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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Wilkinson 1 Wilkinson 2
Wilkinson 1 Wilkinson 2 TABLE OF CONTENTS ACKNOWLEDGEMENTS…………………………………………………...………….2 INTRODUCTION……………………………………………………………………......3 CHAPTER ONE: TWO HISTORIES…………………………………………………...12 CHAPTER TWO: DEJECTION AND DESPONDENCY IN THE WANDERER……...30 CHAPTER THREE: WHO IS THE WANDERER? WHAT IS THE WANDERER?......49 WORKS CITED………………………………………………………………………....68 Wilkinson 3 ACKNOWLEDGMENTS Had it not been for the following people, I would have been unable to envision, begin, or complete this project: Dr. Gale Sigal, who bore my endless impositions with laughter and even cheer, and who as the director of this thesis continually encouraged me to research vigorously, to write clearly, to think critically, to progress cautiously, and above all to see it to completion. Dr. Gillian Overing, who first introduced me to the endless frustration and satisfaction that marks the study of Old English, and who consistently demonstrated to me through her pedagogical method, personal interactions, and scholarly achievement, that it is possible to be simultaneously a rigorous scholar, creative thinker, and wonderful person. Dr. Omaar Hena, for agreeing to be my reader, for critical thinking, personal and professional encouragement, and the willing energy that you seem to bring to all things. William Holden, my friend and sponsor, whose fierce and consuming passion for life has shown me, among other things, an alternative to the futility of despair. Shelby Sleight and Patrick Malarkey, for commiseration, for constantly raising the level of intellectual discussion, for wine and beer, for movies and music, and for a place to stay, among other things. Most of all, for being my friends. And Angie, who endured all my despondency with patience, who covered all my dejection with compassion, and who every day joined me as a friend in “exile.” I am thankful that we can wander this life together. -
© 2018 Kyle Joseph Williams
ã 2018 Kyle Joseph Williams THE ASSEMBLED BODY: ANATOMICAL ENUMERATION AND EMBODIMENT IN ANGLO-SAXON DEVOTIONAL TEXTS BY KYLE JOSEPH WILLIAMS DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2018 Urbana, Illinois Doctoral Committee: Associate Professor Renée R. Trilling, Chair Professor Charles D. Wright Professor Martin Camargo Associate Professor Jim Hansen ABSTRACT “The Assembled Body: Anatomical Enumeration and Embodiment in Anglo- Saxon Devotional Texts” argues that Anglo-Saxon Christians viewed the material body as a potent site for spiritual transformation. This notion finds its fullest expression in the rhetorical scheme of anatomical enumeration which appears across a diverse collection of Old English and Anglo-Latin devotional forms that range from the seventh to eleventh century, such as anonymous personal protective charms and prayers, confessional formulae, monastic execrations, scientific writing and diagrams produced Byrhtferth, as well as a number of Ælfric of Eynsham’s vernacular homilies. This project demonstrates how Anglo-Saxon authors employed such enumerative anatomical catalogs to highlight the vibrancy of the flesh at moments spiritual uncertainty. Casting the material body as an assemblage of agents, this rhetorical disarticulation of the flesh enables readers to envision the realignment and reintegration of their disordered and disobedient limbs into the unity of Christ’s spiritual body. ii ACKNOWLEDGEMENTS This project was completed through the generous help of many kind people. My greatest debt is to my dissertation supervisor, Renée Trilling. Her meticulous and challenging feedback, unceasing patience to allow me the (many) opportunities to learn from my mistakes, and hearty encouragement gave me both the enthusiasm and nerve to complete this task. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Nonhuman Voices in Anglo-Saxon Literature and Material Culture
James Paz - 9781526115997 Downloaded from manchesterhive.com at 10/04/2021 03:02:37AM via free access i NONHUMAN VOICES IN ANGLO- SAXON LITERATURE AND MATERIAL CULTURE James Paz - 9781526115997 Downloaded from manchesterhive.com at 10/04/2021 03:02:37AM via free access ii Series editors: Anke Bernau and David Matthews Series founded by: J. J. Anderson and Gail Ashton Advisory board: Ruth Evans, Nicola McDonald, Andrew James Johnston, Sarah Salih, Larry Scanlon and Stephanie Trigg The Manchester Medieval Literature and Culture series publishes new research, informed by current critical methodologies, on the literary cultures of medieval Britain (including Anglo- Norman, Anglo- Latin and Celtic writings), including post- medieval engagements with and representations of the Middle Ages (medievalism). ‘Literature’ is viewed in a broad and inclusive sense, embracing imaginative, historical, political, scientific, dramatic and religious writings. The series offers monographs and essay collections, as well as editions and translations of texts. Titles Available in the Series The Parlement of Foulys (by Geoffrey Chaucer) D. S. Brewer (ed.) Language and imagination in the Gawain- poems J. J. Anderson Water and fire:The myth of the Flood in Anglo- Saxon England Daniel Anlezark Greenery: Ecocritical readings of late medieval English literature Gillian Rudd Sanctity and pornography in medieval culture:On the verge Bill Burgwinkle and Cary Howie In strange countries: Middle English literature and its afterlife: Essays in Memory of J. J. Anderson David -
Cain's Kin and Abel's Blood: Beowulf 1361-4
Opticon1826, Issue 9, Autumn 2010 CAIN’S KIN AND ABEL’S BLOOD: BEOWULF 1361-4 By Michael D.J. Bintley Amongst the various texts which are thought to have influenced the depiction of Grendel’s mere in Beowulf, the possibility has not yet been considered that the poet also drew upon a tradition associated with Grendel’s descent from Cain, also to be found in the composite Genesis poem of the Junius manuscript (Oxford, Bodleian Library MS Junius 11, SC 5123), and Aldhelm’s Carmen de virginitate. This connection only becomes apparent upon closer examination of the woodland grove overhanging the refuge in Grendel’s fens. Of the many trees that appear in Old English literature, few can be as sinister as these. These trees contribute memorably to Hrothgar’s description of the mere: Nis þæt feor heonon milgemearces þæt se mere standeð; ofer þæm hongiað hrinde bearwas, wudu wyrtum fæst wæter oferhelmað. It is not far hence in a measure of miles that the mere stands; over it hang frosty trees, a wood fast in its roots overshadows the water. (Beowulf 1361-4)1 These trees appear once again in the description of the journey to the mere following the attack by Grendel’s mother: Ofereode þa æþelinga bearn steap stanhliðo, stige nearwe, enge anpaðas, uncuð gelad, neowle næssas, nicorhusa fela; he feara sum beforan gengde wisra monna wong sceawian, oþ þæt he færinga fyrgenbeamas ofer harne stan helonian funde wynleasne wudu; wæter under stod dreorig on gedrefed. Then went those sons of nobles over steep and stony slopes, thin ascending paths, narrow single tracks, unknown ways, precipitous cliffs, many dwellings of water-monsters. -
Leeds Studies in English
Leeds Studies in English New Series XLVIII 2017 Architectural Representation in Medieval England Edited by Hannah Bailey, Karl Kinsella, and Daniel Thomas Editorial assistant Alaric Hall Leeds Studies in English <www.leeds.ac.uk/lse> School of English University of Leeds 2017 Architecture as Authoritative Reader: Splitting Stones in Andreas and Christ III Hannah Bailey A patristic trope which appears in a number of texts that were known in Anglo-Saxon England contrasts the hard-heartedness of man to the perceptiveness and responsiveness of insensate created things. For example, a story related in the Dialogues of Gregory the Great concerns a flood that affected the lands belonging to a church: the bishop, Sabinus, orders his deacon to instruct the flood to recede in his name, but the deacon just laughs; Sabinus then writes the command and sends his servant to cast the written message into the flood waters, which immediately obey and recede. Gregory concludes the story by asking (in the words of the Old English translation): In þære wisan, Petrus, hwæt oðres magon we ongytan, buton þæt þær wæs onscynded manna heortena heardnes & heora unhyrsumnes, þa þæt unandgytfulle gesceaft þæs wætres wæs hyrende þam halgan were in his mægne?¹ In that manner, Peter, what else may we understand, except that there was put to shame the hardness of the hearts of men and their disobedience, when that unintelligent creation, the water, was obedient to the holy man in his power? The Old English poems Andreas and Christ III both make use of a specific subset of this trope, contrasting the blindness of the Jews who failed to acknowledge Christ with the perceptiveness of created things that miraculously display their understanding of Christ’s divinity. -
Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Christopher R
English Faculty Publications English Fall 2014 Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Christopher R. Fee Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/engfac Part of the Educational Methods Commons, European History Commons, Literature in English, British Isles Commons, Literature in English, North America, Ethnic and Cultural Minority Commons, Medieval History Commons, and the Medieval Studies Commons Share feedback about the accessibility of this item. Fee, Christopher. "Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross." Old English Newsletter 45.3 (Fall 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/engfac/51 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Student-Centered, Interactive Teaching of the Anglo-Saxon Cult of the Cross Abstract Although most Anglo-Saxonists deal with Old English texts and contexts as a matter of course in our research agendas, many of us teach relatively few specialized courses focused on our areas of expertise to highly-trained students; thus, many Old English texts and objects which are commonplace in our research lives can seem arcane and esoteric to a great many of our students. This article proposes to confront this gap, to suggest some ways of teaching a few potentially obscure texts and artifacts to undergrads, to offer some guidance about uses of technology in this endeavor, and to help fellow teachers of undergraduate Old English to develop ways to impart some transferable skills and modes of critical thinking to unsuspecting students. -
The Textin the Community
The in the Text Community Essays on Medieval Works, Manuscripts, Authors, and Readers edited by jill mann & maura nolan University of Notre Dame Press Q Notre Dame, Indiana Copyright © 2006 by University of Notre Dame Notre Dame, Indiana 46556 www.undpress.nd.edu All Rights Reserved Designed by Jane Oslislo Set in 9.9/13.8 Janson by Four Star Books Printed in Hong Kong by Kings Time Printing Press, Ltd. Library of Congress Cataloging in-Publication Data The text in the community : essays on medieval works, manuscripts, authors, and readers / edited by Jill Mann and Maura Nolan. p. cm. Includes index. isbn 0-268-03495-8 (cloth : alk. paper) isbn 0-268-03496-6 (pbk. : alk. paper) 1. Literature, Medieval—History and criticism. 2. Manuscripts, Medieval—History. I. Mann, Jill. II. Nolan, Maura. pn671.t38 2006 809'.02—dc22 2005035128 ∞This book is printed on acid-free paper. contents List of Illustrations vii List of Contributors xi Abbreviations List xiii Acknowledgments xv Introduction 1 maura nolan 1 Versifying the Bible in the Middle Ages 11 michael lapidge 2 “He Knew Nat Catoun”: Medieval School-Texts and Middle English Literature 41 jill mann 3 Computing Cynewulf: The Judith-Connection 75 andy orchard Q vi R Contents 4 The Contexts of Notre Dame 67 107 a.s.g. edwards 5 The Haunted Text: Ghostly Reflections in A Mirror to Devout People 129 vincent gillespie 6 The Visual Environment of Carthusian Texts: Decoration and Illustration in Notre Dame 67 173 jessica brantley 7 The Knight and the Rose: French Manuscripts in the Notre Dame Library 217 maureen boulton 8 The Meditations on the Life of Christ: An Illuminated Fourteenth-Century Italian Manuscript at the University of Notre Dame 237 dianne phillips Index of Manuscripts 283 General Index 287 list of illustrations plate 1. -
Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 3 2013
Incantatio An International Journal on Charms, Charmers and Charming http://www.folklore.ee/incantatio Print version Issue 3 2013 ISNFR Committee on Charms, Charmers and Charming Incantatio An International Journal on Charms, Charmers and Charming Issue 3 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Tartu 2013 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Language editor: Jonathan Roper Layout: Liisa Vesik Editorial board: Alaric Hall Claude Lecouteux Lea Olsan Éva Pócs Jonathan Roper Emanuela Timotin Andrey Toporkov Daiva Vaitkeviien William F. Ryan Editorial contacts: http://www.foklore.ee/incantatio [email protected] Vanemuise 42, Tartu 51003, Estonia Supported by and affiliated to projects SF0030181s08 and EKKM09-159 of the Estonian Ministry of Education and Research, and the European Union through the European Regional Development Fund (Centre of Excellence in CECT). All rights reserved. Copyright 2013 the authors and the ISFNR Committee on Charms, Charmers and Charming ISSN 2228-1355 DOI 10.7592/Incantatio http://www.folklore.ee/incantatio Contents doi: 10.7592/Incantatio2013 Introduction 7 Svetlana Tsonkova doi: 10.7592/Incantatio2013_Introduction Ex Ecclesia: Salvific Power Beyond Sacred Space 9 In Anglo-Saxon Charms Ciaran Arthur doi: 10.7592/Incantatio2013_Arthur Irish Scribal Culture As A Purveyor Of Charm Texts 33 In The Eighteenth And Nineteenth Centuries Nicholas Wolf doi: 10.7592/Incantatio2013_Wolf The Slavic And German Versions Of The Second Merseburg Charm 43 Tatiana Agapkina, Vladimir Karpov, Andrey Toporkov doi: 10.7592/Incantatio2013_AKT Parchment, Praxis And Performance Of Charms 60 In Early Medieval Ireland Ilona Tuomi doi: 10.7592/Incantatio2013_Tuomi Charms In Slovenian Culture 86 Saša Babi doi: 10.7592/Incantatio2013_Babic St. -
ABSTRACT Jesus Christ Warrior-King: Analysis of the Old
ABSTRACT Jesus Christ Warrior-King: Analysis of the Old English Poem Christ and Satan Hannah L. Schwartz Director: Ginger Hanchey, Ph.D. The Old English poem Christ and Satan is an interesting and important work of literature, but various circumstances have left it without the widespread scholarly attention or fame of other Old English poems. This thesis begins by demonstrating the ways in which Christ and Satan makes use of traditional, Germanic-heroic literary practices to tell its distinctly Christian story and how this intermingling of traditions casts Christ into several distinctly heroic roles within the poem, including that of the warrior- king. Subsequent chapters compare specific scenes from the narrative of the poem, those of Christ’s descent into hell and his temptation by Satan in the desert, to similar scenes from other poems in the Old English and Old Saxon poetic canons. These comparisons are made in search of increased understanding of both the poetic inner-workings of Christ and Satan and how and why it was composed within its unique historical, literary, and religious context. APPROVED BY DIRECTOR OF HONORS THESIS: Dr. Ginger Hanchey, Department of English APPROVED BY THE HONORS PROGRAM Dr. Elizabeth Corey, Director DATE: JESUS CHRIST WARRIOR-KING: ANALYSIS OF THE OLD ENGLISH CHRIST AND SATAN A Thesis Submitted to the Faculty of Baylor University In Partial Fulfillment of the Requirements for the Honors Program By Hannah L. Schwartz Waco, Texas May 2018 TABLE OF CONTENTS Acknowledgements iii Chapter One: Introduction -
Constructing Anglo-Saxon Sanctity: Tradition, Innovation and Saint Guthlac’, in Images of Sanctity: Essays in Honour of Gary Dickson, Ed
207 This is a preprint of an article published as Alaric Hall, ‘Constructing Anglo-Saxon Sanctity: Tradition, Innovation and Saint Guthlac’, in Images of Sanctity: Essays in Honour of Gary Dickson, ed. by Debra Higgs Strickland, Visualising the Middle Ages, 1 (Leiden: Brill, 2007), pp. 207–35. The pagination and text of this preprint match those of the final publication. To cite this preprint, please cite the URL <htpp://www.alarichall.org.uk>. ___________________________________________________________________________ CONSTRUCTING ANGLO-SAXON SANCTITY: TRADITION, INNOVATION AND SAINT GUTHLAC Alaric Hall “I became a historian,” Gary Dickson told me when I met him at a dinner of the Late Antique and Early Medieval Postgraduate Seminar series at the University of Edinburgh, “because I love literature.” The desire to analyse texts without having to dismantle one’s favourite literature is an understandable one, but Gary’s comment was intended to be provocative. This study responds to the provocation by focusing on the cult of the Anglo-Saxon Saint Guthlac, but not on historians’ usual preferred source for his life, the Latin Vita Guthlaci. Rather, I focus primarily on the Old English poem, Guthlac A, traditionally viewed as a ‘literary’ rather than a ‘historical’ text. I argue that the poem affords insights into Anglo-Saxon constructions of sanctity which are not usually available from the Latin material; most notably, it illuminates ways in which tensions between traditional and Christian notions of ideal male behaviour were constructed and played out in Anglo-Saxon Christian discourses. Saint Guthlac has enjoyed increasing attention in recent years. He has had some catching up to do: Bede’s Historia ecclesiastica gentis Anglorum does not mention him, so it was not until Bede’s dominance as the source of choice for eighth-century England was brought seriously into question in the 1980s--coincidentally with the rise of new, more culturally-orientated research questions--that the Latin evidence for Guthlac’s life and cult began to enjoy extensive scrutiny.