Kengo Kuma Fecha: Mayo 26, 2021

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Discurso de apertura: Kengo Kuma Fecha: mayo 26, 2021

00:00:38 --> 00:00:41: I'd like to welcome those of you in person and 00:00:41 --> 00:00:44: online to the session with the inspiring Kengo Kuma. 00:00:44 --> 00:00:48: I'm honored to introduce such a globally renowned architect and 00:00:48 --> 00:00:48: author. 00:00:48 --> 00:00:52: One of the first things I learned was that Kuma 00:00:52 --> 00:00:56: Sun's fascination with architecture began at the age of 10, 00:00:56 --> 00:00:59: when his father took him to visit Tonga. 00:00:59 --> 00:01:03: Sods Yoyogi National gymnasium. As most of you know, 00:01:03 --> 00:01:07: this facility was constructed in 1964 for the Tokyo Summer 00:01:07 --> 00:01:08: Olympic Games. 00:01:08 --> 00:01:11: After deciding to become an architect, 00:01:11 --> 00:01:14: Comacine studied architecture at the University of Tokyo. 00:01:14 --> 00:01:20: And later studied at Columbia University as a visiting scholar. 00:01:20 --> 00:01:25: He opened up his own practice Kengo Kuma and associates 00:01:25 --> 00:01:26: in 1990. 00:01:26 --> 00:01:28: With offices in Paris and Tokyo, 00:01:28 --> 00:01:32: the firmest designed of her 300 architectural works in over 00:01:32 --> 00:01:33: 20 countries. 00:01:33 --> 00:01:38: From luxury hotels and exclusive retreat to student housing. 00:01:38 --> 00:01:42: Course I must also highlight Kuma sans design of the 00:01:42 --> 00:01:46: recently completed National stadium of Tokyo. 00:01:46 --> 00:01:49: Design in collaboration with Tyson Corporation and Azusa Sekkei, 00:01:49 --> 00:01:55: the stadium reflects natural surroundings as a living tree in 00:01:55 --> 00:01:57: the Meiji Jingu area. 00:01:57 --> 00:01:59: Assuming the Olympics moved forward, 00:01:59 --> 00:02:02: this facility will soon be used for the opening and 00:02:02 --> 00:02:03: closing ceremonies. 00:02:03 --> 00:02:06: A fitting tribute Takuma Sans childhood dream, 00:02:06 --> 00:02:10: today Coma Son has over 30 years of architectural practice 00:02:10 --> 00:02:13: and plays an active role in each project.

1 00:02:13 --> 00:02:17: Taken on by Kengo Kuma and Associates and in his 00:02:17 --> 00:02:22: spare time he also lectures at the University of Tokyo. 00:02:22 --> 00:02:25: It's fair to say that Kumma sons ideology is to 00:02:25 --> 00:02:29: bring architecture back to nature to design works, 00:02:29 --> 00:02:33: not its sculptural objects, but as a fluid spatial medium 00:02:33 --> 00:02:36: that connects us to our environment. 00:02:36 --> 00:02:41: He challenges the use of concrete and steel and emphasizes 00:02:41 --> 00:02:43: the use of wooden structures. 00:02:43 --> 00:02:48: He is passionate about keeping traditional craftsmanship alive and is 00:02:48 --> 00:02:52: a firm believer in using local produce and skills. 00:02:52 --> 00:02:55: This can be seen in the Japanese in the Japan 00:02:55 --> 00:02:56: National Stadium, 00:02:56 --> 00:02:59: where I understand that the structure used wood from Japan's 00:03:00 --> 00:03:04: 47 prefectures boosting those local economies and keeping wood craftsmanship 00:03:04 --> 00:03:06: at the very heart of the design. 00:03:06 --> 00:03:10: Kengo Kuma and Associates have won many awards for their 00:03:10 --> 00:03:10: work, 00:03:10 --> 00:03:13: including the Architectural Institute of Japan award, 00:03:13 --> 00:03:17: the Spirit of Nature Wood Architecture Award of Finland. 00:03:17 --> 00:03:22: And the international Stone Architecture Award of Italy. 00:03:22 --> 00:03:27: Earlier this year, Kengo Kuma and Associates broke ground on 00:03:27 --> 00:03:29: Milan in Milan on welcome. 00:03:29 --> 00:03:33: Welcome is a mixed juice project located in an abandoned 00:03:33 --> 00:03:37: industrial area that will become home to offices. 00:03:37 --> 00:03:43: Coworking spaces, auditoriums, restaurant shops and a Wellness area. 00:03:43 --> 00:03:47: This richly biophilic or love of nature development will offer 00:03:47 --> 00:03:49: zero carbon emission. 00:03:49 --> 00:03:56: Renewable energy sources Current consumption control and the salvaging of 00:03:56 --> 00:03:56: water. 00:03:56 --> 00:04:00: Each of these initiatives speaks Takuma Sans notion that the 00:04:00 --> 00:04:04: role of architects today is to talk about the system 00:04:04 --> 00:04:05: behind the design. 00:04:05 --> 00:04:08: The architect is not the simple designer. 00:04:08 --> 00:04:12: The architect is responsible for the whole social and ecosystem. 00:04:12 --> 00:04:17: This shift towards 0 carbon is no doubt important to 00:04:17 --> 00:04:19: all of us here today.

2 00:04:19 --> 00:04:23: If the past year has taught us anything, 00:04:23 --> 00:04:26: it is that as a society we can adapt and 00:04:26 --> 00:04:30: should continue to reduce our global carbon footprint. 00:04:30 --> 00:04:34: Ladies and gentlemen, please join me and welcome Kengo Kuma. 00:04:57 --> 00:04:59: As my name is Kendall Kumar, 00:04:59 --> 00:05:02: so now I'm talking for my ticket office. 00:05:02 --> 00:05:06: But today I want to as a speak about the 00:05:06 --> 00:05:10: design after copy it and this and also I want 00:05:10 --> 00:05:14: to show them any slides as explained as the showings 00:05:14 --> 00:05:19: as a salmon. Your idea as well after COVID. 00:05:19 --> 00:05:25: Uh, simply set as a as a history of homes. 00:05:25 --> 00:05:31: Appearance is a spacing, a bit cutting point. 00:05:31 --> 00:05:38: That is, before carpet the we were walking to the 00:05:38 --> 00:05:41: centralization, 00:05:41 --> 00:05:44: the. Zombie is a legit. 00:05:45 --> 00:05:48: Lee is our life was Billy Billy Simple and we 00:05:48 --> 00:05:53: are hunters and gatherers in the fullest and dance agricultural 00:05:53 --> 00:05:57: societies and answer industrialization, 00:05:57 --> 00:06:00: study it and and a step by step. 00:06:00 --> 00:06:05: But it's a but the direction is One Direction we 00:06:05 --> 00:06:08: are going to centralise lization there, 00:06:08 --> 00:06:13: but. There's a we now we are facing the big 00:06:14 --> 00:06:16: limit of this election. 00:06:16 --> 00:06:20: And that we are going to bigger and bigger and 00:06:20 --> 00:06:25: a tool and a taller and the enclosure her father 00:06:25 --> 00:06:26: enclosure. 00:06:26 --> 00:06:31: But the this directions as a cannot make us happy. 00:06:31 --> 00:06:35: And as a instead. So we should going back to 00:06:35 --> 00:06:41: nature and we are going back to the descentralizacion. 00:06:41 --> 00:06:45: And as I want to start from the example of 00:06:45 --> 00:06:47: this bizarre stadium, 00:06:47 --> 00:06:51: we are designed for the Tokyo Olympic. 00:06:54 --> 00:06:58: Uh, as uh before copied the actually we did, 00:06:58 --> 00:07:03: we started to design this building before kovit. 00:07:03 --> 00:07:05: So we started in 2015. 00:07:05 --> 00:07:10: There is a so we already felt so we should 00:07:10 --> 00:07:16: go back to nature by new architectural design and also 00:07:16 --> 00:07:18: new material. 00:07:18 --> 00:07:21: Zell idea for this stadium is. 00:07:21 --> 00:07:25: Deep symbolization. So we should open.

3 00:07:25 --> 00:07:30: Up the building to nature as possible as count. 00:07:30 --> 00:07:32: And also we should use. 00:07:32 --> 00:07:37: As a as a local natural material as possible as 00:07:37 --> 00:07:37: Cam. 00:07:37 --> 00:07:41: And then we tried to clean vegetation into the building 00:07:41 --> 00:07:43: as possible as can. 00:07:45 --> 00:07:50: The idea as a as a came from this building. 00:07:50 --> 00:07:54: This is a as a whole huge tempo as a 00:07:54 --> 00:07:57: built in 7th century, 00:07:57 --> 00:08:01: but still so it's it's surviving. 00:08:01 --> 00:08:07: Is why is surviving's such a long years 1400 years? 00:08:07 --> 00:08:13: So because as our carpenters they knew how to revise 00:08:13 --> 00:08:14: nature, 00:08:14 --> 00:08:19: how to use natural materials. 00:08:19 --> 00:08:23: And other than that, the date is served as a. 00:08:23 --> 00:08:27: Found a very unique section by building. 00:08:27 --> 00:08:33: Is a by using this section so people can could 00:08:33 --> 00:08:40: create the beautiful shadows and also protect wood from rain 00:08:40 --> 00:08:43: and strong natural light. 00:08:43 --> 00:08:47: And also people can. Angel is a beauty of those 00:08:48 --> 00:08:50: wooden soffit and other loves. 00:08:52 --> 00:08:56: I tried to bring this idea. 00:08:56 --> 00:09:00: To this, the stadium as a size wise is as 00:09:00 --> 00:09:02: a not seen as a bad. 00:09:02 --> 00:09:05: As a we could use same idea. 00:09:05 --> 00:09:10: The four layers of saw fit. 00:09:10 --> 00:09:12: And as a under the saw fit, 00:09:12 --> 00:09:17: so we tried to show the beauty of local wood. 00:09:17 --> 00:09:21: And also some gapel boot. 00:09:21 --> 00:09:26: As though it was as a A. 00:09:26 --> 00:09:31: Decided by computer. Uh, is a simulation. 00:09:31 --> 00:09:36: I was at the aim of this simulation was to 00:09:36 --> 00:09:41: bring natural wind as possible as kind to the building. 00:09:41 --> 00:09:46: As a GM of this building is. 00:09:46 --> 00:09:52: Avoid air conditioning. And avoid artificial environment. 00:09:57 --> 00:10:00: And as A and also so we try to open 00:10:00 --> 00:10:06: part of the building to public as possible as can. 00:10:06 --> 00:10:12: The disable is as a society meters above the ground 00:10:12 --> 00:10:13: level. 00:10:13 --> 00:10:17: So bad. There's a people can't enjoy the beauty of 00:10:17 --> 00:10:23: fullest alone along the building there's a walking and the 00:10:23 --> 00:10:28: the drinking and resting or sleeping as a whole possible

4 00:10:28 --> 00:10:34: in this space. So most of the sports facilities don't 00:10:34 --> 00:10:37: have this kind of public space, 00:10:37 --> 00:10:41: but two open public space to the community is very 00:10:41 --> 00:10:45: important and very necessary that I think. 00:10:47 --> 00:10:52: Those people can't open apps or suffered from this public 00:10:52 --> 00:10:54: as a walkway. 00:10:54 --> 00:10:56: At night time is it? 00:10:56 --> 00:10:59: Does it decay? Enjoy the beautiful city of Tokyo. 00:11:02 --> 00:11:06: So this is Arnett as it was as it was 00:11:06 --> 00:11:09: hinted from Fisherman's Net, 00:11:09 --> 00:11:14: but a new couple fiber material. 00:11:14 --> 00:11:18: And also force aloof. So we combined the steel flexure 00:11:18 --> 00:11:23: and within structure to make the waiter as light as 00:11:23 --> 00:11:23: possible. 00:11:23 --> 00:11:26: And, uh, so is it? 00:11:26 --> 00:11:30: Idea came from traditional Japanese building, 00:11:30 --> 00:11:35: but some as a technology wise so we blow out 00:11:36 --> 00:11:38: many new technology. 00:11:38 --> 00:11:42: For example the edge of bloof. 00:11:42 --> 00:11:47: So we did use new transparent photovoltaic panels. 00:11:47 --> 00:11:50: It looks like normal glass, 00:11:50 --> 00:11:55: but it's generates activity. As a as efficient as as 00:11:56 --> 00:11:59: a normal spot voltage panels. 00:12:01 --> 00:12:06: Is a filtering natural right? 00:12:06 --> 00:12:10: And also so we did designs or. 00:12:10 --> 00:12:15: Uh, multiple colors is seat as of what the audience? 00:12:23 --> 00:12:28: And this is one example that we designed in Japan, 00:12:28 --> 00:12:33: but the before COVID we also tried to blend that 00:12:33 --> 00:12:35: idea to other places. 00:12:35 --> 00:12:39: Uh, so we we have office in Paris. 00:12:39 --> 00:12:43: We are enjoying some things of project in France. 00:12:43 --> 00:12:48: And, uh, this is our first project in France, 00:12:48 --> 00:12:53: so Bezanson, City of arts and Culture completed 2013. 00:12:53 --> 00:12:56: As a location, it is my favorite location. 00:12:56 --> 00:13:01: Close to the river and the close of forest. 00:13:01 --> 00:13:08: And as, uh, we tried to combine combine nature and 00:13:08 --> 00:13:11: city by disability, 00:13:11 --> 00:13:16: the building is working as gate. 00:13:16 --> 00:13:18: And then maybe, you know, 00:13:18 --> 00:13:22: talegate in the Japanese shrines or so we got a 00:13:22 --> 00:13:25: hint from those Poly gate. 00:13:28 --> 00:13:29: And the material wise is a.

5 00:13:29 --> 00:13:32: We tried to use local material as possible as you 00:13:33 --> 00:13:33: can. 00:13:36 --> 00:13:41: And in France, as I often use large. 00:13:41 --> 00:13:44: And, uh, and this is important space, 00:13:44 --> 00:13:45: so we call this space, 00:13:45 --> 00:13:51: angle or space. So in gross space is there is 00:13:51 --> 00:13:55: a space between garden and interior? 00:13:55 --> 00:13:58: And as the angle is in between space but most 00:13:58 --> 00:14:01: important space in Japanese houses. 00:14:01 --> 00:14:07: And it is semi protected but semi covered but very 00:14:07 --> 00:14:08: comfortable. 00:14:08 --> 00:14:13: We can enjoy went we can enjoy natural light in 00:14:13 --> 00:14:15: this angle space. 00:14:15 --> 00:14:19: The Trump translating out to French is not easy, 00:14:19 --> 00:14:23: and then so we did use the word ingala to 00:14:23 --> 00:14:25: explain the project. 00:14:28 --> 00:14:31: And, uh, this is my favorite indoor space. 00:14:31 --> 00:14:37: And also we design the landscape adjacent to angle space 00:14:37 --> 00:14:41: is built to pencil Garza and we could bring the 00:14:41 --> 00:14:45: some bars and the fishies into the city. 00:14:45 --> 00:14:48: And this is a arch space, 00:14:48 --> 00:14:53: just space that is, a hint is coming from Polly 00:14:53 --> 00:14:55: Gate in Japanese shrine. 00:14:59 --> 00:15:02: Uh, this is a kind of magnet to bring people 00:15:02 --> 00:15:06: to nature and to combine nature and the city again. 00:15:09 --> 00:15:14: And the filter light. We fully Tacoma Libby. 00:15:14 --> 00:15:17: It's a community is as a as a conditional natural 00:15:17 --> 00:15:19: light in the forest. 00:15:25 --> 00:15:30: As in example Vance. As we designed this. 00:15:30 --> 00:15:36: A concert hall name is is coming from Darius Miosa 00:15:36 --> 00:15:42: famous composers in 20th century or France. 00:15:45 --> 00:15:48: Z as a hint of this building is coming from 00:15:48 --> 00:15:49: the mountains. 00:15:49 --> 00:15:53: Some Victoire Mountain Z as is as close to the 00:15:53 --> 00:15:55: example of us. 00:15:57 --> 00:16:00: And uh, for the city, 00:16:00 --> 00:16:04: the. Some victims, some Victoire Mountain, 00:16:04 --> 00:16:08: is very important. Is it and we tried to bring 00:16:08 --> 00:16:12: the geometry of the mountain to the building? 00:16:14 --> 00:16:19: And, uh, so famous French painter poor Suzanne. 00:16:19 --> 00:16:24: So he also grabbed zombie tward the and he tried 00:16:24 --> 00:16:29: to run the geometry of some Victoria and he.

6 00:16:29 --> 00:16:34: So he. His idea is. 00:16:34 --> 00:16:40: Combine nature and the art by using the mathematics of 00:16:40 --> 00:16:40: nature, 00:16:40 --> 00:16:46: so we also try to do the same thing again 00:16:46 --> 00:16:48: for the building. 00:16:54 --> 00:16:59: For interior there's a same mathematics as a some Big 00:16:59 --> 00:17:01: 12 mathematics, 00:17:01 --> 00:17:03: but the material is good. 00:17:06 --> 00:17:13: It was a symmetrical composition for the concert hall as 00:17:13 --> 00:17:14: the is good, 00:17:14 --> 00:17:21: very good for acoustic. And also is a kind of 00:17:21 --> 00:17:25: homage to that is meal, 00:17:25 --> 00:17:30: music, contemporary music. In mercy, 00:17:30 --> 00:17:34: so we did the design. 00:17:34 --> 00:17:40: This as a adcenter. And I tried to find them 00:17:40 --> 00:17:42: local material, 00:17:42 --> 00:17:46: so I as we walked in the factory area in 00:17:47 --> 00:17:51: mercy and I found that very interesting material. 00:17:51 --> 00:17:57: It's a recycled glass. And as a as a 20th 00:17:57 --> 00:17:58: century, 00:17:58 --> 00:18:03: the people was a could only use concrete and steel 00:18:03 --> 00:18:04: and glass. 00:18:04 --> 00:18:08: So three major materials, but. 00:18:08 --> 00:18:11: There's a those limited material. 00:18:11 --> 00:18:16: Made building very poor. And as a instead, 00:18:16 --> 00:18:20: I tried to open the material to every possibility and 00:18:20 --> 00:18:24: as I found this material in the small factory in 00:18:24 --> 00:18:25: Marseille. 00:18:28 --> 00:18:32: Elsa is again. As a people can enjoy the effect 00:18:32 --> 00:18:36: of natural light as a shadow and reflections. 00:18:41 --> 00:18:47: And as a semi outdoor space again as this is 00:18:47 --> 00:18:48: not as a museum, 00:18:48 --> 00:18:52: this is a complex of exhibit, 00:18:52 --> 00:18:56: exhibit space and apartment for the young artists and young 00:18:57 --> 00:19:02: artists are enjoying the police in this single towards space. 00:19:09 --> 00:19:15: The this is another as a complex in Paris. 00:19:15 --> 00:19:21: Underreport Megan Daniels is a is coming from the name 00:19:21 --> 00:19:24: of the The Ave in north of Paris. 00:19:24 --> 00:19:30: So what we did for this complex is bring the 00:19:30 --> 00:19:36: a natural material to the urban building. 00:19:36 --> 00:19:44: Also we tried to the combined past and the present. 00:19:44 --> 00:19:50: Buy as a. Mixings or two buildings?

7 00:19:50 --> 00:19:56: The past as is. There's a building is a completely 00:19:56 --> 00:19:58: it's 1970s. 00:19:58 --> 00:20:02: That we preserve the past and we add new building 00:20:02 --> 00:20:04: with the open roof. 00:20:11 --> 00:20:15: And then you can see the as a burden saw 00:20:16 --> 00:20:16: fit. 00:20:16 --> 00:20:19: And there's a. This is a natural material, 00:20:19 --> 00:20:23: so there's a blow. It was a warmness to the 00:20:23 --> 00:20:28: building is a building says basically impression of the building 00:20:28 --> 00:20:33: is very industrial but also the material for the roof 00:20:33 --> 00:20:36: is slightly changes impression that building. 00:20:47 --> 00:20:53: And, uh, in France in Paris we also designing our 00:20:53 --> 00:20:55: welcome museum. 00:20:55 --> 00:20:59: There's a horrible guy is a very interesting example of 00:21:00 --> 00:21:01: cultural exchange. 00:21:01 --> 00:21:05: And he is a. Actually, 00:21:05 --> 00:21:09: in 19th century he blows Japanese gardener to Paris and 00:21:09 --> 00:21:13: Japanese guarded are designed a beautiful Japanese gardens. 00:21:13 --> 00:21:16: And the Japanese girl dances. 00:21:16 --> 00:21:20: The uniqueness of the Japanese garden is anti geometrical approach. 00:21:20 --> 00:21:24: The French Gardens, Billy, Geometrical and straight lines. 00:21:24 --> 00:21:28: But Japanese gardener and so avoid straight trying. 00:21:28 --> 00:21:32: And as A and also materializes a Japanese capital did 00:21:32 --> 00:21:34: use local materials. 00:21:36 --> 00:21:40: This is the entrance of the Alberta Museum. 00:21:40 --> 00:21:45: This is this is a picture of construction site. 00:21:45 --> 00:21:48: This isn't as a construction site. 00:21:48 --> 00:21:52: And we did users of the local wood for the 00:21:52 --> 00:21:52: facade. 00:21:52 --> 00:21:55: And the create shadow and create rhythm. 00:22:00 --> 00:22:03: And even for big station, 00:22:03 --> 00:22:09: as we as a try to blame nature as possible 00:22:09 --> 00:22:10: as Cam. 00:22:10 --> 00:22:14: This is a sound on your players station and also 00:22:14 --> 00:22:14: Paris. 00:22:14 --> 00:22:21: Uh, it is under construction and it is a a 00:22:21 --> 00:22:23: new station. 00:22:23 --> 00:22:29: But as a. As a material wise it is is 00:22:29 --> 00:22:33: very different from the. 00:22:33 --> 00:22:39: The current stations. As we did use of wood for 00:22:39 --> 00:22:40: interior.

8 00:22:40 --> 00:22:44: And, uh, maybe as it is very unexceptional. 00:22:48 --> 00:22:54: In the station design. Hello also so we as a 00:22:54 --> 00:22:55: plant. 00:22:55 --> 00:22:59: Roof of the station, and as it is a station 00:22:59 --> 00:23:00: building, 00:23:00 --> 00:23:03: but it is will work as a park in the 00:23:04 --> 00:23:04: city. 00:23:08 --> 00:23:12: And, uh, it is another project in Paris. 00:23:15 --> 00:23:19: Acer tower, but we tried to change the material from 00:23:19 --> 00:23:21: steel aluminum to wood. 00:23:34 --> 00:23:38: And any as UK is a recently completed as a 00:23:39 --> 00:23:44: DIS museum Victoria and Albert Museum in Dundee. 00:23:44 --> 00:23:47: So location wise is as a as a. 00:23:47 --> 00:23:52: This is my favorite. Condition is sitting between. 00:23:52 --> 00:23:57: The water and land. There's a B4, 00:23:57 --> 00:24:01: so we designed this museum that this is a kind 00:24:01 --> 00:24:01: of. 00:24:04 --> 00:24:12: Uh. Abandoned earlier. And as a. 00:24:12 --> 00:24:16: There's a people who could not enjoy river in the 00:24:17 --> 00:24:17: city. 00:24:17 --> 00:24:23: It is often happen as a ethnicities in 20th century. 00:24:23 --> 00:24:29: As a sum, industrial buildings is a separate and destroy 00:24:29 --> 00:24:34: the relationship between nature and city. 00:24:34 --> 00:24:39: And as a new idea for this museum is museum 00:24:39 --> 00:24:42: is is is a is working as. 00:24:42 --> 00:24:46: A kind of sea Cliff is a witch. 00:24:46 --> 00:24:51: A create harmony between nature and round. 00:24:51 --> 00:24:54: This is my first sketch for the building. 00:24:54 --> 00:24:57: So this is a plan site plan. 00:24:57 --> 00:25:01: And we push the building into river. 00:25:01 --> 00:25:04: And the and the so. 00:25:04 --> 00:25:06: There's a big challenge because we, 00:25:06 --> 00:25:11: as a pleasure of water and the wind is very 00:25:11 --> 00:25:13: strong in the in this. 00:25:13 --> 00:25:20: Location. Uh, so we found there's a dissolution. 00:25:20 --> 00:25:22: Do the Seacliff zoupas odd. 00:25:32 --> 00:25:34: As a as a again, 00:25:34 --> 00:25:36: there's a hole in the building. 00:25:36 --> 00:25:41: Is working as a pulley gate in the shrine. 00:25:41 --> 00:25:44: It's the same as Byzantium building. 00:25:44 --> 00:25:47: It has a eve as we, 00:25:47 --> 00:25:52: as a uh, didn't cut the building to bleed hole,

9 00:25:52 --> 00:25:56: so building is diffusing the movement. 00:25:56 --> 00:26:00: But these kind of hole as I can work as 00:26:00 --> 00:26:03: a magnet to bring people to waterfront. 00:26:13 --> 00:26:18: And the geometry wise is a instead of straight wall. 00:26:18 --> 00:26:24: So we as a blow to the spiral movement to 00:26:24 --> 00:26:25: the building. 00:26:28 --> 00:26:31: And those, those are some randomness, 00:26:31 --> 00:26:36: just some way being is is is was brought to 00:26:36 --> 00:26:40: the geometry of the building. 00:26:40 --> 00:26:43: And also for interior. As well, 00:26:43 --> 00:26:48: we did use wood. It's a interiors. 00:26:48 --> 00:26:54: One simple space. They're very warm and very comfortable. 00:26:54 --> 00:26:59: This is idea for the interior space. 00:26:59 --> 00:27:02: As a result, when, as we explained, 00:27:02 --> 00:27:05: the building to this citizen, 00:27:05 --> 00:27:08: we did use this word. 00:27:08 --> 00:27:11: A living room for the city. 00:27:11 --> 00:27:15: And there's a people really like this as a as 00:27:16 --> 00:27:17: a catch phrase, 00:27:17 --> 00:27:22: and the museum creator. This use this word for the 00:27:22 --> 00:27:27: theme of the museum in the museum catalog and museum. 00:27:27 --> 00:27:30: Top back. They did use this sword. 00:27:38 --> 00:27:42: And in in Denmark as we are designing this small 00:27:42 --> 00:27:43: museum. 00:27:43 --> 00:27:47: But it's very important for the city. 00:27:47 --> 00:27:51: As a city ordinance, as a was passed down of 00:27:52 --> 00:27:52: ask, 00:27:52 --> 00:27:58: Russia understands the hands. Christians understand this is a fairy 00:27:58 --> 00:27:59: tale. 00:27:59 --> 00:28:02: It's also very, very popular in Japan. 00:28:02 --> 00:28:05: When I was boy, there's a. 00:28:08 --> 00:28:11: Enjoy this hopefully tale of him. 00:28:11 --> 00:28:15: And the I. Uh, it's like, 00:28:15 --> 00:28:20: uh translate, so my memory to this building. 00:28:20 --> 00:28:24: This is is a building but at the same time 00:28:24 --> 00:28:25: this is a garden. 00:28:28 --> 00:28:32: And the cities silhouette of the building in audience A 00:28:32 --> 00:28:35: is basically below and also be pushed the height of 00:28:36 --> 00:28:38: the building as low as possible. 00:28:38 --> 00:28:42: It is merging, melting to the city. 00:28:42 --> 00:28:46: And it is a series of small gardens.

10 00:28:46 --> 00:28:52: And they each gardens is is a. 00:28:52 --> 00:28:59: Matching too. Each fairy tale opens Christian Andersen and the 00:28:59 --> 00:29:02: kids can enjoy the garden. 00:29:02 --> 00:29:06: I think this is it is important for the museum. 00:29:06 --> 00:29:11: And the key is really rubbed to the plains of 00:29:11 --> 00:29:12: garden. 00:29:12 --> 00:29:16: The play in the building is not enjoyable for them. 00:29:16 --> 00:29:20: And those who was a material wise. 00:29:20 --> 00:29:22: They love soft, warm material. 00:29:24 --> 00:29:27: Is a hard heavy concrete and steel, 00:29:27 --> 00:29:30: so there are material for. 00:29:30 --> 00:29:36: As a. Society is not for kids as a natural 00:29:36 --> 00:29:40: soft material as much better. 00:29:45 --> 00:29:50: And the city and the museum are totally emerging and 00:29:50 --> 00:29:55: we don't want to have high wall between symposium and 00:29:56 --> 00:29:56: the city. 00:29:59 --> 00:30:03: And as in the central Copenhagen, 00:30:03 --> 00:30:09: Denmark, we are designing this Sports Complex. 00:30:09 --> 00:30:14: It's a Sports Complex. Normally is a very industrial building. 00:30:14 --> 00:30:17: It's very heavy ability, but instead. 00:30:17 --> 00:30:20: So we want to design. 00:30:20 --> 00:30:25: There's a topography like building in the city centre. 00:30:28 --> 00:30:32: As, uh, this is it is Sports Center. 00:30:32 --> 00:30:37: Then the people are swimming as a pimple in the 00:30:37 --> 00:30:38: building, 00:30:38 --> 00:30:44: but the experience of the swimming is not like normal 00:30:44 --> 00:30:45: Sports Center. 00:30:45 --> 00:30:53: Uh, sometimes other people will feel like swimming in the 00:30:53 --> 00:30:56: natural valley and swimming. 00:30:56 --> 00:30:59: Ends at the as a cave and that kind of 00:30:59 --> 00:31:01: experience we try to create. 00:31:05 --> 00:31:10: And we believe even is a big city is a 00:31:10 --> 00:31:11: weekend. 00:31:11 --> 00:31:16: There's a blink back in nature again. 00:31:16 --> 00:31:21: Is after COVID so people want to have this kind 00:31:21 --> 00:31:24: of natural experience in the city. 00:31:24 --> 00:31:28: In state, so as we did designs, 00:31:28 --> 00:31:33: the Japanese Garden Museum. As a as a many hint 00:31:33 --> 00:31:37: from Japanese traditional building. 00:31:37 --> 00:31:44: Is a. Uh, so comfortable as a 20th century building. 00:31:44 --> 00:31:51: Is a, uh? Don't want to have this kind of

11 00:31:51 --> 00:31:52: loop, 00:31:52 --> 00:31:55: but the roof is very, 00:31:55 --> 00:32:00: very helpful to combine nature and artifact. 00:32:00 --> 00:32:05: And those sorts of things aloof is planted like this. 00:32:05 --> 00:32:10: And as Windows is totally opened in the in the 00:32:10 --> 00:32:13: in the good weather. 00:32:13 --> 00:32:15: Uh, so tatami mat, as is, 00:32:15 --> 00:32:19: will be used for the ceremony. 00:32:19 --> 00:32:22: And as a local good for interior. 00:32:29 --> 00:32:34: Uh, in Australia? As a as a, 00:32:34 --> 00:32:38: we've asked to design software building because. 00:32:38 --> 00:32:42: So, so the idea of many highlights is going to 00:32:42 --> 00:32:43: millions. 00:32:43 --> 00:32:46: As I said, handled as a boom city. 00:32:46 --> 00:32:50: But it's a list dense in the tool as a 00:32:51 --> 00:32:52: building. 00:32:52 --> 00:32:59: Want to say? Leave this soft material natural material. 00:32:59 --> 00:33:03: And the City of Sydney the and as the developers 00:33:03 --> 00:33:07: asked me to design this sort of building as software 00:33:07 --> 00:33:08: as possible, 00:33:08 --> 00:33:12: and then we did use wood and bent it to 00:33:12 --> 00:33:14: clear curvature. 00:33:14 --> 00:33:18: These are real good. And the function lives. 00:33:18 --> 00:33:24: As a citizens want to have the KINDERGUARDIANS and the 00:33:24 --> 00:33:28: small food carts and small library at this. 00:33:28 --> 00:33:33: A mix of those functions required by the citizens. 00:33:38 --> 00:33:42: And the tale of the building is extended to the 00:33:42 --> 00:33:45: park and the park and building a totally integrated. 00:33:55 --> 00:33:58: And as in Japan's also we are designing station. 00:33:58 --> 00:34:02: Bad is the material wise it is. 00:34:02 --> 00:34:06: Who doesn't station? Is, uh, 00:34:06 --> 00:34:11: when I was kid the some of the small stations 00:34:11 --> 00:34:14: were still made by wood. 00:34:14 --> 00:34:17: As a memory of those molding stations, 00:34:17 --> 00:34:21: it was still as a as a. 00:34:21 --> 00:34:24: Billy as a warm and unforgettable, 00:34:24 --> 00:34:27: so I want to bring back those material in the 00:34:27 --> 00:34:30: contemporary big station. 00:34:39 --> 00:34:43: And as the effect of the membrane and wooden frame 00:34:43 --> 00:34:48: looks like shows your screen in the Japanese traditional houses. 00:34:55 --> 00:35:00: And that today is. It already shows as a no,

12 00:35:00 --> 00:35:05: so to many buildings. Butsu those buildings as I want 00:35:05 --> 00:35:10: to give some hints for the future building after COVID. 00:35:10 --> 00:35:14: As a COVID. Is A is will be the turning 00:35:15 --> 00:35:17: point of the history. 00:35:17 --> 00:35:19: So before COVID the centralization, 00:35:19 --> 00:35:24: the pushing the US to the bigger building and taller, 00:35:24 --> 00:35:32: building the dense building. But instead we are trying to 00:35:32 --> 00:35:35: go back to nature as a. 00:35:35 --> 00:35:41: As possible as camp. And the the actives on the 00:35:41 --> 00:35:48: album planners so should change their minds is a mindset. 00:35:48 --> 00:35:54: We was a should. Change ourselves and this is a 00:35:54 --> 00:35:57: message from for me. 00:35:57 --> 00:35:59: Thank you very much.

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