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Home , Ivo van Hove, Louis Mahoney, Nicholas Hytner

Did you know? A production from 2,500 cinemas in 65 countries showed a broadcast or screening in 2017 a new play by

Cast, in alphabetical order Enjoy the show Patients Visitors Molly Jacqueline Chan Colin, Joe’s Son Samuel Barnett We hope you enjoy your National Theatre Please do let us know what you think Mrs Maudsley Jacqueline Clarke Alex, Documentary Director Sam Bond Live screening. We make every attempt to through our channels listed below or Mavis Patricia Mrs Earnshaw Rosie Ede replicate the theatre experience as closely approach the cinema manager to share Mary Julia Foster Cliff, Camera Nadine Higgin as possible for your enjoyment. your thoughts. Arthur Colin Haigh Andy, Work Experience David Moorst

Renee Anna Lindup Mr Earnshaw Duncan Wisbey Neville Louis Mahoney Creative Team Connect with us Joe Jeff Rawle Cora Cleo Sylvestre Writer Alan Bennett Lucille Gwen Taylor Director Explore Never miss out Hazel Sue Wallace Designer Go behind the scenes of Allelujah! and Get the latest news from Ambrose Simon Williams Choreographer Arlene Phillips learn more about how our broadcasts National Theatre Live straight Music Staff happen on our website. to your inbox. Lighting Designer Natasha Chivers Dr Valentine Sacha Dhawan Sound Designer Mike Walker Sister Gilchrist Deborah Findlay ntlive.com ntlive.com/signup Salter, Hospital Chairman Peter Forbes Broadcast Team Ramesh, Junior Doctor Manish Gandhi Gerald, Physiotherapist Richie Hart Director for Screen Robin Lough Technical Producer Christopher C Bretnall Join in Feedback Nurse Pinkney Nicola Hughes Fletcher, Junior Doctor Gary Wood Script Supervisor Laura Vine Use #Allelujah and be a part of Share your thoughts by taking our Lighting Director Bernie Davis the conversation online. short online survey and enter into a Sound Supervisor Conrad Fletcher prize draw to win £100. /ntlive Running time: Please note: ntlive.com/feedback Approx. 2 hours 45 mins, BBFC Rating 15. @ntlive including an interval. Contains strong language. AlanWho Bennettis David introducesHare? Allelujah! Coming soon Excerpts from his programme introduction for Find the next broadcast or screening near you at ntlive.com

DavidI have Harebeen iswriting one of plays the UK’s (slightly most to prolifimy c Davidcan speak Hare with was a recently divided describedvoice. In Allelujah! by andsurprise) critically for fifty acclaimed years andwriters, more having and it is a theit means Washington that I have Post some as ‘the sympathy premiere with Margo Channing. Legend. True star of the writtenbit late inextensively the day to for confess the stage, that televisionI tend to politicalSalter and dramatist with Nurse writing Gilchrist, in English’. neither This of theatre. The spotlight is hers, always has andwrite fi alm. play His before plays includeI do the Plentyresearch, Skylight for it. newwhom play, is entirely I’m Not sympathetic. Running, follows in his been. But now there’s Eve. Her biggest fan. Otherwise,and Stuff Happens knowing. Hismyself, fi lm workI’m likely includes to get political drama style. Siân Brooke plays Young, beautiful Eve. The golden girl, the girl tooThe interestedHours and not The to Reader say bogged (for both down in PaulineStaged asGibson, it is in a my doctor eighty-fourth and leader year of athe next door. But you know … ofthe which facts heand received so never Academy get round Award to writing campaignplay [Allelujah! to save] could her belocal taken hospital, as a would- who don’t you…? nominationsthe play. for Best Adapted Screenplay), facesbe apotheosis agonising though decisions I hope about not. her It does future and the recent fi lm about ballet dancer ininclude politics occasional and a friendship jokes that that have spans been 20 by Joseph L Mankiewicz Emmy Award-winner (NT RudolfWriting Nureyev,a play I have The neverWhite triedCrow to (directed hide the years.with me An half examination my writing of life private without lives (perhaps versus from Sonia Friedman Productions Live: , X-Files) bysound Ralph of myFiennes), own voice. released It hasn’t in 2018. always publicunderstandably) personas, ever I’m Not finding Running a place. is David and Fox Stage Productions returns to the stage alongside been where an audience or a critic has Hare’s 17th new play to be presented at the adapted and directed for the (Downton Abbey) under the direction of thought to find it and certainly not always NationalOne of the Theatre. reasons why Nicholas Hytner and stage by Ivo van Hove (). in the mouth of the leading character. It’s I have always worked well together is that often a divided voice or a dissenting one; plays as I first submit them are generally BroadcastIn cinemas live 25 May11 April two things (at least) are being said and I am quite loose-fitting garments which can then not always sure which one I agree with. But be tailored to his (and sometimes the casts’) that is one reason why I write plays: one strengths and requirements. America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. But nothing lasts NationalBridge Theatre Theatre NatNationalional Theatre Live forever as long-buried truths are forced to the surface and the price of their American TheAt the Bridge National Theatre Theatre was we founded make world-classby National Theatre Live distributes dream is laid bare. Nicholastheatre, and Hytner we makeand Nick it for Starr everyone. on world-class theatre straight from stages by leaving the National Theatre after 12 years. across the to cinema a co-production from Academy Award-winner Sally Field (Steel TheWe stagetheatre over has 20 a productions900-seat adaptable at our screens around the world. and Headlong Magnolias) and Bill Pullman (While You Were auditoriumSouth Bank designed home in Londonto answer each the year. Sleeping) star in Arthur Miller’s blistering needsOur programme of contemporary is broad audiences and inclusive, and Working with the best of British BroadcastIn cinemas live 15 June14 May drama, directed by . theatre-makersappealing to the that widest is capable possible of audiences responding theatre companies and producers, towith shows new plays,with different musicals, formats reimagined (end-stage, we simultaneously broadcast live theatre thrustclassics stage and andwork promenade). for young audiences. It is the first shows to cinemas in the UK, Europe and whollyOur work new is theatrealso seen of inscale ’s to be addedWest End, sometimes North America, as well as Andrea Levy’s Orange Prize-winning novel toon London’stour across commercial the UK and theatre internationally, sector capturing the live performance for encore Small Island comes to life in this epic new inand 80 through years. National Theatre Live broadcasts screenings in other territories. theatre adaptation. and screenings to cinemas around the world. The Bridge was designed by Steve Our live broadcasts and screenings Hortense yearns for a new life away from TompkinsWhether you’ve and Roger seen Wattsour work of Haworth many have been seen by over 8 million people rural Jamaica, Gilbert dreams of becoming Tompkinstimes or are Architects joining us (winner for the of fi rstthe time, 2014 in 2,500 cinemas in 65 countries since adapted by Helen Edmundson a lawyer, and Queenie longs to escape her Stirlingwe hope Prize). you will be entertained, we launched in 2009. based on the novel by Andrea Levy Lincolnshire roots. Embark on a journey challenged and inspired. a National Theatre production from Jamaica to Britain, through the Second World War to 1948 – the year the HMT bridgetheatre.co.uknationaltheatre.org.uk ntlive.com In cinemascinemas 273 August June Empire Windrush docked at Tilbury. facebook/bridgetheatrelondonfacebook/nationaltheatre facebook/ntlive @_bridgetheatre@nationaltheatre @ntlive