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Prieur Dissertation 6 18 10
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance. -
Donmar Warehouse Projects Ltd HEAD of FINANCE
Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%). -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
YAF's Comedy and Tragedy 2018-2019
INTRODUCTION 3 METHODOLOGY 4 BIG 10 CONFERENCE 5 University of Illinois 5 Indiana University 5 University of Iowa 6 University of Maryland 7 University of Michigan 7 Michigan State University 8 University of Minnesota 8 University of Nebraska 10 Northwestern University 10 Ohio State University 10 Penn State University 11 Purdue University 12 Rutgers University 12 University of Wisconsin 13 TOP LIBERAL ARTS COLLEGES 14 Williams College 14 Amherst College 17 Swarthmore College 18 Wellesley College 19 Bowdoin College 21 Carleton College 22 Middlebury College 23 Pomona College 24 Claremont McKenna College 25 Davidson College 26 SOUTHEASTERN CONFERENCE 28 University of Alabama 28 University of Arkansas 28 Auburn University 29 Page #1 of #51 University of Florida 29" University of Georgia 29" University of Kentucky 30" Louisiana State University 30" University of Mississippi 31" Mississippi State University 31" University of Missouri 31" University of South Carolina 32" University of Tennessee 32" Texas A&M University 33" Vanderbilt University 33" BIG EAST CONFERENCE 34" Butler University 34" Creighton University 34" DePaul University 35" Georgetown University 37" Marquette University 37" Providence College 38" St. John’s University 38" Seton Hall University 39" Villanova University 39" Xavier University 40" IVY LEAGUE 41" Brown University 41" Columbia University 41" Cornell University 43" Dartmouth College 44" Harvard University 46" University of Pennsylvania 48" Princeton University 50" Yale University 51 Page #2 of #51 INTRODUCTION Young America’s Foundation regularly reviews and audits course catalogs, textbook requirements, commencement speakers, and other key metrics that show the true state of higher education in America. These reports peel back the shiny veneer colleges and universities place on themselves in the name of “higher” education to reveal a stark reality: campuses devoid of intellectual diversity populated with leftist professors, faculty, and administrators intent on indoctrinating the rising generation in the ways of the Left. -
A People's Guide to Abolition
A PEOPLE’S GUIDE TO ABOLITION A Collaborative & Working Abolitionist Resource Document PURPOSE Created by Court Watch NYC volunteers, the purpose of this document is to provide a guide to abolitionist texts, videos, organizations, and other resources for movement builders to use to inform theoretical framework and political action. We recognize this document only scratches the surface of the extraordinary work being done by activists, organizers, scholars, and community members every day -- this means this guide is far from complete. This is a collaborative working document, so if you have any resources or organizations you’d like to contribute, please email Tommy at [email protected]. INFORMATION SOURCES In the creation of this guide, Court Watch NYC referenced various advocacy libraries, research guides, and impactful work of other abolition-focused coalitions. We credit the work of the following organizations and coalitions as informational sources for this document. Abolitionist Futures: a collaboration of community organisers and activists in the UK and Ireland who are working together to build a future without prisons, police and punishment Black Perspectives Blog: an award-winning blog of the African American Intellectual History Society (AAIHS) -- a group of engaged scholars deeply committed to producing and disseminating cutting-edge research that is accessible to the public and is oriented towards advancing the lives of people of African descent and humanity Critical Resistance: an abolitionist coalition that seeks -
Mass Incarceration: an Annotated Bibliography Nicole P
Roger Williams University Law Review Volume 21 Issue 2 Vol. 21: No. 2 (Spring 2016) Symposium on Article 11 Mass Incarceration Spring 2016 Mass Incarceration: An Annotated Bibliography Nicole P. Dyszlewski Roger Williams University School of Law Lucinda Harrison-Cox Roger Williams University School of Law Raquel Ortiz Roger Williams University School of Law Follow this and additional works at: http://docs.rwu.edu/rwu_LR Part of the Criminal Law Commons, and the Criminal Procedure Commons Recommended Citation Dyszlewski, Nicole P.; Harrison-Cox, Lucinda; and Ortiz, Raquel (2016) "Mass Incarceration: An Annotated Bibliography," Roger Williams University Law Review: Vol. 21: Iss. 2, Article 11. Available at: http://docs.rwu.edu/rwu_LR/vol21/iss2/11 This Book Note is brought to you for free and open access by the School of Law at DOCS@RWU. It has been accepted for inclusion in Roger Williams University Law Review by an authorized administrator of DOCS@RWU. For more information, please contact [email protected]. MASS INCARCERATION ANNOTATED BIB_FINALEDITWORD.DOCX (DO NOT DELETE) 4/22/2016 12:08 AM Mass Incarceration: An Annotated Bibliography Nicole P. Dyszlewski, Lucinda Harrison-Cox, and Raquel Ortiz* INTRODUCTION The term “mass incarceration” has been used to describe America’s contemporary hyper-incarceration or over-incarceration phenomenon. Those readers who were fortunate enough to attend the 2015 Roger Williams University School of Law Symposium, Sounding the Alarm on Mass Incarceration: Moving Beyond the Problem and Toward Solutions, had the opportunity to hear a variety of speakers discuss the breadth and depth of this phenomenon. In concert with the symposium speakers, this annotated bibliography reflects a multi-dimensional and interdisciplinary approach to the topic. -
Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law
Kahleen Crawford Casting: As casting directors (selected credits) True Things About Me (2020) Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law. Feature film. Cast inc: Ruth Wilson, Tom Brooke and Hayley Squires Vigil (2020) Directors: James Strong, Isabelle Sieb Producer: Angie Daniell, Simon Heath and Jake Lushington, World Productions. 6 part Television series. Cast inc: Suranne Jones, Rose Leslie, Shaun Evans, Paterson Joseph and Gary Lewis His Dark Materials S1 and S2 (2019-Present) Directors inc: Tom Hooper. Producers: Jane Tranter and Julie Gardner, Bad Wolf, Dan McCulloch and Laurie Borg. BBC TV series based upon the Philip Pullman books, adapted by Jack Thorne. Currently casting. Cast inc: Ruth Wilson, James McAvoy, Dafne Keen, Amir Wilson, Andrew Scott, Simone Kirby and Lin-Manuel Miranda The Nest (2020) Directors: Andy De Emmony, Simen Elsvick Producers: Clare Kerr, Susan Hogg, Simon Lewis, Studio Lambert Television series Cast inc: Martin Compston, Sophie Rundle and Mirren Mack The North Water (2020) Director: Andrew Haigh Producers: Iain Canning, Jamie Laurenson and Kate Ogborn, See-Saw. BBC Television. Cast inc: Colin Farrell, Jack O’Connell, Stephen Graham and Tom Courtenay I Hate Suzie (2020) Directors: Georgi Banks-Davies and Anthony Neilson Produces: Andrea Dewsbery and Julie Gardner. 8-part Television series for Sky Atlantic created by Billie Piper and Lucy Prebble, written by Lucy Prebble. Cast inc: Billie Piper, Laila Farzad, Dan Ings, and introducing Matthew -
Neil Smith, 1954-2012: Radical Geography, Marxist Geographer, Revolutionary Geographer
1 Neil Smith, 1954-2012: Radical Geography, Marxist Geographer, Revolutionary Geographer Don Mitchell Department of Geography, Syracuse University and Advanced Research Collaborative, Graduate Center City University of New York September 29, 2013 "Although we found it easy to be brilliant, we always found it confusing to be good." Salman Rushdie, Midnight's Children (quotation found pinned to the bulletin board in Neil Smith’s study when passed away) Neil Smith hated hagiography. He would rail against it in his history and theory of geography seminars at Rutgers University in the early 1990s, holding up what he thought were particularly egregious examples: obituaries published in the Annals. Hagiography for Neil was the antithesis of what our disciplinary history ought to be: it was uncritical and celebratory, when what were needed were hard-nosed engagements with ideas, with real histories that understood ideas as the product of struggle and error as well as genius and insight. Even worse, hagiography extracted its subject from history, setting him (usually him) apart from the world as a lone genius rather than fully ensconcing him in messy social (and personal) practices, situating ideas within the social (and personal) histories from which they emerged. Hagiography had little room to show how what was genius in someone’s ideas might be inextricably linked to, indeed very much a function of both social context and what was flawed or less savory in that person. Hagiography denies that ideas are embodied. Neil’s ideas were embodied. 2 Indeed, David Harvey calls Neil “the perfect practicing Marxist – completely defined by his contradictions.”1 Born in Leith, the old port of Edinburgh, and raised one of four children of a school teaching father and homemaking mother in Dalkeith, a small working-class town to the southeast of the city, Neil had an indestructible passion for the natural world, starting with his native Midlothian landscape and quickly spiraling out, for birdwatching, and for gardening, and he became geography’s preeminent urban theorist. -
Golden Gulag: Prisons, Surplus, Crisis, and Opposition in Globalizing California I Ruth Wilson Gilmore
AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SANCHEZ, AND DANA TAKAGI PRISONS, SURPlUS, CRISIS, AND OPPOSITION IN GlOBAUZING CAUFORNIA RUTH WllSON GllMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat ural sciences. Its activities are supported by the UC Press Founda tion and by philanthropic contributions from individuals and insti tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. FOR MY MOTHER, RUTH ISABEL HERB WILSON London, England AND IN LOVING MEMORY OF MY FATHER, COURTLAND SEYMOUR WILSON ID 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950-. Golden gulag: prisons, surplus, crisis, and opposition in globalizing California I Ruth Wilson Gilmore. p. cm-(American crossroads; 21). Includes bibliographical references and index. ISBN-13: 978-0-520-22256-4 (cloth: alk. paper) ISBN-IO: 0-520-22256-3 (cloth: alk. paper) ISBN-13: 978-0-520-24201-2 (pbk.: alk. paper) ISBN-JO: 0-520-24201-7 (pbk.: alk. paper) r. Prisons-California. 2. Prisons-Economic aspects-California. 3. Imprisonment-California. 4. Criminal justice, Administration of-California. 5. Discrimination in criminal justice administration-California. 6. Minorities-California. 7. California-Economic conditions. I. Title. II. Series. HV 9475.C2G73 2007 365'.9794-dc22 2006on674 Manufactured in the United States of America 15 14 13 12 uro98765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and ro% FSC-certified virgin fiber, to tally chlorine free. -
The New Urban Frontier: Gentrification and the Revanchist City/ Neil Smith
THE NEW URBAN FRONTIER Why have so many central and inner cities in Europe, North America and Australia been so radically revamped in the past three decades, converting urban decay into new chic? Will the process continue in the twenty-first century, or is it ended? What does this mean for the people who live there? Can they do anything about it? This book challenges conventional wisdom—which holds gentrification to be the simple outcome of new middle-class tastes and a demand for urban living—to reveal gentrification as part of a much larger shift in the political economy and culture of the late twentieth century. Documenting in gritty detail the conflicts that gentrification brings to the new urban “frontiers,” the book explores the interconnections of urban policy, patterns of investment, eviction and homelessness. The failure of liberal urban policy and the end of the 1980s financial boom have made the end-of-the-century city a darker and more dangerous place. Public policy and the private market are conspiring against minorities, working people, the poor and homeless people as never before. In the emerging revanchist city, gentrification has become part of this policy of revenge. Neil Smith is a Professor of Geography and Acting Director of the Center for the Critical Analysis of Contemporary Culture at Rutgers University. THE NEW URBAN FRONTIER Gentrification and the revanchist city NEIL SMITH LONDON AND NEW YORK First published 1996 by Routledge 11 New Fetter Lane, London EC4P 4EE This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/. -
Starring Jake Gyllenhaal, Ruth Wilson
January 13, 2015 Audra McDonald and Alan Cumming in a Reading of ‘Kiss of the Spider Woman’ By Patrick Healy Could a Broadway revival of the acclaimed musical “Kiss of the Spider Woman” be on the horizon? A multiday reading of the show, the 1993 Tony Award winner for best musical, was held last week with three big theater names playing the major roles: Audra McDonald as the title character, Alan Cumming as the gay prisoner Molina, and Steven Pasquale as the Marxist revolutionary Valentin. The Tony-winning director John Tiffany (“Once”) oversaw the reading, which was organized by the producer Tom Kirdahy (“It’s Only a Play”). Mr. Kirdahy is married to the show’s book writer, Terrence McNally, and is working with the “Spider Woman” composer, John Kander, on this spring’s Broadway revival of “The Visit.” (“Spider Woman” has lyrics by Fred Ebb.) Mr. Kirdahy, in a telephone interview on Tuesday, said that he was “thrilled” with the reading and that the actors and Mr. Tiffany were pleased as well. “I think everyone is interested in having further conversations, but there is no game plan for a production at this point,” Mr. Kirdahy said. Based on the 1976 novel by Manuel Puig, “Spider Woman” centers on the relationship between two prisoners in a Latin American country and the fixation of one of them on movies and a diva known for many roles, including a deadly spider woman. The show ran on Broadway for two years and won Tonys for its three main actors as well as best book and best score, among others. -
'Hamlet' with Benedict Cumberbatch and 'The Audience' with Helen
MEDIA ALERT – April 8, 2019 ‘Hamlet’ with Benedict Cumberbatch and ‘The Audience’ with Helen Mirren Return to U.S. Cinemas this Summer for One-Night Screenings In Celebration of National Theatre Live’s 10th Anniversary • WHAT: BY Experience and Fathom Events commemorate the 10th anniversary of National Theatre Live program, with the exclusive cinema re-release of two audience- and critic-favorite NT Live productions, “The Audience” and “Hamlet,” both captured live from the London stage. The Audience - Monday, June 3, 2019 at 7:00 p.m. local time Academy Award®-winner Helen Mirren (The Queen), plays Queen Elizabeth II in the Tony Award®-winning production of The Audience, captured live from London’s West End in 2013. For 60 years, Queen Elizabeth II has met with each of her 12 prime ministers in a private weekly meeting. This meeting is known as The Audience. No one knows what they discuss, not even their spouses. From the old warrior Winston Churchill, to Iron Lady Margaret Thatcher and finally David Cameron, the Queen advises her prime ministers on all matters both public and personal. Through these private audiences, we see glimpses of the woman behind the crown and witness the moments that shaped a monarch. Featuring post-screening talk-back with Helen Mirren and director Stephen Daldry. Hamlet - Monday, July 8, 2019 at 7:00 p.m. local time Benedict Cumberbatch (BBC’s Sherlock, Doctor Strange) plays the title role of Shakespeare’s great tragedy, now seen by more than 1 million people worldwide. As a country arms itself for war, a family tears itself apart.