Donmar Warehouse Projects Ltd Job Description Membership Officer

Total Page:16

File Type:pdf, Size:1020Kb

Donmar Warehouse Projects Ltd Job Description Membership Officer DONMAR WAREHOUSE PROJECTS LTD JOB DESCRIPTION MEMBERSHIP OFFICER Reporting to: Individual Giving Manager Working with: Ticketing, Marketing, Finance, Production Location: Donmar Office: 3 Dryden Street, London WC2E 9NA Donmar Warehouse: 41 Earlham Street, London WC2H 9LX Working from home as appropriate Terms: Full time, permanent Working hours: 5 days per week, with evening work where necessary Salary: £22,360- £24,000 per year, based on experience “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse is a 251-seat, not-for-profit theatre in Covent Garden, led by Artistic Director Michael Longhurst and Executive Director Henny Finch. We have won more than 100 awards in our 28-year history. We bring together a wide variety of people at our intimate warehouse space and elsewhere to create, witness and participate in thrilling, world-class theatre. Through our work on and offstage, we aim to create a more cohesive, functional and creative society by broadening horizons, inspiring empathy and offering outstanding entertainment. We develop new artists and future audiences through our renowned training programmes and our Discover activity with schools and communities. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. Welcome to important stories, thrillingly told, widely shared. The Donmar Warehouse is a registered charity number 284262. Page 1 of 4 We believe that diversity strengthens and enriches us, and that it is the responsibility of everyone at the Donmar Warehouse to make the arts and cultural sector a more diverse and equal place. As Black, Asian and Ethnically Diverse and disabled people are currently under-represented at the Donmar, we particularly encourage and welcome applications from Black, Asian and Ethnically Diverse, and disabled applicants. Purpose of the role: Membership Officer The Donmar Warehouse raises more money as a percentage of income than any other subsidised theatre in the country. Each year we raise around half of our turnover from a strong combination of individuals, corporates, and trusts and foundations. The Membership Officer is a permanent position within the Donmar Warehouse and plays a key supportive role in the Development department during a crucial time in the theatre’s fundraising ambitions. Delivering the highest possible service to individual donors and working closely with the Individual Giving Manager, the Membership Officer helps to plan and coordinate the strategy, stewardship and administration of Donmar Friends, Copper and Steel supporters. Duties and Responsibilities Membership • Work with the Individual Giving Manager to develop a strategy for the management and development of the Friends, Copper and Steel membership schemes, briefing and working with the development team as appropriate. • Undertake regular reviews of the Friends, Copper and Steel memberships, looking at ticket take-up, movement between levels and other areas of interest. • In conjunction with the Marketing Team, coordinate and train the Ticketing Team to ensure they are proactively and expertly upselling membership to ticket-buyers, and are able to provide an excellent first point of contact for Donmar Friends and Copper supporters, and deal with escalated issues as necessary. • Act as the first point of contact for ticket requests from Steel supporters and manage the day- to-day administration for this group. • Manage and regularly review the renewal process for Friends, Copper and Steel memberships, ensuring that members are sent reminders in a timely way and records are accurately maintained. • Proactively identify ways to increase retention and maximise opportunities to cultivate new philanthropic support. Priority Booking • Lead on priority booking for Donmar Friends, Copper and Steel supporters, planning and delivering the whole process twice yearly or as appropriate in line with the Donmar’s activity • Act as the key liaison with all internal and external stakeholders for priority booking including Marketing, Production and Ticketing teams, designers and printers. • Lead on recruitment and renewal campaigns for members in the priority booking period. Stewardship • Work with the Individual Giving team and the rest of the Development team to create and deliver an events programme across all membership levels. • Ensure a collaborative and sensitive approach to all supporter relationships, internally and externally. • Ensure the Donmar’s individual supporters receive an extremely high level of service. Page 2 of 4 Communications • Working with the Development and the Marketing teams, oversee the communications strategy for Friends, Copper and Steel supporters, including membership campaigns, social media and email communications. • Ensure that the Donmar’s vision and mission are reflected in all the communications to supporters, prospects and inform all activity. • Contribute to and coordinate the regular creation and delivery of a supporters’ e-newsletter in collaboration with the Marketing team. • Ensure recruitment is regularly and timely featured in all of the non-Development communications, such as ticket-buyers newsletters and social media posts. Finance • Oversee Direct Debit processes for the Donmar’s membership schemes, including managing relationships with consultants/third parties. • Process all Standing Orders for Donmar Friends, Copper and Steel supporters. • Manage and process monthly Gift Aid claims for the department, maximising income and ensuring compliance with HMRC Gift Aid regulations, as well as the accuracy and efficiency of the process. • Regularly report on membership numbers to the Individual Giving Manager, Director of Development and Head of Individual Giving as required. Administration • Look after crediting of Friends, Copper and Steel supporters and ensure accuracy in programmes, supporters’ boards and online. • Create and maintain relevant background information on Steel and Copper members where there is potential for upgrade, as appropriate and in accordance with General Data Protection Regulation (GDPR)-compliant practices. • Maintain accuracy and cleanliness of database records for Friends, Copper and Steel members. General Duties • Attend and support the Development department at all corporate, cultivation, stewardship, and Director’s Forum evenings as required. • Attend and support the company at events around productions such as press nights, rehearsal room drinks, first preview events, etc. • Attend internal and external meetings as required, including but not limited to regular meetings with the Individual Giving Manager, Head of Individual Giving and Development department. • Undertake any other duties as may be reasonably required. • Comply with the Donmar’s Equal Opportunities and Health and Safety policies at all times. Person Specification Essential • Excellent customer care skills • Great attention to detail • Proactive, can-do attitude, with a genuine commitment to self-improvement • Fully computer literate: word processing; spreadsheets; database; internet and email • Excellent written and verbal communication skills • Excellent administrative and organisational skills • A team player, with a flexible and collaborative approach • Ability and willingness to work outside of normal office hours when required • Ability to communicate a passion, knowledge and enthusiasm for arts and culture, and to build relationships with people with different expectations and cultural experiences Page 3 of 4 • Personable and presentable Desirable • Experience of working in a customer service or membership role • Experience working with Tessitura or Spektrix or equivalent Customer Relationship Management (CRM) system, and Wordfly • Experience of working in a theatre or other creative environment • A genuine commitment to developing a career in arts fundraising Holiday 25 days a year (rising a day per year, up to 5 years) Benefits (post-probation) • Travel season ticket loan • Subsidised gym membership • £25 towards annual eye tests • Cycle to work bike loan scheme • 6% pension contribution in Donmar’s stakeholder pension scheme and entitled to contribute a minimum amount of 2% Page 4 of 4 .
Recommended publications
  • Gregory Clarke Sound Designer
    Gregory Clarke Sound Designer Agents Giles Smart Assistant Ellie Byrne [email protected] +44 (020 3214 0812 Credits In Development Production Company Notes THE HOUSE OF SHADES Almeida By Beth Steel 2020 Dir. Blanche McIntyre ALL OF US National Theatre By Francesca Martinez 2020 Dir. Ian Rickson THE REALISTIC JONESES Theatre Royal Bath By Will Eno 2020 Dir. Simon Evans Theatre Production Company Notes THE BOY FRIEND Menier Chocolate Factory Book, Music and Lyrics by Sandy Wilson 2020 Dir. Matthew White THE WIZARD OF OZ Chichester Festival Adapted by John Kane from the motion 2019 Theatre picture screenplay A DOLL'S HOUSE Lyric Hammersmith By Henrik Ibsen in a new adaptation by 2019 Tanika Gupta Dir. Rachel O’Riordan. United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes THE SECRET DIARY OF Ambassadors Theatre Based on the novel by Sue Townsend ADRIAN MOLE AGED 13 3/4 Dir. Luke Sheppard Book & Lyrics by 2019 Jake Brunger, Music & Lyrics by Pippa Cleary Transfer of Menier Chocolate Factory production THE BRIDGES OF MADISON Menier Chocolate Factory Book by Marsha Norman COUNTY Music & Lyrics by Jason Robert Brown 2019 Based on the novel by Robert James Waller Direction Trevor Nunn THE BEACON Druid By Nancy Harris 2019 Dir. Garry Hynes RICHARD III Druid / Lincoln Center NYC By William Shakespeare 2019 Dir. Garry Hynes ORPHEUS DESCENDING Theatr Clwyd / Menier By Tennessee Williams 2019 Chocolate Factory Dir. Tamara Harvey THE BAY AT NICE Menier Chocolate Factory By David Hare 2019 Dir.
    [Show full text]
  • Donmar Warehouse Projects Ltd HEAD of FINANCE
    Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%).
    [Show full text]
  • Albion Full Cast Announced
    Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts.
    [Show full text]
  • Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
    Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems.
    [Show full text]
  • Daniel Evans
    www.hamiltonhodell.co.uk Daniel Evans Talent Representation Telephone Christian Hodell +44 (0) 20 7636 1221 [email protected], Address [email protected], Hamilton Hodell, [email protected] 20 Golden Square London, W1F 9JL, United Kingdom Theatre Title Role Director Theatre/Producer COMPANY Robert Jonathan Munby Sheffield Crucible Theatre THE PRIDE Oliver Richard Wilson Sheffield Crucible Theatre THE ART OF NEWS Dominic Muldowney London Sinfonietta SUNDAY IN THE PARK WITH GEORGE Tony Award Nomination for Best Performance by a Lead Actor in a Musical 2008 George Sam Buntrock Studio 54 Outer Critics' Circle Nomination for Best Actor in a Musical 2008 Drama League Awards Nomination for Distinguished Performance 2008 GOOD THING GOING Part of a Revue Julia McKenzie Cadogan Hall Ltd SWEENEY TODD Tobias Ragg David Freeman Southbank Centre TOTAL ECLIPSE Paul Verlaine Paul Miller Menier Chocolate Factory SUNDAY IN THE PARK WITH GEORGE Wyndham's Theatre/Menier George Sam Buntrock Olivier Award for Best Actor in a Musical 2007 Chocolate Factory GRAND HOTEL Otto Michael Grandage Donmar Warehouse CLOUD NINE Betty/Edward Anna Mackmin Crucible Theatre CYMBELINE Posthumous Dominic Cooke RSC MEASURE FOR MEASURE Angelo Sean Holmes RSC THE TEMPEST Ariel Michael Grandage Sheffield Crucible/Old Vic Nominated for the 2002 Ian Charleson Award (Joint with his part in Ghosts) GHOSTS Osvald Steve Unwin English Touring Theatre Nominated for the 2002 Ian Charleson Award (Joint with his part in The Tempest) WHERE DO WE LIVE Stephen Richard
    [Show full text]
  • Press Release
    PRESS RELEASE Shakespeare’s Globe announces casting for The Taming of the Shrew and Women Beware Women 10 January 2020 Shakespeare’s Globe is delighted to announce full casting for the next two productions opening in the candlelit Sam Wanamaker Playhouse in February: The Taming of the Shrew, directed by Maria Gaitanidi, and Thomas Middleton’s Women Beware Women, directed by Amy Hodge. In an exciting and experimental production, roles for The Taming of the Shrew are to be played by different company members at different performances. The full company comprises: Raymond Anum: Raymond graduated from RADA last year and recently appeared in Youth Without God at The Coronet Theatre. Theatre credits while training include Love and Money, Romeo & Juliet, Philistines and The Last Days of Judas Iscariot (RADA). Ryan Ellsworth: Ryan returns to the Globe, having performed in a Read Not Dead rehearsed reading of The Custom of the Country in 2017. Other recent theatre work includes The Wizard of Oz (Sheffield Crucible), Labyrinth (Hampstead Theatre), Henry V (Regent’s Park Open Air Theatre) and Cat on a Hot Tin Roof (Theatr Clwyd). Television includes Angel of Darkness (Netflix) and Island at War (ITV). Film includes A Royal Winter and Bel Ami. Mattia Mariotti: Mattia’s recent theatre work includes La Mai Banale Banalità del Male (Teatro Instabile Genoa), The Temptation of St Anthony (Venue 45, Edinburgh Fringe Festival) and We Long Endure (Barron Theatre, St Andrews). Television includes Invisible Milk. Evelyn Miller: Evelyn returns to the Playhouse having appeared in Deep Night Dark Night earlier this year. She was also part of the Globe on Tour 2019 company, where she performed around the world in Pericles, Comedy of Errors and Twelfth Night.
    [Show full text]
  • The Inside Guide to Directing
    THE INSIDE GUIDE TO DIRECTING Introduction by 02 Katy Rudd What is Directing? 06 Artist profile: 08 Ashen Gupta Pre-Rehearsals 12 Artist Profile: 16 GUIDE Ebenezer Bamgboye Guide compiled by Euan Borland Rehearsal Room 20 Directing Exercises by Roberta Zuric Photography Credits Artist Profile: 24 Joanna Higson Manuel Harlan Sean Linnen EDUCATION & COMMUNITY How to be a Leader 28 Director of Education & Community Hannah Fosker Education Manager Top Tips for Directing 30 Euan Borland Young Person’s Programme Manager Naomi McKenna Lawson Further Reading, 32 Education & Community Coordinator Kate Lawrence-Lunniss Watching & Listening Education & Community Intern Annys Whyatt Abena Obeng Glossary of Terms 34 With generous thanks to Old Vic staff and associates Next Steps 36 If you would like to learn more about our education programmes please contact [email protected] CONTENTS 1 When I left university, I knew that I wanted to During this time I had the good fortune to be a director but I had no idea how, or where, meet Marianne Elliott who kindly had a cup to start. At university I wrote and directed of tea with me – she gave me some advice plays as part of my course and I was given and told me to go to the regions and learn a good introduction to making theatre. your craft. Then she wished me good luck. In our spare time we put on our own shows rehearsing after hours in whatever space we So I did. I went to Salisbury Playhouse where could commandeer; empty lecture rooms, I spent three glorious months assisting on communal spaces or failing that our bedrooms.
    [Show full text]
  • Press Release DONMAR WAREHOUSE ANNOUNCES
    TUESDAY 02 APRIL 2019 Press Release DONMAR WAREHOUSE ANNOUNCES MICHAEL LONGHURST’S FIRST SEASON AS ARTISTIC DIRECTOR ● The first production will be a revival of David Greig’s visionary early play Europe, directed by Michael Longhurst in his first production as Artistic Director of the Donmar. Written 25 years ago, it is prophetic in its vision of Europe today - as a continent, a refuge, an idea. Cast includes Billy Howle (MotherFatherSon, On Chesil Beach), Kevork Malikyan (Exodus: Gods and Kings, The Cut), Faye Marsay (Game of Thrones, The Darkest Hour), Stephen Wight (The Paradise, Bluestone 42), and Shane Zaza (Happy Valley, Press). ● The Donmar will then stage the UK premiere of Branden Jacobs-Jenkins’s Appropriate, which takes on the rich tradition of American family drama. Jacobs-Jenkins’s play, set on a former slave plantation, about ghosts and the legacies we are left with will be directed by Ola Ince. Casting includes Monica Dolan (All About Eve, Appropriate Adult). ● The full-length premiere of a new play by Alice Birch [BLANK], will be directed by Maria Aberg who is making her Donmar Warehouse debut. [BLANK] is a co-production to celebrate the 40th anniversary of Clean Break Theatre Company and will feature an all-female cast of 15, including women who have lived-experience of the criminal justice system, and an all-female creative team. ● The UK premiere of Teenage Dick, US playwright Mike Lew’s high school take on Shakespeare’s Richard III, a dark and funny story about the rise of a teenage despot. Examining disability and power, Teenage Dick is directed by Artistic Director Michael Longhurst with actor Daniel Monks as Richard.
    [Show full text]
  • Press Release
    PRESS RELEASE Shakespeare’s Globe announces full casting for Edward II and After Edward 18 December 2018 Shakespeare’s Globe is delighted to announce the full cast for Christopher Marlowe’s Edward II, directed by Nick Bagnall, and for Tom Stuart’s new play After Edward, directed by Brendan O’Hea. Examining ancestral relationships and notions of identity, sexuality and power, Marlowe’s Edward II sees King Edward recall his lover, Gaveston, from banishment, setting in motion a chain of events that culminate in some of the most shocking scenes in early modern theatre. Tom Stuart’s new play After Edward, written specifically for the Sam Wanamaker Playhouse in response to Edward II, sees Edward return to the stage alone, bloodied and confused. He has no idea where he is, or how he got here, but he does have an ominous feeling that something is wrong. Performed by the same cast of actors, Edward II opens in the Sam Wanamaker Playhouse on Thursday 7 February, followed by After Edward on Thursday 21 March. Tom Stuart, writer of After Edward, will play the titular role in both productions. Tom has appeared as an actor at Shakespeare’s Globe in many productions including The Broken Heart, The Changeling (2015), Romeo & Juliet (2009) and Much Ado About Nothing (2007). He performed in the Battersea Arts Centre’s production of Edward II in 2008. His screen credits include Tinker Tailor Soldier Spy, People Just Do Nothing (BBC), Psychobitches (Sky Arts), and A Good Year. Tom has been working in film, television and theatre as an actor for 14 years.
    [Show full text]
  • Deborah Findlay
    DEBORAH FINDLAY Theatre: The Children Hazel James McDonald Royal Court Theatre& Samuel J. Friedman Theatere New York Escaped Alone Sally James Mcdonald Royal Court & BAM Rules For Living Edith Marianne Elliot Royal National Theatre Coriolanus Volumnia Josie Rourke Donmar Warehouse Timon of Athens Flavia Nick Hytner Royal National Theatre Moonlight Bel Bijan Sheiban Donmar Warehouse The Glass Menagerie Amanda Joe Hill- Gibbons Young Vic Like A Fishbone Architect Josie Rourke Bush Theatre Separate Tables Miss Cooper Philip Franks Chichester Festival Theatre Madame De Sade Baroness Simiane Michael Grandage Donmar Warehouse Vincent River Anita Steve Marmion 59e59 Theatre, New York John Gabriel Borkman Gunhilde Borkman Michael Grandage Donmar Warehouse The Cut * Susan Michael Grandage Donmar Warehouse Bernarda Alba ** Ponthia Howard Davies National Theatre The Mandate Nadejda Petrovna Declan Donelan National Theatre The Vortex Helen Saville Michael Grandage Donmar Warehouse Mother Claps Molly House Mother Clap Nicholas Hytner National Theatre The Winter's Tale Paulina Nicholas Hytner National Theatre The Threesome Hermance Gordon Anderson Lyric, Hammersmith The School For Scandal Lady Sneerwell Declan Donellan R S C Tongue Of A Bird Maxine Peter Gill Almeida Stanley *** Hilda John Caird National Theatre / Circle In The Sq The Seagull Madame Arcadina Robert Sturua Thelma Holt / Tour The Clandestine Marriage Miss Sterling Nigel Hawthorne Thelma Holt / West End The Beaux Stratagem Mrs Sullen Stephen Unwin Tour / Richmond The New Menosa Donna
    [Show full text]
  • Christmas Through the Ages
    CHRISTMAS THROUGH THE AGES EVALUATION 03 –14 DECEMBER CHRISTMAS THROUGH THE AGES 2018 2018 1 HARLAN MANUEL PHOTO: INTRODUCTION ‘What a great place to bring two generations together at Christmas time’ Community Choir Member In response to increased reports of loneliness and isolation within elder community members and a need for local primary schools to find a performance space, The Old Vic developed a project that utilised the theatre’s foyer space to create a series of carol concerts delivered by local primary schools to community groups for the over 60s in London. Running from 03 December through to 14 December, Christmas Through the Ages organised nine carol concerts by seven local primary school choirs, one 60+ community group choir and welcomed audience members from 12 community groups for the over 60s as well as opening up to the local community and friends of the theatre. Teachers were also given the option of a Musical Director to assist them with their performance who then led the choir and audience members in a group sing-a-long to finish off the morning. The Old Vic provided free tea, coffee, mince pies and biscuits as well as some festive Christmas hats and carol song sheets for everyone to participate. PHOTOS: MANUEL HARLAN MANUEL PHOTOS: CHRISTMAS THROUGH THE AGES 2018 2 In total Christmas Through the Ages welcomed 259 ‘Warm, festive, unique, primary school students and 121 audience members welcoming, easy to participate, from local community groups. In addition to this we intergenerational. Up our street’ invited participants from other Education & Community Community Group Leader programmes, Old Vic staff and colleagues from The Young Vic and The Donmar Warehouse.
    [Show full text]
  • Full Cast Announced for the Treatment
    PRESS RELEASE Friday 24 February 2017 THE ALMEIDA THEATRE ANNOUNCES THE FULL CAST FOR THE TREATMENT, MARTIN CRIMP’S CONTEMPORARY SATIRE, DIRECTED BY LYNDSEY TURNER CHOREOGRAPHER ARTHUR PITA JOINS THE CREATIVE TEAM Joining Aisling Loftus and Matthew Needham in THE TREATMENT will be Gary Beadle, Ian Gelder, Ben Onwukwe, Julian Ovenden, Ellora Torchia, Indira Varma, and Hara Yannas. The Treatment begins previews at the Almeida Theatre on Monday 24 April and runs until Saturday 10 June. The press night is Friday 28 April. New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit. Martin Crimp’s contemporary satire is directed by Lyndsey Turner, who returns to the Almeida following her award-winning production of Chimerica. The Treatment will be designed by Giles Cadle, with lighting by Neil Austin, composition by Rupert Cross, fight direction by Bret Yount, sound by Chris Shutt, and voice coaching by Charmian Hoare. The choreographer is Arthur Pita. Casting is by Julia Horan. ALMEIDA QUESTIONS In response to The Treatment - where it’s material that matters – Whose Life Is It Anyway? continues the Almeida’s programme of pre-show discussions as a panel delves into the worldwide fascination with constructed realities in art and in life. When you sell your story is your life still your own? In the golden age of social media - where immaculately contrived worlds are labelled as real life - what is the cost? Can truth be traced in art at all? The panel includes Instagram star Deliciously Stella, Made In Chelsea producer Nick Arnold, and Anita Biressi, Professor of Media and Communications at Roehampton University.
    [Show full text]