A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind

Total Page:16

File Type:pdf, Size:1020Kb

A Symbol of Global Protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF Tion for the Heritage of All Humankind 4 T rom the vast plains of the Serengeti to historic cities such T 7 ICELAND as Vienna, Lima and Kyoto; from the prehistoric rock art 1 5 on the Iberian Peninsula to the Statue of Liberty; from the 2 8 Kasbah of Algiers to the Imperial Palace in Beijing — all 5 2 of these places, as varied as they are, have one thing in common. FINLAND O 3 All are World Heritage sites of outstanding cultural or natural 3 T 15 6 SWEDEN 13 4 value to humanity and are worthy of protection for future 1 5 1 1 14 T 24 NORWAY 11 2 20 generations to know and enjoy. 2 RUSSIAN 23 NIO M O UN IM D 1 R I 3 4 T A FEDERATION A L T • P 7 • W L 1 O 17 A 2 I 5 ESTONIA 6 R D L D N 7 O 7 H E M R 4 I E 3 T IN AG O 18 E • IM 8 PATR Key LATVIA 6 United Nations World 1 Cultural property The designations employed and the presentation 1 T Educational, Scientific and Heritage of material on this map do not imply the expres- 12 Cultural Organization Convention 1 Natural property 28 T sion of any opinion whatsoever on the part of 14 10 1 1 22 DENMARK 9 LITHUANIA Mixed property (cultural and natural) 7 3 N UNESCO and National Geographic Society con- G 1 A UNITED 2 2 Transnational property cerning the legal status of any country, territory, 2 6 5 1 30 X BELARUS 1 city or area or of its authorities, or concerning 1 Property currently inscribed on the KINGDOM 4 1 the delimitation of its frontiers or boundaries. IRELAND 23 37 26 7 T 2 List of World Heritage in Danger 6 25 8 2 27 21 NETHERLANDS 35 See country index on the back side of map for site The dotted line represents approximately the 3 X 6 A listings. 5 28 Line of Control in Jammu and Kashmir agreed 6 1 22 4 19 8 28 V 9 30 Number indicates site order by year of inscription upon by India and Pakistan. The final status of 1012 9 7 6 POLAND 1 9 3 31 2419 within each country. Jammu and Kashmir has not yet been agreed 5 2416 8 34 11 14 S 13 25 5 20 4 AF 2 33 18 9 11 Letters are assigned to transnational properties in upon by the parties. 26 7 1 17 21 38 UKRAINE 9 5 V 1 5 20 12 T the order of their inscription on the List. 35103 G CZECHIA 1 2 M 6 BELGIUM GERMANY 38 2 10 The final boundary between the Republic of 7 27 16 1 9 AC Only States Parties to the World Heritage Convention 28 12 32 10 4 LUXEMBOURG 1 7 10 3 5 T are labeled on this map. Sudan and the Republic of South Sudan has not 18 15 12 11 8 1 3 V 3 17 1 17 2 35 REPUBLIC OF yet been determined. 3 38 13 29 7 4 6 SLOVAKIA I V United Nations (UN) country boundaries are shown 2 27 12 AF 2 2 6 4 MOLDOVA 6 16 6 7 7 as of December 2018. 36 2 2 13 Y Y 4 3 23 1 V P 3 1 1 whc.unesco.org 26 4 10 4 3 4 SWITZ. 1 6 2 19 37 8 AUSTRIA 5 HUNGARY 4 GEORGIA 1 www.nationalgeographic.com 13 11 3 2 30 FRANCE Y 7 2 1 ARMENIA 6AF 5 4 W 42 SLOVENIA 5 ROMANIA © 2019 UNESCO Printed April 2019 43 Z 5 16 2 3 40 AF 36 1 AI Y 3 23 Y Q 27 1 11 Y 8 V CROATIA 2925 5 48 2 31 194 4 7 40 18 41 3 BOSNIA 9 12 & SERBIA V 4 9 20 8 46 20 HERZEGOVINA 4 2 33 6 34 368 40 15 AG 38 24 33 15 24 SAN AI 2 BULGARIA 5 24 21 20 44 1 MARINO 6 2 8 V 9 5 3 29 52AG 1 1 3 K 22 MONACO 6 7 AG 2AG 1 3 11 33526 916 3 4 34 ANDORRA 38 33 1 6 10 150° 120° 90° 60° Longitude West 30° 0° 30° Longitude East 60° 90° 120° 150° 8 10 1 1 AI 1 15 ITALY MONTENEGRO NORTH 8 TURKEY 5 PORTUGAL (France) 14 V MACEDONIA 14 L 16 37 1 34 18 12 10 7 17 5 30 V ALBANIA 1 2 18 ARCTIC OCEAN 3 4 31 25 HOLY SEE C 6 6 4 28 17 13 14 4 9 36 11 10 14 7 14 19 12 22 2125 7 2 2 13 13 11 SYRIAN 5 18 SPAIN 27 28 1 5 GREECE 4 ARAB Z 23 41 17 7 6 (Italy) 23 14 17 REPUBLIC 212 431 29 (Spain) 13 3 37 32 3 5 15 15 11 16 21 32 10 7 6 CYPRUS 42 2 47 1 8 5 45 9 2 3 3 2 (Italy) 39 1 1 1 GREENLAND 29 (UK) 26 22 LEBANON 19 35 4 (Russian 2 Federation) 2 9 (Denmark) 3 2 674 4 21 1 ISRAEL 2 Meridian of Greenwich MALTA 3 1 5 8 3 9 (Denmark) PALESTINE 1 ARCTIC CIRCLE ARCTIC CIRCLE 2 3 1JORDAN 9 5 1 4 B 2 8 (Denmark) RUSSIAN FEDERATION 22 60° 6 60° CANADA Albers Conic Equal-Area Projection Area enlarged 11 0 mi 400 Baku’s historic inner city, known as Icherisheher, includes the 12th- The World Heritage Cities Programme seeks at top right 0 km 400 century Maiden Tower and the complex of the 15th-century to protect living historic city centres Shirvanshah’s Palace, considered the pearl of Azerbaijani archi- 10 tecture. Perfectly situated on the shore of the Caspian Sea and and their cultural and architectural her- 4 17 15 along the famed Silk Road, medieval Baku was a busy trad- 7 1 itage from threats such as uncontrolled 3 ing center where Arabic, European, Persian, Ottoman, and 3 development or inappropriate construction. EUROPE 12 R Russian cultures shared caravanserais and culture as 5 NORTH 9 AJ they brought treasures from China to Constantinople J 2 3 11 KAZAKHSTAN and back again. Today Icherisheher is home to 8 1 8 1,300 families and includes mosques, bath- 16 MONGOLIA houses, ateliers and other historical build- AMERICA 13 AE The World Heritage emblem symbolizes 12 14 ASIA 16 ings, making it an open-air museum. 2 10 AH 2 13 the interdependence of the world’s natural 1 Title photo: Etibar Jafarov UZBEKISTAN AE 45 and cultural diversity. The central square 42 2 1 AH 3 6 AH KYRGYZSTAN 27 represents the achievements of human skill UNITED STATES AZERBAIJAN 11 30 DEMOCRATIC PEOPLE'S 12 1 1 2 4 5 2 4 4 28 21 REPUBLIC OF KOREA and inspiration, and the circle celebrates 2 6 20 9 TURKMENISTAN 1 2 38 16 9 12 1 3 1 the gifts of nature. The emblem is round, OF AMERICA 15 12 11 3 TAJIKISTAN 2 4 REPUBLIC 13 (Portugal) 1 311 1 7 4 2 14 17 9 OF KOREA like the world, a symbol of global protec- 7 1 5 4 5 10 10 17 5 4 8 4 7 1 1213 6 JAPAN 3 14 1 6 16 CHINA 33 2 6 18 AF tion for the heritage of all humankind. 10 6 6 7 1 2 51 12 1 17 3 2 46 7 14 5 19 2 19 9 5 3 8 20 1 3 AE5 4026 20 87 The Small Islands Programme focuses on 41 TUNISIA IRAN (ISLAMIC 2 12 8 8 8 (Portugal) 9 2 3 15 AFGHANISTAN 6 21 preserving heritage on the islands of the 20 18 (UK) MOROCCO 3 1 IRAQ 18 3 9 13 32 18 110 22 32 7 2 5 5 49 Caribbean Sea and the Atlantic, Pacific 3 REPUBLIC OF) 18 5 17 AF 3224 18 5 19 21 18 7 41 3 and Indian Oceans. 5 14 23 213 30°N 21 KUWAIT 14 16 23 15 25 30°N 30 7 6 20 10 (Spain) 6 PAKISTAN 27 47 37 1339 4 21 NEPAL 29 39 11 1325 2 1 BHUTAN 52 22 The World Heritage Marine Programme ALGERIA 1 9 4 3 4 3 34 15 1 BAHRAIN 1 28 13 8 7 19 LIBYA EGYPT 2 11 The Earthen Architecture Conservation helps countries nominate marine sites and 2 1 QATAR 22 19 (USA) 4 2 5 33 35 4 4 30 11 2 36 Programme works toward conserving and MEXICO BAHAMAS manage them effectively to ensure that they 2 UNITED 1 23 43 50 TROPIC OF CANCER SAUDI ARAB 31 19 BANGLADESH TROPIC OF CANCER revitalizing earthen architecture, which is 1 will thrive for future generations. There EMIRATES 2 4 35 44 34 12 5 1 5 24 1 30 3 ARABIA 25 1 48 31 82 CUBA are currently 49 marine sites on the World 173 threatened by natural disasters and indus- 9 3 INDIA 26 728 23 2 MYANMAR 6 2 trialization. Currently, some one hundred 17 16 10 8 7 Heritage List. 1 LAO P.D.R. 16 (USA) 334 15 36 DOMINICAN 1 2 7 8 9 24 21 4 1 REPUBLIC 3 5 1 29 273 1 MAURITANIA 1 3615 properties on the World Heritage List are 34 14 6 HAITI (USA) OMAN 26 20 19 22 1 11 1 PACIFIC 35 JAMAICA 1 MALI 1 3 partially or totally built with earth.
Recommended publications
  • Art 258: Ancient and Medieval Art Spring 2016 Sched#20203
    Art 258: Ancient and Medieval Art Spring 2016 Sched#20203 Dr. Woods: Office: Art 559; e-mail: [email protected] Office Hours: Monday and Friday 8:00-8:50 am Course Time and Location: MWF 10:00 – 10:50 HH221 Course Overview Art 258 is an introduction to western art from the earliest cave paintings through the age of Gothic Cathedrals. Sculpture, painting, architecture and crafts will be analyzed from an interdisciplinary perspective, for what they reveal about the religion, mythology, history, politics and social context of the periods in which they were created. Student Learning Outcomes Students will learn to recognize and identify all monuments on the syllabus, and to contextualize and interpret art as the product of specific historical, political, social and economic circumstances. Students will understand the general characteristics of each historical or stylistic period, and the differences and similarities between cultures and periods. The paper assignment will develop students’ skills in visual analysis, critical thinking and written communication. This is an Explorations course in the Humanities and Fine Arts. Completing this course will help you to do the following in greater depth: 1) analyze written, visual, or performed texts in the humanities and fine arts with sensitivity to their diverse cultural contexts and historical moments; 2) describe various aesthetic and other value systems and the ways they are communicated across time and cultures; 3) identify issues in the humanities that have personal and global relevance; 4) demonstrate the ability to approach complex problems and ask complex questions drawing upon knowledge of the humanities. Course Materials Text: F.
    [Show full text]
  • Cerro Danush: an Exploration of the Late Classic Transition in the Tlacolula Valley, Oaxaca
    FAMSI © 2008: Ronald Faulseit Cerro Danush: An Exploration of the Late Classic Transition in the Tlacolula Valley, Oaxaca. Research Year: 2007 Culture: Zapotec Chronology: Late Classic Location: Oaxaca Valley, México Site: Dainzú-Macuilxóchitl Table of Contents Abstract Resumen Introduction Notes on Dating and Ceramic Phases for the Valley of Oaxaca Project Goals and Theoretical Approach Field Operations 2007 – 2008 Introduction Site Mapping Procedures Discussion of Features Mapped on Cerro Danush Rock Paintings Natural Springs Caves Man-Made Terraces Surface Collection Procedures Artifact Analysis Procedures 1 Initial Conclusions and Interpretations Cerro Danush in the Late Postclassic Period, A.D. 1200-1521 Cerro Danush: Ritual Landscape and the Festival of the Cross Cerro Danush in the Early Postclassic Period, A.D. 900 – 1200 The Oaxaca Valley in the Late Classic Period, A.D. 500 – 900 Dainzú-Macuilxóchitl in the Late Classic Period, A.D. 500 – 900 Dainzú-Macuilxóchitl as a District Center List of Figures Sources Cited Abstract This report describes and provides preliminary interpretations for the 2007-2008 field season of mapping and surface collection conducted on Cerro Danush at the site of Dainzú-Macuilxóchitl in Oaxaca, Mexico. Dainzú-Macuilxóchitl is an expansive settlement that was an important part of the Prehispanic Zapotec tradition. Over 130 man-made terraces were mapped, all dating to the Late Classic period (500-900 A.D.), and a large terrace complex found at the summit of Cerro Danush is interpreted as the civic-ceremonial center of the site during that time. I argue that the Late Classic shift in civic-ceremonial focus away from Cerro Dainzú to Cerro Danush implies direct involvement at the site from the nearby urban center of Monte Albán.
    [Show full text]
  • The Restoration of Medieval Stained Glass*
    The Restoration of Medieval Stained Glass* Gottfried Frenzel The victim ofits own composition and ofmodem air tiny particles. The particles fall out of each panel: thus pollution, Europe's most radiant art is now threat- the window disintegrates. ln England stained-glass windows are exposed to ened ~'ith destruction. The efforts at preservation heavy smog. Canterbury Cathedral displays the re- depend on knowledge of the glass. sults. The cathedral includes the Trinity chapel and its Light bas long served religion as a :symbol. It has ambulatory , or processional aisle, which incorporates signified creation (" Let there be lighlt" was the first the chapel called the Corona, constructed between 1174 and 1220. ln both chapels some of the stained command of the Creator) as weIl as salvation (John glasshas been attacked. Pits have formed, which have the Evangelist saw the Heavenly Jerusalem illumi- nated as if made " of jasper" and its walls " like clear now perforated the panels, leaving them quite porous, so that acid raiD cao reach the ioDer surface of the glass") The earthly reflections of such visions, glass and eat into the paintwork there. achieved throughout the Middle Ages by means of France is the classic repository of stained glass. A light, were the period' s most brilliant works of art: the single cathedral, the one in Chartres, is decorated with stained glass windows of Romanesque and Gothic more than 2,000 square meters of stained glass from chapels, churches, minsters and cathedrals. For al- the 12th and 13th centuries, the period when the art most a millennium, in the caseof the earliest stained- reachedits peak in France.
    [Show full text]
  • Mitla 3D: Un Encuentro Entre Datos Arqueológicos, Arte Digital E Intuición
    MITLA 3D: UN ENCUENTRO ENTRE DATOS ARQUEOLÓGICOS, ARTE DIGITAL E INTUICIÓN Ludovic Celle [email protected] RESUMEN Reconstruir la ciudad prehispánica de Mitla, por completo en 3D, permitió explorar hipótesis y percepciones renovadas de un lugar clave de Mesoamérica. La herramienta 3D, mezclando datos duros e imaginación artística, puede contribuir a un entendimiento espacial y sensorial de sitios arqueológicos. Además de la combinación entre arte y elementos científicos, este trabajo de reconstrucción de Mitla tiene la particularidad de estar realizado cien por ciento con software abierto y libre, programas que tienen el potencial de democratizar el acceso a la creación digital profesional con posibilidades infinitas, potencial que merece la atención del mundo arqueológico. PALABRAS CLAVE MItla, MODEladO 3D, INTErprEtaCIÓN, ArtE DIGItal, SOFTWARE LIbrE ABSTRACT Rebuilding the Precolumbian city of Mitla in full details in 3D contributed to the explo- ration of hypotheses and renewed perceptions of a key place in Mesoamerica. The 3D tool, mixed with hard data and imagination by the artist can contribute to a spatial and sensorial understanding of archaeological sites. Besides bringing a mix of science and art within a detailed model, this reconstruction of Mitla is original in the sense that it was built entirely with free open source software, open programs allowing the democratization of the access to professional digital creation with infinite possibilities, a potential that deserves the attention of the archaeological world. KEY WORDS MItla, 3D MODEL, INTErprEtatION, DIGItal Art, OpEN-SOURCE FREE SOftWarE 2019 / 24 [46]: 52-71 · 52 OrIGEN DEL prOYECTO Al llegar a Oaxaca de Juárez en el verano de 2017, sabía muy poco de Mitla.
    [Show full text]
  • UNESCO World Heritage Properties in Switzerland February 2021
    UNESCO World Heritage properties in Switzerland February 2021 www.whes.ch Welcome Dear journalists, Thank you for taking an interest in Switzerland’s World Heritage proper- ties. Indeed, these natural and cultural assets have plenty to offer: en- chanting cityscapes, unique landscapes, historic legacies and hidden treasures. Much of this heritage was left to us by our ancestors, but nature has also played its part in making the World Heritage properties an endless source of amazement. There are three natural and nine cultur- al assets in total – and as unique as each site is, they all have one thing in common: the universal value that we share with the global community. “World Heritage Experience Switzerland” (WHES) is the umbrella organisation for the tourist network of UNESCO World Heritage properties in Switzerland. We see ourselves as a driving force for a more profound and responsible form of tourism based on respect and appreciation. In this respect we aim to create added value: for visitors in the form of sustainable experiences and for the World Heritage properties in terms of their preservation and appreciation by future generations. The enclosed documentation will offer you the broadest possible insight into the diversity and unique- ness of UNESCO World Heritage. If you have any questions or suggestions, you can contact us at any time. Best regards Kaspar Schürch Managing Director WHES [email protected] Tel. +41 (0)31 544 31 17 More information: www.whes.ch Page 2 Table of contents World Heritage in Switzerland 4 Overview
    [Show full text]
  • Alpine Sites and the UNESCO World Heritage Background Study
    Alpine Convention WG UNESCO World Heritage Background study Alpine Sites and the UNESCO World Heritage Background Study 15 August 2014 Alpine Convention WG UNESCO World Heritage Background study Executive Summary The UNESCO World Heritage Committee encouraged the States Parties to harmonize their Tentative Lists of potential World Heritage Sites at the regional and thematic level. Consequently, the UNESCO World Heritage Working Group of the Alpine Convention was mandated by the Ministers to contribute to the harmo- nization of the National Tentative Lists with the objective to increase the potential of success for Alpine sites and to improve the representation of the Alps on the World Heritage List. This Working Group mainly focuses on transboundary and serial transnational sites and represents an example of fruitful collaboration between two international conventions. This background study aims at collecting and updating the existing analyses on the feasibility of poten- tial transboundary and serial transnational nominations. Its main findings can be summarized in the following manner: - Optimal forum. The Alpine Convention is the optimal forum to support the harmonisation of the Tentative Lists and subsequently to facilitate Alpine nominations to the World Heritage List. - Well documented. The Alpine Heritage is well documented throughout existing contributions in particular from UNESCO, UNEP/WCMC, IUCN, ICOMOS, ALPARC and EURAC. The contents of these materials are synthesized, updated and presented in the present study. - Official sources. Only official sources, made publicly available by the UNESCO World Heritage Cen- tre, were used in this study. The Tentative Lists are not always completely updated or comparable and some entries await to be completed or revised.
    [Show full text]
  • 1. World Heritage Property Data 2. Statement of Outstanding Universal Value
    Periodic Report - Second Cycle Section II-Boyana Church 1. World Heritage Property Data 2. Statement of Outstanding Universal Value 1.1 - Name of World Heritage Property 2.1 - Statement of Outstanding Universal Value / Boyana Church Statement of Significance 1.2 - World Heritage Property Details Statement of Outstanding Universal Value State(s) Party(ies) Brief synthesis There are several layers of wall paintings in the interior from Bulgaria the 11th, 13th, 15-17th and 19th centuries which testify to the Type of Property high level of wall painting during the different periods. The cultural paintings with the most outstanding artistic value are those Identification Number from 13th century. Whilst they interpret the Byzantine canon, the images have a special spiritual expressiveness and vitality 42 and are painted in harmonious proportions. Year of inscription on the World Heritage List Criterion (ii): From an architectural point of view, Boyana 1979 Church is a pure example of a church with a Greek cross ground-plan with dome, richly decorated facades and 1.3 - Geographic Information Table decoration of ceramic elements. It is one of the most remarkable medieval monuments with especially fine wall Name Coordinates Property Buffer Total Inscription (latitude/longitude) (ha) zone (ha) year paintings. (ha) Criterion (iii): The Boyana Church is composed of three Boyana 42.65 / 23.267 0.68 13.55 14.23 1979 parts, each built at a different period - 10 century, 13th century Church and 19th century which constitute a homogenous whole. Total (ha) 0.68 13.55 14.23 Integrity The integrity of Boyana church is fully assured.
    [Show full text]
  • Study on the Coniferous Characters of Pinus Yunnanensis and Its Clustering Analysis
    Journal of Polymer Science and Engineering (2017) Original Research Article Study on the Coniferous Characters of Pinus yunnanensis and Its Clustering Analysis Zongwei Zhou,Mingyu Wang,Haikun Zhao Huangshan Institute of Botany, Anhui Province, China ABSTRACT Pine is a relatively easy genus for intermediate hybridization. It has been widely believed that there should be a natural hybrid population in the distribution of Pinus massoniona Lamb. and Pinus hangshuanensis Hsia, that is, the excessive type of external form between Pinus massoniana and Pinus taiwanensis exist. This paper mainly discusses the traits and clustering analysis of coniferous lozeng in Huangshan scenic area. This study will provide a theoretical basis for the classification of long and outstanding Huangshan Song and so on. At the same time, it will provide reference for the phenomenon of gene seepage between the two species. KEYWORDS: Pinus taiwanensis Pinus massoniana coniferous seepage clustering Citation: Zhou ZW, Wang MY, ZhaoHK, et al. Study on the Coniferous Characters of Pinus yunnanensis and Its Clustering Analysis, Gene Science and Engineering (2017); 1(1): 19–27. *Correspondence to: Haikun Zhao, Huangshan Institute of Botany, Anhui Province, China, [email protected]. 1. Introduction 1.1. Research background Huangshan Song distribution in eastern China’s subtropical high mountains, more than 700m above sea level. Masson pine is widely distributed in the subtropical regions of China, at the lower reaches of the Yangtze River, vertically distributed below 700m above sea level, the upper reaches of the Yangtze River area, the vertical height of up to 1200 - 1500m or so. In the area of Huangshan Song and Pinus massoniana, an overlapping area of Huangshan Song and Pinus massoniana was formed between 700 - 1000m above sea level.
    [Show full text]
  • Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996
    Literature consulted (selection) Margravial Opera House Bayreuth Kaldor, A., Opera Houses of Europe, Antique Collectors’ Club, (Germany) UK & USA, 1996. No 1379 Ertug, A., Forsyth, M, and Sachsse, R., Palaces of Music: Opera Houses of Europe, AE Limited Edition, USA, 2010. Technical Evaluation Mission An ICOMOS technical evaluation mission visited the Official name as proposed by the State Party property from 13 to 14 September 2011. Margravial Opera House Bayreuth Additional information requested and received Location from the State Party Free State of Bavaria ICOMOS sent a letter to the State Party on 22 Administrative District of Upper Franconia September 2011 and the State Party provided Germany information on 24 October 2011 on the property´s current conservation status, works to be undertaken Brief description between 2010 and 2014, transformation or additions to The 18th century Margravial Opera House in Bayreuth is the building, impacts of adjustments to contemporary a masterwork of Baroque theatre architecture, uses, regulations of visitors, participation of local commissioned by Margravine Wilhelmine, wife of authorities and other stakeholders. The information has Frederick, Margrave of Brandenburg-Beyreuth, as a been incorporated below. A further letter was sent on 5 venue for opera seria. The bell-shaped auditorium of December 2011 asking the State Party to consider tiered loges built of wood lined with decoratively painted shortening the name of the nominated property to canvas was designed by the then leading European ‘Margravial Opera House Bayreuth’. A response was theatre architect Giuseppe Galli Bibiena. It survives as received from the State Party on 18 January 2012 the only entirely preserved example of court opera house agreeing to this proposal.
    [Show full text]
  • The Bauhaus 1 / 70
    GRAPHIC DESIGN HISTORY / THE BAUHAUS 1 / 70 The Bauhaus 1 Art and Technology, A New Unity 3 2 The Bauhaus Workshops 13 3 Origins 26 4 Weimar 45 5 Dessau 57 6 Berlin 68 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS 2 / 70 © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE ARTS & CRAFTS MOVEMENT 3 / 70 1919–1933 Art and Technology, A New Unity A German design school where ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. © Kevin Woodland, 2020 Joost Schmidt, Exhibition Poster, 1923 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 4 / 70 1919–1933 The Bauhaus Twentieth-century furniture, architecture, product design, and graphics were shaped by the work of its faculty and students, and a modern design aesthetic emerged. MEGGS © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 5 / 70 1919–1933 The Bauhaus Ideas from all advanced art and design movements were explored, combined, and applied to the problems of functional design and machine production. MEGGS • The Arts & Crafts: Applied arts, craftsmanship, workshops, apprenticeship • Art Nouveau: Removal of ornament, application of form • Futurism: Typographic freedom • Dadaism: Wit, spontaneity, theoretical exploration • Constructivism: Design for the greater good • De Stijl: Reduction, simplification, refinement © Kevin Woodland, 2020 GRAPHIC DESIGN HISTORY / THE BAUHAUS / Art and TechnoLogy, A New Unity 6 / 70 1919–1933
    [Show full text]
  • Discover Bulgaria Is Famous for Its 600 Healing Mineral Water Springs
    Bulgaria Discover Ministry of Economy, Energy and Tourism Bulgaria, 1052 Sofia, 8 Slavyanska Str., Tel. +359 2 94071, fax: +359 2 987 2190 е-mail: [email protected] Bulgaria www.mee.government.bg www.bulgariatravel.org This document is created within the framework of the project “Elaboration and distribution of advertising and informational materials for promotion of Bulgaria as a tourism destination”, Agreement BG161PO001/3.3-01-4, realized with the financial support of Operational Programme “Regional development” 2007 – 2013, co-financed by the European Union through the European Fund for Regional Development. All responsibility for the contents of this document is borne by the beneficiary – the Ministry of Economy, Energy and Tourism and in no circumstances it should be regarded that this document reflects the official position of the European Union and the Governing Authority. USEFULL INFORMATION Bulgaria State government system: Parliamentary Republic Capital city: Sofia (population 1.2 million) Official language: Bulgarian, script – Cyrillic Religion: Orthodox (85%), Muslim (8%), other (7%) Time zone: GMT (London) + 2, Eastern Europe time (Germany) + 1 Climate: Humid continental, in the southern parts – transitive Mediterranean. Average temperatures for January are from -2 to 2 Сo in the lowland and -10 Сo in the mountains, in July 19-25 degrees Сo in the lowland and about 10 degrees Сo in the higher parts of the mountains. BULGARIARainfall - 450-600 mm in the lowland, up to 1300 mm in the mountains. Currency: Bulgarian lev
    [Show full text]
  • At South Africa's Most Recently Appointed UNESCO World Heritage
    | GEOLOGY | At South Africa’s most recently appointed UNESCO World Heritage site, the earliest evidence of life on Earth is revealed in rock. Hlengiwe Magagula unlocks some of the geological treasures. NIVERSITY U ECK / JENA ECK / JENA B HEU H RISTOP CH Above, left to right: The Makhonjwa Mountains preserve pre-history in rock; visitors can see geologi- cal formations up close; a beautiful protea that occurs in these mountains. of ages IC B / BATO H TON-FYNC L Following the R40 between Barberton EY LANE, HAMI and the Swazi border, the Geotrail puts L the focus on unique geological features. LES 18 DISCOVER HERITAGE ISSUE 1 2018 ISSUE 1 2018 DISCOVER HERITAGE 19 | GEOLOGY | Barberton-Makhonjwa “This is globally unique, it’s the only place GeotraIL you can see these with the naked eye.” Geosites and view points NIVERSITY U A L U ECK / JENA ECK / JENA G B A G A HEU M H IWE G RISTOP EN L CH H Some of the geological features date back 340 million years and show what could be the earliest form of life known, a type of bacteria. t takes a couple of heart-thumping The winding R40 is a road I have travelled hours to climb to the summit of often, but the recent World Heritage accolade Emlembe, but it’s worth it. As you made me slow down and explore. Conveni- recover, you can sit in eSwatini (for- ently, this route from Barberton to the Swazi merly Swaziland) with your feet in border creates cuttings which expose features South Africa and admire the view that span the full period.
    [Show full text]