School of Music
University of Washington 2003-2004 School of Music Presents the CD HvA<"..,T D\SC y5s 2oot.\ II EICHINGER MEMORlAL CONCERT SERlES II 5-2 Students of CAROLE TERRY, Professor ofOrgan honor her 25 years ofteaching at the University of Washington 3:00 PM, May 2, 2004 Walker-Ames Room PROGRAM ill TOCCATA IN F , BuxWV 156........... ..............<t: 1/.......... ........................... .. .. .DIETERICH BUXTEHUDE (c. 1637-1707) - Thomas Joyce- ~r:?l PRELUDE,. F UGUE, AND VARIATION ...............9.......... ; 2~O... ............................................ C ESAR. FRANCK (81 22-1 8)90 - Yoon Shin- f-",D PRELUDE AND FUGUE IN G MINOR, BWV 535 ............... .. ... ...... ..... ....... JOHANN SEBASTIAN BACH (1685-1750) Selection from A QUAKER READER ........................... ?. ~.. ! .~... ....... .. ................ .. .. ............. NED ROREM (b. 1923) A Secret Power The World ofSilence - Sheila Bristow 0 1, 61 CANTEMTOTOLA GLORIA .......... ........ (1. ...... ... ....... ............... ... ..... .............. PIERRECOCHEREAU (1924-1984) (Improvisation from 1969, transcribed by David Briggs) - Martin Welzel [fJ SCHUBLER CHORALES ···· .. ·.. ·· ..·· ··.... ·.. ..7:J · ~ · 1{ .. ·.. .. ···· .... ·· .... ·.. .. ·.. ...... ·· .... ··.. ..................... .. .... .. ... .. ..... J. S. BACH Wachet auf, ruft uns die Stimme . Kommst du num, Jesu, yom Himmel herunter - Jiyoung Lee 113 PRAELUDlUM IN G MINOR .................... r:I....3.r... ...... ............ .. .. .. .... .. .... .. ... .. ..... VINCENT LUBECK (1656-1740) -Lisa -
The Geffrye Museum Trust
THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Company Number 2476642 Charity Number 803052 THE GEFFRYE MUSEUM TRUST ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR ENDED 31 MARCH 2012 Presented to Parliament Pursuant to Article 6 (2)(b) of the Government Resources and Accounts Act 2000 (Audit of Non-profit-making Companies) Order 2009 (SI 2009-476) Ordered By the House of Commons to be printed on 9th July 2012 HC 304 London: The Stationery Office £10.75 © The Geffrye Museum Trust Ltd (2012) The text of this document (this excludes, where present, the Royal Arms and all departmental and agency logos) may be reproduced free of charge in any format or medium providing that it is reproduced accurately and not in a misleading context The material must be acknowledged as The Geffrye Museum Trust Ltd copyright and the document title specified. Where third party material has been identified, permission from the respective copyright holder must be sought. Any enquiries regarding this publication should be sent to us at [email protected]. This publication is also for download at www.official-documents.gov.uk This document is also available from our website at www.geffrye-museum.org.uk ISBN: 9780102977349 Printed in the UK by The Stationery Office Limited on behalf of the Controller of Her Majesty’s Stationery Office ID 2487680 07/12 21997 19585 Printed on paper containing 75% recycled fibre content minimum THE GEFFRYE MUSEUM TRUST (Company Number 2476642) ANNUAL REPORT AND FINANCIAL STATEMENTS YEAR -
Sharpening the Sword of State Building Executive Capacities in the Public Services of the Asia-Pacific
SHARPENING THE SWORD OF STATE BUILDING EXECUTIVE CAPACITIES IN THE PUBLIC SERVICES OF THE ASIA-PACIFIC SHARPENING THE SWORD OF STATE BUILDING EXECUTIVE CAPACITIES IN THE PUBLIC SERVICES OF THE ASIA-PACIFIC Edited by Andrew Podger and John Wanna Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: Sharpening the sword of state : building executive capacities in the public services of the Asia-Pacific / editors: Andrew Podger, John Wanna. ISBN: 9781760460723 (paperback) 9781760460730 (ebook) Series: ANZSOG series. Subjects: Public officers--Training of--Pacific Area. Civil service--Pacific Area--Personnel management. Public administration--Pacific Area. Pacific Area--Officials and employees. Pacific Area--Politics and government. Other Creators/Contributors: Podger, A. S. (Andrew Stuart), editor. Wanna, John, editor. Dewey Number: 352.669 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph adapted from: ‘staples’ by jar [], flic.kr/p/97PjUh. This edition © 2016 ANU Press Contents Figures . vii Tables . ix Abbreviations . xi Contributors . xvii 1 . Public sector executive development in the Asia‑Pacific: Different contexts but similar challenges . 1 Andrew Podger 2 . Developing leadership and building executive capacity in the Australian public services for better governance . 19 Peter Allen and John Wanna 3 . Civil service executive development in China: An overview . -
William Henry Squire's Out-Of-Print Works for Cello and Piano
PEZZOLI, GINA ANNALISE. D.M.A. William Henry Squire’s Out-of-Print Works for Cello and Piano: Analysis and Suggestions for Teachers (2011). Directed by Dr. Alexander Ezerman. 39 pp. This study presents a biographical overview of William Henry Squire’s life, performance, and teaching career and a pedagogical analysis of his out-of-print works for cello and piano. The study is organized into two main parts. The first reviews Squire’s career as a cellist and composer, with special emphasis on his performing and teaching careers. The second part consists of a detailed description of nine of Squire’s forgotten and out-of-print works for cello and piano. This section includes discussion of the technical and musical challenges of the works, most of which are completely unknown to cellists today. As with many of Squire’s better-known works, these pieces are excellent for intermediate-level cello students. The document is intended to be a teaching “menu” of sorts which details the attributes of each work; therefore the catalogue is organized by difficulty, not by opus number. The nine works chosen for this study are Squire’s Chant D’Amour , Gondoliera , Souvenir, Légende, Berceuse, Slumber Song/Entr’acte, Sérénade op. 15 , Gavotte Humoristique op. 6, and Meditation in C op. 25. WILLIAM HENRY SQUIRE’S OUT-OF-PRINT WORKS FOR CELLO AND PIANO: ANALYSIS AND SUGGESTIONS FOR TEACHERS by Gina Annalise Pezzoli A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 2011 Approved by Alex Ezerman Committee Chair © 2011 by Gina Annalise Pezzoli APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters .