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Hans and Lily Hildebrandt Papers, 1899-1979
http://oac.cdlib.org/findaid/ark:/13030/tf5779n7f0 No online items INVENTORY OF THE HANS AND LILY HILDEBRANDT PAPERS, 1899-1979 Finding aid prepared by Scott Wolf and Jocelyn Gibbs. The Getty Research Institute Research Library Special Collections and Visual Resources 1200 Getty Center Drive, Suite 1100 Los Angeles, California 90049-1688 Phone: (310) 440-7390 Fax: (310) 440-7780 Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html URL: http://www.getty.edu/research/conducting_research/library ©1998 J. Paul Getty Trust. INVENTORY OF THE HANS AND 850676 1 LILY HILDEBRANDT PAPERS, 1899-1979 INVENTORY OF THE HANS AND LILY HILDEBRANDT PAPERS, 1899-1979 Accession no. 850676 Finding aid prepared by Scott Wolf and Jocelyn Gibbs Getty Research Institute Contact Information: The Getty Research Institute Research Library Special Collections and Visual Resources 1200 Getty Center Drive, Suite 1100 Los Angeles, California 90049-1688 Phone: (310) 440-7390 Fax: (310) 440-7780 Email Requests: http://www.getty.edu/research/conducting_research/library/reference_form.html URL: http://www.getty.edu/research/conducting_research/library/ Processed by: Scott Wolf Date Completed: May 1997, revised Apr 2004 Encoded by: Jenny Cashman and Philip Curtis, revised by Julio Vera ©1998 J. Paul Getty Trust. Descriptive Summary Title: Hans and Lily Hildebrandt papers Date (inclusive): 1899-1979 Collection number: 850676 Creator: Hildebrandt, Hans Hildebrandt, Lily, 1889-1974 Extent: ca. 28 linear ft. (64 boxes) Repository: Getty Research Institute Research Library Special Collections and Visual Resources 1200 Getty Center Drive, Suite 1100 Los Angeles, CA 90049-1688 Abstract: An essentially complete record of the life and work of art historian and critic, Hans Hildebrandt, and of his artist wife, Lily, reflecting their interests in modern art, architecture, and decorative arts, and their close friendships with a number of leading artists and architects. -
Introduction Making, Experiencing and Managing Difference in a Changing Germany
Introduction Making, Experiencing and Managing Difference in a Changing Germany Jan-Jonathan Bock and Sharon Macdonald In late August and early September 2015, thousands of asylum seekers from the Middle East were stranded in Hungary’s capital, Budapest. Many complained about heavy-handed mistreatment by the authorities, who also set up new ‘detention centres’ at the country’s southeastern border (Haraszti 2015; Kallius et al. 2016). When thousands of migrants left Budapest to march on a motorway towards Austria – and Germany – the German Chancellor, Angela Merkel, and her Austrian counterpart, Werner Faymann, took a far-reaching decision. Bypassing the ordinary rules of the EU’s shared asylum system, both leaders agreed to permit asylum seekers entry into their countries to process applications for pro- tection and combat human trafficking. Only two weeks previously, the discovery of seventy-one dead bodies in a locked van on the A4 motorway in Austria – the victims of trafficking – had illustrated the fatal conse- quences of Europe’s insufficient protection schemes for those fleeing con- flict elsewhere (den Heijer et al. 2016). The pressure on European leaders to act further increased after the highly publicized death of a young boy, Alan Kurdi, who drowned on his way to Europe. Images of his lifeless body, washed up on a Turkish beach, shocked the world.1 According to the EU’s Dublin Regulation, asylum seekers ought to apply for protection in the first EU country they reach. In most cases, these are Greece or Italy – two countries that, in the mid 2010s, struggled with unemployment and austerity, and from which asylum seekers sought to continue northwards (Lucht 2012; Redattore Sociale 2015; Trauner 2016). -
FOREIGN RIGHTS NON-FICTION Spring & Summer 2020
FOREIGN RIGHTS NON-FICTION Spring & Summer 2020 Rowohlt Rowohlt Hundert Augen Rowohlt.Berlin Kindler Wunderlich rororo Rowohlt Polaris rotfuchs Our Spring & Summer highlights THE 6 MINUTE SUCCESS HOMECOMING JOURNAL THE INSECT COLLECTOR THE TIME TRAVELLER’S WOMAN ON FIRE HANDBOOK Wolfgang Büscher HOMECOMING © Frank Zauritz In the middle of the woods, in the middle of Germany: Wolfgang Büscher‘s fascinating journey into its very core. Night after night, a boy stands at the window of his parents’ house and watches the sun as it disappears from view behind the rolling hills in the west. He roams through the woods with his friends, building wooden shacks which the foresters destroy. It’s the early sixties. Decades later, Wolfgang Büscher makes his childhood dream come true. He moves to the woods and experiences spring, summer and autumn there. An aristocratic family with a house on the border of Hessen and Westphalia where Büscher grew up gives him access to a hunting lodge in the middle of the woods, in the middle of Germany. This is where he puts up his camp bed. He has no electricity or running water. He prepares himself for quiet times alone, chopping wood and making fires, the odd hunting expedition, hiking, a marksmen’s festival, extreme loneliness and a nightly blackness never seen in the city. The year takes an unexpectedly dramatic turn as storms, heat and plagues of beetles kill half of the woods. And something else happens which turns everything on its head: Büscher’s mother dies that summer, meaning the house he grew up in is left empty, but full of memories. -
The Importance of Osthandel: West German-Soviet Trade and the End of the Cold War, 1969-1991
The Importance of Osthandel: West German-Soviet Trade and the End of the Cold War, 1969-1991 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University By Charles William Carter, M.A. Graduate Program in History The Ohio State University 2012 Dissertation Committee: Professor Carole Fink, Advisor Professor Mansel Blackford Professor Peter Hahn Copyright by Charles William Carter 2012 Abstract Although the 1970s was the era of U.S.-Soviet détente, the decade also saw West Germany implement its own form of détente: Ostpolitik. Trade with the Soviet Union (Osthandel) was a major feature of Ostpolitik. Osthandel, whose main feature was the development of the Soviet energy-export infrastructure, was part of a broader West German effort aimed at promoting intimate interaction with the Soviets in order to reduce tension and resolve outstanding Cold War issues. Thanks to Osthandel, West Germany became the USSR’s most important capitalist trading partner, and several oil and natural gas pipelines came into existence because of the work of such firms as Mannesmann and Thyssen. At the same time, Moscow’s growing emphasis on developing energy for exports was not a prudent move. A lack of economic diversification resulted, a development that helped devastate the USSR’s economy after the oil price collapse of 1986 and, in the process, destabilize the communist bloc. Against this backdrop, the goals of some West German Ostpolitik advocates—especially German reunification and a peaceful resolution to the Cold War—occurred. ii Dedication Dedicated to my father, Charles William Carter iii Acknowledgements This project has been several years in the making, and many individuals have contributed to its completion. -
Die Rowohlt-Affäre DIE ZEIT/Feuilleton, Nr.39, 26.September 1969, S.16
DIE ZEIT/Feuilleton, Nr.39, 26.September 1969, S.16-17 Titel: «Frißt die Revolution ihre Verleger? — Unter- und Hintergründe einer Affäre im Hause Rowohlt» © 1969 DIE ZEIT und Dieter E. Zimmer Die Affäre Rowohlt Von Dieter E. Zimmer Die «Affäre Suhrkamp» vor bald einem Jahr war im Vergleich eine klare Sache: Ein selbstbewußtes und selbständiges Lektorat verlangte vom Ver- lagsleiter Mitbestimmung; da ihm diese nur in Grenzen gewährt wurde, zogen einige die Konsequenz und gingen. Der Rest waren ideologisierte Animositäten. Die «Affäre Rowohlt», die sich in den letzten Wochen in einer absurd anmutenden, aber dennoch zwangsläufigen Eskalation hochgespielt hat, ist ungleich verwickelter — stellenweise ist sie ein Thriller mit Hintertrep- penelementen, wie ihn Rowohlt nie verlegt hätte. Bei aller Unvergleichlichkeit haben beide Affären – wie andere, weniger spektakuläre auch – so etwas wie einen gemeinsamen Grund. Er besteht in der Aporie: daß revolutionär-sozialistische Literatur von kapitalisti- schen Firmen verbreitet wird; daß sich revolutionäre Autoren der Publi- zitätsmöglichkeiten von Unternehmen bedienen müssen, die sie bekämp- fen; daß Unternehmer Ideen verbreiten, die auf ihre eigene Abschaffung zielen. Man bewegt sich da in dem vagen Terrain zwischen Koopera- tionswilligkeit und; Feindschaft. Es herrscht eine Gereiztheit, in der jede Kleinigkeit eine Detonation auslösen kann. Darum auch ist die «Affäre Rowohlt» kennens- und verstehenswert: nicht nur, weil sie, wie auch immer, an die Substanz eines unserer wich- tigsten Verlagshäuser geht, sondern weil sie ein weiteres Paradigma dar- stellt für die Beziehungen zwischen «Revolution», und «Establishment»; weil sie die Problematik des «Liberalismus» heute in aller Kraßheit vor Augen stellt. Zu verstehen ist das, was im Reinbeker Rowohlt Verlag geschah, nur aus einer detaillierten Chronologie der Vorfälle. -
„Mich Muss Keiner
Unternehmen Holtzbrinck „Mich muss keiner Verlagsgruppe Holtzbrinck: Dafür, dass der Stuttgarter Medienriese nichts so sehr hasst wie Aufsehen, hat er in jüngster Zeit ziemlich viel Radau veranstaltet. Jetzt geht man wieder in sich. as Nichtganzdichte tritt zu- Eine Ausnahme bildete lange Zeit mal im Medienwesen in viel- nur die Verlagsgruppe Georg von Dfältige Erscheinung, beson- Holtzbrinck: Von den Ekstasen des ders in jüngster, wirtschaftlich rauer Wohls und Wehs drang wenig hinauf Zeit. Zum Großteil liegt dies daran, ins schön spießige, zurzeit herbstlich dass Neugier und Nachrede – jene schwer belaubte Wohnquartier Stutt- Spezialkräfte, die der Journalismus gart-Gänsheide, wo der drittgrößte so braucht wie das Kreischen der Re- Medienkonzern der Republik seine klame – leicht in Wichtigkeitskaspe- Zentrale hat in einem Gebäude, das rei und Weltfremdheit umschlagen. aussieht wie eine Frauenklinik von Viele der verrücktesten deutschen 1974 und wo die Stille so schwer las- Manager, darf man sagen, allerdings tet, dass selbst das Summen des auch einige der fabelhaftesten und Stroms in den Leitungen den Lärm wohl auch miserabelsten, gehen mor- der Welt noch übertönt. gens in Sende- und Verlagshäusern ein Auf dieser Insel liberaler Bieder- und abends wieder aus. Durchschnitt männerei schätzt man mehr noch ist selten. Man glaubt es ja nicht. als alles Marketing die Schriften Max Besonders scharf zutage treten die Webers, der den Geist des Kapita- Extreme, wenn die Geschäfte sehr lismus in „innerweltlicher Askese“ gut (wie bis 2000) oder sehr schlecht wirken sah, weil er nichts halte von (wie seit 2000) laufen: Keine andere Vergnügungs- und Verschwendungs- Branche lebte so lange so bravourös sucht, ja nicht einmal vom Vergnügen Ein Mann in seiner Zentrale: über ihre Verhältnisse, hat so vie- und vom Verschwenden allein. -
Nora Roberts
ST. MARTIN’S PRESS ACQUIRES #1 NEW YORK TIMES BESTSELLING AUTHOR NORA ROBERTS New York, NY, March 10, 2016 — #1 New York Times international bestselling author Nora Roberts has signed a six-book deal with St. Martin’s Press. Brokered by Amy Berkower, Chairman of Writers House, the deal places North American rights to one stand-alone novel, one trilogy, and two J.D. Robb books with Jennifer Enderlin, Senior Vice President and Publisher, and Sally Richardson, President and Publisher of St. Martin’s Press. “I’ve been reading Nora Roberts’s novels since getting hooked on Public Secrets twenty years ago, and I always race to get her books the minute they go on sale,” says Jennifer Enderlin. “I’ve known Nora since 1992, when I attended a writers’ retreat in Harpers Ferry, West Virginia, and we stayed up until the wee hours with dozens of book-loving women. It’s such a privilege and a dream come true to work with an author who means so much to me both personally and professionally.” Nora Roberts, whom The New Yorker has called “America’s most popular novelist,” is the global bestselling author of more than 217 novels, including the "In Death" series, written under the pseudonym J.D. Robb. More than 500 million copies of her novels are in print today, and since her first bestseller in 1991, Nora’s books have spent a total of 1,052 weeks on the New York Times bestseller list—that’s equivalent to 20 consecutive years of weekly bestsellers. Her books have also spent a combined 202 weeks at the number one spot on the Times list, and have won numerous awards. -
Modernism, Fiction and Mathematics
MODERNISM, FICTION AND MATHEMATICS JOHANN A. MAKOWSKY July 15, 2019 Review of: Nina Engelhardt, Modernism, Fiction and Mathematics, Edinburgh Critical Studies in Modernist Culture, Edinburgh University Press, Published June 2018 (Hardback), November 2019 (Paperback) ISBN Paperback: 9781474454841, Hardback: 9781474416238 1. The Book Under Review Nina Engelhardt's book is a study of four novels by three authors, Hermann Broch's trilogy The Sleepwalkers [2, 3], Robert Musil's The Man without Qualities [21, 23, 24], and Thomas Pynchon's Gravity's Rainbow and Against the Day [27, 28]. Her choice of authors and their novels is motivated by the impact the mathe- matics of the interwar period had on their writing fiction. It is customary in the humanities to describe the cultural ambiance of the interwar period between World War I and World War II as modernism. Hence the title of Engelhardt's book: Mod- ernism, Mathematics and Fiction. Broch and Musil are indeed modernist authors par excellence. Pynchon is a contemporary American author, usually classified by the literary experts as postmodern. arXiv:1907.05787v1 [math.HO] 12 Jul 2019 Hermann Broch in 1909 Robert Musil in 1900 1 2 JOHANN A. MAKOWSKY Thomas Pynchon ca. 1957 Works produced by employees of the United States federal government in the scope of their employment are public domain by statute. Engelhard's book is interesting for the literary minded mathematician for two reasons: First of all it draws attention to three authors who spent a lot of time and thoughts in studying the mathematics of the interwar period and used this experience in the shaping of their respective novels. -
Longlist Wettbewerb „Die Schönsten Deutschen Bücher 2014“
Longlist Wettbewerb „Die schönsten deutschen Bücher 2014“ Die erste Jury hatte insgesamt 803 Büchern zur Durchsicht vorliegen. Sie hat in allen 5 Sachgruppen zusammen 285 Bücher an die Zweite Jury weitergereicht. Gruppe 1: Allgemeine Literatur Henriette Herz Henriette Herz Die Andere Bibliothek, Berlin Robert James Fletcher Inseln der Illusion Die Andere Bibliothek, Berlin Albert Londres Ein Reporter und nichts als das Die Andere Bibliothek, Berlin James Agee, Walker Evans Preisen will ich die großen Männer Die Andere Bibliothek, Berlin Kati Marton Volksfeinde Die Andere Bibliothek, Berlin Johann Kasper Riesbeck Briefe eines reisenden Franzosen Die Andere Bibliothek, Berlin Macedonio Fernández Das Museum von Eternas Roman Die Andere Bibliothek, Berlin Grigori Kanowitsch Ewiger Sabbath Die Andere Bibliothek, Berlin Ilja Ilf, Jewgeni Petrow Das goldene Kalb Die Andere Bibliothek, Berlin Christian Döring (Hrsg.) Die Kometen (Reihe) Verschiedene Titel Die Andere Bibliothek, Berlin Henning Wagenbreth Plastic Dog Walde & Graf bei Metrolit, Berlin Berend Goos Ein Leben in Hamburg Junius Verlag, Hamburg Kurt Tucholsky Der Hund als Untergebener Officina Ludi, Großhansdorf Beate Berger Tante Karos Gefühl für Stil Berlin Verlag, Berlin / Piper Verlag Ana Nobre de Gusmao Die Gefangene von Emily Dickinson Weidle Verlag, Bonn Carl Nixon Settlers Creek Weidle Verlag, Bonn Sibylle Lewitscharoff Pong redivivus Insel Verlag, Berlin Ingrid Lausund u.a. Hysterikon u.a. Suhrkamp Verlag, Berlin Oswald Egger Euer Lenz Suhrkamp Verlag, Berlin Arno Schmidt „Und -
Das Programm 2018 / 19
19 / Das Programm 2018 2018 / 19 ROWOHLT THEATER VERLAG Das Programm 2018 / 19 Inhaltsverzeichnis Romane / Filme Daniel Kehlmann, Tyll S. 71 Peter Jordan, Schwejk S. 78 Stücke Julia von Lucadou, Die Hochhausspringerin S. 70 Peter Jordan, Störtebeker S. 79 Jochen Missfeldt, Steilküste S. 69 Peter Raffalt / Jonson, Volpone S. 76 Tug˘sal Mog˘ul / Christiane Hagedorn, Der kleine Spatz Maya Arad Yasur, Amsterdam S. 36 Annette Ramelsberger u. a., Der NSU-Prozess S. 69 Charlotte Roos / Lorca, In den Straßen keine Blumen S. 75 vom Bosporus S. 61 Thomas Arzt, Die Österreicherinnen S. 28 Wolfgang Schorlau, Das München-Komplott S. 68 Raoul Schrott / Euripides, Orestie S. 81 Tina Müller, Children of Tomorrow S. 42 Annie Baker, The Aliens S. 10 Wolfgang Schorlau, Rebellen S. 68 Ulrike Syha / Ibsen, Nora, Hedda und ihre Schwestern S. 74 Laura Naumann, Mit freundlichen Grüßen eure Pandora S. 22 Iva Brdar, Daumenregeln S. 46 Robert Seethaler, Das Feld S. 67 Koen Tachelet / Roth, Radetzkymarsch S. 73 Moritz Rinke, Westend S. 6 Mustafa Can, Die Farbe des Morgens an der Front S. 20 Heinz Strunk, Der goldene Handschuh S. 72 J.T. Rogers, Oslo S. 8 Caryl Churchill S. 58 Eva Trobisch, Alles ist gut S. 64 Frédéric Sonntag, B. Traven S. 48 Martin Crimp, Schlafende Männer S. 34 Juli Zeh, Leere Herzen S. 66 Kinder- und Jugendtheater Simon Stephens, Maria S. 12 Michel Decar, Nachts im Ozean S. 18 Kate Tempest, Hopelessly Devoted S. 40 John von Düffel, Die schönsten Neurosen unserer Lisa Danulat, Kinder von Nothingtown S. 88 Robert Alberdingk Thijm, Kalkutta, Karneval S. -
Ryan Doherty to Join Celadon Books As Executive Editor
For immediate release… Ryan Doherty to Join Celadon Books as Executive Editor Ryan Doherty will be joining Celadon Books, Macmillan's new trade book division, on September 12, 2017. Doherty has been a vice president of literary development at Sony Pictures Entertainment where he worked on a wide range of book to film and television projects, among them The New York Times bestselling sci-fi thriller Dark Matter by Blake Crouch, The New York Times bestseller The Nightingale by Kristin Hannah, the Pulitzer Prize-winning account of the Attica Prison uprising Blood in the Water by Heather Ann Thompson, and The New York Times bestselling military memoir Red Platoon by Clinton Romesha. Prior to Sony, Ryan was a senior editor at Ballantine Books, where he edited the Pulitzer Prize-winning Tom’s River: A Story of Science and Salvation by Dan Fagin, Jim Henson: The Biography by Brian Jay Jones, and The New York Times #1 bestselling graphic novel Seconds by Bryan Lee O’Malley, among others. Announcing Doherty's new position, Jamie Raab and Deb Futter, co-publishers of Celadon Books, commented, "Ryan's ability to identify high quality works of fiction and nonfiction that have strong commercial potential and his deep knowledge of the overall literary market are perfectly aligned with the mission of Celadon Books. We are thrilled he will be on our editorial team from day one." In explaining his decision to return to book publishing, Doherty said, “I loved my time at Sony and gained enormous perspective while working on the film and television side of the business. -
Literaturmagazin (Rowohlt): an Index Adam Siegel
Literaturmagazin (Rowohlt): An Index Adam Siegel Copyright © 2017 by Adam Siegel Literaturmagazin (Rowohlt) Index / 1 Introduction Am Anfang das Manifesto, a stance that the most conflicted and complex publishing house in West Germany could take without risk of irony: "Für eine neue Literatur - gegen den spätbürgerlichen Literaturbetrieb." Rowohlt Verlag, pioneer of the German paperback, the Manny Farber termite of West German publishing (Suhrkamp, of course, the white elephant). Literaturbetrieb -- typical German summation. Previously, the German Literaturbetrieb had been dominated by Gruppe 47. After the suspension of Gruppe 47, after 1968, the field lay open. Rowohlt's commitment to "die neue Literatur," both in the Literaturmagazin and the companion series Das neue Buch can be read in retrospect as a cultural history of West Germany during the seventies (which we might demarcate as having taken place between the 1972 Munich Olympics and the fall of Helmut Schmidt's government). The Seventies: “Atmosphäre muss gereinigt werden von allen (rechten und linken) Spielarten des Obskurantismus und Opportunismus, von dem Pfaffentum, das heute die marxistische Lehre verwaltet, ebenso wie von der bürgerlichen Feuilletonmafia.”1 Of course Rowohlt continued to publish Literaturmagazin until 2001. As the eighties progressed, the contents remained engagé, but more international. Which is to say, less German. Verlagsprogramme als Geschichte. Let the index serve as narrative. 1 Rundbrief zum Projekt "Literaturmagazin", mit Randbemerkungen von Peter O. Chotjewitz. Literaturmagazin 1, 1973, 226-228 [page 227]. Time has rendered its verdict. Literaturmagazin (Rowohlt) Index / 2 Literaturmagazin 1, 1973: Für eine neue Literatur - gegen den spätbürgerlichen Literaturbetrieb 1. Theorie und Kritik. 9 Lange, Hartmut.