Fleabag’ from London’S West End Expands Distribution in U.S
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Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama
e Interdisciplinary Journal of Popular Culture and Pedagogy Bad Girls: Agency, Revenge, and Redemption in Contemporary Drama Courtney Watson, Ph.D. Radford University Roanoke, Virginia, United States [email protected] ABSTRACT Cultural movements including #TimesUp and #MeToo have contributed momentum to the demand for and development of smart, justified female criminal characters in contemporary television drama. These women are representations of shifting power dynamics, and they possess agency as they channel their desires and fury into success, redemption, and revenge. Building on works including Gillian Flynn’s Gone Girl and Netflix’s Orange is the New Black, dramas produced since 2016—including The Handmaid’s Tale, Ozark, and Killing Eve—have featured the rise of women who use rule-breaking, rebellion, and crime to enact positive change. Keywords: #TimesUp, #MeToo, crime, television, drama, power, Margaret Atwood, revenge, Gone Girl, Orange is the New Black, The Handmaid’s Tale, Ozark, Killing Eve Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 37 Watson From the recent popularity of the anti-heroine in novels and films like Gone Girl to the treatment of complicit women and crime-as-rebellion in Hulu’s adaptation of The Handmaid’s Tale to the cultural watershed moments of the #TimesUp and #MeToo movements, there has been a groundswell of support for women seeking justice both within and outside the law. Behavior that once may have been dismissed as madness or instability—Beyoncé laughing wildly while swinging a baseball bat in her revenge-fantasy music video “Hold Up” in the wake of Jay-Z’s indiscretions comes to mind—can be examined with new understanding. -
Press Information !
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Spring-Summer Season 2017 | April–July 2017 The premiere production outside Australia FOOD by Steve Rodgers. Directed by Cressida Brown. Lighting by Richard Williamson. Sound by Jon McLeod. Movement Direction by Ita O’Brien. Presented by NewPlay Productions in association with Neil McPherson for the Finborough Theatre. Cast: Scott Karim. Lily Newbury-Freeman. Emma Playfair. “ ‘Member when you were smart? Year six, start of high school, you know, fractions, Pythagoras’s thing, all that? One day, just like that, ya got dumb, made yourself dumb, like that was more attractive.” In its first production outside Australia, acclaimed Australian drama Food opens at the Finborough Theatre for a four week limited season on Tuesday, 20 June 2017 (Press Nights: Thursday, 22 June and Friday 23 June 2017 at 7.30pm). Nancy left, choosing chaos, freedom and sex. Elma stayed behind and cooked. Now Nancy is back. On a stretch of Australian highway, sisters Elma and Nancy run their family takeaway joint – their days heavy with deep frying and memories. While they quietly wage war with their past and dream of a brighter future, a young life-loving Turkish traveller arrives, bringing a charm and sensuality that turns their world upside down. Food is the first production outside Australia of Australian playwright Steve Rodgers, directed by Cressida Brown, the Artistic Director of Offstage Theatre, and director of the critically acclaimed Amphibians and Walking the Tightrope. Playwright Steve Rodgers -
Ex-Machina and the Feminine Body Through Human and Posthuman Dystopia
Elisabetta Di MINICO Ex-Machina and the Feminine Body through Human and Posthuman Dystopia Abstract: Ex-Machina is a 2015 sci-fi thriller, written and directed by Alex Garland, and starring Domhnall Gleeson, Oscar Isaac and Alicia Vikander. Critically acclaimed, the movie explores the relations between human and posthuman, as well as the relations between men and women. The article analyzes four main themes: the dystopian spaces of relations and conflicts between human and posthuman entities; the gender issues and the violent tendencies represented both in humans and in AIs; the construction and the representation of women’s bodies, roles, identities and images; the control and the manipulation perpetrated by “authoritarian” individuals on feminine bodies. The goal of my contribution is to show the reasons of the “double male fear of technology and of woman” (Huyssen 226), and I hope that my reflections could encourage a debate on posthumanism and on gendered power relations. Keywords: Human and Posthuman, Gender Issues, Dystopia. Ex-Machina is a 2015 sci-fi thriller, written and directed by Alex Garland, and starring Domhnall Gleeson, Oscar Isaac and Alicia Vikander. Acclaimed by critics, the movie ex- plores the relations between human and post- human, as well as the relations between men and women. With its lucid and tense writ- Elisabetta Di MINICO ing, Garland reflects on the possible dysto- University of Barcelona pian evolution of artificial intelligence, and Email: [email protected] he does that with no usual negative tenden- cy to create an evil sentient mechanism with- EKPHRASIS, 1/2017 out a cause. In the vision of Ex-Machina, both GHOSTS IN THE CINEMA MACHINE human and posthuman subjects contribute to pp. -
'Game of Thrones,' 'Fleabag' Take Top Emmy Honors on Night of Upsets
14 TUESDAY, SEPTEMBER 24, 2019 Stars hit Emmy red carpet Jodie Maisie Comer Natasha Lyonne Williams Michelle Williams Naomi Watts Sophie Turner Kendall Jenner Vera Farmiga Julia Garner beats GoT stars to win ‘Game of Thrones,’ ‘Fleabag’ take top first Emmy Los Angeles Emmy honors on night of upsets ctress Julia Gar- Los Angeles Emmy for comedy writing. Aner beat “Game of “This is just getting ridiculous!,” Phoebe Waller-Bridge’s Thrones” stars, including edieval drama “Game Waller-Bridge said as she accept- ‘Fleabag’ wins big at Emmys Sophie Turner, Lena Head- of Thrones” closed ed the comedy series Emmy. Los Angeles ey, Maisie Williams, to win Mits run with a fourth “It’s really wonderful to know, her first Emmy in Support- Emmy award for best drama se- and reassuring, that a dirty, angry, ctress Phoebe Waller-Bridge won Lead ing Actress in a Drama Se- ries while British comedy “Flea- messed-up woman can make it Actress in a Comedy Series trophy at ries category at the 2019 bag” was the upset winner for to the Emmys,” Waller-Bridge Athe 71st Primetime Emmy Awards gala Emmy awards here. best comedy series on Sunday on added. here for her role in “Fleabag”, The first-time Emmy a night that rewarded newcom- Already the most- awarded which was also named as the nominee was in contention ers over old favorites. series in best comedy series. with Gwendoline Christie Billy Porter, the star of LGBTQ The Emmys are Hollywood’s Emmy “This is just getting ridicu- (“Game of Thrones”), Head- series “Pose,” won the best dra- top honors in television, and the history lous,” Waller-Bridge said as she ey (“Game of Thrones”), matic actor Emmy, while British night belonged to Phoebe Waller- with accepted the honour for best com- Fiona Shaw (“Killing newcomer Jodie Comer took the Bridge, the star and creator of 38 wins, edy series. -
Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Albion Full Cast Announced
Press release: Thursday 2 January The Almeida Theatre announces the full cast for its revival of Mike Bartlett’s Albion, directed by Rupert Goold, following the play’s acclaimed run in 2017. ALBION by Mike Bartlett Direction: Rupert Goold; Design: Miriam Buether; Light: Neil Austin Sound: Gregory Clarke; Movement Director: Rebecca Frecknall Monday 3 February – Saturday 29 February 2020 Press night: Wednesday 5 February 7pm ★★★★★ “The play that Britain needs right now” The Telegraph This is our little piece of the world, and we’re allowed to do with it, exactly as we like. Yes? In the ruins of a garden in rural England. In a house which was once a home. A woman searches for seeds of hope. Following a sell-out run in 2017, Albion returns to the Almeida for four weeks only. Joining the previously announced Victoria Hamilton (awarded Best Actress at 2018 Critics’ Circle Awards for this role) and reprising their roles are Nigel Betts, Edyta Budnik, Wil Coban, Margot Leicester, Nicholas Rowe and Helen Schlesinger. They will be joined by Angel Coulby, Daisy Edgar-Jones, Dónal Finn and Geoffrey Freshwater. Mike Bartlett’s plays for the Almeida include his adaptation of Maxim Gorky’s Vassa, Game and the multi-award winning King Charles III (Olivier Award for Best New Play) which premiered at the Almeida before West End and Broadway transfers, a UK and international tour. His television adaptation of the play was broadcast on BBC Two in 2017. Other plays include Snowflake (Old Fire Station and Kiln Theatre); Wild; An Intervention; Bull (won the Olivier Award for Outstanding Achievement in an Affiliate Theatre); an adaptation of Medea; Chariots of Fire; 13; Decade (co-writer); Earthquakes in London; Love, Love, Love; Cock (Olivier Award for Outstanding Achievement in an Affiliate Theatre); Contractions and My Child Artefacts. -
Eddie Redmayne E Felicity Jones Di Nuovo Insieme a Bordo Della Mongolfiera Di Tom Harper - Di Alessia De Antoniis
THE AERONAUTS Alla Festa Del Cinema Di Roma: Eddie Redmayne e Felicity Jones di nuovo insieme a bordo della mongolfiera di Tom Harper - di Alessia de Antoniis 19/10/2019 La storia di Amelia Wren e dell’ambizioso meterologo James Glaisher, che nel 1862 vogliono far progredire la conoscenza del tempo atmosferico e di volare più in alto di chiunque altro nella storia. Mentre stabiliscono primati e portano avanti la ricerca scientifica, il loro percorso di vita, condotto fino a limiti estremi, porta l’inverosimile coppia a trovare un posto in quel mondo che i due, dalle mongolfiere, vedono così lontano e piccolo. In un clima vittoriano e un'ambientazione che rammenta scene disneyane Tom Harper mette in scena il volo in mongolfiera da record di Glaisher e del suo collega scienziato Henry Coxwell, qui sostituito da una regina dei cieli glamour, l'immaginaria Amelia Wren. The Aeronauts è un film fantastico tratto da una storia vera, per la quale Harper e il suo sceneggiatore Jack Thorne si sono ispirati al libro Falling Upwards: How We Took the Air, di Richard Holmes. Tom Harper riunisce Eddie Redmayne e Felicity Jones, già protagonisti de La teoria del tutto. Redmayne interpreta ancora una volta uno scienziato, il pioniere della meteorologia James Glaisher, Jones interpreta un'aeronautica immaginaria, Amelia Wren, che si ritrova a doverlo aiutare. C'è suspense, avventura e qualcosa di esotico in un film che ricorda, in alcune scene, i cieli di Londra attraversati da Peter Pan con le vedute dall'altro della Londra ottocentesca. La mongolfiera sembra uno dei giocattoli della stanza di Mary Poppins, il metereologo Glaisher parte in camicia e giacca da marinaio rischiando si morire assiderato a 11.000 metri d'altezza, Amelia non ha i guanti e non le si congelano le mani. -
Rapid Write Response: J'ouvert
ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience. -
Tops Globes Noms As Female Directors Break Through
20 Friday Lifestyle | Features Friday, February 5, 2021 Netflix’s ‘Mank’ tops Globes noms as female directors break through This video screen grab shows Taraji P Henson during the Golden This video screen grab shows Sarah Jessica Parker during the In this file photo shows Golden Globe statues are set by the Globes nominations. Golden Globes nominations. stage ahead of the 77th Annual Golden Globe Awards nomina- tions announcement in Beverly Hills.—AFP photos etflix’s “Mank,” a black-and-white drama that dives into Hollywood’s List of key Golden Globe nominees NGolden Age with the making of “Citizen Kane,” on Wednesday topped the ere are the nominees in key Young Woman” BEST FOREIGN LANGUAGE Eugene Levy, “Schitt’s Creek” nominations for the pandemic-delayed categories for the 78th Golden FILM Jason Sudeikis, “Ted Lasso” Golden Globes, as female directors finally HGlobe Awards, which will be BEST ACTOR, MUSICAL OR “Another Round” Ramy Youssef, “Ramy” broke through with multiple nods. “Mank” handed out in Beverly Hills on Febru- COMEDY “La Llorona” earned six nominations, including best ary 28. Netflix’s “Mank”-set in Hol- Sacha Baron Cohen, “Borat Sub- “The Life Ahead” BEST MUSICAL OR COMEDY drama, followed by fellow Netflix movie lywood’s Golden Age about the sequent Moviefilm” “Minari” ACTRESS “The Trial of the Chicago 7” on five, in an making of “Citizen Kane”-led all James Corden, “The Prom” “Two of Us” Lily Collins, “Emily in Paris” announcement that offered an important, films with six nominations. The Lin-Manuel Miranda, “Hamilton” Kaley Cuoco, “The Flight Atten- early glimpse into the movies leading this streaming service crushed the com- Dev Patel, “The Personal History BEST ANIMATED FEATURE dant” year’s unique awards season. -
What Ever Happened to In-Yer-Face Theatre?
What Ever Happened to in-yer-face theatre? Aleks SIERZ (Theatre Critic and Visiting Research Fellow, Rose Bruford College) “I have one ambition – to write a book that will hold good for ten years afterwards.” Cyril Connolly, Enemies of Promise • Tuesday, 23 February 1999; Brixton, south London; morning. A Victorian terraced house in a road with no trees. Inside, a cloud of acrid dust rises from the ground floor. Two workmen are demolishing the wall that separates the dining room from the living room. They sweat; they curse; they sing; they laugh. The floor is covered in plaster, wooden slats, torn paper and lots of dust. Dust hangs in the air. Upstairs, Aleks is hiding from the disruption. He is sitting at his desk. His partner Lia is on a train, travelling across the city to deliver a lecture at the University of East London. Suddenly, the phone rings. It’s her. And she tells him that Sarah Kane is dead. She’s just seen the playwright’s photograph in the newspaper and read the story, straining to see over someone’s shoulder. Aleks immediately runs out, buys a newspaper, then phones playwright Mark Ravenhill, a friend of Kane’s. He gets in touch with Mel Kenyon, her agent. Yes, it’s true: Kane, who suffered from depression for much of her life, has committed suicide. She is just twenty-eight years old. Her celebrity status, her central role in the history of contemporary British theatre, is attested by the obituaries published by all the major newspapers. Aleks returns to his desk. -
Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership