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Mickey Mousing
Walt Disney and the Power of Music James Bohn
Chapter 6
MUSIC and MOVEMENT in PIXAR: the TSU's AS an ANALYTICAL RESOURCE
The Uses of Animation 1
The Use of Music in the Cinematic Experience
The Illusion of Life: Disney Animation Interactive Edition
Cartoons & Counterculture
A Study on the Necessity for the Music Composition in TV Documentaries – Focusing on In-Depth Interviews with Music Directors at KBS
Listening to Film: How Does Film Music Work and What Does It Do? Key Stage 4 Programme
Computer Graphics & Animation
ABSTRACT Title of Dissertation: SONIC MOVIE MEMORIES: SOUND, CHILDHOOD, and AMERICAN CINEMA Paul James Cote, Doctor of Philosoph
In Plane Sight: Theories of Film Spectatorship and Animation
Preliminary SCMS Conference Program 2013 Program Sessions
Goldmark, Tunes for 'Toons
Reading Questions - MU 324 – Reel Music
Les Enjeux De L'archivage Du Son Dans Les Jeux Vidéo
Illusions, Musicality and the Live Dancing Body Dr
Between the Poles of Mickey Mousing and Counterpoint Hans Beller
Top View
VIDEO GAME MUSIC AS METAPHOR and METONYMY by ZACHARY
Drawn to Sound
Film Music and Film Genre
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The Cinema of Attractions Reloaded Wanda Strauven [Ed.] 1906
A Walk Through an American Classic
Walter Benjamin, Film and the ‘Anthropological-Materialist’ Project
American Traditional Music in Max Steiner's Score for Gone with the Wind
Motivic Development in Max Steiner's Score for Gone
A Methodology for Contemporary Film Score Composers: a Portfolio of Compositions (Disposed As a Film Score) and Exegesis
A Proposition for How Musical Competencies Could Benefit 3D Character Animators When Synchronising Performances to Pre-Recorded Music Using Khumba As a Case Study
Game Sound : an Introduction to the History, Theory, and Practice of Video Game Music and Sound Design / Karen Collins
Original Chamber Percussion Works for Silent Or Silenced Film in Live Performance James William Doyle Iii University of Nevada, Las Vegas,
[email protected]
A General Aesthetics of American Animation Sound Design
Ariadne's Threads: Puccini and Cinema1 “There Remains but One
Romanzo Criminale
Animation and the National Ethos: the American Dream, Socialist Realism, and Russian Émigrés in France
What Is Jazz Education