JULIANA VILLAGE December 2018
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Leiden, a City Worth Exploring
Dit document wordt u aangeboden door: XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX XXXXXXXXXXXXXXXXXXXXXXXXXXXXXXXX klik hier voor meer artikelen Leiden, a city worth exploring ‘Seeing is believing’. With this saying in mind, soon becomes obvious when a number of the partici- Leiden Marketing organized the inspirational pants in the weekend is picked up from their hotel by means of battery-powered Tuk-Tuks. The participants weekend ‘Discover the convention city of were dropped off at the Academy building of the Leiden Leiden’. So, late September, more than 20 University for a visit to the Hortus Botanicus Leiden. meeting planners and event organizers from This Hortus dates back to 1590 and this means that it is all over the country came to see with their the oldest Hortus of the Netherlands. Apart from a huge variety of plants that can be admired in various gardens own eyes what Leiden has to offer with regard and hothouses, the site also includes some buildings to corporate events. suited for a corporate meeting, such as the ‘Tuinkamer’ (garden hall) with the Cycas terrace, grand café Clusius Photography Hielco Kuipers with its Curator’s terrace and the Orangery. In grand café Clusius, which can also be leased on an exclu- uring the inspirational weekend a number of sive basis, the food and drinks are provided by caterer Leiden Marketing’s partners is given the op- Vermaat. He uses mainly biological ingredients and Dportunity to present themselves to a dedicated herbs from the gardens. The Orangery from 1744 is group of interested organizers of corporate meetings where the entire group is welcomed by Martijn Bulthuis, and events. -
Culture at a First Glance Is Published by the Dutch Ministry of Education, Culture and Science
... Contents Section 1 Introduction 7 Section 2 General Outline 9 2.1 Geography and language 9 2.2 Population and demographics 9 2.3 The role of the city 11 2.4 Organisation of government 13 2.5 Politics and society 14 2.6 Economic and social trends 15 Section 3 Cultural Policy 19 3.1 Historical perspective 19 3.2 Division of roles in tiers of government in funding of culture 20 3.3 Government spending on culture 21 3.3.1 Central government’s culture budget for 2013-2016 21 3.3.2 Municipal spending on culture 22 3.3.3 Impact of cuts on funded institutions 25 3.4 Cultural amenities: spread 26 3.5 Priority areas for the Dutch government 29 3.5.1 Cultural education and participation in cultural life 29 3.5.2 Talent development 30 3.5.3 The creative industries 30 3.5.4 Digitisation 31 3.5.5 Entrepreneurship 31 3.5.6 Internationalisation, regionalisation and urbanisation 32 3.6 Funding system 33 3.7 The national cultural funds 34 3.8 Cultural heritage 35 3.9 Media policy 38 Section 4 Trends in the culture sector 41 4.1 Financial trends 41 4.2 Trends in offering and visits 2009-2014 44 4.2.1 Size of the culture sector 44 4.2.2 Matthew effects? 45 4.3 Cultural reach 45 4.3.1 More frequent visits to popular performances 47 4.3.2 Reach of the visual arts 47 4.3.3 Interest in Dutch arts abroad 51 4.3.4 Cultural tourism 53 4.3.5 Culture via the media and internet 54 4.4 Arts and heritage practice 57 4.5 Cultural education 59 5 1 Introduction Culture at a first Glance is published by the Dutch Ministry of Education, Culture and Science. -
Modernist Heritage Conservation: an Evaluation of Theories and Current Practice
Modernist Heritage Conservation: An Evaluation of Theories and Current Practice Gaia Ileana Carla ZAMBURLINI School of the Built Environment College of Science and Technology University of Salford - UK Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy, April 2016 Table of contents TABLE OF CONTENTS ......................................................................................................... II LIST OF FIGURES ............................................................................................................. VII ACKNOWLEDGMENTS ........................................................................................................ IX ABBREVIATIONS ............................................................................................................... X ABSTRACT ……………………………………………………………………………………………................XIII PREFACE ....................................................................................................................... XIV RATIONALE .................................................................................................................... XIV METHODOLOGY .............................................................................................................. XVI AIM ............................................................................................................................... XXII OBJECTIVES .................................................................................................................. XXII RESEARCH -
Must-Sees and Icons of the City 2018
Cover: Markthal, Iris van den Broek van Markthal, Iris Cover: Must-sees and icons of the city 2018 Claire Droppert 1 Rotterdam Centraal Rotterdam Central Station (Team CS, 2014) is one of the most iconic architectural sites MUST DO! in Rotterdam. The roof over the tracks is Need time to take covered in solar panels and the striking hall in this architectural roof points towards the city centre. A number masterpiece? Relax of historic elements from the former station with a cup of coffee building (1957) by Sybold van Ravesteyn next door at Engels have been re-used, like the original clock restaurant, or take in the front façade and the letters spelling the lift in the Groot out ‘Centraal Station’. In the main hall you Handelsgebouw to the 7th floor for a can find several shops, information about beautiful view of public transport and the Rotterdam Tourist Rotterdam Central Information. If you’re looking for original Station. souvenirs, don’t miss shopping at ‘Love Rotterdam. Gifts, Food & More.’ 2 Markthal You’ll find an indoor market hall in various world-class cities, but the combination with luxury housing makes Rotterdam’s Market Hall (MVRDV & INBO, 2014) the first of its kind. The apartments are arched over the DID YOU KNOW? food market in a horseshoe configuration. One of the country’s The main hall houses the market itself, as biggest outdoor well as shops, various restaurants and a four- markets is held on storey car park situated below. Look up to the large square enjoy the massive artwork sprawled across (Binnenrotte) in front of the Markthal the ceiling: the ‘Horn of Plenty’. -
Toeristisch Bezoek Aan Leiden in 2010 En Motivering Toeristisch Gebied Leiden)
B&W.nr. 11.0872, d.d. 13 september 2011 Onderwerp Herijking toeristisch gebied a.g.v. de wijziging in winkeltijdenwet per 01.01.2011 Besluiten: 1. de notitie ‘Herijking toeristisch gebied gemeente Leiden’ voor inspraak vast te stellen, waarin drie beleidsvarianten voor het toeristisch gebied – in de zin van de winkeltijdenwet – worden overwogen: a. de binnenstad en het stationsdistrict (handhaving huidige situatie) b. geheel Leiden (uitbreiding), c. geen (afschaffen van de huidige situatie), 2. de verslaglegging van de raadpleging van stadspartners over dit onderwerp vast te stellen, 3. in afwijking van artikel 7 van de Inspraakverordening de termijn van de inspraak te stellen op vier weken, ingaande de maandag, volgende op de besluitdatum van dit besluit; Perssamenvatting: De winkeltijdenwet uit 1996 is gewijzigd per 1 januari 2011. Op grond van die wijziging, zijn gemeenten, die een toeristisch gebied in de zin van de winkeltijdenwet hebben aangewezen, verplicht die aanwijzing te herijken. De gemeente moet onderbouwen waarom de gemeente daadwerkelijk toeristisch is. De toeristische aantrekkingskracht dient autonoom en substantieel te zijn. De wet geeft aan welke verplichte (belangen)afweging gemaakt moet worden: a. werkgelegenheid en economische bedrijvigheid in de gemeente, waaronder mede wordt begrepen het belang van winkeliers met weinig of geen personeel en van winkelpersoneel; b. de zondagsrust in de gemeente; c. de leefbaarheid, de veiligheid en de openbare orde in de gemeente. In de Notitie ‘Herijking toeristisch gebied gemeente Leiden’ wordt deze afweging gemaakt. Deze notitie wordt voor inspraak vastgesteld. Na verwerking van de inspraakreacties zal het college van Burgemeester en wethouders de raad voorstellen uit de drie beleidsvarianten met bijbehorende varianten winkeltijdenverordeningen, er één te kiezen. -
The Exotic World of Carolus Clusius 1526-1609 and a Reconstruction of the Clusius Garden
The Netherlandish humanist Carolus Clusius (Arras 1526- Leiden 1609) is one of the most important European the exotic botanists of the sixteenth century. He is the author of innovative, internationally famous botanical publications, the exotic worldof he introduced exotic plants such as the tulip and potato world of in the Low Countries, and he was advisor of princes and aristocrats in various European countries, professor and director of the Hortus botanicus in Leiden, and central figure in a vast European network of exchanges. Carolus On 4 April 2009 Leiden University, Leiden University Library, The Hortus botanicus and the Scaliger Institute 1526-1609 commemorate the quatercentenary of Clusius’ death with an exhibition The Exotic World of Carolus Clusius 1526-1609 and a reconstruction of the Clusius Garden. Clusius carolus clusius scaliger instituut clusius all3.indd 1 16-03-2009 10:38:21 binnenwerk.qxp 16-3-2009 11:11 Pagina 1 Kleine publicaties van de Leidse Universiteitsbibliotheek Nr. 80 binnenwerk.qxp 16-3-2009 11:12 Pagina 2 binnenwerk.qxp 16-3-2009 11:12 Pagina 3 The Exotic World of Carolus Clusius (1526-1609) Catalogue of an exhibition on the quatercentenary of Clusius’ death, 4 April 2009 Edited by Kasper van Ommen With an introductory essay by Florike Egmond LEIDEN UNIVERSITY LIBRARY LEIDEN 2009 binnenwerk.qxp 16-3-2009 11:12 Pagina 4 ISSN 0921-9293, volume 80 This publication was made possible through generous grants from the Clusiusstichting, Clusius Project, Hortus botanicus and The Scaliger Institute, Leiden. Web version: https://disc.leidenuniv.nl/view/exh.jsp?id=exhubl002 Cover: Jacob de Monte (attributed), Portrait of Carolus Clusius at the age of 59. -
Martin of Tours
Martin of Tours This article is about the French saint. For the Caribbean minority faith. island, see Saint Martin. For other uses, see Saint Martin As the son of a veteran officer, Martin at fifteen was re- (disambiguation). quired to join a cavalry ala. Around 334, he was sta- tioned at Ambianensium civitas or Samarobriva in Gaul Martin of Tours (Latin: Sanctus Martinus Turonensis; (now Amiens, France).[2] It is likely that he joined the 316 – 8 November 397) was Bishop of Tours, whose Equites catafractarii Ambianenses, a heavy cavalry unit shrine in France became a famous stopping-point for listed in the Notitia Dignitatum. His unit was mostly cer- pilgrims on the road to Santiago de Compostela in Spain. emonial and did not face much combat.[3] Around his name much legendary material accrued, and he has become one of the most familiar and recognis- able Christian saints. As he was born in what is now Szombathely, Hungary, spent much of his childhood in Pavia, Italy, and lived most of his adult life in France, he is considered a spiritual bridge across Europe.[1] His life was recorded by a contemporary, the hagiographer Sulpicius Severus. Some of the ac- counts of his travels may have been interpolated into his vita to validate early sites of his cult. He is best known for the account of his using his military sword to cut his cloak in two, to give half to a beggar clad only in rags in the depth of winter. Conscripted as a soldier into the Roman army, he found the duty incompatible with the Christian faith he had adopted and became an early conscientious objector. -
Hortus Atelier by Anita Walsmit Sachs Offers a 5 Days Course Botanical Drawing and Painting 2016 in Co-Operation With
21 Hortus atelier by Anita Walsmit Sachs offers a 5 days course botanical drawing and painting 2016 in co-operation with Rapenburg 73, 2311 GJ T. 0031 71 5 27 72 49 M. 0031 6 24 12 48 91 The Hortus botanicus Leiden is the oldest botanical garden in the Netherlands and located in the historical centre of Leiden. Behind the academy building of the Leiden University you will discover a green oasis with a large collection of plants native to South-east and East Asia, Southern Europe and South Africa. The Hortus is a haven within the city centre, a historical monument and a meeting place full of character. People come here to relax, enjoy the seasons or to learn more about the diversity of the plant kingdom. In 1590 the Hortus was founded by the University of Leiden. In 1594 Carolus Clusius (1526-1609) turned it into a medicinal herb garden. But Clusius introduced the tulip and many other plants like tobacco and potato the Hortus. These flowers and plants became known throughout Western Europe Many famous international scientists such as Clusius, Boerhaave, Linnaeus and Einstein were connected to the Hortus botanicus in Leiden. In the 19th century the German physician Philipp Franz von Siebold (1796-1866) brought hundreds of plant species with him from Japan to the Netherlands and 15 of these original introductions can still be found in the Hortus today. 21 The purpose of a botanical illustration is primarily a scientific accurate drawing, the artistic input is reflected in the sensitivity in which the subject is displayed and in the composition. -
Ik Geloof in De Heilige Geest... Inhoud Van De Redactie
mei 2013 4 SamenUitgave van het Bisdom Haarlem - AmsterdamKerk Thuiskomen pagina 7 De seizoenen van de kerk pagina 22 Ik geloof in de Heilige Geest... Inhoud Van de redactie 4 In dit nummer Van de redactie 3 A man for all seasons 4 7 Met elkaar verweven 6 Thuiskomen 7 Bijdrage van de bisschop 8 Ik geloof in de Heilige Geest Heilzaam voor mens en dier 10 en in de Heilige katholieke Kerk 10 Opdat wij niet vergeten 12 Van Onderop 14 De Heilige Geest 16 Als we dit schrijven, kijkt de wereld naar Syrië. Volgens Grégorios III Laham, de Melkitische patriarch van de Grieks-Katholieke Kerk is het hele land inmid- ’n Beetje Crypto 18 16 dels een slagveld. Hij gaf in een verklaring aan dat ’het lijden van het land iedere Tiende Sacramentsprocessie 19 beschrijving tart’ en dat ongeveer 400.000 Syrische Christenen, dat wil zeggen Vermeldenswaard 20 bijna een kwart van hun totale aantal, van huis en haard is verdreven of naar het Een kunstenares van het zuiverste water 21 buitenland is gevlucht sinds het uitbreken van de vijandelijkheden, nu twee jaar De seizoenen van de kerk 22 geleden. 22 Terug naar het hart 24 Twee aartsbisschoppen van de orthodoxe kerk werden eind april in Syrië Onbekende geschiedenis 25 ontvoerd; hun chauffeur, een priester, werd tijdens de brute ontvoering vermoord. Jongerenpagina’s 26 Het Syrisch-Orthodoxe bisdom van Aleppo vraagt in een persverklaring ons Feestelijk zomerprogramma bij OLV ter Nood 28 gebed voor beide bisschoppen en voor de zielenrust van de chauffeur van Mor 26 Musical David en Goliath 30 Gregorios: “Hij heeft zijn leven moeten geven in dienst van de Heer en Zijn Kerk op aarde.” Personalia 31 De gestolen bron van Arsacal 32 Dat brengt ons op het thema van dit mei-nummer: Ik geloof in de Heilige Geest en de Heilige katholieke Kerk.. -
In Case of Architectural Design Critique and Praise of Case-Based Design in Architecture
KATHOLIEKE UNIVERSITEIT LEUVEN FACULTEIT TOEGEPASTE WETENSCHAPPEN DEPARTEMENT ARCHITECTUUR, STEDENBOUW EN RUIMTELIJKE ORDENING Kasteel van Arenberg, B-3001 Leuven In case of architectural design Critique and praise of Case-Based Design in architecture Jury: Proefschrift voorgedragen tot Voorzitter Prof. Joos Vandewalle, vice-decaan het behalen van het doctoraat Prof. Herman Neuckermans, promotor in de toegepaste wetenschappen Prof. André Loeckx Prof. Jan Schreurs door Prof. Johan Wagemans Prof. Albert Dupagne (Université de Liège) Ann Heylighen Prof. Rivka Oxman (Technion Haifa) UDC 72.011 Mei 2000 Katholieke Universiteit Leuven – Faculteit Toegepaste Wetenschappen Kasteel van Arenberg, B-3001 Leuven (Belgium) Alle rechten voorbehouden. Niets uit deze uitgave mag worden vermenigvuldigd en/of openbaar gemaakt door middel van druk, fotokopie, microfilm, elektronisch of op welke andere wijze ook zonder voorafgaande toestemming van de uitgever. All rights reserved. No part of this publication may be reproduced in any form by print, photoprint, microfilm or any other means without written permission from the publisher. D/2000/7515/17 ISBN 90-5682-248-9 For my grandmother Acknowledgements Five years ago, I had to decide on a subject for my graduate’s thesis. Professor Herman Neuckermans made the suggestion to have a look at Case-Based Design, at that time a ‘hot topic’ in the field of CAAD. Computers were not exactly what I would call my cup of tea, but I nevertheless accepted his suggestion – not in the last place because it would enable me to spend one semester at the ETH in Zürich. Although the thesis became an unqualified success in terms of scores, it left me with an uneasy feeling. -
THE ARTIST's PRINT AS a STRATEGY for SOCIAL ENGAGEMENT Bess Frimodig a Thesis Submitted in Partial F
AN HONOURABLE PRACTICE: THE ARTIST’S PRINT AS A STRATEGY FOR SOCIAL ENGAGEMENT Bess Frimodig A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy Faculty of Arts, Creative Industries and Education University of the West of England, Bristol April 2014 Volume I 0 List of Illustrations Fig.3. Fukuzoku Koto Gakko High School Year Book, Kanazawa, Japan 1980 Plate I. She Still Rules Plate II. Twente Identity Robe Plate V. Stand Up To Hatred: Wall of Resistance Plate VI. To Let Plate VII. Mapping The Longest Print 1 CONTENTS Pg.4 AUTHOR DECLARATION Pg.5 ACKNOWLEDGEMENT Pg.6 ABSTRACT Pg.7 INTRODUCTION Pg.8 The dilemma Pg.10 Research Question Pg.10 Aims and Objectives Pg.10 Development of the research and its rationale Pg.12 Methodology Pg.14 Outline Pg.16 CHAPTER ONE: BACKGROUND Pg.17 Personal Context Pg.22 The Social Role of Art – A Debate Pg.27 Why print? Pg.27 History of Print Pg.35 Literature of Print – Texts, Websites and Blogs Pg.49 The Way Forward: The Individual Artist and Entering the Collective Pg.49 Models of practice Pg.58 Guiding principles Pg.59 CHAPTER TWO: CASE STUDIES Pg.60 CS1 Black History Month Pg.61 Introduction Pg.61 Aims and Objectives Pg.62 Context Pg.62 The Print Pg.63 Evaluation Pg.66 Conclusion Pg.67 The Way Forward Pg.68 CS2 AKI Twente Identity Robe Pg.69 Introduction Pg.69 Aims and Objectives Pg.70 Context Pg.70 The Print Pg.73 Evaluation Pg.74 Conclusion Pg.75 The Way Forward Pg.76 CS3 Stand up to Hatred: Wall of Resistance -
Affaire Des Prises D'eau a La Meuse the Diversion Of
COUR PERMANENTE DE JUSTICE INTERNATIONALE SÉKIE AIB ARRÊTS, ORDONNANCES ET AVIS CONSULTATIFS FASCICULE No 70 AFFAIRE DES PRISES D'EAU A LA MEUSE ARRÊT DU 28 JUIN 1937 JUDGMENT OF JUNE 28th, 1937 - PERMANENT COURT OF INTERNATIONAL JUSTICE SERIES A. /B. JUDGMENTS, ORDERS AND ADVISORY OPINIONS FASCICULE No. 70 THE DIVERSION OF WATER FROM THE METJSE LEYDE LEYDEN SOCIÉTÉ D'ÉDITIONS A. W. SIJTHOFF'S A. W. SIJTHOFF Il PURLISHING COMPANY COUR PERMANENTE DE JUSTICE INTERNATIONALE 1937 Le 28 juin. Rôle général ANNÉEJUDICIAIRE 1937 no 69. 28 juin 1937. AFFAIRE DES PRISES D'EAU A LA MEUSE Interprétation du Traité dzr 12 mai 1863 entre la Belgique et les Pays-Bas sur le régime des prises d'eau à la Meuse : ce traite' n'a pas créé, au profit de l'un des contractants, un droit de contrôle que l'autre ne pourrait exercer. L'obligation de puiser l'eau exclusivement à la rigole d'alimenta- tion de Maestricht s'impose aux deux contractants ; l'usage normal par eux d'écluses n'est pas incompatible avec le traité, à condition qu'aucune atteinte ne soit portée au régime institué par le traité; sous la même condition, droit pour chacune des Parties de modifier et d'agrandir les canaux soumis au traité, s'il s'agit de canaux situés sur son territoire et qui n'en sortent pas. Les Pays-Bas étaient en droit de modifier, sans l'agrément de la Belgique, la hauteur d'eau dans la Meuse à Maestricht, du moment qu'aucune atteinte n'était portée au régime institué par le traité.