Weaving: Conversion of Yarn to Fabric
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Merrow Technical Library Textile Technology WEAVING: CONVERSION OF YARN TO FABRIC 1 Merrow Technical Library General Editor: J. Gordon Cook, B.Sc., Ph.D., F.R.S.C. Textile Technology MTL/TT/ 1 Handbook of Textile Fibres, J. Gordon Cook MTL/TT/2 Handbook of Polyolejin Fibres, J. Gordon Cook MTL/TT/3 Spinning in the '~OS,P. R. Lord (Ed.) MTL/TT/4 An Introduction to Warp Knitting, D. G. B. Thomas MTL/TT/S Fluorescent Whiteniog Agents, A. K. Sarkar MTL/TT/6 Self-twist Yam, D. E. Henshaw MTL/TT/8 The Setting of Fibres and Fabrics, J. W. S. Hearle and L. W. C. Miles (Eds.) MTL/TT/9 Weaving: Control of Fabric Structure, K. Greenwood MTL/TT/ 10 Cotton Fibre Stmcture, M. L. Rollins MTL/TT/ 1 1 An Introduction to Weft Knitting, J. A. Smirfitt MTL/'IT/I 2 Weaving: Conversion of Yarn to Fabric, P. R. Lord and M. H. Mohamed MTL/TT/ 1 3 Wool in Double Jersey, T, D. Brown (Ed.) ii WEAVING: CONVERSION OF YARN TO FABRIC P. R. Lord, Ph.D., D.Sc (Eng)., C.Eng., F.I.Mech.E., F.T.I. Abel C. Lineberger Rofessor of Textiles, School of Textiles, North Carolina State University Raleigh, North Carolina, U.S.A. M. H. Mohamed, B.Sc.(Mech.Eng),Ph.D., F.T.I. Rofessor of Textile Materials and Management School of Textiles, North Carolina State University Raleigh, North Carolina 27650. U.S.A. MERROW iv PREFACE This book has been written for students of all levels and for all who are engaged in the production of woven fabrics. It covers all important aspects of the conversion of yams into fabrics, including not only weaving itself but also winding and preparation, loom design, noise, loom developments, fabric properties and design, the interaction between yarns and fabric, management and cost optimi- zation. Care has been taken to expose terms which may be new to the student, and these terms are defined in a glossary which is linked with an index to the text and to a list of literature references. The index is designed to provide the reader with a means of following up any topic which he wishes to study in greater depth. Grateful acknowledgements are given to our colleagues in the School of Textiles, North Carolina State University, and, in particular, to Mrs. E. Ragland for her secretarial work and Mr. J. Baker for his library research. 1973 Second Edition The book has been revised to express the examples in metric units as well as Imperial units. The opportunity has been taken to rewrite some sections to include newer information and to broaden the coverage. 1982 V Merrow Publishing Co. Ltd., I.S.A. Building, Shildon, Co. Durham, England. fQ P. R. Lord and M. H. Mohamed 1973,1976,1982 Illustrations: 0 Merrow Publishing Co. Ltd. 1973, 1982 Reprinted 1992 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic. mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. ISBN 0 900 54178 4 Printed and bound in Great Britain by Redwood Press Limited, Melksham, Wiltshire vi CONTENTS Chapter Title Page 1 An Historical Introduction to Weaving 1 2 A Technical Introduction to Weaving 17 3 An Introduction to Weaving Preparation 32 4 Winding 61 5 Warping 85 6 Slashing (Warp Sizing) 99 7 Drawing-in and Tying-in 127 8 The Fundamentals of Fabric Structure 134 9 Woven Fabric Design 157 10 The Simple Shuttle Loom 178 11 Shedding and Beating 191 12 Shuttle Picking and Checking 219 13 Automation and Controls 236 14 Power, Energy and Vibration 263 15 Shuttleless Weaving Systems 289 16 More on Shuttleless Looms 312 17 Weaving Room Management 326 Appendix I: Glossary and Index 343 Appendix 11: References 378 Appendix 111: Determination of Yam Length in a Crimped State 392 Appendix IV: Units and Conversion Factors 394 vii ... vlll ~ ~~~ ~ ~~ ~ ~~ ~ AN HISTORICAL INTRODUCTION TO WEAVING The Ancient History of Weaving Human beings have clothed themselves with woven materials since the dawn of history, and the history of civilization is also, to some extent, the history of weaving. Aitken says, “There is evidence that the Egyptians made woven fabrics over 6000 years ago and it is believed that in prehistoric times, lake dwellers in Europe made nets from twisted threads”. Old mural paintings and carvings, china and other ancient artifacts make it clear that providing himself with clothes was an important facet of man’s early life. Until comparatively recent times, spinning and weaving were skills associated with domestic life, and there are refercnces to these familiar occupations in the literature of all civilized societies. Thomas Gray, for example, wrote Weave the warp, and weave the woof, The winding-sheet of Edward’s race. Give ample room, and verge enough The characters of hell to trace. In the earliest primitive civilizations, the threads used for weaving were very coarse (probably vines or creepers). In general, therefore, the cloth produced was also crude and coarse, although there are references in even the oldest literature to fine fabrics. For example, the filaments extruded by the silkworm were used by the Chinese to make the finest of fabrics. The origins of sericulture (the culture of silk- worms to produce raw silk) are so ancient that the earliest references are to be found only in legend and fable. Silk 1 became economically important in China over 4000 years ago under Emperor Huang Ti and it is said that his Empress invented the loom. However, it is probable that the loom has been invented many times in many civilizations. In ancient times, fine fabrics could be afforded only by the rich; the ordinary folk usually wore rough materials made from animal furs (if they were fortunate) or from animal or vegetable fibers. The more recent history of textiles is concerned with the development of methods of converting animal and vegetable fibers into fabric and, in modern times, with the development and conversion of man-made fibers into fabrics. The Early English Woolen Industry A great deal of textile development occurred in England and neighboring countries. Thc history of the English textile trade is a story which involves the complex interactions of society, economics, the emerging sciences, agriculture, and the ancient textile arts. It is salutory to find that many of today’s economic difficulties are no new phenomena; they had their like in times long past. In the ninth century A.D., Alfred the Great found himself as Comrade-in-Arms with Arnulf of Flanders in repelling persistent attempts at invasion by the Danes. This relation- ship was sealed by marriage and founded a lasting connection between the men of England and Flanders; the latter were well versed in the textile arts. The social organization was such that small, almost self-sufficient communities grew up around strongholds and their affairs were managed by guilds. As life became more complex, craft guilds began ta. appear which were concerned only with given crafts, and the first of these was the Weavers Craft Guild (1 100 A.D.). In 1108, following disastrous floods in the Low Countries (i.e. Holland), many Flemings emigrated to England and Wales bringing their skills with them. Flemish textile workers provided a foundation on which much of Britain’s textile trade was built. In 1362 the Staple was established in Calais; 2 this was a center for the export of English wool (it is probable that this is the origin of the use of the word “staple” as a textile term). At this time, England was an agricultural country, and there is evidence that many farmers found wool more profitable than corn. William the Conqueror (who successfully invaded England in 1066) was married to a Flemish princess, as was Edward 111 in the fourteenth century; there was thus a continuing tie between the two peoples which helped maintain the textile tradition. This was further encouraged by subsidies which, according to Wood and Wilmore, were U800 in 1348-a very great sum in those days. It is not surprising that the Belgian weaving trade was seriously affected. in 1407, The Merchant Adventurers Company was char- tered to operate a monopoly in the export of cloth to Contin- ental Europe. There was, of course. no industrialization at this time; weaving was a cottage industry. Families worked in their homes to supply a clothier who rented the looms, collected the woven materials and distributed then1 for profit. After his quarrels with the Pope and his loss of influence in Europe, Henry Vlll devalued the coinage in 1544. This caused a boom followed by a slump and left an unstable textile industry which had many ups and downs. The situ- ation continued for the next two hundred turbulent years, and was not eased by the growing conservatism of the craft guilds which often opposed progress. Many workers migrated from the established centers to set up new ones in the northern parts of the country to escape the tyranny of the guilds. (It is interesting to note that when the industrial revolution swept through the north in the eighteenth and nineteenth centuries, similar attitudes prevailed and the term Luddite came to have its particular meaning.) Meanwhile Elizabeth I reformed the currency, set up a number of trading companies and made London a great international center of finance and shipping. The early Stuart dynasty did much to encourage the arts and sciences and this was to prove of great benefit in later years.