Music: the 'Other' International Language
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The Recording Industry in Japan 2016 Contents
RIAJ YEARBOOK 2016 Statistics Trends The Recording Industry in Japan 2016 Contents Overview of Production of Recordings and Digital Music Sales in 2015 ........................... 1 Statistics by Format (Unit Basis — Value Basis) ........................................................................ 4 1. Total Recorded Music — Production on Unit Basis.................................................................... 4 2. Total Audio Recordings — Production on Unit Basis .................................................................. 4 3. Total CDs — Production on Unit Basis ...................................................................................... 4 4. Total Recorded Music — Production on Value Basis ................................................................. 5 5. Total Audio Recordings — Production on Value Basis ............................................................... 5 6. Total CDs — Production on Value Basis .................................................................................... 5 7. CD Singles — Production on Unit Basis .................................................................................... 6 8. 5" CD Albums — Production on Unit Basis ............................................................................... 6 9. Music Videos — Production on Unit Basis ................................................................................ 6 10. CD Singles — Production on Value Basis .................................................................................. 7 11. 5" CD -
WHAT SOILS ARE 17 Ries Within Itself a Record of Its History for Those Who Learn to Read It
WHAT SOILS ARE 17 ries within itself a record of its history for those who learn to read it. A SOIL PROFILE consists of two or What Soils more layers lying one below the other and parallel to the land surface. The layers are known as horizons. The Are horizons dififer in one or more prop- erties such as color, texture, structure, Roy W. SImonson consistence, porosity, and reaction. Soil horizons may be thick or thin. Soil is continuous over the land Some are no more than a fraction of an inch. Others are several feet thick. surface of the earth, except for Few horizons are at either extreme. the steep and rugged mountain Generally they merge with one an- other and lack sharp boundaries. peaks and the lands of per- Horizons in a profile are like the petual ice and snow. parts of a layer cake without the clear bands of frosting between them. Soil is related to the earth much as Most soil profiles include three mas- the rind is related to an orange. But ter horizons, identified by the letters this rind of the earth is far less uniform A, B, and G. Some soils lack a B hori- than the rind of an orange. It is deep zon and are said to have AG profiles. in some places and shallow in others. When a soil is used without proper It may be red, as soils are in Hawaii, care, the A horizon and even the B or it may be black, as they are in North horizon may be eroded away. -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
US EPA, Pesticide Product Label, CLOROX BLEACH, 09/13/2011
UNITED STATES ENVIRONMENTAL PROTECTION AGENCY WASHINGTON, DC 20460 OFFICE OF CHEMICAL SAFETY AND POLLUTION PREVENTION September 13, 2011 Ms. J. Evelyn Lawson Senior Regulatory Information Scientist The Clorox Company C/o PS&RC; P. O. Box 493 Pleasanton, CA 94566-0803 Subject: Notification Application per PR Notice 98-10 Clorox Bleach EPA Registration Number 5813-1 Application Date: August 22, 2011 EPA Receipt Date: August 23, 2011 Dear Ms. Lawson: This acknowledges receipt of the above notification application, submitted under the provision of PR Notice 98-10, FIFRA 3(c)9. Proposed Notifications: • Add an ingredient disclosure website on page 32; • Updated EPA Est. information including alternate language for Puerto Rico, and updated year. General Comments: Based on a review of the material submitted, the following comment applies: The notification application is acceptable. A copy of the accepted notification has been inserted in your file for future reference. Should you have any questions or comments concerning this letter, please contact Adam Heyward via email at heyward. adam(q),epa.gov or by telephone at (703) 347-0274 during the hours of 6:00 am to 2:30 pm EST. MbWsBS Harris^ Product Manager (32) Regulatory Management Branch II Antimicrobials Division (751 OP) a/Sf Plftte reid instruction* on nv»r*e b»for» coir I'm form. Form Aporov OMB No. 2070-O06O. Approval expire* 2-28-95 United States Registration OPP Identifier Number Environmental Protection Agency &EPA Amendment EL0359 Washington, OC 20460 Other Application for Pesticide - Section I 1. Company/Product Number 2. EPA Product Manager 3. Proposed Classification 5813-1 Monisha Harris None Restricted 4. -
Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Chlorine Vs. Chlorine Bleach: What’S the Difference?
Chlorine vs. Chlorine Bleach: What’s the Difference? By Bruce K. Bernard, PhD, and Stephen A. Hubbs, PE October 16, 2020 In a nutshell… The terms “chlorine” and “chlorine bleach” are not always used accurately in reporting emergency incidents in which elemental chlorine gas or liquid chlorine bleach escape their containers. These two substances have different chemical and physical properties and represent different potential risks to human health. This article explains the differences between the substances and highlights the importance of accurate reporting on chemical incidents. A recent emergency at a Baltimore water filtration plant highlights the importance of using accurate terms when reporting chemical incidents. According to a media report, on September 16, fire crews responded to a “chlorine leak” at the Lake Montebello Water Filtration Plant. The same article notes that residents living in the neighborhood of the filtration plant were asked to shelter in place as firefighters investigated a “chlorine spill” from the filtration plant. Fortunately, there were no injuries resulting from the incident, but the words chosen to describe the event were misleading. A chlorine “spill,” implies a liquid flowing from the facility; a chlorine “leak” is less specific regarding the state of matter (e.g., liquid or gas). In reality, chlorine gas had escaped into the air, requiring a response 1/3 gallon of 7.5% strength chlorine bleach significantly different than for a spill of chlorine bleach. (left) and 150 lb. cylinders of liquefied chlorine (right). Chlorine cylinder photo Chlorine Chemistry 101 courtesy of The Chlorine Institute. Chlorine is a naturally occurring chemical element that is extremely reactive (meaning it will react easily with other elements). -
Dissertation JIAN 2016 Final
The Impact of Global English in Xinjiang, China: Linguistic Capital and Identity Negotiation among the Ethnic Minority and Han Chinese Students Ge Jian A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2016 Reading Committee: Laada Bilaniuk, Chair Ann Anagnost, Chair Stevan Harrell Program Authorized to Offer Degree: Anthropology © Copyright 2016 Ge Jian University of Washington Abstract The Impact of Global English in Xinjiang, China: Linguistic Capital and Identity Negotiation among the Ethnic Minority and Han Chinese Students Ge Jian Chair of the Supervisory Committee: Professor Laada Bilaniuk Professor Ann Anagnost Department of Anthropology My dissertation is an ethnographic study of the language politics and practices of college- age English language learners in Xinjiang at the historical juncture of China’s capitalist development. In Xinjiang the international lingua franca English, the national official language Mandarin Chinese, and major Turkic languages such as Uyghur and Kazakh interact and compete for linguistic prestige in different social scenarios. The power relations between the Turkic languages, including the Uyghur language, and Mandarin Chinese is one in which minority languages are surrounded by a dominant state language supported through various institutions such as school and mass media. The much greater symbolic capital that the “legitimate language” Mandarin Chinese carries enables its native speakers to have easier access than the native Turkic speakers to jobs in the labor market. Therefore, many Uyghur parents face the dilemma of choosing between maintaining their cultural and linguistic identity and making their children more socioeconomically mobile. The entry of the global language English and the recent capitalist development in China has led to English education becoming market-oriented and commodified, which has further complicated the linguistic picture in Xinjiang. -
Musicexp1903 V6.Indd
ヤマハミュージックメディア 2019 新刊情報 MUSIC EXPRESS 3March 株式会社ヤマハミュージックエンタテインメントホールディングス出版部 URL https://www.ymm.co.jp オ フィシャル ピアノ 羽生結弦の軌跡 3月中旬 フ ォト & ピ アノ ス コ ア 発売予定 男子フィギュアスケート界を牽引し、人気・実力 ともにナンバーワンを誇る羽生 結弦 選手。 歴代のプログラム使用曲からセレクトしたピアノ 楽譜集です。厳選写真とともに、華やかなピア ノ演奏をお楽しみください。 羽生結弦選手の貴重な写真と共に、プログラム使用曲をピア ノアレンジでお届けする、オフィシャルピアノ曲集です。 少年時代から近年までの迫力ある演技写真の数々、大会記録 やプログラム曲目リストなど、フィギュアスケートと共に歩 んだ軌跡をたどります。 金メダル2連覇を果たし、日本中を感動の渦に巻き込んだ 2018年平昌でのプログラム使用曲「ショパン バラード第1 番」、「SEIMEI」や、エキシビションで使用されてきた「花にな れ」「花は咲く」「The Final Time Traveler」など、弾き応えの あるアレンジで収載しました。さらに、羽生選手が試合前な どに聴くことで心の支えにしていた曲「風 〜re-fl y ver.〜」も、 ピアノ演奏でお楽しみいただけます。 巻頭には、演技中の美しいシーンや、迫力ある表情など、秘 蔵写真を多数掲載。 羽生結弦選手の魅力をたっぷり詰め込んだ充実の1冊です。 [収載曲] サマー・ストーム(「四季“夏”」より)/パガニーニの主題による狂 詩曲/ツィゴイネルワイゼン/ホワイト・レジェンド(「白鳥の湖」よ り)/「悲愴」12のエチュード第12番/パリの散歩道/花になれ /Story/花は咲く/TheFinalTimeTraveler/バラード第1 ●予定定価[本体2,500円+税] ●注文番号GTP01096911 番/天と地のレクイエム/「陰陽師」より/「ViewofSilence〜 ●菊倍判112ページ予定 ●中〜中上級向き AsianDreamSong」メドレー/風〜re-flyver.〜全15曲予定 ●JANコード49-47817-281412 ●ISBNコード978-4-636-96911-5 羽生結弦の軌跡 フォト&ピアノスコア ──────────── p.1 文具 ───────────────────────────────── p.8 ピアノ ─────────────────────────────── p.2 ドラえもん おんがくのーと 1だん(シールつき) 他 ピアノソロ ペルソナ 3 & ペルソナ 4 ピアノ・セレクション 他 書籍 ───────────────────────────────── p.9 グレード ────────────────────────────── p.4 ピアノ演奏グレード Aコース10級 初見演奏問題集 他 ムック ─────────────────────────────── p.10 エレクトーン ─────────────────────────── p.4 オトナのためのピアノで弾きたい定番曲 2019 他 STAGEA アーチスト・シリーズ(グレード5~3級) Vol.35 雑 誌 ─────────────────────────────── p.12 東京スカパラダイスオーケストラ 他 月刊ピアノ 2019年4月号 ボーカル ────────────────────────────── p.5 月刊エレクトーン 2019年4月号 ピアノと歌う 世界の歌曲 -
RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital -
JASIAH BIO the Era of Soundcloud Rap Ushered in a Golden Age of Teenage DIY Artists Who Make Music on Their Terms. to Grow From
JASIAH BIO The era of SoundCloud rap ushered in a golden age of teenage DIY artists who make music on their terms. To grow from the depths of SoundCloud to the mainstream stage, Jasiah used the audio distribution platform to connect with his fans, promoting his music as much as possible. When his self-produced, self-written songs started gaining traction online, it was a stroke of luck that one of those fans was Ugly God. Jasiah remembers when Ugly God Posted his “HAHAHAHAHA” freestyle on Soundcloud. “He was like, ‘The first time I open my DMs to listen to one of y’all wack ass rappers, and its actually a banger,’” He says with a laugh. The reaction was enough reassurance that he was on the right track. Originally from Dayton, Ohio, Jasiah, 22, is unlike any rapper associated with the SoundCloud rap movement. He considers himself to be an artist who can transcend genres. This means he can excel in any category, whether its making screamo songs like “Case 19,” which features Tekashi 6ix9ine, or agro anthems like “Crisis” that contains a familiar Courage the Cowardly Dog sample. The record got him his first music video with hip-hop’s sought-after director Cole Bennett, who shared it on the influential Lyrical Lemonade YouTube page. With over eight million views thus far, it’s clear Jasiah’s music is making an impact. “When I first dropped it, I only had 800 followers on SoundCloud at the time. And it was going up. It had 48,000 plays,” he says. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Hybrid Identities of Buraku Outcastes in Japan
Educating Minds and Hearts to Change the World A publication of the University of San Francisco Center for the Volume IX ∙ Number 2 June ∙ 2010 Pacific Rim Copyright 2010 The Sea Otter Islands: Geopolitics and Environment in the East Asian Fur Trade >>..............................................................Richard Ravalli 27 Editors Joaquin Gonzalez John Nelson Shadows of Modernity: Hybrid Identities of Buraku Outcastes in Japan Editorial >>...............................................................Nicholas Mucks 36 Consultants Barbara K. Bundy East Timor and the Power of International Commitments in the American Hartmut Fischer Patrick L. Hatcher Decision Making Process >>.......................................................Christopher R. Cook 43 Editorial Board Uldis Kruze Man-lui Lau Syed Hussein Alatas: His Life and Critiques of the Malaysian New Economic Mark Mir Policy Noriko Nagata Stephen Roddy >>................................................................Choon-Yin Sam 55 Kyoko Suda Bruce Wydick Betel Nut Culture in Contemporary Taiwan >>..........................................................................Annie Liu 63 A Note from the Publisher >>..............................................Center for the Pacific Rim 69 Asia Pacific: Perspectives Asia Pacific: Perspectives is a peer-reviewed journal published at least once a year, usually in April/May. It Center for the Pacific Rim welcomes submissions from all fields of the social sciences and the humanities with relevance to the Asia Pacific 2130 Fulton St, LM280 region.* In keeping with the Jesuit traditions of the University of San Francisco, Asia Pacific: Perspectives com- San Francisco, CA mits itself to the highest standards of learning and scholarship. 94117-1080 Our task is to inform public opinion by a broad hospitality to divergent views and ideas that promote cross-cul- Tel: (415) 422-6357 Fax: (415) 422-5933 tural understanding, tolerance, and the dissemination of knowledge unreservedly.