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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
Introduction to Beowulf the Action of Beowulf "Beowulf" Seamus Heaney
Introduction to Beowulf 3182 lines in length, Beowulf is the longest surviving Old English poem. It survives in a single manuscript, thought to date from the turn of the eleventh century, though the composition of the poem is usually placed in the eighth or early ninth centuries, perhaps in an Anglian region. The action is set in Scandinavia, and the poem is chiefly concerned with the Geats (inhabitants of Southern Sweden), Danes and Swedes. It falls into two main sections, lls. 1-2199, which describe young Beowulf's defeat of two monsters, Grendel and his mother, at the request of King Hrothgar, and lls. 2200-3182, in which an aged Beowulf, now king, defeats a fire-breathing dragon but is mortally wounded and dies. This coursepack includes three short excerpts from the poem: Beowulf's fight with Grendel (ll. 702b-897), the so-called 'Lament of the Last Survivor' (2247-2266), and the poet's description of Beowulf's funeral (3156-3182). The former consists of the approach of Grendel to Heorot, and his hand-to-hand combat with Beowulf. The second contains the elegaic reflections of a warrior whom the poet imagines to be the sole remnant of a great tribe that once held the treasure now guarded by the dragon which threatens Beowulf's people. The poet powerfully conveys his nostalgia for dead companions and sense that treasure without an owner is worthless. The account of Beowulf's funeral describes a pagan cremation and records the Geats' epitaph for their dead leader. The Action of Beowulf Beowulf opens with a description of the origin and history of the Scylding dynasty, tracing its descent down to Hrothgar, who builds Heorot, a great hall. -
Violence, Christianity, and the Anglo-Saxon Charms Laurajan G
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 1-1-2011 Violence, Christianity, And The Anglo-Saxon Charms Laurajan G. Gallardo Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Gallardo, Laurajan G., "Violence, Christianity, And The Anglo-Saxon Charms" (2011). Masters Theses. 293. http://thekeep.eiu.edu/theses/293 This Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. *****US Copyright Notice***** No further reproduction or distribution of this copy is permitted by electronic transmission or any other means. The user should review the copyright notice on the following scanned image(s) contained in the original work from which this electronic copy was made. Section 108: United States Copyright Law The copyright law of the United States [Title 17, United States Code] governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the reproduction is not to be used for any purpose other than private study, scholarship, or research. If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excess of "fair use," that use may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
University of California, Los Angeles Invisible Labor In
UNIVERSITY OF CALIFORNIA, LOS ANGELES INVISIBLE LABOR IN THE MEDIEVAL WORLD A THESIS SUBMITTED TO THE DEPARTMENT OF ENGLISH IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS BY ANGIE RODRGUEZ ADVISOR: MATTHEW FISHER LOS ANGELES, CA MARCH 11, 2020 ABSTRACT INVISIBLE LABOR IN THE MEDIEVAL WORLD BY ANGIE RODRIGUEZ This thesis explores invisible labor, which is a conteMporary term, as written in Old English literature. This thesis contends that invisible labor refers to labor that is ignored, underpaid, oftentiMes spans across social hierarchies and is socially constructed. The first part of this thesis goes into the conteMporary understanding of invisible labor, how this understanding leads to recognition of invisible labor in Old English literature and shows that this labor is not gender specific. The second part of this thesis goes into peace-weaving as invisible labor, which had been culturally considered women’s work and economically devalued, as depicted by the actions of Wealhtheow when she serves mead and speaks up for her sons in Beowulf and heroic actions of killing Holofernes by Judith in Judith. The third part of this thesis explores peaceMaker as invisible labor, as depicted by Wiglaf serving “water” in Beowulf, Widsith taking Ealhhild to her new king in Widsith, Constantine taking advice from the Angel as depicted in Cynewulf’s Elene, the soldiers standing by King Athelstan and defeating the Scots in “The Battle of Brunburgh,” and the men being faithful to AEthelred against the Vikings in “The Battle of Maldon.” In analyzing invisible labor as depicted in Old English literature, what may be viewed in conteMporary terms as “ordinary” work of service that is easily disMissed and unrecognized, will bring insight into how invisible labor was seen in Old English literature. -
Old English Literature: a Brief Summary
Volume II, Issue II, June 2014 - ISSN 2321-7065 Old English Literature: A Brief Summary Nasib Kumari Student J.k. Memorial College of Education Barsana Mor Birhi Kalan Charkhi Dadri Introduction Old English literature (sometimes referred to as Anglo-Saxon literature) encompasses literature written in Old English (also called Anglo-Saxon) in Anglo-Saxon England from the 7th century to the decades after the Norman Conquest of 1066. "Cædmon's Hymn", composed in the 7th century according to Bede, is often considered the oldest extant poem in English, whereas the later poem, The Grave is one of the final poems written in Old English, and presents a transitional text between Old and Middle English.[1] Likewise, the Peterborough Chronicle continues until the 12th century. The poem Beowulf, which often begins the traditional canon of English literature, is the most famous work of Old English literature. The Anglo-Saxon Chronicle has also proven significant for historical study, preserving a chronology of early English history.Alexander Souter names the commentary on Paul's epistles by Pelagius "the earliest extant work by a British author".[2][3] In descending order of quantity, Old English literature consists of: sermons and saints' lives, biblical translations; translated Latin works of the early Church Fathers; Anglo-Saxon chronicles and narrative history works; laws, wills and other legal works; practical works ongrammar, medicine, geography; and poetry.[4] In all there are over 400 survivingmanuscripts from the period, of which about 189 are considered "major".[5] Besides Old English literature, Anglo-Saxons wrote a number of Anglo-Latin works. -
Dreaming of Dwarves
DREAMING OF DWARVES: NIGHTMARES AND SHAMANISM IN ANGLO-SAXON POETICS AND THE WIĐ DWEORH CHARM by MATTHEW C. G. LEWIS (Under the Direction of Jonathan Evans) ABSTRACT Anglo-Saxon Metrical Charm 3, Wið Dweorh, from the British Library MS Harley 585, provides evidence of remnants of shamanic thinking in the early Christian era of Anglo-Saxon England. It shows a depth of understanding of dream psychology that prefigures modern psychiatric techniques; provides clues as to the linguistic, religious, cultural, and folkloric origins of nightmares, and reflects a tradition of shamanism in Old English poetry. This paper illustrates these linguistic and folkloric themes, places the metrical charm within the shamanistic tradition of Old English poetics, and connects the charm‟s value as a therapeutic device to modern psychiatric techniques. INDEX WORDS: Anglo-Saxon poetics, shamanism, metrical charms, nightmare, dreams, folk medicine and remedies, The Wanderer, Lacnunga, The Seafarer, Beowulf, medieval folklore, succubus, theories of cognition, psychiatry DREAMING OF DWARVES ANGLO-SAXON DREAM THEORY, NIGHTMARES, AND THE WIĐ DWEORH CHARM by MATTHEW C. G. LEWIS A.B., University of Georgia, 2005 A Thesis Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2009 © 2009 Matthew C. G. Lewis All Rights Reserved DREAMING OF DWARVES ANGLO-SAXON DREAM THEORY, NIGHTMARES, AND THE WIĐ DWEORH CHARM by MATTHEW C. G. LEWIS Major Professor: Jonathan Evans Committee: Charles Doyle John Vance Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2009 iv DEDICATION This work is dedicated to my parents, Brian and Kate Lewis, who instilled in me an early love of reading; and who have uncomplainingly put up with far too many years of my academic puttering about; and to my aunt, Thérèse Lewis, who introduced me to J. -
Narrative Voice and the Old English Scop
The Hilltop Review Volume 4 Issue 1 Spring Article 7 April 2010 Singing the Story: Narrative Voice and the Old English Scop Lisa M. Horton Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/hilltopreview Part of the Literature in English, British Isles Commons, and the Medieval Studies Commons Recommended Citation Horton, Lisa M. (2010) "Singing the Story: Narrative Voice and the Old English Scop," The Hilltop Review: Vol. 4 : Iss. 1 , Article 7. Available at: https://scholarworks.wmich.edu/hilltopreview/vol4/iss1/7 This Article is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in The Hilltop Review by an authorized editor of ScholarWorks at WMU. For more information, please contact wmu- [email protected]. 45 SINGING THE STORY: NARRATIVE VOICE AND THE OLD ENGLISH SCOP1 By Lisa M. Horton Abstract The picture of Anglo-Saxon society that we receive through its literature is a direct result of the life of the Old English scop. His personality and experiences filter into the stories that he tells and provide nuanced interpretations of both histo- ries and legends, while his position within Anglo-Saxon society allows him direct access to the great events and persons of his time. As an active participant in his society, at the feet or even at the right hand of a king, he wields profound influence; as an observer and commentator on his society, he records and interprets both reality and fiction. Comprehension of narrative voice in Old English poetry depends on understanding the function, development, and complex social position of the scop who authors and disseminates this literature. -
Brittany Pladek Gewritu Secgaš : "The Sensible Inscription" in Old English
Pladek 1 Brittany Pladek Gewritu secgað: "the sensible inscription" in Old English Riddle poetry ABSTRACT: In this essay, I will examine the relationship between textuality and meaning in a number of Exeter Book riddles, using Derrida's critique of phonocentricism as my lens. These brief but intricate lyrics---because riddlic, strongly and sometimes self-consciously logocentric---betray a distrust of oral communication and concurrent privileging of the written word in guiding their audience towards the solution. The bulk of my essay examines the various methods, often involving runes, employed by the Exeter poets in building this hierarchy; the last third proposes that its origin lies in the logocentric, literary Christian tradition. The Old English riddles of the Exeter Book---a manuscript transcribed in the tenth century and donated to Exeter cathedral by its first bishop, Leofric---are a snapshot of English poetry in utero, whose significance stretches beyond their obvious position as some of the earliest work in the canon.1 Long considered an intimate window into their Anglo-Saxon authors' thoughts, the riddles have more recently been recognized for their contribution to English writing. They remain to be thoroughly examined as a window into their authors' thoughts about writing, though they are an ideal site for such an investigation. At the time of their compilation, England (which wasn't strictly England yet) was undergoing the last stages of a truly epic transformation. Christianity had arrived roughly four hundred years earlier, and Latin had leapt ashore with it. Prior to this time, the island's culture had been functionally illiterate. -
Female Representations of Heroism in Old English Poetry
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2018 Breaking with tradition(?) : female representations of heroism in old english poetry. Kathryn A. Green University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the English Language and Literature Commons Recommended Citation Green, Kathryn A., "Breaking with tradition(?) : female representations of heroism in old english poetry." (2018). Electronic Theses and Dissertations. Paper 2971. https://doi.org/10.18297/etd/2971 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. BREAKING WITH TRADITION(?): FEMALE REPRESENTATIONS OF HEROISM IN OLD ENGLISH POETRY By Kathryn A. Green B.A., University of Louisville, 1987 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Comparative Humanities University of Louisville Louisville, KY May 2018 Copyright 2018 by Kathryn A. Green All rights reserved BREAKING WITH TRADITION(?): FEMALE REPRESENTATIONS OF HEROISM IN OLD ENGLISH POETRY By Kathryn A. Green B.A., University of Louisville, 1987 M.A., University of Louisville, 2012 Dissertation Approved on April 19, 2018 by the following Dissertation Committee: ___________________________________________ Dr. -
Beowulf : with the Finnsburg Fragment
Qlollege FROM THE LIBRARY OF L. E. HORNING, B.A., Ph.D. (1858-1925) PROFESSOR OF TEUTONIC PHILOLOGY VICTORIA COLLEGE BEOWULF CAMBRIDGE UNIVERSITY PRESS C. F. CLAY, MANAGER FETTER LANE, E.C. 100 PRINCES STREET G. P. PUTNAM'S SONS ant! Calcutta: MACMILLAN AND CO., LTP. Toronto: J. M. DENT AND SONS, LTD. 8Tofep: THE MARUZEN-KABUSHIKI-KA1SHA All rights reserved -nolcntim 6oK MS. Cott. Vit. A. xv. (reduced) fol. 129- (132=') \V.I-:T \\ i; GARDE nu injear daiim. }>eod cyninja tniii.ni 1'iviii ; hnSa %)>elina8 elle[n] t'iv 111. 'iluii. ( M't M-yld Mvtiuj scea)>e[na] ; Srtl;i I'lvatillil riiniii'^u/// IlKL'SJmm Ilieodo of teah ejsode eorl sySfian ajrest wear[5] fund, n fea sceatt he |>IPS frofre 5eba[d] re \ iiinK'i wiilcnuni weorM inyinlinn }>ah. ii^ liim .sittendra )>.-// :je^li\vylc )>ara ynib 10 ot'rr liron rade hyran scolde ^omhan \\a-s \ jyldiiii \\-rt jod cyninj. 5am eafera alter n re nod jeonj in^eardum )KHI ;..! .-mil- tolcc t..f|-c.trr tyr.-n .Vurfr <>n lie a-i (Iniv.ii al.lor [le]ase. lanje 15 hwile him ]>a>s lif frea wuldres wealdend \\.ir.ild an- t.r ,seaf. beowulf wa?8 breme l>la-d wide spran5 scyldrs catrra scede lam In in iii. S\va sceal [jeonj 5]uuia jode je \v\r.aii tViiiiiuiu feoh jiftum. on ficder BEOWULF with THE FINNSBURG FRAGMENT Edited by A. J. WYATT NEW EDITION REVIS1.1) WITH INTRODUCTION AND NOTES by R. W. CHAMBERS Cambridge : at the University Press 1914 PR 1580 Wa Cambrtoge : PRINTED BY JOHN CLAY, M.A. -
The Interwoven Traditions of Beowulf: Interweaving the Pagan
THE INTERWOVEN TRADITIONS OF BEOWULF: INTERWEAVING THE PAGAN PAST, CHRISTIAN PRESENT, AND LOCAL AESTHETIC IN BEOWULF by JENNY MONTA MEDLIN (Under the Direction of Thomas Cerbu) ABSTRACT The purpose of this thesis is to understand the differing traditions that influenced the version of the only extant copy of the Anglo-Saxon poem Beowulf and how their interweaving is at its most coherent in the character of Grendel. In order to do so the history of biblical exegesis, the scribal milieu of Anglo-Saxon England, the other manuscripts in the Nowell Codex, the inherited pagan heroic tradition, and the culture of the Anglo-Saxon community will be taken into consideration. An examination of the interweaving of the traditions in the monster Grendel will be undertaken in order to show the effectiveness of the interweaving and how this affects the way the poem should be read as a whole. INDEX WORDS: Beowulf, Interweaving, Tradition, Pagan, Christian, Grendel, Scribe, Anglo-Saxon, Exegesis, Nowell Codex THE INTERWOVEN TRADITIONS OF BEOWULF: INTERWEAVING THE PAGAN PAST, CHRISTIAN PRESENT, AND LOCAL AESTHETIC IN BEOWULF by JENNY MONTA MEDLIN B.A., The University of Georgia, 2012 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2015 © 2015 Jenny Medlin All Rights Reserved THE INTERWOVEN TRADITIONS OF BEOWULF: INTERWEAVING THE PAGAN PAST, CHRISTIAN PRESENT, AND LOCAL AESTHETIC IN BEOWULF by JENNY MONTA MEDLIN Major Professor: Thomas Cerbu Committee: Jonathan Evans Katharina Wilson Electronic Version Approved: Julie Coffield Interim Dean of the Graduate School The University of Georgia May 2015 iv DEDICATION To my husband, who has endured the crucible of higher education alongside me. -
The Legacy of Wiglaf: Saving a Wounded <Em>Beowulf</Em>
The Kentucky Review Volume 6 | Number 2 Article 4 Summer 1986 The Legacy of Wiglaf: Saving a Wounded Beowulf Kevin S. Kiernan University of Kentucky, [email protected] Follow this and additional works at: https://uknowledge.uky.edu/kentucky-review Part of the English Language and Literature Commons Right click to open a feedback form in a new tab to let us know how this document benefits you. Recommended Citation Kiernan, Kevin S. (1986) "The Legacy of Wiglaf: Saving a Wounded Beowulf," The Kentucky Review: Vol. 6 : No. 2 , Article 4. Available at: https://uknowledge.uky.edu/kentucky-review/vol6/iss2/4 This Article is brought to you for free and open access by the University of Kentucky Libraries at UKnowledge. It has been accepted for inclusion in The Kentucky Review by an authorized editor of UKnowledge. For more information, please contact [email protected]. The Legacy of Wiglaf: Saving a Wounded Beowulf* Kevin S. Kiernan To try to dignify my fascination with the Beowulf manuscript, I will liken it to Wiglaf's attempt, at the end of the poem, to help Beowulf fight the fire-drake. As a Beowulf scholar, I fight like a loyal thane to save the poem from fire-damage and other forms of draconic emendation. In other words, I want to revive an Old English Beowulf, the one still surviving in the manuscript. I am depressed by the cosmetics of the mortuary, the neat and tidy but still rather stiff view of Beowulf I think we get in modern editions of the poem.