Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

JAPAN​ ​-​ ​PREMODERN,​ ​MODERN​ ​AND​ ​CONTEMPORARY 4-6​ ​September​ ​2017 Venue: “Dimitrie Cantemir” Christian University ​ ​ ​ ​ ​ ​ ​ ​ Splaiul Unirii 176, Bucharest, Romania ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

Conference​ ​Program September​ ​4,​ ​Day​ ​1

12:30 -12:45 Opening remarks (Auditorium) ​ ​ ​ ​ ​ ​

12:45 - 13:45 Keynote Lecture: ​ ​ ​ ​ ​ ​ 現代日本語条件文の意味と用法 Yoshikazu​ ​Suzuki​ ​​(Kobe University) ​ ​ (Chair: Carmen Săpunaru Tămaș) ​ ​ ​ ​ ​ ​

(15’ coffee break) ​ ​ ​ ​

14:00 - 14:50 Guest lecture: ​ ​ ​ ​ ​ ​ Ningyō:​ ​The​ ​Unexpected​ ​World​ ​of​ ​Japanese​ ​Dolls Alan​ ​Scott​ ​Pate​ ​​(specialist in Japanese dolls) ​ ​ ​ ​ ​ ​ (Chair: Roman Pașca) ​ ​ ​ ​

15:00 - 16:30 Parallel sessions ​ ​ ​ ​ ​ ​

Session 1, Room A Session 2, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Modern​ ​Literature Philosophy,​ ​Architecture,​ ​Aesthetics Chair: Irina Holca Chair: Oana-Loredana Scoruș ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 3 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Adrian​ ​Bercea Anna​ ​Kato (Kansai University) (Tokyo University) ​ ​ ​ ​

The​ ​Kitsuneken​ ​Game​ ​in​ ​Miyazawa​ ​Kenji’s 現代日本美術の新たな方向性への模索 ​ ​ "The​ ​Bears​ ​of​ ​Mount​ ​Nametoko"​ ​and​ ​the​ ​Concept ―村上隆「黒田清輝へのオマージュ」が of​ ​Environment もつ意味― [JP] ​ ​ Andreea-Larisa​ ​Avram Dana​ ​Milea (University of Bucharest) (“Ion Mincu” University of Architecture and ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Urban Planning, Bucharest) ​ ​ ​ ​ A​ ​Depiction​ ​of​ ​Japanese​ ​Women​ ​in​ ​a​ ​Cultural Translation:​ ​Women’s​ ​Image​ ​in​ ​Etsu​ ​Sugimoto’s​ ​A The​ ​Anatomy​ ​of​ ​the​ ​Place​ ​Where​ ​Children​ ​Play Daughter​ ​of​ ​the​ ​Samurai

Kyoko​ ​Kinoshita Roman​ ​Pașca (Kansai University) (Kanda University of International Studies) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

Yoshiya​ ​Nobuko​ ​and​ ​the​ ​Occidentalism:​ ​Focusing Philosophy​ ​as​ ​a​ ​Method on​ ​"To​ ​the​ ​Limit​ ​of​ ​the​ ​Sea"​ ​​[JP] of​ ​Spiritual​ ​Progress

(15’ break) ​ ​

Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

16:45 - 18:15 Parallel sessions ​ ​ ​ ​ ​ ​

Session 3, Room A Session 4, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Manga,​ ​Anime,​ ​Visual​ ​Kei Romania​ ​and​ ​Japan Chair: Oana-Loredana Scoruș Chair: Irina Holca ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 3 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Laura​ ​Paszkowski​ ​​(Heidelberg University) Angela​ ​Drăgan ​ ​ Arisa​ ​Prestat​ ​​(Copenhagen University) (“Dimitrie Cantemir” Christian University) ​ ​ ​ ​ ​ ​ ​ ​

Behind​ ​the​ ​Curtains​ ​of​ ​the​ ​Visual​ ​Kei Discovering​ ​Japan​ ​in​ ​1915’s​ ​"Universul​ ​literar" Music​ ​Industry Romanian​ ​Magazine

Olga​ ​Ilina Radu​ ​Leca (Tsukuba University) (IIAS, Leiden) ​ ​ ​ ​

現代の日本のポップ・カルチャーにおける Book​ ​covers​ ​of​ ​James​ ​Clavell’s​ ​Shōgun: ディストピアをめぐって—ロシア語系のアニ A​ ​Case​ ​Study​ ​for​ ​the​ ​History​ ​of​ ​Japonisme​ ​in メ・漫画の雑誌を中心に— [JP][Skype] Romania ​ ​ Tau​ ​Prestat Viviana​ ​Iacob (Copenhagen University) (New Europe College, Bucharest) ​ ​ ​ ​ ​ ​ ​ ​

The​ ​New​ ​Generation​ ​of​ ​Doujin:​ ​Changes​ ​in​ ​Doujin ​ ​Friendship​ ​Societies​ ​and​ ​Cultural​ ​Diplomacy Distribution​ ​and​ ​Fan​ ​Culture during​ ​the​ ​Cold​ ​War: The​ ​Romanian​ ​-​ ​Japanese​ ​Case

19:00 Conference Dinner ​ ​

Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

September​ ​5,​ ​Day​ ​2

9:00 - 12:00 Workshops for students ​ ​ ​ ​ ​ ​ ​ ​ Workshop​ ​1 Workshop​ ​2 (Room​ ​A) (Room​ ​B) The​ ​Japanese​ ​Body​ ​as​ ​Project​ ​in​ ​Literature The​ ​Universality​ ​of​ ​Adolescence From​ ​the​ ​Eradication​ ​of​ ​Adolescence​ ​to​ ​the Coordinator:​ ​Irina​ ​Holca Pursuit​ ​of​ ​Joy​ ​as​ ​the​ ​Core​ ​of​ ​Adolescent​ ​Identity​ ​in ​ Makoto​ ​Shinkai’s​ ​Animation​ ​Works Assistant: Monica​ ​Tamaș ​ ​​ Maria​ ​Grăjdian (Nagasaki University) ​ ​

(12:00 - 13:30 lunch) ​ ​ ​ ​

13:30 - 14:30 Keynote lecture: ​ ​ ​ ​ ​ ​ The​ ​Battle​ ​of​ ​Imphal​ ​and​ ​Hino​ ​Ashihei’s​ ​Literature Chikako​ ​Masuda (Kansai University) ​ ​ (Chair: Irina Holca) ​ ​ ​ ​ (15’ break) ​ ​

14:45 - 15:45 Parallel sessions ​ ​ ​ ​ ​ ​

Session 5, Room A Session 6, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Postwar​ ​Literature Anthropology​ ​and​ ​Religion Chair: Andreea-Larisa Avram Chair: Roman Pașca ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 2 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Alexandra​ ​Bănică Mihaela​ ​Sighinaș (University of Bucharest) (Kobe University) ​ ​ ​ ​ ​ ​

Learning​ ​from​ ​Japan:​ ​Haruki​ ​Murakami’s​ ​Closed Saikoku​ ​Pilgrimage​ ​and Circuit​ ​Terrorism the​ ​Tradition​ ​of​ ​Omiyage​ ​​[Skype]

Makiko​ ​Kitani Hironori​ ​Arakawa (Doshisha University) (National Institute of Technology, Akashi College ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Japan) Yukio​ ​Mishima's​ ​"Bishin"​ ​and​ ​His​ ​Encounter​ ​with European​ ​Sculpture A​ ​Consideration​ ​of​ ​Japanese​ ​Festivals​ ​in​ ​Urban Areas:​ ​From​ ​Historical​ ​Changes​ ​in​ ​the​ ​Toka-Ebisu "Open​ ​Gate"​ ​Ceremony​ ​at​ ​Nishinomiya​ ​Shrine​ ​​[JP]

(15’ break) ​ ​

Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

16:00 - 17:00 Parallel sessions ​ ​ ​ ​ ​ ​

Session 7, Room A Session 8, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Gender,​ ​Identity,​ ​Sexuality Travels​ ​and​ ​Travelogues Chair: Roman Pașca Chair: Adrian Bercea ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 3 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Ioana​ ​Fotache Marcos​ ​Centeno​ ​Martin (Nagoya University) (SOAS, London) ​ ​ ​ ​

Negotiating​ ​Discourse​ ​and​ ​Identities​ ​in​ ​the Ainu​ ​People​ ​of​ ​Japan​ ​in​ ​1910s​ ​Travelogues Japanese​ ​LGBT​ ​Boom

Yuhei​ ​Yambe Stefano​ ​Romagnoli (Kyoto University of Art and Design) (Sapienza University, Rome) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

Shouts​ ​from​ ​Hell: ​ ​Hino​ ​Ashihei,​ ​the​ ​Troubled​ ​Traveler: Countermoves​ ​from​ ​Inside​ ​Brothels Journeys​ ​to​ ​China​ ​and​ ​America

Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

September​ ​6,​ ​Day​ ​3 9:00 - 10:30 Parallel sessions ​ ​ ​ ​ ​ ​ Session 9, Room A Session 10, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Japanese​ ​Literature​ ​in​ ​the​ ​World Pop​ ​Culture​ ​and​ ​Performing​ ​Arts Chair: Roman Pașca Chair: Angela Drăgan ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 3 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ Katarzyna​ ​Deja Alice​ ​Teodorescu (Jagellonian University) (Independent researcher) ​ ​ ​ ​

Japonism​ ​in​ ​Polish​ ​Literature​ ​at​ ​the​ ​Beginning​ ​of Beyond​ ​Borders​ ​of​ ​Meaning: 20th​ ​Century ​ ​The​ ​Transcultural​ ​Vampire​ ​in​ ​Japanese​ ​Animation

Saida​ ​Khalmirzaeva Makiko​ ​Yamanashi (Hosei University) (Hosei University) ​ ​ ​ ​

On​ ​the​ ​Formation​ ​of​ ​the​ ​Tale​ ​about​ ​“Homecoming Revue​ ​as​ ​a​ ​Liminal​ ​Theatre​ ​Genre: Husband”​ ​​[Skype] Its​ ​Characteristics​ ​and​ ​Socio-cultural​ ​Meanings

Irina​ ​Holca Maria​ ​Grăjdian (Kyoto University) (Nagasaki University) ​ ​ ​ ​

Why Literature? Shimazaki Tōson's Works and Modernity​ ​Revisited:​ ​The​ ​Dialectics​ ​of​ ​Revolution National​ ​Language​ ​Education and​ ​the​ ​Nostalgia​ ​for​ ​Intellectual​ ​Activism​ ​in Takarazuka​ ​Revue’s​ ​1789:​ ​"The​ ​Lovers​ ​of​ ​Bastille" (10’ break) ​ ​

10:40 - 12:10 Parallel sessions ​ ​ ​ ​ ​ ​ Session 11, Room A Session 12, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Visual​ ​Arts,​ ​Aesthetics War,​ ​Peace,​ ​and​ ​Nuclear​ ​Energy Chair: Irina Holca Chair: Andreea-Larisa Avram ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 3 (20’+10’) x 3 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Deborah​ ​Levy Dick​ ​Stegewerns (University of Vincennes-Saint-Denis Paris 8) (University of Oslo) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

Mitate​ ​and​ ​Quotation​ ​in​ ​Japanese​ ​Visual​ ​Arts:​ ​The Depiction​ ​of​ ​the​ ​National​ ​Self​ ​and​ ​the​ ​Asian​ ​Other Spread​ ​of​ ​Imagination​ ​in​ ​Art​ ​History in​ ​Postwar​ ​Japanese​ ​War​ ​Films,​ ​1945-1965

Oana​ ​Loredana​ ​Scoruş Miia​ ​Huttunen (Kyoto University) (University of Jyväskylä, Finland) ​ ​ ​ ​ ​ ​ ​ ​

The​ ​Influence​ ​of​ ​the​ ​English​ ​Landscape​ ​Garden​ ​on ​ ​Japan​ ​and​ ​Cinematic​ ​Peace​ ​Propaganda​ ​in the​ ​Meiji​ ​Stroll​ ​Garden:​ ​Fact​ ​or​ ​Speculation? UNESCO’s​ ​Orient​ ​Project​ ​1957-1959

Monika​ ​Kiss Ryuji​ ​Yorioka (ELTE University, Budapest) (Tokushima University) ​ ​ ​ ​ ​ ​

Esoteric​ ​Iconography​ ​as​ ​Curiosum: A​ ​Comparative​ ​Study​ ​about​ ​Literature​ ​and What​ ​Sells​ ​a​ ​Buddhist​ ​Art​ ​Exhibition​ ​Today? “Nuclear​ ​Energy”​ ​in​ ​Japan​ ​and​ ​Germany (12:10 - 13:30 lunch) ​ ​ ​ ​

Japan​ ​-​ ​Premodern,​ ​Modern​ ​and​ ​Contemporary 4-6​ ​September​ ​2017,​ ​Bucharest

13:30 - 14:00 Poster presentations (Day 2 workshop projects) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

14:00 - 15:00 Parallel sessions ​ ​ ​ ​ ​ ​ Session 13, Room A Session 14, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Society​ ​and​ ​Economy Teaching​ ​and​ ​Education Chair: Maria Cărbune Chair: Roman Pașca ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 2 (20’+10’) x 2 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Irina​ ​Grigorovici John​ ​Rucynski (Kyushu University) (Okayama University) ​ ​ ​ ​

Socioeconomic​ ​Views​ ​on​ ​Japan’s​ ​‘80s​ ​Boom​ ​and Focusing​ ​on​ ​Japanese​ ​Culture​ ​in​ ​English​ ​Classes Subsequent​ ​Recession​ ​​[Skype] for​ ​Japanese​ ​Students

Martha​ ​Chaiklin Manami​ ​Fujihira (Independent scholar) (Osaka University) ​ ​ ​ ​

The​ ​March​ ​Forward:​ ​The​ ​Mechanization​ ​of On​ ​Constructing​ ​Models​ ​of​ ​Japanese​ ​Teaching Shoe​ ​Production​ ​in​ ​Meiji​ ​Japan Training​ ​Programmes:​ ​Cooperation​ ​among Universities

(10’ break) ​ ​

15:10 - 16:10 Parallel sessions ​ ​ ​ ​ ​ ​ Session 15, Room A Session 16, Room B ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Japan​ ​and​ ​Europe Premodern​ ​Interactions Chair: Adrian Bercea Chair: Angela Drăgan ​ ​ ​ ​ ​ ​ ​ ​ (20’+10’) x 2 (20’+10’) x 2 ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ Carlo​ ​Pelliccia Jonathan​ ​Lopez-Vera (CLEPUL- Universidade de Lisboa) (Universitat Pompeu Fabra, Barcelona) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​

Japan​ ​Meets​ ​the​ ​West:​ ​New​ ​Documents​ ​about​ ​the Toyotomi​ ​Hideyoshi's​ ​Diplomacy​ ​with​ ​Manila​ ​in First​ ​Japanese​ ​Embassy​ ​to​ ​Italy​ ​(1585)​ ​​[Skype] Castilian​ ​Documents​ ​(1592-1598)​ ​​[Skype]

Maria​ ​Cărbune Kiyoyuki​ ​Tsuta (University of Tübingen) (Osaka University) ​ ​ ​ ​ ​ ​

Urashima Tarō and the School of Ar chetypal Chinese​ ​Anecdotes​ ​in​ ​the​ ​Môgyû-shô​ ​(the Criticism Commentaries​ ​Written​ ​in​ ​Kana​ ​on​ ​Meng-qui (Beginner's​ ​Guide)

16:10 - 16:30 Closing remarks (Room A) ​ ​ ​ ​ ​ ​ ​ ​ ​ ​