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TABLE OF CONTENTS I. EPIC AND HISTORICAL PIECES PAGE WLDSITH 3 SELECTIONS FROM BEOWULF 9 1. The Sea-Burial of King Scyld . .10 2. The Song of the Gleeman in Heorot . 11 3. The Swimming-Match . .11 4. Beowulf's Fight with Grendel 14 5. Hrothgar describes the Haunt of Grendel and his Dam . 18 6. A Lament ......... 19 7. The Passing of Beowulf ....... 20 8. The Funeral Pyre ....... 23 THE BATTLE OF BRUNANBURH 25 THE BATTLE OF MALDON 31 II. SECULAR LYRICS THE SEAFARER 44 THE WANDERER 50 THE RUINED CITY 56 DEOR'S LAMENT 58 A LOVE-LETTER 61 THE BANISHED WIFE'S COMPLAINT 64 GNOMIC VERSES . 67 RIDDLES 70 2. The Storm-Spirit on Land ...... 70 3. The Storm-Spirit in the Sea 71 8. The Swan 72 15. The Horn 72 24. The Bow 73 27. The Bible-Codex 73 28. The Mead 74 80. The Falcon 75 ix χ TABLE OF CONTENTS III. RELIGIOUS LYRICS PAG· CÄDMON'S HYMN 76 BEDE'S DEATH-SONG 78 SELECTIONS FROM THE CHRIST 79 1. Antiphonal Passage 80 2. Dialogue between Mary and Joseph 81 3. The Endowments of Mankind 82 4. Rune-Passage 83 5. Life compared to a Voyage 84 6. Doomsday ......... 85 7. The Apparition of the Rood 89 8. From the Address of the Saviour at the Last Judgment . 91 9. The Joys of the Blessed 91 THE DREAM OF THE ROOD 93 RUTHWELL CROSS INSCRIPTION 100 BRUSSELS CROSS INSCRIPTION 103 IV. BIBLICAL POEMS SELECTIONS FROM THE GENESIS 104 GENESIS A: 1. The Fall of the Angels 105 2. The Beginning of Creation 108 GENESIS B: 1. The Fall of Satan . 109 2. Satan's Address to his Followers 113 SELECTIONS FROM THE EXODUS 117 1. The Pillar of Fire 117 2. The Marching of Pharaoh's Host 118 3. The Destruction of the Egyptians 119 JUDITH 121 V. SAINTS' LEGENDS SELECTIONS FROM THE ANDREAS 133 1. St. Andrew goes down to the Sea 134 2. A Storm at Sea 134 3. Andrew tells how Christ stilled the Tempest . 135 4. The Vision of Andrew's Disciples 136 5. St. Andrew's Miracle 137 TABLE OF CONTENTS xi PAGE SELECTIONS FROM THE ELENE 139 Ι, THE BATTLE 139 2. THE VOYAGE 140 3. AUTOBIOGRAPHIC RUNE-PASSAGE 141 VI. RELIGIOUS MYTHOLOGY THE PHCENIX 143 VII. CHARMS CHARM FOR BEWITCHED LAND 164 CHARM FOR SWARMING BEES ...... 167 CHARM FOR A SUDDEN STITCH 168 NINE HERBS CHARM 169 CHARM FOR REGAINING LOST CATTLE 171 BIBLIOGRAPHY REFERENCES FOR STUDENTS OF OLD ENGLISH POETRY . 172 APPENDIX I SELECTIONS FROM THE VERSE-TRANSLATIONS OF BEOWULF 175 APPENDIX II THE SONG OF BRUNANBURH 178 APPENDIX III BEDE'S ACCOUNT OF THE POET CVEDMON 180 APPENDIX IV FRAGMENT I OF THE OLD SAXON GENESIS, AND THE OLD ENGLISH GENESIS 790-820 184 INDEX OF SUBJECTS 186 INDEX OF MEDIA 194 INDEX OF TITLES 195 SELECT TRANSLATIONS FROM OLD ENGLISH POETRY .

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The Anglo-Saxon Transformations of the Biblical Themes in the Old English Poem the Dream of the Rood
Zeszyty Naukowe Towarzystwa Doktorantów UJ Nauki Humanistyczne, Nr 8 (1/2014) ALEKSANDRA MRÓWKA (JAGIELLONIAN UNIVERSITY) THE ANGLO-SAXON TRANSFORMATIONS OF THE BIBLICAL THEMES IN THE OLD ENGLISH POEM THE DREAM OF THE ROOD ABSTRACT The main aim of this article is to present the Old English poem The Dream of the Rood as a literary work successfully mingling Christian and Germanic tradi- tions. The poet very skillfully applies the pattern of traditional secular heroic poetry to Christian subject-matter creating a coherent unity. The Biblical themes and motifs are shaped by the Germanic frame of mind because the addressees of the poem were a warrior society with a developed ethos of honour and cour- age, quite likely to identify with a god who professed the same values. Although the Christian story of the Passion is narrated from the Anglo-Saxon point of view, the most fundamental values coming from the suffering of Jesus and his key role in God’s plan to redeem mankind remain unchanged: the universal notions of Redemption, Salvation and Heavenly Kingdom do not lose their pri- mary meaning. KEY WORDS Bible, rood, crucifixion, Anglo-Saxon, transformation ABOUT THE AUTHOR Aleksandra Mrówka The Department of the History of British Literature and Culture Jagiellonian University in Kraków e-mail: [email protected] 125 Aleksandra Mrówka __________________________________________________________________________________________________________________________________________________________________________________________________________________________________ The Dream of the Rood is a masterpiece of Old English religious poetry. Written in alliterative verse and maintained in the convention of dream allegory, this piece of early medieval literature is a mixture of Christian and Anglo-Saxon traditions. Although they seem to be contrasting, they are not antagonistic: these two worlds mingle together creating a coherent unity.
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Widsith Beowulf. Beowulf Beowulf
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PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/107198 Please be advised that this information was generated on 2021-10-09 and may be subject to change. ANGLO-SAXON MAGIC DOOR G. STORMS 'i-GRAVENHAGE MARTINUS NIJHOFF 1948 ANGLO-SAXON MAGIC Promotori Dr. A. POMPEN Ο J.M. CENTRALE DRUKKERIJ N.V. - NIJMEGEN ANGLO-SAXON MAGIC ACADEMISCH PROEFSCHRIFT TER VERKRIJGING VAN DE GRAAD VAN DOCTOR IN DE LETTEREN EN WIJSBEGEERTE AAN DE R.K. UNIVERSITEIT TE NIJMEGEN, OP GEZAG VAN DE RECTOR MAG NIFICUS Mgr. Dr. R. R. POST, HOOGLERAAR IN DE FACULTEIT DER GODGELEERDHEID, VOLGENS BESLUIT VAN DE SENAAT IN HET OPENBAAR TE VERDEDIGEN OP VRIJDAG 4 JUNI 1948 DES NAMIDDAGS 3 UUR DOOR GODFRID STORMS GEBOREN TE SITTARD MARTINUS NIJHOFF - s-GRAVENHAGE 1948 Voor mijn Vader en mijn Vrouw TABLE OF CONTENTS PART I. CHAPTER I. Introduction 1-11. Characteristics of magic 1. Tendency to pre serve secrecy 2. Examples from O.Icel. literature 2-5. The A-S. charms reveal much more 5. The magic means consist of verbal formulas and of practices 6. Close connection between original Α-S. magic and pre-Christian religious conceptions, especially the worship of the sun 6-10, the moon 10, and the earth 11. CHAPTER II The Manuscripts 12-26. § 1. The Leechbook 12-16. § 2. The Lac nunga 16-24. Parallel passages 18-23. Anglian origin of both books 23. The Lacnunga is a very mixed collection 24.
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