Old English Minor Heroic Poems Third Edition
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Widsith, Beowulf, Finnsburgh, Waldere, Deor. Done Into Common
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Anglo-Saxon Literary Landscapes Literary Anglo-Saxon
ENVIRONMENTAL HUMANITIES IN PRE-MODERN CULTURES Estes Anglo-Saxon Literary Landscapes Heide Estes Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Anglo-Saxon Literary Landscapes Environmental Humanities in Pre‑modern Cultures This series in environmental humanities offers approaches to medieval, early modern, and global pre-industrial cultures from interdisciplinary environmental perspectives. We invite submissions (both monographs and edited collections) in the fields of ecocriticism, specifically ecofeminism and new ecocritical analyses of under-represented literatures; queer ecologies; posthumanism; waste studies; environmental history; environmental archaeology; animal studies and zooarchaeology; landscape studies; ‘blue humanities’, and studies of environmental/natural disasters and change and their effects on pre-modern cultures. Series Editor Heide Estes, University of Cambridge and Monmouth University Editorial Board Steven Mentz, St. John’s University Gillian Overing, Wake Forest University Philip Slavin, University of Kent Anglo-Saxon Literary Landscapes Ecotheory and the Environmental Imagination Heide Estes Amsterdam University Press Cover illustration: © Douglas Morse Cover design: Coördesign, Leiden Layout: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 90 8964 944 7 e-isbn 978 90 4852 838 7 doi 10.5117/9789089649447 nur 617 | 684 | 940 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) The author / Amsterdam University Press B.V., Amsterdam 2017 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). -
Durham, 1977. Annual Report
•« Archives :.-. -Sfti 352.07 D96 1977 PORT 352.07 D96 1977 REPORT s I iversitt^ of hire ArcWiV'" 352.0T m Table of Contents Page No. TOWN ORGANIZATION Officers and Committees 1 Comparative Tax Rate 2k Tax Rate 24 Durham Data 57 Property Owned by the Town 57 Town Meeting Minutes, 1977 88 INSERT 1978 Town Meeting Warrant 1978 Budget Water Operating Budget - 197^ Sewer Maintenance - 1978 Property Valuation REPORTS Accountant's Opinion 11 Administrative Assistant to the Board of Selectmen 8 Acknowledgment 96 Audit Summary 10 Budget Committee Ik Building Inspector 78 Civil Defense 63 Conservation Commission 75 Durham Ambulance Coros 28 Durham District Court 50 Durham Public Library 84 Fire Commissioners 31 Health Officer 48 Historic District Commission 74 In Appreciation 7 Incinerator 62 Newmarket Health Center 83 Oyster River Home Health Association 80 Parks and Recreation Committee 76 Planning Board 77 Police Department 38 Probation Officer 52 Public Works Advisory Committee 6I Public Works Department 59 Report of Trust Funds 72 Revenue Sharing Report 27 Selectmen's Report 5 Sewer Policy Committee 66 1964 Sewer Construction Bond Issue 67 1968 College Brook Interceptor Renewal Project 68 1971 Grease Handling Facilities Project 69 Statement of Bonded Debt 12 Strafford Regional Planning Commission 79 Swans 86 Page Tax Collector Town Clerk Town Treasurer Tree Warden Trustees of Trust Funds Vital Statistics Wastewater Treatment Facilities Water Department 1975 Water Tower Construction Bond Issue Welfare t Town Officers and Committees Expiration of Term ADMINISTRATIVE ASSISTANT TO SELECTMEN Alan H. Edmond BUDGET COMMITTEE (4 Years) ELECTED MARCH O.B. Durgin, rep. Selectmen William S. -
Postcolonial Anglo-Saxon in John Haynes's Letter to Patience
‘No word for it’: Postcolonial Anglo-Saxon in John Haynes’s Letter to Patience CHRISTOPHER JONES University of St Andrews This article examines a number of allusions to Old English, especially to the poem The Wanderer, in John Haynes’s award- winning poem Letter to Patience (2006). A broad historical contextualisation of the use of Anglo-Saxon in modern poetry is offered first, against which Haynes’s specific poetic Anglo- Saxonism is then analysed in detail. Consideration is given to the sources – editions and translations – that Haynes used, and a sustained close reading of sections of his poem is offered in the light of this source study. The representation of English as an instrument of imperialism is discussed and juxtaposed with the use and status of early English to offer a long historical view of the politics of the vernacular. It is argued that Haynes’s poem, set partly in Nigeria, represents a new departure in the use it finds for Old English poetry, in effect constituting a kind of ‘postcolonial Anglo-Saxonism’. ohn Haynes’s book-length poem of 2006, his Letter to Patience, is J noteworthy for its use of Anglo-Saxon (also known as Old English) and its allusions to literary works in that language.1 In part, therefore, Letter to Patience constitutes an example of Anglo-Saxonism, a phenomenon which can be defined as the post-Anglo-Saxon appropriation and deployment of Anglo-Saxon language, literature, or culture, an appropriation which is often difficult to separate from the simultaneous reception and construction of ideas about actual Anglo- 1 John Haynes, Letter to Patience (Bridgend, 2006). -
Richard Wilbur's 'Junk'
15 Recycling Anglo-Saxon Poetry: Richard Wilbur’s ‘Junk’ and a Self Study Chris Jones University of St Andrews Ever since scraps, both literal and metaphorical, of Anglo-Saxon (also called Old English) verse began to be recovered and edited in more systematic fashion, modern poets have tried to imagine and recreate its sounds in their own work.1 Often the manuscript materials in which Anglo-Saxon poetry survives show signs of having been uncared for and even mistreated; the tenth-century Exeter Book of poetry, for example, which preserves many of the texts now taught in universities as canonical, is scarred with the stains of having had some kind of vessel laid on it, as if it were a drinks mat, with knife-scores, as if it were a chopping board, and with singe marks, as if some red-hot object was temporarily rested on its back (Muir 2000: II, 2). Such treatment is scarce wonder, given that changes in both language and handwriting must have made such manuscripts unintelligible to all but a few until the studies of sixteenth- and seventeenth-century antiquarians began to render them legible again. But it is salutary to remember that fragments of the past which we hold valuable now have often been the junk of intervening ages, waste materials for which only some alternative function might save them from disposal. Recycled, however, fresh uses may be found for Anglo-Saxon poetry, uses that generate for it new currency, in addition to whatever independent value its stock possesses. This essay sets out to examine some of the generative possibilities of recycling Anglo-Saxon poetry, both from a critic’s perspective and a practitioner’s. -
Of St Cuthbert'
A Literary Pilgrimage of Durham by Ruth Robson of St Cuthbert' 1. Market Place Welcome to A Literary Pilgrimage of Durham, part of Durham Book Festival, produced by New Writing North, the regional writing development agency for the North of England. Durham Book Festival was established in the 1980s and is one of the country’s first literary festivals. The County and City of Durham have been much written about, being the birthplace, residence, and inspiration for many writers of both fact, fiction, and poetry. Before we delve into stories of scribes, poets, academia, prize-winning authors, political discourse, and folklore passed down through generations, we need to know why the city is here. Durham is a place steeped in history, with evidence of a pre-Roman settlement on the edge of the city at Maiden Castle. Its origins as we know it today start with the arrival of the community of St Cuthbert in the year 995 and the building of the white church at the top of the hill in the centre of the city. This Anglo-Saxon structure was a precursor to today’s cathedral, built by the Normans after the 1066 invasion. It houses both the shrine of St Cuthbert and the tomb of the Venerable Bede, and forms the Durham UNESCO World Heritage Site along with Durham Castle and other buildings, and their setting. The early civic history of Durham is tied to the role of its Bishops, known as the Prince Bishops. The Bishopric of Durham held unique powers in England, as this quote from the steward of Anthony Bek, Bishop of Durham from 1284-1311, illustrates: ‘There are two kings in England, namely the Lord King of England, wearing a crown in sign of his regality and the Lord Bishop of Durham wearing a mitre in place of a crown, in sign of his regality in the diocese of Durham.’ The area from the River Tees south of Durham to the River Tweed, which for the most part forms the border between England and Scotland, was semi-independent of England for centuries, ruled in part by the Bishop of Durham and in part by the Earl of Northumberland. -
Anglo-Saxon Magic
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/107198 Please be advised that this information was generated on 2021-10-09 and may be subject to change. ANGLO-SAXON MAGIC DOOR G. STORMS 'i-GRAVENHAGE MARTINUS NIJHOFF 1948 ANGLO-SAXON MAGIC Promotori Dr. A. POMPEN Ο J.M. CENTRALE DRUKKERIJ N.V. - NIJMEGEN ANGLO-SAXON MAGIC ACADEMISCH PROEFSCHRIFT TER VERKRIJGING VAN DE GRAAD VAN DOCTOR IN DE LETTEREN EN WIJSBEGEERTE AAN DE R.K. UNIVERSITEIT TE NIJMEGEN, OP GEZAG VAN DE RECTOR MAG NIFICUS Mgr. Dr. R. R. POST, HOOGLERAAR IN DE FACULTEIT DER GODGELEERDHEID, VOLGENS BESLUIT VAN DE SENAAT IN HET OPENBAAR TE VERDEDIGEN OP VRIJDAG 4 JUNI 1948 DES NAMIDDAGS 3 UUR DOOR GODFRID STORMS GEBOREN TE SITTARD MARTINUS NIJHOFF - s-GRAVENHAGE 1948 Voor mijn Vader en mijn Vrouw TABLE OF CONTENTS PART I. CHAPTER I. Introduction 1-11. Characteristics of magic 1. Tendency to pre serve secrecy 2. Examples from O.Icel. literature 2-5. The A-S. charms reveal much more 5. The magic means consist of verbal formulas and of practices 6. Close connection between original Α-S. magic and pre-Christian religious conceptions, especially the worship of the sun 6-10, the moon 10, and the earth 11. CHAPTER II The Manuscripts 12-26. § 1. The Leechbook 12-16. § 2. The Lac nunga 16-24. Parallel passages 18-23. Anglian origin of both books 23. The Lacnunga is a very mixed collection 24. -
Intertextuality of Deor
Vol. 4(8), pp. 132-138, October, 2013 DOI: 10.5897/JLC11.080 Journal of Languages and Culture ISSN 2141-6540 © 2013 Academic Journals http://www.academicjournals.org/JLC Review Intertextuality of Deor Raimondo Murgia Tallinn University, Narva mnt 25, 10120 Tallinn, Estonia. Accepted 22 November, 2012 The Deor is a poem found in the Exeter Book and included in the Old English elegies. The main purpose of this contribution is to highlight the possible intertextual links of the poem. After an outline of the old English elegies and a brief review of the most significant passages from the elegies, this short poem will be analyzed stanza by stanza. An attempt will be made to demonstrate that the various interpretations of the text depend on particular keywords that require that the readers to share the same time and space coordinates as the author. The personal names are the most important clues for interpretation. The problem is that they have been emended differently according to the editors and that the reader is supposed to know the referent hinted by those particular names. Key words: Old English elegies, Exeter Book, Deor, intertextuality. INTRODUCTION OF THE OLD ENGLISH ELEGIES It must be underlined that the term „elegy‟ applying to old definition of Old English elegy is Greenfield‟s (1965): “a English (hereafter OE) poetry could be misleading since relatively short reflective or dramatic poem embodying a one would expect the meter of such poetry to be the contrastive pattern of loss and consolation, ostensibly same as the Greek and Latin Elegies, in which their based upon a specific personal experience or observa- elegiac distich (Pinotti, 2002) points out that in the fourth tion, and expressing an attitude towards that experience”. -
13 Reflections on Tolkien's Use of Beowulf
13 Reflections on Tolkien’s Use of Beowulf Arne Zettersten University of Copenhagen Beowulf, the famous Anglo-Saxon heroic poem, and The Lord of the Rings by J.R.R. Tolkien, “The Author of the Century”, 1 have been thor- oughly analysed and compared by a variety of scholars.2 It seems most appropriate to discuss similar aspects of The Lord of the Rings in a Festschrift presented to Nils-Lennart Johannesson with a view to his own commentaries on the language of Tolkien’s fiction. The immediate pur- pose of this article is not to present a problem-solving essay but instead to explain how close I was to Tolkien’s own research and his activities in Oxford during the last thirteen years of his life. As the article unfolds, we realise more and more that Beowulf meant a great deal to Tolkien, cul- minating in Christopher Tolkien’s unexpected edition of the translation of Beowulf, completed by J.R.R. Tolkien as early as 1926. Beowulf has always been respected in its position as the oldest Germanic heroic poem.3 I myself accept the conclusion that the poem came into existence around 720–730 A.D. in spite of the fact that there is still considerable debate over the dating. The only preserved copy (British Library MS. Cotton Vitellius A.15) was most probably com- pleted at the beginning of the eleventh century. 1 See Shippey, J.R.R. Tolkien: Author of the Century, 2000. 2 See Shippey, T.A., The Road to Middle-earth, 1982, Pearce, Joseph, Tolkien. -
The Significant Other: a Literary History of Elves
1616796596 The Significant Other: a Literary History of Elves By Jenni Bergman Thesis submitted for the degree of Doctor of Philosophy Cardiff School of English, Communication and Philosophy Cardiff University 2011 UMI Number: U516593 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U516593 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION This work has not previously been accepted in substance for any degree and is not concurrently submitted on candidature for any degree. Signed .(candidate) Date. STATEMENT 1 This thesis is being submitted in partial fulfilment of the requirements for the degree of PhD. (candidate) Date. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by explicit references. Signed. (candidate) Date. 3/A W/ STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date. STATEMENT 4 - BAR ON ACCESS APPROVED I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan after expiry of a bar on accessapproved bv the Graduate Development Committee. -
Beowulf As Epic
Oral Tradition, 15/1 (2000): 159-169 Beowulf as Epic Joseph Harris Cambridge, Massachusetts, has been home to two translators of the Kalevala in the twentieth century, and both furnished materials, however brief, for an understanding of how they might have compared the Finnish epic to the Anglo-Saxon Beowulf. (The present brief Canterbridgean contribution to the generic characterization of Beowulf, taking a hint from the heterogeneous genre make-up of the Kalevala, focuses chiefly on a complex narrative structure and its meaning.) The better known of the two translators was my distinguished predecessor, the English professor and philologist Francis Peabody Magoun (1895-1979). In his 1963 translation of the 1849 Kalevala, Magoun’s allusions, still strongly under the spell of the early successes of the oral-formulaic theory, are chiefly to shared reliance on formulaic diction, though he does also point out certain differences in the two epics’ application of this style (1963a:xvii, n. 1; xviii, n. 3). Magoun’s reference to “the Beowulf songs” (xviii, n. 3) in the plural, however, alludes to his belief that different folk variants on the life of the hero can still be discriminated in the epic. By the time of his 1969 translation of the Old Kalevala Magoun seems not too far from the current standard view (xiv): . such a semi-connected, semi-cyclic work as the Kalevala or the received text of the Anglo-Saxon Béowulf, however oral in its genesis, cannot possibly be the product of oral composition. Unlettered singers create in response to an immediate, eagerly waiting audience; they do not compose cyclically, but episodically .