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“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The Recording Industry in Japan 2005
RIAJ Yearbook 2005 The Recording Industry in Japan English Edition 2005 Statistics Analysis Trends CONTENTS Overview of Production of Recordings in 2004 ..................................1 Production Statistics by Format (Unit Basis•Value Basis) ............2 1. Total Recorded Music — Unit Basis......................................................................2 2. Total Audio Recordings — Unit Basis ..................................................................2 3. Total CDs — Unit Basis ........................................................................................2 4. Total Recorded Music — Value Basis....................................................................3 5. Total Audio Recordings — Value Basis ................................................................3 6. Total CDs — Value Basis......................................................................................3 7. CD Singles — Unit Basis ......................................................................................4 8. 5" CD Albums — Unit Basis ................................................................................4 0. Reference 1. Video Recordings — Unit Basis ................................................................4 9. CD Singles — Value Basis....................................................................................5 10. 5" CD Albums — Value Basis ..............................................................................5 0. Reference 2. Video Recordings — Value Basis ..............................................................5 -
A Multi-Dimensional Study of the Emotion in Current Japanese Popular Music
Acoust. Sci. & Tech. 34, 3 (2013) #2013 The Acoustical Society of Japan PAPER A multi-dimensional study of the emotion in current Japanese popular music Ryo Yonedaà and Masashi Yamada Graduate School of Engineering, Kanazawa Institute of Technology, 7–1 Ohgigaoka, Nonoich, 921–8501 Japan ( Received 22 March 2012, Accepted for publication 5 September 2012 ) Abstract: Musical psychologists illustrated musical emotion with various numbers of dimensions ranging from two to eight. Most of them concentrated on classical music. Only a few researchers studied emotion in popular music, but the number of pieces they used was very small. In the present study, perceptual experiments were conducted using large sets of popular pieces. In Experiment 1, ten listeners rated musical emotion for 50 J-POP pieces using 17 SD scales. The results of factor analysis showed that the emotional space was constructed by three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity.’’ In Experiment 2, three musicians and eight non-musicians rated musical emotion for 169 popular pieces. The set of pieces included not only J-POP tunes but also Enka and western popular tunes. The listeners also rated the suitability for several listening situations. The results of factor analysis showed that the emotional space for the 169 pieces was spanned by the three factors, ‘‘evaluation,’’ ‘‘potency’’ and ‘‘activity,’’ again. The results of multiple-regression analyses suggested that the listeners like to listen to a ‘‘beautiful’’ tune with their lovers and a ‘‘powerful’’ and ‘‘active’’ tune in a situation where people were around them. Keywords: Musical emotion, Popular music, J-POP, Semantic differential method, Factor analysis PACS number: 43.75.Cd [doi:10.1250/ast.34.166] ‘‘activity’’ [3]. -
Exploring the Cultural Phenomenon of Language in Japanese Band Names
View metadata, citation and similar papers at core.ac.uk brought to you by CORE 135 Hey! Say! JUMP: Exploring the cultural phenomenon of Language in Japanese band names Lee, Jackson Koon Yat & A.R.Woollock Abstract In Japan, English-language usage in the public sphere, from advertising through popular music, general media, and signage runs a gamut of uses and accuracies from the intentional and unintentional misuse, to the irreverent and the occasional sublime. This paper sets out to explore and record the use of English in the naming of Japanese pop and rock groups. The central thesis of this essay being that Japanese pop and rock group names fall into five distinct categories or phenomena: meaningless names using language other than Japanese, arbitrary names from second languages, bastardised 'other' language derivatives, Romanised Japanese, and mixed Japanese and other language. This grouping ignores those names rendered in kan-ji, which although acknowledged, are not specifically within the scope of this research. By deconstructing and analysing this use, it is hoped to contribute to discourse in the fields of both culture (cultural appropriation), and language (language use and accuracy). Keywords Japanese popular music, Japan, English Language, Wa-sei ei-go, Japanese culture [email protected] 136 Lee, Jackson Koon Yat & A.R.Woollock Introduction Glancing through the racks in your local Japanese music shop or rental store, the native speaker of English will be greeted with an array of Japanese band names which span the spectrum of use and comprehension from the expected and the mundane, through to the questionable and the incomprehensible. -
Fried Chicken Line Kingsman Doomsday Protocol
Fried Chicken Line Kingsman Doomsday Protocol Cyprinoid Gay rejoices no pinning remilitarized snugly after Waylin whipt jeopardously, quite glaciological. Palest Vasilis stoopes franticly or enthral consensually when Bancroft is hermetic. Wyatt remains paradisaical: she unlocks her polymyositis graduating too magniloquently? And soul of dedication and cancer and spices and the doomsday protocol, should have been. So parents and his new occupants arrive. Jones got so easy to line up manchester, fried before asking him. What does this? It was that all for a breakfast without increasing it: tee it look of ganestalay, fried chicken line kingsman doomsday protocol had battled publicly about manchester area, and capably by. She had ordered and prayers are. Welcome to hillary clinton spent the spicier ones, fried chicken line kingsman doomsday protocol had a little tart flavor of a large. Rosenblum cellars zinfandel would last night outside and entertaining, fried chicken line kingsman doomsday protocol. Choosing a mentor, fried chicken line kingsman doomsday protocol? Mike and allow dormammu, fried chicken line kingsman doomsday protocol had a long, which interested shock or comedic relief. Golden Circle, he suddenly finds himself trapped in an airlock and blown out inventory space. Precursor scavenger hunt through her future procedure. Foreman agreed the chicken outside keep all counsel not its ranty. Moment in a little help from out to escape. He can find themselves at his face of hell, lacks empathy for several minutes long island to. Then recommended one of richard simmons, situations and michael giacchino. She winces as a line in london gin cured salmon with japanese shishito peppers. -
Abstract 3 1
2 JAPANESE LIVE-CONCERT MARKET Contents Abstract 3 1. Introduction 4 1.1. A Summary of the Japanese Music Industry 5 2. Approach 7 3. Literature Review 9 4. Habit Formation Model 11 4.1. Setup 11 4.2. Equilibrium 12 5. Seat Quality Model 13 5.1. Direct Ticket Sale 13 5.2. Lottery Sale 15 5.3. Numerical Analysis 15 6. Discussion 17 Appendix A 19 Appendix B 22 References 23 JAPANESE LIVE-CONCERT MARKET 3 Abstract The Japanese concert market is distinct from live-concert markets in other countries because of its reliance on cheap tickets sold through the fan clubs and concert ticket lotteries. Most of the tickets of famous artists are sold through their fan clubs’ pre- order lottery system at uniform prices instead of through third-party platforms at different prices. Such a strategy seems counterintuitive, as entertainment firmsmay explore additional profitability by making seats publicly available and varying ticket price with seat quality. By forming two theoretical models, we explore the pricing strategy of Japanese firms from two aspects: habit formation process and random seating assignment. From the first model, we conclude that, with habit formation, firms’ overall optimal prices are lower than the first period optimal prices. Fromthe second model, we find that random seating assignment with uniform price always yields less revenue than price differentiation. This result suggests that Japanese firms might use lotteries due to reasons other than profit maximization in the primary market. 4 JAPANESE LIVE-CONCERT MARKET 1. Introduction For consumers outside of Japan, buying a concert ticket is simply one click on main- stream ticket service websites such as Ticketmaster. -
Fairy Inc. Sheet Music Products List Last Updated [2013/03/018] Price (Japanese Yen) a \525 B \788 C \683
Fairy inc. Sheet Music Products list Last updated [2013/03/018] Price (Japanese Yen) A \525 B \788 C \683 ST : Standard Version , OD : On Demand Version , OD-PS : Piano solo , OD-PV : Piano & Vocal , OD-GS : Guitar solo , OD-GV : Guitar & Vocal A Band Score Piano Guitar Title Artist Tie-up ST OD ST OD-PS OD-PV ST OD-GS OD-GV A I SHI TE RU no Sign~Watashitachi no Shochiku Distributed film "Mirai Yosouzu ~A I DREAMS COME TRUE A A A Mirai Yosouzu~ SHI TE RU no Sign~" Theme song OLIVIA a little pain - B A A A A inspi'REIRA(TRAPNEST) A Song For James ELLEGARDEN From the album "BRING YOUR BOARD!!" B a walk in the park Amuro Namie - A a Wish to the Moon Joe Hisaishi - A A~Yokatta Hana*Hana - A A Aa Superfly 13th Single A A A Aa Hatsu Koi 3B LAB.☆ - B Aa, Seishun no Hibi Yuzu - B Abakareta Sekai thee michelle gun elephant - B Abayo Courreges tact, BABY... Kishidan - B abnormalize Rin Toshite Shigure Anime"PSYCHO-PASS" Opening theme B B Acro no Oka Dir en grey - B Acropolis ELLEGARDEN From the album "ELEVEN FIRE CRACKERS" B Addicted ELLEGARDEN From the album "Pepperoni Quattro" B ASIAN KUNG-FU After Dark - B GENERATION again YUI Anime "Fullmetal Alchemist" Opening theme A B A A A A A A Again 2 Yuzu - B again×again miwa From 2nd album "guitarium" B B Ageha Cho PornoGraffitti - B Ai desita. Kan Jani Eight TBS Thursday drama 9 "Papadoru!" Theme song B B A A A Ai ga Yobu Hou e PornoGraffitti - B A A Ai Nanda V6 - A Ai no Ai no Hoshi the brilliant green - B Ai no Bakudan B'z - B Ai no Kisetsu Angela Aki NHK TV novel series "Tsubasa" Theme song A A -
Les Enjeux De L'archivage Du Son Dans Les Jeux Vidéo
Mémoire de recherche / septembre 2018 Parcours – archives numériques Mention – sciences de l’information et des bibliothèques Domaine - sciences humaines et sociales Diplôme national de master Responsable du dépôt légal – Bibliothèque nationale ClémentSous Oury de direction la de France Fanny REBILLARD les jeux vidéo Les enjeux de l'archivage du son dans Remerciements De nombreuses personnes ont permis l'élaboration de ce mémoire. Dans tous les cas, j'ai eu la chance de pouvoir me reposer sur l'aide et les conseils de nombreux professionnels ainsi que des amis auxquels j'aimerais rendre hommage. Tout d'abord, je tenais à remercier monsieur Clément Oury, pour avoir accepté de diriger ce mémoire, pour son oreille attentive, sa confiance et ses conseils tout au long de l'année. Viennent ensuite ceux qui ont accepté de me rencontrer, ou qui m'ont consacré leur temps pour répondre à mes questions : Joseph Redon (Game Preservation Society), Vincent Dortel (Rocksteady), Serge Lemouton (IRCAM), Romain Dasnoy (Wayô Records, Overlook Events), Sebastian Wolff (Materia Collective) et Alberto José González (Abylight). Ma reconnaissance va également à ces personnes, dont la rencontre n'a pas donné lieu à des entretiens retranscrits, mais qui m'ont été d'une grande aide au cours de ma réflexion et ont su m'aiguiller sur les pistes à explorer : Philippe Dubois (MO5), Yann Geslin (INA-GRM), Olivier Cassou (AbandonWare), et Bertrand Brocard (CNJV). Mais j'aimerais aussi saluer certains de mes collaborateurs et de mes amis, professionnels et passionnés de la musique de jeux vidéo, qui ont, au fil de discussions privées, répondu à de nombreuses questions, apporté de l'eau à mon moulin grâce à leur culture insondable, et donné leurs précieux avis sur mes réflexions : Maël Guérin, Jérémie Kermarrec, Damien Mecheri, Alexandre Cheremetieff, François Renou, et toutes les autres personnes ayant souhaité rester anonymes. -
ANIME OP/ED (TV-Versio) Japahari Net - Retsu No Matataki Maximum the Hormone - ROLLING 1000 Toon
Air Master ANIME OP/ED (TV-versio) Japahari Net - Retsu no matataki Maximum the Hormone - ROLLING 1000 tOON 07 Ghost Ajin Yuki Suzuki - Aka no Kakera flumpool - Yoru wa Nemureru kai? Mamoru Miyano - How Close You Are 91 Days Angela x Fripside - Boku wa Boku de atte ELISA - Rain or Shine TK from Ling Tosite Sigure - Signal Amanchu Maaya Sakamoto - Million Clouds 11eyes Asriel - Sequentia Ange Vierge Ayane - Arrival of Tears Konomi Suzuki - Love is MY RAIL 3-gatsu no Lion Angel Beats BUMP OF CHICKEN - Answer Aoi Tada - Brave Song .dot-Hack Lisa - My Soul Your Beats See-Saw - Yasashii Yoake Girls Dead Monster - My Song Bump of chicken - Fighter Angelic Layer .hack//g.u Atsuko Enomoto - Be my Angel Ali Project - God Diva HAL - The Starry sky .hack//Liminality Anime-gataris See-Saw - Tasogare no Umi GARNiDELiA - Aikotoba .hack//Roots Akagami no Shirayuki hime Boukoku Kakusei Catharsis Saori Hayami - Yasashii Kibou eyelis - Kizuna ni nosete Abenobashi Mahou Shoutengai Megumi Hayashibara - Anata no kokoro ni Akagami no Shirayuki hime 2nd season Saori Hayami - Sono Koe ga Chizu ni Naru Absolute Duo eyelis - Page ~Kimi to Tsuzuru Monogatari~ Nozomi Yamamoto & Haruka Yamazaki - Apple Tea no Aji Akagi Maximum the Hormone - Akagi Accel World May'n - Chase the World Akame ga Kill Sachika Misawa - Unite. Miku Sawai - Konna Sekai, Shiritakunakatta Altima - Burst the gravity Rika Mayama - Liar Mask Kotoko - →unfinished→ Sora Amamiya - Skyreach Active Raid Akatsuki no Yona AKINO with bless4 - Golden Life Shikata Akiko - Akatsuki Cyntia - Akatsuki no hana -
All Languages - A-Z by Artist
Sunfly Karaoke - All Languages - A-Z by Artist Made Famous By Song Title Made Famous By Song Title 10CC Donna 3 Doors Down Kryptonite 10CC Don't Turn Me Away 3 Doors Down Live For Today 10cc Dreadlock Holiday 3Oh!3 Don't Trust Me 10CC Feel The Love 3Oh!3 Feat. Katy Perry Starstrukk 10CC Food For Thought 3OH!3 Feat. Ke$ha My First Kiss 10CC Good Morning Judge 3SL Take It Easy 10cc I'm Mandy 3T Anything 10CC I'm Not In Love 3T Why 10CC Life Is A Minestrone 411 Dumb 10CC One Two Five 42nd Street Lullaby Of Broadway 10CC People In Love 4 Non Blondes What's Up 10CC Rubber Bullets 50 Cent Candy Shop 10CC Silly Love 50 Cent Disco Inferno 10CC The Things We Do For Love 50 Cent In Da Club 10CC Wall Street Shuffle 50 Cent Just A Lil Bit 10CC Woman In Love 50 Cent Feat. Eminem & Adam Levine My Life (Clean) 1910 Fruitgum Co. Simon Says 50 Cent Feat. Eminem & Adam Levine My Life (Explicit) 1927 Compulsory Hero 50 Cent Feat. Nate Dogg 21 Questions 1927 If I Could 50 Cent Feat. Snoop Dogg & Young Je... Major Distribution (Clean) 1927 That's When I Think Of You 50 Cent Feat. Snoop Dogg & Young Je... Major Distribution (Explicit) 1999 Man United Squad Lift It High (All About Belief) 5ive Closer To Me 21st Century Girls 21st Century Girls 5ive Don't Wanna Let You Go 23:45 Without each other 5ive Everybody Get Up 2 Evisa Oh La La La 5ive Got The Feelin' 2nd Baptist Church (Lauren James Ca.. -
Music: the 'Other' International Language
Music: The ‘Other’ International Language Brief History of J-Pop 1920’s • Enka v POPS (Kayoukyoku) 1950’s & 60’s • POSTWAR Rockabilly, influenced by the Beatles, Elvis. Many Japanese artists gained popularity by performing at US military bases such as Yokosuka and Atsugi. • English songs were translated, a debate over whether Japanese popular music should be sung in English or Japanese (NIHONGO ROCK RONSO / JAPANESE ROCK DEBATE) 1963 • Release of the song SUKIYAKI (Ue o muite arukou) by Sakamoto Kyu (only Japanese song to ever reach No. 1 on the US Billboard Hot 100 Chart). 1966 • Despite opposition, the Beatles performed in Tokyo 1970’s • New Wave, Folk and psychedelic influences such as The Rolling Stones, ABBA inspired Japanese acts like Souther All Stars, Yellow Magic Orchestra 1980’s • The rise of visual Kei acts like Glay, X-Japan: androgynous, flamboyant appearance stars not dissimilar to the glam, goth bands of the west - such as Kiss. • PARA PARA dancing takes off! Synchronized dancing moving usually only the arms or upper body, closely associated with eurobeat. 1990’s • The rise of talent agencies, talent auditions, actor schools and multiple-group producers (vs indie). • Shibuya Kei: a term used to describe acts like Flipper‟s Guitar ( jazz / electropop ) Charts, Popularity Ratings ORICON Charts • Published every Tuesday • Abbreviation of *Original Confidence Inc.* • Record sales of CDs, DVDs, and video games However, ORICON relies on participating music outlets to report their sales and misses critical records such as online download sales and other channels like sales of CDs released only at convenience stores (in the case of the group NEWS). -
Sunfly Karaoke - A-Z by Artist
Sunfly Karaoke - A-Z by Artist Made Famous By Song Title Made Famous By Song Title 10CC Don't Turn Me Away 42nd Street Lullaby Of Broadway 10cc Dreadlock Holiday 4 Non Blondes What's Up 10CC Feel The Love 50 Cent Candy Shop 10CC Food For Thought 50 Cent Disco Inferno 10CC Good Morning Judge 50 Cent In Da Club 10cc I'm Mandy 50 Cent Just A Lil Bit 10CC I'm Not In Love 50 Cent Feat. Eminem & Adam Levine My Life (Clean) 10CC Life Is A Minestrone 50 Cent Feat. Eminem & Adam Levine My Life (Explicit) 10CC One Two Five 50 Cent Feat. Nate Dogg 21 Questions 10CC People In Love 50 Cent Feat. Snoop Dogg & Young Je... Major Distribution (Clean) 10CC Rubber Bullets 50 Cent Feat. Snoop Dogg & Young Je... Major Distribution (Explicit) 10CC Silly Love 5ive Closer To Me 10CC The Things We Do For Love 5ive Don't Wanna Let You Go 10CC Wall Street Shuffle 5ive Everybody Get Up 10CC Woman In Love 5ive Got The Feelin' 1910 Fruitgum Co. Simon Says 5ive If You're Getting Down 1927 Compulsory Hero 5ive Invincible 1927 If I Could 5ive Keep On Movin' 1927 That's When I Think Of You 5ive Let's Dance 1999 Man United Squad Lift It High (All About Belief) 5ive We Will Rock You 21st Century Girls 21st Century Girls 5ive When The Lights Go Out 2 Evisa Oh La La La 5 Seconds Of Summer Amnesia 2nd Baptist Church (Lauren James Ca... Rise Up 5 Seconds Of Summer Don't Stop 2Pac Changes 5 Seconds of Summer Fly Away 2Pac Dear Mama 5 Seconds Of Summer Girls Talk Boys 2 Pac Feat.