Textile School Catalog, 1923-1924
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Government of India Ministry of Defence Ordnance Factory Board 10A, S.K. Bose Road Kolkata - 700001 CENTRALISED VENDOR REGISTRATION CERTIFICATE This is to certify that M/s The Ruby Mills Ltd.,, Ruby House, J.K. Sawant Marg, Dadar (West), Mumbai Maharashtra is registered at Ordnance Factory Board for following Items. Sl. Factory / Unit Item Nomenclature Initial Date of No. Registration 1 Ordnance Equipment Factory CAMBRIC COTTON WHITE 91 CMS. 29-11-2012 2 CANVAS COTTON 410 GMS. KHAKI 91 CMS. 29-11-2012 3 CANVAS COTTON 410 GMS. O.G. WP 91 CMS. 29-11-2012 4 CANVAS COTTON 545 GMS. SCOURED 91 CMS. 29-11-2012 5 CANVAS COTTON 680 GM. O.G 91CM 29-11-2012 6 CANVAS COTTON 815 GMS O.G W.P. 91 CMS 29-11-2012 7 FABRIC COTTON DYED WATER REPELLENT 275 29-11-2012 GSM OG 91 CMS. WIDE 8 CANVAS NYLON 220 GRAM O.G 91 CMS 29-11-2012 9 CLOTH CALICO COTTON KHAKI 91CM 29-11-2012 10 CLOTH CALICO COTTON WHITE 91 CMS 29-11-2012 11 CLOTH CALICO COTTON WHITE BLEACHED 91 29-11-2012 CM. 12 CLOTH CANVAS COTTON 545 GMS. O.G W.P. 91 29-11-2012 CMS. WIDE 13 CLOTH CANVAS COTTON 680 GR.O.G. WP 91 29-11-2012 CMS. 14 CLOTH COTTON 375 GRM. SCOURED W.R. FOR 29-11-2012 CAPES 91 CMS. WIDE 15 CLOTH COTTON CLOSELY WOVEN 170 GM 29-11-2012 WHITE WR 91 CM Page 1/7 16 CLOTH COTTON CLOSELY WOVEN 170 GMS 29-11-2012 SAND COLOUR W.R. -
Environment Friendly Antibacterial and Uv Protective Finish on Cotton Using Syzygium Cumini (L.) Leaves Extract
International Journal of Textile and Fashion Technology (IJTFT) ISSN(P): 2250-2378; ISSN(E): 2319-4510 Vol. 7, Issue 1, Feb 2017, 53-62 © TJPRC Pvt. Ltd. ENVIRONMENT FRIENDLY ANTIBACTERIAL AND UV PROTECTIVE FINISH ON COTTON USING SYZYGIUM CUMINI (L.) LEAVES EXTRACT VANDANA GUPTA 1, DEEPIKA CHAUDHARY 2, SALONI GUPTA 3 & NIRMAL YADAV 4 1Department of Fashion & Design, Chandigarh University, Gharuan, Mohali, Punjab, India 2Department of Microbiology, CCS Haryana Agricultural University, Hisar, Haryana, India 3Department of Environmental Science and Engg, Guru Jambheshwar University of Science and Technology, Hisar, (Haryana), India 4Department of Textile and Apparel Design, CCS Haryana Agricultural University, Hisar, Haryana, India ABSTRACT The present study was conducted to develop antibacterial and UV protective cotton fabric by using plant extract. Syzygium cumini (L.) leaves extract was extracted through soxhlet method and was applied on cotton fabric by using pad dry cure process. Phytochemical analysis of S. cumini (L.) leaves extract indicated presence of tannin, flavonoids, saponin and phenols and exhibited antibacterial activity against gram-positive bacteria with zone of inhibition of (6.0 – 11.16 mm for B. subtilis and 4.83 -10.0 mm for S. aureus) and sun protective property with 23.91 – 25.01 SPF value at different Original Article Article Original concentrations. Cotton fabric finished with S. cumini (L.) leaves extract exhibited improvement in bacterial resistance with per cent reduction in the bacterial count of the finished fabric by 95.67% for S. aureus and 94.70% for B. subtilis as well as exhibited high UPF value (48.1), providing excellent protection when compared to untreated control fabric. -
Diploma in Handloom & Textile Technology (Dhtt)
DIPLOMA IN HANDLOOM & TEXTILE TECHNOLOGY (DHTT) Semester based Syllabus SEMESTER-I 1.1 ENGLISH – I UNIT – I: Formation of words - clause and Sentences. Kinds of Sentence – Simple, Compound & Complex Sentences. UNIT – II: Parts Of Speech, Noun, Pronoun, Adjective, Verb, Auxiliary Verbs, Modals. UNIT-III: Adverb, Preposition, Conjunction – Interjection, Article, Active and Passive voice, Direct and Indirect Narration. UNIT – IV: Vocabulary – Meaning for the given words, Synonymous and Antonymous. UNIT – V: Letter writing, Paragraph writing, Comprehension. 1.2 APPLIED MATHEMATICS UNIT – I: 1. Matrices and Determinants. 2. Determinants up to 3rd order. 3. Properties of Determinants. 4. Solutions of simultaneous equations using Cramer’s rule. 5. Properties of Matrices. UNIT- II: 1. Trigonometry – Introduction. 2. Trigonometry ratios – Multiple angles. 3. Trigonometry indenties – Simple problems Only. 4. Properties of triangles- Sine formulae – Cosine formulae and Projection formulae – problems. UNIT- III: 1. Differential Calculus. 2. Differentiations – Concept – Differentiation of standard function 3. Differentiations of Sum, Product & Division. UNIT- IV: 1. Integral Calculus – Introduction. 2. Integration – Basic Definition. 3. Definite Integrals and properties. 4. Integration by substitution. 5. Integration by parts. 6. Simple Problems. UNIT- V: 1. Linear equation involving two variables only. 2. Solution of simultaneous linear equations involving two variables. 3. Co- linear points. 4. Statistics – Introduction. 5. Frequency distributions Mean, Median, Mode, Standard Deviation and C.V. %. 1.3. APPLIED PHYSICS UNIT – I: UNITS AND DIMENSIONS 1. M.K.S system and C.G.S. system. 2. Fundamental quantities and units (S.I. system) 3. Derived quantities and units (S.I. system) 4. Supplementary SI units 5. Dimension and Dimensional formula. -
Weave Structure and Image Pattern Exploration for Modern Double-Cloth Design Development by Deploying Digital Technology
Volume 10, Issue 4, 2018 Weave Structure and Image Pattern Exploration for Modern Double-cloth Design Development by Deploying Digital Technology Ken Ri Kim, Lecturer, Loughborough University, United Kingdom ABSTRACT The use of digital technology can open up new opportunities for Jacquard fabric to provide novel forms of decorative fabrics. In additional to color, texture and material, multiple layer format such as double-cloth is considered a crucial design element. In using the traditional weaving method, double-cloth design features are limited to abstract styles (i.e., stripes and color blocks). However, by deploying digital technology it is possible to depict much complicated fashion on both sides of a fabric. Two distinguished images are realized through weft yarn colors of which face, and back layer equally offer unique design novelty that was not possible with existing weaving methods. Therefore, this study firstly explored on a weave structure development which is capable of presenting pictorial images on both sides of a fabric. Once the weave structure format is finalized, further experiment is carried out with the CMYK color threads to explore the possibility of expanding a weave color scope for double-cloth. Based on the two experiments results, the details of weave structure and the image pattern design are explained to propose new types of modern double-cloth. Keywords: Double-cloth, Weave structure design, Pictorial image, Weave color expansion 1. Introduction contrast, in modern digital weaving as each Double cloth possesses at least two sets warp thread is threaded into individual hooks, of warp and weft yarns primarily engaged in higher capability and flexibility results from generating its own layer of fabric to form the loom setting (Ishida, 1994). -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Silk-Weaving in Sweden During the 19Th Century. Textiles and Texts - an Evaluation of the Source Material
Thesis for the degree of Licentiate of Philosophy SILK-WEAVING IN SWEDEN DURING THE 19TH CENTURY. Textiles and texts - An evaluation of the source material. Martin Ciszuk Translation Magnus Persson www.enodios.se Department of Product and Production Development Design & Human Factors CHALMERS UNIVERSITY OF TECHNOLOGY Gothenburg, Sweden 2012 Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk © Martin Ciszuk, 2012 Technical report No. 71 ISSN 1652-9243 Department of Product and Production Development Chalmers University of Technology SE-412 96 Gothenburg SWEDEN Telephone: +46 (0)31- 772 10 00 Illustration: Brocatell, interior silk woven for Stockholm Royal pallace by Meyersson silk mill in Stock- holm 1849, woven from silk cultivated in Sweden, Eneberg collection 11.183-9:2 (Photo: Jan Berg Textilmuseet, Borås). Printed by Strokirk-Landströms AB Lidköping, Sweden, 2012 www.strokirk-landstroms.se Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. Martin Ciszuk Department of Product and Production Development Chalmers University of Technology Abstract Silk-weaving in Sweden during the 19th century. Textiles and texts - An evaluation of the source material. With the rich material available, 19th century silk-weaving invites to studies on industrialisation processes. The purpose of this licentiate thesis is to present and discuss an empirical material regarding silk production in Sweden in the 19th century, to examine the possibilities and problems of different kinds of materials when used as source materials, and to describe how this material can be systematized and analysed in relation to the perspective of a textile scientific interpretation. -
Textiles Under Mughals
Chapter V Textiles under Mughals- The advent of the Mughal dynasty gave an undeniable boost to production of the up-market textile, as to other craft. Textiles are singled out for mentioned by Abul Fazl, the minister and biographer of Akbar (1556-1605), in his Ain-i-Akbari, compile in the 1590‟s as a subject in which the emperor took particular interest. Akbar favoured woollen garment – the chosen wear of Sufis (Muslim mystics) – „from his indifference to everything that is worldly‟ in preference to the richer stuffs. His penchant for wool is also indicated by the steps he took to improve shawl manufacture; especially in the relation to dyes and width of fabric.1 Ain-i- Akbari goes into fascinating details on the manner of classifying garments in the imperial wardrobe (toshkhana). The textiles were arranged according to the date of entry which was recorded, sometime with other information, on a label tacked on to the piece (practice which survived in provision toshkhana into the 20th century). Price, colour and weight were also taken into account. Within these boundaries, textile took precedence according to the nature of the day, astrologically auspicious or otherwise on which they were received. A further refinement took into account the colours, of which thirty five are listed in the order of precedence. Abul Fazl further records that imperial workshops had been set up in the cities of Lahore, Agra, Fatehpur Sikri and Ahmedabad, where the best of the local craftsmen were requisitioned to supply the needs of the court.2 Persian masters were brought in to teach improved techniques. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
You Wove That on What??? Stretching the Limits of a Rigid Heddle Loom
You Wove that on What??? Stretching the Limits of a Rigid Heddle Loom Matthew Williams This book is for sale at http://leanpub.com/rigid-heddle This version was published on 2013-04-19 This is a Leanpub book. Leanpub empowers authors and publishers with the Lean Publishing process. Lean Publishing is the act of publishing an in-progress ebook using lightweight tools and many iterations to get reader feedback, pivot until you have the right book and build traction once you do. ©2012 - 2013 Matthew Williams Tweet This Book! Please help Matthew Williams by spreading the word about this book on Twitter! The suggested hashtag for this book is #rigidheddle. Find out what other people are saying about the book by clicking on this link to search for this hashtag on Twitter: https://twitter.com/search/#rigidheddle Contents Why? ................................................ i The Good ............................................ i The Bad ............................................. i The Ugly ............................................. ii A Weaving Prayer ........................................ ii Tools ................................................ 1 Sticks ............................................... 1 Tools for Warping ........................................ 2 The Others ............................................ 2 The Most Important Tool of All ................................ 3 Direct Warping .......................................... 4 Warping ............................................. 4 Winding ............................................ -
Glossary of Tapestry Terms
[This glossary is not meant to be all-inclusive, or the ultimate authority on definitions. It was developed from a few submitted glossaries and includes primarily words that refer directly to tapestry weaving. However, the glossary is meant to be useful. So with that objective, we would like to experiment with a “Wikipedia” style glossary. You can: • add a word and its definition. • add to, or modify the definition of one of the words already in the glossary. • submit a digital image to illustrate one of the terms. Submit your additions to: Mary Lane: [email protected] Thanks for helping out!] Glossary of Tapestry Terms Abrash – Slight variations in the weft color due to different dye lots, or to differences in dye absorption in the same dye lot. Arrondiment – (French) Soumak. Aubusson – (French) A city in France in which many commercial, low warp ateliers are located. The word is often used to refer, in a generic way, to low warp weaving. Awl – A pointed, metal instrument used for piercing small holes in leather, wood, etc. Weavers use awls to loosen, or pick apart, the densely packed weft and to manipulate the surface of the woven fabric. Basse-licier – (French) Low warp tapestry weaver. Basse lisse – (French) A low warp loom; low warp weaving. Bâton de croisure – (French) Shed stick. Battage – (French) A woven technique used for shading and transparencies in which the number of full passes of two or more colors changes in a proportional manner. Beams – Rollers on a loom, the warp beam holds the extra warp and the cloth beam holds the finished cloth. -
IO033542 1961 HIM-C.Pdf
PRG. 60A(2) (N)jlOOO CENSUS OF INDIA 1961 VOLUME XX-PART VII-A-No. 2 HIMACHAL PRADESH Rural Craft Survey THE ART OF WEAVING Field Investigation and Draft by LAKSHMI CHAND SHARMA Editor RAM ~HANDRA PAL SINGH of the Indian Administrative Service Superintendent of Census Operations Himachal Pradesh, Simla-5. 1968 PRINTED IN INDIA bY THE CAMBRIDGE PRINTING WORKS, DELHI. AND PUBLISHED BY THE MANAGER OF PUBLICATIONS, CIVIL LINES, DELHI. Contents PAGFS FOREWORD iii PREFACE vii 1. WOOL, WOOLLENS AND OTHER TEXTILES Clothings-Religious tinge and Superstitions- Woollens today. 2. THE SPINNERS AND WEAVERS 5 Training of craftsmen-Training in silk rearing at Government Centre. 3. WEAVER'S WORKSHOP. 8 Workshop-Tools and equipment (i) Toolsfor preparing the yarn. (ii) Tools for preparing warp. (iii) Loom and its parts. (iv) Other accessories 4. RAW MATERIALS 16 Cotton-wool-sheep shearing-Silk-Facilities offered by the Government-Experimental Trials with mulberry varieties-Silk weaving-Pashmina-Sheli-Goat hair. 5. PREPARATION OF YARN 28 Rearing and shearing-washing-teasing-spinning-Twisting of thread into two ply-Preparation of Pashmina yarn-Goat hair spinning--Count ofyarn. 6. WEAVING PROCESSES 32 Calculation in w.eaving-Preparation of warp-Removing the warp threads-Threading the Headles-Reeding- The tie-up operation Preparation of weft-Weaving-Loom for Kharcha making-Sizing -Milling-Dying-Basic weaves-Plain weave-twill weave. 7 . VARIETIES IN F ABRI CS 42 Woollen fabrics- Traditional designs -Modern designs-Goat hair fabrics-Cotton fabrics. B. ECONOMY OF WEAVERS 48 Wages. ApPENDIX I 50 ApPENDIX II 61 "India is set on her own industrial collaboration and I have little doubt that she will progressively be an industrialised country, but I do hope that this process will not put an end to the handlooms of India. -
Schacht Guide to the Rigid Heddle Loom Projects Tips Inspiration
The Schacht Guide to the Rigid Heddle Loom Projects Tips Inspiration Accent: Using hemp rope (ours is from the hardware store) or thick linen, stitch accent lines using a running stitch. Make Chunky Plaid Pillow 52" of braid or twisted rope trim using the Schacht Incredible Rope Machine. Assembly: Mark the center of the length of the fabric, zigzag on either side of the cutting line and cut apart for two equal pieces. With right sides together, stitch around all four sides, leaving at least an 8” opening for the pillow form. Turn the fabric right side out, insert the form and hand stitch the opening closed, leaving a ½" hole. Stuff the end of the trim into the hole and stitch the trim all the way around the pillow. Insert the other end into the hole and stitch the hole closed. Weave Structure: Plain weave Finished Size: 12½" x 12½" Equipment: 15" Cricket Loom, 5-dent reed, 2 stick shuttles, tapestry needle, sewing machine (you can also hand stitch), 12" pil- low form. Optional: Incredible Rope Machine Yarn: Brown Sheep Lamb’s Pride Bulky 175 yds or 2 skeins (4 oz/125 yd per skein) of M-11 White Frost and 60 yds (1 skein) of M57 Brite Blue. You’ll also need a small amount of hemp rope or heavy linen yarn Big yarns and a mega plaid design make this pillow fast to warp and quick to weave. It’s easy to sew, for the stitched accents and rope trim. too. Designed by Jane Patrick and Stephanie Flynn Sokolov.