Beowulf : with the Finnsburg Fragment
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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Old Norse Mythology — Comparative Perspectives Old Norse Mythology— Comparative Perspectives
Publications of the Milman Parry Collection of Oral Literature No. 3 OLd NOrse MythOLOgy — COMParative PersPeCtives OLd NOrse MythOLOgy— COMParative PersPeCtives edited by Pernille hermann, stephen a. Mitchell, and Jens Peter schjødt with amber J. rose Published by THE MILMAN PARRY COLLECTION OF ORAL LITERATURE Harvard University Distributed by HARVARD UNIVERSITY PRESS Cambridge, Massachusetts & London, England 2017 Old Norse Mythology—Comparative Perspectives Published by The Milman Parry Collection of Oral Literature, Harvard University Distributed by Harvard University Press, Cambridge, Massachusetts & London, England Copyright © 2017 The Milman Parry Collection of Oral Literature All rights reserved The Ilex Foundation (ilexfoundation.org) and the Center for Hellenic Studies (chs.harvard.edu) provided generous fnancial and production support for the publication of this book. Editorial Team of the Milman Parry Collection Managing Editors: Stephen Mitchell and Gregory Nagy Executive Editors: Casey Dué and David Elmer Production Team of the Center for Hellenic Studies Production Manager for Publications: Jill Curry Robbins Web Producer: Noel Spencer Cover Design: Joni Godlove Production: Kristin Murphy Romano Library of Congress Cataloging-in-Publication Data Names: Hermann, Pernille, editor. Title: Old Norse mythology--comparative perspectives / edited by Pernille Hermann, Stephen A. Mitchell, Jens Peter Schjødt, with Amber J. Rose. Description: Cambridge, MA : Milman Parry Collection of Oral Literature, 2017. | Series: Publications of the Milman Parry collection of oral literature ; no. 3 | Includes bibliographical references and index. Identifers: LCCN 2017030125 | ISBN 9780674975699 (alk. paper) Subjects: LCSH: Mythology, Norse. | Scandinavia--Religion--History. Classifcation: LCC BL860 .O55 2017 | DDC 293/.13--dc23 LC record available at https://lccn.loc.gov/2017030125 Table of Contents Series Foreword ................................................... -
Number Symbolism in Old Norse Literature
Háskóli Íslands Hugvísindasvið Medieval Icelandic Studies Number Symbolism in Old Norse Literature A Brief Study Ritgerð til MA-prófs í íslenskum miðaldafræðum Li Tang Kt.: 270988-5049 Leiðbeinandi: Torfi H. Tulinius September 2015 Acknowledgements I would like to thank firstly my supervisor, Torfi H. Tulinius for his confidence and counsels which have greatly encouraged my writing of this paper. Because of this confidence, I have been able to explore a domain almost unstudied which attracts me the most. Thanks to his counsels (such as his advice on the “Blóð-Egill” Episode in Knýtlinga saga and the reading of important references), my work has been able to find its way through the different numbers. My thanks also go to Haraldur Bernharðsson whose courses on Old Icelandic have been helpful to the translations in this paper and have become an unforgettable memory for me. I‟m indebted to Moritz as well for our interesting discussion about the translation of some paragraphs, and to Capucine and Luis for their meticulous reading. Any fault, however, is my own. Abstract It is generally agreed that some numbers such as three and nine which appear frequently in the two Eddas hold special significances in Norse mythology. Furthermore, numbers appearing in sagas not only denote factual quantity, but also stand for specific symbolic meanings. This tradition of number symbolism could be traced to Pythagorean thought and to St. Augustine‟s writings. But the result in Old Norse literature is its own system influenced both by Nordic beliefs and Christianity. This double influence complicates the intertextuality in the light of which the symbolic meanings of numbers should be interpreted. -
Introduction to Beowulf the Action of Beowulf "Beowulf" Seamus Heaney
Introduction to Beowulf 3182 lines in length, Beowulf is the longest surviving Old English poem. It survives in a single manuscript, thought to date from the turn of the eleventh century, though the composition of the poem is usually placed in the eighth or early ninth centuries, perhaps in an Anglian region. The action is set in Scandinavia, and the poem is chiefly concerned with the Geats (inhabitants of Southern Sweden), Danes and Swedes. It falls into two main sections, lls. 1-2199, which describe young Beowulf's defeat of two monsters, Grendel and his mother, at the request of King Hrothgar, and lls. 2200-3182, in which an aged Beowulf, now king, defeats a fire-breathing dragon but is mortally wounded and dies. This coursepack includes three short excerpts from the poem: Beowulf's fight with Grendel (ll. 702b-897), the so-called 'Lament of the Last Survivor' (2247-2266), and the poet's description of Beowulf's funeral (3156-3182). The former consists of the approach of Grendel to Heorot, and his hand-to-hand combat with Beowulf. The second contains the elegaic reflections of a warrior whom the poet imagines to be the sole remnant of a great tribe that once held the treasure now guarded by the dragon which threatens Beowulf's people. The poet powerfully conveys his nostalgia for dead companions and sense that treasure without an owner is worthless. The account of Beowulf's funeral describes a pagan cremation and records the Geats' epitaph for their dead leader. The Action of Beowulf Beowulf opens with a description of the origin and history of the Scylding dynasty, tracing its descent down to Hrothgar, who builds Heorot, a great hall. -
Widsith, Beowulf, Finnsburgh, Waldere, Deor. Done Into Common
Dear Reader, This book was referenced in one of the 185 issues of 'The Builder' Magazine which was published between January 1915 and May 1930. To celebrate the centennial of this publication, the Pictoumasons website presents a complete set of indexed issues of the magazine. As far as the editor was able to, books which were suggested to the reader have been searched for on the internet and included in 'The Builder' library.' This is a book that was preserved for generations on library shelves before it was carefully scanned by one of several organizations as part of a project to make the world's books discoverable online. Wherever possible, the source and original scanner identification has been retained. Only blank pages have been removed and this header- page added. The original book has survived long enough for the copyright to expire and the book to enter the public domain. A public domain book is one that was never subject to copyright or whose legal copyright term has expired. Whether a book is in the public domain may vary country to country. Public domain books belong to the public and 'pictoumasons' makes no claim of ownership to any of the books in this library; we are merely their custodians. Often, marks, notations and other marginalia present in the original volume will appear in these files – a reminder of this book's long journey from the publisher to a library and finally to you. Since you are reading this book now, you can probably also keep a copy of it on your computer, so we ask you to Keep it legal. -
Widsith Beowulf. Beowulf Beowulf
CHAPTER 1 OLD ENGLISH LITERATURE The Old English language or Anglo-Saxon is the earliest form of English. The period is a long one and it is generally considered that Old English was spoken from about A.D. 600 to about 1100. Many of the poems of the period are pagan, in particular Widsith and Beowulf. The greatest English poem, Beowulf is the first English epic. The author of Beowulf is anonymous. It is a story of a brave young man Beowulf in 3182 lines. In this epic poem, Beowulf sails to Denmark with a band of warriors to save the King of Denmark, Hrothgar. Beowulf saves Danish King Hrothgar from a terrible monster called Grendel. The mother of Grendel who sought vengeance for the death of her son was also killed by Beowulf. Beowulf was rewarded and became King. After a prosperous reign of some forty years, Beowulf slays a dragon but in the fight he himself receives a mortal wound and dies. The poem concludes with the funeral ceremonies in honour of the dead hero. Though the poem Beowulf is little interesting to contemporary readers, it is a very important poem in the Old English period because it gives an interesting picture of the life and practices of old days. The difficulty encountered in reading Old English Literature lies in the fact that the language is very different from that of today. There was no rhyme in Old English poems. Instead they used alliteration. Besides Beowulf, there are many other Old English poems. Widsith, Genesis A, Genesis B, Exodus, The Wanderer, The Seafarer, Wife’s Lament, Husband’s Message, Christ and Satan, Daniel, Andreas, Guthlac, The Dream of the Rood, The Battle of Maldon etc. -
University Microfilms, a XEROX Company, Ann Arbor, Michigan
71- 12,581 KELLY, John Thomas , 1937- STUDIES IN BEOWULF CRITICISM. The University of Oklahoma, Ph.D., 1971 Language and Literature, general University Microfilms, A XEROX Company, Ann Arbor, Michigan THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED THE UNIVERSITY OP OKLAHOMA GRADUATE COLLEGE STUDIES IN BEOWULF CRITICISM A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY JOHN THOMAS KELLY Norman, Oklahoma 1970 STUDIES IN BEOWULF CRITICISM APPROVED BY 1 DISSERTATION COMMITTEE .ACKNOWLEDGEMENTS My thanks to those who read my dissertation and approved it, to those who typed and proof read it, and to those others who worried over it, about it, and about me. I especially acknowledge the aid of Rudolph C. Bambas, my committee chairman and master; the kindness of the members of my committee: Paul George Euggiers, Jack Lehmer Kendell, Roy Raymond Male, and Roy J. Pearcy; and the endless editorial and secretarial assistance of Gloriana St. Clair. iii TABLE OP CONTENTS Page ACKNOWLEDGEMENTS........................... Ill Chapter I. THE MANUSCHIPT, EABLY EDITIONS, AND THE BEGINNINGS OP CRITICISM ............ 1 II. THE YEARS BETWEEN THE WA R S ......... 30 III. 1940-19601 THE ERA OP AESTHETICS . 93 IV, 1 9 6 0'S: CONCLUSION................ 157 A SELECTED BIBLIOGRAPHY.................... 171 STUDIES IN BEOWULF CRITICISM CHAPTER I THE MANUSCRIPT, EARLY EDITIONS, AND THE BEGINNINGS OP CRITICISM The Anglo-Saxon manuscript commonly known as Beowulf probably entered England in oral form with the immigrants, traders, and mercenaries who came to England in the Sixth and Seventh Centuries. In its earliest English form, it prob ably consisted of several completely independent lays, at least one of which dealt with a version of the story of the Bear's Son present in several forms in pre-literary Germanic culture. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Chapter 3.1 the New Money System
Chapter 3.1 The New Money System H.G. Wells became a prophet. He felt his apocalyptic vision for mankind could be turned around if society would adopt his plans for a Utopia run by a benevolent dictatorship. This benevolent dictatorship would largely rule through a public-spirited quasi- religious order of technicians who would "pander to all your worst instincts."1 He refers to them as "an elite of intelligent religious-minded people."2 However,religious in what way? A New Religion based on Eastern mysticism. This "new religion" ... would sweep away old institutions and usher in a new world order that would save the human race. "The conspiracy of modern religion against the established institutions of the world must be an open conspiracy..." H.G. Wells saw the religion of the New Order as a less-secret form of Freemasonry. The video "Things to Come" made from the film based on his book The Shape of Things to Come is available for viewing from larger video stores. In the movie, a reference is made to "the science of Freemasonry." Intelligent, often wealthy men who constituted a scientifically trained functional class with a global view would rule as a service-elite. (Where have you heard we are moving toward a service economy before?) Wells describes this, "In its more developed phases I seem to see the new republic as...a sort of outspoken secret society, with which even the prominent men of the ostensible state may be openly affiliated....The new republicans will constitute an informal and open freemasonry." No wonder the Freemasons hail him as their prophet. -
Beowulf Timeline
Beowulf Timeline Retell the key events in Beowulf in chronological order. Background The epic poem, Beowulf, is over 3000 lines long! The main events include the building of Heorot, Beowulf’s battle with the monster, Grendel, and his time as King of Geatland. Instructions 1. Cut out the events. 2. Put them in the correct order to retell the story. 3. Draw a picture to illustrate each event on your story timeline. Beowulf returned Hrothgar built Beowulf fought Grendel attacked home to Heorot. Grendel’s mother. Heorot. Geatland. Beowulf was Beowulf’s Beowulf fought Beowulf travelled crowned King of funeral. Grendel. to Denmark the Geats. Beowulf fought Heorot lay silent. the dragon. 1. Stick Text Here 3. Stick Text Here 5. Stick Text Here 7. Stick Text Here 9. Stick Text Here 2. Stick Text Here 4. Stick Text Here 6. Stick Text Here 8. Stick Text Here 10. Stick Text Here Beowulf Timeline Retell the key events in Beowulf in chronological order. Background The epic poem, Beowulf, is over 3000 lines long! The main events include the building of Heorot, Beowulf’s battle with the monster, Grendel, and his time as King of Geatland. Instructions 1. Cut out the events. 2. Put them in the correct order to retell the story. 3. Write an extra sentence or two about each event. 4. Draw a picture to illustrate each event on your story timeline. Beowulf returned Hrothgar built Beowulf fought Grendel attacked home to Geatland. Heorot. Grendel’s mother. Heorot. Beowulf was Beowulf’s funeral. Beowulf fought Beowulf travelled crowned King of Grendel. -
A Translation of the Anglo-Saxon Poem of Beowulf
<36609035.8800 18 /\ - <36609035.8800 18 Bayer. Staatsbibliothek A TRANSLATION OF THE ANGLO-SAXON POEM OF B E O W U L F WITH A COPIOUS GLOSSA R Y PREFACE AND PHILOLOGICAL NOTES BY JOHN M. KEMBLE ESQ. M. A. of TRINITY COLLEGE CAMBRIDGE LONDON WILLIAM PICKERING 1837 Bi is LIOTHECA l{FGLA ViONACENSIS. c. whitti Ngh AM, rooks court, CHANCERY i.A.N.E. TO JAMES GRIMM. ABBREVIATIONS, &c. MADE USE OF IN WOLUME II. AElf. Gen. ......... AElfric's Genesis, &c. in Thwaite's Heptateuch. Agricola............. German Proverbs. Alt Platd. Ged. ... Bruns. Alt Platdeutsche Ge— dichte. Anal. ............... Analecta Anglo-Saxonica, by Thorpe. A. S. ............... Anglo-Saxon. B. F. Bat. F. ...... Battle of Finnesburh. Bed. ............... AElfred's Beda, by Smith. Ben. Beyt. ......... Benecke. Beyträge, &c. Bibl. Publ. ......... MS. in the Cambridge University Library. Boet. Boeth. ...... Alfred's Boetius, by Rawlinson. Caed. Caedm. ...... Caedmon, by Thorpe. Cod. Ex............. Codex Exoniensis, from the copy among the Additional MSS. of the Brit. Mus. Cod. Verc. ......... Codex Vercellensis. Poetical frag ments at Vercelli. Cöln. Reimch....... Reimchronik der Stadt Cöln, by van Groot. D. G. ............... Deutsche Grammatik, by Grimm N.B. this work is sometimes re ferred to by the name Grimm. D. H. S. ............ Deutsche Heldensage, by W. Grimm. ABBREVIATIONs, &c. D. M. ............... Deutsche Mythologie, by Grimm. D. R. A............. Deutsche Rechtsalterthümer, by Grimm. Diut. ............... Diutiska, by Graff. Ed. Sam. ......... Edda Saemundar hinns Froda. 3 vols. 4to. Ed. Snor............. Edda Snorrii. the prose Edda. Falck ............ ... Staatsbürgerliche Magazin, by Falck. Fornald. Sög. ...... Fornaldar Sögur. edited by Rafn for the Antiquarian Society of Copenhagen. Fornm. Sög. -
The Tale of Beowulf
The Tale of Beowulf William Morris The Tale of Beowulf Table of Contents The Tale of Beowulf............................................................................................................................................1 William Morris........................................................................................................................................2 ARGUMENT...........................................................................................................................................4 THE STORY OF BEOWULF.................................................................................................................6 I. AND FIRST OF THE KINDRED OF HROTHGAR.........................................................................7 II. CONCERNING HROTHGAR, AND HOW HE BUILT THE HOUSE CALLED HART. ALSO GRENDEL IS TOLD OF........................................................................................................................9 III. HOW GRENDEL FELL UPON HART AND WASTED IT..........................................................11 IV. NOW COMES BEOWULF ECGTHEOW'S SON TO THE LAND OF THE DANES, AND THE WALL−WARDEN SPEAKETH WITH HIM.............................................................................13 V. HERE BEOWULF MAKES ANSWER TO THE LAND−WARDEN, WHO SHOWETH HIM THE WAY TO THE KING'S ABODE................................................................................................15 VI. BEOWULF AND THE GEATS COME INTO HART...................................................................17