The Fagus Factory in Alfeld
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2021 Fahrplan Strecke RE2 (Hannover-Göttingen)
Neumünster Itzehoe Kiel Lübeck Husum Flensburg Puttgarden Westerland (Sylt) Kopenhagen Besser als jeder Anschluss! Büchen, Schwerin, Berlin cambio CarSharing-Station Hamburg Hbf Glockengießerwall RE4/RB41 RE3/RB31 Besser als jeder Anschluss! cambio CarSharing-Station Glockengießerwall Stade Cuxhaven Hamburg-Harburg Hittfeld Meckelfeld Besser als jeder Anschluss! Buchholz Maschen cambio CarSharing-Station Klecken (Nordheide) Glockengießerwall RB31 Stelle Ashausen Sprötze RE3 Winsen (Luhe) Tostedt Radbruch Lauenbrück BardowickBüchen, Lübeck, Kiel Besser als jeder Anschluss! Oldenburg Scheeßel Lüneburg cambio CarSharing-Station RB41 Glockengießerwall Wilhelmshaven Ottersberg (Han) Oberneuland Rotenburg RE4 Leer Bremen- Emden (Wümme) Sagehorn Sottrum Norddeich Bienenbüttel (Fähre Juist/ Bremer- Norderney) haven Besser als jeder Anschluss! cambio CarSharing-Station Bad Bevensen Bremen Hbf Soltau, Uelzen Verden Glockengießerwall RE4/RB41 (Aller) RE3 Osnabrück RB31 Verden (Aller) Besser als jeder Anschluss! Salzwedel cambio CarSharing-Station Uelzen Stendal Nienburg (Weser) Glockengießerwall Hannover Magdeburg RE3 Suderburg RE2 Unterlüß Eschede Celle Lehrte Hannover Hbf - Göttingen (RE2) Großburgwedel Baustellen-Übersicht RE2 den Harz im Blick zwischen Hannover und Göttingen Nienburg Minden Langenhagen Mitte Osnabrück Verden Bremen RE3 RE2 Berlin, Köln Hannover Hbf Leipzig Da kann man nix machen. Wenn die Deutsche Bahn baut, wird‘s auch für metronom Düsseldorf Frankfurt RE2 Kunden eng. Stuttgart Würzburg Unter anderem zu folgenden Zeiten wird es Abweichungen von dem vorliegenden München Jahresfahrplan geben. Tipp: Viele Züge fahren ab Hannover Sarstedt in Richtung Uelzen weiter, sodass du Baustellen-Service Grund Auswirkung bequem ohne Umstieg reisen kannst. Dies Nordstemmen Hildesheim Hannover Hbf - Göttingen - Arbeiten an Sicherungs- Hameln Elze (Han) 24.04. - 16.07.2021 leicht veränderte Fahrzeiten gilt natürlich auch in die entgegengesetzte Hannover Hbf RE2 anlagen Richtung. -
Linie 44 Alfeld - Sibbesse - Hildesheim Gültig Ab 09.08.2018
RVHI Regionalverkehr Hildesheim GmbH Tel.: 05121 - 76420 www.rvhi-hildesheim.de Linie 44 Alfeld - Sibbesse - Hildesheim Gültig ab 09.08.2018 montags bis freitags sonnabends sonntags S S SX F S F S fr AST AST AST AST AST AST AST AST Ankunft Bahn aus Hannover 6:10 6:10 8:10 9:06 10:10 11:06 11:06 12:10 13:06 13:06 14:10 15:06 16:10 17:06 18:10 21:06 6:10 10:10 12:10 14:10 16:10 18:10 20:10 21:06 10:10 12:10 14:10 16:10 18:10 Alfeld / Bahnhof-ZOB 5:20 6:20 6:20 7:40 8:20 9:20 10:20 11:20 11:20 12:20 13:20 13:20 14:20 15:20 16:20 17:20 18:20 21:20 6:20 7:40 10:20 12:20 14:20 16:20 18:20 20:20 21:20 10:20 12:20 14:20 16:20 18:20 Alfeld / Perkwall / Sparkasse 5:22 6:22 6:22 7:42 8:22 9:22 10:22 11:22 11:22 12:22 13:22 13:22 14:22 15:22 16:22 17:22 18:22 21:22 6:22 7:42 10:22 12:22 14:22 16:22 18:22 20:22 21:22 10:22 12:22 14:22 16:22 18:22 Alfeld / Perkwall / Sedanstraße 5:24 6:24 6:24 7:44 8:24 9:24 10:24 11:24 11:24 12:24 13:24 13:24 14:24 15:24 16:24 17:24 18:24 21:24 6:24 7:44 10:24 12:24 14:24 16:24 18:24 20:24 21:24 10:24 12:24 14:24 16:24 18:24 Alfeld / Alter Friedhof 5:26 6:26 6:26 7:46 8:26 9:26 10:26 11:26 11:26 12:26 13:26 13:26 14:26 15:26 16:26 17:26 18:26 21:26 6:26 7:46 10:26 12:26 14:26 16:26 18:26 20:26 21:26 10:26 12:26 14:26 16:26 18:26 Alfeld / Senator Behrens Straße 5:27 6:27 6:27 7:47 8:27 9:27 10:27 11:27 11:27 12:27 13:27 13:27 14:27 15:27 16:27 17:27 18:27 21:27 6:27 7:47 10:27 12:27 14:27 16:27 18:27 20:27 21:27 10:27 12:27 14:27 16:27 18:27 Langenholzen 5:29 6:29 6:29 7:49 8:29 9:29 10:29 11:29 11:29 12:29 13:29 13:29 -
Borrowing Images of Empire: the Contribution of Research on The
Medieval Studies, vol. 22, 2018 / Studia z Dziejów Średniowiecza, tom 22, 2018 Piotr Samól (Gdansk Univeristy of Technology) https://orcid.org/ 0000-0001-6021-1692 Piotr Samól Borrowing Images of Empire: The contribution of research on the artistic influence of the Holy Roman Empire on Polish Romanesque architecture in the eleventh and twelfth centuries1 Borrowing Images of Empire… Keywords: Romanesque architecture, Poland, Ostrów Lednicki, monumental stone buildings Although knowledge concerning Romanesque architecture in Poland has developed over many years, most cathedrals and ducal or royal seats have not been comprehensively examined. Moreover, a substan- tial number of contemporary scholarly works have erased the thin line between material evidence and its interpretation. As a consequence, the architectural remains of Polish Romanesque edifices are often considered the basis for wider comparative research. Meanwhile, fragmentarily preserved structures of Romanesque buildings have allowed scholars to conduct research on their origins and models, but they have rarely provided enough information for spatial recon- structions of them. This means that one might investigate the process of transposing patterns from the Holy Roman Empire to Poland instead of the influence of Polish masons’ lodges on each other. Therefore, this paper has two aims. The first is to look at how imperial pat- terns affected the main stone structures (cathedrals and collegiate 1 Originally, my paper entitled ‘In the Shadow of Salian and Hohenstaufen Cathedrals: The Artistic Influence of the Holy Roman Empire on Polish Romanesque Architecture in the Eleventh and Twelfth Centuries’ was given at the ‘Borrowing Images of Empire’ seminar during the Medieval Congress in Leeds in July 2014. -
Media Work, Results
Georgia Tourism, Germany / Austria / Switzerland FISCAL YEAR 2010-2011 (July 2010 - June 2011) UP TO MARCH 2011 MEDIA WORK, RESULTS News Wire Service Broadcasts DATE SERVICE CATEGORY THEMES SOURCE COVERAGE / NOTES 2011/03/11 Dpa/tmn The feature Announcement of the ITB meeting with Owned by the newspapers. Articles and travel “Dolphin Tales” show Kevin Langston syndicated to most media in news services Germany and redistributed to Atlanta: Georgia of dpa, partner services in Austria and Aquarium Germany’s Switzerland. equivalent of the Associated Press Print Appearances DATE TITLE CATEGORY THEMES SOURCE CIRCULATION AD VALUE EURO 2011/03/23 Aerzte Zeitung Daily Antebellum Trail Press release 60000 1200 newspaper for Pilgrimage “Antebellum Trail physicians Pilgrimage”, March Macon: 1842 Inn 16, 2011 Madison: Heritage Hall, Madison Oaks Milledgeville: Old Governor's Mansion 2011/03/20 OWL am Sonntag Sunday Antebellum Trail Press release 295400 400 newspaper, Pilgrimage “Antebellum Trail Bielefeld Pilgrimage”, March 16, 2011 2011/03/19 Hanauer Anzeiger Daily TUI’s fly & drive of the Press release by 17600 320 newspaper, South online travel agency Hanau e-Kolumbus, Atlanta November 23, Savannah 2011, based on project we supported with the 2010 poster promotion 2011/03/19 Hamburger Daily Antebellum Trail Press release 126200 6390 Morgenpost newspaper, Pilgrimage “Antebellum Trail Hamburg Pilgrimage”, March Macon: 1842 Inn, 16, 2011 Cannonball House Madison: Heritage Hall Athens 1 DATE TITLE CATEGORY THEMES SOURCE CIRCULATION AD VALUE EURO 2011/02/06 Der Tagesspiegel Daily Savannah Work with the 120800 14600 newspaper, travel editor Gerd Savannah Music Berlin Seidemann Festival, African- American Tours, Ghost Talk Tours, B. -
Modernist Heritage Conservation: an Evaluation of Theories and Current Practice
Modernist Heritage Conservation: An Evaluation of Theories and Current Practice Gaia Ileana Carla ZAMBURLINI School of the Built Environment College of Science and Technology University of Salford - UK Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy, April 2016 Table of contents TABLE OF CONTENTS ......................................................................................................... II LIST OF FIGURES ............................................................................................................. VII ACKNOWLEDGMENTS ........................................................................................................ IX ABBREVIATIONS ............................................................................................................... X ABSTRACT ……………………………………………………………………………………………................XIII PREFACE ....................................................................................................................... XIV RATIONALE .................................................................................................................... XIV METHODOLOGY .............................................................................................................. XVI AIM ............................................................................................................................... XXII OBJECTIVES .................................................................................................................. XXII RESEARCH -
A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind
4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. -
Kanzler Verhöhnt Opfer Lung Des Ausstoßes an Treibhaus• Der Reisende Auf Eine Insel Gezo• Gen, Sei Es Aus Abenteuerlust, Sei Gasen Voraussetzt
Heute auf Seite 3: Im Zentrum der Macht £>m Ofipttudtnblatt Unabhängige Wochenzeitung für Deutschland Jahrgang 53 - Folge 35 Erscheint wöchentlich 31. August 2002 Landsmannschaft Ostpreußen e.V. Postvertriebsstück. Gebühr bezahlt Parkallee 84/86, 20144 Hamburg C5524 DIESE WOCHE: Wieder an der Neuen Wache Kommentar Leitartikel Die Standbilder der großen Heerführer der Befreiungs• Sinnloser Kandidatenduell Teil I kriege Gerhard Johann Da• vid von Scharnhorst und Gipfel Viel gebracht hat es nicht, das er• Friedrich Wilhelm Graf Bü- ste Kanzlerkandidatenduell der löw von Dennewitz sind an ie Treibhausgase: Wollten die deutschen TV-Geschichte: dem die Neue Wache in Berlin zu• DEuropäer ihren Ausstoß wie Unionskandidaten einen leichten rückgekehrt. Seit dem 18. Ju• im Protokoll von Kyoto vorgese• Punktsieg, aber keine entschei• ni 1822 hatten die von Karl hen um acht Prozent bis 2010 ver• denden Vorteile, dem Publikum Friedrich Schinkels Schüler ringern, würde die Temperatur einige interessante Eindrücke, Christian Daniel Rauch ge• des Weltklimas um 0,15 Grad we• aber keine wirklich neuen Er• schaffenen Marmorstatuen niger ansteigen - lohnt sich das? kenntnisse. Seite 2 die Wache flankiert. Im Mai Die Kosten lägen bei rund 150 1950 hatte die DDR-Führung Milliarden Euro. Dieselbe Summe Kultur die Statuen entfernen lassen. in die Dritte Welt investiert, wür• (Ausführlicher Bericht auf de nach Unicef-Angaben un• Reif für die Insel S. 13.) Foto: Berliner Zeitung mittelbare und konkrete Ergeb• nisse zeitigen. Man sagt uns, die In den Sommermonaten zieht es Temperatur würde bis zum Ende Tausende von Touristen in die Zwangsarbeiter: des Jahrhunderts um 4,5 Grad Ferne. Viele verbringen ihren Jah• steigen. Man sagt uns nicht, daß resurlaub auf einer Insel im Sü• sie vielleicht nur um 1,5 Grad an• den oder im Norden. -
A Interbau E a Requalificação Moderna Do Oitocentista Hansaviertel Em Berlim - 1957
A INTERBAU E A REQUALIFICAÇÃO MODERNA DO OITOCENTISTA HANSAVIERTEL EM BERLIM - 1957 Mara Oliveira Eskinazi FORMAÇÃO E FILIAÇÃO ACADÊMICA: Arquiteta e Urbanista, formada em 2003/02 pela Faculdade de Arquitetura da Universidade Federal do Rio Grande do Sul (UFRGS). Mestranda desde 2005/02 do Programa de Pesquisa e Pós-Graduação em Arquitetura (PROPAR) da Universidade Federal do Rio Grande do Sul (UFRGS). ENDEREÇO: Rua Gen. Florêncio Ygartua, 491/23 Bairro Rio Branco CEP: 90.430-010 Porto Alegre – RS – Brasil telefones: (51) 3332-3576/ (51) 9126-7668 fax: (51) 3222-4246 e-mail: [email protected] A INTERBAU E A REQUALIFICAÇÃO MODERNA DO OITOCENTISTA HANSAVIERTEL EM BERLIM – 1957 RESUMO O Hansaviertel, bairro oitocentista cuja formação original era bastante integrada ao tecido urbano tradicional predominante na cidade de Berlim, foi em grande parte destruído com os bombardeios da II Guerra Mundial. De localização extremamente central na cidade, o que de fato é hoje dele conhecido é o resultado de uma requalificação arquitetônica e urbanística realizada na década de 50 em decorrência da Interbau (Internationale Bauausstellung) - primeira Exposição Internacional de Arquitetura ocorrida após a II Guerra Mundial. A exposição, que trouxe para a paisagem do parque Tiergarten projetos de edifícios residenciais que expressam valores políticos como a liberdade e o pluralismo, utilizou-se do lema conhecido como “a cidade do amanhã” (die Stadt von Morgen) entre suas premissas básicas para a criação de uma área habitacional modelo do Movimento Moderno. Em 1953, o Senado de Berlim estabelece que a reconstrução do bairro Hansaviertel seja ligada a uma exposição internacional de arquitetura moderna. -
The Bauhaus 1 / 70
GRAPHIC DESIGN HISTORY / THE BAUHAUS 1 / 70 The Bauhaus 1 Art and Technology, A New Unity 3 2 The Bauhaus Workshops 13 3 Origins 26 4 Weimar 45 5 Dessau 57 6 Berlin 68 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS 2 / 70 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE ARTS & CRAFTS MOVEMENT 3 / 70 1919–1933 Art and Technology, A New Unity A German design school where ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. © Kevin Woodland, 2020 Joost Schmidt, Exhibition Poster, 1923 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 4 / 70 1919–1933 The Bauhaus Twentieth-century furniture, architecture, product design, and graphics were shaped by the work of its faculty and students, and a modern design aesthetic emerged. MEGGS © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 5 / 70 1919–1933 The Bauhaus Ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. MEGGS • The Arts & Crafts: Applied arts, craftsmanship, workshops, apprenticeship • Art Nouveau: Removal of ornament, application of form • Futurism: Typographic freedom • Dadaism: Wit, spontaneity, theoretical exploration • Constructivism: Design for the greater good • De Stijl: Reduction, simplification, refinement © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 6 / 70 1919–1933 -
News and Events in from Holland This Autumn Current and Future Events
News and Events in from Holland this Autumn Current and future events & exhibitions Current David Cronenberg - The Exhibition, EYE, Amsterdam Until 14 September 2014 EYE presents a major exhibition focusing on director David Cronenberg, who acquired cult status with his idiosyncratic films about the relationship between body, mind, technology and mass media. Curated and organized by the Toronto International Film Festival (TIFF), the exhibition explores Cronenberg’s world through the main themes of his films: the physical and psychological transformation of his protagonists. Highlights of this exhibition include the weird and wonderful special effects items from Cronenberg’s films, together with bizarre props, set photos and original costumes. Cronenberg has worked with famous actors such as Jeff Goldblum, Keira Knightley, Holly Hunter, Jude Law, Jeremy Irons and Robert Pattinson, whom he challenged to push the boundaries of their profession. Fashion, the musical, Centraal Museum, Utrecht Until 30 November 2014 Fashion illustrator Piet Paris is guest curator for Centraal Museum. More than 150 items are selected by Piet Paris from the Centraal Museum collection and presented in a surprising manner: as scenes in a musical. Taking the visitor from backstage and the red carpet to – eventually- the stage, he shows more than fifty looks by designers such as Comme des Garçons, Maison Martin Margiela, Iris van Herpen, Viktor & Rolf, but also 17th and 18th century costumes. Paris wants to show fashion in context, and not isolation. He combines fashion with objects, which he actually puts to use: ticking clocks, flower-filled vases and burning lights. He breaks the anonymity of the mannequin by giving each one a complete outfit, as well as a face drawn by the illustrator himself. -
TL a Magazine By
A magazine by 3 TL Floor lamp BULO XL/BLON 16 P The new times give rise to a funda- up with fresh thoughts and new Well-conceived, clever and always mental question: How can I feel safe ideas. Pleasing tactile effects resul- functional: Oliver Niewiadomski and at ease? In future, we'll be ting from an excellent choice of translates a mathematical concept demanding a lot more of our homes. materials help to keep you grounded into incisive design language, as This refers to far more than just cosy in a digitised world. Old favourites here with the floor lamp BULO XL trends such as cocooning or hygge. give people something reliable and which sits neatly on its base to work It’s more a case of needing our own unchanging to hold on to. perfectly in any specific setting. intimate space of peace and quiet TECNOLUMEN has always combined where we can withdraw from the these essential factors, producing world and recharge our batteries in classic lamps “made in Germany” a feel-good atmosphere. This is using the best craftsmanship traditi- particularly challenging for those who ons and working together with small setting up a home office environ- companies who give outstanding ment in their own four walls, with a quality the same priority that we do. special need for feel-good spaces Let’s make the best of it! in between. The whole interior design industry is tackling the issues invol- ved and their various manifestations to cover all bases, taking an inspiring people-focused approach. Your Carsten Hotzan Good light is an essential factor to Executive Director of give rooms their desired effect. -
Rebecca Horn Introduction of Works
REBECCA HORN INTRODUCTION OF WORKS • Parrot Circle, 2011, brass, parrot feathers, motor t = 28 cm, Ø 67 cm | d = 11 in, Ø 26 1/3 in Since the early 1970s, Rebecca Horn (born 1944 in Michelstadt, Germany) has developed an autonomous, internationally renowned position beyond all conceptual, minimalist trends. Her work ranges from sculptural en- vironments, installations and drawings to video and performance and manifests abundance, theatricality, sensuality, poetry, feminism and body art. While she mainly explored the relationship between body and space in her early performances, that she explored the relationship between body and space, the human body was replaced by kinetic sculptures in her later work. The element of physical danger is a lasting topic that pervades the artist’s entire oeuvre. Thus, her Peacock Machine—the artist’s contribu- tion to documenta 7 in 1982—has been called a martial work of art. The monumental wheel expands slowly, but instead of feathers, its metal keels are adorned with weapon-like arrowheads. Having studied in Hamburg and London, Rebecca Horn herself taught at the University of the Arts in Berlin for almost two decades beginning in 1989. In 1972 she was the youngest artist to be invited by curator Harald Szeemann to present her work in documenta 5. Her work was later also included in documenta 6 (1977), 7 (1982) and 9 (1992) as well as in the Venice Biennale (1980; 1986; 1997), the Sydney Biennale (1982; 1988) and as part of Skulptur Projekte Münster (1997). Throughout her career she has received numerous awards, including Kunstpreis der Böttcherstraße (1979), Arnold-Bode-Preis (1986), Carnegie Prize (1988), Kaiserring der Stadt Goslar (1992), ZKM Karlsruhe Medienkunstpreis (1992), Praemium Imperiale Tokyo (2010), Pour le Mérite for Sciences and the Arts (2016) and, most recently, the Wilhelm Lehmbruck Prize (2017).