Donmar Warehouse Projects Ltd HEAD of FINANCE

Total Page:16

File Type:pdf, Size:1020Kb

Donmar Warehouse Projects Ltd HEAD of FINANCE Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%). Our Recent History Michael Longhurst was appointed Artistic Director in June 2018, officially taking over from Josie Rourke in March 2019. Michael is an award-winning stage director. His civil rights-era musical Caroline, or Change, starring Sharon D Clarke, completed sell-out runs at Chichester and Hampstead before Page 1 of 7 transferring to the West End in November 2018. In April 2020, it transfers to Broadway. Michael’s smash-hit production of Peter Shaffer’s Amadeus featuring orchestral accompaniment from the Southbank Sinfonia, opened to exceptional reviews at the National Theatre in 2016 and completed two sell-out engagements in the Olivier Theatre. His Royal Court production of Nick Payne’s Constellations transferred to the West End (starring Sally Hawkins and Rafe Spall) and Broadway (starring Jake Gyllenhaal and Ruth Wilson) winning the Evening Standard Award for Best Play as well as receiving Olivier, Drama Desk and Tony nominations. Our Covent Garden Home The Donmar moved into Donmar Dryden Street in March 2014, a building which provides a rehearsal, office and education space for the organisation. While the Donmar Warehouse theatre on Earlham Street in Covent Garden has been home to Donmar performances since the establishment of the company in 1992, the Ambassador Theatre Group (ATG) was landlord and operator of the theatre until 2016. The Donmar took on full responsibility for the Donmar Warehouse theatre building, and key operations including box office, in January 2017. The theatre’s bar and retail operation continues in partnership with ATG. We are currently in planning for a significant capital project which will fully refurbish the theatre in 2021. PURPOSE OF THE JOB The Head of Finance is part of the Senior Management Team of the Company along with the Executive (Artistic Director and Executive Director), General Manager, Director of Development, Head of New Work, Director of Marketing, Casting Director and Head of Participation. The Head of Finance is responsible for the overall company-wide management of the Company’s finances, including financial reporting to the Executive, and leading financial discussions with the Board. They are responsible for consolidating and developing tight systems of financial management and accountability to ensure the efficient and effective operation of the Company. They report directly to the Executive Director and prepare management accounts monthly and Annual Accounts for audit for presenting to the Audit, Finance and Operations Committee and the Board for review and approval. They work with the General Manager on financial aspects of the Donmar’s relationship with its external services provider ATG for the operation of the theatre, and with the Executive Director on the financial impact of annual programming and strategic projects including the planned capital project. DUTIES AND RESPONSIBILITIES Strategy, planning and reporting: Work with the Executive Director on the Company’s long-term financial strategy, developing plans for long term resilience. Support the Executive and Board with excellent financial information and analysis to drive decision-making and to identify and deliver initiatives to increase income and reduce expenditure. Develop and maintain the company’s financial projections and risk register and associated internal planning Oversee financial reporting across the organisation and to the Board and relevant committees and advise on strategic financial development Page 2 of 7 Ensure that the legal reporting obligations of the Company are met. This will include administering DWP Ltd and its subsidiaries at Companies House. With the rest of the SMT, ensure all activities comply with the necessary standards including Health & Safety, legal, environmental policies, accounting standards, and general duty of care Financial Management Consolidate and develop tight systems of financial management and accountability across the organisation Support the Senior Management Team in controlling expenditure and maximising spend within their departments, challenging colleagues when necessary to manage the trade- offs required for delivery of the organisational strategy Manage income and expenditure within agreed budgets with budget holders and for the company overall, and work with the finance team to ensure that systems and processes are accurate and robust Oversee the finance team in the collection, preparation and reconciliation of financial data for Donmar Warehouse Projects Ltd and its subsidiaries, representing the theatre’s activities and running budgets for use in planning the financial years ahead Oversee the finance team in the preparation of budgets and reforecasts and deliver financial reports to the Audit, Finance & Operations Committee and the Board Oversee the finance team in delivery of payroll, VAT returns and the preparation and production of quarterly and annual accounts for the auditors, Charity Commission and Arts Council England Lead on key financial matters such as VAT and the Theatre Tax Relief scheme Oversee the Company’s trading subsidiaries: Donmar Productions Ltd, Donmar in the West End Ltd, Donmar Films Ltd Oversee the American Friends of the Donmar Theatre Inc., a company registered in the US. Risk & compliance Take responsibility for setting, managing and regularly updating the Company’s organisation-wide risk management and disaster recovery plans Oversee liaison with insurance providers, including regular review of policies and negotiation of appropriate cover. Take lead responsibility for the Company’s policies and practices relating to Health and Safety, Licencing and Regulation, Child Protection, Data Protection, Employment Law and other relevant compliance matters. Systems and controls Ensure that appropriate financial and operational controls and reports are in place to support cost and income control and financial resilience Ensure that effective systems are in place to manage the day-to-day financial operations, robust sign off procedures are operating and all statutory obligations (eg HMRC, Charity Commission, Companies House) are met. Capital Project Take senior management responsibility for the financial management of the Company’s planned capital project, reporting regularly on financial progress to the Board, the Executive Director and Project Director. Page 3 of 7 Sit on the Capital Project working group, and be responsible for holding the Project to account in all its financial aspects, including creating strategic financial plans for the operation of the theatre post-refurbishment. Support the capital Project Director, monitoring the feasibility and management of capital plans and their financial impact Key stakeholders: Lead the Audit, Finance and Operations Committee meetings Submit year end reports and audited accounts for the Charity Commission, providing necessary materials where requested. Maintain key external relationships including auditor, bank and HMRC Provide financial information to Arts Council England and other stakeholders as requested Contribute to the Donmar’s culture: Input into strategic conversations as a member of the SMT Represent the Company at Development, Educational and other events where necessary Management Line manage and offer appropriate support to the Management Accountant and Finance Assistant. Undertake regular appraisals of all line-managed staff in accordance with the Company’s HR policies and procedures. General Comply at all times with the Company’s Equal Opportunities and Health & Safety policies and procedures and all other relevant Company policies in force from time to time. Carry out any other relevant duties as reasonably required by the Executive Director. PERSON SPECIFICATION Skills and experience Fully qualified accountant
Recommended publications
  • Gregory Clarke Sound Designer
    Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir.
    [Show full text]
  • Prieur Dissertation 6 18 10
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance.
    [Show full text]
  • Albion Full Cast Announced
    Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts.
    [Show full text]
  • Golden Gulag
    GOLDEN GULAG AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SÁNCHEZ, AND DANA TAKAGI GOLDENGULAG PRISONS, SURPLUS, CRISIS, AND OPPOSITION IN GLOBALIZING CALIFORNIA RUTHWILSONGILMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni- versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat- ural sciences. Its activities are supported by the UC Press Founda- tion and by philanthropic contributions from individuals and insti- tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950–. Golden gulag : prisons, surplus, crisis, and opposition in globalizing California / Ruth Wilson Gilmore. p. cm—(American crossroads ; 21). Includes bibliographical references and index. isbn-13: 978-0-520-22256-4 (cloth : alk. paper) isbn-10: 0-520-22256-3 (cloth : alk. paper) isbn-13: 978-0-520-24201-2 (pbk. : alk. paper) isbn-10: 0-520-24201-7 (pbk. : alk. paper) 1. Prisons—California. 2. Prisons—Economic aspects—California. 3. Imprisonment—California. 4. Criminal justice, Administration of—California. 5. Discrimination in criminal justice administration—California. 6. Minorities—California. 7. California—Economic conditions. I. Title. II. Series. HV9475.C2G73 2007 365'.9794—dc22 2006011674 Manufactured in the United States of America 15 14 13 12 111098765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and 10% FSC-certified virgin fiber, to- tally chlorine free.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
    This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • Donmar Warehouse Projects Ltd Job Description Membership Officer
    DONMAR WAREHOUSE PROJECTS LTD JOB DESCRIPTION MEMBERSHIP OFFICER Reporting to: Individual Giving Manager Working with: Ticketing, Marketing, Finance, Production Location: Donmar Office: 3 Dryden Street, London WC2E 9NA Donmar Warehouse: 41 Earlham Street, London WC2H 9LX Working from home as appropriate Terms: Full time, permanent Working hours: 5 days per week, with evening work where necessary Salary: £22,360- £24,000 per year, based on experience “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse is a 251-seat, not-for-profit theatre in Covent Garden, led by Artistic Director Michael Longhurst and Executive Director Henny Finch. We have won more than 100 awards in our 28-year history. We bring together a wide variety of people at our intimate warehouse space and elsewhere to create, witness and participate in thrilling, world-class theatre. Through our work on and offstage, we aim to create a more cohesive, functional and creative society by broadening horizons, inspiring empathy and offering outstanding entertainment. We develop new artists and future audiences through our renowned training programmes and our Discover activity with schools and communities. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. Welcome to important stories, thrillingly told, widely shared. The Donmar Warehouse is a registered charity number 284262. Page 1 of 4 We believe that diversity strengthens and enriches us, and that it is the responsibility of everyone at the Donmar Warehouse to make the arts and cultural sector a more diverse and equal place.
    [Show full text]
  • Allen Leech Constellations Announcement
    Media Contact: Ashley Bodul, Geffen Playhouse [email protected] 310.208.6500 Ext. 159 FOR IMMEDIATE RELEASE ALLEN LEECH TO MAKE U.S. THEATER DEBUT IN “CONSTELLATIONS” AT THE GEFFEN PLAYHOUSE GINNIFER GOODWIN ALSO STARS IN THIS LOS ANGELES PREMIERE OF THE HIT BROADWAY SHOW; GIOVANNA SARDELLI WILL DIRECT “CONSTELLATIONS” RUNS JUNE 6 – JULY 16; OPENING NIGHT IS JUNE 14 LOS ANGELES (April 24, 2017) – The Geffen Playhouse today announced that Downton Abbey star Allen Leech will make his U.S. stage debut opposite Ginnifer Goodwin (Once Upon a Time, Big Love) in the Los Angeles Premiere of Constellations, Nick Payne’s 2015 Broadway sensation. The Geffen’s production is directed by Giovanna Sardelli (Guards at the Taj) and marks Goodwin’s Los Angeles stage debut. Constellations will begin previews on Tuesday, June 6 in the Gil Cates Theater at the Geffen Playhouse, with opening night on Wednesday, June 14. The production closes Sunday, July 16. Constellations is the story of Roland, a beekeeper, and Marianne, a quantum physicist. What are their odds of falling in love? With infinite moments that can change the trajectory of a life, it’s anyone’s guess how cosmic collision is possible. Nick Payne’s Olivier and Drama League nominated hit is a charming, devastating and profound exploration of the universal truth of finding and losing love. A play that balances on the question of “what if” is, at its core, a poignant picture of “what is.” Manhattan Theatre Club’s production of Constellations opened on Broadway in 2015 at the Samuel J. Friedman Theatre.
    [Show full text]
  • Press Release
    PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night.
    [Show full text]
  • The Inside Guide to Directing
    THE INSIDE GUIDE TO DIRECTING Introduction by 02 Katy Rudd What is Directing? 06 Artist profile: 08 Ashen Gupta Pre-Rehearsals 12 Artist Profile: 16 GUIDE Ebenezer Bamgboye Guide compiled by Euan Borland Rehearsal Room 20 Directing Exercises by Roberta Zuric Photography Credits Artist Profile: 24 Joanna Higson Manuel Harlan Sean Linnen EDUCATION & COMMUNITY How to be a Leader 28 Director of Education & Community Hannah Fosker Education Manager Top Tips for Directing 30 Euan Borland Young Person’s Programme Manager Naomi McKenna Lawson Further Reading, 32 Education & Community Coordinator Kate Lawrence-Lunniss Watching & Listening Education & Community Intern Annys Whyatt Abena Obeng Glossary of Terms 34 With generous thanks to Old Vic staff and associates Next Steps 36 If you would like to learn more about our education programmes please contact [email protected] CONTENTS 1 When I left university, I knew that I wanted to During this time I had the good fortune to be a director but I had no idea how, or where, meet Marianne Elliott who kindly had a cup to start. At university I wrote and directed of tea with me – she gave me some advice plays as part of my course and I was given and told me to go to the regions and learn a good introduction to making theatre. your craft. Then she wished me good luck. In our spare time we put on our own shows rehearsing after hours in whatever space we So I did. I went to Salisbury Playhouse where could commandeer; empty lecture rooms, I spent three glorious months assisting on communal spaces or failing that our bedrooms.
    [Show full text]
  • Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law
    Kahleen Crawford Casting: As casting directors (selected credits) True Things About Me (2020) Director: Harry Wootliff Producers: Tristan Goligher, Valentina Brazzini, Ben Jackson, Ruth Wilson and Jude Law. Feature film. Cast inc: Ruth Wilson, Tom Brooke and Hayley Squires Vigil (2020) Directors: James Strong, Isabelle Sieb Producer: Angie Daniell, Simon Heath and Jake Lushington, World Productions. 6 part Television series. Cast inc: Suranne Jones, Rose Leslie, Shaun Evans, Paterson Joseph and Gary Lewis His Dark Materials S1 and S2 (2019-Present) Directors inc: Tom Hooper. Producers: Jane Tranter and Julie Gardner, Bad Wolf, Dan McCulloch and Laurie Borg. BBC TV series based upon the Philip Pullman books, adapted by Jack Thorne. Currently casting. Cast inc: Ruth Wilson, James McAvoy, Dafne Keen, Amir Wilson, Andrew Scott, Simone Kirby and Lin-Manuel Miranda The Nest (2020) Directors: Andy De Emmony, Simen Elsvick Producers: Clare Kerr, Susan Hogg, Simon Lewis, Studio Lambert Television series Cast inc: Martin Compston, Sophie Rundle and Mirren Mack The North Water (2020) Director: Andrew Haigh Producers: Iain Canning, Jamie Laurenson and Kate Ogborn, See-Saw. BBC Television. Cast inc: Colin Farrell, Jack O’Connell, Stephen Graham and Tom Courtenay I Hate Suzie (2020) Directors: Georgi Banks-Davies and Anthony Neilson Produces: Andrea Dewsbery and Julie Gardner. 8-part Television series for Sky Atlantic created by Billie Piper and Lucy Prebble, written by Lucy Prebble. Cast inc: Billie Piper, Laila Farzad, Dan Ings, and introducing Matthew
    [Show full text]