DOCSLIB.ORG

Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership with supported by Connectivity Our Ladies of The Threepenny Opera The Plough and Perpetual Succour Playing until 1 October the Stars Playing until 1 October Playing until 22 October Outdoor Media Partner Workshops Partner The National Theatre’s Partner for Lighting International Hotel Partner and Energy The Dorfman Partner Pouring Partner Official Hotel Partner of the National Theatre Young Chekhov Young Chekhov Young Chekhov Platonov Ivanov The Seagull Playing until 8 October Playing until 8 October Playing until 8 October 2 3 DECEMBER Mon 5 7.30 Tue 6 7.30 Wed 7 7.30 ‘I’ve no talent for life.’ Hedda Gabler Thu 8 7.30 Fri 9 7.30 by Henrik Ibsen Sat 10 7.30 Mon 12 7.00 in a new version by Patrick Marber Tue 13 7.30 Wed 14 2.15 7.30 Photography (Ruth Wilson) by Léa Nielsen Wed 21 7.30 Thu 22 7.30 Fri 23 7.30 Mon 26 7.30 Tue 27 2.15 Cast includes 7.30 Just married. Bored already. Hedda longs to Wed 28 7.30 Kate Duchêne be free... Éva Magyar JANUARY Ruth Wilson Ivo van Hove – one of the world’s most exciting Tue 3 7.30 Director directors – makes his National Theatre debut Wed 4 7.30 Ivo van Hove Thu 5 2.15 with a modern production of Ibsen’s masterpiece. 7.30 Set and Lighting Fri 6 7.30 Designer Ruth Wilson (Luther, The Affair) plays the title Sat 7 2.15 Jan Versweyveld role in a vital new version by Patrick Marber 7.30 Mon 9 7.30 Costume Designer (Three Days in the Country, The Red Lion). Tue 10 7.30 An D’Huys Thu 19 7.30 Sound Designer Fri 20 7.30 Sat 21 2.15 Tom Gibbons 7.30 Mon 23 7.30 Tue 24 7.30 Wed 25 2.15 7.30 Thu 26 7.30 Fri 27 7.30 Sat 28 2.15 7.30 Mon 30 7.30 Tue 31 7.30 FEBRUARY Wed 1 2.15 7.30 Thu 2 7.30 Fri 3 7.30 Sat 4 2.15 7.30 Mon 6 7.30 Tue 7 7.30 Wed 8 7.30 Thu 9 7.30 Fri 10 7.30 Sat 11 2.15 7.30 Additional performances to be announced NT Live Supported by the Broadcast on Lyttelton Theatre Williams Charitable Trust Thu 9 March Talks and events Ruth Wilson Ivo van Hove and In Context: Recreating Mon 23 Jan, 3pm, Patrick Marber Ibsen's Women Lyttelton, £6/£5 Tue 31 Jan, 6pm, Fri 10 Feb, 2 – 5pm, Lyttelton, £5/£4 Clore, £25/£20 5 DECEMBER A co-production with Birmingham Repertory Theatre Tue 6 7.30 Wed 7 7.30 Thu 8 7.30 LOVE Fri 9 7.30 Sat 10 7.30 by Alexander Zeldin Mon 12 7.30 Tue 13 7.00 Wed 14 7.30 Thu 15 2.30 7.30 Fri 16 7.30 Sat 17 2.30 7.30 Mon 19 7.30 Tue 20 2.30 Cast includes 7.30 In the run up to Christmas, three families are Wed 21 7.30 Emily Beacock placed into cramped temporary accommodation. Thu 22 7.30 Darcey Brown Fri 23 7.30 Anna Calder-Marshall A middle-aged man and his elderly mum, a Tue 27 7.30 Luke Clarke young family with a baby on the way, a newly Wed 28 2.30 Grace Doherty 7.30 Janet Etuk arrived woman from Sudan. Strangers. Forced Thu 29 7.30 Nick Holder together. No space is personal. Fri 30 7.30 Sat 31 2.30 Vitaly Outkine Yonatan Pele'Roodner In this new play by Alexander Zeldin, written JANUARY Bobby Stallwood through a devising process, the audience are Mon 2 7.30 Director invited to bear witness to an intimate story of Tue 3 2.30 Alexander Zeldin family love for our times. 7.30 Wed 4 7.30 Designer Alexander Zeldin’s previous work includes the Thu 5 7.30 Natasha Jenkins Fri 6 7.30 critically acclaimed, ‘raw’ (Financial Times) and Sat 7 2.30 Lighting Designer ‘unforgettable’ (The Times) Beyond Caring. 7.30 Marc Williams LOVE continues this unique approach to theatre. Mon 9 7.30 Sound Designer Tue 10 2.30 Josh Anio Grigg 7.30 The Dorfman Partner Dorfman Theatre Family life on the margins of society. Talks and events In Focus: Performing Alexander Zeldin without a Home Wed 4 Jan, 6pm, Thu 15 Dec, 5.30 – 6.45pm, Dorfman, £5/£4 Clore, £6/£5 Photography by David Stewart 7 OCTOBER Wed 19 7.30 Thu 20 7.30 Fri 21 7.30 Amadeus Sat 22 7.30 Mon 24 7.30 by Peter Shaffer Tue 25 7.30 Wed 26 7.00 Thu 27 7.30 Fri 28 7.30 Sat 29 2.00 7.30 Mon 31 7.30 NOVEMBER Tue 1 2.00 Cast includes Vienna: the music capital of the world. 7.30 Sarah Amankwah Wed 2 7.30 Hammed Animashaun Thu 3 7.30 Wolfgang Amadeus Mozart, a rowdy young Fri 4 7.30 Geoffrey Beevers prodigy, arrives determined to make a splash. Sat 5 2.00 Fleur de Bray 7.30 Karla Crome Awestruck by his genius, court composer Mon 7 7.30 Tom Edden Antonio Salieri has the power to promote his Tue 8 2.00 7.30 Adam Gillen talent or destroy his name. Matthew Hargreaves Mon 28 7.30 Alexandra Mathie Tue 29 2.00 Seized by obsessive jealousy he begins a war 7.30 Lucian Msamati Wed 30 7.30 Eamonn Mulhall with Mozart, with music and, ultimately, Hugh Sachs with God. DECEMBER Wendy Dawn Thompson Mon 5 7.30 Peter Willcock Peter Shaffer’s iconic play had its premiere at Tue 6 2.00 the National Theatre in 1979, winning multiple Director 7.30 Olivier and Tony awards before being adapted Mon 12 7.30 Michael Longhurst Tue 13 2.00 Designer into an Academy Award-winning film. 7.30 Chloe Lamford Fri 30 7.30 In this new production, Lucian Msamati Sat 31 2.00 Music Director and (Ma Rainey’s Black Bottom) plays Salieri. JANUARY Additional Music With live orchestral accompaniment by Simon Slater Mon 2 7.30 Southbank Sinfonia. Tue 3 2.00 Choreographer 7.30 Imogen Knight Mon 9 7.30 Lighting Designer Tue 10 2.00 Jon Clark 7.30 Wed 11 7.30 Sound Designer Thu 12 7.30 Paul Arditti Mon 16 7.30 Tue 17 7.30 Wed 18 2.00 7.30 Tue 24 7.30 Wed 25 7.30 Thu 26 2.00 In association with 7.30 Southbank Sinfonia Additional performances to Supported by the Amadeus be announced production syndicate Olivier Theatre Sponsored by Hundreds of seats at £15 for every performance Music. Power. Jealousy. Talks and events Michael Longhurst In Focus: Lucian Msamati In Context: Mon 31 Oct, 6pm Amadeus – the music Wed 11 Jan, 5.45pm, Shaffer at the NT Olivier, £5/£4 Tue 8 Nov, 5.30pm, Olivier, £6/£5 Mon 16 Jan, 2 – 5pm, Clore, £6/£5 Clore, £25/£20 Photography (Lucian Msamati) by Seamus Ryan 9 NOVEMBER A co-production with Bristol Old Vic Wed 16 7.00 Thu 17 7.00 Fri 18 7.00 Peter Pan Sat 19 2.00 Mon 21 7.00 devised by the Companies, Tue 22 7.00 Wed 23 7.00 based on the works of JM Barrie Thu 24 7.00 Fri 25 7.00 Sat 26 2.00 7.00 DECEMBER Thu 1 7.00 Fri 2 7.00 Cast includes Sat 3 2.00 HHHHH Saikat Ahamed 7.00 ‘Something to delight the whole family’ Wed 7 7.00 Suzanne Ahmet Thu 8 1.00 Marc Antolin The Times 7.00 Benji Bower Fri 9 7.00 Will Bower All children, except one, grow up... Sat 10 2.00 Lois Chimimba 7.00 Laura Cubitt This winter, JM Barrie’s much-loved tale takes Wed 14 7.00 Phoebe Fildes flight.
Load more

Recommended publications
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Prieur Dissertation 6 18 10
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance.
    [Show full text]
  • Donmar Warehouse Projects Ltd HEAD of FINANCE
    Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%).
    [Show full text]
  • Simon Russell Beale Photo: Charlie Carter
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre,
    [Show full text]
  • Digital Playbill
    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
    [Show full text]
  • Biographies (396.2
    ANTONELLO MANACORDA conducteur italien • Formation o études de violon entres autres avec Herman Krebbers à Amsterdam o puis, à partir de 2002, deux ans de direction d’orchestre chez Jorma Panula. • Orchestres o 1997 : il crée, avec Claudio Abbado, le Mahler Chamber Orchestra o 2006 : nommé chef permanent de l’ensemble I Pomeriggi Musicali à Milaan o 2010 : nommé chef permanent du Kammerakademie Potsdam o 2011 : chef permanent du Gelders Orkest o Frankfurt Radio Symphony, BBC Philharmonic, Mozarteumorchester Salzburg, Sydney Symphony, Orchestra della Svizzera Italia, Scottish Chamber Orchestra, Stavanger Symphony, Swedish Chamber Orchestra, Hamburger Symphoniker, Staatskapelle Weimar, Helsinki Philharmonic, Orchestre National du Capitole de Toulouse & Gothenburg Symphony • Fil rouge de sa carrière o collaboration artistique de longue durée avec La Fenice à Venise • Pour la Monnaie o dirigeerde in april 2016 het Symfonieorkest van de Munt in werk van Mozart en Schubert • Projets récents et futurs o Il Barbiere di Siviglia, Don Giovanni & L’Africaine à Frankfort, Lucio Silla & Foxie! La Petite Renarde rusée à la Monnaie, Le Nozze di Figaro à Munich, Midsummer Night’s Dream à Vienne et Die Zauberflöte à Amsterdam • Discographie sélective o symphonies de Schubert avec le Kammerakademie Potsdam (Sony Classical - courroné par Die Welt) o symphonies de Mendelssohn également avec le Kammerakademie Potsdam (Sony Classical) • Pour en savoir plus o http://www.inartmanagement.com o http://www.antonello-manacorda.com CHRISTOPHE COPPENS Artiste et metteur
    [Show full text]
  • Rory Kinnear
    RORY KINNEAR Film: Peterloo Henry Hunt Mike Leigh Peterloo Ltd Watership Down Cowslip Noam Murro 42 iBoy Ellman Adam Randall Wigwam Films Spectre Bill Tanner Sam Mendes EON Productions Trespass Against Us Loveage Adam Smith Potboiler Productions Man Up Sean Ben Palmer Big Talk Productions The Imitation Game Det Robert Nock Morten Tydlem Black Bear Pictures Cuban Fury Gary James Griffiths Big Talk Productions Limited Skyfall Bill Tanner Sam Mendes Eon Productions Broken* Bob Oswald Rufus Norris Cuba Pictures Wild Target Gerry Jonathan Lynne Magic Light Quantum Of Solace Bill Tanner Marc Forster Eon Productions Television: Guerrilla Ch Insp Nic Pence John Ridley & Sam Miller Showtime Quacks Robert Andy De Emmony Lucky Giant The Casual Vacancy Barry Fairbrother Jonny Campbell B B C Penny Dreadful (Three Series) Frankenstein's Creature Juan Antonio Bayona Neal Street Productions Lucan Lord Lucan Adrian Shergold I T V Studios Ltd Count Arthur Strong 1 + 2 Mike Graham Linehan Retort Southcliffe David Sean Durkin Southcliffe Ltd The Hollow Crown Richard Ii Various Neal Street Productions Loving Miss Hatto Young Barrington Coupe Aisling Walsh L M H Film Production Ltd Richard Ii Bolingbroke Rupert Goold Neal Street Productions Black Mirror; National Anthem Michael Callow Otto Bathurst Zeppotron Edwin Drood Reverend Crisparkle Diarmuid Lawrence B B C T V Drama Lennon Naked Brian Epstein Ed Coulthard Blast Films First Men Bedford Damon Thomas Can Do Productions Vexed Dan Matt Lipsey Touchpaper T V Cranford (two Series) Septimus Hanbury Simon Curtis B B C Beautiful People Ross David Kerr B B C The Thick Of It Ed Armando Iannucci B B C Waking The Dead James Fisher Dan Reed B B C Ashes To Ashes Jeremy Hulse Ben Bolt Kudos For The Bbc Minder Willoughby Carl Nielson Freemantle Steptoe & Sons Alan Simpson Michael Samuels B B C Plus One (pilot) Rob Black Simon Delaney Kudos Messiah V Stewart Dean Harry Bradbeer Great Meadow Rory Kinnear 1 Markham Froggatt & Irwin Limited Registered Office: Millar Court, 43 Station Road, Kenilworth, Warwickshire CV8 1JD Registered in England N0.
    [Show full text]
  • Golden Gulag
    GOLDEN GULAG AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SÁNCHEZ, AND DANA TAKAGI GOLDENGULAG PRISONS, SURPLUS, CRISIS, AND OPPOSITION IN GLOBALIZING CALIFORNIA RUTHWILSONGILMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni- versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat- ural sciences. Its activities are supported by the UC Press Founda- tion and by philanthropic contributions from individuals and insti- tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950–. Golden gulag : prisons, surplus, crisis, and opposition in globalizing California / Ruth Wilson Gilmore. p. cm—(American crossroads ; 21). Includes bibliographical references and index. isbn-13: 978-0-520-22256-4 (cloth : alk. paper) isbn-10: 0-520-22256-3 (cloth : alk. paper) isbn-13: 978-0-520-24201-2 (pbk. : alk. paper) isbn-10: 0-520-24201-7 (pbk. : alk. paper) 1. Prisons—California. 2. Prisons—Economic aspects—California. 3. Imprisonment—California. 4. Criminal justice, Administration of—California. 5. Discrimination in criminal justice administration—California. 6. Minorities—California. 7. California—Economic conditions. I. Title. II. Series. HV9475.C2G73 2007 365'.9794—dc22 2006011674 Manufactured in the United States of America 15 14 13 12 111098765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and 10% FSC-certified virgin fiber, to- tally chlorine free.
    [Show full text]
  • ENGLISH ENGLISH ENGLISH ENGLISH Toneelgroep Amsterdam Content / About Us
    ENGLISH ENGLISH ENGLISH ENGLISH toneelgroep amsterdam content / about us 3 ABOUT US 4 MEDEA 6 SONG FROM FAR AWAY 8 THE GLASS MENAGERIE / GLAZEN SPEELGOED 10 HUSBANDS AND WIVES ABOUT 12 THE FOUNTAINHEAD 14 THE THINGS THAT PASS / DE DINGEN DIE VOORBIJGAAN 16 THE MAIDS / DE MEIDEN 18 IBSEN HOUSE / IBSEN HUIS 20 KINGS OF WAR 22 THE OTHER VOICE / DE ANDERE STEM US 24 OBSESSION 26 TICKET SALES Toneelgroep Amsterdam (TA) is the largest repertory theatre company of the 27 TA THANKS Netherlands and is led by Ivo van Hove. Each season we present new plays of 28 SURTITLED PERFORMANCES IN AMSTERDAM internationally acclaimed directors – such as Ivo van Hove, Katie Mitchell, Luk Perceval, Guy Cassiers, Sam Gold and Simon Stone – and also provide opportunities for new directing talent. In addition, we reprise several of our most successful pieces from previous seasons. Our large ensemble is a permanent pool of acting talent which enables us to develop distinctive and daring productions. It also enables us to continue reviving our successful productions at regular intervals. This is only possible because of the permanent ensemble of 21 actors and actresses, as well as longstanding contacts with some 25 renowned guest actors every season. In the space of just a few years, we’ve achieved an enviable worldwide reputation. Renowned festivals and playhouses are looking out for our work, from Taipei to Buenos Aires, from Avignon to Sydney. Our contemporary readings of the classics are regarded as eye-openers. Amsterdam is and will remain our home base. It is where we develop and present all our productions, together with an extensive fringe programme.
    [Show full text]
  • Ben Whishaw Photographed by Matt Doyle at the Walter Kerr Theatre in NYC on Feb
    03.17.16 • BACKSTAGE.COM YOUR VO NEED-TO-KNOWS: BEN BUILD YOUR OWN WHISHAW IN-HOUSE STUDIO! DOWNLOAD YOUR THE BRIT GOES WAY TO SUCCESS! PURITANICAL IN “THE CRUCIBLE” TAKE TIPS FROM THE PROS! 17+ Pages of Casting Notices! NEW YORK STELLAADLER.COM 212-689-0087 31 W 27TH ST, FL 3 NEW YORK, NY 10001 [email protected] THE PLACE WHERE RIGOROUS ACTOR TRAINING AND SOCIAL JUSTICE MEET. SUMMER APPLICATION DEADLINE EXTENDED: APRIL 1, 2016 TEEN SUMMER CONSERVATORY 5 Weeks, July 11th - August 12th, 2016 Professional actor training intensive for the serious young actor ages 14-17 taught by our world-class faculty! SUMMER CONSERVATORY 10 Weeks, June 6 - August 12, 2016 The Nation’s Most Popular Summer Training Program for the Dedicated Actor. SUMMER INTENSIVES 5-Week Advanced Level Training Courses Shakespeare Intensive Chekhov Intensive Physical Theatre Intensive Musical Theatre Intensive Actor Warrior Intensive Film & Television Acting Intensive The Stella Adler Studio of Acting/Art of Acting Studio is a 501(c)3 not-for-prot organization and is accredited with the National Association of Schools of Theatre LOS ANGELES ARTOFACTINGSTUDIO.COM 323-601-5310 1017 N ORANGE DR LOS ANGELES, CA 90038 [email protected] by: AK47 Division CONTENTS vol.57,no.11|03.17.16 NEWS 6 Ourrecapofthe37thannualYoung Artist Awardswinners 7 Thisweek’sroundupofwho’scasting whatstarringwhom 8 7 brilliantactorstowatchonNetflix ADVICE 11 NOTEFROMTHECD Themonsterwithin 11 #IGOTCAST EbonyObsidian 12 SECRET AGENTMAN Redlight/greenlight 13 #IGOTCAST KahliaDavis
    [Show full text]
  • Enjoy the Show Cinemas in 65 Countries Showed a National
    Did you know? A production from 2,500 cinemas in 65 countries showed a National Theatre Live broadcast or screening in 2017 by William Shakespeare Cast, in order of speaking Musicians Caesar Tunji Kasim Magnus Mehta (Music Director / Agrippa Katy Stephens Percussion), Joley Cragg (Percussion), Enjoy the show Cleopatra Sophie Okonedo Kwêsi Edman (Cello), Sarah Manship Antony Ralph Fiennes (Woodwind), We hope you enjoy your National Theatre Please do let us know what you think Eros Fisayo Akinade Arngeir Hauksson (Guitar / Oud) Live screening. We make every attempt to through our channels listed below or Charmian Gloria Obianyo replicate the theatre experience as closely approach the cinema manager to share Iras Georgia Landers Production Team as possible for your enjoyment. your thoughts. Soothsayer Hiba Elchikhe Enobarbus Tim McMullan Director Simon Godwin Proculeius Ben Wiggins Set Designer Hildegard Bechtler Sicyon Official Shazia Nicholls Costume Designer Evie Gurney Tim Lutkin Connect with us Lepidus Nicholas Le Prevost Lighting Designer Thidias Sam Woolf Music Michael Bruce Pompey Sargon Yelda Movement Directors Jonathan Explore Never miss out Menas Gerald Gyimah Goddard Go behind the scenes of Antony & Cleopatra Get the latest news from Varrius Waleed Hammad Shelley Maxwell and learn more about how our broadcasts National Theatre Live straight Euphronius Nick Sampson Sound Designer Christopher Shutt happen on our website. to your inbox. Octavia Hannah Morrish Video Designer Luke Halls Canidius Alan Turkington Fight Director Kev McCurdy ntlive.com ntlive.com/signup Scarus Alexander Cobb Ventidius Henry Everett Broadcast Team Supernumeraries Samuel Arnold Catherine Deevy Director for Screen Tony Grech-Smith Join in Feedback Technical Producer Christopher C Bretnall Use #AntonyandCleopatra and be Share your thoughts by taking our Script Supervisor Amanda Church a part of the conversation online.
    [Show full text]
  • Fleabag’ from London’S West End Expands Distribution in U.S
    MEDIA ALERT – September 20, 2019 ‘Fleabag’ from London’s West End Expands Distribution in U.S. Cinemas Monday, November 18 for One Night See the critically acclaimed, award-winning one woman show that inspired the network series with BAFTA winner and Emmy nominee Phoebe Waller-Bridge • WHAT: Fathom Events, BY Experience and National Theatre Live release “Fleabag” in cinemas on Monday, November 18, 2019 at 7:00 p.m. local time, captured live from Wyndham’s Theatre London during its sell out West End run. • WHERE: Tickets for these events can be purchased online by visiting www.FathomEvents.com or at participating theater box offices. Fans throughout the U.S. will be able to enjoy the events in nearly 500 movie theaters through Fathom’s Digital Broadcast Network (DBN). For a complete list of theater locations visit the Fathom Events website (theaters and participants are subject to change). • WHO: Fathom Events, BY Experience and National Theatre Live “Filthy, funny, snarky and touching” Daily Telegraph “Witty, filthy and supreme” The Guardian “Gloriously Disruptive. Phoebe Waller-Bridge is a name to reckon with” The New York Times Fleabag Written by Phoebe Waller-Bridge and directed by Vicky Jones, Fleabag is a rip-roaring look at some sort of woman living her sort of life. Fleabag may appear emotionally unfiltered and oversexed, but that’s just the tip of the iceberg. With family and friendships under strain and a guinea pig café struggling to keep afloat, Fleabag suddenly finds herself with nothing to lose. Fleabag was adapted into a BBC Three Television series in partnership with Amazon Prime Video in 2016 and earned Phoebe a BAFTA Award for Best Female Comedy Performance.
    [Show full text]