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Index 249 Index 20th Century Fox 163 Animation World Network 9 42nd Street 98, 168 animation-sound studies 3, 14 animatronics 90 A Close Shave 191, 194, 205 anime 4, 10, 16, 17, 71–2, 174, A Grand Day Out 191, 193–4 194, 210, 213, 221 Aardman Animations 13, 16, 191–208 Annie awards 18, 204–5, 235 Abbey, Kelley 99 Antarctica 90 Academy Awards 5, 18, 25, 60, 85, anthropomorphism 16, 49, 91, 100, 90, 92, 191, 193, 204, 225, 232, 132, 152, 172 233, 234, 242 Antz 92 ADR 13 Apocalypse Now 141 Akira 213 Ashman, Howard 227, 228–30, 232–5 Aladdin 120, 172, 233, 234, 235 Astaire, Fred 147 Aldridge, Alan 57 Atanarjuat (The Fast Runner) 128, 134 Alice in Wonderland 38, 68 Audio Technology 12 ‘All Together Now’ 79, 83, 84 avant-garde music 7, 31, 50, 71, 86 ‘All You Need Is Love’ 79, 82 Avery, Tex 8, 146 Allen, Tim 94 Allers, Roger 120, 193, 223 Babe 90 Altman, Robert 163 Babe: Pig in the City 90 Amazing Stories 163 ‘Baby You’re A Rich Man’ 79, 83 American Idol 96 Bach, J. S. 46, 52, 148, 153–6, 158 An American Tail 233 Back to the Future 104, 118 An American Werewolf in London 207 Bacon, Lloyd 98, 168 An Inconvenient Truth 100 Baez, Joan 69 Animage 62, 221 BAFTA awards 205 Animal Farm 15, 40, 49–52 Baker, Buddy 226 animation film industry 1, 4, 6, 204, Baker, Josephine 147 209–10 Bambi 11, 230 in USA 6, 19, 160–1, 191, Bamboozled 116 194, 233 Bartók, Bela 46, 99 animation industry, in Japan 6, 15–16, Batchelor, Joy 40–59 62, 71–2, 174, 178, 182, 184–5, Batman 29, 37, 102 209–22 Batman Returns 26, 30 Animation: An Interdisciplinary Journal Beach Boys 57, 97–8, 163 12 Beauchamp, Robin 3, 6, 7, 9 Animation Journal 12, 18 Beauty and the Beast 18, 25, 27, Animation Studies 12 223, 233–4, 235, 241–2, 245 250 Index Beetlejuice 26, 27, 29, 36 Broadway 16, 31, 115, 224, 227–9, Belafonte, Harry 29 230, 232–4, 237, 240–6 Bendazzi, Giannalberto 8, 12, 205 Brophy, Philip 10, 18, 44, 88 Benjamin, Walter 5, 171, 173 Brother Bear 14, 15, 120–37, 234, Berkeley, Busby 98, 168, 172, 218 245 Berman, Ted 27, 224 Bruns, George 226 Berry, Chuck 118 Buchan, Suzanne 12 Betty Boop 110, 147 Bugs Bunny 43, 104–6, 112–13, Big Fish 26 117 Big Top Pee Wee 164 Bulgarian Women’s Choir 128–9, 132 Bird, Brad 161 Burton, Tim 2, 14–15, 25–39, 102, Birds, Bees and Storks 52 161, 163–4 Beast with Five Fingers, The 35, 36 Busch, Wilhelm 52 Beatles, the 8, 15, 57, 77–89 Butterfly Ball 57 Black Cauldron, The 27, 224 Blaise, Aaron 14, 15, 120, 129, 224 California Institute of the Arts (Cal Arts) Blinky Bill 11 27, 161–3, 224 Blind Boys of Alabama, the 129, 134 Calloway, Cab 32 blues music 47, 82, 107, 118, 128, calypso 229, 232, 244 132, 169–70, 199, 215, 222, 228 Cameron, James 37 Bob the Builder 19 Care, Ross 11, 225 Bonham-Carter, Helena 192, 206 Carey, Mariah 96 Bootmen 98 Caribbean music 97, 244 Bortnyik, Sandor 42 Carlos, Wendy 224 Bosko 118, 147 carnivalesque 101 Boswell Sisters 147 Carol, Willard 162 Box, Steve 16, 191, 199, 202 Carrie 35 Bradley, Scott 9, 10, 43 cartoon music 6, 9, 10, 13, 16, 42, Brand New Heavies 97 44 brass band music 180, 192, 195–6, Cartoons: The International Journal of 202, 206 Comic Art 12 Brave Little Toaster, The 3, 15, 16, Castle in the Sky (Tenku no Shiro 160–73 Rapyuta, Japan) 64–5, 69, 70–3 Brave Little Toaster Goes to Mars, The cel animation 4, 16, 171 161 Chagrin, Francis 41, 42–57 Brave Little Toaster to the Rescue, The Chaplin, Charlie 146 161 character themes/songs 16, 182–3, Brel, Jacques 144 200, 210–14 bricolage 10, 88 Charest, Benoit 153, 154, 156, 157, Bride of Frankenstein, The 35 159 ‘Bright Eyes’ 207 Charlie and the Chocolate Factory 27, British animation 7, 16, 19, 40–59, 37, 38 191, 196, 201, 204 Chernoff, John Miller 96 British Kinematography 51 Chicken Run 92, 191, 193 Index 251 Chinatown 110 Dames 98 Chion, Michel 13, 88 dance music 6–8, 10, 15, 34, 45, Cholodenko, Alan 3, 5, 10, 12, 18 57, 82, 87, 90–1, 96, 98–102, Chomet, Sylvain 3, 16, 141–59 144, 156, 168, 175, 222, 226, Chopin, Frederick 54, 112 229, 244 choral music 92–3, 102, 126, 154, Davis, Miles 108 202, 229, 232, 236–7, 240 Davis, Sammy, Jr 33, 98 choreography 45, 57, 99, 168–9 Day, Timothy E. 164–5 Churchill, Frank 225 Day after Tomorrow, The 100 Cinderella 225, 228, 233, 244 De Palma, Brian 35 Clampett, Bob 117 Deep Purple 57 claymation 16, 191, 201, 205 Deutsch, Stephen 13 Clements, Ron 104, 120, 223, 224, dialogue 2–3, 7–8, 10, 13, 16, 45, 228, 233, 243 56, 79, 95, 102, 112, 123, 134, Cohen, Michael 105 141–6, 148, 158, 164–5, 172, Collins, Phil 124, 128–30, 134 193, 230, 235, 237, 240 Coltrane, John 99 ‘Diamonds Are A Girl’s Best Friend’ comedy 6, 8, 16, 26, 35–6, 37, 47, 102 106, 108, 114, 133, 142, 145–6, Diaz, Cameron 94 164, 191, 199–202, 225, 230, diegetic sound/music 2, 45, 92, 168, 240, 244–5 210 computer-generated imagery 1, 2, 4, digital animation 2, 15, 32, 90, 6, 13, 17–18, 26–7, 32, 36, 57, 99–100, 162, 172 90, 160, 162, 171–2, 224, 245 Dirty Dancing 226, 228 computer-generated music 2, 6, 210 Disch, Thomas 160 Congo Jazz 118 disco music 168 Conversation Pieces 205 Disney, Roy 161, 224 Convertino, Michael 29, 163 Disney, Walt 7, 11, 16, 80, 120, Coppola, Francis Ford 141 129, 161, 224–5, 236, 243–5 copyright 94, 101, 217–18 Disney corporation 3, 6, 11, 15, 16, Corpse Bride 15, 25–39, 172 25, 27–9, 40–1, 43–4, 50, 57, Cowboy Bebop (Kauboi Bibappu, Japan) 72, 104, 106, 108, 112, 116–17, 16, 209–22 120, 123–4, 127–35, 161–4, 168, Coyote (Wile E.) 8, 117 171–2, 182, 215, 218, 223–48 Creature Comforts 205 Dixiana 98 Crick, Alan 40, 42 ‘Do It Again’ 97 Critters 163 Donald Duck 42, 43 Cuckoo’s Nest Studio 162 Donnelly, Kevin 48, 86 Cugat, Xavier 93 Dorian mode 61, 63–5, 70–1 Cultured Ape, The 47 Dot and the Kangaroo 11 Curtis, Scott 158 Dr Seuss 28, 31, 36 Dr. Zhivago 195 Dahl, Ingolf 6, 45 DreamWorks Animation SKG 6, 13, Dale, Phil 34 16, 191–4, 199, 201–2, 204, 207 252 Index Dufy, Raoul 57 Foster, Stephen 108 Dukas, Paul 109 Fox and the Hound, The 27 Dumbo 117, 225, 228, 246 Frankenstein 168 Dunning, George 8, 15, 57, 77 Frankenweenie 28–9, 163 Dustbin Parade 41 Franklin, Aretha 95 Dyer, Anson 44 Freleng, Friz 104 Dylan, Bob 69 Fresh Hare 104 Fudd, Elmer 104 Ed Wood 38 Full Monty, The 200 Edward Scissorhands 26, 29 Furniss, Maureen 12, 18 Eisner, Michael 224, 227 ‘Eleanor Rigby’ 63, 79, 80 Gabbard, Krin 13, 107 electronic music 10, 57, 168–9, 217 gekiban 175, 178–81, 184–5 Elfman, Danny 25, 29, 30–1, 37, 38 gender 14, 105, 133, 232 Elgar, Edward 196 General Post Office, see GPO Emperor’s New Groove, The 120, genre 2, 6, 8, 16, 25, 36–7, 87, 128, 133, 134 101, 104, 126, 131, 160, 171, enka 69, 73, 186 179, 181, 185, 201–2, 206, 209, Enright, Ray 98 212, 217, 223, 229, 234 Epstein, Brian 77–8, 83 Gerald McBoing-Boing 142–3 ethnicity 14, 130, 132, 227 Gerrard, Lisa 194 extra-diegetic sound 38, 226 Gilbert and Sullivan 30, 31, 34, 40, 55–6 Fantasia 3, 11, 52, 80, 109, 162, Gladiator 92, 194 225 globalization 15 Fantasia 2000 11 Glover, Savion 98, 99 Ferngully: The Last Rainforest 233 Golden Bear awards 60 Feuer, Jane 229 Golden Globe awards 93 Figurehead, The 51 Goldmark, Daniel 3, 8–10, 13, 16, Filling the Gap 41 18, 42–5, 52, 54, 108, 116, 117, Film Music Journal 12 141–59 Film Score Monthly 12 Goldsmith, Jerry 110 film-music studies 1, 9, 11, 13 Gone with the Wind 35 film-sound studies 14, 17 Goodman, Benny 118 Fischinger, Oscar 7 Gorbman, Claudia 13, 30, 120, 122, Flashdance 226, 228 131, 133 Fleischer Brothers 7, 110, 146 gothic film/music 29 Flushed Away 207 Gould, Glenn 147, 157 Fly, The 207 GPO (UK) animations 41 foley effects 171 Gray, Barry 201 folk songs 47, 58, 64–5, 69–71 Great Mouse Detective, The 224 Foo Foo 52 Gregson-Miller, Harry 92 Footloose 226 Gregson-Williams, Rupert 197 Forbidden Zone 31, 38 Grierson, John 41 Index 253 groove 84, 96, 167, 169, 170, 232, Imamura, Taihei 177 239, 240 Incredibles, The 172 Gross, Guy 11 Indian in the Cupboard, The 121 Gross, Yoram 11 Indiana Jones 117 Groundling Theatre 164 indigenous music 14, 15, 46, 69, 73, Guggenheim, Davis 100 115, 118, 120–3, 126, 128–31, Gulliver’s Travels 64 133 Gundam series 214, 221 Inosensu: Kokaku Kidotai (Innocence) 213 Halas & Batchelor studio 2, 7, 15, International Journal of Comic Art 12 40–59 intertextuality 14–15, 83, 95, 117, Halas, John 7, 40–59 191, 201 Halley, Tom 87 ‘It’s All Too Much’ 79, 83, 85 Handling Ships 2, 40 Hanks, Tom 94 Jackman, Hugh 95 Hanna, Suzie 8 Jamalski 97 Hanna-Barbera 163 Jameson, Andrew 92 Happy Feet 2, 6, 15, 90–103 Jarre, Maurice 195 Harrison, George 79, 84, 85, 88 jazz music 8–10, 30–1, 34, 43–4, Hartman, Phil 165 47, 61, 63, 92, 99, 107–9, Hawaii Five-O 181 114–15, 117–18, 144, 147, 151, Hayasaka, Fumio 72 155–6, 158, 178, 181, 185, 215, hayashi 178–81 244 ‘Heartbreak Hotel’ 95 John, Elton 235, 239–42, 245 ‘Hey Bulldog’ 79, 83, 84 Johnson, Mike 34 Hill, Michael 11 Jones, Chuck 8, 29, 44, 53 Hilton, Ken 28 Jones, Tom 29 Hines, Gregory 98 Jump 163 Hisaishi, Joe 11, 15, 60–74 ‘Jump And Move’ 97 Hoffnung, Gerard 52, 53 Jungle Book, The 163, 226 Holloway, Stanley 44 Hooper, Tobe 169 kabuki 175, 178–80, 186 horror films 15, 25–9, 35–7, 168–9, kage-bayashi 179–80 180, 191–2, 201–3 Kalinak, Kathryn 117–18 horror-film music 168–9, 201–3 karaoke 100, 210, 223 Houston, Whitney 96 Kassabian, Anahid 86, 237 How Green Was My Valley 163 Kato, Kazuhiko 174 How the Grinch Stole Christmas 29 Katzenberg, Jeffrey 199, 202, 205, Howl’s Moving Castle (Hauru no Ugoku 207, 217 Shiro) 60, 61, 66–7, 71, 72 Keaton, Buster 146 Hunchback of Notre Dame, The 242 Keller, Ruby 98 Hyperion Pictures 161, 162 Kidman, Nicole 95, 102 Kiki’s Delivery Service (Majo no
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  • Animation Stagnation Or: How America Learned to Stop Worrying and Love the Mouse by Billy Tooma

    Animation Stagnation Or: How America Learned to Stop Worrying and Love the Mouse by Billy Tooma

    Animation Stagnation or: How America Learned to Stop Worrying and Love the Mouse by Billy Tooma With all the animated flms that come out reason behind this is that Disney just keeps these days, it can actually be somewhat difcult putting out one hit after another and audiences to distinguish a Disney-made one from the expect perfection each time. Unfortunately, for others, seeing as how the competition tries on a the company that has made Mickey Mouse a consistent basis to copy the style that Walt Disney household name for over 90 years, that isn’t the himself unofcially trademarked as far back as case. Even though people are showing up to the the late 1920s. Te very thought that something cinemas, they aren’t doing it because they expect is being put out by Disney can lead to biased to see a screen gem. Tey’re doing it because appeal. In 1994, Warner Bros. had produced an it’s felt that they owe something, possibly their animated feature entitled Tumbelina. In one childhood, to Disney. But, does that mean of its frst test screenings, the overall audience people are being foolish for constantly shelling consensus was low, discouraging the executives out money to see a Disney animated flm every because they felt theirs was as fne a product as year or so? Te answer is ‘no,’ because Disney their competition. In an unprecedented move, was able to gain such an early monopoly on Warner Bros. stripped their logo from the flm’s the industry that it allowed them to prevent opening and replaced it with the Disney one.