“Sitte Ge Sigewif, Sigað to Eorðe”: Settling the Anglo-Saxon Bee Charm Within Its Christian Manuscript Context
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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Early Mercian Text Production: Authors, Dialects, and Reputations
Early Mercian Text Production: Authors, Dialects, and Reputations Abstract There are suggestions that King Alfred’s legendary literary renaissance may have been a reaction to the efforts of the neighbouring kingdom of Mercia. According to Asser, Alfred assembled a group of literary scholars from this rival Mercian tradition at his court. But it is not clear what early literary activities these scholars could have been involved in to justify their pre-Alfredian reputation. This article tries to outline the historical and literary evidence for early Mercian text production, and the importance of this ‘other’ early literary corpus. What is our current knowledge of Mercian text production and the political and literary relationship of Mercia with Canterbury? What was the relationship of Alfred’s educational movement with its Mercian forerunner? Why is modern scholarship better informed about Alfred’s movement than any Mercian rival culture? If our current knowledge of this area is insufficient for the writing of a literary history of Mercia, a provisional list of texts and bibliography, published electronically for convenient updating, may prove useful in the meantime. Alfredian evidence for Mercian literary culture That King Alfred claims to have initiated an educational Renaissance is well known. Alfredian writings acknowledge a marked decline in learning and scholarship, at least in terms of Latin text composition and manuscript production, and at least in Wessex (Lapidge 1996, 436-439). But the same texts also suggest the existence of -
Incantatio an International Journal on Charms, Charmers and Charming Print Version Issue 3 2013
Incantatio An International Journal on Charms, Charmers and Charming http://www.folklore.ee/incantatio Print version Issue 3 2013 ISNFR Committee on Charms, Charmers and Charming Incantatio An International Journal on Charms, Charmers and Charming Issue 3 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Tartu 2013 General Editor: Mare Kõiva Guest Editor for This Issue: Svetlana Tsonkova Language editor: Jonathan Roper Layout: Liisa Vesik Editorial board: Alaric Hall Claude Lecouteux Lea Olsan Éva Pócs Jonathan Roper Emanuela Timotin Andrey Toporkov Daiva Vaitkeviien William F. Ryan Editorial contacts: http://www.foklore.ee/incantatio [email protected] Vanemuise 42, Tartu 51003, Estonia Supported by and affiliated to projects SF0030181s08 and EKKM09-159 of the Estonian Ministry of Education and Research, and the European Union through the European Regional Development Fund (Centre of Excellence in CECT). All rights reserved. Copyright 2013 the authors and the ISFNR Committee on Charms, Charmers and Charming ISSN 2228-1355 DOI 10.7592/Incantatio http://www.folklore.ee/incantatio Contents doi: 10.7592/Incantatio2013 Introduction 7 Svetlana Tsonkova doi: 10.7592/Incantatio2013_Introduction Ex Ecclesia: Salvific Power Beyond Sacred Space 9 In Anglo-Saxon Charms Ciaran Arthur doi: 10.7592/Incantatio2013_Arthur Irish Scribal Culture As A Purveyor Of Charm Texts 33 In The Eighteenth And Nineteenth Centuries Nicholas Wolf doi: 10.7592/Incantatio2013_Wolf The Slavic And German Versions Of The Second Merseburg Charm 43 Tatiana Agapkina, Vladimir Karpov, Andrey Toporkov doi: 10.7592/Incantatio2013_AKT Parchment, Praxis And Performance Of Charms 60 In Early Medieval Ireland Ilona Tuomi doi: 10.7592/Incantatio2013_Tuomi Charms In Slovenian Culture 86 Saša Babi doi: 10.7592/Incantatio2013_Babic St. -
Gerald Dyson
CONTEXTS FOR PASTORAL CARE: ANGLO-SAXON PRIESTS AND PRIESTLY BOOKS, C. 900–1100 Gerald P. Dyson PhD University of York History March 2016 3 Abstract This thesis is an examination and analysis of the books needed by and available to Anglo-Saxon priests for the provision of pastoral care in the tenth and eleventh centuries. Anglo-Saxon priests are a group that has not previously been studied as such due to the scattered and difficult nature of the evidence. By synthesizing previous scholarly work on the secular clergy, pastoral care, and priests’ books, this thesis aims to demonstrate how priestly manuscripts can be used to inform our understanding of the practice of pastoral care in Anglo-Saxon England. In the first section of this thesis (Chapters 2–4), I will discuss the context of priestly ministry in England in the tenth and eleventh centuries before arguing that the availability of a certain set of pastoral texts prescribed for priests by early medieval bishops was vital to the provision of pastoral care. Additionally, I assert that Anglo- Saxon priests in general had access to the necessary books through means such as episcopal provision and aristocratic patronage and were sufficiently literate to use these texts. The second section (Chapters 5–7) is divided according to different types of priestly texts and through both documentary evidence and case studies of specific manuscripts, I contend that the analysis of individual priests’ books clarifies our view of pastoral provision and that these books are under-utilized resources in scholars’ attempts to better understand contemporary pastoral care. -
Anglo-Saxon Magic
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/107198 Please be advised that this information was generated on 2021-10-09 and may be subject to change. ANGLO-SAXON MAGIC DOOR G. STORMS 'i-GRAVENHAGE MARTINUS NIJHOFF 1948 ANGLO-SAXON MAGIC Promotori Dr. A. POMPEN Ο J.M. CENTRALE DRUKKERIJ N.V. - NIJMEGEN ANGLO-SAXON MAGIC ACADEMISCH PROEFSCHRIFT TER VERKRIJGING VAN DE GRAAD VAN DOCTOR IN DE LETTEREN EN WIJSBEGEERTE AAN DE R.K. UNIVERSITEIT TE NIJMEGEN, OP GEZAG VAN DE RECTOR MAG NIFICUS Mgr. Dr. R. R. POST, HOOGLERAAR IN DE FACULTEIT DER GODGELEERDHEID, VOLGENS BESLUIT VAN DE SENAAT IN HET OPENBAAR TE VERDEDIGEN OP VRIJDAG 4 JUNI 1948 DES NAMIDDAGS 3 UUR DOOR GODFRID STORMS GEBOREN TE SITTARD MARTINUS NIJHOFF - s-GRAVENHAGE 1948 Voor mijn Vader en mijn Vrouw TABLE OF CONTENTS PART I. CHAPTER I. Introduction 1-11. Characteristics of magic 1. Tendency to pre serve secrecy 2. Examples from O.Icel. literature 2-5. The A-S. charms reveal much more 5. The magic means consist of verbal formulas and of practices 6. Close connection between original Α-S. magic and pre-Christian religious conceptions, especially the worship of the sun 6-10, the moon 10, and the earth 11. CHAPTER II The Manuscripts 12-26. § 1. The Leechbook 12-16. § 2. The Lac nunga 16-24. Parallel passages 18-23. Anglian origin of both books 23. The Lacnunga is a very mixed collection 24. -
Downloaded1 from Brill.Com09/28/2021 08:16:42AM Via Free Access 542 Rauer
Amsterdamer Beiträge zur älteren Germanistik 77 (�0�7) 54�–558 brill.com/abag Early Mercian Text Production: Authors, Dialects, and Reputations Christine Rauer University of St Andrews, UK [email protected] Abstract There are suggestions that King Alfred’s legendary literary renaissance may have been a reaction to the efforts of the neighbouring kingdom of Mercia. According to Asser, Alfred assembled a group of literary scholars from this rival Mercian tradition at his court. But it is not clear what early literary activities these scholars could have been involved in to justify their pre-Alfredian reputation. This article tries to outline the historical and literary evidence for early Mercian text production, and the impor- tance of this ‘other’ early literary corpus. What is our current knowledge of Mercian text production and the political and literary relationship of Mercia with Canterbury? What was the relationship of Alfred’s educational movement with its Mercian forerun- ner? Why is modern scholarship better informed about Alfred’s movement than any Mercian rival culture? If our current knowledge of this area is insufficient for the writ- ing of a literary history of Mercia, a provisional list of texts and bibliography, published electronically for convenient updating, may prove useful in the meantime. Keywords Old English literature – Anglo-Saxon history – ethnicity – borders – Old English dialects – text production – King Alfred – authorship * An earlier version of this paper was presented to the International Society of Anglo-Saxonists (ISAS, Glasgow, 2015). I am grateful for the feedback received from members of ISAS and the Vereniging van Oudgermanisten. © koninklijke brill nv, leiden, ���7 | doi �0.��63/�87567�9-��34009Downloaded� from Brill.com09/28/2021 08:16:42AM via free access 542 Rauer 1 Alfredian Evidence for Mercian Literary Culture That King Alfred claims to have initiated an educational Renaissance is well known. -
Old English Literature: a Brief Summary
Volume II, Issue II, June 2014 - ISSN 2321-7065 Old English Literature: A Brief Summary Nasib Kumari Student J.k. Memorial College of Education Barsana Mor Birhi Kalan Charkhi Dadri Introduction Old English literature (sometimes referred to as Anglo-Saxon literature) encompasses literature written in Old English (also called Anglo-Saxon) in Anglo-Saxon England from the 7th century to the decades after the Norman Conquest of 1066. "Cædmon's Hymn", composed in the 7th century according to Bede, is often considered the oldest extant poem in English, whereas the later poem, The Grave is one of the final poems written in Old English, and presents a transitional text between Old and Middle English.[1] Likewise, the Peterborough Chronicle continues until the 12th century. The poem Beowulf, which often begins the traditional canon of English literature, is the most famous work of Old English literature. The Anglo-Saxon Chronicle has also proven significant for historical study, preserving a chronology of early English history.Alexander Souter names the commentary on Paul's epistles by Pelagius "the earliest extant work by a British author".[2][3] In descending order of quantity, Old English literature consists of: sermons and saints' lives, biblical translations; translated Latin works of the early Church Fathers; Anglo-Saxon chronicles and narrative history works; laws, wills and other legal works; practical works ongrammar, medicine, geography; and poetry.[4] In all there are over 400 survivingmanuscripts from the period, of which about 189 are considered "major".[5] Besides Old English literature, Anglo-Saxons wrote a number of Anglo-Latin works. -
Iron-Clad Evidence in Early Mediaeval Dialectology: Old English Ïsern, Ïsen, and Ïren
Iron-Clad Evidence in Early Mediaeval Dialectology: Old English ïsern, ïsen, and ïren Nearly a quarter of a century ago, Helmut Gneuss argued that the standard variety of late West Saxon Old English originated at Winchester. In discussing his methodology, he predicted the direction of future research. In the future, I think, one may confidently expect significant findings … from the study of word usage and word geography; the project of a new, comprehensive Old English dictionary, to be based on computer-made concordances of all Old English texts … is a decisive step in this direction.1 Gneuss identifies two major developments in philological and linguistic research: the exploration of ‘word usage and word geography’ and the adoption of new research methodologies and techniques. Both of these issues are relevant to the subject of this paper, an examination of the usage and geographical distribution of the three forms of the Old English word for ‘iron’: ïsern, ïsen, and ïren. The aim of the study is to provide a contribution to the canon of new dialect criteria which will become available as a result of the increasing use of electronic text searches and which may, once it has grown large enough, provide a new basis for our understanding of the Old English dialects. Although a number of early studies have looked at word dialectology in Old English, the greatest body of evidence in the philological canon is phonological and morphological.2 However, since Gneuss’ prediction, a number of tools have become or are becoming available which are set to place a new emphasis in research on the lexical history of early English. -
Liturgy As History: the Origins of the Exeter Martyrology
ORE Open Research Exeter TITLE Liturgy as history: the origins of the Exeter martyrology AUTHORS Hamilton, S JOURNAL Traditio: Studies in Ancient and Medieval History, Thought, and Religion DEPOSITED IN ORE 01 November 2019 This version available at http://hdl.handle.net/10871/39448 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication 1 Liturgy as History: The Origins of the Exeter Martyrology Sarah Hamilton, University of Exeter Abstract Through an Anglo-Norman case study, this article highlights the value of normative liturgical material for scholars interested in the role which saints’ cults played in the history and identity of religious communities. The records of Anglo-Saxon cults are largely the work of Anglo-Norman monks. Historians exploring why this was the case have therefore concentrated upon hagiographical texts about individual Anglo-Saxon saints composed in and for monastic communities in the post-Conquest period. This article shifts the focus away from the monastic to those secular clerical communities which did not commission specific accounts, and away from individual cults, to uncover the potential of historical martyrologies for showing how such secular communities remembered and understood their own past through the cult of saints. Exeter Cathedral Library, Ms 3518, is a copy of the martyrology by the ninth-century Frankish monk, Usuard of Saint-Germain-des-Prés , written in and for Exeter cathedral’s canons in the mid-twelfth century. -
A Paradise Full of Monsters: India in the Old English Imagination
LATCH: A Journal for the Study of the Literary Vol. 1 Artifact in Theory, Culture, or History (2008) A Paradise Full of Monsters: India in the Old English Imagination Mark Bradshaw Busbee Florida Gulf Coast University Abstract Between the ninth and the twelfth centuries in England, the idea of India began to figure into Anglo-Saxon statecraft, religion, and literature. The Anglo-Saxon Chronicle reports that in 883, Alfred the Great promised to send emissaries to India; a sermon preached by the Anglo-Saxon priest Ælfric in the tenth century tells about the passion of Saint Thomas and his trials and eventual death in India; and Old English translations of Alexander’s Letter to Aristotle and The Wonders of the East describe the amazing riches, unusual animals, and monstrous people found in India. Scholars applying post- colonial theory to these texts see them as essentially racist. This essay argues that such reductive readings miss the deep complexities in how Anglo-Saxons imagined India or what those fantastic ideas might reveal. The many notable ambivalences appearing in descriptions of India and its people show that Anglo- Saxons regarded India as an imaginative space where fears, hopes, and desires might be entertained freely. Rather than support the notion that the Anglo-Saxon mind was inherently racist, these texts, in their expressions of fear and fascination, reveal a willingness to engage and understand a mysterious Other. Keywords India, Old English, Anglo-Saxon, manuscripts, monsters, Wonders of the East, The Letter of Alexander to Aristotle, Cotton Tiberius, Cotton Vitellius, Anglo-Saxon Chronicle, Ælfric, Alfred the Great Old English manuscripts dating from the late ninth through the early twelfth centuries contain what may be the most neglected 51 Mark Bradshaw Busbee A Paradise Full of Monsters: pp. -
Sequentia Benjamin Bagby, Director
Sequentia Benjamin Bagby, director Benjamin Bagby voice and Anglo-Saxon harp Hanna Marti voice and harps Stef Conner voice Norbert Rodenkirchen wooden and bone flutes, harp Words of Power Charms, Riddles and Elegies of the Medieval Northlands (8th-11th centuries) The musicians of Sequentia present songs of magic, exile, of the uncertainty of fate, of longing and regret, of the healing power of magic herbs, of irony and just plain fun. The pagan roots of the recently christianized medieval north can still be discerned in some of the oldest manuscript sources known to us today: the Old English Beowulf epic (possibly 8th century), the Old Icelandic Edda, the poems surviving in ancient songbooks such as The 10th-century Exeter Book, and numerous fragments from Germany and Switzerland. Each of these chants, songs and spoken riddles gives us a glimpse into a time so distant from ours and yet near in spirit, a world of singing poets, warriors, valkyries and seeresses, healers and philosophers, whose creations were the first to be written down in English and other Germanic languages (in addition to Old English, we perform songs in Old High German and Old Icelandic, with a hint of Latin). In reconstructing lost musical traditions from this time, Sequentia searches once again to resonate again those long-silent, ancient voices, sometimes accompanied by harps and flutes, which would have been welcomed in any gathering of souls, pagan or Christian, those seeking help for their problems, entertaining their friends, or those giving voice to their longing for a lost partner, or a lost tribe.