Must-Sees and Icons of the City 2018

Total Page:16

File Type:pdf, Size:1020Kb

Must-Sees and Icons of the City 2018 Cover: Markthal, Iris van den Broek van Markthal, Iris Cover: Must-sees and icons of the city 2018 Claire Droppert 1 Rotterdam Centraal Rotterdam Central Station (Team CS, 2014) is one of the most iconic architectural sites MUST DO! in Rotterdam. The roof over the tracks is Need time to take covered in solar panels and the striking hall in this architectural roof points towards the city centre. A number masterpiece? Relax of historic elements from the former station with a cup of coffee building (1957) by Sybold van Ravesteyn next door at Engels have been re-used, like the original clock restaurant, or take in the front façade and the letters spelling the lift in the Groot out ‘Centraal Station’. In the main hall you Handelsgebouw to the 7th floor for a can find several shops, information about beautiful view of public transport and the Rotterdam Tourist Rotterdam Central Information. If you’re looking for original Station. souvenirs, don’t miss shopping at ‘Love Rotterdam. Gifts, Food & More.’ 2 Markthal You’ll find an indoor market hall in various world-class cities, but the combination with luxury housing makes Rotterdam’s Market Hall (MVRDV & INBO, 2014) the first of its kind. The apartments are arched over the DID YOU KNOW? food market in a horseshoe configuration. One of the country’s The main hall houses the market itself, as biggest outdoor well as shops, various restaurants and a four- markets is held on storey car park situated below. Look up to the large square enjoy the massive artwork sprawled across (Binnenrotte) in front of the Markthal the ceiling: the ‘Horn of Plenty’. (Tuesday and Saturday). Ossip van Duivenbode 3 Kubuswoningen The Cube Houses (Piet Blom, 1984) are part of the Blaakse Bos (Blaakse Wood) development which borders on the Laurenskwartier district and the Waterfront area. The architect wanted to design a kind Iris van den Broek of village within the city and saw the houses as trees and the whole area as a wood. The Cube Houses are tipped to one side as it were, making three sides face the ground and three face the sky. Don’t forget to visit MUST DO! Climb the tower the Kijk-Kubus (Show-Cube) to experience on a guided tour what life is like in a Cube House. (Wednesdays and Saturdays from April through October) for 4 Laurenskerk a spectacular view. The Late Gothic church (1449-1525) is the only building still remaining from the medieval city centre. The church received its Iris van den Broek current shape around 1525, but took heavy damage during the bombardment in May 1940. It now stands in striking contrast to the new architecture that surrounds it. Besides its regular church services, the buil- ding now also houses a permanent exhibition entitled ‘A monument full of stories’. 5 ss Rotterdam The ss Rotterdam (1959) is the former flagship of the Holland-America Line. The steamship was built in Rotterdam, returning to its home port in 2008 after many voyages Gaby Jongenelen and nautical miles. Since then, it has been moored at the tip of the Katendrecht peninsula. It’s used as a hotel, restaurant MUST DO! and events venue. The terrace on deck offers An audio tour guides a unique view of the city. visitors through the authentic details of the restored 6 Erasmusbrug lounges and decks The 800-metre long Erasmus Bridge (Ben van and offers a peek at Berkel, 1996) spans the Nieuwe Maas River the engine rooms. and links the northern and southern parts of Rotterdam. The suspension bridge has a 139-metre high steel pylon which is secured with 40 cables. The shape of the pylon gave the bridge its nickname: The Swan. DID YOU KNOW? The nhow Rotterdam Bar and restaurant Guido Pijper has a terrace that literally places you in the heart of the 7 De Rotterdam skyline. Take the lift Architecture aficionados will be astounded to the 7th floor and by the Wilhelminapier. The world’s most look out across the city as you enjoy famous ‘starchitects’ have erected buildings your lunch, cocktails here. Álvaro Siza, Renzo Piano, Francine or dinner. Houben, Norman Foster – and Rotterdam’s own Rem Koolhaas. His De Rotterdam (2013) is an iconic example of urban architecture. The three linked towers are nearly 150 metres high, forming a ‘vertical city’ of high-class buildings, a 4-star hotel, offices, restaurants and parking facilities. 8 Fenix Food Factory One of the old quayside warehouses now accommodates an indoor market for fresh foods where you can shop for authentic and traditional products: from bread straight out of the oven to homemade sausage and Iris van den Broek homebrewed cider. The sidewalk café on the waterfront offers an enchanting view of the sunset over the Nieuwe Maas River. MUST DO! Travel quickly from Iris van den Broek Hotel New York to the Veerhaven with 9 Hotel New York the Watertaxi (Hotel New York One of the most beautiful historic buildings Ferry Service) and in the city, Hotel New York is a Jugendstil enjoy the view of the structure. The former headquarters of the River Maas. Holland-America Line looks out towards the sea and is now a hotel and restaurant. 500Watt 10 Euromast The Euromast observation tower was constructed to mark the Floriade gardening extravaganza in 1960. The Euromast lift takes just 30 seconds to whisk visitors to a height of 100 metres where there is an observation deck and brasserie restaurant. The Euroscope revolving lift takes people up to 185 metres. HARBOUR & BEACH 11 Spido Go on a tour with Spido, one of Rotterdam’s biggest attractions. The Port of Rotterdam tour (75 minutes) sails year-round and gives you a short but powerful impression of Rotterdam’s container ports. Maeslantkering The Maeslant Storm Surge Barrier is the largest movable flood barrier in the world and protects the area against flooding. Visit the Keringhuis information centre for an impression of the barrier. Shelley Trustfull Maeslantkeringweg 139, Hoek van Holland Futureland A visit to the free FutureLand Information Centre will not only tell you everything you need to know about the developing port, at Maasvlakte 2 you will see the biggest container ships and the most modern Freek van Arkel container terminals with your own eyes. Europaweg 902, Maasvlakte Rotterdam Rotterdam Beach Sea, beach, dunes, promenade, harbour, Rob van der Teen polders and attractions: Hoek van Holland is very versatile. In the summer it’s a pleasant, bustling seaside resort but Hoek van Holland is also attractive to visit in the other seasons with a great cultural offering, a diverse hinterland, and giant ships from the international Port of Rotterdam passing by. Zeekant, Hoek van Holland WITTE DE WITHKWARTIER Iris van den Broek Street art: OX-Alien en Mark Goss 12 Witte de Withstraat The ultimate arts and culture street in Rotterdam is known for its artistic, multicultural and lively character. Referred to as the city’s ‘Axis of Art’, it runs from the Maritime Museum to the Museumpark and is lined with galleries, avantgarde fashion boutiques, restaurants and (art) cafés. 13 Bazar The bright and colourful tables, the eye-catching lights and the cheerful music at Bazar will remind you of a busy market from a far-away place. Most dishes on the menu find their origin in North Africa and the Middle East. Marc Heeman MUST DO! Fan of street art? Discover impressive wall paintings from Claire Droppert local artists with the Rotterdam Street Art Route app. 14 De Witte Aap rewriters010.nl The most famous pub in the street is De Witte Aap, an institution in the city’s nightlife for ages. The Lonely Planet even nominated it as the best bar in the world! Thanks to the heated terrace you can sit outside all year round, on Saturdays there are DJs. 15 Museum Boijmans Van Beuningen One of the Netherlands’ oldest museums hosts a rich spectrum of temporary exhibits on a variety of subjects. Its permanent DID YOU KNOW? collection of paintings, sculptures, drawings, In the Museumpark, etchings and objects features many major Museum Boijmans Dutch and European works spanning the Van Beuningen early middle ages to the 21st century, from is building an art Jeroen Bosch to Rembrandt, from Van Gogh depot: Depot to Salvador Dalí and Dutch Design. Boijmans Van Beuningen. It provides an enormous amount of storage space for art, accessible to the public. Ossip van Duivenbode 16 Kunsthal Rotterdam The Kunsthal is housed in a building designed by OMA. The way that it joins the Westzeedijk, it resembles a modern version of a traditional Dutch dyke house. The Kunsthal presents several exhibitions Ossip van Duivenbode simultaneously, taking visitors on an exciting journey through various cultures and art movements. From modern masters and contemporary art to forgotten cultures, photography, fashion and innovative design. 17 Diergaarde Blijdorp Rotterdam Zoo is situated in the district of Blijdorp, in Rotterdam Noord. Stroll across the African Savannah and stand face-to-face with the giraffes. Visit Bokito the gorilla and Daarzijn his family. Walk on the seabed in the indoor Oceanium and meet stingrays and sharks. Discover the Amazon in the largest butterfly paradise of Europe: Amazonica. Experience tropical temperatures, fragant flowers, hundreds of colourful South American butterflies and greedy piranhas. 18 Van Nelle Fabriek The Van Nelle Factory (1925 - 1931) is a classic example of the Nieuwe Bouwen school of Dutch modernist architecture. The ingenious building was designed to Daarzijn provide all the facilities for the employees close at hand, keeping the building fully above-ground to create air, light and space. The complex was renovated and redesigned in 2000.
Recommended publications
  • Culture at a First Glance Is Published by the Dutch Ministry of Education, Culture and Science
    ... Contents Section 1 Introduction 7 Section 2 General Outline 9 2.1 Geography and language 9 2.2 Population and demographics 9 2.3 The role of the city 11 2.4 Organisation of government 13 2.5 Politics and society 14 2.6 Economic and social trends 15 Section 3 Cultural Policy 19 3.1 Historical perspective 19 3.2 Division of roles in tiers of government in funding of culture 20 3.3 Government spending on culture 21 3.3.1 Central government’s culture budget for 2013-2016 21 3.3.2 Municipal spending on culture 22 3.3.3 Impact of cuts on funded institutions 25 3.4 Cultural amenities: spread 26 3.5 Priority areas for the Dutch government 29 3.5.1 Cultural education and participation in cultural life 29 3.5.2 Talent development 30 3.5.3 The creative industries 30 3.5.4 Digitisation 31 3.5.5 Entrepreneurship 31 3.5.6 Internationalisation, regionalisation and urbanisation 32 3.6 Funding system 33 3.7 The national cultural funds 34 3.8 Cultural heritage 35 3.9 Media policy 38 Section 4 Trends in the culture sector 41 4.1 Financial trends 41 4.2 Trends in offering and visits 2009-2014 44 4.2.1 Size of the culture sector 44 4.2.2 Matthew effects? 45 4.3 Cultural reach 45 4.3.1 More frequent visits to popular performances 47 4.3.2 Reach of the visual arts 47 4.3.3 Interest in Dutch arts abroad 51 4.3.4 Cultural tourism 53 4.3.5 Culture via the media and internet 54 4.4 Arts and heritage practice 57 4.5 Cultural education 59 5 1 Introduction Culture at a first Glance is published by the Dutch Ministry of Education, Culture and Science.
    [Show full text]
  • Modernist Heritage Conservation: an Evaluation of Theories and Current Practice
    Modernist Heritage Conservation: An Evaluation of Theories and Current Practice Gaia Ileana Carla ZAMBURLINI School of the Built Environment College of Science and Technology University of Salford - UK Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy, April 2016 Table of contents TABLE OF CONTENTS ......................................................................................................... II LIST OF FIGURES ............................................................................................................. VII ACKNOWLEDGMENTS ........................................................................................................ IX ABBREVIATIONS ............................................................................................................... X ABSTRACT ……………………………………………………………………………………………................XIII PREFACE ....................................................................................................................... XIV RATIONALE .................................................................................................................... XIV METHODOLOGY .............................................................................................................. XVI AIM ............................................................................................................................... XXII OBJECTIVES .................................................................................................................. XXII RESEARCH
    [Show full text]
  • Modern Architecture and Modern Furniture
    Modern Architecture and Modern Furniture 14 docomomo 46 — 2012/1 docomomo46.indd 14 25/07/12 11:13 odern architecture and Modern furniture originated almost during the same period of time. Modern architects needed furniture compatible with their architecture and because Mit was not available on the market, architects had to design it themselves. This does not only apply for the period between 1920 and 1940, as other ambitious architectures had tried be- fore to present their buildings as a unit both on the inside and on the outside. For example one can think of projects by Berlage, Gaudí, Mackintosh or Horta or the architectures of Czech Cubism and the Amsterdam School. This phenomenon originated in the 19th century and the furniture designs were usually developed for the architect’s own building designs and later offered to the broader consumer market, sometimes through specialized companies. This is the reason for which an agree- ment between the architect and the commissioner was needed, something which was not always taken for granted. By Otakar M á c ˆe l he museum of Czech Cubism has its headquarters designed to fit in the interior, but a previous epitome of De in the Villa Bauer in Liboˇrice, a building designed Stijl principles that culminated in the Schröderhuis. Tby the leading Cubist architect Jiˆrí Gocˆár between The chair was there before the architecture, which 1912 and 1914. In this period Gocˆár also designed Cub- was not so surprising because Rietveld was an interior ist furniture. Currently the museum exhibits the furniture designer. The same can be said about the “father” of from this period, which is not actually from the Villa Bauer Modern functional design, Marcel Breuer.
    [Show full text]
  • Patrimoine Mondial 23 COM
    Patrimoine Mondial 23 COM Distribution limitée WHC-99/CONF.209/10 Paris, le 5 octobre 1999 Original : anglais / français ORGANISATION DES NATIONS UNIES POUR L'EDUCATION, LA SCIENCE ET LA CULTURE CONVENTION CONCERNANT LA PROTECTION DU PATRIMOINE MONDIAL, CULTUREL ET NATUREL COMITE DU PATRIMOINE MONDIAL Vingt-troisième session Marrakech, Maroc 29 novembre – 4 décembre 1999 Point 8 de l’ordre du jour provisoire : Informations sur les listes indicatives et examen de propositions d’inscription de biens culturels et naturels sur la Liste du patrimoine mondial en péril et la Liste du patrimoine mondial RESUME 1. A sa dix-septième session à Carthagène, en décembre 1993, le Comité a exprimé sa préoccupation quant au petit nombre de listes indicatives qui répondaient aux exigences stipulées aux paragraphes 7 et 8 des Orientations, et il a confirmé l'importance de ces listes pour la planification, l'analyse comparative des propositions d'inscription et la réalisation des études globales et thématiques. Ces listes constituent en outre un inventaire des biens situés sur le territoire de chaque Etat partie que ce dernier considère comme susceptibles d'être inscrits sur la Liste du patrimoine mondial. Le Comité a également confirmé que les listes indicatives sont obligatoires pour les biens culturels pour lesquels les Etats parties ont l'intention de soumettre des propositions d'inscription sur la Liste du patrimoine mondial dans les cinq à dix prochaines années. 2. En conséquence, le Comité a invité les Etats parties qui ne l'avaient pas encore fait, à soumettre leurs listes indicatives conformément aux Orientations, étant entendu qu’ "une assistance préparatoire sera fournie si nécessaire et à la demande de l'Etat partie concerné".
    [Show full text]
  • De Groote Potloot
    De Groote Potloot Oranjeschool, Mercer Island, USA, groep 7 en 8 Thema: Nederlandse Werelderfgoeden. Vol 10. Januari 2018 De Waddenzee Advertentie Door Joris Hutchison Als je bedreigde dieren wilt De Waddenzee is een wereld erfgoed, beschermen, doneer aan het net als de Chinese muur en de toren Wereld Natuur Fonds (WNF) van Pisa. Ze zijn officieel bekend door UNESCO. UNESCO is een onderdeel van de verenigde naties. Het is een De website: groote zee dat twee keer per dag leeg https://www.wnf.nl/ komt te liggen. Daar zijn ongeveer 40,000 zeehonden die leven in de Waddenzee. Word een WNF Ranger. De website: Daar zijn ook veel mosselen. De mosselen zijn eten voor mensen, https://www.wnf.nl/doe- vogels en krabben. In de bodem van mee/jeugdclubs/geef-een- de Waddenzee daar leven kleine wormen, krabben, en meer. Miljoenen wnf-ranger-op.htm trekvogels komen om al die wormen en krabben op te eten. De Waddenzee is een voedselplaats voor vogels en mensen, een huis voor krabben, schelpdieren, zeehonden en meer. Dankje wel voor mijn artikel te lezen! Foto bronnen: https://villanieuwland.nl/omgeving/zeehonden-bekijken-op-het-wad , https://erfgoedstem.nl/eerste -experiment-waddenzee-mosselen-als-wrakbescherming/ Bezoek deze site voor alle Nederlandse dingen in en om Seattle. http://www.dutchseattle.com/ _____________________________________________________________________________ De Groote Potloot, Januari 2018 Pagina 1 De Waddenzee Van Nelle Fabriek Door Anisa Dopps Door Miep Bar Clingan De Waddenzee is uniek in De Van Nelle Fabriek was gebouwd tussen de de wereld. Het is een van jaren 1925-1931. Het was gebouwd aan de rivier de wereld erfgoeden.
    [Show full text]
  • Early Experiments in Low-Rise Social Housing in the Netherlands: Brinkman and Oud by Carla Scura
    Early experiments in low-rise social housing in the Netherlands: Brinkman and Oud by Carla Scura Rotterdam, still a medium-sized town even though it is the second city of the Netherlands and the most important port of Europe, can be visited very easily on foot or by tram in a fairly short time. For example, two social housing experiments dating back to the early 20th century that are located in different parts of the town can be comfortably reached and visited in the space of a few hours. These are the Spangen complex, designed and realized by architect Michiel Brinkman in 1919-21, and the Kiefhoek neighbourhood, created by J.J.P. Oud in 1925-27, i.e. two pioneering specimens of social housing at the time of their planning and construction. More specifically, the experimental quality of these two urban complexes falls under the architectural research conducted in the low-rise, high-density dimension of social housing, especially as far as Brinkman’s estate is concerned. This is also a line of scientific research pursued by Embrice2030 with different initiatives, including an exhibition on the work of Italian architect Paolo Meluzzi <embrice2030.com/2018/02/14/paolo-meluzzi-e-il-dibattito-low-rise-high-density-1990-2000- inaugurazione-mercoledi-21-febbraio-2018-17-30/>; a book with a focus on his life and career <embrice2030.com/embrice-formato-a-tema/>, item 014; and, so far, a reportage on a typical 1970’s social housing estate in London <embrice2030.com/2019/02/08/low-rise-in-the-sky-le-avventure-di-un- complesso-di-edilizia-residenziale-pubblica-a-londra-dagli-anni-settanta-a-oggi/>.
    [Show full text]
  • Copyrighted Material
    25_662945 bindex.qxp:interior pages 3/5/08 11:47 AM Page 567 Index Entries in italic type refer to illustrations Aalto, Alvar, 18, 129, 170, 271, 291, 360, 476, 492, American Embassy. See United States Embassy Baker House Dormitory, Massachusetts Institute 492, 493, 493–494, 494, 495 American Houses, Inc., 148–149, 309 of Technology, Cambridge, Massachusetts, Abramovitz, Max, 372, 372, 373, 375 American Institute of Architects (AIA), 278, 432, 291, 494 accessibility 436 Bankers Trust Building, New York, New York, 80 airport terminal preservation, 425 American National Exhibition, Moscow, USSR banking industry, 39–40 Raymond M. Hilliard Center, Chicago, Illinois, (1959), 141 Bankside Power Station, Southwark, London, 293, 295 American Radiator Company, 309 England, 449 A. Conger Goodyear House, Old Westbury, New American Society for Testing Materials (ASTM), Barbican housing estate, London, England, 86, 98 York, 213 113, 128 Barcelona chair, 7, 185, 189, 189 acrylic sealants, 133 Ammann & Whitney, 95, 427, 431 Barcelona Pavilion, Barcelona, Spain (1929), 10, adaptive reuse, 34 Amoco Building (Aon Center), Chicago, Illinois, 38, 50, 51, 52, 171, 182, 183, 184, 185, 185, Advance Development Company, 264 129, 131, 476, 496, 497, 498 186, 187–188, 188, 189, 189, 190–193 advocacy, viii design, 496 design description, 187–189 Agnelli, Giovanni, 454–455 generally, 496 generally, 185–187 Ain, Gregory, 261–262, 263, 263, 264, 265, 266, historical development, 496–498 historical perspective, 189–190 266, 326 preservation issues, 498 reconstruction, 190–193, 201 Air Commerce Act of 1926, 420 Anaheim Ice (Disney Ice Skating Rink), Bard Awards, 279 Air France, 424 Anaheim, California, 107 Barragán, Luis, 5 airline industry, 31, 395, 396, 422, 424, 431.
    [Show full text]
  • World Heritage 31 COM
    World Heritage 31 COM Distribution Limited WHC-07/31.COM/8A Paris, 31 March 2007 Original: English/French UNITED NATIONS EDUCATIONAL, SCIENTIFIC AND CULTURAL ORGANIZATION CONVENTION CONCERNING THE PROTECTION OF THE WORLD CULTURAL AND NATURAL HERITAGE WORLD HERITAGE COMMITTEE Thirty first Session Christchurch, New Zealand 23 June – 2 July 2007 Item 8 of the Provisional Agenda: Establishment of the World Heritage List and of the List of World Heritage in Danger 8A. Tentative Lists submitted by States Parties as of 31 March 2007, in conformity with the Operational Guidelines SUMMARY This document presents a proposal for an amended format and a new procedure for Tentative Listing. It also presents the Tentative Lists of all States Parties submitted in conformity with the Operational Guidelines as of 31 March 2007. The World Heritage Committee is requested to note that all nominations of properties to be examined by the 31st session of the Committee are included in the Tentative Lists of the respective States Parties. • Annex 1 presents the amended Tentative List submission format; • Annex 2 presents a full list of States Parties indicating the date of the most recent Tentative List submission; • Annex 3 presents new Tentative Lists (or additions to Tentative Lists) submitted by States Parties since the last session of the World Heritage Committee; • Annex 4 presents a list of all properties submitted on Tentative Lists received from the States Parties, in alphabetical order. Draft Decisions: 31 COM 8A.1 and 31 COM 8A.2, see points II and IV. I. Proposal for an amended format and a new procedure for Tentative Listing 1.
    [Show full text]
  • Industrial Heritage Analysis
    Global Strategy Studies Industrial Heritage Analysis World Heritage List and Tentative List Michael Falser (Austria) Stagiaire 15.8.-15.10.2001 UNESCO World Heritage Centre Asia-Pacific Region Minja Yang Table of Contents 0. Overview - Aim of Work 4 1. The UNESCO World Heritage 4 1.1. Convention, World Heritage Committee, Advisory Bodies, World Heritage List and Tentative List 4 1.2. The UNESCO World Heritage Centre and its Mandate 5 2. The World Heritage List and Global Strategy 6 2.1. The World Heritage List and Global Strategy 6 2.2. Trends, Analysis, Issues, Lacuna to address 6 3. Industrial Heritage 9 3.1. Definition 9 3.2. Industrial Heritage on the World Heritage List 9 3.3. Proposed Classification System (HEAR) 13 3.4. Classification and Introduction of the Industrial World Heritage Sites 14 4. Analysis of the Tentative List 16 4.1. Definition of the Tentative List and The Operational Guidelines 16 4.2. Classification of Industrial Heritage on the Tentative List 16 4.3. Classification by Region 17 4.3.1. Africa Region 17 4.3.1.1. Table and Map - Description 17 4.3.1.2. Trends 18 4.3.1.3. Highlights 18 4.3.2. Arab States Region 19 4.3.2.1. Table and Map - Description 19 4.3.2.2. Trends 19 4.3.2.3. Highlights 20 2 4.3.3. Asia / Pacific Region 21 4.3.3.1. Table and Map - Description 21 4.3.3.2. Trends 22 4.3.3.3. Highlights 22 4.3.4. Europe / North America Region 23 4.3.4.1.
    [Show full text]
  • Built Between 1926 and 1931, Van Nelle's Tobacco, Coffee and Tea
    PATRIMOINE L’usine Van Nelle, Rotterdam DOSSIER Built between 1926 and 1931, Van Nelle’s tobacco, coffee and tea factory in Rotterdam is a place of exemplary modernity and functionalism. Transformed into offices by Dutch firm Wessel de Jonge Architecten in 2004, the Van Nelle factory has been listed as a UNESCO World Heritage Site since 2014. About a productivist architecture. Excerpt from Vertical Urban Factory (2015) by , of which a new edition is now available by Actar Publishers. by Herman Friedrich Mertens (1885–1960), was erected in 1931– 1932. The narrow site both fronted the water and NINA RAPPAPORT rail networks, and inspired cantilevering of the six floors of Nina Rappaport is an architectural critic, curator, the concrete frame building, which had circular and ribbon educator, and consultant. She is publications director at Yale School of Architecture and editor of the biannual windows resembling a ship at the port’s docks. publication Constructs, the exhibition catalogs, as well as the school’s book series. Van Nelle’s owners, Kees van der Leeuw and his brother She the director of the think tank, Vertical Urban Factory, Dick (1894–1936) were inspired by Theosophy, a which includes a book, exhibition, research branch and consultancy for spaces for manufacturers in cities. She mystical religious movement that gained popularity in consults on projects with architectural teams including the late nineteenth century. In 1923, Kees helped to projects in Paris, Brussels, Russia, and New York. build the Amsterdam- based headquarters of the Order of the Star in the East, an offshoot of the Theosophicawl Society’s India branch.
    [Show full text]
  • JULIANA VILLAGE December 2018
    Juliana Village Activities Program – December 2018 JULIANA VILLAGE RESIDENTS’ NEWSLETTER December 2018 Juliana Village Activities Program – December 2018 Welcome to the December Newsletter. The Board, Management and Staff of Juliana Village would like to wish all of our residents and their families a very Merry Christmas. We hope this Christmas enriches your life; May each day be happy and bright; Overflowing with pleasure and love; May your Christmas be filled with delight Juliana Village Activities Program – December 2018 Dates To Remember ……………….. Monday 3rd - Bingo with Lorna at 1:45pm - Monthly Shopping Trip to Southgate Bus departs 10:15am Tuesday 4th – Library day - Laughter Yoga 10:30am on Level 2, Sharpe House - Memory Man at 10:30am in Georges Centre - Music with Jenni in GC at 2:15pm - Julie- Nail Day th Wednesday 5 - Sinterklaas Morning Tea at 10am – 12pm Devotion Service 1:45pm Thursday 6th – Hairdresser Day, Julia’s Flutes in Georges Centre 2pm Friday 7th - Logeman Court Christmas Party for Self- Care Residents at 11:00am Monday 10th - Bingo with Lorna at 1:45pm Tuesday 11th – Christmas Morning Tea at Bay Rd Kindy in Gymea, Bus departs at 9:30am - Laughter Yoga in Georges Centre at 2pm Wednesday 12th – YOGA on Level 2, Sharpe House at 9:45am Devotion Service 1:45pm Thursday 13th – Hairdresser Day - Residents Christmas Party at 11:30am th Friday 14 – Short Shopping Trip to Menai Marketplace, Bus Departs at 1:30pm Monday 17th – Bingo with Lorna at 1:45pm Tuesday 18th -Library day, Julie- Nail Day ,Men’s Shed at 10:00am -Laughter
    [Show full text]
  • By Dirk Van Den Heuvel
    3:TOWARDSAN OPEN SOCIETY Towards an Open Society: history of Dutch modernism – the Spangen housing-block, The unfinished work of Jaap Bakema the Van Nelle factory, and the Vroeselaan housing-block – Dirk van den Heuvel led the visitor to the contemporary work of the office with such highlights as the Hansaviertel apartment tower block in ‘Building for an Open Society’ was the title of a rather large Berlin and the town hall for the German city of Marl. A final exhibition of the work of the office of Van den Broek en room showed plans for the future, among which was the Bakema at the Rotterdam museum Boymans-van monumental Aula building for TU Delft. Beuningen in 1962. It was organized for the occasion of the Prix de la Critique in 1961, which was awarded to Van den Around 1962 the slogan ‘Building for an Open Society’ Broek en Bakema with a special mention to Bakema himself became key for Bakema. In the famous lectures ‘Van Stoel as a leader of the so-called ‘Otterlo-group’ or better-known tot Stad’, which he presented in 1962–63 on Dutch national as ‘Team 10’. The jury praised Bakema and the office for television, he asked the question: “What will be the art of their achievements in modern architecture, how they had building an open society?” Bakema answered the question found a balance between the ‘emphasis on human relations’ himself straightaway: “Surely, at the very least the shapes on the one hand and the ‘possibility for personal freedom that we build, will make clear that everybody has a right to and intimacy’ on the other.
    [Show full text]