POP ART DESIGN Organized by the Vitra Design Museum January 7 - April 2, 2017 POP ART DESIGN
• Pop Art emerged in the post-war era, circa the fifties in the U.K. and the sixties in the U.S. • As an artistic movement, it is characterized by its appeals to vernacular, often “low-brow” visual language. • Focuses on products of mass media, mass production, and consumer culture as fixtures/undercurrents of contemporary daily living. • This exhibition focuses on the dialogue between fine art and design within the pop art movement.
Pop Art Design is organized by Vitra Design Museum in collaboration with the Louisiana Museum of Modern Art (Denmark) and the Moderna Museet in Stockholm.
Support for the exhibition is provided by Pamela Schmider. POP ART DESIGN
• In explaining his inspiration for the show, Curator Mathias Schawrtz-Clauss of the Vitra Design Museum in Germany noted the links between many pieces held by the design museum’s collection and the “Pop Art phenomenon.” • Rounding out the visibility of Pop Art’s influence on design for this exhibition, the Louisiana Museum of Modern Art (Denmark) and the Moderna Museet (Sweden), both early, important exhibitors of pop artists since the early sixties, were able to add to the concept from the wealth of their collections and their historical links to the movement. OCMA has built upon that impulse.
Pop Art Design is organized by Vitra Design Museum in collaboration with the Louisiana Museum of Modern Art (Denmark) and the Moderna Museet in Stockholm.
Support for the exhibition is provided by Pamela Schmider. POP ART DESIGN
“Pop Art is not simply presented as a phenomenon of the times... Instead the exhibition highlights the dialectic character of Pop Art, traces the migrations of images and motifs between the disciplines, sheds light on questions of media theory, and explores the boundaries between picture and appliance, between image and art.”
Mateo Kries, Director, Vitra Design Museum POP ART DESIGN catalogue REALITY AS COLLAGE
Achille Castiglioni, Pier Giacomo Castiglioni (Italian, 1918-2002, 1913-1968) No. 200 / Sella, 1957/1983 Zanotta SpA, Nova Milanese, MI, Italy Stool Chrome-plated and lacquered steel, lacquered cast iron, leather, copper 88 x 27.5 x 27.5 cm Alexander von Vegesack, Lessac THINKING AUTOMATONS
Charles Eames, Ray Eames (American, 1907-1978, 1912- Anonymous 1988) High Wheel Robot, 1965 A Communications Primer, 1953 Toy Robot 16-mm film, digitized 22 min 30 sec, color Tin, plastic Yoshiya, Japan Courtesy Eames Office 25.5 x 11 x 10 cm Fifo Sticker Andy Warhol Mao, 1972 Serigraph, edition 91 of 250 36 x 36 inches, each (set of 10) OCMA Collection; Gift of Ulrike Kantor QUOTING BRANDS
Simon International Omaggio ad Andy Warhol, 1973 Gavina SpA, Bologna (BO), Italy Stool Paint drum with silkscreen, fabric upholstery 45 x 31 x 31 Vitra Design Museum FROM FOLK ART TO POP
Alexander Girard (American, 1907-1993) Saul Steinberg (Romanian, 1914-1999) To Susan and Sansi from Sandro, 1960–70 Eames Chair, 1950 Wood, sugar cubes, printed paper, gold foil Ink on paper 67.5 x 69.5 cm 44 x 37 x 3 cm Vitra Design Museum Vitra Design Museum PRODUCTS IN MUSEUMS
Ben Birillo, Paul Bianchini (American, b. 1928, 1928-2000) The American Supermarket, 1964 Gene Moore (American, 1910-1998) Project organized by Bianchini Gallery, New Untitled, 1956 York Shop window with a painting by by Robert Backlit Transparency Rauschenberg, Bonwit Teller department store, 43.4 x 60.4 x 11 cm New York © Henri Dauman/Daumanpictures.com, All Rights Reserved 43.4 x 31.4 x 11 cm © VG Bild-Kunst, Bonn 2012 DISSOLUTION OF IMAGES
George Nelson Associates, Inc. (Irving Harper) (American, 1916-2015) Marshmallow, 1956 Eames Office (Charles Kratka) (American Sofa Lacquered steel tubing, vinyl cushions, aluminium 1922-2007) Herman Miller Furniture Company, Zeeland, MI, USA Untitled, ca. 1950 79 x 131.5 x 80 cm Full-page advertisement, “D_M” chair by Charles and Vitra Design Museum Ray Eames for Herman Miller Reproduction Courtesy Eames Office FROM FONT TO IMAGE
Ed Ruscha (American, b. 1937) Honk, 1964 Powdered graphite on paper 53.34 x 73.66 x 3.81 cm Ed Ruscha Courtesy/Collection of Donald B. Marron, New York Annie, 1965 Oil on canvas 22-3/8 x 20-3/8 inches (f) Museum purchase with additional funds provided by the National Endowment for the Arts, a federal agency 1978.011 SHOP WINDOWS AND TROMP L’OEIL
Verner Panton (Danish, 1926-1998) Heart-Shaped Cone Chair / K3, 1959 Valerio Adami (Italian, b. 1935) Swivel chair Plein Air NY, 1968 Steel sheet, foam rubber, fabric cover Gebrüder Nehl, Germany Reproduction 89 x 103.2 x 70.6 cm 243.5 x 493.5 cm Vitra Design Museum © VG Bild-Kunst, Bonn 2015 Installation view of the exhibition at MCA, Chicago OBJECT AND SURFACE
Superstudio Vija Celmins No. L 09 / Passiflora, 1966 Eraser, 1967 Floor or wall lamp acrylic on balsa wood Methacrylate 6-5/8 x 20 x 3-1/8 inches Poltronova Srl, Agliana, PT, Italy OCMA Collection; Gift of Avco Financial Services, Newport Beach, California 27 x 30 x 38 cm 1979.005 Vitra Design Museum EVERYDAY LIFE MADE PUBLIC
Robert Venturi and Denise Scott Brown (American, b. 1925, 1931) Las Vegas Study, 1968-1971 Photographs taken within the framework of the “Las Vegas Study” 31.4 x 41.4 x 11 cm Backlit Transparency Courtesy Museum im Bellpark Kriens from the ‘Las Vegas Studio’ project © Venturi, Scott Brown and Associates, Inc., Philadelphia ARTIFICIAL WORLDS
Walter Pichler (Austrian, 1937-2012) TV-Helm (Tragbares Wohnzimmer), 1967 Eero Aarnio (Finnish, b.1932) White lacquered polyester, integrated monitor with TV connection Pastilli, 1967 28 x 18.6 x 1.2 cm Armchair Glass-reinforced polyester Asko, Lahti, Finland Reproduction 53.5 x 90 x 90 cm © Generali Foundation, photo: Werner Kaligofsky 1998 Vitra Design Museum Walter Pichler, WP/S 6702 DRUGS AND CONSUMPTION
Studio DA (Cesare Casati, Emanuele Ponzio) Herbert Hirche (German, 1910- Pillola, 1968 2002) Floor lamps, plastic, lead Ponteur, Bergamo, BG, Italy HF 1, 1958 55 x 13 x 13 cm TV receiver Vitra Design Museum Braun oHG, Frankfurt/Main, Germany (6 lights) 92.6 x 54.2 x 45.8 cm Vitra Design Museum EVERYDAY HEROES
Studio 65 (Founded by Franco Audrito, Italian, b. 1942, and Piero Gatti, Italian, b. 1940) Leonardo, 1969 Seating combination (prototype) Polyurethane foam, Guflac Gufram – Barolo (CN), Italy 23.8 x 104.7 x 78 inches Vitra Design Museum LIVING OUTDOORS
Gruppo Strum (G. Ceretti, P. Derossi, R. Rosso) Pratone, 1966 Sculptural lounge chair Polyurethane foam,\ Guflac 37.4 x 55.1 x 55.1 inches Gufram – Barolo (CN), Italy Vitra Design Museum REPRODUCTION AND MAKE-UP
Girard, Alexander H. No. 626, Quatrefoil, 1972 No. 629, Quatrefoil, 1972 No. 627, Quatrefoil, 1972 No. 626, Quatrefoil, 1972 fabric sample Cotton 60 x 60 x 0.5 cm each Vitra Design Museum THE FEMALE FETISH
Studio 65 (Founded by Franco Audrito, Italian, b. 1942, and Piero Gatti, Italian, b. 1940) Bocca, 1970 Sofa Polyurethane foam, Guflex fabric Gufram – Barolo (CN), Italy 85 x 209 x 81 cm Vitra Design Museum THE MONUMENTAL TORSO
Gaetano Pesce (Italian, b.1939) UP 7 / Il Piede, 1969 Sculptural seat Polyurethane foam 83 x 67 x 162 cm Volker Albus POST MODERN CLICHES
Studio 65 (Founded by Franco Audrito, Italian, b. 1942, and Piero Gatti, Italian, b. 1940) Capitello, 1971 Armchair Polyurethane foam, Guflac Gufram Barolo (CN), Italy 78 x 110 x 120 cm Vitra Design Museum THE ART OF GRAPHICS
Andy Warhol (American, 1928-1987) The Velvet Underground & Nico,1967 Milton Glaser (American, b. 1929) Album cover The Velvet Undergound, “The Velvet Underground & Dylan, 1966 Nico” Poster insert, Bob Dylan,”Bob Dylan’s Greatest Hits“ Offset print Offset print Verve Records 83.3 x 56 cm 40 x 40 x 3 cm Columbia Records Vitra Design Museum Gerrit Terstiege LIVING WITH POP
Ulrich Mack The apartment of Gunter Sachs in St. Moritz, 1970 (both images) Photo reproduction on aluminium support 40.9 x 61.5 x 1.2 cm Vitra Design Museum Pop Art Design Museum of Contemporary Art, Chicago (December 2015-March 2016)
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Information to podiums, shelfs and socles
- all podiums have the same height, we suggest 8 cm
- to keep the construction simple, we suggest to take a wooden board of 3cm thickness and lift it by an invisible construction below by 5 cm. It should look like the board is floating, you see nothing underneath, only a shadow gap
- All podiums except the podium for the group "Female Fetish" are painted in the floor color. Please check in the museum and try to come as close as possible to the grey you have on the floors
- The podium for the group "Female Fetish" ist painted in white, glossy
- If the budget allows, we would suggest to close the sides of the podium also with wood in the same color instead of leaving the board "floating".
- leave a 3cm gap to the wall for all podiums
- Shelves: all shelves which go on the wall are painted in white, wall color
Gärtnerstrasse 50 4057 Basel - Switzerland
project POPTOUR at OCMA object
wall text drawn 28.10.2016 white glossy PVC / varnish modified 00 on floor and platforms Final Plans white dispersion paint as on status walls for all shelves content Floor Plan Platforms painted in same grey tone and surface scale 1:50/A0 treatment as floor tech. drawing Cornelia Vinzens electricity supply needed The dimensions of the building needs to be display, projection - visible checked on site by the ownership. Any deviation must be reported. The Vitra Design light box Museum/groenlandbasel don't bear any responsibility for incorrect measurements. TV screen on wall