In Case of Architectural Design Critique and Praise of Case-Based Design in Architecture
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Modernist Heritage Conservation: an Evaluation of Theories and Current Practice
Modernist Heritage Conservation: An Evaluation of Theories and Current Practice Gaia Ileana Carla ZAMBURLINI School of the Built Environment College of Science and Technology University of Salford - UK Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy, April 2016 Table of contents TABLE OF CONTENTS ......................................................................................................... II LIST OF FIGURES ............................................................................................................. VII ACKNOWLEDGMENTS ........................................................................................................ IX ABBREVIATIONS ............................................................................................................... X ABSTRACT ……………………………………………………………………………………………................XIII PREFACE ....................................................................................................................... XIV RATIONALE .................................................................................................................... XIV METHODOLOGY .............................................................................................................. XVI AIM ............................................................................................................................... XXII OBJECTIVES .................................................................................................................. XXII RESEARCH -
News and Events in from Holland This Autumn Current and Future Events
News and Events in from Holland this Autumn Current and future events & exhibitions Current David Cronenberg - The Exhibition, EYE, Amsterdam Until 14 September 2014 EYE presents a major exhibition focusing on director David Cronenberg, who acquired cult status with his idiosyncratic films about the relationship between body, mind, technology and mass media. Curated and organized by the Toronto International Film Festival (TIFF), the exhibition explores Cronenberg’s world through the main themes of his films: the physical and psychological transformation of his protagonists. Highlights of this exhibition include the weird and wonderful special effects items from Cronenberg’s films, together with bizarre props, set photos and original costumes. Cronenberg has worked with famous actors such as Jeff Goldblum, Keira Knightley, Holly Hunter, Jude Law, Jeremy Irons and Robert Pattinson, whom he challenged to push the boundaries of their profession. Fashion, the musical, Centraal Museum, Utrecht Until 30 November 2014 Fashion illustrator Piet Paris is guest curator for Centraal Museum. More than 150 items are selected by Piet Paris from the Centraal Museum collection and presented in a surprising manner: as scenes in a musical. Taking the visitor from backstage and the red carpet to – eventually- the stage, he shows more than fifty looks by designers such as Comme des Garçons, Maison Martin Margiela, Iris van Herpen, Viktor & Rolf, but also 17th and 18th century costumes. Paris wants to show fashion in context, and not isolation. He combines fashion with objects, which he actually puts to use: ticking clocks, flower-filled vases and burning lights. He breaks the anonymity of the mannequin by giving each one a complete outfit, as well as a face drawn by the illustrator himself. -
The Urban and Cultural Climate of Rotterdam Changed Radically Between 1970 and 2000. Opinions Differ About What the Most Importa
The urban and cultural climate of Rotterdam changed radically between 1970 and 2000. Opinions differ about what the most important changes were, and when they occurred. Imagine a Metropolis shows that it was first and foremost a new perspective on Rotterdam that stimulated the development of the city during this period. If the Rotterdam of 1970 was still a city with an identity crisis that wanted to be small rather than large and cosy rather than commercial, by 2000 Rotterdam had the image of the most metropolitan of all Dutch cities. Artists and other cultural practitioners – a group these days termed the ‘creative class’ – were the first to advance this metropolitan vision, thereby paving the way for the New Rotterdam that would begin to take concrete shape at the end of the 1980s. Imagine a Metropolis goes on to show that this New Rotterdam is returning to its nineteenth-century identity and the developments of the inter-war years and the period of post-war reconstruction. For Nina and Maria IMAGINE A METROPOLIS ROTTERDAM’S CREATIVE CLASS, 1970-2000 PATRICIA VAN ULZEN 010 Publishers, Rotterdam 2007 This publication was produced in association with Stichting Kunstpublicaties Rotterdam. On February 2, 2007, it was defended as a Ph.D. thesis at the Erasmus University, Rotterdam. The thesis supervisor was Prof. Dr. Marlite Halbertsma. The research and this book were both made possible by the generous support of the Faculty of History and Arts at the Erasmus University Rotterdam, G.Ph. Verhagen-Stichting, Stichting Kunstpublicaties Rotterdam, J.E. Jurriaanse Stichting, Prins Bernhard Cultuurfonds Zuid-Holland and the Netherlands Architecture Fund. -
Old and New in Adaptive Reuse of Modern Industrial Heritage Ava Moshaver Ryerson University
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2011 Re Architecture: Old and New In Adaptive Reuse of Modern Industrial Heritage Ava Moshaver Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Architecture Commons Recommended Citation Moshaver, Ava, "Re Architecture: Old and New In Adaptive Reuse of Modern Industrial Heritage" (2011). Theses and dissertations. Paper 1421. This Thesis Project is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. RE ARCHITECTURE: Old and New In Adaptive Reuse of Modern Industrial Heritage by Ava Moshaver B.Arch Sci.,Ryerson University 2009 A Design Thesis Project presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Architecture in the Program of Architecture Toronto, Ontario, Canada, 2012 AUTHOR’S DECLARATION I hereby declare that I am the sole author of this thesis project. I authorize Ryerson University to lend this thesis project to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis project by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii ABSTRACT Adaptation of existing buildings for new functions is not a new phenomenon: the theoretical approach towards adaptive reuse was well established and theoretically formulated as early as at the beginning of the 19th century. -
Bakemavolume328lowres29 0.Pdf
OPEN:ABAKEMA CELEBRATION CONFRONTATION INTERPRETATION INVOCATION1: CIRCULATION SITUATION INSTALLATION IMPROVISATION COMPLICATION RECREATION INFORMATION DEMONSTRATION PROVOCATION RELATION INTERRELATION 2:OPEN Open the future direction of Dutch society, but together with the Guus Beumer and Dirk van den Heuvel office of Van den Broek en Bakema he also exemplified a practice that integrates design and research. Then and now, such integration seems necessary to achieve the innovation When Het Nieuwe Instituut was established as a needed in times of change. At the same time Bakema’s transdisciplinary merger between three separate institutes correspondence archive, especially the so-called ‘Post Box it also inherited the archive of the former Netherlands for the Development of the Habitat’, which Bakema initiated Architecture Institute, one of the largest collections of at the end of CIAM in 1959, is a wonderful and still inspiring architecture in the world. The question of how to open up example of the exchange of ideas between architects who this rich historical material had to be newly addressed. sought to contribute to the ideal of open and inclusive The specificity of the archive and its hundreds societies. Therefore, next to the installation proper and this of thousands of drawings, sketches, models, building paper publication, a contemporary post box will go online documents, photographs, and letters requires the during the Venice Biennale: the ‘Post Box for the Open development of an equally specific research program, in Society’, which will be open for anyone to participate in terms of scholarly qualities as well as artistic practices. debates and to contribute designs to counter the problems Thanks to the collaboration with TU Delft and the decision of societies today. -
Göring. a Biography
A BIOGRAPHY DAVID IRVING F FOCAL POINT Copyright © by David Irving Electronic version copyright © by Parforce UK Ltd. All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. Copies may be downloaded from our website for research purposes only. No part of this publication may be commercially reproduced, copied, or transmitted save with written permission in accordance with the provisions of the Co pyright Act (as amended). Any person who does any unauthorised act in relation to this publi- cation may be liable to criminal prosecution and civil claims for damages. To Thomas B. Congdon, who has helped me so much is the son of a Royal Navy commander. Imperfectly educated at Lon- don’s Imperial College of Science & Technol- ogy and at University College, he subsequently spent a year in Germany working in a steel mill and perfecting his fluency in the lan- guage. In he published The Destruction of Dresden. This became a best-seller in many countries. Among his thirty books (including several in German), the best-known include Hitler’s War; The Trail of the Fox: The Life of Field Marshal Rommel; Accident, the Death of General Sikorski; The Rise and Fall of the Luftwaffe; and Nuremberg, the Last Battle. The second volume of his Churchill's War appeared in and he is now completing the third vol- ume. Many of his works are available as free downloads at www.fpp.co.uk/books. Contents Prologue: Arrest The Reichsmarschall! Part : The Outsider A Triangular Affair Storm Troop -
The Fagus Factory in Alfeld
THE FAGUS FACTORY IN ALFELD NOMINATION FOR INSCRIPTION ON THE UNESCO WORLD HERITAGE LIST SEPTEMBER 2009 Summary SUMMARY I Fagus Factory – Nomination for Inscription on the Unesco World Heritage List II Summary State party Federal Republic of Germany State, province or region Lower Saxony, town of Alfeld Name of property Fagus factory Geographical coordinates to the nearest 51° 59’ 01” degrees North second 09° 48’ 40” degrees East Textual description of the boundary(ies) of Historical industrial area to the west of the the nominated property core city of Alfeld: the nominated area borders the Hanover-Göttingen rail route in the northeast and the Hannoversche Straße in the southwest. A4 (or „letter“) size map of the nominated See end of summary property, showing boundaries and buffer zone (if present) Justification With the construction of the Fagus factory, Statement of outstanding universal value Gropius made a breakthrough to new, modern art that went hand in hand with the age of technology. The Fagus factory, with a radical break from the conventional design practice, represents for the first time a new expression of architecture, which develops space and form from function, takes into account the light, air and lucidity require- ments of its users and makes use of the new technical possibilities of construction with glass and steel in industrially pre-produced processing. Glass, which is actually an unsubstantial material,becomes a formative building material and mode of expression of architecture.The design concepts underlying this construction had a decisive influence on the development of twentieth century architecture not only in Germany and Europe, but around the globe. -
Los Van De Aarde Architectuur Van Moderne Beweging Ontsnapt Aan Materie
LOS VAN DE AARDE ARCHITECTUUR VAN MODERNE BEWEGING ONTSNAPT AAN MATERIE PETER TIMMERMAN Hoog in de koepel van een barokkerk lost het materiaal waar het gebouw van gemaakt is op in licht of in een trompe- l’oeilschildering. De architecten probeerden hiermee het rijk van God uit te drukken: de immateriële hemel, verheven boven de aardse realiteit. In de moderne bouwkunst, aan het begin van de twintigste eeuw, zien we ook diverse pogingen om aan de materialiteit van het gebouw te ontsnappen. Gebouwen verliezen hun zwaarte en lijken door de toepassing van ijle constructies en veel glas te zweven in de ruimte, alsof ze van licht en lucht gemaakt zijn. n zijn klassiek geworden boek Space, Time and Architecture voerd, zoals bijvoorbeeld te zien is aan de luifels rond de centrale I(1941) beschrijft Sigfried Giedion het Bauhaus (Dessau, 1925) eetzaal. De dragende constructie loopt naar de randen toe af, omdat van Walter Gropius: ‘De immense glaswanden die de hoeken van daar minder gedragen hoeft te worden. Ook in dit gebouw bestaan het gebouw dematerialiseren zorgen ervoor dat de vloeren lijken te de hoeken geheel uit glas en lopen er lange vensters over de gevels, zweven.’ In de literatuur over waardoor verdiepingen boven moderne architectuur duikt re- elkaar lijken te zweven. Histori- gelmatig het begrip ‘immate- cus Giovanni Fanelli omschrijft rieel’ op of de term ‘ontmateria- Zonnestraal als een ‘gewichtloze liseren’. Voorts bestaan er tal- architectuur gemaakt van licht’. rijke beschouwingen over ge- Een soortgelijke omschrijving bouwen die hun ‘zwaarte verlie- vinden we bij architect Henk zen’ of die ‘zweven’. -
NEUE Bilder Sale Aus Exquisiter Privatsammlung Von Schweizer & Internationalen Künstlern
NEUE Bilder Sale aus exquisiter Privatsammlung von schweizer & internationalen Künstlern Liebe Graffiti-Kunst-Freunde Wir verkaufen aus exquisiter Privatsammlung Werke von Künstler wie: - Speedy Graphito (Oliver Rizzo) France - DARE (Sigi von Koeding) CH - Basel; gest. 2010 - JONONE (John Andrew Perello) USA & France - TILT (unknown) France - Smash 137 (Adrian Falkner) CH - Basel - WON ABC (Markus Müller) Germany - A1One (Karan Reshad) Iran - SEEN (Richard Mirando) USA - Pro 176 (Rudy Dougbe) France - SOZYONE (Pablo Gonzalez) Belgien - POSE (Pirmin Breu) CH - Aargau Macht Euch selber und/oder Euren Liebsten ein persönliches Geschenk. Martial: 079 427 53 32 Monika: 076 377 70 77 [email protected] [email protected] …wir freuen uns auf Eurer E-Mail / Telefon / What’s App. Speedy Graphito (Oliver Rizzo) France http://www.kollygallery.ch/speedy-graphito-artist/ https://en.wikipedia.org/wiki/Speedy_Graphito Speedy Graphito, or Olivier Rizzo, is a French painter who was born in Paris in 1961. He is one of the pioneers of the French Street Art movement alongside others like Jérôme Mesnager, Miss Tic and Blek le Rat. By imposing a powerful, innovative style in the early 1980s, Speedy influenced a generation of urban artists. Though his work has evolved considerably over the past few decades, he has become known and revered for his exploration of commercialism and references to pop culture images and icons. After a very brief career as a graphic designer and art director, in 1983 Speedy joined the collective X- Moulinex,[1] but left the following year.[2] In 1985, he was on the first meeting of the graffiti and urban art movement in Bondy (France), on the VLP's initiative, with Jef Aerosol, Miss Tic, SP 38, Epsylon Point, Blek le rat, Futura 2000, Nuklé-Art, Kim Prisu, Banlieue-Banlieue… By 1989 Speedy Graphito had participated in a number of group art exhibitions mostly in Paris, and by the late 1990s Speedy Graphito’s unique street art style was exhibited in art galleries across Europe. -
2.3.1. EL HOMBRE BORRADO Stam Y La Creatividad Colectiva
2.3.1. EL HOMBRE BORRADO Stam y la creatividad colectiva. [Fig 1.] Imagen de Le Corbusier y Mies, retocada para la portada de The Heroic period of modern architecture, Allison y Peter Smithson, 1965. [Fig2] Fotografía original. “Me llamo Erik Satie, como todo mundo. Ser Satie es ser irrepetible, esto es, encontrar un modo propio de disolverse hacia el triunfal anonimato, donde lo único es propiedad de todos”. Juan Villoro Pocos arquitectos modernos habrán sufrido un trato más dispar en la historiografía moderna como Mart Stam. Varios de sus coetáneos le relegaron a un papel más que secundario en sus estudios como Henry-Russel Hitchcock1 (1931) o Lewis Mumford (1947) que condensaron de forma simplista toda su obra bajo el epígrafe de riguroso funcionalista con un claro matiz negativo fruto de tendencia crítica de esta postura en la década de los 30: 1 Hitchcock en The International Modern Style, NY, 1932). Mumford en The Skyline, The New Yorker, 10 de noviembre de 1947 401 "For these men it is an absurdity to talk about the modern style in terms of aesthetics at all" Hitchcock "Mr. Sigfreid Giedion, once a leader of the mechanical rigorists, has come out for the monumental and symbolic" Mumford Es cierto que la investigación histórica confirma el papel esencial jugado por Stam en los congresos de los CIAM en la severa formulación de los planteamientos más deterministas. Más que Gropius o incluso que Hannes Meyer, Stam parece personificar el rol del más radical cambio en el núcleo del movimiento moderno, que en palabras de los Smithson supuso el vacío estilístico que de alguna manera había de llenarse con función y sociología.2 Aunque no deja de resultar paradójico que los Smithson admiraran su arquitectura precisamente por los rasgos estilísticos, principalmente en sus proyectos destinados a la publicación. -
Hotel & Restaurant
hotel & restaurant USA hotel & restaurant USA MADE IN ITALY SINCE 1856 history 4 cutlery 50 storia posateria geschichte besteck histoire couverts historia cuberteria TECHNICAL intro SPECIFICATIONS 52 mood 6 CUTLERY EXTENSION 54 DESIGN Imagine 56 Twist 57 Gio Ponti 58 Gio Ponti Conca 59 Bamboo 60 H-Art 61 finishing 24 Skin 62 Linea Q 63 Hannah 64 Triennale 65 MODERN Signe 66 Queen Anne 67 Milano 68 Akademia 69 Symbol 70 Dream 71 Linear 72 Sintesi 73 Flat 74 Tratto 75 CLASSIC Epns - Saint Bonnet 77 Epns - Laurier 78 Epns - Baguette Classic 79 Epns - Filet Toiras 80 Epns - Baroque 81 Filet Toiras 82 Ruban Croisè 83 Continental 84 Rome 86 Perles 87 Baguette 88 Decò 89 Contour 90 Petit Baroque 91 Florence 92 KIDS Mix 94 Gio Ponti Conca 94 PARTY 95 LIVING 96 SPECIAL ITEMS 104 2 Hotel & Restaurant Service holloware 108 buffet 210 vasellame serviergeschirr platerie complementos de mesa DESIGN Opera 212 DESIGN Madame 224 Sphera 110 Gio Ponti 228 intro Bamboo 118 Domus 229 Linea Q 126 Kyma 230 Twist 132 Italian Buffet 234 Sky 134 Service Malia 140 MODERN Service Nendoo 140 Asia 2000 252 Service T-Light 141 Europa Service Linear 141 Atlantic Buffet System Service Lucy 142 Service Kyma 144 CLASSIC America - Asia 276 MODERN Elite 146 ACCESSORIES & COMPONENTS 287 Avenue 168 COMPLEMENTARY ITEMS 296 CLASSIC Contour 172 SHOW PLATES 194 trolleys 308 PLATE COVERS 202 TABLE MATS 204 carrelli servierwagen tables roulantes carros de servicio Tokyo 310 New York 320 Versailles 326 accessories 342 table accessories 344 bar accessories 348 kitchen accessories 350 -
JULIANA VILLAGE December 2018
Juliana Village Activities Program – December 2018 JULIANA VILLAGE RESIDENTS’ NEWSLETTER December 2018 Juliana Village Activities Program – December 2018 Welcome to the December Newsletter. The Board, Management and Staff of Juliana Village would like to wish all of our residents and their families a very Merry Christmas. We hope this Christmas enriches your life; May each day be happy and bright; Overflowing with pleasure and love; May your Christmas be filled with delight Juliana Village Activities Program – December 2018 Dates To Remember ……………….. Monday 3rd - Bingo with Lorna at 1:45pm - Monthly Shopping Trip to Southgate Bus departs 10:15am Tuesday 4th – Library day - Laughter Yoga 10:30am on Level 2, Sharpe House - Memory Man at 10:30am in Georges Centre - Music with Jenni in GC at 2:15pm - Julie- Nail Day th Wednesday 5 - Sinterklaas Morning Tea at 10am – 12pm Devotion Service 1:45pm Thursday 6th – Hairdresser Day, Julia’s Flutes in Georges Centre 2pm Friday 7th - Logeman Court Christmas Party for Self- Care Residents at 11:00am Monday 10th - Bingo with Lorna at 1:45pm Tuesday 11th – Christmas Morning Tea at Bay Rd Kindy in Gymea, Bus departs at 9:30am - Laughter Yoga in Georges Centre at 2pm Wednesday 12th – YOGA on Level 2, Sharpe House at 9:45am Devotion Service 1:45pm Thursday 13th – Hairdresser Day - Residents Christmas Party at 11:30am th Friday 14 – Short Shopping Trip to Menai Marketplace, Bus Departs at 1:30pm Monday 17th – Bingo with Lorna at 1:45pm Tuesday 18th -Library day, Julie- Nail Day ,Men’s Shed at 10:00am -Laughter