DOCSLIB.ORG

Academy of the Arts Achievement Awards

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Academy of the Arts Achievement Awards ACADEMY OF THE ARTS ACHIEVEMENT AWARDS GUILD HALL HONORING Alice Aycock • Carter Burwell Bob Colacello • Patti Askwith Kenner RAINBOW ROOM//NEW YORK, NY ROOM//NEW YORK, RAINBOW MARCH 11, 2019 MARCH 11, Many thanks to Linda Capello and Pietro Cicognani for continuing the Sunday life class at Billy’s studio! KATHARINE RAYNER Congratulations to all of tonight’s honorees: Alice Aycock Carter Burwell Bob Colacello Patti Askwith Kenner And thank you to Guild Hall for continuing to be the leading arts, entertainment and education center in the Hamptons. THE MERINGOFF FAMILY FOUNDATION 2019 ACADEMY OF THE ARTS AWARDS MENU Monday, March 11 2019, Rainbow Room PASSED CANAPÉS FIRST COURSE Celery Root Tart Crispy Brussel Sprouts, Roasted Chestnuts, and Mizuna Salad MAIN COURSE Roasted Breast of Long Island Duck Sweet Turnip Fondant, Lavender, Orange Braised Endive, and Spiced Duck Jus Wild Mushroom Risotto Young Leeks, Sunchokes, and Truffles DESSERT Baked Alaska Vanilla Bean and Pistachio Ice Cream with Raspberry Sorbert, Dark Chocolate, Vanilla Sponge Cake, and Toasted Meringue AN ADVENTURE IN WELLNESS GUILD HALL ACADEMY OF THE ARTS ACHIEVEMENT AWARDS THE RAINBOW ROOM Monday, March 11, 2019 Celebrating Artistic Excellence COCKTAILS WELCOME Eric Fischl // President, Academy of the Arts, Evening Host Marty Cohen // Chair, Board of Trustees Andrea Grover // Executive Director Adam Green // Emcee DINNER HONORING Patti Askwith Kenner // Special Award for Leadership and Philanthropy presented by Tovah Feldshuh Alice Aycock // Visual Arts presented by Adam Weinberg Bob Colacello // Literary Arts presented by Linda Yablonsky Live Performance of a Carter Burwell composition performed by Yo La Tengo. Carter Burwell // Performing Arts presented by Ethan Coen MEDIA SPONSOR EVENT SPONSORS HOLLANDER designFor advertising LANDSCAPE information, ARCHITECTS please contact [email protected] applauds GUILD HALL for its continued leadership in the arts hollanderdesign.com 212-473-0620 New York Chicago Sag Harbor Congratulations to all the honorees On receiving the 2019 Lifetime Achievement Award Alice Aycock Carter Burwell Bob Colacello Patti Askwith Kenner We salute Guild Hall for being such an extraordinary cultural institution for the East End. PAM AND ED PANTZER Guild Hall rocks!!! Thanks to all who make it work... Hearty congratulations to our wonderful, well deserving 2019 honorees! SUSAN AND MORRIS MARK Congratulations Guild Hall for its continued success. We salute the Academy of the Arts Achievement Award recipients Alice Aycock Carter Burwell Bob Colacello Patti Askwith Kenner And thank the many supporters who helped make this evening a success. CHERYL AND MICHAEL MINIKES ERIC FISCHL ERIC Good evening! As President of Guild Hall’s Academy of the Arts, I’m honored to welcome you to our Lifetime Achievement Awards Dinner. We offer our lucky attendees a night of food, stellar company, penetrating addresses from leaders in the arts, and very special music as we celebrate the careers of serious contributors to the art world. Each was selected by the Academy membership, a society of accomplished art professionals capped at 200 living members who live at least part of the year in the vibrant art community of the East End. Tonight we very proudly honor Alice Aycock for Visual Arts, Carter Burwell for Performing Arts, and Bob Colacello for Literary Arts. How pleased we are that Patti Kenner will accept a Special Award for Leadership and Philanthropy. Tonight we thank them for inspiring us by sharing their visionary work. With live music provided by Tovah Feldshuh and Yo La Tengo, we expect you’ll enjoy an up-tempo time. You will hear presentations of awards from such international luminaries as Ethan Coen, Adam Weinberg, and Linda Yablonsky, with Adam Green acting as Master of Ceremonies and Andrea Grover helping us award our honorees. Let’s all thank them for weaving a magical evening. And many thanks to each of you for attending! FROM THE PRESIDENT AND HOST OF THE EVENING// THE OF HOST AND PRESIDENT THE FROM ERIC FISCHL President, Academy of the Arts Thank You Alice Aycock Carter Burwell Bob Colacello Patti Askwith Kenner For Your Dedication And Great Contributions To The Arts MARTY AND MICHELE COHEN Dear Guests, We believe in artists. This evening is a tribute to that basic tenet of Guild Hall. Artists lead us. Artists feed our minds and spirits. When Guild Hall was founded in 1931, it was the first multidisciplinary center in the country, combining a museum, theater, and education program. Artists quickly flocked to Guild Hall and saw it as a platform for creative expression. At one time, Edward Albee was co-director of the John Drew Theater, Alfonso Ossorio organized the Members Exhibition, and Jackson Pollock and Lee Krasner hung their work in it. Guild Hall has always been loved by artists. Tonight, we honor the creative visionaries of this moment. Carter Burwell, whose music carries the narrative of dozens of motion pictures; Alice Aycock, who fearlessly pioneered monumental sculpture at the intersection of art and science; Bob Colacello, whose words chronicle the remarkable individuals of our time; and Patti Kenner, a tireless advocate for advancement, who created a fellowship for arts educators at Guild Hall. And we also honor you, our supporters, who are helping build the Guild Hall of the future. Enjoy the evening! With appreciation, ANDREA GROVER MARTY COHEN Executive Director Chairman Congratulations to all of tonight’s honorees, and my dear friend Alice Aycock for her Achievement in Visual Arts. JOYCE MENSCHEL Photo: Gus Sarino Photo: ALICE AYCOCK, Toronto Twister, 2017 Pier 27, Toronto, Canada Aluminum powder coated white 25 feet tall at highest point ALICE AYCOCK ALICE PHOTO: KRISTINE LARSEN KRISTINE PHOTO: Alice Aycock has lived in New York City since 1968. Aycock received a B.A. from Douglass College and an M.A. from Hunter College. Her works can be found in numerous collections including the Museum of Modern Art, the Whitney Museum, the Brooklyn Museum, the Louis Vuitton Foundation, the LA County Museum, the National Gallery of Art, the Sheldon Museum of Art, Storm King Art Center, Omi International Arts Center, and the Sprengel Museum in Hanover, Germany. A traveling retrospective was organized by the Wurttembergischer Kunstverein in Stuttgart (1983) and a retrospective was held at Storm King (1990). In 1997, the artist’s one person exhibition Alice Aycock: Waltzing Matilda was mounted at Guild Hall. In 2013, a retrospective of her drawings and small sculptures was exhibited at the Parrish Art Museum in Water Mill, New York coinciding with the Grey Art Gallery in New York City. HONOREE FORHONOREE ARTS// VISUAL Aycock’s public sculptures can be found in many major cities in the U.S., including East River Park Pavilion at 60th Street in New York City (1995/2014); San Francisco Public Library (1996); JFK International Airport, NY (1998/2013); GSA Building, Baltimore, MD (2004); Nashville, TN (2008); and Washington Dulles International Airport (2012). In 2014, a series of seven sculptures were installed in New York City, entitled Park Avenue Paper Chase, in collaboration with Galerie Thomas Schulte, Berlin. In 2016, she completed a large-scale outdoor public artwork in Coral Gables, FL, and an entrance sculpture for the new MGM National Harbor, MD. She installed a sculpture for the lobby of 50 West, New York, NY in July 2017. A permanent large-scale installation was inaugurated at Pier 27 on the Toronto waterfront in the fall of 2017. Currently she is represented by Marlborough Gallery, New York and Galerie Thomas Schulte, Berlin. She had her first solo exhibition of new sculptures with Marlborough in the fall of 2017. CARTER BURWELL CARTER Carter Burwell has composed the music for a number of feature films, including Blood Simple, Raising Arizona, Miller’s Crossing, Barton Fink, Rob Roy, Fargo, The Spanish Prisoner, Gods and Monsters, Velvet Goldmine, Being John Malkovich, Before Night Falls, Adaptation, In Bruges, Twilight, True Grit, Anomalisa, Carol, Wonderstruck, and Three Billboards Outside Ebbing, Missouri. His theater work includes the chamber opera The Celestial Alphabet Event and the Mabou Mines productions Mother and Lucia’s Chapters of Coming Forth by Day. In 2005 he developed a concert work for text and music titled Theater of the New Ear, presented in New York, London, and Los Angeles. The text, by Joel and Ethan Coen and Charlie Kaufman, was performed by a dozen actors including Meryl Streep, Steve Buscemi, Philip Seymour Hoffman, Hope Davis, Peter Dinklage, and Jennifer Jason Leigh. The music was performed by the Parabola Ensemble, conducted by Burwell. HONOREE FORHONOREE PERFORMING ARTS// His dance compositions include the pieces The Return of Lot’s Wife, choreographed by Sara Pearson and Patrik Widrig, and RABL, choreographed by Patrice Regnier. He has performed around the world with his own ensembles as well as others, such as The Harmonic Choir. His writing includes the essay Music at Six: Scoring the News Then and Now, published in the inaugural issue of Esopus magazine in 2003 and reprinted in Harper’s Magazine, and the essay No Country For Old Music in the 2013 Oxford Handbook of New Audiovisual Aesthetics. While completing his B.A. at Harvard College he pursued independent study at the MIT Media Lab. After graduation, he was a senior computer scientist at Cold Spring Harbor Lab and the New York Institute of Technology. He has taught and lectured at The Sundance Institute, New York University, Columbia University, and Harvard University. ! The Board of Directors and Staff of Foundation for Art and Preservation in Embassies congratulates our beloved Board Member BOB COLACELLO on tonight’s award and thanks him for his extraordinary commitment to the arts The Foundation for Art and Preservation in Embassies (FAPE) is a public-private partnership with the U.S. Department of State dedicated to providing permanent works of American art for U.S.
Load more

Recommended publications
  • Mommie Dearest
    lopsided shape of the picture. It's so bulky Film and ravenous that it may have elbowed charcters out of the script and shouldered a dozen scenes out of the final cut. It's the kind of performance to which an actress's Mommie ego is obviously committed, where she puts everything she has on the line and dares the critics to hate her. The least you can say of Dearest Dunaway is that she totally inhabits the character. Her eyes appear unfocused and psychotic even in the rare moments when the character is in repose. As for "doing" Crawford, I found her expressions and mannerisms more arresting than the "un- canny" physical resemblance I was led to expect. Both actresses were endowed with Hal Crowther great cheekbones, but that's the extent of it. Drawing hr Gregory Vigrass Miss Dunaway is a beautiful woman and Beaten black and blue by her mother for dropping, no glamorous walk-ons, no Miss Crawford was a beautiful woman, but storing an expensive dress on a wire hanger, gratuitous Filmland lore. With the necessary when you put Crawford's makeup on the nine-year-old blond moppet surveys the exception of Louis B. Mayer—done to a Dunaway you've combined two beauties to wreckage of her beautiful room left in turn by Howard Da Silva—there's no create one hag. Dunaway has seldom looked Mommie's wake and voices the only possible attempt to cash in on any film legend besides less attractive. reaction: "Jesus Christ!" Miss Crawford's. For all the acting, the energy, and the The line was a calculated (and success- What he gives us is such a tight, narrow internal integrity of Dunaway's big scenes— ful) audience-pleaser, but it just about sums focus on Crawford and her daughter that the and "big" has an extended, Gotter- up my critical response to Mommie Dearest.
    [Show full text]
  • Juliet Ouyoung 917-528-9764
    Feb. 2015 Page #1 of 2 Juliet Ouyoung 917-528-9764 www.jouyoung.com Costume Designer Assistant Costume Designer The Shanghai Hotel 2006 Late Show With David Letterman 2006-2015 Feature / Cornucopia Productions Talk –Variety TV Show \ CBS – Worldwide Pants INC. 2006 Contemporary Drama/ Human Trafficking Fast Paste Sketch Characters \ Comedy Hill Harper, Pei Pei Cheng, Eugenia Yuan Bruce Willis, Steve Martin, Martin Short, Bill Murray,Chris Elliott Jerry Davis, Director Jerry Foley , Director ; Sue Hum, CD Neurotica 2000 Bernard & Doris 2005 Feature / Three Forks Productions Feature / Trigger Street Productions 2000 Contemporary Comedy / Road Trip 1980’s-1990’s Drama / Doris Duke Biopic Brian D’Arcy James, Amy Sedaris Ralph Fiennes, Susan Sarandon Roger Rawlings, Director Bob Balaban, Director ; Joe Aulissi, CD Mob Queen 1997 Copshop 2003 Feature / Etoile Productions Pilot / PBS Television 1956 Comedy / Mafia Meets Transvestite 2003 Contemporary Drama / NYPD - Brothel Tony Sirico, David Proval, Candice Kane Richard Dreyfuss, Rosey Perez, Rita Moreno, Blair Brown Jon Carnoy, Director Anita Addison & Joe Cacaci , director ; Bobby Tilly, CD Harwood 1999 Like Mother Like Son 2002 Feature / Absolutely Legitimate Film MOW / CBS Televison 1999 Contemporary / Sci-fi Thriller 1998 Contemporary Drama / Sente Kimes’ Story Morgan Roberts, Director Mary Tyler Moore, Jean Stapleton Arthur Seidelman, Director; Martin Pakledinaz, CD The Floys Of Neighborly Lane 1998 Deconstructing Harry 1996 Short / Once Upon A Picture Production Feature / Sweetheart Productions
    [Show full text]
  • KAWS Media Release
    KAWS Media release 6 February–12 June 2016 Longside Gallery and open air Yorkshire Sculpture Park (YSP) presents the first UK museum exhibition by KAWS, the renowned American artist, whose practice includes painting, sculpture, printmaking and design. The exhibition, in the expansive Longside Gallery and open air, features over 20 works: commanding sculptures in bronze, fibreglass, aluminium and wood alongside large, bright canvases immaculately rendered in acrylic paint – some created especially for the exhibition. The Park’s historically designed landscape becomes home to a series of monumental and imposing sculptures, including a new six-metre-tall work, which take KAWS’s idiosyncratic form of almost-recognisable characters in the process of growing up. Brooklyn-based KAWS is considered one of the most relevant artists of his generation. His influential work engages people across the generations with contemporary art and especially opens popular culture to young and diverse audiences. A dynamic cultural force across art, music and fashion, KAWS’s work possesses a wry humour with a singular vernacular marked by bold gestures and fastidious production. In the 1990s, KAWS conceived the soft skull with crossbones and crossed-out eyes which would become his signature iconography, subverting and abstracting cartoon figures. He stands within an art historical trajectory that includes artists such as Claes Oldenburg and Jeff Koons, developing a practice that merges fine art and merchandising with a desire to communicate within the public realm. Initially through collaborations with global brands, and then in his own right, KAWS has moved beyond the sphere of the art market to occupy a unique position of international appeal.
    [Show full text]
  • Knowing Good Sex Pays Off: the Image of the Journalist As a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’S Sex and the City
    Knowing Good Sex Pays Off: The Image of the Journalist as a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’s Sex and the City By Bibi Wardak Abstract New York Star sex columnist Carrie Bradshaw lives the life of a celebrity in HBO’s Sex and the City. She mingles with the New York City elite at extravagant parties, dates the city’s most influential men and enjoys the adoration of fans. But Bradshaw echoes the image of many female journalists in popular culture when it comes to romance. Bradshaw is thirty-something, unmarried and unsure about having children. Despite having a successful career and loyal friends, she feels unfulfilled after each failed romantic relationship. I. Introduction “A wildly successful career and a relationship -- I was afraid…women only get one or the other.”1 That’s a fear Carrie Bradshaw just can’t shake. The sex columnist for the New York Star is unmarried, career-oriented and unsure if she will ever have a traditional family.2 Just like other modern sob sisters, she is romantically unfulfilled and has sacrificed aspects of her personal life for professional success.3 Bradshaw, played by Sarah Jessica Parker in HBO’s hit television show Sex and the City, portrays a stereotypical image of female journalists found in television and film.4 She and other female journalists in the series struggle to balance a successful Knowing Good Sex Pays Off: The Image of the Journalist as a Famous, Exciting and Chic Sex Columnist Named Carrie Bradshaw in HBO’s Sex and the City By Bibi Wardak 2 career and satisfying romantic life.
    [Show full text]
  • CORY Mccrum ABDO 818.752.9450 – Home 818.625.3883 – Mobile
    CORY McCRUM ABDO 818.752.9450 – Home 818.625.3883 – Mobile July 2009 POST PRODUCTION SUPERVISOR Independent Feature Zanuck Productions – “GET LOW” Film November Dean Zanuck, 2009 Dir: Aaron Producer Schneider Richard Rothschild, Line Producer K5 International & Sony Picture Classics June 2009 POST PRODUCTION PRODUCER ASC & PGA Camera Revelations Assessment Entertainment Camera Assessment Series Collaboration & Assessment for Lori McCreary CEO Digital and Film Cameras November ASSOCIATE PRODUCER LifeTime Movie For Sony Television 2008 – “Georgia O’Keeffe” Television April 2009 Dir: Bob Balaban October POST PRODUCTION SUPERVISOR Independent Animals Are People 2008 – “Magic” Feature Film Too, Inc. November Dir: Robert Davi 2008 October ASSOCIATE PRODUCER Feature Film Yari Film Group 2007 – “The Lonely Maiden” Dir: Peter Hewitt August 2008 November POST PRODUCTION SUPERVISOR Feature Film Yari Film Group 2007 – “Real Men Cry” Dir: Brian Goodman August 2008 Cory McCrum Page 2 December ASSOCIATE PRODUCER HBO Movie HBO Films 2006 – “Bernard and Doris” December Dir: Bob Balaban 2007 2007 POST PRODUCTION SUPERVISOR Feature Film Good Looking Ink “Mysterious” Productions Dir: Stewart Raffill 2005 – POST PRODUCTION SUPERVISOR Feature Film Mandate Films, December “Stranger Than Fiction” Distribution – Sony 2006 Dir: Marc Forster Pictures 2004 – POST PRODUCTION SUPERVISOR Feature Film Stay, Inc. 2005 “STAY” New Regency Dir: Marc Forster Distribution – 20 th Century Fox 2003 POST PRODUCTION SUPERVISOR Feature Film Bad Santa “Bad Santa” Productions, Dir:
    [Show full text]
  • The Edward R. Murrow of Docudramas and Documentary
    Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history.
    [Show full text]
  • Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law?
    Turning the Camera on Court TV: Does Televising Trials Teach Us Anything About the Real Law? ANGELIQUE M. PAUL* I. INTRODUCTION What people think about the law is important because ours is a "public opinion" society, "which makes heavy use of referenda, and in which government does not lift a finger or move a muscle without reading the tea leaves of public desire."' The public's perception of justice influences the courts, the laws, the judges, and essentially the democratic process. So what influences the public's perception of justice? Television. For the majority of Americans, television is the most important source of information, and for many it is the only source of information. 2 This is particularly true when it comes to gathering information about the law. Because the majority of Americans have had no personal experience with the legal system,3 and because the majority of Americans get their information about the world solely from television, 4 the portrayal of justice on television is extremely important not only to the continued viability of the legal system, but also to the individual's understanding of that system. Studies indicate that the * The author would like to thank her parents, David and Lynda Paul, for their unconditional love and support. I David A. Harris, The Appearance of Justice: Court TV, Conventional Television, and Public Undersandingof the Criminal Justice Sstem, 35 ARiz. L. REv. 785, 796 (1993) (quoting Lawrence Friedman, Law, Lawyers, and Popular Culture, 98 YALE L. J. 1579, 1597 (1989)). Friedman believes that the portrayal of the legal system in popular culture is important "because it ultimately helps shape the legal culture, which in turn influences the law itself." Id.
    [Show full text]
  • 275. – Part One
    275. – PART ONE 275. Clifford (1994) Okay, here’s the deal: I don’t know you, you don’t know me, but if you are anywhere near a television right now I need you to stop whatever it is that you’re doing and go watch “Clifford” on HBO Max. This is another film that has a 10% score on Rotten Tomatoes which just leads me to believe that all of the critics who were popular in the nineties didn’t have a single shred of humor in any of their non-existent funny bones. I loved this movie when I was seven, and I love it even more when I’m thirty-three. It’s genius. Martin Short (who at the time was forty-four) plays a ten-year-old hyperactive nightmare child from hell. I mean it, this kid might actually be the devil. He is straight up evil, conniving, manipulative and all-told probably causes no less than ten million dollars-worth of property damage. And, again, the plot is so simple – he just wants to go to Dinosaur World. There are so many comedy films with such complicated plots and motivations for their characters, but the simplistic genius of “Clifford” is just this – all this kid wants on the entire planet is to go to Dinosaur World. That’s it. The movie starts with him and his parents on an plane to Hawaii for a business trip, and Clifford knows that Dinosaur Land is in Los Angeles, therefore he causes so much of a ruckus that the plane has to make an emergency landing.
    [Show full text]
  • Click to Download
    v8n4 covers.qxd 5/13/03 1:58 PM Page c1 Volume 8, Number 4 Original Music Soundtracks for Movies & Television Action Back In Bond!? pg. 18 MeetTHE Folks GUFFMAN Arrives! WIND Howls! SPINAL’s Tapped! Names Dropped! PLUS The Blue Planet GEORGE FENTON Babes & Brits ED SHEARMUR Celebrity Studded Interviews! The Way It Was Harry Shearer, Michael McKean, MARVIN HAMLISCH Annette O’Toole, Christopher Guest, Eugene Levy, Parker Posey, David L. Lander, Bob Balaban, Rob Reiner, JaneJane Lynch,Lynch, JohnJohn MichaelMichael Higgins,Higgins, 04> Catherine O’Hara, Martin Short, Steve Martin, Tom Hanks, Barbra Streisand, Diane Keaton, Anthony Newley, Woody Allen, Robert Redford, Jamie Lee Curtis, 7225274 93704 Tony Curtis, Janet Leigh, Wolfman Jack, $4.95 U.S. • $5.95 Canada JoeJoe DiMaggio,DiMaggio, OliverOliver North,North, Fawn Hall, Nick Nolte, Nastassja Kinski all mentioned inside! v8n4 covers.qxd 5/13/03 1:58 PM Page c2 On August 19th, all of Hollywood will be reading music. spotting editing composing orchestration contracting dubbing sync licensing music marketing publishing re-scoring prepping clearance music supervising musicians recording studios Summer Film & TV Music Special Issue. August 19, 2003 Music adds emotional resonance to moving pictures. And music creation is a vital part of Hollywood’s economy. Our Summer Film & TV Music Issue is the definitive guide to the music of movies and TV. It’s part 3 of our 4 part series, featuring “Who Scores Primetime,” “Calling Emmy,” upcoming fall films by distributor, director, music credits and much more. It’s the place to advertise your talent, product or service to the people who create the moving pictures.
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion
    NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion. Beauty. Business. DEC 2015 No. 2 FOLLOW US FOLLOW SHOP AT LANDSEND.COM AT SHOP ’Tis the Season! The fashion insider’s holiday gift guide, wish lists, books, retailer picks and party style. (And the time Salvador Dalí threw a mink- lined bathtub through Bonwit’s window.) WE BELIEVE IN YOU Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley EXECUTIVE EDITOR James Fallon EDITOR Robb Rice GROUP DESIGN DIRECTOR ’Tis the Season! 46 To shine brightest in the evening, dress up with the John B. Fairchild most festive of accoutrements. 1927 — 2015 MANAGING EDITOR Peter Sadera MANAGING EDITOR, Dianne M. Pogoda Billy Reid’s bow tie, FASHION/SPECIAL REPORTS $125, billyreid.com EXECUTIVE EDITOR, EUROPE Miles Socha DEPUTY MANAGING EDITOR Evan Clark Ben Sherman’s leather NEWS DIRECTOR Lisa Lockwood hip flask gift set, $20, DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz Ben Sherman New SITTINGS DIRECTOR Alex Badia H SENIOR EDITOR, RETAIL David Moin York SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE Cartier’s Rotonde de SENIOR EDITOR, FINANCIAL Vicki M. Young Cartier Chronograph BUREAU CHIEF, LONDON Samantha Conti watch, $9,050, Cartier BUREAU CHIEF, MILAN Luisa Zargani BUREAU CHIEF, LOS ANGELES Marcy Medina stores ASIAN EDITOR Amanda Kaiser BUREAU CHIEF, WASHINGTON Kristi Ellis Brooks Brothers knot ASSOCIATE EDITOR Jenny B. Fine stud set, $325, Brooks SENIOR EDITOR, SPECIALTY RETAIL Sharon Edelson Brothers stores and E SENIOR PRESTIGE MARKET Julie Naughton BEAUTY EDITOR brooksbrothers.com. SENIOR FASHION FEATURES EDITOR Jessica Iredale ACCESSORIES MARKET DIRECTOR Roxanne Robinson FASHION MARKET DIRECTOR Mayte Allende EYE EDITOR Taylor Harris MEN’S SENIOR EDITOR Jean E.
    [Show full text]
  • Completeandleft
    MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams
    [Show full text]