DOCSLIB.ORG

Aview from Thebridge

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

A YOUNG VIC PRODUCTION AVIEW FROM THE BRIDGE Weber Uli Photography ARTHUR MILLER in the West End Running time: 1 hour 55 mins (no interval) About the Young Vic Marco EMUN ELLIOTT We produce classics, new plays, forgotten works, musicals and Catherine PHOEBE FOX opera. Our seasons of shows, directed by some of the world’s Alfieri M ICHAEL GOULD leading directors alongside the brightest of the next generation, Louis RICHARD HANSELL make us one of the UK’s most innovative theatre companies. We Officer PÁDRAIG LYNCH Rodolpho LUKE NORRIS produce 12 shows a year in our three theatres and tour widely. Eddie MARK STRONG With deep roots in our neighbourhood, we co-produce with Beatrice NICOLA WALKER leading theatres all over the world. A Streetcar Named Desire Direction IVO vaN HOVE Recent productions include: directed Design & Light JAN VERSWEYVELD by Benedict Andrews, Kander and Ebb’s The Scottsboro Boys Costumes AN D’huys directed by Susan Stroman, A Doll’s House directed by Carrie Sound TOM GIBBONS Cracknell, A Season in the Congo directed by Joe Wright, Dramaturg Bart VAN DEN EYNDE Happy Days directed by Natalie Abrahami and The Valley of UK Casting JULIA HORAN US Casting JIM CARNAHAN CSA Astonishment directed by Peter Brook. Associate Director JEFF JAMES Artistic Director DAVID LAN Associate Designer JAMES TURNER Associate Lighting Designer NICKI BROWN Executive Director LUCY WOOLLATT Associate Sound Designer ALEX TWISELTON ‘The best theatre in London’ Daily Telegraph Company Stage Manager ALEX CONStaNTIN Deputy Stage Manager RUTHIE PHILIP-SMITH It’s a big world in here youngvic.org Assistant Stage Manager GEORGIA PaveLKOVÁ/ RACHEL WILLIAMS /youngvictheatre @youngvictheatre Costume Supervisor CatHERINE KODICEK Associate Production Manager LLOYD THOMAS Coming next Sound Operator GARETH TUCKER Automation Operator DavID LEIGH-PEMbertON The Hard Problem Wardrobe Manager CAROLINE MCCALL a new play by Tom Stoppard Wardrobe Technicians SERICA KavaZ/TRAIPSY DRAKE General Management YOUNG VIC In cinemas from April 16 Understudy Beatrice SAMANTHA COUGHLAN Understudy Marco/Rodolpho/ ‘ 100 minutes of Officer/Louis CARY CRANKSON brilliant brainache’ Understudy Catherine SAMANTHA DAKIN Daily Mail Understudy Alfieri RICH ARD HANSELL Original photo © Corbis Understudy Eddie PÁDRAIG LYNCH Man and Superman by Bernard Shaw First performance at the Young Vic: 4 April 2014 First performance at Wyndham’s Theatre: 10 February 2015 In cinemas from May 14 Copyright agent: ICM Partners, 730 Fifth Avenue, New York, NY10019 ‘Out of this world. Ralph Fiennes Please make sure all phones are switched off during the performance flies high as Bernard Shaw’s Superman’ Metro Photography by Juergen Teller Photography by Juergen ntlive.com/signup facebook.com/ntlive @ntlive #AViewFromTheBridge Please turn over for more details of upcoming broadcasts Upcoming broadcasts The Hard Problem a new play by Tom Stoppard In cinemas from April 16 Acclaimed playwright Tom Stoppard (Shakespeare in Love, Arcadia) returns to the National Theatre with his highly anticipated new play The Hard Problem, directed by Nicholas Hytner (Othello, One Man, Two Guvnors). Hilary, a young psychology researcher at a brain-science institute, is nursing a private sorrow and a troubling question at work, where psychology and biology meet. If there is nothing but matter, what is consciousness? This is ‘the hard problem’ which puts Hilary at odds with her colleagues who include her first mentor Spike, her boss Leo and the billionaire founder of the institute, Jerry. Is the day coming when the computer and the fMRI scanner will answer all the questions psychology can ask? Meanwhile Hilary needs a miracle, and she is Original photo © Corbis prepared to pray for one. Photography by Juergen Teller Photography by Juergen Photography by Sorted Shona Heath Photography: Tim Gutt; Art direction: Man and Superman Everyman Hamlet by Bernard Shaw a new adaptation by Carol Ann Duffy by William Shakespeare produced by Sonia Friedman Productions In cinemas from May 14 In cinemas from July 16 In cinemas from October 15 Academy Award®-nominee Ralph Fiennes BAFTA winner and Academy Award®-nominee (The English Patient, Schindler’s List) plays Chiwetel Ejiofor (12 Years a Slave) takes the title Academy Award®-nominee Benedict Jack Tanner in this exhilarating reinvention role in this dynamic new production of one of Cumberbatch (BBC’s Sherlock, The Imitation of Shaw’s witty, provocative classic. English drama’s oldest plays, directed by the Game, Frankenstein at the National Theatre) National Theatre’s new Director, Rufus Norris takes on the title role of Shakespeare’s great A romantic comedy, an epic fairytale, a fiery (Broken, London Road). philosophical debate, Man and Superman asks tragedy, directed by Lyndsey Turner. fundamental questions about how Everyman is successful, popular and riding As a country arms itself for war, a family tears we live. high when Death comes calling. He is forced itself apart. Forced to avenge his father’s death to abandon the life he has built and embark on but paralysed by the task ahead, Hamlet rages a frantic search to recruit a friend, anyone, to against the impossibility of his predicament, speak in his defence. But Death is close behind, threatening both his sanity and the security of and time is running out. the state. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Poet Laureate Carol Ann Duffy, and movement by Javier De Frutos. Find out more and book at ntlive.com.
Recommended publications
  • Belarus Free Theatre Opens up Its Digital Archive to Share 24 Theatrical Productions from the Past 15 Years

    Belarus Free Theatre Opens up Its Digital Archive to Share 24 Theatrical Productions from the Past 15 Years

    FOR IMMEDIATE RELEASE: Thursday 2 April 2020 BELARUS FREE THEATRE OPENS UP ITS DIGITAL ARCHIVE TO SHARE 24 THEATRICAL PRODUCTIONS FROM THE PAST 15 YEARS WILL ATTENBOROUGH, STEPHEN FRY, ANDREI KHLYVNIUK, DAVID LAN, JULIET STEVENSON & SAM WEST JOIN NEW FAIRY-TALE-INSPIRED CAMPAIGN #LOVEOVERVIRUS 2020 marks the 15th anniversary of Belarus Free Theatre (BFT), the foremost refugee-led theatre company in the UK and the only theatre in Europe banned by its government on political grounds. Ahead of the announcement of the full programme of BFT’s 15th anniversary celebrations, and in response to the coronavirus pandemic, the company will open up its digital archive to make 24 acclaimed stage productions free to watch online, alongside the launch of a new fairy-tale-inspired campaign: #LoveOverVirus 15 YEARS OF THEATRICAL HIGHLIGHTS FREE TO WATCH ONLINE Belarus Free Theatre began 15 years ago this week – on 30 March 2005 – in Minsk under Europe's last surviving dictatorship. Since 2011, the company has been based between Minsk and London where its co-founding Artistic Directors, Natalia Kaliada and Nicolai Khalezin, are political refugees in the UK. New productions are created and rehearsed over Skype before premiering in continually changing underground locations in and around Minsk. Over the past decade, BFT has - through necessity - pioneered creating award-winning theatre at distance and will now share a raft of its theatrical highlights with audiences online at a time when more than a third of the world’s population is adapting to daily life under lockdown. Beginning this Saturday (4 April), and continuing each weekend for the next three months, 24 productions will be made available to watch online on BFT’s YouTube channel: https://www.youtube.com/c/BelarusFreeTheatre Each production listed below will air on the date indicated at 8pm GMT and will be available to watch for the following 24 hours.
  • Stage by Stage South Bank: 1988 – 1996

    Stage by Stage South Bank: 1988 – 1996

    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
  • Digital Playbill

    Digital Playbill

    IRISH REPERTORY THEATRE Little Gem BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL A PERFORMANCE ON SCREEN IRISH REPERTORY THEATRE CHARLOTTE MOORE, ARTISTIC DIRECTOR | CIARÁN O’REILLY, PRODUCING DIRECTOR A PERFORMANCE ON SCREEN LITTLE GEM BY ELAINE MURPHY DIRECTED BY MARC ATKINSON BORRULL STARRING BRENDA MEANEY, LAUREN O'LEARY AND MARSHA MASON scenic design costume design lighting design sound design & original music sound mix MEREDITH CHRISTOPHER MICHAEL RYAN M.FLORIAN RIES METZGER O'CONNOR RUMERY STAAB edited by production coordinator production coordinator SARAH ARTHUR REBECCA NICHOLS ATKINSON MONROE casting press representatives general manager DEBORAH BROWN MATT ROSS LISA CASTING PUBLIC RELATIONS FANE TIME & PLACE North Dublin, 2008 Running Time: 90 minutes, no intermission. SPECIAL THANKS Irish Repertory Theatre wishes to thank Henry Clarke, Olivia Marcus, Melanie Spath, and the Howard Gilman Foundation. Little Gem is produced under the SAG-AFTRA New Media Contract. THE ORIGINAL 2019 PRODUCTION OF LITTLE GEM ALSO FEATURED PROPS BY SVEN HENRY NELSON AND SHANNA ALISON AS ASSISTANT STAGE MANAGER. THIS PRODUCTION IS MADE POSSIBLE WITH PUBLIC FUNDS FROM THE NEW YORK STATE COUNCIL ON THE ARTS, THE NEW YORK CITY DEPARTMENT OF CULTURAL AFFAIRS, AND OTHER PRIVATE FOUNDATIONS AND CORPORATIONS, AND WITH THE ASSISTANCE OF THE MANY GENEROUS MEMBERS OF IRISH REPERTORY THEATRE’S PATRON’S CIRCLE. WHO’S WHO IN THE CAST MARSHA MASON (Kay) has summer 2019, Marsha starred in Irish received an Outer Critics Rep’s acclaimed production of Little Gem Circle Award and 4 Academy and directed a reading of The Man Who Awards nominations for her Came to Dinner with Brooke Shields and roles in the films “The Goodbye Walter Bobbie at the Bucks County Girl,” “Cinderella Liberty,” Playhouse and WP Theater in NYC.
  • Biographies (396.2

    Biographies (396.2

    ANTONELLO MANACORDA conducteur italien • Formation o études de violon entres autres avec Herman Krebbers à Amsterdam o puis, à partir de 2002, deux ans de direction d’orchestre chez Jorma Panula. • Orchestres o 1997 : il crée, avec Claudio Abbado, le Mahler Chamber Orchestra o 2006 : nommé chef permanent de l’ensemble I Pomeriggi Musicali à Milaan o 2010 : nommé chef permanent du Kammerakademie Potsdam o 2011 : chef permanent du Gelders Orkest o Frankfurt Radio Symphony, BBC Philharmonic, Mozarteumorchester Salzburg, Sydney Symphony, Orchestra della Svizzera Italia, Scottish Chamber Orchestra, Stavanger Symphony, Swedish Chamber Orchestra, Hamburger Symphoniker, Staatskapelle Weimar, Helsinki Philharmonic, Orchestre National du Capitole de Toulouse & Gothenburg Symphony • Fil rouge de sa carrière o collaboration artistique de longue durée avec La Fenice à Venise • Pour la Monnaie o dirigeerde in april 2016 het Symfonieorkest van de Munt in werk van Mozart en Schubert • Projets récents et futurs o Il Barbiere di Siviglia, Don Giovanni & L’Africaine à Frankfort, Lucio Silla & Foxie! La Petite Renarde rusée à la Monnaie, Le Nozze di Figaro à Munich, Midsummer Night’s Dream à Vienne et Die Zauberflöte à Amsterdam • Discographie sélective o symphonies de Schubert avec le Kammerakademie Potsdam (Sony Classical - courroné par Die Welt) o symphonies de Mendelssohn également avec le Kammerakademie Potsdam (Sony Classical) • Pour en savoir plus o http://www.inartmanagement.com o http://www.antonello-manacorda.com CHRISTOPHE COPPENS Artiste et metteur
  • Young Vic Announces New Dates for Cush Jumbo in Hamlet

    Young Vic Announces New Dates for Cush Jumbo in Hamlet

    Press Release 19 March 2021 Young Vic sets new dates for Cush Jumbo in Hamlet HAMLET By William Shakespeare Directed by Greg Hersov Young Vic Main House From 27 September – 13 November 2021 Press Night 4 October The Young Vic announces their highly anticipated production of Hamlet, starring Cush Jumbo and directed by Greg Hersov, will begin previews from 27 September 2021, with Press Night 4 October. This new version of Shakespeare’s great tragedy will see Cush Jumbo (The Good Wife, The Good Fight) make her YV debut as a new kind of Hamlet, reuniting with her long-time collaborator Greg Hersov, to bring us this tale of power, politics and desire. Kwame Kwei-Armah, Artistic Director of the Young Vic, said: “I am delighted that this extraordinary new version of Hamlet will play at the YV this autumn. I want to take this opportunity to thank each audience member who kept their tickets in the show through this period of uncertainty; I can’t wait to have you back into our house, to step into the extraordinary world Cush, Greg and the company will create. Finally, I look forward to sharing more detail on the rest of our 2021 season, including more imminent plans for welcoming you back to the YV, very soon. Until then, peace and love.” Further Hamlet cast and creative team to be announced. Hamlet is currently sold out, but to be the first to hear about future ticket releases, sign up to receive email alerts here. ENDS For more information, contact Emma Hardy: [email protected] For images, click here.
  • Peter Barnes and the Nature of Authority

    Peter Barnes and the Nature of Authority

    PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anrie Golomb A thesis subnitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Centre for Study of Drarna in the University of Toronto @copyright by Liorah Anne Golomb 1998 National Library Bibliothèque nationale du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliagraphiques 395 Wellington Street 395, nie Wellington OttawaON K1AW Ottawa ON K1A ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à fa National Libmy of Canada to Bibliothèque nationale du Canada de reproduce, loaq distriiute or sell reproduire, prêter, distri'buer ou copies of this thesis in microfonn, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fkom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. PETER BARNES AND THE NATURE OF AUTHORITY Liorah Anne Golomb Doctor of Philosophy, 1998 Graduate Centre for Study of Drama University of Toronto Peter Barnes, among the most theatrically-minded playwrights of the non-musical stage in England today, makes use of virtually every elernent of theatre: spectacle, music, dance, heightened speech, etc- He is daring, ambitious, and not always successful.
  • Rapid Write Response: J'ouvert

    Rapid Write Response: J'ouvert

    ACT 1 Mash Rapid Write Response: J’Ouvert Written by Yasmine Lever Directed by Emma Wilkinson These pieces are written by 7 writers in response to J’Ouvert by Yasmin Cast: Kate Reid (9653-7868-6998) and Ray Sesay (5819-7831-7622) Joseph The Number 82 Written by Adanna Oji Directed by Nkechi Nwobani Akanwo Cast: Yvonne Campbell (0535-6751-0964) Funmi Florence Cole and Heather Lewis Upcoming Rapid Write Response Dates Wine Down Check back on the Theatre503 website for our next Rapid Write Response in our Autumn season. Until then, here’s what’s coming up this Summer at Written by Ekene Okobi Directed by Kaleya Baxe Cast: Angelina Chudi (2058-8972-5714) Janani Rajendra and Aïsha Kent (1410-8970-2592) Theatre503: By Way of Kensal Green FOLK THE POLICE REHEARSED READING. 24 JUN Written by James Directed by Alessandra Davison Reynolds A TINDER TRILOGY 25 – 29 JUN Cast: Arthur Velarde (9856-3494-6667) and Mercy Philips DRIP 26 – 27 JUN VOICES FROM HOME 30 JUN – 1 JUL MOTHERHOOD WEEK 02 – 06 JUL ACT 2 EDFRINGE PREVIEWS 15 – 28 JUL Dutty Wind Written by Nicole Latchana Directed by Kelechi Okafor More information about how to get involved can be found on our website Cast: Bruna Campos and Diana Yekinni (0457-9083-8923) www.theatre503.com or email [email protected] to join our writers’ mailing list. Poles Apart Written by Martin Edwards Directed by Shayde Sinclair Cast: Steffi Igbinovia and Shem Hamilton Curated by Leian Darell Queen (of) B(acchanal) Written by Hassan Govia Directed by Leian Darell Leian uses his work to explore identity, the black image and experience.
  • A Midsummer Night's Dream”: a Director's Notebook Natasha Bunnell Old Dominion University

    A Midsummer Night's Dream”: a Director's Notebook Natasha Bunnell Old Dominion University

    Old Dominion University ODU Digital Commons Institute for the Humanities Theses Institute for the Humanities Spring 2003 “A Midsummer Night's Dream”: A Director's Notebook Natasha Bunnell Old Dominion University Follow this and additional works at: https://digitalcommons.odu.edu/humanities_etds Part of the Dramatic Literature, Criticism and Theory Commons, and the Literature in English, British Isles Commons Recommended Citation Bunnell, Natasha. "“A Midsummer Night's Dream”: A Director's Notebook" (2003). Master of Arts (MA), thesis, Humanities, Old Dominion University, DOI: 10.25777/d8jv-a035 https://digitalcommons.odu.edu/humanities_etds/29 This Thesis is brought to you for free and open access by the Institute for the Humanities at ODU Digital Commons. It has been accepted for inclusion in Institute for the Humanities Theses by an authorized administrator of ODU Digital Commons. For more information, please contact [email protected]. A MIDSUMMER NIGHT’S DREAM: A DIRECTOR’S NOTEBOOK by Natasha Bunnell B. A. August 1997, Old Dominion University A Thesis Submitted to the Faculty of Old Dominion University in Partial Fulfillment of the Requirement for the Degree of MASTER OF ARTS HUMANITIES OLD DOMINION UNIVERSITY May 2003 Approved by: Christopher Hanna (Director) Erfime Hendrix (Mdmber) Jary Copyright © 2003 by Natasha Bunnell. All rights reserved. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 1414392 Copyright 2003 by Bunnell, Natasha All rights reserved. ® UMI UMI Microform 1414392 Copyright 2003 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.
  • 360 ° Series

    360 ° Series

    ON THE PLAY, PLAYWRIGHT, AND PRODUCTION VIEWFINDER: FACTS AND PERSPECTIVES 360 ° SERIES U S P R E M I E R E T H E V A L L E Y O F A S T O N I S H M E N T C O N C E I V E D A N D D I R E C T E D B Y P E T E R B R O O K A N D M A R I E - H É L È N E E S T I E N N E WWW.TFANA.ORG TABLE OF CONTENTS The Play 3 An Introduction from Peter Brook 4 Dialogues: From ‘The Key of Clear Green’ by Oliver Sacks, M.D. 7 Mandalas: An Installation Inspired by The Valley of Astonishment The Production 9 Dialogues: On the Making of The Valley Of Astonishment, An Interview With Peter Brook by James Woodall 11 Cast and Creative Team About Theatre For a New Audience 16 Mission and Programs 17 Major Supporters The Valley of Astonishmentis a C.I.C.T. / Théâtre des Bouffes du Nord production, co-produced by Theater for a New Audience, New York; Les Théâtres de la ville de Luxembourg; Théâtre d’Arras / Tandem Arras-Douai; Théâtre du Gymnase, Marseille; Warwick Arts Center; Holland Festival, Amsterdam; Attiki Cultural Society, Athens; Musikfest Bremen; Théâtre Forum Meyrin, Geneva; C.I.R.T. and Young Vic Theatre, London. The Valley of Astonishmentpremiered at Théâtre des Bouffes du Nord, Paris on April 29th, 2014. The producers would like to thank Franck Krawczyk, Carol Steen, Jon Adams, Daniel Tammet, Dr.
  • Savoring the Classical Tradition in Drama

    Savoring the Classical Tradition in Drama

    SAVORING THE CLASSICAL TRADITION IN DRAMA MEMORABLE PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION JIM DALE ♦ Friday, January 24 In the 1950s and ’60s JIM DALE was known primarily as a singer and songwriter, with such hits as Oscar nominee “Georgy Girl” to his credit. Meanwhile he was earning plaudits as a film and television comic, with eleven Carry On features that made him a NATIONAL ARTS CLUB household name in Britain. Next came stage roles like 15 Gramercy Park South Autolycus and Bottom with Laurence Olivier’s National Manhattan Theatre Company, and Fagin in Cameron Mackintosh’s PROGRAM AT 6:00 P.M. Oliver. In 1980 he collected a Tony Award for his title Admission Free, But role in Barnum. Since then he has been nominated for Reservations Requested Tony, Drama Desk, and other honors for his work in such plays as Candide, Comedians, Joe Egg, Me and My Girl, and Scapino. As if those accolades were not enough, he also holds two Grammy Awards and ten Audie Awards as the “voice” of Harry Potter. We look forward to a memorable evening with one of the most versatile performers in entertainment history. RON ROSENBAUM ♦ Monday, March 23 Most widely known for Explaining Hitler, a 1998 best-seller that has been translated into ten languages, RON ROSENBAUM is also the author of The Secret Parts of Fortune, Those Who Forget the Past, and How the End Begins: The Road to a Nuclear World War III.
  • Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays

    Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays

    This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership
  • Demarcating Dramaturgy

    Demarcating Dramaturgy

    Demarcating Dramaturgy Mapping Theory onto Practice Jacqueline Louise Bolton Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Workshop Theatre, School of English August 2011 The candidate confirms that the work submitted is his/her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. 11 Acknowledgements This PhD research into Dramaturgy and Literary Management has been conducted under the aegis of an Arts and Humanities Research Council Collaborative Doctoral Award; a collaboration between the University of Leeds and West Yorkshire Playhouse which commenced in September 2005. I am extremely grateful to Alex Chisholm, Associate Director (Literary) at West Yorkshire Playhouse, and Professor Stephen Bottoms and Dr. Kara McKechnie at the University of Leeds for their intellectual and emotional support. Special thanks to Professor Bottoms for his continued commitment over the last eighteen months, for the time and care he has dedicated to reading and responding to my work. I would like to take this opportunity to thank everybody who agreed to be interviewed as part of this research. Thanks in particular to Dr. Peter Boenisch, Gudula Kienemund, Birgit Rasch and Anke Roeder for their insights into German theatre and for making me so welcome in Germany. Special thanks also to Dr. Gilli Bush-Bailey (a.k.a the delightful Miss. Fanny Kelly), Jack Bradley, Sarah Dickenson and Professor Dan Rebellato, for their faith and continued encouragement.