ALL ABOUT EVE by Joseph L Mankiewicz
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IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC. -
If You're Looking for Girl Power, You'll Find It at Moreton Hall
If you’re looking for girl power, you’ll find it at Moreton Hall A69377 Moretonian Magazine 2107_AW.pdf Page 1 of 94 Email: [email protected] Moreton Hall, Weston Rhyn, Telephone: (+44) 01691 773671 Oswestry, Shropshire Web: www.moretonhall.org SY11 3EW A69377 Moretonian Magazine 2107_AW.pdf Page 2 of 94 Contents 4 News Highlights 38 STEM 7 Special Awards Winners of 2017 40 Art Gallery 9 A day in the life of Jonathan Forster 44 A journalist covering under reported stories across Africa 10 Silver Service 46 Moreton’s Unsung Heroes 11 Carolyn Tilley 48 Duke of Edinburgh 12 Head Prefects’ Speeches 50 Creative Writing 14 Leavers’ Ball 2017 The Journey 17 Face2Face War 18 Little Shop of Horrors 52 Enrichment outside the classroom 19 Aladdin 54 Catering For The Masses 20 The Community Theatre 57 Classics 22 Performing Arts with Beth Clacher 58 Moreton Photography 24 Annual Investec Business Lunch 59 Sport 26 Moreton Enterprises 65 Moreton First 28 Enrichment Section News Highlights Bronwen The 3 R’s Jenner The Art Gallery 32 To My Remove Self Expressive Arts Sport 34 Careers at Moreton Hall 77 The Old Moretonian 36 Spoken English The Moretonian 2017 A69377 Moretonian Magazine 2107_AW.pdf Page 3 of 94 News Highlights Senior Mathematicians are Top 2% of the UK Moreton Hall’s team finished in the top 2% of the UK at the National Final of the Senior Team Maths Challenge in London, on 7th January. The team, comprised of Phoebe Jackson (U6), Pauline Ji (U6), Vinna Sun (L6) and Georgie Lang (L6) excelled. -
Education at the Races
News GLOBE TO OPEN SAM WANAMAKER PLAYHOUSE NICHOLAS HYTNER WITH NON-SHAKESPEARE PERFORMANCES TO LEAVE NATIONAL Curriculum THEATRE IN 2015 focus with Patrice Baldwin Sir Nicholas Hytner is to step down as artistic director at the National Theatre after more than a decade at the helm. Announcing his Education at ‘the races’ departure, Hytner said: ‘It’s been a joy and a privilege to lead the At the education race course, tension is mounting. The subject horses National Theatre for ten years and I’m looking forward to the next two. that have been allowed to compete will all be running very soon. Some ‘I have the most exciting and most fulfilling job in the English- have the usual head start, some are kept lame and may not be allowed speaking theatre; and after 12 years it will be time to give someone to enter the main race at all. What happens behind the scenes in various else a turn to enjoy the company of my stupendous colleagues, who stables is already determining the subject and GCSE winners, and the together make the National what it is.’ odds are low on drama being allowed to compete fairly in the race. Hytner came to the National Theatre as the successor of Sir Trevor Drama continues to be held back. Michael Gove is apparently Nunn in 2003. He has since headed up some of the National’s most avoiding having to get an act of parliament passed, which is needed commercially successful work to date, including The History Boys, were he to change the basic structure of the current national curriculum One Man, Two Guvnors and War Horse. -
Biographies (396.2
ANTONELLO MANACORDA conducteur italien • Formation o études de violon entres autres avec Herman Krebbers à Amsterdam o puis, à partir de 2002, deux ans de direction d’orchestre chez Jorma Panula. • Orchestres o 1997 : il crée, avec Claudio Abbado, le Mahler Chamber Orchestra o 2006 : nommé chef permanent de l’ensemble I Pomeriggi Musicali à Milaan o 2010 : nommé chef permanent du Kammerakademie Potsdam o 2011 : chef permanent du Gelders Orkest o Frankfurt Radio Symphony, BBC Philharmonic, Mozarteumorchester Salzburg, Sydney Symphony, Orchestra della Svizzera Italia, Scottish Chamber Orchestra, Stavanger Symphony, Swedish Chamber Orchestra, Hamburger Symphoniker, Staatskapelle Weimar, Helsinki Philharmonic, Orchestre National du Capitole de Toulouse & Gothenburg Symphony • Fil rouge de sa carrière o collaboration artistique de longue durée avec La Fenice à Venise • Pour la Monnaie o dirigeerde in april 2016 het Symfonieorkest van de Munt in werk van Mozart en Schubert • Projets récents et futurs o Il Barbiere di Siviglia, Don Giovanni & L’Africaine à Frankfort, Lucio Silla & Foxie! La Petite Renarde rusée à la Monnaie, Le Nozze di Figaro à Munich, Midsummer Night’s Dream à Vienne et Die Zauberflöte à Amsterdam • Discographie sélective o symphonies de Schubert avec le Kammerakademie Potsdam (Sony Classical - courroné par Die Welt) o symphonies de Mendelssohn également avec le Kammerakademie Potsdam (Sony Classical) • Pour en savoir plus o http://www.inartmanagement.com o http://www.antonello-manacorda.com CHRISTOPHE COPPENS Artiste et metteur -
Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
Scholarship | Gaiety | Humanity
Scholarship | Gaiety | Humanity The Moretonian 2020 1 Email: [email protected] Moreton Hall, Weston Rhyn, Telephone: (+44) 01691 773671 Oswestry, Shropshire Web: www.moretonhall.org S Y11 3 E W /MoretonHall @MoretonHall Charity Registration Number 528409 2 The Moretonian 2020 Contents 4 Principal George Budd's Reflections 55 Lacrosse National Finalists 8 Opportunity At Moreton 56 Lacrosse Nationals 9 Divisionals 58 Fond Farewell 10 Special Awards 62 Making of A Moretonian 12 News Highlights 63 Tribute To Katy Tanner 16 The Holroyd Community Theatre 64 Housemistress' Highlights 18 Head Prefects’ Speeches 66 A Room with a View 20 Careers Fair 67 The Old Moretonian 22 Moreton Enterprises (Pages Reversed) 24 Chicago Moreton First 26 Face2Face 2 Reflection 28 Beauty and The Beast 4 A Tribute to Mrs Ford 30 Bridging The Gap 6 Moreton First News Highlights 32 Wellbeing At Moreton 8 Moreton First Awards 34 The Rylands Diploma 9 Moreton First Means Business 36 The Lady Barbirolli Music Society 11 Playing and Learning Outdoors 38 The Jenner Society 12 Reception 40 The Bronwen Society 14 Year 1 42 Bioscience Essay Success 16 Art Gallery 44 History In The Making 17 Year 2 45 Girls Do STEM 18 Year 3 46 The New Woman 20 Year 4 47 Widening Horizons 22 Year 5 48 The Economic Outlook 24 Year 6 49 Photography 26 Moreton First Sport 50 Art Gallery 27 Sport Highlights 52 Sports Highlights 28 Bombs In The Night The Moretonian 2020 3 Principal, George Budd, reflects on his first year at the helm. 4 The Moretonian 2020 I’ve had a copy of the 2019 Moretonian in my office Over the past three terms, we’ve had conversations all year. -
Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis -
Dialect Coaching for Screen 2014/2015/2016 Dialect and Voice
Dialect Coaching for Screen 2014/2015/2016 Nov 16 – Feb 2017 Roseline Productions Dialect Coach for Will Ferrell, John C Reilly: Holmes and Watson Nov 2016 Sky Dialect Coach Bliss Nov 2016 BBC Dialect Coach for Zombie Boy: Silent Witness Aug 2016 Sky Dialect Coach for Iwan Rheon and Dimitri Leonidas: Riviera Jan/Feb 2016 Channel 4 Dialect Coach: ADR: Raised By Wolves directed by Ian Fitzgibbon Oct 2015 Jellylegs/Sky 1 Dialect Coach: Rovers directed by Craig Cash Oct 2015 Channel 4 Dialect Coach: Raised By Wolves directed by Ian Fitzgibbon Sept 2015 LittleRock Pictures/Sky Dialect /voice coach: Elizabeth, Michael and Marlon (Joseph Fiennes, Stockard Channing, Brian Cox) January – May 2015 BBC2/ITV, London Dialect Coach (East London): Cradle to Grave – directed by Sandy Johnson January – April 2015 Working Title/Sky Dialect Coach (Gen Am, Italian): You, Me and the Apocalypse – TV directed by Michael Engler/Saul Metzstein September 2014 Free Range Films Ltd, London Dialect/voice coach (Leeds): The Lady in the Van – Feature directed by Nicholas Hytner May 2014 Wilma TV, Inc. for Discovery Channel, New York Dialect Coach (Australian): Amerikan Kanibal - Docudrama February/March 2014 Mad As Birds Dialect Coach (Various Period US accents): Set Fire to the Stars - Feature directed by Andy Goddard February and June 2014 BBC 3 Dialect Coach (Liverpool and Australian): Crims - TV directed by James Farrell Dialect and Voice Coaching for theatre 2016 Oct 2016 Park Theatre, Dialect support (New York: Luv directed by Gary Condes Oct 2016 Kings Cross -
'Cumberbatch' Hamlet (1):'The Very Age and Body of the Time His Form
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Worcester Research and Publications The ‘Cumberbatch’ Hamlet (1):‘The very age and body of the time his form and pressure’ Boika Sokolova University of Notre Dame (U.S.A.) in England Nicoleta Cinpoeş University of Worcester, UK Abstract: This essay reads Lyndsey Turner’s 2015 Hamlet at the Barbican Theatre in London against the production’s priorities, namely, being star, new audience and box- office driven. It explores the negotiation of the script, space and politics at the heart of this production. Giving its due when discussing the cinematic employment of cuts, editing, lighting and freeze frames, it acknowledges that some of the special effects were lost to the theatre spectator, per force cast in a secondary role in a production that prioritised live-streaming across the world. Keywords: Cumberbatch, Turner, cinematic, politics, action design, Hamlet, Ophelia, Gertrude Corresponding author: Dr Nicoleta Cinpoeş Institute of Humanities and Creative Arts Bredon Building Henwick Grove Worcester WR2 6AJ UK [email protected] This assessment comes more than a year after the much hyped production of Hamlet with Benedict Cumberbatch took stage and screens by storm. The delay has afforded us the comfort of the longer view, after the dust of the media hysteria has settled, as have our own emotional responses to the production, directed by Lyndsey Turner, which we saw in different venues.1 As audience members and as reviewers here, we inevitably bring to the table our own Hamlet experiences, which are informed by a broader European tradition of the play in performance and adaptation. -
Hamlet West End Announcement
FOLLOWING A CRITICALLY ACCLAIMED & SELL-OUT RUN AT THE ALMEIDA THEATRE HAMLET STARRING THE BAFTA & OLIVIER AWARD-WINNING ANDREW SCOTT AND DIRECTED BY THE MULTI AWARD-WINNING DIRECTOR ROBERT ICKE WILL TRANSFER TO THE HAROLD PINTER THEATRE FOR A STRICTLY LIMITED SEASON FROM 9 JUNE – 2 SEPTEMBER 2017 ‘ANDREW SCOTT DELIVERS A CAREER-DEFINING PERFORMANCE… HE MAKES THE MOST FAMOUS SPEECHES FEEL FRESH AND UNPREDICTABLE’ EVENING STANDARD ‘IT IS LIVEWIRE, EDGE-OF-THE-SEAT STUFF’ TIME OUT Olivier Award-winning director, Robert Icke’s (Mary Stuart, The Red Barn, Uncle Vanya, Oresteia, Mr Burns and 1984), ground-breaking and electrifying production of William Shakespeare’s Hamlet, starring BAFTA award-winner Andrew Scott (Moriarty in BBC’s Sherlock, Denial, Spectre, Design For Living and Cock) in the title role, will transfer to the Harold Pinter Theatre, following a critically acclaimed and sell out run at the Almeida Theatre. Hamlet will run for a limited season only from 9 June to 2 September 2017 with press night on Thursday 15 June. Hamlet is produced by Ambassador Theatre Group (Sunday In The Park With George, Buried Child, Oresteia), Sonia Friedman Productions and the Almeida Theatre (Chimerica, Ghosts, King Charles III, 1984, Oresteia), who are renowned for introducing groundbreaking, critically acclaimed transfers to the West End. Rupert Goold, Artistic Director, Almeida Theatre said "We’re delighted that with this transfer more people will be able to experience our production of Hamlet. Robert, Andrew, and the entire Hamlet company have created an unforgettable Shakespeare which we’re looking forward to sharing even more widely over the summer in partnership with Sonia Friedman Productions and ATG.” Robert Icke, Director (and Almeida Theatre Associate Director) said “It has been such a thrill to work with Andrew and the extraordinary company of Hamlet on this play so far, and I'm delighted we're going to continue our work on this play in the West End this summer. -
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Arts Council OF GREAT BRITAI N Patronage and Responsibility Thirty=fourth annual report and accounts 1978/79 ARTS COUNCIL OF GREAT BRITAIN REFERENCE ONLY DO NOT REMOVE fROwI THE LIBRARY Thirty-fourth Annual Report and Accounts 1979 ISSN 0066-813 3 Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1V OAU Designed by Duncan Firt h Printed by Watmoughs Limited, Idle, Bradford ; and London Cover pictures : Dave Atkins (the Foreman) and Liz Robertson (Eliza) in the Leicester Haymarket production ofMy Fair Lady, produced by Cameron Mackintosh with special funds from Arts Council Touring (photo : Donald Cooper), and Ian McKellen (Prozorov) and Susan Trac y (Natalya) in the Royal Shakespeare Company's small- scale tour of The Three Sisters . Contents 4 Chairman's Introductio n 5 Secretary-General's Report 12 Regional Developmen t 13 Drama 16 Music and Dance 20 Visual Arts 24 Literature 25 Touring 27 Festivals 27 Arts Centres 28 Community Art s 29 Performance Art 29 Ethnic Arts 30 Marketing 30 Housing the Arts 31 Training 31 Education 32 Research and Informatio n 33 Press Office 33 Publications 34 Scotland 36 Wales 38 Membership of Council and Staff 39 Council, Committees and Panels 47 Annual Accounts , Awards, Funds and Exhibitions The objects for which the Arts Council of Great Britain is established by Royal Charter are : 1 To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects .