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Home , 1999 du Maurier Open, Adolf Dehn, Ailsa Mellon Bruce, Alberto Burri, Alexander Archipenko, Alexander Helwig Wyant

19 9 5 ANNUAL REPORT

1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: of . All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the 's collec- Hair, 1915, Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to , 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15

Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: , Le temps presse (Time Is 1875.13.1.a , Running Out), 1950, The Stephen Hahn Family p. 57: Italian 16th Century, Mercury, Andrew W. The type is Meridien, set by Cadmus Collection (Partial and Promised Gift), 1995.29.7 Mellon Fund, 1959.7.1 Financial Communications, Baltimore, p. 63: Albrecht Diirer, Male with a Lion (verso), Maryland Back of title page: Antoine-Louis Barye, Walking Panther, 1831, Gift of Lisa and Leonard Baskin, c. 1500, Woodner Family Collection, 1991.182.11 ISBN 0-89468-259-8 1995.27.8 p. 69: Francisco de Goya, Maria Teresa de Borbon y Vallabriga, later Condesa de Chinchon, 1783, Ailsa Mellon Bruce Collection, 1970.17.123 p. 79: Milton Avery, Artist and Nude, 1940, Gift of Yves-Andre and Christine Istel, 1991.192.1 p. Ill: Sir , Filippo Cattaneo, Son ofMarchesa Elena Grimaldi, 1623, Widener Collec- tion, 1942.9.93 p. 113: Henri de Toulouse-Lautrec, Quadrille at the , 1892, Chester Dale Collection, 1963.10.221 p. 121: , Peasant Woman, 1880, Chester Dale Collection, 1963.10.199 CONTENTS

President's Foreword 7 Administration 53 Director's Statement 9 External Affairs Art Programs Development 57 13 Corporate Relations 58 Paintings 13 Press and Public Information 59 American and British Paintings 14 Special Projects 60 French Paintings 15 Special Events 60 20th-century Art 15 Horticulture 61 and Decorative 17 Music at the Gallery 61 18 Center for Advanced Study in the Old Master Prints 20 63 Modern Prints and Drawings 21 Photographs 24 Report of the Treasurer 69 Curatorial Records 25 Registration 25 Appendices Loans and the Acquisitions 79 National Lending Service 28 Loans 98 Conservation 28 Lenders 103 Exhibitions 33 Changes of Attribution 108 Design and Installation 36 Staff Publications 109 Education 39 Library 44 Trustees and Staff 111 Editors Office 49 Donors 121 Gallery Archives 51

PRESIDENT'S FOREWORD

Having worked on a day-to-day basis ex-officio trustees, the chief justice of with the management of the National the Supreme Court, the secretary of Gallery of Art, I am able to report with state, the secretary of the treasury, and great confidence and pleasure that we the secretary of the Smithsonian have had a wonderful and busy fiscal Institution. year 1995. Under the valued ongoing leadership Many important works of art were of Edwin L. Cox as chairman and Lois added to the permanent collection this de Menil as vice chairman, the year by gift and purchase. Particularly Trustees' Council has been pleased to notable was the gift made by Paul welcome a number of new members to Mellon, who gave the Gallery 85 its ranks this year. They include Nancy remarkable works of 19th- and early from Fort Worth, Aaron 20th-century art from the Mellons' Fleischman from Washington, DC, renowned collection. We are tremen- Marina French, Joyce Menschel, and dously grateful to the Mellons for their Harvey S. Shipley Miller from continued generosity. We were also City, Morton Funger from Potomac, very fortunate to receive the gift (partial Maryland, and B. F. Saul II from Chevy and promised) of a significant collection Chase, Maryland. We are also very glad of works by Jean Dubuffet from the that George F. Jewett Jr. from San Stephen Hahn family. We thank them Francisco, rejoined the Council. and indeed all of the Gallery's friends We thank those members of the who have enhanced the permanent col- Trustees' Council whose terms ended in lection this year. 1995 for their years of dedication and The trustees continued to govern the service to the National Gallery of Art. Gallery with no change in the board's They are Robert M. Bass from Fort composition. It has been my distinct Worth, Carroll J. Cavanagh, John C. honor to serve as president, with Ruth Fontaine, Lore , Stephen M. Carter Stevenson continuing as - Kellen, and Peter Kimmelman from man, and Alexander M. Laughlin, , and Evelyn Haas from , , Rue de Parme on Bastille Day, . 1890, Collection of Mr. and Mrs. Paul Mellon, Robert F. Erburu, and Louise W. Mellon 1995.47.2 as fellow board members, along with We note with sadness the passing of

7 two good friends of the National of enthusiastic friends. We are indebted Gallery, retired Chief Justice Warren to Juliet C. Folger and David 0. Burger in June and Gordon Hanes in Maxwell, both members of the Trustees' August. Chief Justice Burger was an ex- Council, for their continued leadership officio trustee from 1969 until his of The Circle of the National Gallery of retirement from the Supreme Court in Art, which is looking forward to cele- 1986, serving as chairman of the board brating its 10th anniversary in the next from 1969 to 1979. Gordon was an year. The Collectors Committee is also original member of the Trustees' Coun- anticipating an exciting anniversary cil, serving from 1982 to 1993, as well year, its 20th, and we thank Ruth as a founding member of the Collectors Carter Stevenson and Edwin L. Cox for Committee and a generous donor to the their chairmanship of this vital acquisi- Gallery. Both will be greatly missed. tion program for 20th-century art. The National Gallery has flourished As in years, many corporations since its founding, thanks to a unique and foundations have contributed sig- balance of public and private funding. nificantly to the private funding needs The Gallery is extremely grateful to the of the National Gallery, particularly in federal government for its continued supporting the many special exhibitions commitment of funds for daily opera- and publications that distinguish the tions. This support is critical to the Gallery the world over. This strong sup- Gallery's role as to the port has also helped enhance the nation, both to millions of visitors Gallery's national presence through a annually and, through its extensive wide array of outreach programs, outreach programs, to communities notably our annual Teacher Institute, nationwide. scholarly programs at the Center for In order to sustain the historic obliga- Advanced Study in the Visual Arts, and tion of meeting public funding with pri- advanced training programs for art vate support, last year the trustees conservators. launched the New Century Fund cam- With the continued dedication of its paign to raise $105 million to safeguard leaders, the productive partnership with those programmatic areas that rely Congress, and the spirited support of heavily, if not always exclusively, on private citizens, corporations, and foun- private support. These include the dations, the National Gallery of Art is acquisition of art, scholarship and confident of upholding the standard of research programs, and the building of excellence for which it is known. ' the Gallery's general endowment. Robert H. Smith Although we are still in the early President stages of the campaign, I am delighted to report that through significant lead- ership contributions from many close Gallery friends and patriotic citizens, we are already halfway to our goal and look forward to reaching a successful conclusion of the campaign in the com- ing years. The trustees are especially touched and pleased by the generous gifts to the New Century Fund in honor of our late chairman, Franklin D. Mur- phy, who provided invaluable leader- ship and guidance over the course of his 30-year association with the Gallery. The National Gallery continues to attract broad-based annual support for privately funded programs, most notably through two important groups

8 I) IREC T OR ' S STAT EMENT

Great works of art, both new acquisi- with more than 70 related paintings, tions and loans to special exhibitions, drawings, prints, and medals, giving vis- graced the halls of the National Gallery itors a rare view of the design process of Art in fiscal year 1995 in an almost behind some of the most important unprecedented manner. As the nation's buildings in the history of Western art museum, the National Gallery is architecture—St. Peter's in , the committed to bringing its millions of Duomo in Florence, and the Cathedral annual visitors not only its renowned of Pavia. collections and an exciting array of tem- The Glory of Venice, a major interna- porary exhibitions but also a multitude tional loan exhibition, included more of educational programs and publica- than 260 paintings, drawings, prints, tions to enhance the viewer's apprecia- and illustrated books created in Venice tion and understanding of art and art during the 18th century. was history. The following reports one of the most important centers of the myriad contributions made by the visual arts, with artists like Giovanni trustees, donors, lenders, and colleagues Battista and Domenico Tiepolo, Sebas- to the continuing strength of the tiano and Marco Ricci, Piazzetta, Gallery's collections and programs. , Francesco and Antonio Among the high points of a busy Guardi, and Piranesi, producing the vir- exhibition schedule was the awe- tuoso works that formed the heart of inspiring display of magnificent wooden this exhibition. architectural models surviving from the Two key figures in 20th-century art, Italian Renaissance. Their installation in and , the Gallery's neoclassical West Building inspired historic exhibitions. The created a striking resonance between Gallery's Mondrian exhibition offered the monumental 1 5th-century models an unparalleled opportunity to assess and John Russell Pope's design for the the entire oeuvre of this great pioneer West Sculpture Hall and West Garden of abstraction and its enormous influ- Court. As the only American venue for ence on . By contrast, the these remarkable works, the National exuberance of Oldenburg's creations Gallery supplemented the exhibition presented a very different aesthetic and

9 relation to the world. Oldenburg's Portrait of the Painter's Mother, known the promised gift of Betsey Gushing Whit- sculpture and drawings delighted world over as "Whistler's Mother." To ney in honor of , cel- Gallery visitors, transforming everyday present Whistler's mastery as an etcher, ebrating the 50th anniversary of the objects into something extraordinary. often considered to be the greatest since National Gallery of Art in 1990. His motorized Knife Ship I, in the form , the Gallery organized an The Gallery also received several of a gigantic Swiss Army Knife with auxiliary exhibition of prints by extraordinary gifts of works of art dur- moving blades, oars, and corkscrew, was Whistler and his contemporaries from ing the past fiscal year that should be installed on the mezzanine terrace its extensive holdings. singled out for special note. A partial beneath the Calder mobile. The permanent collection defines the and promised gift from the Stephen Four exhibitions in the nation's capi- depth and quality of the Gallery's char- Hahn family consisting of 21 oils, 12 tal this summer extolled the genius of acter. Great works of art held in trust works on paper, and 2 by the James McNeill Whistler, one of the most for the nation are at the heart of its modern French master Jean Dubuffet influential 19th-century American mission. One of a continuing series of brought to the Gallery some of the expatriate artists. As the centerpiece for focus exhibitions based on works in the artist's groundbreaking work from the city-wide celebration, the Gallery's collection this year showcased 1943-1962. A selection of these is dis- exhibition followed acclaimed showings Toulouse-Lautrec's Marcelle Lender Danc- played in the East Building. The superb in and Paris. It included the ing the Bolero in "Chilperic." This grand, collection of 165 vintage photographs famous Arrangement in Gray and : theatrical was a partial and assembled by Mary and David Robinson

10 impressionists as Cezanne, Gauguin, ambitious new program, which is being Degas, and Bonnard; about 50 out- supported by the American Express standing French drawings and watercol- Foundation. ors from this period and the decades The public/private partnership estab- preceding and following; 14 prints with lished by the National Gallery's founder, rare or unique examples by Degas, Andrew W. Mellon, and the 75th Manet, and Villon; and 6 sculptures by Congress in their Joint Resolution of Maillol and Picasso among others. 1937 continues successfully to this day. Among the paintings, Gauguin's Still The ongoing support of the Congress in Life With Peonies is the first still life by appropriating federal funds ensures the the artist to enter the collection; Degas' maintenance and operations of the The Lesson is a wonderful comple- Gallery and the protection and care of ment to the artist's Four Dancers, also in its art collections, enabling the Gallery the collection; Bonnard's Paris, Rue de to remain open to the public 363 days a Parme on Bastille Day epitomizes Paris in year, free of charge. This fiscal year the the 1890s; and Cezanne's Boy in a Red Gallery welcomed nearly 4.5 million Waistcoat is one of the artist's great mas- visitors from every state, U.S. territory, terpieces of the late 1880s. Since his and more than 80 foreign countries. first gift of paintings in 1964, Paul The patriotism, intelligence, and gen- Mellon has donated more than 1,000 erosity expressed in Andrew Melton's works of art to the nation. This dona- creation of the National Gallery of Art tion provided a splendid conclusion to over half a century ago have inspired an eventful fiscal year. many individuals over the years to A high priority among the Gallery's make financial donations and gifts of many responsibilities is thoughtful works of art. Andrew Melton, his son stewardship of the grand buildings that Paul and daughter Ailsa, and a host of house the collections. This year marked other donors have made the National the creation of a suite of three Dutch Gallery one of the great art museums of Henri de Toulouse-Lautrec, Marcelle Lender Dancing "cabinet galleries" in the West Building. the world. We continue to aspire to the Bolero in "Chilperic," 1895-1896, Gift (Partial and Promised) of Betsey Gushing Whitney in These intimate spaces, constructed adja- their standards of excellence. Honor of John Hay Whitney, for the 50th cent to the expansive main floor Dutch Anniversary of the National Gallery of Art, 1990.127.1 and Flemish galleries, are similar in Earl A. Powell III scale to the galleries found in homes of Director 17th-century Dutch collectors. Smaller Dutch paintings in the Gallery's collec- tions, originally intended for private domestic interiors, seem totally at home also came to the Gallery; 53 of these in their new spaces. Unlike typical exhi- were presented in an exhibition that bition galleries, one room incorporates focused on the first century of photog- four cases for the display of books, raphy. This major acquisition signifi- drawings, and other smaller objets d 'art. cantly expands the Gallery's collection Juliet and Lee Folger and The Folger of fine art photographs. As a gift for the Fund made possible the construction of 20th-century collection, the Collectors these new galleries, a marvelous gift Committee this year purchased that will be appreciated for years to Whitechapel Slate Circle by Richard Long, come. a contemporary British artist, whose Another major construction project sculpture, composed of dozens of slate involved the renovation of the art infor- sections arranged within a circle on the mation room in the West Building, floor, has intrigued visitors to the East anticipating the opening of the Micro Building. Gallery, a comprehensive interactive At the end of the fiscal year Paul multimedia computer system, in the Mellon made a spectacular gift of 85 1996 fiscal year. Staff in nearly every works of art, including 14 paintings by department of the Gallery contributed such French impressionists and post- to preparations for the launching of this

11

ART PROGRAMS

Renaissance Paintings two major exhibitions—Johannes Ver- meer, opening in November 1995, and The organization of a major exhibition Jan Steen: Painter and Storyteller, opening on Lorenzo Lotto, scheduled to open at in April 1996—as well as an exhibition the National Gallery of Art in 1997, of about 35 Dutch and Flemish 16th- occupied the primary attention of the and 17th-century prints from the department of Italian Renaissance Gallery's collection to complement the paintings in fiscal year 1995. The staff Steen exhibition. also continued work on the systematic Three new Dutch Cabinet Galleries catalogue of the collection, making sub- opened in September 1995, funded stantial progress on the volume of through the generosity of Lee and Juliet 15th-century paintings. As generous Folger. The inaugural installation of the new loans from anonymous collectors, galleries highlighted two new acquisi- Giovanni Cariani's Concert of tions: Adriaen Brouwer's Youth Making a c. 1518-1520, Francesco Botticini's (acquired in 1994 by anonymous of a Man, and Jacopo Palma 11 purchase) and Osias Beert the Elder's Giovane's at the Forge of Still Life with Oysters, Fruit, and Wine of c. 1600 went on view in the Italian acquired through the Patrons' Perma- Renaissance galleries. They joined Botti- nent Fund. The Brouwer was the cen- celli's Portrait of a Young Man Holding a terpiece for a focus exhibition that Medallion from the early 1480s, on view traced the facial expression of the youth here since 1990 by courtesy of another back to medieval scenes of the mocking private collector. of Christ. Specially designed cases in the new galleries displayed a 15th-century Baroque Paintings wooden sculpture from the Rijksmu- seum, Amsterdam, and a 16th-century The department of northern baroque Flemish manuscript illuminated by for One-Half of the Drum and Dome of St. Peter's, Vatican, Fabbrica di San Pietro, c. 1558-1561, by paintings completed the systematic cata- Simon Bening from the J. Paul Getty Buonarroti, Giacomo della Porta, and logue of Dutch 17th-century paintings, Museum. Three paintings by Brouwer Luigi Vanvitelli and workshops, installed in the West Garden Court, West Building, for the exhibi- published in October 1995. The depart- from the Alte Pinakothek in tion Italian Renaissance Architecture ment was also extremely busy planning and loans from private collections were

13 also essential to the development of the Now hanging in the permanent collec- with Fruit and Carafe, now attributed to theme. A brochure funded by The Circle tion galleries, they join other long-term the Pensionante del Saraceni, in an of the National Gallery of Art accompa- loans: Gerbrandt van den Eeckhout's Italian 18th-century frame. nied the exhibition. The Levite at Gibeah from Emile E. Wolf, Final text revisions were made to the The Gallery received a gift from and Bartholomeus van der Heist's Por- systematic catalogue on 17th- and 18th- Dorothea V. Hammond of two paintings trait of Two Men from a private century Italian paintings, scheduled to by Cornelis Verbeeck: Dutch Ship Firing collection. be published in spring 1996. Cannons and Dutch Man of War Scuttling The permanent collection galleries Diane De Grazia resigned her position a Galleon, both executed c. 1620-1625, continued to be enriched by the loan of as curator of southern baroque paint- which appear to have been originally Giovanni Domenico Tiepolo's Immaculate ings to become chief curator of the part of a single composition depicting a Conception, from the Cooper-Hewitt Museum of Art. naval engagement between Dutch and Museum in New York, and Sebastiano Spanish warships. Ricci's Pygmalion and Galatea, on loan American and British Still Life with Travel Pouch by Paulus from a . Two National Paintings Bor and the Rape of Europa by Caesar Gallery paintings were handsomely van Everdingen were generously reframed this year: Murillo's Two Women Exhibitions dominated the department's offered for long-term loan by Mr. and at a Window, in a 17th-century Spanish activities. After critically acclaimed Mrs. Michal Hornstein of . frame, and the Caravaggesque Still Life showings in London and Paris, James

14 Spirit of War from the Gallery with its by Mr. and Mrs. Paul Mellon and by borrowed pendant, The Spirit of Peace, Ailsa Mellon Bruce. from the Woodmere Art Museum in The National Gallery made two continued into . notable acquisitions by purchase from Planning proceeded for the Thomas the Chester Dale Fund: a tender early Moran and Victorian Paintings landscape by Degas, Two Horses in a exhibitions. Meadow; and Constant Troyon's The Two fine gifts were received this year. Approaching Storm, an important exam- 's masterful study, ple of in French landscape Seated Nude, was presented by Paul Mel- painting of the early 1840s, which lon, and Sir ' charming demonstrates the artist's admiration for Miss Beatrix Lister was given by Margaret the English landscape painter John Mellon Hitchcock, wonderfully comple- Constable. A superb mid-19th-century menting other works by the artist in the frame was acquired for this large Gallery's collection. picture as part of an ongoing program The highlight of this year's efforts on of presenting French pictures in appro- the systematic catalogue was the publi- priate period frames. cation of the volume on 18th-century Several important French works have American paintings, authored by Ellen been placed on loan at the Gallery this G. Miles with the cooperation of depart- year, including the rare Still Life of Shells ment curators. Progress continued on of 1640 by Jacques Linard, lent by Mr. the 19th-century volumes, with the text and Mrs. Michal Horstein. for the first group of objects in press Three exhibitions for 1996 are in while research and writing continues on advanced stages of organization: The Art the second volume. of Louis-Leopold Boilly: Modern Life in Napoleonic Prance; In the Light of : French Paintings Corot and Early Open-Air Painting; and and His World. The Fiscal year 1995 opened with a focus department is also responsible for an Osias Beert the Elder, Banquet Piece with Oysters, Fruit, and Wine, c. 1610/1620, Patrons' Permanent exhibition on Toulouse-Lautrec's exhibition on German painter Adolf Fund, 1995.32.1 Marcelle Lender Dancing the Bolero in Menzel. Work continued on the three "Chilperic," a gift (partial and promised) volumes of the systematic catalogue of of Betsey Gushing Whitney in honor of the Gallery's French paintings. John Hay Whitney. This spectacular Kimberly Jones joined the depart- painting of a scene from the Parisian ment as assistant curator, after a year at theater was displayed with the best of the Musee d'Orsay on a fellowship from the Gallery's paintings and prints of the University of Maryland. McNeill Whistler opened at the National Parisian nightlife by Toulouse-Lautrec, Gallery with about 200 works by this including a number of representations 20th-century Art renowned expatriate artist. Among the of the famous performer Marcelle accompanying events was a two-day Lender. Many works of 20th-century art were symposium sponsored by the National A magnificent gift from Paul Mellon added to the collection. The Stephen Gallery of Art and the National Portrait included the masterpiece by Cezanne, Hahn family made a remarkable gift Gallery. Preparations intensified for two Boy in a Red Waistcoat, previously pledged (partial and promised) of 35 works by exhibitions opening at the start of the in honor of the Gallery's 50th anniver- Jean Dubuffet. The 21 paintings, 12 next fiscal year: the all-encompassing sary in 1991. Among the many other works on paper, and 2 sculptures retrospective, and John works in this gift, 14 French impres- embody the artist's concept of I'art brut, Singleton Copley in , organized sionist and post-impressionist paintings which emphasizes coarse materials and with the Museum of Fine Arts, Hous- include Gauguin's Still Life with Peonies, primitivizing forms inspired by the ton. The Gallery's participation in these Degas' Dance Lesson, Bonnard's Paris, Rue untrained art of children and the men- efforts and its loans to a show of Cop- de Parme on Bastille Day, and works by tally disturbed. Many of these gifts were ley's American works necessitated con- Braque, Manet, Toulouse-Lautrec, Vuil- installed in an East Building gallery in siderable rehanging of the permanent lard. Some of these gifts were incorpo- September 1995. A generous gift of five collection. The focus exhibition that rated into the East Building reinstalla- paintings from Robert and Jane Meyer- paired 's The tion of small French paintings collected hoff included 's Flin Flon TV,

15 Frank Stella, Flin Flon IV, 1969, Robert and Jane Meyerhoff Collection, 1994.82.1

Claes Oldenburg, Clarinet Bridge, 1992, Gift of Perry R. and Nancy Lee Bass, 1995.38.1

a major example from the artist's acquire a 1981 sculpture, Whitechapel can realist Arnold Mesches, was given Saskatchewan series. It joins six other Slate Circle, by British artist Richard by Lionel C. and Elizabeth R S. Epstein. paintings by Stella in the Gallery's col- Long. This work consists of numerous Among the significant gifts to the lection, one of which, Chodorow II, was sections of slate randomly arranged on Gallery this year from Paul Mellon are an earlier gift from the Meyerhoffs. This the floor within a 14-foot-diameter cir- Picasso's bronze Dove, Roger de La Fres- donation also included Roy Lichten- cle. Perry R. and Nancy Lee Bass pro- naye's oil on panel, Village on the Water's stein's canvas Entablature, 1975, an vided funds for the purchase of Susan Edge, and Braque's oil on canvas, Fruit, image based on the artist's photographs Rothenberg's Butterfly, one of the artist's Glass, and Mandolin. of buildings in New York, and Souvenirs best-known horse paintings, as well as This was an especially rewarding year a major painting from 1980-1984 by Claes Oldenburg's Clarinet Bridge, a large for exhibitions. : Paint- British artist Howard Hodgkin. The painted sculpture made of wood and ings traveled to the Metropolitan paintings by Burgoyne Diller and David canvas that has been stiffened with Museum of Art, New York, and to the Salle given by the Meyerhoffs are the resin. O'Keeffe's Winter Road I, Gallery, London, after closing in first works by these artists in the donated by the Georgia O'Keeffe Foun- Washington. The National Gallery of Art Gallery's collection. In addition to these dation, richly complements the group of also inaugurated both Claes Oldenburg: paintings, the Meyerhoffs have given a O'Keeffe paintings bequeathed to the An Anthology, organized with the large charcoal and chalk by Gallery by the artist in 1987. Max Beck- R. Guggenheim Museum, New Joel Shapiro and two major prints by mann's Head of a Man, a small bronze, York, for a five-museum tour, and . was given by Max Kahn, and The Three Arshile Gorky: The Breakthrough Years, The Collectors Committee voted to Chandeliers, a large acrylic by the Ameri- organized by the Modern Art Museum

16 of Fort Worth. Piet Mondrian: 1872-1944, this century and will be seen only in in the final stages, with the first volume the most comprehensive showing ever Washington. The Herbert and Nannette scheduled for publication in 1996. of the work of this seminal modern Rothschild Collection, an exhibition of painter, commemorated the 50th around 75 works of modern European Sculpture and Decorative anniversary of the artist's death. Jointly art by such artists as Mondrian, Bran- Arts organized by the Gallery, the Haags cusi, and is being organized Gemeentemuseum, and the Museum of with the Philadelphia Museum of Art. Augmenting the National Gallery's Modern Art, New York, this exhibition Plans for three major monographic important holdings in this area, Leonard was assembled by a team of experts exhibitions are also underway. Picasso: and Lisa Baskin made a gift of eight headed by Angelica Zander Rudenstine. The Early Years, 1892-1906, organized medals and plaquettes in bronze, lead, Planning for exhibitions in the next with the Museum of Fine Arts, , and dating from the Renaissance fiscal year focused principally on The is due to open in Washington in 1997. through the , while Lois Robert and Jane Meyerhoff Collection: 1945 In 1998 a retrospective of Alexander and Anthony Blumka donated a bronze to 1995, which will represent almost in Calder's work will mark the centenary historicizing medal of Sigismondo its entirety one of the world's finest and of the birth of this great American Malatesta of Rimini and his consort most extensive private collections of sculptor. Also in 1998 the department Isotta. A further gift of 15 medals, pla- post-World War II art. Containing 194 plans a retrospective of 's quettes, and related objects, including a paintings, drawings, and sculptures by works, anticipating publication of the seal impression, a steel die matrix, and 40 artists, this exhibition will offer a final volumes of the Gallery's catalogue sculptors' lead proofs, came from Mark panorama of art from the second half of raisonne of Rothko's paintings, which is Wilchusky.

17 The collection of early modern sculp- Old Master Drawings nary, architectural fantasies, depictions ture was enriched by gifts from Paul of ordinary life as well as sumptuous Mellon. These included a bronze Study A primary focus this year was The Glory festivals, portraits of penetrating real- for the Portrait ofMme Salle by Degas, the of Venice: Art in the Eighteenth Century, the ism, and designs for the decoration of first portrait sculpture by this artist to first major international exhibition in stage productions, interiors, and even enter the collection; a rare marble stat- the to present a compre- gondolas. Besides the catalogue, written uette by Aristide Maillol, The Mediter- hensive selection of the finest works by an international team of scholars to ranean; and Maillol's portrait bust of from this period. More than 260 paint- provide an updated and comprehensive Auguste Renoir. ings, gouaches, pastels, watercolors, introduction to the variety of visual art Work continued on the systematic drawings, prints, and illustrated books in the period, many ancillary activities catalogue volumes, particularly that on traced the development of 33 major included special lectures, film series, Renaissance plaquettes, for which more artists, with special emphasis on the and a public symposium. than 100 entries were written. The Riccis, Piazzetta, the Tiepolos, Canaletto, Specific departmental activities cen- curators also researched and prepared the Guardis, and Piranesi. As many tered on the exhibition The Touch of the changes of attribution for a number of Venetian artists excelled in more than Artist: Master Drawings from the Woodner old master sculptures and reinstalled one medium, the works were integrated Collections, which celebrated the collect- a gallery that focuses on expressive in monographic sections to relate the ing achievements of the late Ian Wood- treatments of the male nude in Italian variety of their productions and illumi- ner and the decision of his daughters, and northern European sculpture from nate mutual influences between media Dian and Andrea Woodner, to preserve 1550 to 1675. and artists. In addition, the selection the core of the collection at the National showed the wide range of Venetian Gallery of Art. The catalogue, with con- artistic interests from religious, histori- tributions from 55 authors from around cal, and mythological scenes to land- the world, offers the latest word on the scapes and views, both real and imagi- 114 drawings exhibited.

18 Canaletto, A Regatta on the Grand Canal, 1733-1734, Lent by Her Majesty The Queen (left); Giovanni Battista Piazzetta, Young Woman Taking a Pink, c. 1740, The , Pur- chased from the J. H. Wade Fund (right); and Giovanni Battista Tiepolo, The Finding of Moses, c. 1740, National Galleries of Scotland, (below) were exhibited in The Glory of Venice The National Gallery's Armand Ham- the collection only by three sculptures. mer Collection provided material for His sketch for a monstrance is an two more exhibitions of drawings: appealing example of his energetic Figure Studies and Compositional Drawings draftsmanship and inventive design. from the Armand Hammer Collection Among the many outstanding French included works from Dtirer to Van Gogh drawings given by Paul Mellon, several and featured the cartoon of The from the early 19th century added par- Madonna and Child with Saint John the ticular strength to the Gallery's hold- Baptist by ; the second selection ings. The gift included four handsome focused on French drawings from the portraits by Ingres; a small but powerful f 8th and 19th centuries, with excellent Head of a Man by Gericault, of major works by Watteau, Fragonard, Degas, importance to a collection that is rich in and Renoir. Among the most striking prints by Gericault but has lacked a drawings in the exhibition of Recent strong drawing by him; a view of Tus- Acquisitions of Works of Art on Paper were cany made in 1844 by Corot, very dif- the haunting Head of a Siren by Hendrik ferent from the Gallery's only other Goltzius and the soaring ceiling designs Corot drawing, made more than twenty by Andrea Pozzo and Ferdinando Galli years earlier; a handsome watercolor Bibiena. study of flowers by Delacroix; and the Bibiena's design for A Grand Illusionis- Gallery's first portrait drawing by tic Ceiling was the most important pur- Theodore Chasseriau. chase this year. The extraordinarily One of the Gallery's most enthusiastic elaborate work is the largest and most supporters and donors in recent years, impressive drawing known by this lead- Professor William B. O'Neal, gave more ing Italian architect and stage designer. than 100 Continental and British draw- Foremost among other purchases was ings to the Gallery during his lifetime the charming Villagers Skating on a Frozen and bequeathed the rest of his collec- Pond by Esaias van de Velde, acquired tion, as well as his entire estate, upon through the Ailsa Mellon Bruce Fund. his death in 1994. His bequest of 215 Hieronymus Cock, Third View of the Colosseum, proba- Dated 1625, it is a prime example of drawings consisted mainly of 18th- and bly 1550, Ailsa Mellon Bruce Fund, 1994.80.5 that artist's simple, lyrical genre land- 19th-century British works but included scapes. In a very different vein is The a major figure study by the Venetian Happy Family with Children Playing by painter Gian Antonio Guardi. A fund in German artist Johann Eleazar Schenau, Professor O'Neal's name was established purchased with help from the Herbert from the proceeds of the estate, which and Nannette Rothschild Memorial will be used to purchase old master Fund. drawings and rare illustrated books of Two exhibitions featured prints this Other artists newly represented in the the type that he collected. year. Imitation and Invention: Old Master collection are Alessandro Maganza, with Prints and Their Sources explored the a bold study in pen and chalk of Saint Old Master Prints ways in which early printmakers copied Jerome; Spanish painter Vicente Salvador or emulated works by contemporary or Gomez, with a compositional study in The print study room underwent reno- older artists in order to learn from or his typically wiry pen style; and John vation during three months in 1995, exceed their sources. The show was White Abbott, a British landscapist with the installation of floor-to-ceiling drawn from the Gallery's rich holdings working at the turn of the 19th century. bookcases, enlarged and redesigned of 15th- to 17th-century prints, aug- Also new on the Gallery roster, thanks work stations, carpeting, reupholstering, mented by several loans. Recent Acquisi- to the generosity of Neil and Ivan and a new computer station that pro- tions of Works of Art on Paper displayed a Phillips, was Aignan-Thomas Desfriches, vides public access to the Gallery's com- number of extremely important prints, an amateur draftsman who invented puterized holdings, which are now including the finest surviving impres- the technique of preparing paper with a complete. Owing to renovation, the sions of Mantegna's The thin layer of plaster, drawing on it with number of visitors was lower than Entombment and The Senators. graphite, then scratching in bright white usual, totaling 713, although supervisors Generous donors made numerous highlights. The Gallery purchased its kept the collection open to visitors and gifts again this year. Neil and Ivan first drawing by Giovanni Battista Fog- staff by setting up a temporary study Phillips gave a fine crayon-manner gini, who was previously represented in facility in the storage and matting area. printed in red by Gilles

20 JSAI v RO * PROSPECTV5 - T'

Demarteau. Mr. and Mrs. Alexander Castellana, and L. Dean giving pean portraits, both based on the Vershbow presented Achille Bocchi's Cascata, e Ponte di St. Rocco a Tivoli. Gallery's extensive holdings in those bound volume, Symbolicarum quaes- The most important purchase was an areas. tionum libri quinque of 1555, containing early and brilliant complete set of 24 149 engraved and several by Hieronymus Cock, Views of Modern Prints and Drawings by Giulio Bonasone, for Roman Ruins. Other purchases included which the Gallery already owned two an extremely early impression of Salva- The Prints of , a major preparatory drawings. Dr. Richard A. tor Rosa's Apollo and the Cumaean Sibyl, loan exhibition, opened in Washington Simms donated the Gallery's first etch- Stefano della Bella's complete set of 12 this year and traveled to , ings and drypoints by Sir David Wilkie, etchings, Heads in the Persian Style, and , and Southampton, New York. a volume of seven published in 1824. three important touched artist's proofs: The Gallery organized this show with Three participants in the Forum pro- Giovanni Domenico Tiepolo's Saint Gae- great assistance from the artist, who gram at the National Gallery have pre- tano ofThiene, Jean Huber's Voltaire at also lent numerous important pieces sented partial and promised gifts of Table, and John Sell Cotman's Tan y from his own collection. It traced the 18th-century German landscape etch- Beolch, North . origins of Lichtenstein's style ings: James A. Johnson III giving Curators continued to work on forth- and his development as a master of Johann Christian Reinhart's Civita Castel- coming exhibitions, including ones on , juxtaposing prints in a lana, David M. Frost giving Jakob Wil- 17th-century Dutch genre prints and wide range of media with a selection of helm Mechau's Ponte Cellio a Civita 16th-century Italian and northern Euro- closely related sculpture. The show was

21 Henri de Toulouse-Lautrec, Aux Ambassadeurs: Gens Chic (Fashionable People at Les Ambassadeurs), 1893, Collection of Mr. and Mrs. Paul Mellon, 1995.47.67

accompanied by the publication of a Gallery Collections. A concise selection of complemented the major Whistler loan catalogue raisonne of prints from the artist's prints, drawings, and illus- exhibition of works in all media. Litho- 1948-1993. A marvelous addition to the trated books from 1910 to 1930 focused graphs, etchings, and woodcuts by such collection resulting from research for attention on a period in which Chagall artists as Bonnard, Degas, Odilon this volume is Lichtenstein's original produced some of his most inventive Redon, and Whistler's biographer, woodblock for Two Indians, the gift of and poignant works on paper. Three of Joseph Pennell, revealed the extraordi- Algesa and Joseph O'Sickey. his finest illustrated books, with extra nary diversity of style and imagery of The growth and enrichment of the drawings or suites of prints, were gifts prints from this very fertile period. Gallery's Chagall holdings were high- of Mr. and Mrs. Pinkus. Recent Acquisitions of Works of Art on lighted in the exhibition 's Drawn from the Gallery's own collec- Paper provided the opportunity to install Early Prints and Drawings: From Gerhard tion, the showing of Prints by James Frank Stella's heroic The , a 23- and Marianne Pinkus and Other National McNeill Whistler and His Contemporaries foot-wide multimedia print, and two of

22 siderable progress was made on entries figures, flowers, architectural fragments, to the database of American decorative and other decorative details in his arts objects depicted in more than for the . Joel 18,000 watercolor renderings in the Shapiro's splendid untitled charcoal and Index of American Design, a WPA black chalk drawing of 1987 came from project. Robert and Jane Meyerhoff, whose gifts Paul Mellon's spectacular gift of of works on paper also included Jasper paintings, sculpture, and works on Johns' lithograph and monotype Savarin paper added great strength especially to and his screenprint Flags 1. the Gallery's representation of French The Gallery's growing collection of art. Among the modern drawings and artists' sketchbooks gained a volume of prints in this gift are the first drawing 23 graphite drawings of northern by Monet in the collection, a black landscapes by Adolf Dehn, the crayon on blue paper Study for "The Lun- gift of Mrs. Adolf Dehn. A handsome cheon on the Grass"; three watercolors by group of prints by Stanley William Cezanne; a splendid, big gouache and Hayter and one of his colorful sheets of watercolor on paper by Toulouse- sketches were among the gifts from Lautrec; six drawings by Degas in a Ruth and Jacob ICainen. Mr. and Mrs. variety of media as well as a monotype Martin Atlas gave the Gallery another with pastel additions, the original cop- rare Pissarro lithograph, and Brenda per plate for Au , Musee des and Robert Edelson gave another illus- Antiques, along with an early impression trated book, The Way We Live Now, with from the plate; a large and important text by Susan Sontag and vivid aqua- monotype by Gauguin, Two Tahitians tints by Howard Hodgkin, some of them Gathering Fruit; two watercolors and a with painted additions. Artist hand-touched color aquatint by Jacques donated his Light As Air portfolio of sub- Villon; a beautiful impression of tle etchings, with text by Ron Padgett. Manet's exceedingly rare but major lith- Carolyn and Richard Susel donated ograph, The Balloon; an outstanding ' Book, one of the most drawing by Matisse, The Plumed Hat; and inventive books of the 1960s, eccentric one of Bonnard's most important Nabi in format and incorporating a variety of drawings, The Promenade. printing processes and elements Helena Gunnarsson added a major that lift up. collection of 42 more outstanding and The Graphicstudio Archive at the rare prints plus two drawings by Felix National Gallery was enriched by 26 Buhot to the prints by the artist she had works by 11 artists, including John previously donated to the Gallery. This Chamberlain, , and James gift includes prints in multiple states for Rosenquist and the first pieces by many of the images, making the Gallery William Burroughs, Leslie Dill, and an important center for the study of Robert Stackhouse in the collection. Buhot's art. Other gifts of prints by contemporary Other additions to the drawings col- artists are two by , both with lection included the gifts (partial and painted additions, from Richard A. Georgia O'Keeffe's sublime minimalist promised) from the Stephen Hahn fam- Simms; two fine lithographs by Claes charcoal drawings from 1915 and ily of 12 sheets by Dubuffet, including Oldenburg, from John and Kimiko c. 1920, and Jacob Lawrence's colorful Jardin de Bibi Trompette, composed pri- Powers; two of Mary Frank's finest Street to M'bari among other important marily of butterfly wings. Robert and monotypes, from Raphael Bernstein; works. Chris Petteys gave one of Kathe Koll- and a delightful new color aquatint Work continued on two catalogues witz' most masterful self-portraits, a with drypoint by Wayne Thiebaud, raisonnes: one documenting Georgia pastel of c. 1900 that beautifully com- from David A. Blanton III. O'Keeffe's art in all media is a joint pro- plements the artist's 1933 charcoal self- The Collectors Committee discre- ject of the National Gallery and the portrait already in the collection. Mr. tionary fund has enabled the Gallery to Georgia O'Keeffe Foundation; the other and Mrs. Mark Borghi donated a mar- develop several aspects of the collection: will record the Gallery's Gemini G.E.L. velous group of 84 drawings and sten- surrealist prints, with a uniquely col- Archive and related publications. Con- cils by Charles Sprague Pearce for the ored of 1947 by Joan Mird;

23 Eugene Atget, Etang de Corot, Ville-d'Avray, 1900-1910, Patrons' Permanent Fund, 1995.36.2

prints of the 1950s, with a color litho- from across the country and as far away several mammoth-plate prints by graph by Alfonso Ossorio and an as , Japan, and . Carleton E. Watkins; and The Breast engraving by Dorothy Dehner; contem- (The Source), a crucial early work by porary British art, with two portrait Photographs Edward Weston. etchings of 1994 and a related drawing The Gallery added to its collection of by Frank Auerbach; and art from the The National Gallery significantly photographs by Harry Callahan through West Coast, with William T. Wiley's expanded the scope of its holdings this the generosity of Susan and Peter 1988 intricate work in graphite and col- year with the acquisition of 165 pho- MacGill, Joyce and Robert Menschel, ored pencil, The Green House Affect. Other tographs from David and Mary - Ann Solomon, The Herbert and Nan- purchases included a beautiful charcoal son, 27 of them partial and promised nette Rothschild Memorial Fund, and drawing on blue paper by Paula gifts from the Robinsons and the the Collectors Committee. Ranging from Modersohn-Becker, acquired with funds remaining 138 purchased with private his earliest studies made in in given by Mr. and Mrs. James T. Dyke; funds. Until this acquisition, which is the 1940s to his elegant photographs of the Gallery's first drawing by , a particularly rich in vintage prints from Cape Cod in the 1970s, these pho- dazzling ink on paper acquired with the 19th century, the Gallery's collec- tographs will be the subject of a funds given primarily by Richard A. tion of photographs consisted only of National Gallery exhibition in 1996. Simms; a color lithograph by Manet, 20th-century masters. An exhibition, Funds donated by the Mars Founda- Polichinelle, complementing two rare The First Century of Photography: New tion, the Richard Florsheim Art Fund, proofs already in the collection; and a Acquisitions, highlighted 53 works from Jane and Benjamin F. Stapleton III, and unique proof of a printed in the Robinsons, including William Henry an anonymous donor enabled the deep blue and black by early 20th- Talbot's photogenic drawing Lace, Gallery to acquire 3 photographs by century Swiss modernist Cuno Amiet. the earliest print in the show; Eugene . This advances the The West Building study room for Atget's Corot's Pond, Ville-d'Avray, the Gallery's efforts to acquire all of the prints, drawings, and photographs only known vintage print of this image; photographs represented in Frank's assisted 466 visitors, including scholars 's superb portrait Honore Daumier; 1989 publication, The Lines of My Hand,

24 Robert Frank: Moving Out, its first exhibi- rial files and into the database of exhibi- tion devoted to a living photographer. tion histories for sculpture and George The exhibition of 159 photographs, sur- Catlin's paintings. All of this informa- veying Frank's career from his earliest tion is accessible via terminals through- years in in the 1940s to his out the Gallery's offices. most recent work of the 1990s, later A new association with the George traveled to the Yokohama Museum of Washington University museum studies Art; the Kunsthaus Zurich; and the internship program brought an intern to Stedelijk Museum, the Netherlands. work part-time in the curatorial records Widely reviewed, the exhibition has office each semester. One project com- been praised for its comprehensive pleted under the auspices of this pro- examination of Frank's contribution to gram involved the reorganization of the the art of photography and film. The oversized document files for better accompanying catalogue, published by accessibility, and the creation of cross the National Gallery and Scalo, has been references to these documents in the heralded as the definitive publication on main object files. Department staff regu- Frank's work. The department contin- larly use the curatorial files to answer ued to work on future exhibitions focus- written and telephone inquiries about ing on the photographs of Harry Calla- the collection, and 124 outside han, August Sander, and . researchers consulted the files in person this year. Curatorial Records Registration and Loans Curatorial files that document the paintings, sculpture, and decorative arts The registrar's office handled more than in the Gallery's collections continue to 1,800 works of art this year in support expand in tandem with research for the of such exhibitions as Robert Frank, The systematic catalogue. This year materials Prints of Roy Lichtenstein, Italian Renais- on the 17th- and 18th-century Italian sance Architecture, Claes Oldenburg, The paintings and late 19th-century French Glory of Venice, Piet Mondrian, and James and augments the growing collection of paintings were incorporated. The McNeill Whistler. This involved the care work by this influential photographer. department also acquires - of objects ranging in size and complex- The Gallery received a superb collec- tion for its files from such internal ity from the smallest wood elements tion from photographer Frederick Som- resources as the Gallery Archives, this from the model of the Cathedral of mer, including 33 works that trace his year discovering in the Rosenwald Pavia to the 42-foot-long, motorized long career. His earliest images involved papers valuable provenance and exhibi- Knife Ship I by Claes Oldenburg. The the careful observation of nature, tion histories on the 50 Daumier sculp- registration staff worked with 256 whereas he later photographed , tures in the collection. couriers in conjunction with these exhi- assemblages, and cut paper drawings This department maintains the schol- bitions, arranging for their hotels, trans- and made photographs without a cam- arly information in the Gallery's data- portation, and per diem. The Gallery era, using paint on cellophane and base on the collections. Keeping pace oversaw national and international smoke on glass to create abstract with recently completed volumes of the tours for six exhibitions, with Frank designs. The collection also includes systematic catalogue, the database now traveling to Japan, Zurich, and Amster- Sommer's rarely seen and little-known includes most of the references, exhibi- dam, Lichtenstein to Los Angeles, Dallas, drawings, such as his series of black- tion histories, provenances, and artist and Southampton, Venice from London ground drawings in pigmented glue. biographies and bibliographies on the to Washington and on to Venice, Olden- Through the Collectors Committee the 18th-century American paintings, 17th- burg to Los Angeles and New York, and Gallery acquired an extraordinary vin- century Dutch paintings, and 17th- and Mondrian and Willem de Kooning com- tage photograph by , A 18th-century Italian paintings. Changes pleting their tours in New York. Young Man in Curlers at Home on West in title and execution date made since In addition to this ambitious exhibi- 20th Street, N. Y.C. This and a selection of objects have been owned by the Gallery tion schedule, the office managed 1,086 works by Sommer were displayed in the have now been entered onto the data- outgoing loans from the Gallery's collec- exhibition Recent Acquisitions of Works of base. And to conclude a project begun tions, brought in 9 new loans for dis- Art on Paper. last year, staff and interns integrated play with the collection, and acces- This year the National Gallery opened registrarial and loan records into curato- sioned 1,007 objects, including 427

25 Model for the Fagade of the Cathedral of Florence (by Giovanni Antonio Dosio), Model for the Cathedral of Pavia (c. 1497-c. 1526, by Cristoforo Rocchi and Giovan Pietro Fugazza), and Model for St. Peter's (1539-1546, by Antonio da Sangallo the Younger and Antonio Labacco) installed in the West Build- ing lor the exhibition Italian Renaissance Architecture nn rr VUM "Mf •RE^tL-'5

Tn

drawings, 50 paintings, 45 sculptures, ship that docked in Baltimore and con- exhibition. Paintings newly given by and 224 photographs, and 261 prints, siderable rigging to move the enormous Paul Mellon were incorporated into gal- portfolios, and technical material. For a sculpture into place in the East Build- leries in both East and West Buildings. complete listing of outgoing loans see ing. Gallery staff oversaw the removal The Robinson photography collection pages 98-103 of this report, for acquisi- of the mezzanine level windows and and the Stephen Hahn family's Dubuffet tions see pages 79-97, and for loans to raised this work—42 feet long, more collection were also placed on view to the collection see pages 103-106. Other than 9 feet high, and almost 12 feet celebrate new acquisitions. statistics include 919 incoming objects wide—by crane and fork lifts into the The hectic pace of exhibitions left lit- for miscellaneous reasons and the East Building. The motorized knife tle time for special projects, but the staff issuance of 90 copyist permits. blades and oars required continual was able to clean and rearrange some of Working with ten Italian technicians maintenance so that enchanted visitors the storerooms, making more space for and conservators to install the Italian could watch the blades open and close collections and for the Vogel gift. Plans Renaissance Architecture exhibition was a in the atrium space. to inventory crates at the warehouse great pleasure. These colleagues master- Major portions of the permanent col- continue, including development of a fully assembled 70 crates of parts into lection were also on the move during barcode database for more efficient monumental models of two magnificent the year. The American paintings were retrieval of the crates. The frame project cathedrals. Without their help, the moved from the main floor to the also continues, with periodic deliveries Gallery staff would have spent countless ground floor in the West Building to of frames and sessions in which they hours trying to accomplish the task. accommodate the Glory of Venice exhibi- are tried with various paintings. Transporting Claes Oldenburg's Knife- tion. Many of the British paintings were ship from , Italy, required a cargo rearranged to accommodate the Copley

27 Loans and the National other Gallery outreach programs from Lending Service the conservation and education divisions. This was a record year for the National The loan subsystem of the collection Gallery's loan programs, as the depart- management database was released this ment administered a total of 1,388 art- year and has proven very useful for works for loan, the largest number ever tracking, documentation, and move- lent in a single year. This number ment of Gallery loans. It also helps the includes 1,174 works lent to 121 tem- office manage loans of works displayed porary exhibitions at 165 institutions with the permanent collection by gener- and 212 objects on extended loan at 55 ating the loan forms and lender history. sites. Of these, works in the National Lending Service (NLS) constituted 702 Conservation loans to 40 temporary exhibitions at 48 venues and 210 extended loans. The The conservation division hosted three Gallery also lent two works to other important professional gatherings this U.S. museum collections this year. year: the bi-annual meeting of the Pho- Among the most important loans tographic Materials Group of the Ameri- were paintings and drawings sent to the can Institute for Conservation, the Poussin exhibition at the Grand Palais annual meeting of the Washington Con- in Paris and the servation Guild, and an international in London, three major paintings by meeting to discuss the development of Monet sent to the retrospective at the new coatings to protect outdoor sculp- Art Institute of , and six Kress ture and reduce the need for repeated Collection paintings sent to the Fine maintenance. Using photographs, x- Arts Museums of San Francisco and the radiographs, and infrared reflectograms, Art Museum for A Gift to Amer- the division concluded its examination ica: Masterpieces of European Painting from of paintings by in prepa- the Samuel H. Kress Collection. ration for an upcoming exhibition and The number of bookings for NLS symposium. It researched state-of-the- shows increased this year. Seven NLS art digital imaging technology, with the exhibitions traveled to 17 venues in 12 goal of obtaining a digital camera sys- states. American Naive Paintings from the tem to capture high quality visible-light National Gallery of Art traveled most images and complement images derived widely, going to six museums from from the digital infrared camera. Florida to Idaho. A new exhibition, Mil- Progress toward networking computers Members of the conservation division ton Avery: Works on Paper, has been orga- within the division will renew efforts to serve on various advisory panels, such nized to include 57 prints, two plates, create and maintain a digital archive of as the technical committee on the pro- and a woodblock from the Gallery col- treatments and photographic documen- tection of cultural resources for the lection augmented with eight of the tation of works in the collection. National Fire Protection Association. artist's sketchbooks on loan from the The second volume of Conservation They also support research on paper Milton Avery Trust. Other exhibitions Research appeared this year, containing aging for the American Society for Test- will be based on gifts to the Gallery and research papers by both Andrew W. ing and Materials as well as the work of prior Gallery exhibitions, including From Mellon Fellows and Charles E. Culpeper the National Institute for Conservation Minimal to : Works from the Fellows as well as members of the staff. and the American Institute for Conser- Dorothy and Herbert Vogel Collection, Gem- The division has a third volume in vation. ini G.E.L.: Recent Prints and Sculpture, and preparation for 1996 and intends to Master Prints from Graphicstudio. publish this series regularly to dissemi- Painting Conservation Department staff again promoted NLS nate the results of current research. This Upcoming exhibitions influenced the programs at the annual meeting of the was the first year the conservation divi- department's choices of which paintings American Association of Museums, dis- sion presented publications, research, to treat this year. Of the 20 works that tributing literature and information to and plans for future lectures and sym- underwent major conservation, two by museum officials from all over the posia at the American Association of Vermeer, A Lady Writing and The Girl United States. The booth was expanded Museums annual meeting, using a com- with the Red Hat, and one attributed to this year to include information about puter-driven multimedia program. Vermeer, Young Girl with a Flute, were

28 Piet Mondrian, Diamond Painting in Red, Yellow, and Blue, c. 1921/1925, Gift of Herbert and Nannette Rothschild, 1971.51.1

cleaned and studied in preparation for ing a Face by Brouwer was treated before removal of heavy, yellowed varnish lay- the November 1995 Vermeer exhibition. being presented in a small focus exhibi- ers. The crisp impasto of the unlined Treatment of Copley's large Red Cross tion that inaugurated the new Dutch Monet now appears as if it were fresh Knight for the Copley in England exhibi- cabinet galleries. Finally, Lotto's Nativity from the artist's brush. Other treatments tion revealed glowing colors once was treated and technical research into included three Dutch paintings, The Cir- obscured. Conservators returned Mon- his materials and techniques was con- cumcision by Rembrandt, The Descent from drian's Diamond Painting in Red, Yellow, ducted in preparation for the Lotto exhi- the Cross after Rembrandt, and A View on and Blue to its original dimensions, bition in 1997. a High Road by Hobbema; two British restoring its compositional balance, then Conservators completed two major portraits, Reynolds' Lady Cornewall and cleaned and reframed it in a historically long-term treatments: 's Christ Joseph Wright of 's Portrait of a accurate frame to make an important at the Sea of Galilee and Carpaccio's Flight Gentleman; and an exquisite Lancret, The comparison with other works in the into Egypt, both requiring extensive Picnic after the Hunt; and two 20th-cen- Mondrian exhibition. During treatment inpainting. X-radiography, infrared tury paintings, Still Life by Picasso and and study of Homer's Breezing Up, reflectography, and analysis revealed Homage to a Square: Light Rising by infrared reflectography revealed the two other scenes beneath the visible Albers. artist's many compositional changes, painting of Christ at Galilee and shed General care of the paintings collec- which gave insight into his working light on the artist's technique. Treatment tion required 65 minor treatments, methods and complemented technical of two impressionist works, Pissarro's 2,206 minor examinations, and regular studies undertaken for the Homer exhi- Boulevard des Italiens and Monet's Rouen inspection of paintings on long-term bition. The recently acquired Youth Mak- Cathedral, West Facade, involved the loan to government offices. The system- Members of the objects conservation department clean the 17th-century lead fountain Cherubs Play- ing with a Swan by Jean-Baptiste Tuby I

a tic catalogue conservator oversaw 65 Rocio Prieto; and second-year Culpeper method has been duplicated by other major examinations and the production Fellow, Ulrich Birkmaier, continuing his institutions that own versions of this of technical entries on paintings from research on Lorenzo Lotto. monumental print. At the opposite the Italian 15th, 17th, and 18th cen- extreme, conservators painstakingly set Paper Conservation turies, Dutch 17th century, American down tiny flakes of gouache pigment 18th and 19th centuries, and French With primary responsibility for the care under a microscope to repair the and European 19th century. Members of prints and drawings in the Gallery's Adoration of the Magi by the Circle of of the department contributed to the collections, paper conservators this year Simon Bening. Micro Gallery project, trained new completed 76 major treatments, 260 Contract conservators continue to guards and couriers to recognize paint- minor treatments, and 2,260 condition care for the Gallery's fine arts pho- ing conservation problems, and contin- reports for loans and traveling exhibi- tographs and rare books. Treatment of ued to participate in the reframing tions. By far the most challenging task works in the newly acquired Robinson project. The Artists' Materials Collection was the installation of Roy Lichten- collection of photographs included was successfully launched with the stein's five-panel , Wallpaper with removing accretions from the emulsion inventory and cataloguing of the pre- Blue Floor Interior, for the National surface on Harold "Doc" Edgerton's sent holdings and the initiation of con- Gallery's exhibition of the artist's prints, famous Densmore Shute Bends the Shaft tact with artists and collectors to which then traveled to three other and surface cleaning and repairing dam- increase the scope and range of the venues. Collaborating with in-house ages to the mount of Julia Margaret collection. matter/framers and silkscreen staff, the Cameron's Deathbed Study. Working with the department this department devised a system that The department this year hosted the year were William Leisher Fellow, Paula respected both the artist's wishes and Photographic Materials Group of the Volent; Getty Intern, Elizabeth Leto; the practical requirements of exhibition, American Institute for Conservation, summer interns Kirsten Younger and packing, shipping, and storage. This with 150 participants from nine coun-

30 used by the artist over the course of her ance that detracted from the original long career and should be useful for look of Moore's design and diminished students of her work. the impact of its impressive form. David Shen, lead matter/framer in The Claes Oldenburg exhibition the graphics department, retired in demanded the efforts of the entire October 1994 after 22 years at the department to manage major and minor Gallery. Former contractor Elaine treatments on contemporary works Vamos was hired for the position. This made of an eclectic array of materials. year the matter/framer prepared 268 Conservators were able to discuss with objects from the collection for exhibi- the artist his intentions while formulat- tion. Ken Grant became the depart- ing treatment options and selecting ment's Mellon Fellow. appropriate materials. Object conserva- tors have had a continuing role in American sculpture installations for the Object Conservation First Ladies' Garden at the White The focus of the department was the House, with modern works borrowed treatment of major works in the collec- from various regions of the country. tion and the study of sculpture for the Gallery conservators shared their systematic catalogue, particularly works expertise on Saint-Porchaire ceramics by Rodin and Degas. Continuing with colleagues at the Louvre and research on sculpture by Degas resulted joined an international group to exam- in three publications this year and a ine Renaissance bronzes at the invita- presentation at the Tate Gallery in tion of the Getty Museum. A compre- London. hensive investigation of French and During treatment of the 17th-century Italian marble in the sculpture collec- lead fountain in the West Garden Court, tion is being done with the geology Cherubs Playing with a Swan by Jean- department of the University of Georgia Baptiste Tuby, formerly part of the using a variety of analytical techniques. Theatre d'Eau at Versailles, conservators This study has already yielded much reduced the accumulation of surface new information about the quarries deposits and corrosion, producing a used for the production of sculpture, more cohesive appearance while reveal- and preliminary results were presented tries presenting their latest research and ing remnants of gilding and poly- at two international meetings. treatment strategies. In another singular chrome. Treatment also involved repair- Jack Flotte, from New York Univer- project, the senior paper conservator ing breaks in the fragile lead catchment sity, became the department's Getty contributed to preparations for the shell, which eliminated the buildup of intern and Katie Holbrow entered her Winslow Homer exhibition by making corrosive liquid inside the sculpture, second year as a Mellon Fellow. and describing demonstration pieces and the removal of many coins, which that would illustrate Homer's remark- had severely corroded the lead over the able dexterity in watercolor techniques. years. This sculpture and its companion Scientific Research Research on artists' materials and in the East Garden Court, Cherubs Play- Scientists in this department addressed practices expanded this year to include ing with a Lyre by Pierre Legros, have many questions from conservators and a project funded by the Kress Founda- been fitted with a new plumbing system curators. Using microscopic, spectro- tion in which the head of the depart- to ensure, for the first time since they scopic, and chromatographic methods, ment is using an in-house custom- were installed in Washington over 50 staff members examined works of art to designed portable photo-macrographic years ago, that filtered and recirculating aid in treatment and support art histori- apparatus to document sites in Man- water flows over the lead, minimizing cal studies. Long-term research involves tegna's corpus of prints, to compare any future damage. study of artists' materials and methods engraving techniques, and to shed light Major treatment of 's as well as the testing and development on Mantegna's authorship of these 15 th- monumental Knife Edge Mirror Two Piece of materials used during treatments. century works. The senior conservator included thorough cleaning, removal of In preparation for an exhibition on continues to participate in constructing all previous coatings, rewelding of Jan Steen, members of the department a "paper profile" for the Georgia O'Keeffe seams, and repatinating. Since the examined several paintings by Steen, Catalogue Raisonne, which will character- installation of the sculpture in 1978, the including works at the Corcoran ize the papers and graphic techniques patina had developed a mottled appear- Gallery, the Philadelphia Museum of

31 Art, the Rijksmuseum in Amsterdam, the National Gallery and at other insti- and the Gallery. Preliminary results of tutions, and to make a quantitative this research, carried out jointly with elemental analysis of the Gallery's col- these museums and the Central lection of Rodin bronzes for an ongoing Research Laboratory of Objects of Art study of his casting processes. and Science in Amsterdam, are pub- Investigations into nondestructive lished in the exhibition catalogue. analysis of pigments, using visible and In preparation for an exhibition on near infrared spectroscopy, continue in Georges de La Tour, the department has collaboration with conservators and been conducting a similar study of La consultants. A full range of blue pig- Tour's materials and techniques in ments has been examined, and work is collaboration with the Kimbell Art progressing to include mixtures of blue Museum's conservation department. and white pigments. A library of near This project broadens research begun infrared spectra of pigments has been last year on the Gallery's Repentant created and continues to grow. This Magdalene by La Tour, with technical research is supported in part by The Cir- studies of paintings from all periods of cle of the National Gallery of Art. the artist's career in collections in Los As part of the long-term investigation Angeles, San Francisco, Cleveland, Nor- of new synthetic resins to replace tradi- folk, and New York, as well as at the tional but unstable picture varnish National Gallery and the Kimbell. materials, characterization of surface Results will be published in the coating topographies using scanning exhibition catalogue. electron microscopy (SEM) has begun. Research on paintings by Vermeer This work aims to identify parameters continued, with technical study of the that contribute to the aesthetic effects of paintings in the Gallery's collections; coatings, particularly picture varnishes. results are being presented in the exhi- SEM helps represent microscopic sur- bition catalogue and at symposia held in face features that determine gloss and conjunction with the exhibition. A full- color saturation achieved with coatings. length technical investigation of the Many more synthetic coatings, in com- it was decided to initiate a study to painting Christ at the Sea of Galilee by Tin- parison with traditional coatings, and develop new coatings systems based on toretto was also completed this year. different application methods will be improved understanding of coating fail- One technical study in progress that studied in the coming year. This work is ure mechanisms. Funding was awarded focuses on materials used in etchings by supported in part by a grant from the by the National Center for Preservation Mantegna is designed to answer ques- Mobil Corporation. Technology and Training, a division of tions about whether the artist executed To assess the effects of neutron the National Park Service, and addi- his own prints or employed a profes- autoradiography on paintings, scientists tional support from the Gallery will sional printmaker. Other technical stud- exposed various paint samples at the make possible the hiring of a full-time ies included examination of the media reactor of the National Institute of Stan- researcher in January 1996. in painted 15th-century Venetian dards and Technology and analyzed Research continued on the history, frames, of white accretions on works by them thoroughly using gas chromatog- composition, and fading of flavonoid Oldenburg, and of the medium in paint- raphy, Fourier-transform infrared pigments used as yellow colorants in ings by Vermeer, Lotto, and Filippino spectroscopy, and other methods. paintings and textiles. High performance Lippi. Results so far indicate that no significant liquid chromatography (HPLC) is the Air-path energy dispersive x- fluo- changes occur as a result of neutron primary analytical method used for rescence spectrometry (XRF) this year activation. The analysis is expected to characterizing these dyes. Considerable enabled department scientists to identify be completed in 1996. progress was made by studying the metalpoint, inks, and other pigments in At a meeting organized by the degradation of quercetin, one of the the Gallery's Woodner collection of National Gallery and supported by Save components of the yellow dye master drawings, information that was Outdoor Sculpture! (SOS!) more than buckthorn. reported in the exhibition catalogue. 50 conservators, scientists, and art his- Purchase of a Leitz DMR research XRF also allowed scientists to identify torians considered the problem of pro- microscope has greatly enhanced the pigments in the Gallery's paintings by tecting outdoor bronze sculpture from department's ability to study pigment Lotto, to analyze pigments and tech- the deleterious effects of the environ- samples and paint cross sections. Sam- niques in paintings by Thomas Moran at ment. No satisfactory coatings exist, so ples can now be examined on one

32 Knife Ship I is brought into the East Building through a mezzanine window for the exhibition A Claes Oldenburg: An Anthology

microscope using both ultraviolet and packed, and transported to Paris for unusual challenges, most notably the visible light illumination. The increase exhibition. Sculptures in Claes Oldenburg 23-foot-long print by Frank Stella, The in clarity and resolution over the earlier required complex handling because of Fountain, which entailed considerable equipment has already allowed their size, fragility, and construction. On ingenuity in hinging and joining edges. researchers to identify previously a smaller scale, works in the Dutch Cab- The frame conservation department undetectable features. inet Galleries, and Adriaen Brouwer and focused on frames for the permanent The recently acquired mass spectrom- Vermeer exhibitions demanded equally collection, including treatments for eter was upgraded to a triple quadru- exacting care. The Mondrian exhibition many new acquisitions of antique pole mass spectrometer. Several mass involved a large number of framing frames and replicas of period frames spectral methods, such as liquid changes after the paintings arrived at that were made for Gallery paintings. chromatography / mass spectrometry, the Gallery. Other challenging exhibi- Works by Vermeer and Van Kessel were will be developed to aid in the analysis tions were Glory of Venice, James McNeill among the more notable paintings of complex samples from works of art. Whistler, and Arshile Gorky. reframed this year. The frame conserva- This technology allows a level of preci- The matting/framing department kept tors also handled the treatment and sion in the analysis of organic art mate- pace with an enormous volume of reframing of paintings in such exhibi- rials not possible until now. works on paper that needed to be pre- tions as Winslow Homer and Piet Mon- pared for exhibition or storage, includ- drian. Loans and Exhibitions Conservation ing prints for James McNeill Whistler and With the opening and closing of 10 sig- His Contemporaries and drawings for Exhibitions nificant exhibitions this year, the sheer upcoming shows of the Chatsworth and volume of work became a unique chal- Woodner collections. In addition, many The exhibitions office oversaw the lenge for this department. Intricate prints, drawings, and photographs opening of 17 exhibitions at the models from Italian Renaissance Architec- added to the collections required the National Gallery in the past fiscal year, ture: Brunelleschi, Sangallo, Michelangelo— attention of matter/framers. All of these for which 276 lenders from 16 countries The Cathedrals of Florence, Pavia, and St. preparations demand precise craftsman- and 21 states loaned 1,609 works of art. Peter's, Rome had to be dismantled, ship, but a few works presented The department also worked on another

33

39 projects scheduled to open in the coordinated by Andrew C. Robison next five years and administered the coorganized with the Royal Academy of Arts, London tours of five exhibitions. United States supported by Mobil Corporation; additional government indemnity was secured for support was provided by an indemnity from three exhibitions, enabling a savings of the Federal Council on the Arts and the over $1,975,000 in insurance premiums. Humanities Claes Oldenburg: An Anthology Temporary Exhibitions at the 12 February-7 May 1995 National Gallery of Art coordinated by Maria Prather coorganized with the Solomon R. Guggen- Gemini G.E.L.: Recent Prints and heim Museum, New York, and presented in Sculpture association with The Museum of Contempo- continued from the previous fiscal year to rary Art, Los Angeles, Kunst- und Ausstel- 2 October 1994 lungshalle der Bundesrepublik Deutschland, coordinated by Charles Ritchie Bonn, and The , London

From Minimal to Conceptual Art: Works Imitation and Invention: Old Master from The Dorothy and Herbert Vogel Prints and Their Sources Collection 19 February-6 August 1995 continued from the previous fiscal year to coordinated by Gregory Jecmen 27 November 1994 Arshile Gorky: The Breakthrough Years coordinated by Mark Rosenthal and I May-17 September 1995 Ruth E. Fine coordinated by Mark Rosenthal supported by The Circle of the National organized by the Modern Art Museum of Gallery of Art Fort Worth, in cooperation with the Milton Avery: Works on Paper Albright-Knox Art Gallery, , New continued from the previous fiscal year to York, and the National Gallery of Art 22 January 1995 the exhibition and catalogue were supported coordinated by Carlotta G. Owens in part by The Henry Luce Foundation, with additional funding from the T. J. Brown Robert Frank: Moving Out and C. A. Lupton Foundation, Fort Worth 2 October-31 December 1994 coordinated by Sarah Greenough French Drawings from the Armand supported by the Lannan Foundation, Hammer Collection Polaroid Corporation, The Robert 14 May 1995-13 November 1995 Mapplethorpe Foundation, Inc., Pro Helvetia, coordinated by Margaret Morgan Grasselli Arts Council of Switzerland, and The Circle of the National Gallery of Art James McNeill Whistler 28 May-20 August 1995 The Prints of Roy Lichtenstein coordinated by Nicolai Cikovsky Jr. 30 October 1994-8 January 1995 coorganized with the Tate Gallery, London, coordinated by Ruth E. Fine the Reunion des Musees Nationaux and the Figure Studies and Compositional Musee d'Orsay, Paris supported by NYNEX Foundation; additional Drawings from the Armand Hammer support was provided by an indemnity from Collection the Federal Council on the Arts and the 13 November 1994-2 May 1995 Humanities coordinated by Margaret Morgan Grasselli Piet Mondrian: 1872-1944 Italian Renaissance Architecture: II June^l September 1995 Brunelleschi, Sangallo, Michelangelo— coordinated by Mark Rosenthal The Cathedrals of Florence, Pavia, coorganized with the Haags Gemeentemu- and St. Peter's, Rome seum, The Hague, and The Museum of 18 December 1994-19 March 1995 Modern Art, New York coordinated by Henry A. Millon supported by Heineken USA Incorporated organized by the Palazzo Grassi, Venice and Shell Oil Company Foundation; addi- supported by the Fund for the International tional support was provided by an indemnity Exchange for Art and Alitalia Cargo Systems from the Federal Council on the Arts and the Toulouse-Lautrec: Marcelle Lender Humanities Dancing the Bolero in "Chilperic" Prints by James McNeill Whistler and 18 December 1994-2 April 1995 His Contemporaries coordinated by Florence Coman 18 June-31 December 1995 coordinated by Eric Denker Knife Ship I, 1985, a forty-foot kinetic sculpture in The Glory of Venice: Art in the the form of a giant Swiss Army knife, was installed in the mezzanine of the East Building for the Eighteenth Century Marc Chagall's Early Prints and Draw- exhibition Claes Oldenburg: An Anthology 29 January-23 April 1995 ings: From Gerhard and Marianne

35 Pinkus and Other National Gallery instance, continue to be requested by Collections other venues. Nearly one million 2 July-31 December 1995 brochures were distributed to the public coordinated by Judith Brodie in fiscal year 1995. Recent Acquisitions of Works of The department produced three docu- Art on Paper mentary videos for 1995 exhibitions: 2 July-31 December 1995 Large-Scale Projects, a silent 10-minute coordinated by Andrew C. Robison program for Oldenburg, screened along- The First Century of Photography: side the artist's drawings and models for New Acquisitions several large sculptures to show the 10 September-31 December 1995 coordinated by Sarah Greenough construction and installation of the actual works; , a 50-minute Adriaen Brouwer: "Youth Making a Face " program for Oldenburg, presenting a 24 September 1995-11 February 1996 selection of films made during coordinated by Arthur K. Wheelock Jr. rehearsals and performances of Olden- burg's "happenings" of the 1960s; and Exhibition Programs James McNeill Whistler: The Lyrics of Art, a 17-minute program running continu- This department provides interpretive ously in a theater next to the exhibi- materials to enhance Gallery visitors' tion, which considers Whistler's understanding and appreciation of relationship to Courbet, Baudelaire, works of art presented in exhibitions. To Ruskin, and as well as his reach a broad public, the staff produces controversial reactions to artistic issues a variety of materials such as brochures, of the day. About 250,000 people audio tours, explanatory wall texts, and attended screenings of these videos at video presentations. In fiscal year 1995 the National Gallery, and the Whistler interpretive materials were prepared for video is being distributed nationally on 15 exhibitions. a free-loan basis while a captioned ver- The National Gallery provided free sion is available for people with hearing illustrated brochures for the Robert impairments. Both Oldenburg videos Frank, Prints of Roy Lichtenstein, Glory of traveled with the exhibition to Los Venice, Claes Oldenburg, Arshile Gorky, Angeles, New York, Bonn, and London. James McNeill Whistler, and Piet Mondrian Three audio tours, all incorporating exhibitions, explaining the main themes period music, accompanied exhibitions and announcing related lectures, films, this year: The Glory of Venice, introduced and other public programs. Large-print by director Earl A. Powell III and nar- versions of these brochures were rated by senior curator Andrew Robison; printed in-house for visitors with visual James McNeill Whistler, narrated by the impairments. Members of the staff director, the deputy senior curator of prepared more extensive booklets for paintings Nicolai Cikovsky Jr., and the Italian Renaissance Architecture, Toulouse- curator of American and British paint- Lautrec, and Adriaen Brouwer. Explana- ings Franklin Kelly; and Piet Mondrian, tory wall texts accompanied all of these narrated by senior curator of paintings exhibitions as well as five others that Edgar Peters Bowron. The department highlighted works from the permanent responds regularly to requests for mate- collection: Imitation and Invention; Prints rials from museums, schools, and mem- by James McNeill Whistler and His Contem- bers of the public across the nation. poraries; Marc Chagall's Early Prints and Drawings; Recent Acquisitions of Works of Design and on Paper; and The First Century of Pho- tography. The Gallery's brochures and In addition to installing many tradi- text panels are made available to Amer- tional exhibitions in fiscal year 1995, ican museums that host traveling exhi- the department presented a number of bitions. The brochure and wall texts for remarkable architecture and sculpture the 1994 Audubon exhibition, for exhibitions that challenged the staff in

36 The newly designed Dutch Cabinet Galleries, under construction (at left), opened to the public 24 September 1995 new ways. Members of the department Claes Oldenburg began outdoors on the also oversaw the planning and con- 4th Street Plaza and moved inside to struction of two new spaces on the the ground floor, mezzanine, and upper main floor of the West Building—the level galleries and terraces of the East Dutch cabinet galleries, and an informa- Building. Oldenburg's monumental tion room and Micro Gallery. Adminis- Knife Ship I was set in motion on the tratively, the department assumed mezzanine terrace under the space responsibility for the Gallery architect's frame and Calder's huge mobile, near office, now under the direction of the fanciful oversize costumes created for chief of design. the same 1985 performance in Venice. From a spatial point of view, Italian His Giant Soft Three-Way Plug was sus- Renaissance Architecture: Brunelleschi, pended from skylights in the staircase Sangallo, Michelangelo—The Cathedrals of linking mezzanine and upper level gal- Florence and Pavia and St. Peter's, Rome, leries. While his Bedroom Ensemble was was in many ways the most exciting recreated in its entirety, many monu- enterprise the Gallery has undertaken mental sculptures were seen on a video on the main floor of the West Building. next to original maquettes and models. The exhibition consisted of wooden Claes Oldenburg and Coosje van , The Dance Lesson, c. 1879, Collection of Mr. and Mrs. Paul Mellon, 1995.47.6 models of Italian Renaissance architec- Bruggen worked closely with the cura- ture, astounding both in the quality of tors and exhibition designers at the their execution and in their size, along Gallery to create this delightful with drawings, prints, illustrated books, installation. related sculpture, and architectural frag- Of the construction projects realized ments. The West Sculpture Hall, West by the department, the Dutch cabinet Garden Court, and adjacent galleries— galleries on the main floor of the combining some of the Gallery's largest West Building added intimate gallery spaces with more intimate galleries spaces for the display of small 17th- where the natural light could be elimi- century Dutch paintings. By relocating three damaged bronze chandeliers nated—allowed for a sequence of a doorway, installing air conditioning found in the attic, they turned the third objects ranging from Sangallo's monu- ducts and electrical conduits, and raising into an impressive wall depicted mental model of St. Peter's to a bronze the floor, designers created a long nar- in one of John Russell Pope's earliest coin and the juxtaposition of models row space with two square rooms at drawings. and fragile works on paper. Ultimately, either end and a rectangular gallery in The Gallery's ongoing frame project, the most wonderful aspect of this instal- between, and they used architectural supported by the Ailsa Mellon Bruce lation was the harmony between the detailing and materials derived from Fund and the New Century Fund, models and the architecture of John adjacent galleries. Four cases in the reframed 44 paintings in the collection Russell Pope, whose design and detail- middle gallery, designed to exhibit very this year—30 with antique and 14 with ing descends directly from the Italian small works of art, incorporate state-of- reproduction frames, 15 of which came Renaissance. Special panels and plinths the-art fiber-optic illumination, water- from existing holdings. Seeking frames with texts and illustrations guided visi- clear nonreflective safety glass, and a for more than 300 paintings, the frame tors through the show, while banners special micro environment control sys- committee purchased 26 antique and 3 inscribed with quotes from the archi- tem that allows interior humidity to be reproduction frames and considered tects hanging on the walls in the maintained at precise conservation about 150 for acquisition. The commit- vaulted halls provided color and further levels. tee selected a 19th-century Whistler enlivened this space. To accommodate the new Micro frame for Brown and Gold: Self-Portrait by The Glory of Venice, one of the largest Gallery project while preserving the Whistler and an antique 17th-century exhibitions ever installed in the West functions of the art information room, Spanish frame for Still Life with Fruit and Building, included more than 200 paint- the design department created one Pottery by Hamen y Leon, both based on ings, drawings, prints, and illustrated grand space to house these services and reviews of frames seen in exhibitions books shown in 16 galleries surround- programs. To recapture some of the ear- to which they were loaned. The com- ing the East Garden Court. The design lier character of the room, the staff mittee focused on reframing paintings and layout permitted paintings to be designed and constructed the art infor- included in upcoming exhibitions, such displayed near related drawings, prints, mation desk and 13 Micro Gallery as Vermeer's Woman Holding a Balance, and books while providing proper light workstations to look as though they had Girl with a Red Hat, and A Lady Writing levels for the works on paper. always been there. Restoring two of and the Girl with a Flute attributed to

38 Vermeer, which were completed with a Education ties, covering old master and modern generous grant from The Circle of the collections, classical mythology, National Gallery of Art. The staff and volunteers of the educa- Renaissance and Reformation art, The frame project continues to tion division are devoted to enhancing 19th-century American painting, develop and implement the computer the public's aesthetic and intellectual 19th-century French painting, and rep- imaging database of Gallery frames. experience of the National Gallery's col- resentations of women in Western art. Photographic images taken by the lections and exhibitions through pro- Volunteer docents led daily tours of design department are scanned into the grams and publications that reach into the collection in both East and West system and combined with conservation every gallery and into classrooms Buildings—in English, French, Spanish, reports detailing the condition and throughout the country and abroad. German, Italian, and, this year, in description of each frame. This project, Japanese and Russian as well. The Cir- with an estimated 3,500 frames targeted Adult Programs cle of the National Gallery of Art makes for inclusion, is expected to continue Tours and Lectures: This section prepares it possible for docents to visit retirement through fiscal year 1997. and delivers free public tours and lec- homes with art reproductions to stimu- Finally, in 1995 the design depart- tures, including tours of the collection late discussions and for senior citizens ment was the recipient of a Federal and all exhibitions, short gallery talks to visit the Gallery for a light breakfast Design Achievement Award for Exhibi- on selected works of art, and intro- and tour of the collections. tion Design at the National Gallery of ductory art appreciation programs such Staff lecturers and volunteers offer Art, based on a selection from October as "Reading Portraits," "Reading group tours to adult visitors by appoint- 1991 through May 1994. Mythology," and "Reading Altarpieces." ment. This section also coordinated the Short courses included French impres- preparation of 33 radio talks and inter- sionism, Italian , and the views to accompany Sunday broadcasts art of James McNeill Whistler. A seven- of National Gallery concerts. part summer lecture series addressed Academic Programs: This office oversees the topic of "Artists and Their American programs for public and scholarly audi- Connections." This year the section also ences, including the Sunday lecture initiated gallery talks designed to sup- series and the Andrew W. Mellon Lec- port university courses in the humani- tures in the Fine Arts. Arthur C. Danto

39 gave this year's Mellon Lectures, included Perspectives on the Permanent Col- Pierre Bonnard, La Promenade (Girls), 1891/1893, Contemporary Art and the Pale of History. lection, an afternoon of scholarly lectures Collection of Mr. and Mrs. Paul Mellon, 1995.47.22 The office organized a number of pro- on feminism and , and grams in conjunction with exhibitions: a Anatomy of Art, focusing on techniques panel discussion, "Among Friends: Allen of old master through lec- Ginsberg, Robert Delpire, Jonas Mekas, tures, gallery talks, and demonstrations. An unprecedented number of volunteer and Ed Grazda on Robert Frank"; a The two fellows in the graduate lec- summer interns worked at the Gallery symposium on "Venetian Art and Cul- turing fellowship program delivered 48 this year, with 35 students from all over ture in the 18th Century"; a two-day gallery talks this year. Three participants the United States as well as , symposium on Whistler co-sponsored in the program of Internships for Diver- , , and the Netherlands with the National Portrait Gallery; four sity in the Museum Profession were assigned to various departments and lectures by David Friedman, professor of supported in part by a grant from the participating in twice-weekly orienta- Renaissance architecture at the Massa- Nathan Cummings Foundation. Another tion sessions. chusetts Institute of Technology, relating 16 volunteer interns served throughout Film Programs: The film program has to Italian Renaissance models; and the the Gallery for an academic year follow- two components: documentary films tenth in a series of "Conversations with ing a weekly orientation program that shown in support of the permanent col- Artists," featuring Claes Oldenburg and introduces participants to a wide range lection and temporary exhibitions; and . Two pilot programs of Gallery departments and functions. weekend series often proposed and

40 if I i \ f kf r I b v •/

Claude Monet, Study for "The Luncheon on the Grass," and Emile de Antonio. A survey of Cultural Institute, and Societa dell'Ente c. 1865, Collection of Mr. and Mrs. Paul Mellon, video art by American artists showed Cinema Spa assisted in the presentation 1995.47.60 early electronic works from the 1960s of a comprehensive retrospective of the by Vito Acconci and Bill Viola and work of , using recent work by Hal Hartley, George prints recently restored by Cinecitta organized by noted film scholars on top- Kuchar, Jerome Thomas, and others. International. For the third consecutive ics that relate to special exhibitions or "Italy's Golden Age of Silent Cinema," summer the Gallery presented a series the history of film as an art form. Each with 43 films from 1909 to 1929, was of silent films performed with their series includes 10 to 30 films culled presented in cooperation with the major original scores by members of the from archives, collectors, and producers Italian film archives, the Library of National Gallery Orchestra. Library of around the world. In association with Congress, the George Eastman House, Congress music historian Gillian Ander- the Robert Frank exhibition, two series and the , New son reconstructed the scores for three were presented simultaneously: a retro- York. "The Filmmaker's Venice," shown films: The Black Pirate (1926), Orphans of spective of films and videos made by in conjunction with The Glory of Venice, the Storm (1921), and Nosferatu (1922). Frank, and a series devoted to indepen- consisted of ten films, including a silent Two series introduced the work of dent American filmmakers—many of version of Casanova and Joseph Losey's Japanese auteur Suzuki Seijun and them Frank's friends—including Andy acclaimed production of Don Giovanni. British filmmaker Jack Clayton to Warhol, Joseph Cornell, Harry Smith, The Embassy of Italy, the Italian Washington audiences. Clayton, whose

41 I 1

Henri Fantin-Latour, Self-Portrait, 1861, Collection of Mr. and Mrs. Paul Mellon, 1995.47.9

most famous work was Room at the Top when this long-term project is com- Rubio Ruiz, Sra. Boni Moreno, and in (1959), inaugurated the British "new pleted. Department staff wrote 15 new memory of Mr. James W. Harris. wave" of filmmaking during the 1960s. guides this year, covering 170 works of The department reviewed biographi- art. , medieval arts, 15 th- cal and interpretive information for Education Publications century Florentine painting, 18th- and 2,500 texts that make up the Micro This department oversees the diverse 19th-century British and American Gallery. The staff also co-wrote the publications produced by the education paintings, and 18th-century decorative Micro Gallery introductory brochure, division and also writes and develops a arts were among the subject areas produced announcements, flyers, and wide range of interpretive materials treated. In addition, 21 existing guides school materials, reviewed wall labels about the collections. In fiscal year 1995 were translated into French, German, and brochures for special exhibitions, the department reviewed and supported Italian, and Spanish, adding 84 multilin- and developed docent research texts on production of over 80 publications. gual guides. The majority of translated 20th-century artists, including Miro, A primary focus was on gallery guides, produced for old master gal- Richter, Lichtenstein, Warhol, and guides—laminated references to indi- leries, was supported by a grant from Kiefer. vidual works that will be available in Melvin Henderson-Rubio (Microsoft With generous support from the Vira every permanent collection gallery Corporation) in honor of Mrs. Caroline I. Heinz Foundation, the office com-

42 The division's adult and family collec- the short-term loan system and by affili- tion guides, previously handed out in ate organizations (numbering over 500) the information room, are now avail- such as schools, libraries, and universi- able in the sales shops. This move will ties that have programs on extended permit the Gallery to keep the guides in loan. Presentation of video programs by print long-term and extend the public individual public and educational televi- reach of education publications. sion stations remained stable, and the use of videocassettes surpassed film dis- Education Resources tribution by a 3:1 ratio. This department consists of two sec- The department continued to provide tions: extension programs and art infor- extension programs to U.S. facilities mation. In the latter, six staff members abroad, sending program transmissions recruit, instruct, and supervise more via USIA's WORLDNET to television sta- than 140 volunteers who staff art infor- tions and U.S. embassies in Latin Amer- mation desks at the entrances to the ica, the , Near East, and East and West Buildings during public Southeast Asia. USIS fostered use of hours. This year marked the 10th extension programs by libraries and anniversary of the program, in which binational centers in Colombia and by 24 of the original volunteers continue the American Documentation Center in to serve. Training was offered in 70 Denmark. Programs are used interna- tours and lectures for volunteers, who, tionally in institutions such as American as a group, provide over 1,300 hours of International Schools in and in service per month, for a total of 16,360 , France; Martin Luther King Jr. hours this year. Staff and volunteers Library in Ghana; Simon A. Sanchez responded to an average of 6,000 visitor High School in Guam; University of the questions and about 700 telephone Philippines; and Grigorescu Art Acad- inquiries per week about exhibitions emy in . Selected extension and collections. The staff also replied to programs—The Landscapes of Frederic 2,216 telephone and written inquiries Edwin Church, William Merritt Chase requiring specialized research this year. at Shinnecock, John James Audubon: "The Surveys show that visitors came to the Birds of America," and Winslow Homer: Gallery from every state in the nation The Nature of the Artist—were among the and over 60 other countries, many from films screened at the Musee du Louvre, , Japan, France, Germany, China, Paris, in honor of the National Gallery and the United Kingdom. of Art; and the Musee d'Orsay used a The extension programs section pro- Gallery video—James McNeill Whistler: duces educational materials and over- Etchings—in connection with its show- sees nationwide distribution of color ing of the Whistler exhibition. New slide programs, teaching packets, films, offerings include two video programs pleted preproduction work, including videocassettes, and videodiscs based on produced in conjunction with Gallery research of over 150 illustrations, on the Gallery's collections and exhibitions. exhibitions: Roy Lichtenstein: The Art of two books that will fulfill the founda- Extension programs are used in schools, the Graphic Image and James McNeill tion's grant to family publications. Inside libraries, colleges and universities, civic Whistler: The Lyrics of Art. Out: Behind the Scenes at the National organizations, and by public and educa- Staff continued to develop texts for Gallery of Art and The Whole Truth Is Sel- tional television stations across the an extensive interactive software pro- dom Called For, and Other Myths are nation. All extension programs are gram to accompany the American Art expected to be published next year. The loaned free of charge, with return videodisc produced by the department. staff also wrote a teaching packet, The postage representing the only cost to Production also began on a videodisc of Inquiring Eye: Mythology, for K-12 class- the borrower. the Gallery's collections of European room use; this educational resource is In fiscal year 1995 the total of all art, with selections of European sculp- one of the materials offered nationwide extension program presentations was ture and works on paper. Support for through the Gallery's lending service. 92,281, with the viewing audience the European project has been provided The packet includes a survey text with reported at 33,465,554. About 84% of in part by a grant from The Annenberg black-and-white and color illustrations the programs were used by individual Foundation. and color slides. teachers and other borrowers through Scholastic Arts magazine, intended for

43 use in secondary schools, is published Motor Company. The Gallery also col- by Scholastic, Inc., with the cooperation laborated with public school administra- of the National Gallery. Audiences and tors on ways to incorporate the vast subscription levels remained stable this resources of the national museums into year; more than 100,000 subscribers their curricula and participated in the received the six yearly issues of the new "Museum as a Resource" Headstart publication. Among the artists featured project by inviting 1,034 three- to five- were Degas, Miro, Louise Nevelson, and year-olds and their families to the Jacob Lawrence. Gallery together. Staff members visited six elementary schools to introduce Teacher and School Programs looking skills, and parents and teachers This department presents tours, pro- from one school visited the Gallery. grams, and publications for teachers, The National Teacher Institute school-age children, and their families. expanded its offerings from three to five This year 117 volunteer docents, trained sessions: three on American and two on by the professional staff, gave 3,100 Renaissance art. Funding from the tours to about 52,000 school children. Geraldine R. Dodge Foundation enabled The school tour program reaches stu- the Gallery to offer the new sessions, dents from across the country as well as with the aim of involving more princi- from the District of Columbia, Virginia, pals, supervisors, and interdisciplinary and Maryland. For a second year all teams. An advisory committee of local 12,000 sixth-grade students from Fair- and national educators helped plan this fax schools came to the Gallery for tours expansion, and 272 teachers and school of both the East and West Buildings administrators from across the country under a program developed with the participated in the six-day programs, Fairfax County Public Schools. potentially reaching more than 60,656 The high school seminar brought 40 students per year. In addition, 7 teacher students from 22 area schools to the workshops and 15 teacher inservices Gallery for ten Saturday morning lec- offered instruction, enrichment, and tures, discussions, and journal activities resources to 857 area educators. on American art. Working with a spon- Family programs in conjunction with soring teacher, each student completed exhibitions were offered on an average a final project and presented it at a con- of two Sundays a month, and more cluding program for teachers and par- than 1,000 family members attended 25 ents. Two high school days drew 418 weekend and summer sessions. The students from 4 District schools and 11 programs are always fully subscribed. Maryland and Virginia schools for a tour of the Oldenburg exhibition, a slide STATISTICAL SUMMARIES OF overview, and hands-on sculpture activ- EDUCATION PROGRAMS ities. And Mobil Corporation arranged Programs/ Estimated for 836 Fairfax County students and Showings Audiences teachers in advanced placement Adult Programs Tours, lectures, symposia, 3,737 493,797 European history and art history classes films, radio programs, to attend a slide introduction and tour audio tours Library of The Glory of Venice. Education Publications Gallery guides 15 400,000 Active involvement in the District The National Gallery published a Education Resources community continued through the Extension programs 92,281 33,465,554 brochure on the library in fiscal year multiple-visit program "Art Around the Art Information 1995, which was distributed interna- Corner," in which 288 fourth-, fifth-, Public inquiries and 1,319,063 tionally, stimulating an increase in materials distributed and sixth-grade students from three interest around the world: readers came Teacher and School local schools (Thomson, Seaton, and Programs from Australia, Austria, Brazil, Canada, Savoy) came to the Gallery for eight Tours, family & school 3,253 119,686 Denmark, France, Germany, Great programs, teacher institutes, visits that integrated looking, critical workshops, inservices Britain, , Italy, , thinking, and writing skills. This pro- Switzerland, and . Reader ser- gram received support from the Ford vices staff continued to answer refer-

44 Esaias van de Velde, Villagers Skating on a Frozen Pond, 1625, Ailsa Mellon Bruce Fund, 1994.79.1

ence questions by telephone or mail as Galleries, to the Phoenix Museum of Significant additions to the reference well as in person and to provide orien- Art and the Los Angeles County collection include: Grande dizionario enci- tations to graduate students from local Museum of Art; and an artist's book, clopedico UTET, 21 vols. (Turin, and several distant universities. Moby Dick with illustrations by Barry 1984-1993); Handbook of European His- An increased number of international Moser, to the Hurlbutt Gallery in tory (Leiden, 1994-); Dansk kunstnerlek- interlibrary loan requests came primar- , Connecticut. Three library sikon (, 1994—); Le diction- ily from Canada and England. The books are part of the Homer exhibition: naire des peintres beiges au XIV' siecle a nos library also lent important volumes to two copies of Winsor and Newton's jours (, 1995); Gli scultori italiani museum exhibitions: a rare auction cat- Manufacturing Artists' Colourman of 1895, dal neoclassicismo al libertu (Lodi, 1994); alogue, Frank Lloyd Wright Collection of and Armand Cassagne's Traite Great Art of the Hermitage Japanese Antique Prints by the Anderson d'acquarelle of 1875. Museum, St. Petersburg (New York, 1994);

45 Aristide Maillol, La Mediterranee, c. 1906, Collection of Mr. and Mrs. Paul Mellon, 1995.47.17

I marchi dell'argenteria italiana (Navar- generous donors included Per Clarissimi pictoris et geometrae Alberti rone, 1993); Vie et historie du Ier a Bjurstrom, Carol Fastuca, J. Dureri, De varietate figurarum . . . (Nurem- XX' Arrondissement, 20 vols. (Paris, Freedberg, Donald and Lorraine burg, 1534); Bernard Gerbrands 1985-1988); and the 's Leonard, Constance Pierce, David Root, Fermerius' De rerum usu et abusu Catalogue of books printed in the German- Ruth Carter Stevenson, and Egon (, c. 1575); Giovanni Andrea speaking countries . . .from 1601 to 1700, Verheyen. Gilio's Due dialogi de M. Giovanni Andrea, 5 vols. (London, 1994). Significant special acquisitions Gilio da Fabriano primo de 'quali se regione Gifts continue to play an important included: Artistic Houses . . . (New York, de le parti morali. . . (Camerino, c. 1564); part in the acquisitions program. The c. 1883-1884); Jost Amman's Neuwe Hendrik van Houten's Verhandelinge van Circle of the National Gallery of Art Biblische Figuren . . . (Frankfurt, c. 1571); de Grontregelen der Doorzigtkunde, of funded the acquisition of eight 17th- Ottavio Boldoni's Theatrvm temporanevm Tekenkonst (perspectief). .. (Amsterdam, and 18th-century books on the "Grand aeternitati Caesaris Montii S.R.E. Cardinalis 1705); Georg Christoph Killian's Abbil- Tour." Patricia G. England added to her et archiep. mediolaned. sacrvm Octauio dungen der Gemaelde und Alterthuemer . . . previous gifts of modern livre d'artistes, Boldonio . . .; Jakob Bornitz' Emblemata (Augsburg, c. 1777-); Carlo Labia's Imp- Mark Samuels Lasner became the major Sacra (, c. 1678); Claas Bruin's rese pastorali estratte dalla divina scrittura donor of books on the 19th century, Uitbreiding, oner hondred leerzaame zin- de rappresentano I'imagine del vescovo . . . and Mrs. John A. Pope tirelessly sought nebeelden (Amsterdam, c. 1722); Jacob (Venice, c. 1685); Giovanni Paolo new books on oriental porcelains to add Cats' Alle de wercken, soo oude als nieuwe... Lomazzo's Idea del tempio della pittura . . . to her previous gifts. Other particularly (Amsterdam, c. 1700); Albrecht Durer's (, c. 1785); C. G. von

46 arts de la vie (Paris, 1904—1905); Milanese architecture and sculpture, Jahrbuch fur Antike und Christentum: Professor William Brumfield added 269 (Munsten, 1958-1989); Mercure de photographs to his already extensive France (Paris, 1721-1791); Memoires de la coverage of Russian architecture, and Societe des Sciences Morales, des Lettres, et Yasar Tabba donated 70 photographs of des Arts de -et-Oise (Versailles, the architecture of Islamic hospitals. 1836-1997). Such images would be very difficult to acquire without the expertise of the LIBRARY STATISTICS (fiscal year 1995) scholars involved. Total volumes 188,549 Photograph subvention funds from (monographs, bound serials, the Kress Foundation enabled the including auction catalogues, Gallery to acquire three photographic pamphlets, microforms) collections: 19th-century windows for Titles/volumes acquired with federal funds 2,705/2,855 the Corpus Vitrearum/Hungary, cast Titles/volumes acquired with iron sculpture from Central , and trust funds 464/730 more than 500 photographs of syna- Titles/volumes acquired by gift 1,716/1,745 gogues in Morocco (the latter primarily Titles/volumes acquired by funded by the World Monument Fund exchange 799/812 Added microform titles/ and the Jewish Council). The volumes 98/104 Kress Foundation continued its gener- Added vertical file material 5,710 ous support with a substantial gift for Reference inquires 18,121 the purchase of photographs. Computer-based bibliographic Archives staff reorganized the entire searches (RLIN, OCLC ARTQUBST, 2,776 20th-century section to facilitate access DIALOG, WILSONLINE) Outside visitors 2,524 to post-1945 art and nontraditional Titles/volumes catalogued 4,347/5,208 works. Objects are now organized by Circulation 25,014 the nationality of artists, and then alphabetically by an artist's last name. Photographic Archives The staff also ordered and catalogued The archives was greatly enhanced this more than 335 photographs of Jacob year by the acquisition of more than Lawrence's work, including all of 20,000 photographs, including 7,220 his major series; added 1,919 new images of architectural drawings from artists and 1,027 new buildings to the the Foundation for Documents of database; and integrated more than Architecture, bringing holdings in this 18,750 photographs into the collections. area to 22,000 photographs. Other In addition to providing 2,714 pho- Murr's Versuch einer Beschreibung der highlights included such 19th-century tographs for Gallery staff, the archives Kaiserlich-K. . . (Nuremberg, c. 1771); albums as La Russie (Russian architec- assisted 410 outside scholars this year, Jan Philipsz. Schabaelje's Emblemata ture), dated 1864; L'Opera de Paris (the responding to requests for photographs sacra, praecipuis utriusque testamenti his- building under construction), dated of objects in past National Gallery exhi- toriis (c. 1653); Vincenzo Scamozzi's 1874; J. B. Philpot's, Disegni Italiani, bitions and images of works of art that Oeuvres d'architecture (Paris, c. 1764); c. 1865; arid Memorials of Queen Eleanor, seem to have disappeared during World Serie degli uomini i piu illustri nella pittura, dated 1864. Often prepared as travelers' War II. scultura, e architettura . . . (Florence, c. souvenirs, these albums are valuable 1769-1775); Antoine Sucquet's Den records of a world that no longer exists, Slide Library wech des eevwich levens (Antwerp, c. architecturally or culturally. Other A unique collection of architectural 1620); Variarvm imaginum a celeverrimis acquisitions covered architecture and slides, arranged by style and type of artificibus pictarum . . . (Amsterdam, c. decorative arts in the Netherlands, structure rather than by location, was 16??). France, Sweden, and Italy. The Cour- given to the National Gallery as a partial Major serials acquisitions include Les tauld Institute Photographic Survey pro- and promised gift by architectural histo- amis de monuments rouennais (Rouen, vided extensive coverage of the archi- rian Professor Alan Gowans. Numbering 1886-1958); Annual of the British School tecture and paintings of Stourhead, a over 24,000 slides, the collection spans at Athens: (London, 1894/1895-1989); country house now owned by the the North American continent geogra- Les artistes du livre (Paris, 1928-1932); . Professor Charles phically as well as stylistically and de- Les arts plastiques (Paris, 1925-1927); Les Morscheck presented 357 photos of monstrates the social function and

47 James McNeill Whistler, The Piazzetta, 1880, Gift of Mr. and Mrs. J. Watson Webb in memory of Mr. and Mrs. H. O. Havemeyer, 1942.15.7

James McNeill Whistler, Arrangement in Grey and Black: Portrait of the Painter's Mother, 1871, Musee d'Orsay, Paris, was lent to the Whistler exhibition

cultural evolution of architecture, from Carter Stevenson, Lorraine Pierce, the from American and European muse- pre-Columbian adobe dwellings to Fed- American Federation of Arts, the State ums. The Gallery acquired slides from eral-period civic structures, Russian Museum, the Virginia Museum the Philadelphia Museum of Art, train stations to postmodern skyscrap- of Fine Arts, the Isabella Stewart Gard- Sterling and Francine Clark Art Insti- ers. Because of the unusual arrange- ner Museum, the Cleveland Museum of tute, , Corcoran ment of these slides and its value as a Art, and the Museum of Fine Arts, Gallery of Art, and J. B. Speed Art research tool, they will be preserved as Houston. Museum, as well as the Prado, Louvre, a special collection. Other notable gifts Great strides have been made in the Nationalmuseum in , Musee of slides were also received from Ruth effort to offer representative images des beaux-arts in Reims, Staatliche

48 Museen in , and Kunsthis- year. Continued upgrading has led to Editors Office torisches Museum and Gemaldegalerie deaccessioning duplicate or inferior der Akademie in Vienna. slides, which explains the small increase The Robert Frank exhibition presented an The slide library now has almost in the size of the collection. The with- exciting challenge to the editors office at 7,000 records in the database of its art drawn duplicate slides were donated to the beginning of the fiscal year. The cat- and architecture holdings, representing area colleges. alogue for the show was designed in 20,000 slides. The collection numbered Berlin, edited in Washington, printed in almost 157,000 slides at the end of the Minnesota, distributed by a Swiss pub- fiscal year, an increase of 2.7% over last lisher, and issued in Japanese, German,

49 *:>

and English editions. In addition, Black, Volumes published to document sym- Claes Oldenburg; and Arshile Gorky. The White, and Things, a small volume of posia organized by the Center for department also produced all press photographs by Robert Frank, was pro- Advanced Study in the Visual Arts materials, labels, and wall texts required duced at the time of the exhibition. were: and His Legacy for exhibitions and the permanent col- American Paintings of the Eighteenth (vol. 48) and Federal Buildings in Context: lection. Century, the systematic catalogue vol- The Role of Design Review (vol. 50). Other The office edited the Piet Mondrian ume issued this year, was generously publications for the Center included its exhibition catalogue and assisted in pro- supported by the Luce Foundation. annual report, Center 15, and a keepsake ducing the Guide to Giving and New Cen- Work continued on other volumes in volume celebrating the Kress professor- tury booklets for the development office the series, particularly Dutch Paintings; ships, A Generous : Samuel H. Kress in addition to ongoing work on the Circle American Paintings: Nineteenth Century, Professors, 1965-1995. Conservation Bulletin, Calendar of Events, and numerous Part I; Italian Paintings: Seventeenth and Research 1995 (Studies vol. 51) was pro- projects for the education department. Eighteenth Century; European Sculpture: duced for the Conservation division. The department also published a revised Nineteenth Century; and Non-Western Deco- The office continued its work for the edition of the Brief Guide and edited rative Arts. Publication of these volumes Gallery's exhibition program, producing texts, a brochure, and other materials is planned for the next fiscal year. illustrated brochures for: Italian Renais- for the launching of the Micro Gallery. Oxford University Press has taken on sance Architecture; Toulouse-Lautrec: The editors office produced a cata- distribution of the systematic catalogue. Marcelle Lender Dancing the Bolero in logue of Gallery publications for the Work continued as well on the cata- "Chilperic"; James McNeill Whistler; Piet Frankfurt Bookfair, where catalogues logue of the Mark J. Millard Architec- Mondrian; Glory of Venice; Prints of Roy for the Homer and Vermeer exhibitions tural Collection. Lichtenstein; Robert Frank: Moving Out; were received with great enthusiasm.

50 exhibitions, coordinated the needs of with participants and observers of the various departments and museums par- Gallery's past, including Kress Founda- ticipating in exhibition tours, and did tion president Marilyn Perry, conserva- picture research for such Gallery publi- tor Joyce Hill Stoner, and former cations as the systematic catalogues. administrator Anne Evans. The oral his- The photographic laboratory this year tory advisory committee consisted of produced 11,488 color transparencies, Richard Bales, Elizabeth Croog, John 37,234 35mm slides, 14,657 black-and- Fleckner, John Hand, Philip C. Jessup white negatives, and 58,024 black-and- Jr., Frances Smyth, and A. C. Viebranz. white prints for Gallery staff and outside Gallery Archives holdings gained sev- scholars, publishers, and other institu- eral important acquisitions. Conductor tions. The department also processed emeritus Richard Bales augmented 864 rolls of black-and-white and color papers relating to his life and career film for staff members and took new with additional gifts of notes, clippings, photographs of 2,590 works of art. and photographs. Pei Cobb Freed & Each of four studio areas is dedicated Partners, Architects, transferred three to photographing either paintings, marble color code charts that marble works on paper, sculpture and other consultant Malcolm Rice prepared for three-dimensional objects, or non-art the East Building. Rice had created sim- materials and books. All film is ilar drawings for the West Building processed in the laboratory, with an more than 30 years before. automatic color processor for trans- With the assistance of interns and parency film. A computer improves volunteers, archives staff prepared sig- quality control for color film. A separate nificant groups of materials for research, laboratory area is designated for produc- identifying tape recordings of Gallery tion of duplicate color transparencies in events, for instance, and organizing

Felix-Hilaire Buhot, Un grain a Trouville (Squall at sizes from 35mm to 8 x 10 inches. Sev- public information files concerning Trouville), 1874/1875, Helena Gunnarsson Buhot eral thousand slides are produced by the Gallery exhibitions as well as materials Collection, 1995.54.30 department each month, about half relating to the design and construction being duplicates. Two darkrooms supply of the East Building. Additional large black-and-white prints for many Gallery plan files enhanced archival storage by programs. These facilities are equipped enabling the staff to organize architec- with printers and enlargers that use tural records into a logical configura- variable-contrast photographic papers, tion. More than 6,600 architectural Co-publishing arrangements were con- and automatic processors that provide drawings of the Gallery's East and West tinued with Harry N. Abrams, Cam- high efficiency and consistency of out- Buildings have been entered into the bridge University Press, Oxford Univer- put. The department operates a separate archives database. sity Press, Scalo, University Press of darkroom to make prints on archival Scholarly researchers examined files, New England, and Press. fiber-based papers for the Gallery's pho- photographs, architectural drawings, The editors office received a Federal tographic archives. New lighting sys- and other records to study National Design Achievement Award for publica- tems, cameras, and other photographic Gallery exhibitions; World War II and tions produced between 1990 and 1995. equipment were added to improve the efforts to protect art, historic monu- quality of the photographs. The com- ments, and archives in Europe; the Imaging and Visual Services puter system was upgraded so that staff Widener Collection and Lynnewood The office of visual services this year members are now linked by an auto- Hall; former directors David Finley and issued 1,794 contracts to reproduce mated network. In addition, work John Walker; the architecture of the works of art in the collections, sold spaces were re-configured to provide Gallery's buildings; and many other 1,193 black-and-white photographs and more efficient service. subjects. Archival files also were used 791 duplicate slides, loaned 1,365 trans- for research in support of systematic parencies for reproduction, and sent Gallery Archives catalogues. 5,097 color transparencies and 4,812 The opening of a new warehouse black-and-white photographs to other Supported in part by a grant from The storage facility improved management Gallery departments for official use. The Circle of the National Gallery of Art, of temporary National Gallery records. staff also obtained photographs and consulting oral historian A. C. Viebranz transparencies of works in temporary and archives staff conducted interviews

51 )

4

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,

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z

1 / ADMINISTRATION

Charles H. Schneider joined the admin- Elements of a new state-of-the-art istrator's staff as deputy administrator in fire detection system are being installed 1995. With a strong background in the within the Gallery buildings on the management of building facilities pro- Mall. Architectural-engineering services jects and construction as well as the will continue into 1996 to complete the administration and negotiating of con- fire detection aspects of the system and tracts, Schneider has taken strides begin modifications of the West Build- toward strengthening the management ing fire suppression system in accor- and operation of the National Gallery's dance with current fire and life safety facilities and procurement offices. standards. Two occupational health initiatives, Protection Services including an OSHA Hearing Conserva- tion Program and a Bloodborne Basic training for security officers and Pathogen Program, were implemented supervisors was the cornerstone of the for at-risk Gallery employees. As a division's professional development plan result of increased emphasis being this year. The division also adopted a placed on employee safety, injury- new uniform policy for security officers related worker's compensation has working in exhibition areas. Going into decreased Gallery-wide for the fourth effect in 1996, this will be the first such consecutive year. uniform change since the Gallery During 1995 Officer Marlene Tucker opened in 1941. became the first woman to attain the Seven security supervisors success- rank of lieutenant in the history of the fully completed four weeks of intense security staff. training at the Department of Veteran Affairs Federal Law Enforcement Train- Facilities Management ing Center in Little Rock, Arkansas. This allows our officers to meet mandated With responsibility for the operation law enforcement training requirements. and maintenance of 1.2 million square More than 100 officers successfully feet of floor space in the Gallery, this Ferdinando Galli Bibiena, A Grand lllusionistic Ceil- completed the 40-hour course for division provides daily cleaning and care ing, c. 1720/1740, Pepita Milmore Memorial Fund and an Anonymous Donor, 1994.73.1 Gallery protection officers. for the buildings as well as maintenance

53 and operation of climate control sys- the marble of the West Building south radio station WGTS; and provided tems. The staff completed the construc- portico, and roof repairs were com- recordings of selected concerts for tion of a new off-site carpentry shop pleted on the East Building. Special broadcast on WETA and National Public this year and continued to collaborate funding is being sought to complete Radio. The staff also designed, installed, with the architects office on renovation future maintenance and repairs identi- and operated video systems for three projects and with the external affairs fied in the inspection report. exhibitions, The Prints of Roy Lichtenstein, office on special events. Claes Oldenburg: An Anthology, and James Proposals have been solicited for the Audiovisual Services McNeill Whistler; and handled the new energy management and building demanding needs of the silent film automation system. Construction is In addition to providing technical sup- series, Grand Music Cinema 111 and Italy's expected to start in fiscal year 1996. The port for the Gallery's music programs, Golden Age of Silent Cinema, for which system, scheduled to be fully opera- slide lectures, films, special events, live music was performed alongside the tional by 1998, will help protect works recorded tours, and press conferences in original films. of art in the Gallery by more precisely 1995, this office oversaw the replace- controlling the buildings' temperature, ment of electronic dimming and control Administrative Services humidity, and lighting levels. Inspec- systems for the East Building auditori- tions of the East and West Buildings ums, with minimal impact on Gallery The department obtained an inserter identified necessary repair and mainte- programming; recorded and produced machine this year through the U.S. nance projects. Repairs were made to 36 radio programs for broadcast on Information Agency excess property

54 ing from a Gallery-owned motor vehicle cil. The partnership council received fleet to a lease maintenance arrange- training on interest-based problem solv- ment with the General Services Admin- ing and used this method to develop a istration and made recommendations to new uniform policy, including dress Gallery management. standards for non-security staff, as well as an experimental alternative discipline Telecommunications system. With the assistance of the press office, The installation of a Gallery-wide fiber- the personnel department produced a optic network, begun in 1993, was con- 30-minute video to describe the tinued in 1995. The system is now Gallery's responsibilities and programs being used in retail sales and various to both new and current employees. areas of administration, and when fully The department also held a series of operational in 1998, it will serve inter- career development seminars as part of nal communications needs and make the Gallery's continuing support of possible the receipt of information by equal employment opportunity. This public and commercial communications program consisted of workshops, video- networks and the distribution of Gallery tapes, a panel discussion, and individual programs to a wider audience. The career counseling. Gallery director Earl Gallery's telephone system has also A. Powell III hosted an event to kick off been enhanced to accommodate the the 1995-1997 EEO special emphasis new North American Dialing Plan, programs, introducing committee mem- which includes certain changes in the bers and articulating his commitment to nationwide area code scheme. the enhancement of diversity at the National Gallery. Serving as the Resource Acquisition Gallery's collateral duty EEO Officer, Cathy Yates recruited and trained four The department this year handled a sig- new EEO counselors. , The Entombment, 1465/1470, Patrons' Permanent Fund, 1986.98.1 nificantly greater number of contracts The personnel office also sponsored a and purchase orders than last year, pro- financial planning seminar and a stress cessing almost 8,000 purchase requests management overview and 16-hour in-house as well as establishing outside course for non-supervisory employees, sources to meet work demands and which focused on conflict management, strengthen the Gallery's contracting relaxation techniques, and methods of base. The office also began to communi- dealing with stress. cate directly with individual Gallery program, which saved the Gallery more offices to clarify procurement and travel than $13,000 and provides faster inser- procedures. Streamlined operations tion capability for press-related docu- within the office include revisions to the ments. In coordination with Industrial automated purchasing system that have Concepts of Northern Virginia, the enhanced reporting and management of office also sponsored a pilot unpaid department workload. work program for disabled high school students. Personnel Reorganization of the office resulted in streamlined operations and improved The personnel office modified its system service. The department also made of evaluating job applicants, accepting plans to consolidate facilities supply and resumes and electronic transmittals of inventory operations with the central- job applicant information following the ized supply function; helped Gallery elimination of the long-standing federal Archives establish the Gallery's first job application form (SF-171). Through temporary records storage center, establishment of a joint partnership located within a new off-site ware- agreement, the office transformed its house; and analyzed the operational Labor-Management Committee into a and budgetary implications of convert- Labor-Management Partnership Coun-

55 11/

IS \ EXTERNAL AFFAIRS

Development phy Symposium on Illustrated Euro- pean Manuscripts and Books; and The This year much activity focused on the Ahmanson Foundation for a special New Century Fund campaign in addi- fund for the Gallery's reframing project. tion to annual and ongoing project The Gallery launched a Washington- fundraising. Volunteer leaders helped based initiative to involve local civic and obtain gifts that pushed the Gallery cultural leaders more fully in the beyond the halfway mark of its cam- Gallery and to elicit their support for paign goal of $105 million. Along with the New Century Fund campaign. This gifts from trustees, Trustees' Council effort focuses on raising $10 million for members, and other long-time support- art acquisition. The Gallery will concen- ers, the Gallery received significant trate on securing the remaining cam- campaign gifts from the Amon G. Carter paign funds from individuals and Foundation and The William Stamps foundations around the nation to meet Parish Fund for endowment funds for its major private funding needs: art art acquisition; the Prince Charitable acquisition; reframing of the permanent Trusts for support of youth programs; collection; scholarly and scientific and The Arthur Vining Davis Founda- research; library endowment; and tions for endowment funds for scholarly unrestricted endowment. programs of the Center for Advanced In addition to the long-term support Study in the Visual Arts. garnered through the campaign, the Several other foundations made cam- Gallery raised $4.5 million in critical paign gifts in memory of the late private support for its annual and ongo- Franklin D. Murphy and his 30 years of ing activities (excluding corporate exhi- dedicated service on the Gallery's board: bition support). The Gallery gratefully the J. Paul Getty Trust for the creation acknowledges these donors individually of the Franklin D. Murphy Collection of on pages 121-128. rare books and antiquarian research The more than 360 annual members materials for the study of Western Euro- of The Circle of the National Gallery of

Richard Long, Whitechapel Slate Circle, 1981, Gift of pean art; the Samuel H. Kress Founda- Art contributed in excess of $700,000 the Collectors Committee, 1994.76.1 tion for endowment of the Kress/Mur- this year, bringing the total giving since

57 The Circle's inception in 1986 to more Early Plein-Air Painting, which will fea- than $5 million. Funds from The Circle ture the works of European pioneers of this year supported a multi-year grant outdoor painting from the late 18th and for Teacher Institute fellows from across early 19th centuries. the nation; a series of radio spots featur- This year the National Gallery of Art ing the director; frame conservation and Forum brought together 120 art lovers reframing; a postgraduate fellow who from around the country for a special participated in the Gallery's program to program designed to encourage the increase cultural diversity among long-range involvement of younger museum professionals; brochures for people with the Gallery. Participants special exhibitions; computer scanning spent a day and a half in sessions on for conservation and scholarly research matting and framing, education initia- to compare images of underpaintings; tives, the making of an exhibition, research for upcoming exhibitions; and watercolor techniques of Winslow computer cataloguing for the Index of Homer, and collecting 19th-century American Design. Preparations began sculpture and modern prints and draw- for celebrating The Circle's tenth ings. Exhibition tours with curators anniversary in 1996. included The Glory of Venice: Art in the Individuals also gave generously for Eighteenth Century and Claes Oldenburg: specific projects at the Gallery. Juliet An Anthology. Following this program a and Lee Folger and The Folger Fund number of Forum participants demon- sponsored the creation of the Dutch strated their desire to support the Cabinet Galleries, intimate new spaces Gallery by purchasing small works on for displaying small paintings found in paper for the collections, while others 16th- and 17th-century Dutch and joined The Circle. The Forum subcom- Flemish homes. The Folgers and The mittee, comprising one trustee and three Folger Fund also supported the Adriaen Trustees' Council members, is dedicated Brouwer exhibition for the opening of to strengthening the commitment to the the Dutch Cabinet Galleries. Gallery of future generations. Several foundations gave grants to In another effort to introduce a broad support the Gallery's education mixture of people to the Gallery and its program, which benefits citizens programs, Director Earl A. Powell III throughout the country. The Fannie and his wife, Nancy, continued an Mae Foundation made a three-year exceptional series of behind-the-scenes commitment to providing funds for "Art presentations. Visitors toured the Around the Corner," a multiple-visit department of modern prints and draw- program for inner city students in the ings, frame conservation, highlights of icant bequest of drawings and a cash area. Other foundations made grants for the permanent collection, the conserva- gift from the late Professor William B. fellowships for educators attending the tion laboratories, the Oldenburg exhibi- O'Neal. Teacher Institute: the Weingart Founda- tion, and the design and installation of tion provided multi-year funding for the new Dutch Cabinet Galleries. Corporate Relations teachers from ; for the third Deferred gifts from farsighted individ- year in a row, the Geraldine R. Dodge uals have traditionally provided vital This office secures corporate support for Foundation provided fellowships for support for the Gallery's central activi- Gallery exhibitions and related projects, educators from New Jersey; and as ties. This past year, in addition to acting as a liaison between the Gallery mentioned above, The Circle con- important partial and promised gifts of and corporate representatives and tributed toward fellowships for educa- works of art, the Gallery also received working to ensure that relationships are tors from any part of the country. In several generous deferred gifts of funds. mutually beneficial. In fiscal year 1995 addition, the Nathan Cummings Foun- Major distributions from the estate of the Gallery received in excess of $2.7 dation continued its valuable support Marie-Louise Garbaty were dispersed million in funds or commitments to for the Gallery's internships for diversity and are being used as Mrs. Garbaty support exhibitions, publications, and in the museum profession. wished: to establish an endowment for educational programming as well as The Florence Gould Foundation art acquisition and create a spendable exhibition-related special events, press pledged support for the upcoming 1996 fund for purchasing art. The Gallery materials, advertising, and the Fund for exhibition, In the Light of Italy: Corot and also has been the beneficiary of a signif- International Exchange of Art.

58 Claes Oldenburg during the installation of Houseball, 1985, for the exhibition Claes Oldenburg: An Anthology

Polaroid Corporation co-sponsored, grams of the Gallery's conservation port as the official carrier for Italian with the Lannan Foundation, Robert laboratory in 1995 as part of the com- Renaissance Architecture: Brunelleschi, Frank: Moving Out, the Gallery's first pany's efforts to aid in preserving cul- Sangallo, Michelangelo—The Cathedrals of exhibition devoted to a living photogra- tural heritage. Florence and Pavia, and St. Peter's, Rome, pher, one of the most important Ameri- NYNEX Corporation returned to the transporting 14 of the most important can artists of the 20th century. Gallery for its second project, support- wooden architectural models to survive Ford Motor Company, among the ing James McNeill Whistler, the most from the Italian Renaissance. Gallery's long-time corporate sponsors, extensive survey this artist's work since generously supported the new educa- 1905. Press and Public Information tional initiative, "Art Around the Heineken U.S.A. and Shell Oil Com- Corner," which invites elementary pany joined in a consortium of Dutch- The Gallery received far-ranging and in- school children and teachers in the American companies to support Piet depth coverage from the print media, District of Columbia to the Gallery for Mondrian: 1872-1944, a major collabora- with several exhibitions garnering mul- multiple visits and a series of school tion observing the 50th anniversary of tiple articles in and classroom activities. Mondrian's death. Support for the . A month before the Mobil Corporation returned to sup- related educational brochure was pro- opening of Robert Frank, the New York port a third exhibition at the Gallery, vided by Philips Electronics North Times Magazine ran a cover story—a first The Glory of Venice: Art in the Eighteenth American Corporation. for the Gallery. Critical acclaim was Century. Mobil also contributed to pro- Alitalia Cargo System provided sup- echoed in such magazines as Time,

59 Newsweek, Esquire, and Vogue. Italian with executive officers and explores the Renaissance Architecture attracted the rapt important work of the Gallery's many attention and overwhelming praise of diverse departments. architectural critics at the New York Times and the Washington Post. The Glory Special Projects of Venice received warm praise from both Italian and American media. This office develops programs for National Public Radio and network national and international constituen- affiliate television stations in Washing- cies of the National Gallery, helping to ton took advantage of the opportunity facilitate the Gallery's role as a national to interview artists Roy Lichtenstein and resource. The office generates and over- Claes Oldenburg and his wife, the sees special projects and initiatives writer Coosje van Bruggen, during the related to the Gallery's programming. opening weeks of their exhibitions at The office began work with members the Gallery. of the 104th Congress regarding the CBS-TV's "Sunday Morning" led the Gallery's continuing national service in way for major press coverage of James their districts and states through a vari- McNeill Whistler, which appeared in ety of programs. Each member of Con- some 100 newspapers and 30 magazines gress was told about Gallery services in throughout the country. The painting which their constituents participate, known as "Whistler's Mother" as well as such as extension programs, teacher Whistler's Mother's Cookbook received workshops, internships, National Lend- prominent attention in USA Today, the ing Service, Sunday evening concerts, International Herald Tribune, and the and Center for Advanced Study in the nationally syndicated Mini Page for chil- Visual Arts fellowships. This year, for Jean Dubuffet, Jardin de Bibi Trompette (Bibi dren. instance, 26 senators and representa- Trompette's Garden), 1955, The Stephen Hahn Family Collection (Partial and Promised Gift), 1995.29.21 A press trip to Johannes Vermeer's tives had constituents involved in the birthplace. Delft, and to The Hague and 1995 Summer Intern Program, and 213 Amsterdam inspired early coverage of members had educators in their districts the fall 1995 landmark exhibition of the and states who attended the 1995 sum- artist's paintings in the Smithsonian Mag- mer Teacher Institute. The office also azine, the New York Times, Vogue, Harper's promoted the National Gallery as a Bazaar, Art and Antiques, Art and Auction, tourist attraction during a conference office also coordinated the director's BUe Decor, and New York Magazine. held at the Capitol by the D.C. Chamber speaking engagements, including those Eight exhibitions of works on paper of Commerce. for the Norfolk Society of Arts in Vir- received extensive reviews in national The special projects office helped ginia, New York City's Colony Club, the media. The office also coordinated press organize a four-day salute to the Gallery Prado, and the coverage of the appointments of two hosted by the Louvre. Opening events Library Associates. executive officers, administrator Darrell were a concert by the Gallery's Vocal R. Willson and treasurer Ann R. Leven, Arts Ensemble; a lecture series launched Special Events as well as the 1994 Collectors Commit- by director Earl A. Powell III, with con- tee gift of Richard Long's Whitechapel tributions from CASVA dean Henry A. The primary responsibility of this office Slate Circle, the education department's Millon and curator of French paintings is the organization of exhibition pre- multiple-visit program for District Philip Conisbee; and a panel discussion views, meetings of Gallery supporters, school children, and various National with architect I. M. Pel, Louvre director and numerous ceremonies. For its Gallery publications. An Associated Pierre Rosenberg, and Powell. A festival fourth trip, the trustees and Trustees' Press story about research for the cata- of Gallery films on aspects of the collec- Council this year traveled to France and logue raisonne of works by Georgia tion and exhibitions was shown Switzerland. The annual meeting of the O'Keeffe was published in more than a throughout the weekend. Collectors Committee coincided with dozen major newspapers, and the The Gallery was one of ten museums the opening of the Prints of Roy Gallery's silent-era film series was fea- that participated in the Kyoto Confer- Lichtenstein. A highlight was the inau- tured on CBS-TV's "Sunday Morning." ence of the World's Leading Museums, gural Elson Lecture, given by Roy A videotape produced for the person- presenting an overview of the Gallery's Lichtenstein. and Mrs. nel office as an orientation to the history and collections, current projects, Elson introduced the lecture they have Gallery for new staff features interviews and future vision. The special projects endowed, which will be given annually

60 by a distinguished contemporary artist. brations of three important gifts to the Music at the Gallery The preview dinner following the lec- Gallery: a luncheon in honor of Marc ture was attended by many contempo- Chagall's Early Prints, and dinners in The National Gallery presented 39 Sun- rary artists and collectors. honor of Jean Dubuffet and The Touch of day evening concerts in the East and Other major events were receptions the Artist: Master Drawings from the Wood- West Garden Courts and the East Sculp- for the Toulouse-Lautrec and Italian ner Family Collections. ture Hall in fiscal year 1995, the 53rd Renaissance Architecture exhibitions, the season of free concerts at the Gallery. latter of which brought dignitaries and Horticulture Concerts were supported by funds scholars from Italy; and a dinner for The bequeathed to the Gallery by William Glory of Venice: Art in the Eighteenth Cen- The horticulture department spent Nelson Cromwell and F. Lammot Belin, tury held in the West Building Rotunda. much time this year working with land- with additional subvention from the Many international visitors were wel- scape architects and consultants to final- Ann and Gordon Getty Foundation and comed to these exhibitions, including ize plans for the outdoor sculpture gar- the Fund for the International Prime Minister and Mrs. Dehaene of den. The department was also kept busy Exchange of Art. The 9 October 1994 Belgium and first ladies Hillary Rodham responding to requests for plants for concert was the first occasion for the Clinton, Lyudmyla Kuchma of the many special events and for exhibitions public to hear the Gallery's new Stein- , and Leah Rabin of Israel. such as the Glory of Venice, Oldenburg, way concert grand piano, a gift from Artists and collectors gathered again to Whistler, Arshile Gorky, and the Prints of The Circle of the National Gallery of Art preview Claes Oldenburg, and the James Roy Lichtenstein. and the Esther Simon Charitable Trust. McNeill Whistler preview dinner brought The National Gallery Orchestra per- collectors and scholars from France, formed nine concerts under the direc- England, and the United States. tion of George Manos, one in honor of The final events this year were cele- the Whistler exhibition. The National

61 Gallery Vocal Arts Ensemble, also under 22 Benjamin Shapira, cellist, and Sevgi Manos' artistic direction, performed two Topyan, pianist 29 National Gallery Vocal Arts Ensemble concerts at the Gallery, the latter in honor of the Glory of Venice exhibition. FEBRUARY Manos and the Ensemble traveled to 5 National Gallery Orchestra 12 Thomas Schumacher, pianist Paris at the invitation of the Louvre to 19 The Ecco Trio present a concert in honor of the Lou- 26 Paul Badura-Skoda, pianist vre's bicentennial. Dutch pianist Marcel MARCH Worms played a concert of early 20th- 5 National Gallery Orchestra century piano music based on jazz to 12 Henriette Schellenberg, soprano, Daniel honor Piet Mondrian. The 52nd Ameri- Lichti, baritone, and Arlene Shrut, pianist can Music Festival featured a jazz con- 19 Sarah Johnson, violinist, and Jane cert by the Uptown String Quartet and Hawkins, pianist 26 Bruce Brubaker, pianist the first bluegrass concert at the National Gallery, provided by the Coun- APRIL try Gentlemen. 2 National Gallery Chamber Players 9 The Penderecki String Quartet Local broadcast of the concerts con- tinued on Radio Station WGTS, and Fifty-second American Music Festival selections from several concerts were 23 April through 21 May 1995 rebroadcast on the National Public 23 The Country Gentlemen — Bluegrass concert Radio program "Performance Today." 30 National Gallery Orchestra Portions of the Uptown String Quartet concert were subsequently broadcast on MAY 7 National Gallery Vocal Arts Ensemble CBS-TV's "Sunday Morning." Local 14 The Uptown String Quartet broadcast of the concerts continued 21 Ramon Salvatore, pianist weekly through the summer, as WGTS rebroadcast selected concerts. A color 28 National Gallery Orchestra

brochure again previewed the concerts. JUNE Gallery concerts were the subject of 7 4 Marcel Worms, pianist reviews and 12 photo previews in area 11 The Muir String Quartet 18 Sharon Mabry, mezzo-soprano, and Patsy newspapers. In April and May 1995, the Wade, pianist concerts received daily drive-time radio 25 Alexander Romanul, violinist previews as part of a two-month- World Premiere Performances long promotion on radio station WGMS. RICHARD BALES A complete listing of the 1994-1995 Elegy for a Dear Friend, 30 April 1995 concert season follows: AARON COPLAND Sonata in G Major for Piano, 21 May 1995 OCTOBER DARON HAGEN 2 National Gallery Orchestra Built Up Dark, 26 March 1995 9 Elisabeth Adkins, violinist, and Edward Newman, pianist First Washington Performances 16 Opus 3 Trio AARON COPLAND 23 National Gallery Vocal Arts Ensemble Sonnet 11, 21 May 1995 30 Misha Dichter, pianist EDWARD ELGAR The Wand of Youth, 28 May 1995 NOVEMBER 6 National Gallery Orchestra Les chansons des , 7 May 1995 13 The Mientka Duo LOWELL LIEBERMANN 20 Tzimon Barto, pianist Trio, Opus 32, 19 February 1995 27 National Gallery Orchestra RHIAN SAMUEL DECEMBER Before Dawn, 18 June 1995 4 Brian Ganz, pianist SERGIU SHAPIRA 11 National Gallery Orchestra Largo Dolente for Cello and Piano, 22 January 18 The Maryland Camerata—Christmas concert 1995 ELIZABETH VERCOE JANUARY Irreveries from Sappho, 18 June 1995 8 National Gallery Orchestra—Gala Viennese ZIKA WILLIAMS New Year Concert American Indian Folk Suite, 13 November 1994 15 Ann Koscielny, pianist

62 ENTER FO DVANCED STU DY I IN THE

VISUAL ARTS Report for the Academic Year 1994-1995

At the founding of the Center in 1979 a as a monumental type and a social insti- four-part program of fellowships, meet- tution, the humanist's view of nature in ings, publications, and research was the era of Erasmus, and cultural contes- instituted. The resident community of tation in parkway design and planning. scholars at the Center in 1994-1995 The board of advisors, composed of included the Samuel H. Kress Professor, art historians from academic institutions the Andrew W. Mellon Professor, the and museums, meets annually to con- Andrew W. Mellon Lecturer, 7 senior sider policies and programs of the Cen- fellows, a curatorial fellow, 12 visiting ter. Members of the board serve over- senior fellows, a postdoctoral curatorial lapping appointments, usually for fellow, and 7 predoctoral fellows. three-year terms. In August 1995 Among these fellows the Center was Kathleen Weil-Garris Brandt, Institute pleased to appoint the first Inter-Ameri- of Fine Arts, ; can Development Bank and The Elizabeth Broun, National Museum of Andrew W. Mellon Foundation Visiting American Art, ; Senior Research Fellow as well as the and Larry Silver, Northwestern Univer- Association for Research Institutes in sity, completed their terms. In Septem- Art History Fellow, both reserved for ber 1995 Keith Christiansen, The Met- scholars from Latin America. Nonresi- ropolitan Museum of Art; William I. dent scholars included 10 predoctoral Homer, ; and fellows. Research by the scholars Charles W. Talbot, Trinity University, encompassed a diverse range of media, San Antonio, began their terms. Four including film, architecture, manu- others continued to serve: Rosalind scripts, and painting, and concerned a Krauss, ; James broad range of geographic areas and Marrow, ; time periods, from the late Eastern Han Marianna Shreve Simpson, The Walters period in China to the contem- Art Gallery; and Andrew Stewart, porary greater region. Schol- University of California, Berkeley. ars focused on such issues as megalo- A variety of private sources supports graphia in painted rooms of the Roman the programs of the Center. Senior, pre- Republic, the medieval Islamic hospital doctoral, and curatorial fellowships are

63 mmww.]Swp f f** IfflM i,nn Battista Albcrti

Henry A. Millon gives a tour of the exhibition Italian Renaissance Architecture to members of the Center for Advanced Study in the Visual Arts, January 1995

funded by endowments from the Foundation funded the new visiting 1988, ARIAH enables member institu- Andrew W. Mellon Foundation and the senior research fellowship for scholars tions, as a group, to develop and seek Chester Dale bequest. Robert H. and from Latin America. Grants from the J. funding for jointly sponsored programs Clarice Smith provided support for the Paul Getty Grant Program, the Lampa- and projects and to share visiting schol- Smith predoctoral fellowship in north- dia Foundation, and The Andrew W. ars. The Center also took part in meet- ern Renaissance paintings. The Samuel Mellon Foundation provided funds for ings of the Washington Collegium for H. Kress Foundation provided funds for the Association for Research Institutes the Humanities, made up of 9 research the Kress Professorship, Kress senior fel- in Art History fellowship for advanced institutions. The theme of the 1994- lowships, the Kress postdoctoral fellow- scholars and museum professionals 1995 lecture series sponsored by the ship, and the Kress and Mary Davis from Latin America. The Center Washington Collegium was "Caricature predoctoral fellowships. The Wyeth received support for a symposium from in History, Literature, and the Arts." Endowment for American Art and the Shelby White, Leon Levy, and the Ittleson Foundation also supported pre- Samuel H. Kress Foundation. The Gra- SAMUEL H. KRESS PROFESSOR 1994-1995 doctoral fellowships. The Open Society ham Foundation supported the acquisi- Fund made possible the Soros visiting tion of photographs of architectural received her Ph.D. senior research travel fellowship for drawings from the Vatican collections from in 1953, taught scholars from central Europe and the for the Gallery's photographic archives. at (1948-1949), former . The Arnold D. The Center continued meetings with (1949-1952), Frese Foundation, Inc., provided funds ARIAH, a union of 18 North American and the University of California, River- for a fellowship for scholars from Ger- and Mexican institutions that support side (1954-1962). She was curator of many. The Inter-American Develop- advanced research through fellowships the Art Gallery of (1962-1964), ment Bank and the Andrew W. Mellon and related programs. Incorporated in Steinberg Professor of the History of

64 lege (1980), Queen's University, ANDREW W. MELLON LECTURER Kingston, (1983), and Carleton IN THE FINE ARTS, 1995 University, (1990). She was Arthur C. Danto, Columbia University named honorary fellow of the Ontario College of Art (1991) and promoted to SENIOR FELLOWS Companion of the Order of Canada Gaehtgens, Technische Universitat, Berlin, Frese Senior Research Fellow, (1992). She is the author of several 1994-1995 books and organizer of exhibitions on Richard L. Kagan, The Johns Hopkins Univer- Degas and Picasso, and has written sity, Member of the Center, NEH Fellow, 1994-1995 many scholarly articles. At the Center Ann Kuttner, University of , Paul she worked on a catalogue raisonne of Mellon Senior Fellow, 1994-1995 the drawings of Degas. Fernando Marias, Universidad Autonoma de Madrid, Samuel H. Kress Senior Fellow, ANDREW W. MELLON 1994-1995 PROFESSOR, 1994-1996 James Naremore, Indiana University, Ailsa Mellon Bruce Senior Fellow, 1994-1995 Elizabeth Cropper received her Ph.D. Yasser Tabbaa, University of Michigan, Ann from (1972), taught Arbor, Ailsa Mellon Bruce Senior Fellow, at Franklin and Marshall College (1973) 1994-1995 and Tyler School of Art, Temple Univer- Patricia Waddy, Syracuse University, Samuel H. Kress Senior Fellow, 1994-1995 sity (1973-1985), then was directeur d'etudes associe, Ecole des Hautes AILSA MELLON BRUCE NATIONAL Etudes en Sciences Sociales (1990) and GALLERY OF ART SABBATICAL Slade Professor, University of CURATORIAL FELLOW 1994-1995 (1992-1993). She has taught at Johns John Hand, Department of Northern Renais- sance Painting Hopkins University since 1985, serving

as director of the Charles Singleton VISITING SENIOR FELLOWS Center for Italian Studies, Villa Spel- Colin B. Bailey, , Paul man. She was elected to the American Mellon Visiting Senior Fellow, fall 1994 Academy of Arts and Sciences in 1993 Maria Castro Miranda, Universidad de La and has received fellowships and Habana, Ailsa Mellon Bruce Latin American Visiting Senior Research Fellow, summer awards from the National Endowment 1995 for the Humanities (1976), Harvard Joseph Connors, Columbia University, Ailsa Center for Renaissance Studies Mellon Bruce Visiting Senior Fellow, fall Art, Washington University, St. Louis (1978-1979, 1981), Leopold Schepp 1994 (1964-1966), director, National Gallery Giuseppe Dardanello, Universita di Torino, Paul Foundation (1978-1979), CASVA ol Canada (1966-1976), prolessor of Mellon Visiting Senior Fellow, summer 1995 (1984-1985), and the Institute for fine arts, Harvard University (1976- Smiljka Gabelic, University of at Advanced Study, Princeton (1989). She Urbana-Champaign, Ailsa Mellon Bruce Vis- 1979), George D. Widener Director, received the Arthur Kingsley Porter iting Senior Fellow, winter 1995 Philadelphia Museum of Art (1979- Prize in 1978 and has served on the Maurizio Gargano, Terza Universita di Roma, 1982), member, CASVA's board of advi- Paul Mellon Visiting Senior Fellow, fall 1994 council of the Renaissance Society of sors (1979-1982), chairman and chief Naomi Miller, Boston University, Ailsa Mellon America (1986-1987, 1991-1993), on Bruce Visiting Senior Fellow, winter 1995 executive officer, Canada Museums advisory committees for the Philadel- Stefan Morawski, Polish Academy of Sciences Construction Corporation (1982- phia Museum of Art (1986-present), and Letters, Instytut Sztuki, Ailsa Mellon 1985), special advisor to the minister of Bruce Visiting Senior Fellow, spring 1995 Villa I Tatti Studies (1986-present), Art communications (1985-1986), Mather Gustavo L. More, Universidad National Pedro Bulletin (1995-present), and on the Mil- Visiting Professor, Case Western Univer- Henriquez, Urena, Santo Domingo, Associa- lard Meiss Committee of the College Art tion of Research Institutes in Art History Fel- sity, Cleveland (1989), senior advisor, Association (1995-1998). She has pub- low, summer 1995 The Andrew W. Mellon Foundation Daniel Schavelzon, Centre de Arqueologia lished on Pietro Testa, , (1991-1993), and Sam and Ayala Zacks Urbana, Institute de Arte Americano e Inves- Bronzino, and Parmigianino, and is the tigations Esteticas "Mario J. Buschiazzo," Visiting Professor, Hebrew University, author of numerous articles and reviews Universidad de , Inter-American (1993). She has received Development Bank and Ailsa Mellon Bruce in scholarly journals. At the Center, she honorary degrees from the University of Visiting Senior Research Fellow, fall 1994, has worked on Poussin and Pontormo. spring 1995 Toronto (1967), Mount Holyoke College Jozsef Sisa, Hungarian Academy of Sciences, (1971), (1975), York Uni- Institute of Art History, Ailsa Mellon Bruce versity, Toronto (1976), Williams Col- Visiting Senior Fellow, summer 1995, Soros

65 Visiting Senior Research Travel Fellow, sum- 19 January 1995 at Chapel Hill], introduced by mer 1995 Fernando Marias, Richard L. Kagan, "Urbs and Mary C. Sturgeon; Erik Thuno [The Johns Thea Vignau-Wilberg, Staatliche Graphische Civitas: Making City Views in the Hispanic Hopkins University], introduced by Herbert Sammlung Munchen, Ailsa Mellon Bruce World" ICessler; Catherine Herbert [University of Visiting Senior Fellow, spring 1995 2 February 1995 Delaware], introduced by Lawrence Nees; James Naremore, "Film Noir: The Origins of an Charlotte Houghton [Duke University], intro- duced by Hans J. Van Miegroet; Lisa Mor- SAMUEL H. KRESS POSTDOC- Idea" risette [University of ], introduced TORAL CURATORIAL FELLOW, 16 February 1995 by Sandy ICita; Kevin Richards [Bryn Mawr 1994-1995 Patricia Waddy, "Giustiniani and Del Bufalo College], introduced by Steven Z. Levine; Cousins and Their Residences in Rome" T. Barton Thurber, National Gallery of Art, Constance McPhee [University of Pennsylva- Department of Prints, Drawings, Pho- 16 March 1995 nia], introduced by John W. McCoubrey; tographs, and Sculpture Yasser Tabbaa, "Rationality and Belief in the Katherine McCarthy [], Medieval Islamic Hospital" introduced by Roger Stein; Elissa Auther [Uni- versity of Maryland at ], intro- PREDOCTORAL FELLOWS 20 April 1995 duced by June Hargrove; Randy Ploog [Penn- Jenny Anger [], David E. Barbara Gaehtgens, "The Transfer of Power: Widowed Queens as Regents" sylvania State University], introduced by Finley Fellow, 1994-1997 Craig Zabel; Stephenie A. Schwartz [George Roann Barris* [University of Illinois at Shoptalks Washington University], introduced by David Urbana-Champaign], Samuel H. Kress Fel- 17 November 1994 Bjelajac; Deborah Gross [American Univer- low, 1993-1995 Mariet Westermann, "How Was Jan Steen sity], introduced by Norma Broude. Julien Chapuis [Indiana University], Samuel Funny? Fictions of Comic Truth" Seminars H. Kress Fellow, 1994-1996 15 December 1994 INSTITUTIONAL SELF-CENSORSHIP AND RELATED Timothy Davis [University of at Austin], Maria Gough, "Taxonomizing Vagary and POLICIES OF COLLECTING, PRESERVING, AND Chester Dale Fellow, 1994-1995 Aphorism: The INKhUK Debate and the EXHIBITING Leah Dickerman [Columbia University], David Construct!vist Debut of Karl Ioganson" 21 October 1994 E. Finley Fellow, 1993-1996 12 January 1995 Participants: Jean Sutherland Boggs, Center for Jesus R. Escobar [Princeton University], Lydia Thompson, "Cosmology, Ritual, and the Advanced Study in the Visual Arts; Charles Chester Dale Fellow, 1994-1995 Creation of Sacred Space in the Yi'nan Cunningham, Museum of Fine Arts, Boston; Tomb" Maria Gough* [Harvard University], Paul Gail Feigenbaum, Center for Advanced Study Mellon Fellow, 1992-1995 9 February 1995 in the Visual Arts; James B. Frankel, Univer- Jodi Hauptman* [Yale University], Wyeth Kathryn A. Smith, "The Neville of Hornby sity of California, Berkeley and University of Fellow, 1993-1995 Hours (London, British Library Egerton MS. San Francisco; Cooper Graham, Library of Abby McGehee [University of California, 2781) and the Construction of the Devout Congress; Marjorie Heins, American Civil Lib- Berkeley], Paul Mellon Fellow, 1993-1996 and Literate Layperson" erties Union; Walter Kendrick, Fordham Uni- Nancy Norwood [University of California, 9 March 1995 versity; Ted Mcllvenna, Exodus Trust; Steven A. Berkeley], Mary Davis Fellow, 1994-1996 Cynthia Robinson, "Palace Architecture and Mansbach, Institute for Advanced Study, Princeton; Henry A. Millon, Center for Irina Oryshkevich [Columbia University], Paul Ornament in the 'Courtly' Discourse of the Advanced Study in the Visual Arts; Therese Mellon Fellow, 1994-1997 Mulvk al-Tawa'if: Metaphor and Utopia" 0 'Malley, Center for Advanced Study in the 13 April 1995 Cynthia Robinson* [University of Pennsylva- Visual Arts; Nancy Pressly, Washington, DC; Jodi Hauptman, "Vision and Spectatorship in nia], Andrew W. Mellon Fellow, 1993-1995 Harry Rand, National Museum of American the Work of Joseph Cornell: Stargazing in David Roxburgh [University of Pennsylvania], Art; Andrew Robison, National Gallery of Art; the Cinema" Andrew W. Mellon Fellow, 1994-1996 Alan Shestack, National Gallery of Art; Abby Kathryn A. Smith* [New York University, Symposia Smith, Library of Congress. Institute of Fine Arts], Mary Davis Fellow, ENGRAVED GEMS: SURVIVALS AND REVIVALS Due Giornate di Studi 1993—1995 18-19 November 1994 ARCHITECTURAL MODELS AND DRAWINGS IN THE Lydia Thompson* [New York University, Insti- Participants: John Boardman, University of tute of Fine Arts], Ittleson Fellow, RENAISSANCE Oxford; Clifford Brown, Carleton University, 16-17 February 1995 1993-1995 Ottawa; Martin Henig, University of Oxford; Eugene Yuejin Wang [Harvard University], David Jaffe, J. Paul Getty Museum; Julia Participants: Nicholas Adams, ; Ittleson Fellow, 1994-1996 Kagan, State ; Genevra Richard J. Betts, University of Illinois; Jill Mariet Westermann* [New York University, Kornbluth, Youngstown State University; Dou- Caskey, Center for Advanced Study in the Visual Arts; David R. Coffin, Princeton Univer- Institute of Fine Arts], David E. Finley Fel- glas Lewis, National Gallery of Art; Marianne low, 1992-1995 Maaskant-Kleibrink, University of Groningen; sity; Joseph Connors, Columbia University; Martha McCrory, Fashion Institute of Technol- Francesca Consagra, Center for Advanced ogy, New York City; Cristina Piacenti, Museo Study in the Visual Arts; Tracy E. Cooper, Tem- degli Argenti, Florence; Gertrud Seidmann, ple University; Margaret D'Evelyn, Providence; Meetings University of Oxford; Jeffrey Spier, University Michael S. A. Dechert, Washington, DC; Gail College, London; Ingrid Szeiklies-Weber, Feigenbaum, Center for Advanced Study in Colloquia Staatliche Munzsammlung, Munich; Hugh the Visual Arts; Friedman, Wellesley Col- lege; David Friedman, Institute 13 October 1994 Tait, ; Toby Yuen, New York of Technology; Hellmut Hager, Pennsylvania Jean Sutherland Boggs, "Dating the Works and City; Erika Zwierlein-Diehl, Universitat Bonn. State University; Isabelle Hyman, New York Life of Degas" MIDDLE ATLANTIC SYMPOSIUM IN THE HISTORY OF University; Philip Jacks, Yale University; Alice 8 December 1994 ART: 25TH ANNUAL SESSIONS Jarrard, Smith College; Mark Jarzombek, Cor- Ann Kuttner, "On Looking into Republican 29 April 1995 nell University; Lawrence Jenkens, University Painted Rooms: The Villa of the Mysteries' Co-sponsored with the Department of Art of New Orleans; Douglas Lewis, National Dionysiac Suite" History and Archaeology, University of Mary- Gallery of Art; William C. Loerke, Dumbarton land at College Park Oaks (emeritus); William L. MacDonald, Wash- * in residence 19 September 1994-31 August 1995 Participants: Ann Nicgorski [University of ington, DC; Charles Mack, University of South

66 Jean-Auguste-Dominique Ingres, Henri Labrouste, 1852, Collection of Mr. and Mrs. Paul Mellon, 1995.47.52

Carolina; Tod A. Marder, Rutgers University; Lecture conducted by resident members of the Fernando Marias, Center for Advanced Study James B. Frankel, University of California, Center in 1994-1995 and by several fel- in the Visual Arts; Naomi Miller, Center for Berkeley and University of San Francisco, lows from the previous academic year. Advanced Study in the Visual Arts; Henry A. "Impermissible Art: Is There Such a Thing as Millon, Center for Advanced Study in the Self-Censorship?" 20 October 1994 Papers presented at symposia spon- Visual Arts; Christopher Monkhouse, Heinz sored by the Center are often gathered Architectural Center, Pittsburgh; John Moore, 15th-Anniversary Lecture Series and published in the National Gallery's Smith College; Therese O'Malley, Center for Richard Shiff, University of Texas at Austin, Advanced Study in the Visual Arts; Alina "Imitation of Matisse," 11 January 1995 series of Studies in the . To Payne, University of Toronto; Maria A. Phillips, Carlo Bertelli, Universite de Lausanne, "The date 27 symposium volumes have Georgia State University; John Pinto, Prince- Iron Crown of Lombardy," 8 March 1995 ton University; Martha Pollak, University of appeared, with 2 published in fiscal year Illinois at Chicago; Brenda Preyer, University Marc Fumaroli, College de France, "A Para- 1995: Piero della Francesca and His Legacy doxical Friendship: and the of Texas at Austin; Myra Nan Rosenfeld, Cana- (vol. 48); and Federal Buildings in Context: dian Center for Architecture; Joseph Rykwert, Comte de Caylus (1714-1721)," 4 May 1995 University of Pennsylvania; Gustina Scaglia, The Role of Design Review (vol. 50). A Queens College; Juergen Schulz, Brown Uni- Publications complete list of titles in the series versity; Craig Hugh Smyth, Cresskill, New Jer- appears in each volume. Papers from sey; T. Barton Thurber, Center for Advanced The Center compiles an annual record other symposia are in various stages of Study in the Visual Arts; Stephen Tobriner, of the scholarly events and research of University of California, Berkeley; Marvin preparation. This year also saw the pub- the preceding year. Center 15, published Trachtenberg, New York University, Institute lication of the Kress Professorship com- of Fine Arts; Richard Tuttle, Tulane University; in 1995, contains general information memorative volume, A Generous Vision: John Varriano, Mount Holyoke College; Patri- about fellowships, meetings, publica- cia Waddy, Center for Advanced Study in the Samuel H. Kress Professors, 1965-1995, for tions, and research, lists of the board of Visual Arts; William Wallace, Washington Uni- which Elizabeth Streicher served as pro- versity; Carroll W. Westfall, Jr., University of advisors, members of the Center, and ject head. Virginia; Catherine Wilkinson-Zerner, Brown activities for 1994-1995. Center 15 also University. contains summary reports on research

67

REPORT OF THE TREASURER

The National Gallery of Art's outlays for Federal Funds for Operations fiscal year 1995 were significantly ahead Appropriated funds in the amount of of those for 1994, as the Gallery began $52,722,443 supported major opera- long-delayed building repairs, mounted tions of the Gallery, including the cura- costly special exhibitions thanks to tar- torial and education departments, spe- geted corporate grants, and recognized cial exhibitions, security, maintenance, the development costs (through 30 Sep- and day-to-day functions. An additional tember) of the New Century Fund Capi- $5,314,385 was made available for tal Campaign. Gallery income totaled needed equipment, repairs, and renova- $70,113,376 against expenditures of tions in the Gallery's buildings. The $69,859,309, 11% more than in fiscal Gallery began its five-year project to year 1994. For the second consecutive replace the West Building skylights, year the accounting of non-federal which were installed in 1937-1941. It funds shows a small surplus attributable also enhanced existing fire protection to income restricted to the Center for systems and made important improve- the Advanced Study in the Visual Arts. ments to interior spaces serving support The sources of funding for 1995 oper- facilities. ations are summarized below: Personnel costs represent the largest single expense category for museums— (millions) (% of total) specifically salaries for curatorial, Federal Funds $58.0 8396 , and maintenance staffs so Private Funds integral to the care of the collections 1. Income from and their presentation to the public. endowments 5.6 8 Sixty-seven percent of the federal funds 2. Gifts, grants, and designated income 6.5 9 appropriated to the Gallery go to Total Operating salaries and related benefit costs. Funds $70.1 100% The use of federal funds to operate the Gallery stems from a 1937 Joint

Sir Joshua Reynolds, Miss Beatrix Lister, 1765, Resolution of Congress, which accepted Gift of Margaret Mellon Hitchcock, 1995.3.1 Andrew W. Mellon's gift to the people

69 Renovation Equipment Curatorial Development

Conservation Administration

Total Operating Expenses Special Exhibitions Fiscal Year 1995 $69.9 Million

Editorial / Photography

Research Security

Education

Fellowships

Operations / Maintenance

of the United States. The resolution stip- the Museum of Modern Art in New The Gallery is especially grateful to ulates that the Gallery be open to the York, received such coverage in 1995. the businesses that provided major public free of charge. grants for special exhibitions: Polaroid, 's gift consisted of his Private Funds for Operations Mobil, NYNEX, Phillips, Heineken, and art collection, funds to construct a The $11.8 million of non-federal funds Shell Oil. The International Exchange building (now the West Building), and utilized in fiscal year 1995 was drawn for Art, The Lannan Foundation, and an endowment fund. The Congress in from unrestricted income from the Mel- the Kress Foundation also provided sig- turn pledged the faith of the U.S. to lon endowment, grants from corpora- nificant monetary support. provide funds for the upkeep, adminis- tions and foundations to complement The Center for the Advanced Study in tration, and operations of the Gallery, federal support of special exhibitions, the Visual Arts supported on private including the protection and care of and designated monies for other Gallery funds 42 fellowships in its 1995 com- works of art subsequently acquired by programs, including the Center for the munity of scholars in addition to its the Board of Trustees through donation Advanced Study in the Visual Arts. ongoing program of meetings, publica- or through purchase from private funds. The income from unrestricted funds is tions, and research. Private monies also The East Building, opened in 1978, is used for the compensation of executive financed 11 fellowships, staff research, also a gift to the nation from the Mellon personnel, payment of professional fees, and several seminars in conservation. family. insurance, fundraising, and other oper- Supplementing federal funds, the The federal government is a major ating costs not covered by federal funds. Gallery used monies designated for the factor in the international component of Superior returns enabled the Gallery to purpose to purchase books and pho- the Gallery's exhibitions through its operate without drawing on its contin- tographs totaling $192,163. Income indemnity program, managed by the gency fund. from two endowments given by William Federal Council on the Arts and the Seventeen special exhibitions were Nelson Cromwell and by F. Lammot Humanities. Under this program, the mounted in 1995, two more than 1994. Belin matched federal monies available National Gallery of Art and other muse- Funds from private sources to support for the regular, free Sunday evening ums throughout the country have been these exhibitions amounted to concerts. The federal investment in art relieved of much of the burden of $2,253,598, or 36% of the cost for the education was enhanced by grants from insuring art treasures coming to the year, consistent with 1994 and reflect- American Express, the Geraldine R. U.S. from abroad. PietMondrian: ing the difficulty of raising full funding Dodge Foundation, Mrs. Harry Lenart, 1872-1944, an exhibition shared with for special exhibitions. the Fannie Mae Foundation, the Vira I.

70 Heinz Endowment, the Nathan Cum- Art Acquisitions Conclusion mings Foundation, and the Weingart The Gallery made purchases of works of Fiscal year 1995 may well be the last of Foundation. art totaling in the aggregate $6,101,424. the fiscally secure years for the National Investments Significant purchases included Beert's Gallery of Art. Year's end found the Oysters, Fruit, and Wine; the Robinson Gallery without a signed fiscal year The National Gallery's portfolio bene- Photograph Collection, Susan Rothen- 1996 federal appropriation. The sums fited from the buoyant stock and bond berg's Butterfly, and Edgar Degas' Horses agreed upon in conference for the markets during the first three quarters in a Meadow. Gallery by the House of Representatives of calendar year 1995. The investment and by the Senate are 2-3% less than portfolio of the Gallery had a market Publications Fund the amounts provided in fiscal year value of $295,771,933 on 30 September 1995 and some 10% less than the Publication revenue totaled $9,441,349, 1995. This value was 14.3% higher Gallery requested. The Gallery is cog- than that of the preceding year, based of which $8,499,570 represented sales nizant of the urgent pressures to bal- in the Gallery shops. Although the on performance and additions to princi- ance the federal budget and has begun Gallery's merchandising activities con- pal generated by payments against to reassess the efficacy of its operations, tinue to be healthy, revenues did not pledges for the Patrons' Permanent ever mindful of its commitment to cover all expenses charged to the Publi- Fund, the 50th Anniversary Campaign, quality and the availability of its collec- cations Fund. The net proceeds of sales and the New Century Fund. tions to its American and foreign visi- activity along with income earned on The portfolio comprises the original tors and to educational institutions Mellon endowment and others subse- existing fund balances are used to nationwide. quently given to the Gallery by various finance, through a revolving fund, the production of catalogues, research pub- donors; gifts and grants designated for Ann R. Leven lications, and other scholarly efforts specific purposes by individuals, foun- Treasurer dations, and corporate sponsors; and related to the Gallery's collections. the Patrons' Permanent Fund, dedicated The publications completed in 1995 to the purchase of works of art. are listed on page 109 of this report. Fifty-six percent of the portfolio was Other major publication efforts cur- invested in common and preferred rently under way include 26 volumes of stocks, compared with 53% at the end the systematic catalogue, the Mark of fiscal year 1994. Bonds made up 7%; Rothko, and the Georgia O'Keeffe cata- government obligations and cash equiv- logue raisonnes, and manuscripts for alents, 37%. Investments are supervised future exhibition catalogues. by the finance committee of the Board Treasurer's Office of Trustees and managed by an invest- ment advisory team of Scudder, Stevens The treasurer's office is responsible for & Clark, New York, New York; Sound general financial management and pol- Shore Management, Inc. of Greenwich, icy, overseeing investment manage- Connecticut; and Trust Company of the ment, budgeting, accounting, payroll, West, Los Angeles, California. The and insurance. The office manages the Gallery also has a small position in T. systems and the controls for security Rowe Price's Strategic Partners II, which and disposition of the funds described invests in emerging growth companies. in the accompanying financial state- The Gallery's custodian is The Riggs ments. It also has oversight of the National Bank of Washington, DC. Gallery's computer operations, both fis- cal and curatorial, and telecommunica- New Century Fund tions networks. As detailed elsewhere in this annual Coopers & Lybrand has once again report, the Gallery has embarked on a given the Gallery's financial statements capital campaign. Cash received in fiscal an unqualified opinion. The statements year 1995 was deposited, following have been prepared by the Gallery's donors' wishes, in the appropriate comptroller. Dale C. Rinker, the assis- endowment or specified purpose tant treasurer, Michael W. Levine, and account. At the halfway point campaign Kelly Liller, who served as coordinator. expenditures amount to $752,909, less Delorace Bowman provided invaluable than 2% of the $54 million raised. data-processing assistance.

71 Coopers Coopers & Lybrend L L P.

&Lybrand a professional services firm

Report of Independent Accountants

To the Board of Trustees of The National Gallery of Art

We have audited the accompanying balance sheet of the National Gallery of Art (the Gallery) as of September 30, 1995, and the related statements of activity of the funds for operations, and changes in fund balances for the year then ended. We previously audited and reported on the financial statements of the National Gallery of Art for the year ended September 30, 1994, totals of which are included in the accompanying financial statements for comparative purposes only. These financial statements are the responsibility of the Gallery's management Our responsibility is to express an opinion on these financial statements based on our audit.

We conducted our audit in accordance with generally accepted auditing standards and Government Auditing Standards issued by the Comptroller General of the United States. Those Standards require that we plan and perform the audit to obtain reasonable assurance about whether the financial statements are free of material misstatement. An audit includes examining, on a test basis, evidence supporting the amounts and disclosures in the financial statements. An audit also includes assessing the accounting principles used and significant estimates made by management, as well as evaluating the overall financial statement presentation. We believe that our audit provides a reasonable basis for our opinion.

In our opinion, the financial statements referred to above present fairly, in all material respects, the financial position of the National Gallery of Art as of September 30, 1995, and the results of its operations for the year then ended in conformity with generally accepted accounting principles.

In accordance with Government Auditing Standards, we have also issued a report dated December 15, 1995 on our consideration of the Gallery's internal control structure and a report dated December 15, 1995 on its compliance with laws and regulations.

Washington, D C. December 15, 1995

Harold Edgerton, Teeing Off: Club Impacting Ball on Tee, c. 1935, Gift (Partial and Promised) of Mary and David Robinson, 1995.35.10

72 BALANCE SHEET AS OF 30 SEPTEMBER 1995 (with comparative totals as of 30 September 1994)

1995 1994 Non-federal Federal Total Totals

ASSETS Cash, including interest-bearing demand deposits and amounts on deposit with U.S. Treasury (Note 2) $ 1,666,908 $16,154,305 $ 17,821,213 $ 17,295,409 Receivables (Note 3) 21,822,708 1,120,585 22,943,293 23,478,626

Investments (Notes 1 and 4) 295,771,933 — 295,771,933 258,809,938

Publications inventory (Notes 1 and 5) 2,396,150 — 2,396,150 3,539,600 Deferred charges (Note 1) 1,678,028 618,379 2,296,407 2,334,343 Fixed assets, net (Notes 1 and 6) 69,625,116 25,863,144 95,488,260 95,021,043

TOTAL ASSETS $392,960,843 $43,756,413 $436,717,256 $400,478,959

LIABILITIES AND FUND BALANCES Liabilities: Accounts payable, accrued expenses and undelivered orders (Note 1) $ 5,660,327 $ 8,346,052 $ 14,006,379 $ 15,536,042 Deferred revenues and appropriations 17,805,623 _ 618,379 18,424,002 21,020,784 Total liabilities 23,465,950 8,964,431 32,430,381 36,556,826

Commitments and contingencies (Note 10)

Fund balances (Note 7):

Funds for operations 235,909 — 235,909 124,503

Funds for special purposes 48,120,731 — 48,120,731 44,148,339

Endowment funds 251,513,137 — 251,513,137 216,524,287

Unobligated appropriations — 8,928,838 8,928,838 8,103,961 299,869,777 8,928,838 308,798,615 268,901,090 Capital invested in fixed assets 69,625,116 J25,863,144 95,488,260 95,021,043 Total fund balances 369,494,893 34,791,982 404,286,875 363,922,133

TOTAL LIABILITIES AND FUND BALANCES $392,960,843 $43,756,413 $436,717,256 $400,478,959

The accompanying notes are an integral part of these financial statements.

73 STATEMENT OF ACTIVITY OF THE FUNDS FOR OPERATIONS FOR THE YEAR ENDED 30 SEPTEMBER 1995 (with comparative totals for the year ended 30 September 1994)

1995 1994 Non-federal Federal Total Totals

SUPPORT AND REVENUE U.S. Government appropriation utilized (Note 1) $58,036,828 $58,036,828 $53,632,377

Return from endowment funds 5,613,375 — 5,613,375 4.851.916

Grants for special exhibitions 2,253,598 — 2,253,598 1,722,657

Special purpose funds utilized 4,115,838 — 4,115,838 2,667,374

Income from food services, recorded tours, reimbursements, and other 93,737 — 93,737 30,813

TOTAL SUPPORT AND REVENUE 12,076,548 58,036,828 70,113,376 62,905,137

OPERATING EXPENSES Programs: Curatorial 2,284,121 8,352,828 10,636,949 9,445,986 Conservation 530,548 2,402,028 2,932,576 2,708,429 Special exhibitions 3,318,061 2,946,016 6,264,077 4,688.969

Editorial and photography — 1,203,389 1,203,389 1,223,613 Research services 192,163 2,515,203 2,707,366 2,839,534 Educational services 1,892,232 3,515,012 5,407,244 5,203,175

Fellowships 726,317 — 726,317 604,539 Music 354,192 217,920 572,112 538,521 Total program expenses 9,297,634 21,152,396 30,450,030 27,252,766

Operations, security and administration: Operations and maintenance 256,216 11,124,702 11,380,918 11,278,184

Security — 10,818,594 10,818,594 10,734,005 Administration, fiscal and legal 886,836 8,756,404 9,643,240 9,539,935 Development 1,381,795 230,949 1,612,744 838,366

Total operations, security and administration 2,524,847 30,930,649 33,455,496 32,390,490

Renovation expenditures — 5314,385 5,314,385 2,063,771 Equipment expenditures — 639.398 639,398 1,086,956

TOTAL EXPENSES 11,822,481 58,036,828 69,859,309 62,793,983

Excess of support and revenue over expenses 254,067 $ $ 254,067 $ 111,154

The accompanying notes are an integral part of these financial statements.

74 STATEMENT OF CHANGES IN FUND BALANCES FOR THE YEAR ENDED 30 SEPTEMBER 1995 (with comparative totals for the year ended 30 September 1994) 1994 Non-federal Federal No-year Funds for No-year special Funds for special Endowment One-year renovation exhibitions operations purposes funds funds funds funds Total Totals BALANCES, BEGINNING OF YEAR $ 124,503 $44,148,339 $216,524,287 $ 1,048,086 $4,602,777 $2,453,098 $268,901,090 $257,396,574 Additions: U.S. Government appropriation received — 49,784,544 4,015,536 3,020,214 56,820,294 54,739,000 U.S. Government funds provided for prior years — 442,338 442,338 418,149 U.S. Department of Energy grant for the Building Automation System 2,000,000 2,000,000 Return from endowment funds restricted to special purposes — 3,384,262 3,384,262 3,051,309 Endowment fund income returned to principal (Note 1) 175,140 175,140 — Investment income — 2,348,511 2,348,511 1,763,986 Change in investment appreciation/(depreciation) (Note 4) 2,464,704 29,566,235 — 32,030,939 (2,171,171) Gifts and bequests 6,122,876 5,793,120 — 11,915,996 14,069,377 Excess of support and revenue over expenses 254,067 254,067 111,154 Publications revenue 9,441,349 9,441,349 8,910,444 Total additions 429,207 23,761,702 35,359,355 50,226,882 6,015,536 3,020,214 118,812,896 80,892,248

Deductions: Art purchases — 6,101,424 6,101,424 3,837,145 Publications expenses — 9,906,511 9,906,511 9,523,590 Fixed asset expenditures 353,843 353,843 120,612 Fellowships, projects and other — 4,115,838 4,115,838 2,667,374 Federal operating expenses obligated — 49,776,427 5,314,385 3,346,943 58,437,755 53,239,011 Total deductions — 20,477,616 — 49,776,427 5,314,385 3,346,943 78,915,371 69,387,732

Transfers In(out), net (Note 7) (317,801) 688,306 (370,505)

BALANCES, END OF YEAR $ 235,909 $48,120,731 $251,513,137 $ 1,498,541 $5,303,928 $2,126,369 $308,798,615 $268,901,090

The accompanying notes are an integral part of these financial statements.

75 Notes to Financial services may not have been received. Such support of special exhibitions occurring at Statements amounts are included in undelivered orders one or more participating museums are and are available until expended. Nonfed- recorded as revenue to the Gallery to the 1. Summary of significant accounting eral funds do not account for undelivered extent that shared costs are incurred by the policies orders. Gallery. Pledges for the purchase of works of art FUND ACCOUNTING-—To ensure observance of ART COLLECTION—In conformity with are recorded when collected. limitations and restrictions placed on the use accounting policies generally followed by art of resources available to the National Gallery museums, the value of art has been OPERATING INCOME FROM ENDOWMENT of Art (the Gallery), the accounts of the excluded from the balance sheet. The FUNDS—Income derived from investments of Gallery are classified for accounting and Gallery acquires its art collections through endowment funds is accounted for as rev- reporting purposes into separate funds estab- purchase or by donation-in-kind. Only cur- enue of the appropriate operating fund or, if lished according to their nature and purpose. rent year purchases, but not donations-in- applicable, as additions to funds for special Separate accounts are maintained for each kind, are reflected in the statement of purposes. It is the policy of the Board of fund; however, in the accompanying finan- changes in fund balances. Trustees to limit the amount of dividends cial statements, funds that have similar char- and interest available for expenditure in INVESTMENTS—Investments are carried at acteristics have been combined into fund operations in any year and to return unused current market value based upon the last groups: income to the principal of the appropriate reported sales price at the end of the fiscal endowments. In keeping with this policy, • Operating funds, which include unrestricted year or, in the absence of a reported sale, the amount of interest and dividends avail- and restricted resources, are those expend- upon the average of the bid and ask prices. able for expenditures is equal to 5.5% of the able funds that support the Gallery's Purchases and sales of securities are reflected four-year average market value of the operations. on a trade-date basis. Gain or loss on sales of invested funds. Total income generated by securities is based on average historical value • Funds for special purposes include the publi- endowments for operations was $5,788,515 (cost of securities if purchased or the fair cations fund, which is used to finance, in a and $4,851,916 for the years ended 30 Sep- revolving fund manner, the production of market value at the date of receipt if tember 1995 and 1994, respectively. Of these catalogues and other scholarly activities received by donation). Dividends and inter- amounts, $5,613,375 and $4,851,916, est are recorded on the accrual basis. In directly related to the programs and collec- respectively, were used for operating pur- accordance with the policy of stating invest- tions of the Gallery. Publications revenue poses and, pursuant to the trustees' policy ments at fair value, the net change in unre- and expenses are recorded as additions and noted above, $175,140 was returned to prin- alized appreciation or depreciation for the deductions, respectively, in the statement of cipal for 1995. No endowment income was changes in fund balances. Other funds for year is reflected in the statement of changes returned to principal for 1994. special purposes are primarily restricted to in fund balances (see Note 4). art acquisitions, capital construction, and ANNUAL LEAVE—The Gallery's employees fellowships. PUBLICATIONS INVENTORY—Publications earn annual leave in accordance with federal inventory is carried at the lower of cost or laws and regulations. The cost of leave is • Endowment funds require in perpetuity that market. Cost is determined using the retail recorded as salary expense only as leave is principal be invested and that only the cost method. income be used. Permanent endowment taken for federal employees and accrued for funds are subject to restriction by donor, DEFERRED CHARGES—Deferred charges repre- non-federal employees as of year end. sent expenses incurred in connection with grantor, or other outside party. Funds func- CONTRIBUTED SERVICES—A substantial num- future special exhibitions and other activities tioning as endowment are subject to restric- ber of unpaid volunteers have made signifi- and are recognized in the period in which tion by the Gallery's Board of Trustees. cant contributions of their time in the fur- they occur. • Federal funds represent appropriations from therance of the Gallery's programs. This the Congress of the United States for the FIXED ASSETS—The land occupied by the contributed time is not reflected in these operations of the Gallery. The Gallery Gallery's buildings was appropriated and statements, since no objective basis is avail- receives "one-year" appropriations that, reserved by the Congress of the United able for determining the value of these when not obligated or expended, are States for that purpose. No value has been services. retained by the Gallery for a period of five assigned in the accompanying financial AUTHORITATIVE PRONOUNCEMENTS—Effective years prior to being returned to the United statements. Buildings are recorded at cost for the year ending 30 September 1996, States Treasury; and "no-year" appropria- and depreciated on a straight-line basis over the Gallery will be required to implement tions, for the repair, renovation and restora- the estimated useful life of fifty years. Equip- Statement of Financial Accounting Standards tion of its buildings and for special exhibi- ment, furniture, and computer software are (SFAS) No. 116 "Accounting for Contribu- tions. No-year appropriations are retained also recorded at cost and depreciated on a tions Received and Contributions Made" and until expended. straight-line basis over estimated useful lives SFAS No. 117 "Financial Statements of Not- ranging from five to twenty-five years. Upon UNDELIVERED ORDERS—In accordance with For-Profit Organizations." A significant pro- retirement of fixed assets, the related cost accounting principles prescribed by the vision of SFAS No. 116 is the recognition of and accumulated depreciation are removed Comptroller General of the United States as promises (pledges) in the financial state- from the accounts (see Note 6). set forth in the Policy and Procedures Manual ments. SFAS No. 117 requires a change in for Guidance of Federal Agencies, the obligation REVENUE RECOGNITION—Grants, gifts, and the display of financial statements from basis of accounting used for federal funds bequests are recognized as support and rev- those based on fund accounting to a display differs in some respects from generally enue or additions to funds for operations, based on the concept of "net assets." Man- accepted accounting principles. Obligations, special purposes or endowment funds on the agement will be reviewing the impact of such as purchase orders and contracts, are accrual basis. Support and revenue received these required changes in the coming fiscal recognized as expenses and are carried as for future periods is deferred. year. liabilities even though the related goods or Contributions received by the Gallery in

76 2. Cash The Gallery invests its excess non-federal cash in money market funds that are con- verted into cash as needed to meet the Gallery's obligations. As of 30 September 1995 and 1994, federal cash of $16,154,305 and $13,666,804, respectively, was on deposit with the U.S. Treasury and represents appropriated amounts yet to be disbursed.

3. Receivables

As of 30 September, receivables were composed of the following: 1995 1994 New Century Fund pledges $10,920,000 $12,500,000 Special exhibition and other program grants and pledges 4,141,441 4,329,199 Due from brokers on sales of securities and accrued investment income 4,700,351 3,263,168 Other 3,181,501 3,386,259 TOTAL $22,943,293 $23,478,626

4. Investments As of 30 September the Gallery's endowment and other special purpose funds were invested as follows: 1995 1994 Cost Market value Cost Market value Loan to the U.S. Treasury $ 5,000,000 $ 5,000,000 $ 5,000,000 $ 5,000,000 Government obligations and cash equivalents 102,059,231 103,770,074 99,778,548 97,654,402 Bonds and notes 20,483,269 21,143,680 18,537,644 18,863,836 Common and preferred stocks 134,833,066 165,858,179 125,041,769 137,291,700 TOTAL $262,375,566 $295,771,933 $248,357,961 $258,809,938

1995 1994 In 1942, the Gallery, under authority of an Increase/ (decrease) in unrealized appreciation of investments $23,068,655 $(15,221,454) Act of Congress, made a $5,000,000 perma- Realized gain on sale of investments 8,962,284 13,050,283 nent loan to the U.S. Treasury. This loan bears interest at 1/4% below the average $32,030,939 $ (2,171,171) monthly rate for long-term funds paid by the United States Treasury (ranging from 6.125% 5. Publications inventory to 7.875% during fiscal year 1995). Interest As of 30 September inventory consists of the following: income on this loan was $362,118 and 1995 _1994 $321,684 for the years ended 30 September Gallery shops inventory $ 1,379,165 $ 1,538,413 1995 and 1994, respectively. Work-in-process 564,905 1,527,426 In keeping with the Gallery's investment Other 452,080 473,761 policies, in April 1995, one of the Gallery's $ 2,396,150 $ 3,539,600 investment managers entered into French franc and German deutschemark forward 6. Fixed assets contracts to hedge against currency exposure related to foreign denominated debt issues Depreciation is charged directly against "Cap- held as investments. The contract value was ital invested in fixed assets" and is excluded approximately $5,013,000 at 30 September from the statement of activity of the funds 1995, with an unrealized appreciation of for operations and statement of changes in approximately $124,000 recorded in the fund balances. Depreciation in financial statements. These contracts expired the amount of $3,960,557 in 1995 comprises in October 1995. $2,337,438 of non-federal funds and The net change in investment appreciation $1,623,119 of federal funds. for the years ended 30 September is as Buildings and equipment consist of the follows: following as of 30 September:

77 1995 10. Rental commitments Non-federal Federal Total funds Total funds The Gallery has entered into operating leases Buildings £121,749,895 $ 14,067,202 $135,817,097 $134,402,783 for warehouse space expiring in October Equipment 4.138,087 31,352,039 35,490,126 34,290,422 1998. Future minimum rental commitments Construction-in-progress 2,308,347 2,308,347 651,651 under these leases at 30 September 1995, are approximately as follows: 125,887,982 47,727,588 173,615,570 169,344,856

Less accumulated For the years ending Federal Publications depreciation (56,262,866) (21,864,444) (78,127,310) (74,323,813) 30 September fund fund 69,625,116 $ 25,863,144 $ 95,488,260 $ 95,021,043 1996 $ 385,672 $128,558 1997 397,242 132,415 1998 409,160 136,386 1999 34,180 11,393 7. Non-federal fund balances Total $1,226,254 $408,752 Non-federal funds include the following as of 30 September: 1995 1994 Funds for operations 235,909 124,503 The terms of these leases include addi- tional rent for operating expenses, real estate Funds for special purposes: taxes, utilities, and maintenance. Rent Accumulated income, gifts, grants, and bequests expense on the above leases was approxi- that are available for mately $660,000 and $597,000 for the years Art purchases 17,124,782 15,079,783 ended 30 September 1995 and 1994, Capital construction 11,491,400 9,855,339 respectively. Publications 16,014,746 14,949,693 Fellowships and other projects 3,489,803 4,263,524 Total funds for special purposes 48,120,731 44,148,339

Endowment funds: Endowment funds, the income from which is available for Restricted purposes 108,703,863 93,308,484 Gallery operations 108,562,127 90,853,556 Funds functioning as endowment funds, the principal and income from which are available for Special purposes 18,016,753 15,445,971 Unrestricted purposes 16,230,394 16,916,276

Total endowment funds 251,513,137 216,524,287

TOTAL NON-FEDERAL FUNDS $299,869,777 $260,797,129

Interfund transfers in (out) for the year ended 30 September 1995 included: Funds for Funds for special Endowment operations purposes funds Endowment fund income returned to principal $(1,122,640) $ 1,122,640 Art purchases 1,493,145 (1,493,145) Other 804,839 (804,839) Total transfers among funds $ (317,801) $ 688,306 $ (370,505)

8. Retirement benefits The Gallery funds all retirement contribu- All permanent employees of the Gallery, tions on a current basis and accordingly both federal and non-federal, hired prior to there are no unfunded retirement costs. Total 1 January 1984, participate in the Civil Ser- pension expense of the Gallery was approxi- vice Retirement System (CSRS) and those mately $3,776,100 and $3,732,300 for the hired subsequent to 1 January 1984 and years ended 30 September 1995 and 1994, selected others participate in both the Social respectively. Security Retirement System and the new Federal Employees' Retirement System 9. Income taxes (FERS), which went into effect 1 January The Gallery is a nonprofit organization 1987. Under FERS, employees have the exempt from federal income taxes under the option to make tax-deferred contributions to provisions of Section 501(c)(3) of the Inter- a Thrift Savings Plan and in some instances nal Revenue Code and the applicable income receive a matching portion from the Gallery. tax regulations of the District of Columbia.

78 APPENDICES

Acquisitions Dubuffet, Jean, French, 1901-1985 Repriseuse de chaussette (Darner of Socks), 1945, oil and pebbles on canvas Paintings Terracota la grosse bouche (Big Mouth Terra Cotta), Beert the Elder, Osias, Flemish, active 1946, oil, plaster, sand, pebbles, coal, and mir- 1596-1623 rored glass on canvas Banquet Piece with Oysters, Fruit, and Wine, Limbour fa$on fiente de poulet (Limbour Fashioned c. 1610/1620, oil on panel, 1995.32.1, Patrons' Per- from Chicken Droppings), 1946, oil, pebbles, sand, manent Fund plaster, coal, straw, and resin on wood fiber- board panel Bonnard, Pierre, French, 1867-1947 Petite musique pour Edith (A Little Musical Number Paris, Rue de Parme on Bastille Day, 1890, for Edith), 1946, oil, sand, and crayon on canvas oil on canvas Bertele bouquet fleuri, Portrait de Parade (Bertele as Study for a Portrait of Vuillard, c. 1910, a Blossoming Bouquet, Sideshow Portrait), 1947, oil, oil on wood plaster, and sand on canvas 1995.47.2-3, Collection of Mr. and Mrs. Paul Mellon Deux figures dans un paysage (Two Figures in a Braque, Georges, French, 1882-1963 Landscape), 1949, oil and sand on hessian Fruit, Glass, and Mandolin, 1938, oil and sand on Le temps presse (Time Is Running Out), 1950, canvas, 1995.47.4, Collection of Mr. and Mrs. Paul oil on canvas Mellon Corps de dame jaspe (Marbleized Body of a Lady), Cezanne, Paul, French, 1839-1906 1950, oil and sand on canvas Boy in a Red Waistcoat, 1888-1890, oil on canvas, Confiture matiere lumiere (Texturologie LIII) (Pre- 1995.47.5, Collection of Mr. and Mrs. Paul Mellon in serves of Light and Matter [Texturology LIII]), 1958, Honor of the 50th Anniversary of the National Gallery oil on canvas of Art Vache aux comes noires (Cow with Black Horns), 1954, oil on canvas Chase, William Merritt, American, 1849-1916 Vache la belle allegre (The Beautiful and Sprightly Nude, c. 1901, oil on canvas, 1995.47.1, Collection Cow), 1954, oil on canvas of Mr. and Mrs. Paul Mellon Compagnonnage (Companionship), 1956, oil and Degas, Edgar, French, 1834-1917 collage elements on canvas Horses in a Meadow, 1871, oil on canvas, La Fiat aux pare-chocs (The Fiat with Bumpers), 1995.11.1, Chester Dale Fund 1961, oil on canvas Bouche en croissant ou Rieuse a bouche en croissant The Dance Lesson, c. 1879, oil on canvas de lune (Crescent Mouth, or Laughing Woman with a Self Portrait with White Collar, c. 1857, oil on Crescent-Moon Mouth), 1946, oil, pebbles, and paper on canvas sand on canvas Rene de Gas, 1855, oil on canvas Pierres aux figures (Stones with Figures), 1952, oil, 1995.47.6-8, Collection of Mr. and Mrs. Paul Mellon plaster, and sand on wood fiberboard panel Diller, Burgoyne, American, 1906-1965 Grande traite solitaire (The Large Solitary Milking), First Theme, 1964, oil on canvas, 1994.82.2, Robert 1943, oil on canvas and Jane Meyerhoff Collection La maison aux deux chemins (The House with Two

79 Paths), 1951, oil, sand, and pebbles on canvas Hodgkin, Howard, British, born 1932 O'Keeffe, Georgia, American, 1887-1986 La promeneuse au chapeau rouge (The Strolling Souvenirs, 1980-1984, oil on wood, 1994.82.3, Winter Road 1, 1963, oil on canvas, 1995.4.1, Gift Woman in a Red Hat), 1953, oil on canvas Robert and Jane Meyerhoff Collection of The Georgia O'Keeffe Foundation Facades d'immeubles (Building Facades), 1946, oil La Fresnaye, Roger de, French, 1885-1925 Reynolds, Joshua, Sir, British, 1723-1792 on canvas Village at the Water's Edge, 1910, oil on wood, Miss Beatrix Lister, 1765, oil on canvas, 1995.3.1, Gesticuleur (Gesturer), 1945, oil, enamel, sand, 1995.47.11, Collection of Mr. and Mrs. Paul Mellon Gift of Margaret Mellon Hitchcock pebbles, and resin on canvas Paysage vert (Green Landscape), 1944, oil on canvas Lichtenstein, Roy, American, born 1923 Rothenberg, Susan, American, born 1945 1995.29.1-16, 1995.30.1—4, 1995.48.1, The Stephen Entablature, 1975, oil, sand and magna on Butterfly, 1976, acrylic and matte medium on Hahn Family Collection (Partial and Promised Gilts) canvas, 1994.82.4, Robert and Jane Meyerhoff Collec- canvas, 1995.6.1, Gift of Perry R. and Nancy Lee Bass tion Fantin-Latour, Henri, French, 1836-1904 Salle, David, American, born 1952 Self-Portrait, 1861, oil on canvas, 1995.47.9, Collec- Manet, Edouard, French, 1832-1883 Coming and Going, 1987, acrylic, oil and photo- tion ol Mr. and Mrs. Paul Mellon Tama, the Japanese Dog, c. 1875, oil on canvas, sensitized linen on canvas, 1994.82.5, Robert and 1995.47.12, Collection of Mr. and Mrs. Paul Mellon Jane Meyerhoff Collection Gauguin, Paul, French, 1848-1903 Still Life with Peonies, 1884, oil on canvas, Mesches, Arnold, American, born 1923 Stella, Frank, American, born 1936 1995.47.10, Collection of Mr.and Mrs. Paul Mellon The Three Chandeliers, 1987, acrylic on canvas, Flin Flon IV, 1969, polymer and fluorescent poly- 1994.83.1, Gift of Lionel C. and Elizabeth P.S. Epstein mer paint on canvas, 1994.82.1, Robert and Jane Meyerhoff Collection

80 Sculpture Flotner, Peter, German, c. 1485-1546 Charity, 1540/1545, lead, 1995.49.4, Gift of Mark Barye, Antoine-Louis, French, 1796-1875 Wilchusky in honor of Douglas Lewis and Sir John Walking Panther, 1831, bronze, 1995.27.8, Gift of Pope-Hennessy Lisa and Leonard Baskin French 14th Century Beckmann, Max, German, 1884-1950 Great Seal of King Charles V model 1364, cast Head of a Man, 1950, bronze, 1995.26.1, Gift of probably 17th century, lead, 1995.49.1, Gift of Max Kahn, New York Mark Wilchusky in honor of Douglas Lewis and Sir Bieberstein, Karl von, Bohemian, possibly, John Pope-Hennessy active 1580s French, German, or Netherlandish 16th Christoph Putzvon Kirchamegg, 1584, lead, Century 1995.49.6, Gift of Mark Wilchusky in honor of Douglas Decollation of the Baptist, c. 1585, bronze, Lewis and Sir John Pope-Hennessy 1995.27.5, Gift of Lisa and Leonard Baskin

Bonzagni, Gian Federico, Italian, Gauvain, Jacques, French, active before alter 1507-1588 1501-after 1547 Cardinal Federico Cesi, Bishop of Palestrina Antoine, 1489-1544, Duke of Lorraine and Barrois (obverse), Facade of Santa Caterina dei Funari, 1508, 1521/1525, steel, 1995.49.5, Gift of Mark Rome (reverse), 1561, bronze, 1995.27.4.a,b, Gift of Wilchusky in honor of Douglas Lewis and Sir John Lisa and Leonard Baskin Pope-Hennessy Bradshaw, David, American, born 1944 Hamerani, Ermenegildo, Italian, 1683-1756 Tread, 1993, aluminum plate pierced by bullet, Benedict XIII (Piero Francesco Orsini, 1649-1730), 1995.61.2, Gift of Graphicstudio / University of South Pope 1724 (obverse), and Giovanni Hamerani, Florida and the Artist Italian, 1646-1705, Opening of the Holy Door for Central Italian 16th Century, after the the Jubilee (reverse), 1724, bronze, 1995.49.14.a,b, Antique Gift of Mark Wilchusky in honor of Douglas Lewis and The Fall of Phaeton, mid-16 th century, silver, Sir John Pope-Hennessy 1995.27.1, Gift of Lisa and Leonard Baskin Hamerani, Giovanni, Italian, 1646-1705 Danfrie II, Philippe, French, c. 1572-1604 Innocent XI (Benedetto Odescalchi, 1611-1689), Pope Henry IV, 1553-1610, King of France 1589 1676 (obverse). Saint Peter and Saint Paul (obverse), Victory Holding Palm and Laurel, on (reverse), 1678, bronze, I995.49.11.a,b, Gift of Globe with Rudder, Club, and Cadeuceus (reverse), Mark Wilchusky in honor of Douglas Lewis and Sir 1594, bronze, 1995.49.7.a,b, Gift of Mark Wilchusky John Pope-Hennessy in honor of Douglas Lewis and Sir John Pope-Hennessy Hedlinger, Johann Karl, Swiss, 1691-1791 Degas, Edgar, French, 1834-1917 Frederick I (1676-1751), King of Sweden 1720 Head, Study for the Portrait of Mme. Salle, (obverse), The Royal Palace, Stockholm (reverse), 1919/1921, bronze, 1995.47.16, Collection of Mr. 1731, silver, 1995.49.13.a,b, Gift of Mark Wilchusky and Mrs. Paul Mellon in honor of Douglas Lewis and Sir John Pope-Hennessy Dill, Lesley, American, born 1950 Italian 17th Century Poem Dress of Circulation, 1993-1994, photolitho- Tablet of the Superscription, from a Crucifix, c. 1600, graph on sewn and glued Chiri Kozo paper bronze stained with acrylic paint Saint Thaddaeus, 17th century, lead Copper Poem Hands, 1993, laser-cut, hammered, 1995.49.8-9, Gifts of Mark Wilchusky in honor of Dou- Constant Troyon, The Approaching Storm, 1849, and soldered copper, with black patination and glas Lewis and Sir John Pope-Hennessy Chester Dale Fund, 1995.42.1 including copper tubes, brass rods, copper foil, Italian 19th or 20th Century screws, and wire Sigismondo Malatesta and Isotta da Rimini Eye Drop, 1993-1995, hand-carved balsa wood, (obverse), Malatesta Arms within a Wreath brass, copper foil, and wood-veneer papers with (reverse), probably 19th or 20th century, black cotton thread on Arches 280 gm. paper, bronze, 1995.28.1.a,b, Gift of Lois and Anthony Okawara paper, T.H. Saunders 630 gm. paper, Blumka in honor ol Mr. and Mrs. Robert O. Earl and Japanese Sugi veneer paper 1995.61.18-20, Gifts of Graphicstudio / University of Kiefer, Anselm, German, born 1945 South Florida and the Artist of History, 1989, lead, glass, and poppies, Troyon, Constant, French, 1810-1865 1994.75.1, Eugene L. and Marie-Louise Garbaty Fund The Approaching Storm, 1849, oil on canvas Dubuffet, Jean, French, 1901-1985 Leoni, Leone, Italian, 1509-1590 mounted on board, 1995.42.1, Chester Dale Fund L'amphigourique (The Amphigoric One), 1954, slag Chevalier d'ombre (Shadow Knight), 1954, slag and Emperor Charles V and Prince Philip of Verbeeck, Cornells, Dutch, c. 1590/1591- clinker (obverse). Pillars of Hercules (reverse), 1553, c. 1637 1995.30.5, 1995.48.3, The Stephen Hahn Family Col- bronze, 1995.27.3.a,b, Gift of Lisa and Leonard Baskin Dutch Man-of-War Scuttling a Galleon, c. 1620/1625 lection (Partial and Promised Gifts) Long, Richard, British, born 1945 Dutch Ship Firing Cannons, c. 1620/1625 Whitechapel Slate Circle, 1981, slate, 1994.76.1, Gift oil on panel, 1995.21.1-2, Gifts of Dorothea V. Ham- Duvivier, Benjamin, French, 1730-1819 Louis XVI, 1754-1793, King of France 1774, 1783 of the Collectors Committee Marie Antoinette, 1755-1793, Queen of France 1774, Lupicini, Vincenzo di Giovanni, probably, Vuillard, Edouard, French, 1868-1940 1781 Italian, died 1610 Madame Bonnard, 1895/1900, oil on wood silver, 1995.49.15-16, Gift of Mark Wilchusky in Marchesa Faustina Sforza, born c. 1530, Wife 1546 of Landscape of the Ile-de-France, c. 1894, oil on honor of Douglas Lewis and Sir John Pope-Hennessy Muzio I, Marquis of Caravaggio, c. 1572, lead, wood 1994.81.1, Gift of Karl Lunde Self-Portrait, Aged 21, 1889, oil on canvas Ferrarese 18th or 19th Century 1995.47.13-15, Collection of Mr. and Mrs. Paul Mellon Bust of an Unknown Man, invented possibly c. 1470/1500, cast probably c. 18th or 19th century, bronze, 1995.27.2, Gift of Lisa and Leonard Baskin

81 Ark tide Maillol, Head of Renoir, 1906 or 1907, Collection of Mr. and Mrs. Paul Mellon, 1995.47.18

Maillol, Aristide, French, 1861-1944 Oldenburg, Claes, American, born 1929 Roman 15th Century, after the Antique La Mediterranee, c. 1906, marble Clarinet Bridge, 1992, canvas, wood, clothesline, Garlanded Head of Bacchus, c. 1450, bronze, Head of Renoir, 1906 or 1907, bronze polyurethane foam, and resin, painted with 1995.49.2, Gift of Mark Wilchusky in honor of Douglas Half Body, c. 1905, terra cotta latex, 1995.38.1, Gift of Perry R. and Nancy Lee Bass Lewis and Sir John Pope-Hennessy 1995.47.17-19, Collection of Mr. and Mrs. Paul Mellon Picasso, Pablo, Spanish, 1881-1973 Saint-Urbain, Ferdinand de, French, Master IO.F.F., Italian, active 1468/1484 Dove, 1954, bronze, 1995.47.20, Collection of Mr. 1658-1738 Mucius Scaevola, second half 15th century, and Mrs. Paul Mellon Leopold Joseph 1, 1679-1729, Duke of Lorraine 1697 bronze, 1995.49.3, Gift of Mark Wilchusky in honor Repiglier, Paolo, Italian, active 1690s (obverse), Mounted Traveller (reverse), 1727, of Douglas Lewis and Sir John Pope-Hennessy bronze, 1994.81.2.a,b, Gift of Karl Lunde Anna Isabella Gonzaga, Duchess of , 1698, Moderno, Italian, 1467-1528 lead, 1995.49.12, Gift of Mark Wilchusky in honor of Simon, Thomas, English, c. 1623-1665 Battle Scene, in a Rectangular Frame, 1505/1510, Douglas Lewis and Sir John Pope-Hennessy King Charles II in Coronation Robes (obverse). bronze, 1995.50.1, Gift of Douglas Lewis Rodin, Auguste, French, 1840-1917 King Charles II Enthroned, being Crowned by Peace (reverse), 1661, silver washed with gold, Netherlandish 16th Century Head of Hanako, c. 1906/1908, bronze, A Warrior, with a Garlanded Mask below, c. 1530s, 1995.47.21, Collection of Mr. and Mrs. Paul Mellon 1995.27.7.a,b, Gift of Lisa and Leonard Baskin lead, 1995.27.6, Gift of Lisa and Leonard Baskin

82 Sonnier, Keith, American, bom 1941 ink over black chalk, 1995.52.7, Gift of William B. Chagall, Marc, Russian, 1887-1985 Anemometer, 1991-1993, screenprint on white O'Neal On the Sleigh, 1958, pastel and pen and black ink balloon cloth installed in an aluminum mount on title page from the unbound volume Les British 18th Century with blowers, 1995.61.26, Gift of Graphicstudio / Ames Mortes, 1994.90.4, Gift of Mr. and Mrs. Gerhard Upnor Castle, pen and brown ink over graphite, University of South Florida and the Artist E. Pinkus 1995.52.8, Gift of William B. O'Neal Varin, Jean, French, c. 1604-1672 Chasseriau, Theodore, French, 1819-1856 British 19th Century Anne-Genevieve de Bourbon-Conde, c. 1642, lead, Victor-Auguste de Saint-Remy, c. 1850, graphite Figures Overlooking a Bay near the Mouth of the 1995.49.10, Gift of Mark Wilchusky in honor of Dou- heightened with white chalk, 1995.47.28, Collec- Paye, Lincolnshire, 1849, brown wash glas Lewis and Sir John Pope-Hennessy tion of Mr. and Mrs. Paul Mellon A Monstrance, c. 1860, watercolor over graphite 1995.52.9-10, Gift of William B. O'Neal Chinnery, George, British, 1774-1852 Drawings Antiquities of Dacca, 1814/1827, pen and brown Buhot, Felix-Hilaire, French, 1847-1898 ink over graphite Abbott, John White, British, 1763-1851 Ebury Street, 1876 or 1879, graphite with pen A Village Hut in (recto), A Village Scene in Sheer Cliffs above a Coastal Road, 1810, pen and and brown ink India (verso), 1814/1824, pen and black ink black ink with gray wash, 1995.1.1, Ailsa Mellon Shipping in the Port of London (recto), Gillingham over graphite Bruce Fund Pier, London (verso), c. 1884, graphite and black Admiral Sir Edward Pellew, graphite chalk Allom, Thomas, British, 1804-1872 Two Chinese Figures, c. 1838, graphite 1995.54.63-64.a,b, Helena Gunnarsson Buhot Collec- The Throne Room at Fontainebleau, c. 1845, water- 1995.52.19-22, Gift of William B. O'Neal color and graphite on gray paper, 1995.52.1, Gift tion Cipriani, Giovanni Battista, Italian, of William B. O'Neal Bunker, George, American, 1923-1991 1727-1785 Study for "Spruce Clearing," 1956, collage and pas- Alma-Tadema, Lawrence, Sir, British (born Angelica and Medora, graphite tel Holland), 1836-1912 Classical Figures, black chalk heightened with Related to "Garden," c. 1961, pastel and collage A Dance in Spring, c. 1910, graphite, 1995.52.2, white on light brown prepared paper on imitation vellum Gift of William B. O'Neal Figure Studies (recto and verso), pen and black Collage for "Garden #2," c. 1963, collage ink with gray wash; pen and black ink and Auerbach, Frank, British, born 1931 Garden Motif, c. 1963, lithograph and collage graphite Ruth Bromberg Seated I, 1994, graphite, 1995.13.3, Study for "Garden Motif," c. 1963, pastel and Bearded Head after the Antique, gray wash height- Gift of the Collectors Committee collage ened with white on brown paper Red Quarry, c. 1963, pastel Balfour, Maxwell, British, 1874-1914 A Turk (recto), Reclining Woman (verso), graphite Red Field, c. 1973, pastel Cape Town, 1900, watercolor and gouache on 1995.52.23-27.a,b, Gift of William B. O'Neal blue paper 49 sketchbook drawings, 1959/1974, pastel, felt- The Fort, Srinagar, 1896, watercolor and gouache tip pen, pen and ink, graphite, and conte crayon Colman, Samuel, American, 1832-1920 over graphite on brown paper 1995.58.4, 8, 10-12, 14-64, Gift of The George R. Point Lobos, California, probably 1886, pen and 1995.52.3-4, Gift of William B. O'Neal Bunker Living Trust black ink, watercolor, colored chalks, and graphite on light brown paper, 1994.86.1, Gift of Burchfield, Charles, American, 1893-1967 Beckmann, Max, German, 1884-1950 Jill Newhouse in honor of Andrew Robison Head of a Wounded Soldier, 1914, graphite Winter Solstice in the Village, 1923, pen and brush Idea for a Painting, 1948, graphite on graph paper and black ink with watercolor, charcoal, and Cope, Charles West, British, 1811-1890 Paris Scene, 1906, graphite graphite, 1995.52.11, Gift of William B. O'Neal Woman Reading to a Child, pen and brown ink with brown wash, 1995.52.28, Gift of William B. Self-Portrait, 1936, graphite on graph paper Burgess, John, British, 1814-1874 O'Neal 1995.26.2-5, Gift of Max Kahn, New York A View across the Park, Chatsworth, Derbyshire, Bemelmans, Ludwig, American, 1898-1962 graphite, 1995.52.12, Gift of William B. O'Neal Copley, John Singleton, American, 1738-1815 Flowers on a Windowsill, before 1959, graphite on Burne-Jones, Edward Coley, Sir, British, The Prince Regent as a Hussar, 1804/1809, black tracing paper, 1995.52.5, Gift of William B. O'Neal 1833-1898 chalk heightened with white and squared in red Head of a Woman, graphite Bibiena, Ferdinando Galli, Italian, 1657-1743 on blue paper, 1995.52.29, Gift of William B. O'Neal A Grand lllusionistic Ceiling, c. 1720/1740, pen A Fragment from an Antique Frieze, black chalk and brown ink with gray and brown washes heightened with white gouache on brown paper Corot, Jean-Baptiste-Camille, French, over graphite, 1994.73.1, Pepita Milmore Memorial 1995.52.13-14, Gift of William B. O'Neal 1796-1875 Souvenir of Tuscany, 1844, graphite, 1995.47.29, Fund and an Anonymous Donor Burton, Frederick William, Sir, British, Collection of Mr. and Mrs. Paul Mellon Bida, Alexandre, French, 1823-1895 1816-1900 Mother and Child, 1888, black chalk heightened A Chandelier, pen and brown ink with watercolor Cotman, John Sell, British, 1782-1842 with white on blue paper, 1994.86.2, Gift of Jill over graphite heightened with white, 1995.52.15, Wooded Landscape, probably 1841, black chalk Newhouse in honor of Margaret Morgan Grasselli Gift of William B. O'Neal heightened with white on brown paper The Devil's Tower, 1833/1834, black chalk height- Caldecott, Randolph, British, 1846-1886 Bonnard, Pierre, French, 1867-1947 ened with white on blue paper Trouville-sur-Mer, 1879, graphite La Promenade (Girls), 1891/1893, pen and brush 1995.52.30-31, Gift of William B. O'Neal and black ink with graphite 1995.52.16, Gift of William B. O'Neal Cox, David, British, 1783-1859 The Shady Lane, 1930, charcoal Cezanne, Paul, French, 1839-1906 Chatsworth (recto), Trees (verso), possibly 1831, 1995.47.22-23, Collection of Mr. and Mrs. Paul Mellon Geraniums, 1888/1890, watercolor over graphite graphite Roses in a Bottle (recto), 1900/1904, Waking Up Boudin, Eugene, French, 1824-1898 Hillside and Trees, graphite with brown wash (verso), c. 1880, watercolor over graphite; Seated, Lady in Black Trouville, 1865, watercolor Llanberis, black chalk with brown wash height- watercolor and graphite and graphite, 1995.47.24, Collection of Mr. and Mrs. ened with white Self-Portrait (recto), 1897/1900, Study of a Rock Paul Mellon A Cart with Two Horses near a Windmill, black (verso), c. 1895, graphite; watercolor Brabazon, Hercules Brabazon, British, chalk heightened with white gouache 1995.47.25-27.a,b, Collection of Mr. and Mrs. Paul 1821-1906 1995.52.32.a,b—35, Gift of William B. O'Neal Mellon Constantine, c. 1867, graphite and red and white Crane, Walter, British, 1845-1915 Chad wick, Lynn, British, born 1914 chalks with white gouache, 1995.52.6, Gift of Design for a Shakespeare Memorial, pen and black Drawing for "Beast," 1961, pen and brown ink William B. O'Neal ink with gray wash heightened with white on with wash on tracing paper Brangwyn, Frank, Sir, British, 1867-1956 brown paper Drawing for "Watcher," 1961, black ink The Historic Landing, 1913/1915, brush and black Kensington Gardens (recto), Couple Seated (verso), 1995.52.17-18, Gift of William B. O'Neal

8 3 Paul Cezanne, Waking Up (verso), c. 1880, Collection of Mr. and Mrs. Paul Mellon, 1995.47.26.b

1863, graphite with blue wash; graphite and Degas, Edgar, French, 1834-1917 Delacroix, Eugene, French, 1798-1863 pen and brown ink Young Woman, 1861/1865, oil on paper Flowers, watercolor, gouache, and black chalk on 1995.52.36-37.a,b, Gift of William B. O'Neal Rene de Gas (recto), Studies of Feet (verso), 1855, light brown paper, 1995.47.37, Collection of Mr. and graphite Dance II, George, British, 1741-1825 Mrs. Paul Mellon Woman Embroidering, 1855/1860, black chalk Figure Studies, graphite, 1995.52.38, Gift of William Desfriches, Aignan-Thomas, French, and graphite heightened with white B. O'Neal 1715-1800 Hortense Valpingon, 1883, pastel and graphite Riverscape with a Waterfall, 1768 Daniell, William, British, 1769-1837 Woman Reading a Book, c. 1879, black chalk with Landscape with Peasants before an Inn, probably A View in India, brown wash over graphite, stumping, heightened with white, on blue paper 1768 1995.52.39, Gift of William B. O'Neal Study for " at the Louvre: The Etruscan graphite and stumping with scratching-out on Gallery" (recto and verso), c. 1879, graphite; car- David, Jacques-Louis, French, 1748-1825 white prepared paper, 1994.84.1-2, Gift of Neil and bon and softground wax transfer An Antique Sculpture of a Horse, graphite, Ivan Phillips in memory of Jacqueline Getty Phillips 1995.47.30, Collection of Mr. and Mrs. Paul Mellon 1995.47.31-36.a,b. Collection of Mr. and Mrs. Paul Mellon Devis, Anthony, British, 1729-1817 De Wint, Peter, British, 1784-1849 Sunset over the Valley, gray and brown washes Dehn, Adolf Arthur, American, 1895-1968 A View near Lowther, brush and black ink, black over graphite Sketchbook of Northern Michigan, 1947, sketch- chalk, and graphite on two joined sheets of gray Zahara, pen and black ink with watercolor paper, 1995.52.40, Gift of William B. O'Neal book with 23 drawings in graphite, 1995.25.l.a-w, Gift of Mrs. Adolf Dehn

84 Theodore Gericault, Head of a Man (recto), Collection ol Mr. and Mrs. Paul Mellon, 1995.47.42.a

Wooded Landscape, pen and black ink with gray Two Children in the Snow, pen and black ink with L'heureux de peu (Happy with Little), 1957, oil and wash over graphite scratching-out collage elements 1995.52.41—43, Gift of William B. O'Neal Distinguished Amateurs no. II: the , 1880, Rue Saint-Lazare (La Gratouille), 1962, gouache pen and brown ink over graphite with scratch- Cafe au damier (train avant d'autobus et deux Dix, Otto, German, 1891-1969 ing-out voitures) [Cafe au damier (The Front of the Bus and Homunculus, 1918, pen and brush and black ink The Thyssus, 1880, pen and brown ink over Two Cars)], 1961, gouache, watercolor, and on brown paper, 1995.34.1, Gift of Richard A. Simms graphite with scratching-out collage over graphite and Ailsa Mellon Bruce Fund 1995.52.44, 46, 215-216, Gift of William B. O'Neal L'Arnaque (The Swindle), 1962, gouache Driggs, Elsie, American, 1898-1968 Ringage, Graissage (Site Urbain avec 3 automobiles) Dubuffet, Jean, French, 1901-1985 Christmas Card with an Angel, 1950s, watercolor [Carwash, Oilchange (Urban Site with 3 Automo- Jean Paulhan, 1945, gouache with brush and and graphite biles)], 1962, gouache black ink Woman Tree, 1960s, watercolor Cherubin Ouistiti, 1962, gouache Fautrier, 1946, black chalk, wetted black chalk, 1995.26.6-7, Gift of Max Kahn, New York Cycliste Nue (Nude ), 1944, gouache, and white gouache on light brown paper 1995.29.17-27, 1995.48.2, The Stephen Hahn Family Du Maurier, George, British, 1834-1896 Colloque II (Colloquy II), 1946, gouache and Collection (Partial and Promised Gift) "—And or glim, I'd sail with him, if he would lacquered paint sail with me—," c. 1865, pen and black ink over Vache (Cow), 1954, gouache and oil graphite Jardin de Bibi Trompette (Bibi Trompette's Garden), 1955, butterfly wings, gouache, and watercolor

85 Dufy, Raoul, French, 1877-1953 ink with gray and yellow washes over graphite, with brown wash, heightened with white Changing of the Guard at St. James's Palace, 1937, 1995.52.55, Gift of William B. O'Neal Freshwater Bay, Isle of Wight, 1839, watercolor, gouache and watercolor with black felt-tip pen, gouache, graphite, and white and brown chalks Gilpin, William, British, 1724-1804 1995-47.38, Collection of Mr. and Mrs. Paul Mellon on blue paper A Picturesque Landscape, brush and black ink with The Laying Out of Christ, pen and black ink with Etty, William, British, 1787-1849 gray washes over graphite on light ocher pre- gray wash on blue paper Seated Youth with a Staff, c. 1815, graphite with pared paper, 1995.52.56, Gift of William B. O'Neal A Magician, c. 1826, pen and brush and brown brown wash heightened with white on brown Glover, John, British, 1767-1849 ink over graphite on gray paper paper A Mountain Valley with a Waterfall, c. 1795, gray A Maiden Embraced by a Knight in Armor, 1838, The Horse of Selene from the Elgin Marbles (recto), wash pen and brown ink with brown wash, height- Study of a Horse (verso), after f 807, pen and An Oak Tree, c. 1795, pen and black ink with ened with white brown ink; graphite gray wash over graphite Study for "Queen Victoria Opening Parliament," 1995.52.47-48.a,b. Gift of William B. O'Neal The River at Llangollen, c. 1795, graphite 1838, graphite Fielding, Thales, British, 1793-1837 1995.52.57-59, Gift of William B. O'Neal 1995.52.73-78, Gilt of William B. O'Neal The Yew at Clifton, graphite, 1995.52.49, Gift of Gogh, Vincent van, Dutch, 1853-1890 Hayter, Stanley William, British, 1901-1988 William B. O'Neal Postcard with Two Peasants Digging, 1885, pen and Sheet of Sketches, 1972, colored felt-tip pens and Flaxman, John, British, 1755-1826 brown ink, 1995.47.44, Collection of Mr. and Mrs. graphite with gray wash, 1994.87.8, Ruth and Four Seated Figures, pen and black ink and Paul Mellon Jacob Kainen Collection graphite, 1995.52.50, Gift of William B. O'Neal Grimm, Samuel Flieronymus, Swiss, Hoare, William, British, c. 1707-1792 Foggini, Giovanni Battista, Italian, 1733-1794 Lady Holding Her Cloak from Behind, 1760, black 1652-1725 High Street at the Manor House, Marylebone, 1772 and red chalks, 1995.52.80, Gift of William B. O'Neal A Monstrance with Two Angels Supporting a Chalice, A Peasant Woman, c. 1770 Howard, 9th Earl of Carlisle, George, Eng- black chalk and pen and brown ink, partially pen and black ink with gray wash over graphite, lish, 1843-1911 squared in black chalk, 1995.15.1, Ailsa Mellon 1995.52.60-61, Gift of William B. O'Neal Bruce Fund The Grounds at Castle Howard, watercolor over Gris, Juan, Spanish, 1887-1927 graphite, 1995.52.81, Gift of William B. O'Neal Forain, Jean-Louis, French, 1852-1931 Bottles and Bowl, 1911 Hunt, William Henry, British, 1790-1864 Young Woman Seated at a Piano (recto and verso), Harlequin (after Paul Cezanne), 1916 A Tree in Full Leaf c. 1890, black chalk, 1995.47.39.a,b, Collection of graphite, 1995.47.45^46, Collection of Mr. and Mrs. Studies of a Male Figure Mr. and Mrs. Paul Mellon Paul Mellon graphite, 1995.52.82-83, Gift of William B. O'Neal Foster, Myles Birket, British, 1825-1899 Guard!, Gian Antonio, Italian, 1699-1761 Hunt, William Holman, British, 1827-1910 Lake in a Mountainous Landscape, graphite, Standing Male Nude (recto), Male Nude (verso), c. The Artist's Father, William Hunt, before 1856, pen 1995.52.51, Gift of William B. O'Neal 1750s, red chalk heightened with white on and brown ink with brown wash, 1995.52.84, Gift brown paper, 1995.52.62.a,b, French 20th Century of William B. O'Neal Gift of William B. O'Neal Seated Woman, graphite, 1995.47.40, Collection of Ingres, Jean-Auguste-Dominique, French, Mr. and Mrs. Paul Mellon Guys, Constantin, French, 1805-1892 1780-1867 The Queen, watercolor and graphite Frost, William Edward, British, 1810-1877 Dr. Louis Martinet, 1826 Officers and Courtesans in an Interior, pen and Girl with a Bow, watercolor with pen and brown Self-Portrait, 1822 brush and brown ink with watercolor over ink, 1995.52.52, Gift of William B. O'Neal Henri Labrouste, 1852 graphite Mrs. Edward Dodwell, c. 1816/1817 Gael, Ludovico, Italian, active 1489 1995.47.47-48, Collection of Mr. and Mrs. Paul Mellon Page from a Gradual (recto and verso), 1489, graphite, 1995.47.50-53, Collection of Mr. and Mrs. Hale, Lilian Wescott, American, 1881-1963 brush and colored inks on vellum, 1995.51.l.a,b, Paul Mellon Vase of Flowers, graphite Anonymous Gift Jackson, John, British, 1778-1831 Nancy Hale Bowers Seated, c. 1936, graphite Young Gentlemen Conversing, pen and brown ink Gatch, Lee, American, 1902-1968 William B. O'Neal, 1959, charcoal and graphite, 1995.52.85, Gift of William B. O'Neal Vegetable Stand, watercolor and graphite, Hale Sketchbook, 1932/1936, sketchbook with 1995.26.8, Gift of Max Kahn, New York 58 drawings in graphite John, Augustus, Welsh, 1878-1961 Gauguin, Paul, French, 1848-1903 Study of a Girl, charcoal The Bathers, , pen and black ink with Two Tahitians Gathering Fruit (recto and verso), Studies of William B. O'Neal, 1959, graphite watercolor, 1995.52.86, Gift of William B. O'Neal 1995.52.63-68, Gift of William B. O'Neal 1899/1900, transfer drawing in brown and Jones, George, British, 1786-1869 ocher ink; graphite and blue crayon, Harpignies, Henri-Joseph, French, Girl Reclining 1995.47.41.a,b, Collection of Mr. and Mrs. Paul Mellon 1819-1916 Seated Man Gendall, John, British, 1790-1865 View of the Dome of Saint Peter's, Rome, 1863, pen and brown ink over graphite, 1995.52.87-88, Landscape with a Distant Mountain Range, water- watercolor over graphite, 1995.47.49, Collection of Gift of William B. O'Neal Mr. and Mrs. Paul Mellon color over graphite, 1995.52.53, Gift of William B. Keene, Charles Samuel, British, 1823-1891 O'Neal Haydon, Benjamin Robert, British, "Oh, Tax 'em by all means!" 1888, pen and brown Gericault, Theodore, French, 1791-1824 1786-1846 ink with brown wash over graphite, heightened Head of a Man (recto), Study of a Man (verso), Study of a Hand (recto), Study of a Foot (verso), with white pen and brown ink over traces of graphite; black chalk on brown paper A Station Buffet, pen and brown ink over black chalk with stumping, 1995.47.42.a,b, Collec- Study of a Right Hand (recto), Study of the Statue of graphite heightened with white tion of Mr. and Mrs. Paul Mellon Diana in the Vatican (verso), black chalk height- Seated Man, graphite heightened with white ened with white 1995.52.89-91, Gift of William B. O'Neal Giacometti, Alberto, Swiss, 1901-1966 Xenophon and the Greeks Sighting the Sea (recto Keene, Henry Eddowes, British, 1824-1909 Interior—Annette Sewing, 1954, graphite, and verso), pen and brown ink Figures in a Landscape, 1858, pen and brown ink 1995.47.43, Collection of Mr. and Mrs. Paul Mellon 1995.52.69.a,b-71.a,b, Gift of William B. O'Neal Hever Castle, pen and brown ink over graphite Gill, Eric, British, 1882-1940 Hayter, John, British, 1800-1895 1995.52.92-93, Gift of William B. O'Neal Mirror, 1927, graphite and orange crayon, Avenue of Trees, graphite with blue and gray Knight, John Baverstock, British, 1785-1859 1995.52.54, Gift of William B. O'Neal washes, 1995.52.72, Gift of William B. O'Neal Warwick Castle from the Avon, 1837, pen and Gilpin, Sawrey, British, 1733-1807 Hayter, George, Sir, British, 1792-1871 brown ink with brown and gray washes over Four Oval Compositions, c. 1775, pen and brown Bandits on the , 1839, pen and brown ink graphite, 1995.52.94, Gift of William B. O'Neal

86 , The Plumed Hat, 1919, Collection ol Mr. and Mrs. Paul Mellon, 1995.47.58

Kollwitz, Kathe, German, 1867-1945 brown ink with brown wash over graphite Leighton, Frederic, Lord, British, 1830-1896 Self-Portrait as a Young Woman, c. 1900, pastel, Mountainous View from Antrodoco, 1845, graphite Figure Studies, black chalk heightened with 1995.56.1, Gift of Robert and Chris Petteys heightened with white on blue paper white on brown paper Mount Kinchinjunga (All Things Fair), gray wash Study for "Greek Girl Dancing," c. 1867, black Landseer, Edwin, Sir, British, 1802-1873 Pine Tree, 1839/1845, graphite on gray paper chalk heightened with white on blue paper The Bam, pen and brown ink and graphite on Sketches in Italy (recto). Lake Scene (verso), Studies of the Wise and Foolish Virgins, black chalk two joined sheets of paper, 1995.52.95, Gift of 1839/1845, black chalk with gray wash height- heightened with white on blue paper William B. O'Neal ened with white 1995.52.104-106, Gift of William B. O'Neal Le Prince, Jean-Baptiste, French, 1734-1781 Ruined Temple on a Hill, 1866, pen and brown Leitch, William Leighton, British, 1804-1883 A Farmer and a Sheep Crossing a Rustic Bridge, red ink over graphite on blue paper A Ruined Castle on a Lake, 1881, watercolor over chalk, 1995.47.54, Collection of Mr. and Mrs. Paul Villa Pamphili, Rome, 1840, graphite graphite, 1995.52.107, Gift of William B. O'Neal Mellon Wady Mokatteb, 1849, pen and brown ink over graphite Linnell, John, British, 1792-1882 Lear, Edward, British, 1812-1888 1995.52.96-103, Gift of William B. O'Neal Bayswater, Clearing Ground between Queen's Road Capo Sant'Angelo, Amalfi, c. 1887, pen and

87 and Porchester Terrace, 1830, black chalk height- Monet, Claude, French, 1840-1926 ened with white Study for "The Luncheon on the Grass," c. 1865, A Beech Wood, 1815, graphite heightened with black chalk on blue paper, 1995.47.60, Collection white of Mr. and Mrs. Paul Mellon Figure Studies, graphite on light brown paper Monro, Thomas, Dr., British, 1759-1833 Hampstead Heath, graphite Wooded Landscape, black chalk with gray wash, The Harvest Field, black chalk heightened with 1995.52.121, Gift of William B. O'Neal white on brown paper Hens and Chicks, pen and brown ink Morisot, Berthe, French, 1841-1895 Landscape in Hertfordshire, 1814, black chalk Peasant Girl, 1890, red chalk with stumping on heightened with white on blue paper light brown paper Tan y Bwlch, graphite Girl Picking Cherries, 1891, red chalk with stump- Woman Asleep, graphite ing on light brown paper 1995.52.108-116, Gift of William B. O'Neal 1995.47.61-62, Collection of Mr. and Mrs. Paul Mellon

Long, Richard, British, born 1945 Moritz, Friedrich Wilhelm, German, Whitechapel Slate Circle, 1981, graphite with red 1783-1855 pencil, 1994.76.2, Gift of the Collectors Committee Portrait of the Artist's Father, watercolor with touches of varnish on light brown paper, Lushington, Sarah Grace, British, died 1837 1994.74.2, Ailsa Mellon Bruce Fund Swiss Mountain Village, graphite with watercolor, 1995.52.117, Gift of William B. O'Neal Morland, George, British, 1763-1804 The Mid-Day Meal, 1790s, graphite with colored Maganza, Alessandro, Italian, 1556-1640 chalks, 1995.52.122, Gift of William B. O'Neal Saint Jerome, pen and point of brush and brown ink over red chalk, 1995.8.1, Ailsa Mellon Bruce Mortimer, John Hamilton, British, Fund 1740-1779 Designs for Decorative Vases, black chalk Magritte, Rene, Belgian, 1898-1967 A Musician, c. 1770/1774, pen and brown ink Untitled, 1926, pen and brush and black ink with over graphite collage and traces of graphite, 1995.47.55, Collec- Mucius Scaevolo (recto), Figure Studies (verso), pen tion of Mr. and Mrs. Paul Mellon and black ink; pen and black and brown inks Maillol, Aristide, French, 1861-1944 over black chalk Reclining Nude, red chalk heightened with white 1995.52.123-125.a,b, Gift of William B. O'Neal on brown paper, 1995.47.56, Collection of Mr. and Mulready, William, British, 1786-1863 Mrs. Paul Mellon Figure Studies, 1832, pen and brown ink, Malton, Thomas, British, 1748-1804 1995.52.126, Gift of William B. O'Neal St. George's, Bloomsbury, 1799, pen and black ink Nash, John Northcote, British, 1893-1977 with gray wash and graphite, 1995.52.118, Gift of Valley in Somerset William B. O'Neal Cliff End, Weybourne (recto and verso) Masek, Karel Vitezslav, Czechoslovakian, watercolor and graphite, 1995.52.127-128.a,b, Johann Eleazar Schenau, The Happy Family with 1865-1927 Gift of William B. O'Neal Children Playing, Ailsa Mellon Bruce Fund and The Girl with Fruit, 1900/1901, pen and brush and Nash, Joseph, British, 1808-1878 Herbert and Nannette Rothschild Memorial Fund, brown ink with pink wash and graphite on light Study of a Helmet, Breastplate, and Rapier, graphite, 1995.41.1 brown paper, 1995.55.2, Gift of The Anne and 1995.52.129, Gift of William B. O'Neal Jacques Baruch Collection Nash, Paul, British, 1889-1946 Master of the Giants, British, active 1779 Lighthouse, c. 1933/1934, pen and brush and Head of a Man, pen and black ink, 1995.52.79, Gift black ink with colored chalks over graphite, of William B. O'Neal 1995.52.130, Gift of William B. O'Neal Mathey, Paul, French, 1844-1929 Payne, Arthur Frederick, British, 1831-active Edgar Degas, 1882, graphite, 1995.47.57, Collection 1880s of Mr. and Mrs. Paul Mellon Picasso, Pablo, Spanish, 1881-1973 A Cathedral Nave, black chalk Self-Portrait, 1919, watercolor and graphite, Matisse, Henri, French, 1869-1954 An Ecclesiastic Building with Flames and Demons, 1995.47.63, Collection of Mr. and Mrs. Paul Mellon The Plumed Hat, 1919, graphite watercolor over graphite Postcard with a Sketch of "The Painter's Family," 1995.52.131-132, Gift of William B. O'Neal Poynter, Edward John, Sir, British, pen and brown ink 1836-1919 Payne, William, British, c. 1760-1830 1995.47.58-59, Collection of Mr. and Mrs. Paul Mellon Minerva, 1886, black and white chalks on red- A Castle with a Bridge, watercolor over graphite, brown paper Middleditch, Edward, British, born 1923 1995.52.133, Gift of William B. O'Neal Honeysuckle, 1878, green chalk Landscape Study Number 1, 1968, charcoal, Pearce, Charles Sprague, American, 1851-1914 1995.52.134-135, Gift of William B. O'Neal 1994.87.11, Ruth and Jacob Kainen Collection 84 preparatory drawings for Library of Congress Prinsep, Valentine Cameron, British, Millais, John Everett, British, 1829-1896 murals, including 15 studies for lunettes, 41 1838-1904 Lovers under a Tree, c. 1844, graphite studies and 5 stencils for border designs, 9 stud- Girls with Linked Hands (recto), Figure Studies Study of a Pottery Jug (recto), Study of a Man with ies for figures, 7 studies for panels, 5 studies for (verso), graphite, 1995.52.136.a,b, Gift of William B. Top Hat (verso), c. 1842, watercolor over archways, and 2 studies for scrolls, 1890/1897, O'Neal graphite; graphite watercolor, gouache, colored pencils, oil, pen 1995.52.119-120.a,b, Gift of William B. O'Neal and ink, gold paint, conte crayon, and graphite, Prout, John Skinner, British, 1806-1876 1995.24.1-84, Gift of Mr. and Mrs. Mark Borghi Continental Street Scene, 1860/1870, graphite with Modersohn-Becker, Paula, German, pen and blue and brown inks 1876-1907 Pennell, Joseph, American, 1857-1926 A Fountain in Austria, watercolor over graphite Fruit Tree in Bloom, 1900/1902, charcoal on blue Preparations for the Lying in State of Edward VII, on blue paper paper, 1995.33.1, New Century Fund (Mr. and Mrs. 1910, charcoal heightened with white, 1994.88.1, A Gothic Arch, pen and brown ink over graphite James T. Dyke) Gift of Mr. and Mrs. Robert G. Cleveland 1995.52.137-139, Gift of William B. O'Neal

88 Prout, Samuel, British, 1783-1852 Richmond, George, British, 1809-1896 Study for "The Deluge," graphite A Carriage, graphite with brown wash Sheep, c. 1837/1839, pen and brown ink, 1995.52.149-153, Gift of William B. O'Neal Scene at Jumieges, pen and black ink with water- 1995.52.145, Gift of William B. O'Neal Rothenstein, William, Sir, British, 1872-1945 color, heightened with white Richmond, , Sir, British, Andre Gide, 1918, red chalk heightened with Market Scene, graphite with watercolor 1842-1921 white 1995.52.140-142, Gift of William B. O'Neal Studies of the Wise and Foolish Virgins (recto and Sir Rabindranath Tagore, 1912, black chalk Ramsay, Allan, Scottish, 1713-1784 verso), red chalk 1995.52.154-155, Gift of William B. O'Neal Lord George Villiers, black chalk heightened with Trees at Box Hill, 1860, black chalk and graphite Rousseau, Henri, French, 1844-1910 white on blue paper heightened with white on blue paper Self-Portrait, 1895, pen and brown ink, Seated Man (recto), Hand Studies (verso), black 1995.52.146.a,b-147, Gift of William B. O'Neal 1995.47.66, Collection of Mr. and Mrs. Paul Mellon chalk heightened with white on blue paper Roberts, David, Scottish, 1796-1864 1995.52.143-144.a,b, Gift of William B. O'Neal Rowlandson, Thomas, British, 1756-1827 Tivoli, 1854, graphite and watercolor, The Foot Bath (Drying Out), pen and brown ink Redon, Odilon, French, 1840-1916 1995.52.148, Gift of William B. O'Neal with watercolor Young Woman in Profile, 1910, pastel and char- Romney, George, British, 1734-1802 View from the Inn at Lynton, probably 1811, pen coal?) on green prepared paper, 1995.47.64, Col- The Blindfolding of Cupid, pen and brown ink and gray ink with watercolor lection of Mr. and Mrs. Paul Mellon An Elegant Lady (recto), Figure Studies (verso), 1995.52.156-157, Gift of William B. O'Neal Renoir, Auguste, French, 1841-1919 pen and brown ink Ruskin, John, British, 1819-1900 Dance in the Country, 1883, pen and brush and Miranda, pen and black ink with gray wash over Early Leaf Sculpture for "Stones of Venice," pen and gray ink, 1995.47.65, Collection of Mr. and Mrs. Paul graphite brown ink with watercolor and graphite, Mellon Shakespeare Nursed by Comedy and Tragedy, 1995.52.158, Gift of William B. O'Neal c. 1791, pen and brown ink

89 Salvador Gomez, Vicente, Spanish, Untitled, 1991, collage of photomechanical Extensive Landscape with a Pond in the Foreground, 1637-c. 1680 reproductions of lithographic prints with water- black chalk with stumping, heightened with The Madonna of the Rosary, 1674, pen and brown color white, on two joined sheets of blue paper, ink, 1995.8.2, Ailsa Mellon Bruce Fund Pieta, 1992, collage of photomechanical repro- 1995.52.180, Gift of William B. O'Neal ductions of lithographic prints Sandby, Paul, British, 1731-1809 Valton, Edmond Eugene, French, 1836-1910 Lacryma, 1992, collage of photomechanical Laundry Girl Bending over a Basket (recto), Laun- The Scholar, 1869, black chalk with stumping, reproductions of lithographic, relief and intaglio dry Girl Seated (verso), pen and black ink with heightened with white, on blue paper, prints gray wash over graphite, 1995.52.159.a,b. Gift of 1995.47.68, Collection of Mr. and Mrs. Paul Mellon Untitled, 1993, collage of photomechanical William B. O'Neal reproductions of lithographic prints Varley, Cornelius, British, 1781-1873 Schenau, Johann Eleazar, German, The Miser, 1991, collage of photomechanical Henham Park, Suffolk, 1801/1803, graphite with 1737-1806 reproductions of lithographic prints watercolor, 1995.37.1, Ailsa Mellon Bruce Fund The Happy Family with Children Playing, pen and Untitled, 1991, collage of photomechanical Varley, John, British, 1778-1842 brown ink with brown and gray washes and reproductions of lithographic prints A Clearing in a Forest, late 1830s, brush and graphite on two joined sheets of paper, Untitled, 1993, collage of photomechanical brown ink with brown wash 1995.41.1, Ailsa Mellon Bruce Fund and The Herbert reproductions of lithographic prints with water- A Cottage on a Lane, probably 1800/1810, black and Nannette Rothschild Memorial Fund color chalk heightened with white on blue paper Drawing, c. 1948-1958, tempera on black paper Seymour, James, British, 1702-1752 Trees in a Landscape Composition, pen and brown Drawing, c. 1948-1958, tempera on black paper Jumping Hound ink with brown wash on brown prepared paper Drawing, c. 1948-1958, tempera on black paper Huntsmen with Hounds and a Crouching Hare A Clump of Trees (recto). Head (verso), gray wash Drawing, 1954, tempera on black paper (recto). Mounted Horsemen (verso) and graphite Drawing, 1948, tempera on black paper graphite, 1995.52.160-161.a,b, Gift of William B. Landscape Composition (recto), Two Figures Drawing, 1954, tempera on black paper O'Neal (verso), brown wash over graphite Drawing, c. 1952, graphite on light brown paper Landscape with a Valley, gray wash Shannon, Charles Haslewood, British, Drawing, 1950, tempera on black paper Two Figures on a Country Road, graphite 1863-1937 Drawing, 1955, tempera on black paper 1995.52.181-187, Gift of William B. O'Neal Study of Atlas, graphite on tracing paper, Drawing, c. 1952, tempera on blue paper 1995.52.162, Gift of William B.O'Neal Drawing, 1954, tempera on black paper Vaughn, Keith, British, 1912-1977 Methods of Destruction, 1941, pen and brown ink Shapiro, Joel, American, born 1941 1995.5.34-55, Gift of Frederick Sommer with brown wash, 1995.52.188, Gift of William B. Untitled, 1987, charcoal and black chalk, Stella, Joseph, American, 1877-1946 O'Neal 1994.82.6, Robert and Jane Meyerhoff Collection Nocturne, c. 1908, pastel, 1995.43.1, Velde, Esaias van de, Netherlandish, Shaw, Byam, British, 1872-1919 Gift (Partial and Promised) of Mr. L. Graeme Bell III 1587-1630 Figure Studies, graphite, 1995.52.163, Gift of William Stothard, Thomas, British, 1755-1834 Villagers Skating on a Frozen Pond, 1625, black B. O'Neal The Life and Adventures of Peter Wilkins, a Cornish chalk with brown wash, 1994.79.1, Ailsa Mellon Sickert, Walter Richard, British, 1860-1942 Man, pen and gray ink with gray wash over Bruce Fund The Post Card, pen and black ink squared in red graphite Villeret, Francois Etienne, French, on blue paper, 1995.52.164, Gift of William B. O'Neal Figure Studies (recto), Studies for a Book (verso), pen and brown ink; pen and black and c. 1800-1866 Smirke, Robert, British, 1752-1845 brown ink with gray wash and graphite Rue de Rivoli and Pavilion Marsan, watercolor over An Allegory of Britain's Mercantile Power, pen and Studies of Heads and a Figure in Ceremonial Robes, graphite, 1995.47.69, Collection of Mr. and Mrs. Paul black and brown inks with gray wash over pen and brown ink and graphite Mellon graphite, squared in graphite Vignette for a Title Page: "Winged Victory," pen and Villon, Jacques, French, 1875-1963 An Allegory of Britain's Naval Might, pen and black brown and black inks Woman in Pink at the Beach, 1902/1904 and brown inks with gray wash over graphite, 1995.52.171-174, Gift of William B. O'Neal Woman in Blue at the Beach, 1902/1904 squared in graphite watercolors over graphite, 1995.47.70-71, Hotel de Ville, Place des Terreaux, Lyons, 1845, pen Strutt, William, British, 1826-1915 Collection of Mr. and Mrs. Paul Mellon and brown ink over graphite Study of a Pony, graphite, 1995.52.175, Gift of Patriotic Fund, pen and brown ink with gray William B. O'Neal Wang, Ming, American, born 1921 wash heightened with white Sutherland, Graham, British, 1903-1980 Opposite without Opposition, 1977, handmade 1995.52.165-168, Gift of William B. O'Neal Study for "Mantis" (recto), Study for "Thorn Head" folding book with 12 double-page acrylics on board, 1994.87.13, Ruth and Jacob Kainen Collection Smith, Charles William, American, (verso), 1950, conte crayon heightened with 1893-1987 white, 1995.52.176.a,b. Gift of William B. O'Neal Ward, James, British, 1769-1859 Standing Female Nude, 1936, black ink with Tayler, J. Frederick, British, 1802-1889 The Earth Stopper, 1794 or shortly thereafter, brown oil stick, 1995.52.169, Gift of William B. A Horse Pulling a Load of Hay, graphite, black chalk heightened with white on brown O'Neal 1995.52.177, Gift of William B. O'Neal paper A Sheep Resting, c. 1800/1810, graphite with Solomon, Simeon, British, 1840-1905 Tonks, Henry, British, 1862-1937 watercolor and green crayon King Solomon, 1872 or 1874, egg tempera (?) A Young Girl, 1896, graphite, 1995.52.178, Gift of Two Laborers Resting, graphite with touches of varnish, 1995.52.170, Gift of William B. O'Neal 1995.52.189-191, Gift of William B. O'Neal William B. O'Neal Toulouse-Lautrec, Henri de, French, Watts, George Frederick, British, 1817-1904 Sommer, Frederick, American, born 1905 1864-1901 Three Female Figures, pen and brown ink on blue The Queen of Sheba, 1992, collage of photome- Aux Ambassadeurs: Gens Chic (Fashionable People at paper chanical reproductions of relief and intaglio Les Ambassadeurs), 1893, gouache and black Head of a Young Woman, 1860s, black chalk prints chalk, 1995.47.67, Collection of Mr. and Mrs. Paul heightened with white on brown paper Dessin Decoupee, 1950-1993, collage of cutout Mellon 1995.52.192-193, Gift of William B. O'Neal white paper outlined with graphite on black paper Towne, Francis, British, 1739/1740-1816 West, Benjamin, American, 1738-1820 Untitled, 1993, collage of photomechanical A View ofVevey with La Tour de Peilz in the Dis- An Alpine Landscape with a Couple Seated by Trees reproductions of lithographic prints with water- tance, 1781, pen and black ink over graphite, Overlooking a Valley, 1760/1763, pen and gray color 1995.52.179, Gift of William B. O'Neal ink on light gray paper Untitled, 1990, collage of photomechanical Turner of Oxford, William, British, Death of a General, pen and black ink with gray reproductions of relief and intaglio prints 1789-1862 wash

90 Chuck Close, John 11, 1986-1991, Gilt of Graphic- studio/University of South Florida and the Artist, 1995.61.17

An Angel, pen and brown ink and black chalk pencil, 1995.14.1, Gift of the Collectors Committee heightened with white on blue paper Study of a Right Arm and a Left Hand, black chalk A Seated Lady with a Parasol, pen and brown ink Wilkie, David, Sir, Scottish, 1785-1841 heightened with white on light brown paper over graphite A Chair Leg, black chalk heightened with white 1995.52.194-197, Gift of William B. O'Neal 1995.52.211-213, Gift of William B. O'Neal A Family Group, 1835, pen and brown ink West, William, British, 1801-1861, or Samuel Landscape Study, black chalk on light brown Wyatt, Henry, British, 1794—1840 Jackson, British, 1794-1869 paper Man with His Legs Crossed, 1816, black chalk with A Rocky Coast by Moonlight, late 1820s, brown Battle Scene, 1840, pen and black ink stumping, heightened with white, on blue wash with blotting and surface scraping, Ewer (recto), Mother and Child (verso), pen and paper, 1995.52.214, Gift of William B. O'Neal 1995.52.198, Gift of William B. O'Neal brown ink Zoffany, Johann, British, 1733-1810 An Upraised Arm, black and red chalks height- Westall, Richard, British, 1765-1836 Sandstorm in the Desert Overtaking a Caravan, ened with white The Reaper (The Harvest Moon), pen and gray ink c. 1783/1789, pen and brown ink, 1995.52.45, A Tassel, black, red, and yellow chalks height- with watercolor over graphite, 1995.52.199, Gift of Gift of William B. O'Neal ened with white William B. O'Neal A Lock, pen and black ink White, Stanford, American, 1853-1906 A Padlock, pen and brown ink Prints Blue Ridge Mountains, c. 1898, watercolor and 1995.52.201-209, Gift of William B. O'Neal Amiet, Cuno, Swiss, 1868-1961 gouache with pen and brown ink, 1995.52.200, Wood, Christopher, British, 1901-1930 Curt Blass, 1905, color woodcut printed from 2 Gift of William B. O'Neal Cornwall, graphite, 1995.52.210, Gift of William B. blocks: black line block and blue tonal block on Wiegers, Jan, Dutch, 1893-1959 O'Neal japan paper, 1994.74.1, Ailsa Mellon Bruce Fund In the Swiss Alps, colored pencils with gray wash Woodforde, Samuel, British, 1763-1817 The Artist's Wife, 1900/1925, etching in light on yellow-pink paper, 1994.85.2, Gift of Richard A. Nude Man Seen from the Rear, 1786/1791, black brown on japan paper [proof], 1994.87.2, Ruth Simms chalk heightened with white on blue paper and Jacob Kainen Collection Wiley, William T„ American, born 1937 The "Farnese Flora" at Stourhead, black chalk The Green House Affect, 1988, graphite and red

91 Anuszkiewicz, Richard, American, born 1930 1877, etching, aquatint, and roulette on oriental 1877-1887, etching, aquatint, drypoint, Triangular Yellows, 1991-1992, color screenprint paper roulette, stop-out, sulphur tint, and crayon and lithograph, 1995.61.1, Gift of Graphicstudio / La fete nationale au Boulevard Clichy (National Holi- stop-out University of South Florida and the Artist day on the Boulevard de Clichy), 1878, etching, La falaise: Baie de Saint-Malo (The Cliff: Saint-Malo drypoint, aquatint, stop-out, foul-bite, and soft- Bay), 1886/1890, heliogravure, etching, dry- Auerbach, Frank, British, born 1931 ground etching point, roulette, and spit-bite in gray-green (cen- Ruth, 1994, etching in black and gray printed Les noctambules (The Night Prowlers), 1876/1877, tral plate) and black (margin plate) from 3 plates etching, drypoint, aquatint, and open-bite Chaumiere de pecheur (Fisherman's Cottage), 1892, Ruth II, 1994, etching in black and aquatint in La Place Pigalle en 1878 (The Place Pigalle in 1878), lithograph with central image on chine colle gray printed from 2 plates 1878, etching, aquatint, drypoint, salt-lift etch- le 14 Juillet (Bastille Day in Mont- 1995.13.1-2, Gift of the Collectors Committee ing, spirit-ground aquatint, stop-out, and bur- martre), 1892, transfer lithograph with added Bocchi, Achille (author), Italian, 1488-1562, nishing in brown-black and brown-red on artifi- crayon, ink, scraping, and stumping on the and Giulio Bonasone, Italian, c. 1498-c. 1580 cial vellum stone Bonon. Symbolicarum Quaestionum De Universe La ronde de nuit (Night Patrol), 1878, etching, La traversee (The Passage), 1879-1885, etching, Genere Quas Serio Ludebat Libre Quinque, pub- aquatint, drypoint, roulette, and stop-out drypoint, roulette, aquatint, and stop-out in lished 1555, bound volume with 149 engravings Chaumieres anglaises (English Cottages), c. 1879, brown-black and one woodcut, 1995.22.1, Gift of Mr. and Mrs. drypoint, aquatint, and roulette La traversee (The Passage), 1879-1885, etching, Alexander Vershbow L'hiver a Paris (Winter in Paris), 1879, etching, drypoint, roulette, and softground etching (?) Boilly, Louis-Leopold, French, 1761-1845 aquatint, spit-bite etching, softground etching, L'orage (The Storm), 1879, drypoint, etching, and Les amateurs de tableaux (The Picture Enthusiasts), drypoint, and scraping on artificial vellum roulette touched with pen and black ink and 1823, crayon lithograph, 1994.72.13, Ailsa Mellon Jacques Cazotte's "Le Diable amoureux" (1st gray wash [first state, proof] Bruce Fund vignette), 1878, etching and drypoint on japan L'orage (The Storm), 1879, drypoint, etching, and paper roulette Bonnefoy, Jacques, French, active late 18th Jacques Cazotte's "Le Diable amoureux" (2nd 1995.54.1-7, 29-62, Helena Gunnarsson Buhot Collec- century vignette), 1878, etching on japan paper tion Le Deluge Universel (after Michel Honore Jacques Cazotte's "Le Diable amoureux" (3rd Bunker, George, American, 1923-1991 Bounieu), after 1783, color stipple engraving, vignette), 1878, etching and drypoint Plateau at Le Figons, 1951, lithograph 1995.53.1, Gift of Eda Levitine in memory of George Un the de douairieres (The Dowagers' Tea Party), Ste. Victoire, 1955, color lithograph Levi tine 1879/1880, etching, drypoint, aquatint, stop- Ste. Victoire, 1955, color lithograph out, and softground etching (?) on japan paper Bonnet, Louis Marin, French, 1736-1793 Spruce Clearing, 1956, color woodcut on Japan- I promessi sposi (The Betrothed), 1879/1880, etch- Premiere Estampe Aux Trois Crayons d'Apres... ese tissue paper ing, drypoint, aquatint, and stop-out on japan M. Boucher (after Frangois Boucher), 1767, Spruce Clearing #2, 1957, color woodcut on paper crayon-manner engraving in black, red, and Japanese tissue paper Les adieux (The Parting), 1879/1880, etching, dry- white, touched with white and red chalks, on Garden, 1961, color lithograph point, aquatint, stop-out, and spirit-ground blue paper [first state, proof], 1995.47.72, Collec- Garden #2, 1963, color lithograph aquatint on japan paper tion of Mr. and Mrs. Paul Mellon Forest Path, 1963, color lithograph Une variete dans I'amour (A Change of Heart), Bradshaw, David, American, born 1944, and 1995.58.1-3, 5-7, 9, 13, Gift of The George R. Bunker 1879/1880, etching, drypoint, roulette, and Living Trust William S. Burroughs, American, born 1914 aquatint on japan paper Propagation Hazard, 1993, portfolio of 8 prints in Caramba! Fit-elle ("Carambal" She Exclaimed), Burroughs, William S., American, born 1914 various media, 1995.61.3-10, Gift of Graphicstudio / 1879/1880, etching, drypoint, aquatint, stop- Untitled, 1993 University of South Florida and the Artists out, sugar-lift etching, and spirit-ground Untitled, 1993 Buhot, Felix-Hilaire, French, 1847-1898 aquatint on japan paper Untitled, 1993 Liseuse a la lampe (Woman Reading by Lamplight), Le criard (The Shrieker), 1879/1880, etching, dry- Untitled, 1993 1879, etching, aquatint, and stop-out on papier point, aquatint, stop-out, salt-lift etching, spirit- Untitled, 1993 essence ground aquatint, and sulphur tint (?) on japan color photoetchings with chine colle of Gampi, Title Page for "Lettres de mon moulin," c. 1885, paper 1995.61.11-15, Gift of Graphicstudio / University of etching, drypoint, aquatint, stop-out, roulette, La blanche Caroline (Pale Caroline), 1879/1880, South Florida and the Artist and spirit-ground aquatint etching, drypoint, roulette, aquatint, stop-out, Byron, George Gordon, Lord, (author), La diligence de Beaucaire (The Diligence ofBeau- spirit-ground aquatint, and sulphur tint (?) on British, 1788-1824, and John Austen, British, japan paper caire), c. 1885, etching, drypoint, aquatint, stop- 1886-1948 out, and roulette Ryno et Hermangarde, 1879/1880, etching, dry- , published 1927, bound volume with Le secret du maitre Cornille (The Secret of Master point, roulette, aquatint, and salt-lift etching on 93 wood engravings, 1995.52.217, Gift of William Cornille), c. 1885, etching, drypoint, aquatint, japan paper B. O'Neal stop-out, roulette, and spirit-ground aquatint Le Bas-Hamet, 1879/1880, etching, drypoint, Le cure de Cucugnan (The Vicar of Cucugnan), roulette, aquatint, stop-out, and sulphur tint (?) Chagall, Marc, Russian, 1887-1985, and Jean c. 1885, etching, drypoint, aquatint, stop-out, on japan paper Giraudoux, French, 1882-1944, Paul roulette, and spirit-ground aquatint Le tombeau du diable (The Devil's Tomb), Morand, French, 1888-1976, Pierre Mac Les vieux (The Elders), c. 1885, etching, drypoint, 1879/1880, etching, drypoint, spirit-ground Orlan, French, 1882-1970, Andre Salmon, aquatint, stop-out, roulette, and spirit-ground aquatint, aquatint, stop-out, and sulphur tint (?) French, 1881-1969, , French, aquatint on japan paper 1876-1944, Jacques de Lacretelle, French, La place des martyrs et la Taverne du Bagne (The The Victoria Clock Tower London, 1892, lithograph 1888-1985, and Joseph Kessel, French, Place des Martyrs and the Jailhouse Tavern), 1885, on chine colle 1898-1979 (authors) etching, aquatint, lift-ground aquatint, drypoint, La Place des Martyrs et La Taverne du Bagne (The Les Sept Peches Capitaux, published 1926, bound roulette, and burnishing in brown-black, with Place des Martyrs and the Jailhouse Tavern), 1885, volume with 31 intaglio prints in black and red, selective wiping etching, aquatint, lift-ground aquatint, drypoint, 1994.90.1, Gift of Mr. and Mrs. Gerhard E. Pinkus Ma petite ville (My Small Town), 1873 or roulette, and burnishing in brown-black, with Chagall, Marc, Russian, 1887-1985, and Mar- 1874-1877, etching, aquatint, and stop-out selective wiping cel Arland (author), French, 1899-1986 Un grain a Trouville (Squall at Trouville), Le Chateau des hiboux (Castle of the Owls), Maternite, published 1926, bound volume with 1874/1875, etching and aquatint 1877-1887, etching, aquatint, drypoint, 10 etchings, title page dedication, and crayon Adresse de Labric, 1876, etching, engraving, and roulette, stop-out, sulphur tint, and crayon drawing added in 1965, 1994.90.2, Gift of Mr. and aquatint stop-out Mrs. Gerhard E. Pinkus Le retour des artistes (The Return of the Artists), Le Chateau des hiboux (Castle of the Owls),

92 Stefano Delia Bella, Moor in a Turban Trimmed with Five Feathers, 1649/1650, Ailsa Mellon Bruce Fund, 1994.72.9

Chagall, Marc, Russian, 1887-1985, and Paul Cotman, John Sell, British, 1782-1842 Huet), c. 1775, crayon-manner engraving in Morand (author), French, 1888-1976 Tan y Bwlch, North Wales, c. 1810/1815, soft- red, 1994.84.3, Gift of Neil and Ivan Phillips in Ouvert la Nuit, published 1927, bound volume ground etching touched with graphite on light memory of Jacqueline Getty Phillips with frontispiece etching, 1994.90.3, Gift of Mr. and brown paper [proof], 1995.7.1, Ailsa Mellon Bruce Dies, Albert Christoph, Austrian, 1755-1822 Mrs. Gerhard E. Pinkus Fund Lago di Nemi (Lake Nemi), 1792, etching, Chamberlain, John, American, born 1927 Degas, Edgar, French, 1834-1917 1995.39.1, Rudolf Sobernheim Memorial Fund and Untitled, 1993-1994, 2-color photoscreenprint Mary Cassatt at the Louvre: The Etruscan Gallery, Oscar Naumann Memorial Fund on laquered aluminum sheet, 1995.61.16, Gift of 1879/1880, etching [first state] Cascata, e Ponte di St. Rocco a Tivoli (Waterfall and Graphicstudio / University of South Florida and the Mary Cassatt at the Louvre: The Etruscan Gallery, Bridge of St. Rocco at Tivoli), 1795, etching, Artist 1879/1880, cancelled copper plate 1995.46.1, Gift (Partial and Promised) of Virginia L. Virginie being Admired while the Marquis Cavalcanti Close, Chuck, American, born 1940 Dean Looks On, c. 1880/1883, monotype touched with John II, 1986-1991, direct gravure, 1995.61.17, pastel Dine, Jim, American, born 1935 Gift of Graphicstudio / University of South Florida and 1995.47.73-75, Collection of Mr. and Mrs. Paul Mellon Self-Portrait Hand Painted in Paris, 1979, etching, the Artist drypoint, and electric tools, hand-colored with Dehner, Dorothy, American, 1901-1994 Cock, Hieronymus, Flemish, c. 1510-1570 acrylics Aerial to Infinity, 1954, engraving, 1995.12.1, Gift Complete set of Views of Rome with title and ded- Nancy Outside in July VII, 1980, etching, soft- of the Collectors Committee ication pages, published 1551,25 etchings ground etching, drypoint, engraving, and elec- Saint Jerome in a Landscape with Ruins (after Delia Bella, Stefano, Italian, 1610-1664 tric tools, hand-colored with watercolor and Maerten van Heemskerck), 1552, etching Plusieurs Testes Coiffees a la Persienne, 1650, Com- blue wax crayon 1994.80.1-27, Ailsa Mellon Bruce Fund plete set of 12 etchings, 1994.72.1-12, Ailsa Mellon 1994.85.3-4, Gift of Richard A. Simms Bruce Fund Cocteau, Jean, French, 1889-1963 Donovan, Bobby, American, born 1954 Deux Travestis (Two Travesties), published 1947, Delteil, Loys, French, 1869-1927 Catoctin, 1989, color woodcut, 1994.87.12, Ruth and bound volume with 3 lithographs, 1995.52.219, Felix-Hilaire Buhot, 1898, etching and drypoint, Jacob Kainen Collection Gift of William B. O'Neal 1995.54.28, Helena Gunnarsson Buhot Collection Esther, M.C., Dutch, 1898-1972 Corinth, Levis, German, 1858-1925 Demarteau, Gilles, French, 1722 or Matthaus Passion van Johann Sebastian Bach, Bismarckfeier, 1915, transfer lithograph hand-col- 1729-1776 1685-1750, 1938, concert program with wood- ored with watercolor [proof], 1994.89.1, Allegorical Portrait of Jean-Baptiste Huet (after cut illustration on cover Gift of Ruth and Joseph Bromberg in honor of Andrew Jean-Augustin Leveille, after Jean-Baptiste 4 Grafici, 1952, exhibition brochure with wood- Robison

93 cut illustration on cover Mechau, Jacob Wilhelm, German, 1745-1808 Piper, John, British, 1906-1984 1 1995.57.1-2, Gift of Michael S. Sachs, Inc. Ponte Cellio a Civita Castellana (Cellio Bridge at English, Scottish e Welsh Landscape, published Civita Castellana), 1794, etching, 1995.45.1, Gift 1944, bound volume with 12 color lithographs, Fantin-Latour, Henri, French, 1836-1904 (Partial and Promised) of David M. Frost 1995.52.222, Gift of William B. O'Neal Self-Portrait at Seventeen, 1853, lithograph, 1995.47.76, Collection of Mr. and Mrs. Paul Mellon Miro, Joan, Spanish, 1893-1983 Pissarro, Camille, French, 1830-1903 Composition, 1947, color monotype etching, Paysanne bechant (Peasant Laboring), 1890, etch- Frank, Mary, American, born 1933 1995.9.f. Gift of the Collectors Committee ing and aquatint touched with graphite [proof], The Chase, 1983, monoprint on double-page of 1995.23.f. Gift of Martin and Liane W. Atlas paper Morandi, Giorgio, Italian, 1890-1964 The Time is Now, 1985/1986, monoprint on 6 Still Life with Pears and Grapes, 1927 Rauschenberg, Robert, American, born i925 double-pages of paper Still Life, 1942 Tribute 21, published 1994, portfolio of 22 offset 1995.60. f-2. Gift of Jane and Raphael Bernstein Still Life, 1946 lithographs, f995.62.f-22. Gift of Felissimo Universal etchings, 1995.47.81-83, Collection of Mr. and Mrs. Corporation of America Hayter, Stanley William, British, 1901-1988 Paul Mellon Bottles, 1926, softground etching and aquatint Reinhart, Johann Christian, German, Cronos, 1944, engraving and softground etching Morel de Vinde, vicomte Charles-Gilbert 1761-1847 with embossed open-bite areas Terray (author), French, 1759-1842, and A Subiaco (Near Subiaco), 1793, etching, 1995.39.2, Unstable Woman, 1946-1947, color engraving Francois Godefroy, French, 1743-1819 Ailsa Mellon Bruce Fund Primerose, published 1797, bound volume with and softground etching with embossed open- A Civita Castellana (Near Civita Castellana), 1794, 12 etchings and engravings, f995.52.22f, Gift of bite areas [proof] etching, f995.44.f. Gift (Partiaf and Promised) of Combat, 1953, color engraving, softground etch- William B. O'Neal James A. Johnson, Jr., in memory of his cousin, Roger ing, and scorper Neely, Anne, American, born 1946 E. Smith Onde Verte, 1965, color softground etching, Pods, 1993, color monotype, 1994.98.1, Gift of etching, and scorper Richardson, Dorothy (author), British, Stephen and Betty Jane Andrus f 994.87.3-7, Ruth and Jacob Kainen Collection 1873-1957, and John Austen, British, Spine/Fern, f993, color monotype, 1994.99.1, 1886-1948 Hodgkin, Howard, British, born 1932, and Anonymous Gift John Austen and the Inseparables, published 1930, Susan Sontag (author), British, born 1933 bound volume with 6 wood engravings, O'Donnell, Hugh, British, born 1950 The Way We Live Now, published 1991, bound 1995.52.218, Gift of William B. O'Neal volume with 7 lift-ground color aquatints Sign of the Tiger, f 99f, woodcut with sugarlift, (including front and back endpapers and spitbite, openbite etching, and drypoint Rosa, Salvator, Italian, 1615-1673 unbound plate), hand-colored with tempera, Waterline, 1992-1993, 6-color spitbite etching Apollo and the Cumaean Sibyl, c. 1661, etching 1994.97.1, Gift of Robert and Brenda Edelson and aquatint and drypoint, 1995.10.3, Ailsa Mellon Bruce Fund Lacuna, 1992-1993, spitbite etching John, Jiri, Czechoslovakian, 1923-1972 Rosenquist, James, American, born 1933 1995.61.21-23, Gift of Graphicstudio / University of Layers 11, 1965, drypoint, 1995.55.3, Gift of The My Mind Is an Empty Glass, 1994, 6-color photo- South Florida and the Artist Anne and Jacques Baruch Coilection lithograph on Japanese Chiri Kozo paper Oldenburg, Claes, American, born 1929 Discover Graphics, 1994, 8-color photolithograph Johns, Jasper, American, born f 930 Alphabet in Form of a Good Humor Bar, 1970 1995.61.24-25, Gift of Graphicstudio / University of Savarin, 1982, monotype and lithograph Typewriter Eraser, 1970 offset lithographs, South Florida and the Artist Flags I, 1973, screenprint 1994.95.1-2, Gift of Kimiko and John Powers 1994.82.7-8, Robert and Jane Meyerhoff Collection Samaras, Lucas, American, born 1936 Ossorio, Alfonso, American, 1916-1990 Book, 1968, bound volume with 11 screenprints Katz, Alex, American, born 1927, and Ron Palimpsest, 1951, color lithograph, 1995.12.2, with offset lithography, thermography, die-cut, Padgett (author), American, born 1942 Light Gift of the Collectors Committee and collage laminated to cardboard, 1995.59.1, As Air, 1987, portfolio of 12 softground etchings Gift of Carolyn and Richard Susel with aquatint, 1994.96.1-12, Gift of the Artist Pennell, Joseph, American, 1857-1926 Complete set of Etchings in London (Easter Set) in Silvestre, Israel, French, 1621-1691 Lichtenstein, Roy, American, born 1923 original presentation box with frontispiece and Veue de la cour des Fontaines de Fontaine Beleau, Modern Art Poster, 1967, screenprint, 1995.64.1 colophon, published 1894: 1666, engraving, 1995.16.1, Ailsa Mellon Bruce Transfer from the National Gallery of Art Library The Cab Stand, 1887 Fund T\vo Indians, 1953, mahogany woodblock, Cleopatra's Needle, 1894 Sonnier, Keith, American, born 1941 1994.94.1, Gift of Algesa and Joseph O'Sickey Covent Garden, 1887, Meridian Codex: Print Two, 1992, screenprint on Greenwich, 1893 Manet, Edouard, French, 1832-f883 balloon cloth stretched across aluminum frame Leadenhall Market, 1887 Polichinelle, 1874 and 1876, color lithograph, Meridian Codex: Print One, 1991-1992, screen- London Bridge, 1893 1995.10.1, Ailsa Mellon Bruce Fund print on balloon cloth stretched across alu- London Lights, 1894 minum frame The Balloon, 1862, lithograph [proof] Oxford Street, London, 1887 Zeitraum-Fenster, 1993, 6-color photoscreenprint Child with Sword, Turned to the Left, 1862, etching The Quadrant, 1893 f 995.61.27-29, Gift of Graphicstudio / University of and aquatint on japan paper Smithfield Market, 1887 South Florida and the Artist Child Holding a Tray, 1862, etching St. Martin 1887 , 1872, lithograph on chine colle A. 1894 Soupault, Philippe (author), French, 1995.47.77-80, Collection of Mr. and Mrs. Paul Mellon Avenue Theatre, 1886 1897-1990, and Jean Lur^at, French, 1892-1966 Masek, Karel Vitezslav, Czechoslovakian, To Rosherville, 1893 Top of Haymarket, 1887 Corps Perdus, 1926, bound volume with 2 dry- 1865-1927 The Tower Bridge, 1893 points, 1995.52.220, Gift of William B. O'Neal Vystava Architektury a Inzenyrstvi (Exhibition of Architecture and Engineering), 1898, color litho- The Turn of the Tide, 1893 Stackhouse, Robert, American, born 1942 The Underground Station, 1893 graph, 1995.55.1, Gift of The Anne and Jacques Blue Encounterings, 1991 Vauxhall Bridge, 1893 Baruch Coliection Red Encounterings, 1991-1992 Waterloo Bridge, 1893 Encountering, 1991-1992 Master L.D., probably French, active etchings, f995.54.8-27, Gift of Helena Gunnarsson color spitbite etching, aquatint, and drypoint, 1540/1556 Picasso, Pablo, Spanish, 1881-1973 1995.6f .30-32, Gift of Graphicstudio / University of Landscape with a Woman Fleeing at the Sight of a Head of a Young Girl, 1945, lithograph, 1995.31.1, South Florida and the Artist Soldier, 1550s, etching, 1995.10.2, Ailsa Mellon Gift (Partial and Promised) of Albert Lauber, Jr., and Bruce Fund Craig W. Hoffman

94 Stuck, Franz von, German, 1863-1928 Baldus, Edouard-Denis, French, 1813-1882 Caneva, Giacomo, Italian, 1812/1813-1865 Meine Mutter, (My Mother), etching, View of the Louvre, 1855-1857, albumen print Salerne, 1855 1994.87.1, Ruth and Jacob Kainen Collection from collodion negative View of Rome, 1857 Bibliotheque Imperiale du Louvre, 1856-1857, Thiebaud, Wayne, American, born 1920 salted paper prints from paper negatives, salted paper print from collodion negative Meringue, 1995, color aquatint with drypoint, 1995.36.69-70, Patrons' Permanent Fund Gare de Longueau, 1855, albumen print from 1995.40.1, Gift of David A. Blanton III Carroll, Lewis, British, 1832-1898 paper negative Xie Kitchin, c. 1868, albumen print from collo- Tiepolo, Giovanni Domenico, Italian, Church of Saint-Pierre, Caen, 1855, albumen print dion negative, 1995.35.4, Gift (Partial and Promised) 1727-1804 from collodion negative of Mary and David Robinson Saint Gaetano of Thiene, 1757 or after, etching Toulon, Gare, 1861 or later, albumen print from touched with pen and brown ink [proof], collodion negative Cuvelier, Eugene, French, c. 1830-1900 1995.2.1, Katherine Shepard Fund 1995.36.6-10, Patrons' Permanent Fund A Rock in the Forest, c. 1865, albumen print from paper negative, 1995.35.5, Gift (Partial and Villon, Jacques, French, 1875-1963 Barker, George, American, 1844-1894 Promised) of Mary and David Robinson Spanish Dancer, 1899, color aquatint and dry- Niagara, 1860s-, albumen print from col- point touched with graphite [proof], 1995.47.84, lodion negative, 1995.36.11, Patrons' Permanent Forest Scene, c. 1850s, salted paper print from Collection of Mr. and Mrs. Paul Mellon Fund paper negative Pare de Courances, late 1850s, albumen print from Volkov, Sergei, Russian, born 1956 Barnard, George N., American, 1819-1902 paper negative To See It Once is Better than to Hear It One Hundred Battlefield in Atlanta, 1864, albumen print from Belle Croix, c. 1858, albumen print from paper Times, 1990-1992, lithograph, 1995.61.33, Gift of collodion negative, 1995.36.12, Patrons' Permanent negative Graphicstudio / University of South Florida and the Fund Tree Study, Fontainebleau, 1860, albumen print Artist Bellocq, E. J., American, 1873-1949 from collodion negative Wells, James, American, 1902-1993 Storyville Portrait, c. 1912, 50 silver gelatin Road and Trees with Hoarfrost, 1860, albumen Looking Upward, 1928 printed-out prints [c. 1970], 1995.36.13-62, print from paper negative Watusi Family, 1988 Patrons' Permanent Fund 1995.36.71-75, Patrons' Permanent Fund woodcuts, 1994.87.9-10, Ruth and Jacob Kainen Col- Bool, Alfred H., British, active 1870s, and Dane, Bill, American, born 1938 lection John Bool, British, active 1875 Los Angeles, 1982, silver gelatin developed-out Wilkie, David, Sir, Scottish, 1785-1841 The Oxford Arms, Warwick Lane, 1875, carbon print, 1995.35.6, Gift (Partial and Promised) of Mary Etchings by D. Wilkie, R.A., published 1824, port- print, 1995.36.64, Patrons' Permanent Fund and David Robinson folio of 7 etchings on chine colle, 1994.85.l.a-g, Caithness, Earl of, British, 1821-1881, and De Caranza, Ernest, French, active 1850s Gift of Richard A. Simms William Bambridge, British, 1819-1879 Turkey: Scutari Cemetery, 1852, salted paper print Zorn, Anders, Swedish, 1860-1920 Queen Adelaide's Beech, 1864, albumen print from toned with platinum from paper negative, Storm, 1891, etching, 1995.47.85, Collection of Mr. collodion negative, 1995.36.63, Patrons' Permanent 1995.36.76, Patrons' Permanent Fund and Mrs. Paul Mellon Fund De Clercq, Louis, French, 1836-1901 Callahan, Harry, American, born 1912 Grenade, Alhambra, Porte d'Entree de la Forteresse, Photographs Eleanor, c. 1958, silver gelatin developed-out 1860, albumen print from paper negative, Adams, Robert, American, born 1937 print, 1994.77.1, Gift of the Collectors Committee 1995.36.77, Patrons' Permanent Fund Frame for a Tract House, Colorado Springs, 1974 Chicago, 1948 Diamond, Hugh Welch, Dr., British, [1984] Indiana, 1948 1809-1886 Summer Nights #2, 1983 [1985] Eleanor, Chicago, 1949 Elderly Woman Holding a Dead Bird, County Sally, Weld County, Colorado, 1984 [1990] Chicago, 1952 Asylum, c. 1855, albumen print from collodion silver gelatin developed-out prints, 1995.35.1-3, Eleanor, Aix-en-Provence, 1958 negative, 1995.36.78, Patrons' Permanent Fund Gift (Partial and Promised) of Mary and David Robin- silver gelatin developed-out prints, 1994.91.1-5, Du Camp, Maxime, French, 1822-1894 son Gift of Susan and Peter MacGill Thebes: Karnak, Portique de Temple de Khons, 1850, Alvarez Bravo, Manuel, Mexican, born 1902 Detroit, c. 1942 (proof sheet) silver print (possibly developed-out) toned with Cemetery Wall, Texcoco, Mexico, 1967, silver gelatin Detroit, c. 1944 gold from paper negative, 1995.36.79, Patrons' Per- developed-out print [c. 1974], 1995.36.65, Chicago, 1948 manent Fund Patrons' Permanent Fund Chicago, 1948 Durandelle, Louis-Emile, French, 1839-1917 Annan, Thomas, Scottish, 1829-1887 Chicago, 1948 Ornamental Sculpture from the Paris Opera House Old Vennel, Off High Street, 1868-1877, carbon silver gelatin developed-out prints, 1994.92.1-5, (Column Detail), 1865-1874 print from collodion negative [1878], 1995.36.1, Gift of Ann Solomon Ornamental Sculpture from the Paris Opera House Patrons' Permanent Fund Cape Cod, 1972 (Arch Detail), 1865 Ornamental Sculpture from the Paris Opera House Arbus, Diane, American, 1923-1971 Cape (W, 1972 (Column Fragment), 1865-1874 A Young Man in Curlers at Home on West 20th Cape Cod, 1972 albumen prints from collodion negatives, Street, N.Y.C., 1966, silver gelatin developed-out Cape Cod, 1972 1995.35.7-9, Gift (Partial and Promised) of Mary and print, 1994.78.1, Gift of the Collectors Committee Cape Cod, 1972 Cape Cod, 1974 David Robinson Atget, Eugene, French, 1857-1927 silver gelatin developed-out prints, 1994.93.1-6, Edgerton, Harold, American, 1903-1990 Etang de Corot, Ville-d'Avray, 1900-1910, - Gift of Joyce and Robert Menschel Teeing Off: Club Impacting Ball on Tee, c. 1935 root print Densmore Shute Bending the Shaft, 1938 Trianon, Pavilion Francis, 1923-1924, albumen Eleanor, 1947, silver gelatin developed-out print, silver gelatin developed-out prints, print 1995.20.1, Gift of The Herbert and Nannette Rothschild 1995.35.10-11, Gift (Partial and Promised) of Mary and Magasin, Avenue des Gobelins, 1925, silver gelatin Memorial Fund in memory of Judith Rothschild David Robinson printed-out print Cameron, Julia Margaret, British, 1815-1879 1995.36.2-4, Patrons' Permanent Fund Eggleston, William, American, born 1939 Mrs. Herbert Duckworth, 1867 Almost at the Mississippi River, Dyersburg, Tennessee, Baker, William Robert, British, 1810-1896 Mary Hillier and Two Children, 1864 1984, Ektacolor print, 1995.35.12, Gift (Partial and Nether Hall, 1850, waxed paper negative with Deathbed Study, c. 1868 Promised) of Mary and David Robinson brown and black ink, 1995.36.5, Patrons' Perma- albumen prints from collodion negatives, nent Fund 1995.36.66-68, Patrons' Permanent Fund Emerson, Peter Henry, British, 1856-1936, and T.F. Goodall, British, 1857-1944

95 , , 1932, Patrons' Permanent Fund, 1995.36.100

Life and Landscape on the Norfolk Broads, 1887, Fenton, Roger, British, 1819-1869 French 19th Century bound volume of 39 platinum prints Windermere, 1850s, albumen print from collo- Landscape with Trees and Bridge, c. 1850, salted On the River Bure, 1887, platinum print dion negative paper print from paper negative 1995.63.1-2, Gift (Partial and Promised) of Harvey S. Cemetery, Cathcart's Hill, 1855, salted paper print Les Salles des Gardes, Palais des Papes, Avignon, Shipley Miller and J. Randall Plummer, in Honor of the from collodion negative [1856] France, 1860s, albumen print from collodion 50th Anniversary of the National Gallery of Art 1995.36.80-81, Patrons' Permanent Fund negative Maison de la Belle Jardiniere, 1866 or 1867, European 19th Century Frank, Robert, American, born 1924 albumen print from collodion negative Study of a Hand, 1865, albumen print from Chicago Loop, c. 1960, silver gelatin developed- 1995.36.121-122, 124, Patrons' Permanent Fund collodion negative, 1995.36.123, Patrons' Permanent out print, 1995.17.1, Robert Frank Collection, Gift of Fund an Anonymous Donor Frith, Francis, British, 1822-1898 The Pyramids of Dahshoor From the East, 1857 Evans, Walker, American, 1903-1975 Blind/Love/Faith, Mabou, 1981, silver gelatin The Statues of the Plain, Thebes, 1858 Lunch Wagon Detail, New York, 1931 developed-out print, 1995.18.1, Robert Frank Col- albumen prints from collodion negatives, Wooden Church, South Carolina, 1936 lection, Gift of the Mars Foundation, Jane and Ben- 1995.36.83-84, Patrons' Permanent Fund Bethelehem, Pennsylvania, 1936 jamin F. Stapleton III, and an Anonymous Donor Minstrel Showbill, 1936 Gerard, Leon, French, active 1857-1861 July 4th 1958, Coney Island, 1958, silver gelatin Landscape, Montebello, c. 1860, salted paper print Shoeshine Sign in a Southern Town, 1936 developed-out print, 1995.19.1, Robert Frank Col- Photographer's Window Display, Birmingham, from paper negative, 1995.36.85, Patrons' Perma- lection, Gift of the Richard Florsheim Art Fund and an Alabama, 1936 nent Fund Anonymous Donor silver gelatin developed-out prints, 1995.35.18, Gift (Partial and Promised) of London, 1951, silver gelatin developed-out print, Mary and David Robinson 1995.36.82, Patrons' Permanent Fund

96 Greene, John Beasley, American, active in Hands Raised, c. 1887, collotype, 1995.36.105, Strand, Paul, American, 1890-1976 France, 1832-1856 Patrons' Permanent Fund Photograph—New York, 1916, photogravure Esfou-Sculptures and Inscriptions on Oriental Face, [1917], 1995.35.21, Gift (Partial and Promised) of Nadar, French, 1820-1910 1854, salted paper print from paper negative, Mary and David Robinson Honore Daumier, 1856-1858, salted paper print 1995.36.86, Patrons' Permanent Fund from collodion negative, 1995.36.106, Patrons' Per- Palace of Fine Arts, San Francisco, 1915, platinum Haynes, F. Jay, American, 1853-1921 manent Fund print developed with mercury Hell's Half Acre, Firehole River, 1884, albumen Photograph, 1916, photogravure [1917] Negre, Charles, French, 1820-1880 print, 1995.36.87, Patrons' Permanent Fund Rebecca, c. 1922, silver gelatin developed-out Asile Imperial de Vincennes: le 15 Aout, le Salut a print Henri, Florence, American, 1895-1982 I'Empereur, 1859, albumen print from collodion 1995.36.113-115, Patrons' Permanent Fund Self-Portrait, 1928, silver gelatin developed-out negative print, 1995.36.88, Patrons'Permanent Fund Asile Imperial de Vincennes: la Lingerie, 1859, Talbot, William Henry Fox, British, albumen print from collodion 1800-1877 Hill, David Octavius, Scottish, 1802-1870, negative Leaf Study, 1839-1840, photogenic drawing, and Robert Adamson, Scottish, 1821-1848 Statue des Tuileries: G. Marsy et A. Flamen: Boree 1995.35.22, Gift (Partial and Promised) of Mary and A Newhaven Pilot's Cottage Door, 1845, salted enlevant Orythie, 1859, David Robinson paper print from paper negative, 1995.36.89, albumen print from collodion negative Patrons' Permanent Fund Lace, 1839-1844, photogenic drawing 1995.36.107-109, Patrons' Permanent Fund Oak Tree, mid 1840s, salted paper print from Hine, Lewis, American, 1874-1940 O Sullivan, Timothy H., American, born Ire- paper negative Soldier Thrown in Air, 1917, silver gelatin devel- land, 1840-1882 1995.36.116-117, Patrons' Permanent Fund oped-out print, 1995.36.90, Patrons' Permanent Shoshone Falls, Snake River, Idaho, 1874, albumen Fund Tenison, E. K., British, active 1850s print from collodion negative, 1995.36.110, Espagne. Seville, Cour de la maison du due de Medina Jones, Calvert Richard, Reverend, British, Patrons' Permanent Fund celi dite maison de Pilate, 1853, salted paper print 1802-1877 Ray, Man, American, 1890-1976 from paper negative, 1995.36.118, Patrons' Perma- Study of the Spires of Lichfield Cathedral, Pablo Picasso, 1932, silver gelatin developed-out nent Fund 1845-1850, paper negative, 1995.36.91, Patrons' print, 1995.36.100, Patrons' Permanent Fund Permanent Fund Tripe, Linnaeus, Captain, British, 1822-1902 Robert, Louis-Remy, French, 1810-1882 Mango Tree, Upper Burma, 1855 Le Gray, Gustave, French, 1820-1882 Forest at Saint-Cloud, 1859-1860, albumen print Temple, Madras, India, 1857-1858 Bas-Breau, Forest of Fontainebleau, 1849-1852, from collodion negative, 1995.36.111, Patrons' Per- salted paper prints from waxed-paper negatives, salted paper print from waxed-paper negative manent Fund 1995.36.119-120, Patrons' Permanent Fund Beech Tree, Forest of Fontainebleau, c. 1856, albu- men print from collodion negative Salzmann, Auguste, French, 1824-1872 Vidal, Leon, French, 1833-1906 The Pont du Carrousel, Paris: View to the West from Absalom's Tomb, Valley of Kidron, Jerusalem, 1854, Cussard etjamiere du Roi Henri II, c. 1873, the Pont des Arts, 1856-1858, albumen print from salted paper print from waxed-paper negative, chromolithograph, 1995.36.125, Patrons' Permanent collodion negative 1995.36.112, Patrons' Permanent Fund Fund 1995.36.92-94, Patrons' Permanent Fund Sommer, Frederick, American, born 1905 Watkins, Carleton E„ American, 1829-1916 Le Secq, Henri, French, 1818-1882 Venus, Jupiter and Mars, 1949 Piwyac, Vernal Falls, 300 feet, Yosemite, 1861 Ange Portant un Cadran Solaire, a I'Eglise de Fighting Centaur, 1952 Grizzly Giant, Mariposa Grove, 1861 Chartres, 1852, salted paper print from waxed- Valise d'Adam, 1949 Cape Horn, Columbia River, 1867 paper negative, 1995.36.95, Patrons' Permanent Champagne Rock, 1940 Mt. Hood and the Dalles, Columbia River, 1867 Fund Diirer Variation, 1966 Twin Redwoods, Palo Alto, 1870 Moon Culminations, 1951 albumen prints from collodion negatives, Levitt, Helen, American, born 1918 Lee Nevin, 1965 1995.35.23-27, Gift (Partial and Promised) of Mary and New York, c. 1942, silver gelatin developed-out Cut Paper Drawing, 1982 David Robinson print, 1995.35.19, Gift (Partial and Promised) of Mary Virgin and Child with St. Anne and the Infant St. and David Robinson Cape Horn, Columbia River, Oregon, 1867 John, 1966 Sugar Loaf Island, Farallons, 1868-1869 New York, c. 1942, silver gelatin developed-out Cut Paper, 1981 Malakoff Diggins, North Bloomfield, Nevada County, print Cut Paper, 1980 1871 New York, 1942, silver gelatin developed-out The Anatomy of a Chicken, 1939 albumen prints from collodion negatives, print Untitled, 1941 1995.36.126-128, Patrons' Permanent Fund New York, 1939, silver gelatin developed-out Coyotes, 1945 print Untitled, 1941 Weston, Edward, American, 1886-1958 New York, 1972, dye transfer print Ondine, 1950 The Breast (The Source), 1921, platinum print 1995.36.96-99, Patrons' Permanent Fund Untitled, 1945 Rain over Modoc Lava Beds, 1937, silver gelatin developed-out print Marville, Charles, French, 1816-c. 1879 Coyotes, 1941 Taylor, Arizona, 1945 1995.36.129-130, Patrons' Permanent Fund Salle des Cariatides, au Musee du Louvre, c. 1851, salted paper print from paper negative Untitled, 1947 Winogrand, Garry, American, 1928-1984 The Mistress of this World has no Name, 1981 The Seine from the Right Bank Looking towards Untitled (Fighter Series), 1955 Untitled, 1945 Notre Dame, 1853, salted paper Untitled (Fighter Series), 1955 Untitled, c. 1965 print from paper negative Los Angeles Airport, 1964 Bois de Boulogne, 1860, albumen print from Untitled, 1961 New York City, 1963 Untitled, 1951-1973 collodion negative Zoo, 1963 Rue de L'Arequillorie de la Rue Ste. Opportune, Untitled, 1963 Girl in Elevator, 1968 Cut Paper, 1963 1865, albumen print from collodion negative Opening, Frank Stella Exhibition, 1970 Capitoline Museum, 1960 1995.36.101-104, Patrons' Permanent Fund silver gelatin developed-out prints, 1995.36.137, Untitled, 1962 Patrons' Permanent Fund Miller, Lee, American, 1907-1977 Cut Paper, 1967 Work by Joseph Cornell, 1933, silver gelatin devel- Untitled, 1947 oped-out print, 1995.35.20, Gift (Partial and , 1960 Promised) of Mary and David Robinson Paracelsus, 1957 Muybridge, Eadweard, American, 1830-1904 silver gelatin developed-out prints, Walking and Carrying a 15-lb. Basket on Head, 1995.5.1-33, Gift of Frederick Sommer

97 Loans , Rendezvous in the Forest; John National Museum of American History Singer Sargent, Mrs. Joseph Chamberlain Charles Peale Polk, General Washington at Princeton Paris, United States Ambassador, Organization for National Portrait Gallery Extended Loans front the Economic Cooperation and Development Gardner Cox, Earl Warren; Chester Harding, Self-Por- American 18th Century, Hunting Scene with a Pond; trait; Daniel Huntington, Dr. James Hall; Henry Gallery's Collections Mark Rothko, Personage Two; Untitled; Untitled Theodore Tuckerman; John Wesley Jarvis, Thomas All works are part of the National Lending Service (two women at the window) Paine; Irving R. Wiles, Miss Julia Marlowe unless indicated by + Paris, Musee du Louvre National Trust for Historic Preservation Severo da Ravenna, The Christ Child + Bernard Hailstone, David E. Finley AUSTRIA The Octagon GERMANY Vienna, United States Ambassador Gilbert Stuart, Anna Maria Brodeau Thornton American 19th Century, Memorial to Nicholas M. S. Bonn, United States Ambassador (Mrs. William Thornton); William Thornton Catlin; Jonathan Budington, Father and Son; Gari George Catlin, Nishnabotana Bluffs, Upper ; Secretary of Agriculture Melchers, The Sisters; Thomas Sully, The Vanderkemp Three Cheyenne Warriors American 19th Century, Bucks County Farm Outside Children; after Susan C. Waters, Henry L. Wells Doylestown, Pennsylvania (returned); Thomas Hart HUNGARY Vienna, United States Representative, Organiza- Benton, Trail Riders (returned); attributed to tion for Security and Cooperation in Europe Budapest, United States Ambassador Theodore Gericault, Grey Stallion (returned); Robert John Woodhouse Audubon, Long-Tailed Red Fox; , Landing at Sabbath Day Henri, Volendam Street Scene (returned); Venetian attributed to John Woodhouse Audubon, A Young Point, Lake George; Mark Rothko, Untitled (figures 18th Century, Procession of Gondolas in the Bacino di Bull; Alexander Liberman, Omega IV (returned); around a piano) San Marco, Venice (returned) Mark Rothko, Untitled; Allen Tucker, Bizarre Secretary of Commerce IRELAND BELGIUM American 20 th Century, View of Aberdeen, Washing- Dublin, United States Ambassador ton; Thomas Chambers, New York Harbor with Pilot Brussels, United States Ambassador Gilbert Stuart, Counsellor John Dunn; John Bill Ricketts Boat "George Washington"; , Music and the Mark Rothko, Number 7; 2 Untitled paintings; Unti- Pink Violin; Philip van Kouwenbergh, Flowers in a tled (seated girl with braids); Untitled (woman and girl ITALY Vase; , The Sirens in interior) Florence, Ente Casa Buonarroti Secretary of Education Brussels, United States Ambassador, North after Michelangelo Buonarroti, Damned Soul f American 19th Century, The Sargent Family; Ameri- Atlantic Treaty Organization can 20th Century, After the Wedding in Warren, Penn- Gilbert Stuart, Catherine Yates Pollock (Mrs. George Pol- RUSSIA sylvania; French 19th Century, Race Course at lock); George Pollock; Thomas Sully, Ann Biddle Hop- Longchamps; after Jean-Baptiste Greuze, Benjamin , United States Ambassador kinson; Francis Hopkinson; The Leland Sisters Franklin; Karl Knaths, Marble Mantel Ralston Crawford, Lights in an Aircraft Plant; Lyonel CANADA Feininger, Zirchow VII; Mark Rothko, Untitled; Unti- Secretary of Housing and Urban Development tled (still life in front of window) Walt Kuhn, Zinnias; Douglas Volk, Abraham Lincoln Ottawa, United States Ambassador Secretary of Labor American 19th Century, Leaving the Manor House; SPAIN Charles S. Humphreys, The Trotter; Frederick Kem- American 19th Century, "We Go for the Union"; melmeyer, First Landing of Christopher Columbus Barcelona, Fundacio Joan Miro Winslow Homer, Sunset; George Benjamin Luks, The (returned) Mark Rothko, Untitled (returned) Bersaglieri Director, Office of Management and Budget CHINA SWITZERLAND Raoul Dufy, Regatta at Henley Beijing, United States Ambassador Geneva, United States Ambassador to the Arms United States Trade Representative American 19th Century, New England Farm in Win- Control and Disarmament Agency Thomas Chambers, Boston Harbor; Jean-Baptiste- ter (returned); Marguerite Zorach, Christmas Mail American 19th Century, Brother and Sister; Steamship Camille Corot, The Eel Gatherers; Andre Derain, (returned) "Erie"; George Catlin, American Pasturage—Prairies Abandoned House in Provence; , Lake of the Platte; Buffalo Chase; attributed to Reuben Albano, Sunset Rowley, Dr. John Safford and Family Secretary of Transportation Prague, United States Ambassador UNITED STATES Circle of Jacob Adriaensz. Bellevois, Dutch Ships in a American 18th Century, Boy with a Basket of Fruit; Lively Breeze; L.M. Cooke, Salute to General Washing- American 19th Century, Horizon of the New World; Alabama ton in New York Harbor; follower of , Jacob Eichholtz, Julianna Hazlehurst; Mark Rothko, Birmingham Museum of Art Harbor at Sunset; Hugues Merle, Children Playing in a Untitled (man and woman holding hands) (returned); Mark Rothko, Untitled (black and gray); Anders Zorn, Park; Rene Pierre Charles Princeteau, Horses Untitled (still-life with vase and two statues) (returned); Hugo Reisinger Secretary of the Treasury Untitled (three figures) (returned); Allen Tucker, Madi- California 7 George Catlin paintings (2 returned); Mark son Square, Snow Oakland Museum Rothko, Untitled (figures and mannequins); Untitled Mark Rothko, 2 Untitled paintings (two seated women) ENGLAND Connecticut United States Department of State, United States London, United States Ambassador Hartford, Ambassador to the United Nations Sir William Beechey, Lieutenant-General Sir Thomas Mark Rothko, Untitled Ivan Le Lorraine Albright, There Were No Flowers Picton; Frank Weston Benson, Portrait in White; Fran- Tonight; Mary Callery, Amity; Raoul Dufy, July 14 in cis Cotes, Mrs. Thomas Home; Jacob Eichholtz, District of Columbia ; A. A. Lamb, Emancipation Proclamation; William Clark Frazer; , William The Architect of the Capitol Mark Rothko, Untitled; Untitled (women in a hat shop); Yelverton Davenport; George Peter Alexander Healy, Franklin C. Courier, Lincoln and His Son, Tad Maurice Utrillo, The Pont Saint-Michel, Paris Roxanna Atwater Wentworth; Michiel van Miereveld, Blair House Portrait of a Lady with a Ruff; , John Singleton Copley, Harrison Gray; Georgia United States Department of State, Diplomatic Miss Grace Woodhouse; Gilbert Stuart, Luke White Timken Fry, Flock of Sheep (returned); style of Ben- Reception Rooms jamin Marshall, and Trainer; Fritz Muller, 6 George Catlin paintings (all returned) FRANCE Capture of the "Savannah" by the U.S.S. "Perry" Supreme Court of the United States Paris, United States Ambassador (returned); Gilbert Stuart, Dr. William Hartigan (?); Mr. Chief Justice William H. Rehnquist Paul Cezanne, At the Water's Edge; Man with Pipe; Thomas Wilcocks Sully and Thomas Sully, Major George Catlin, Nayas Village at Sunset; Salmon River Mont Sainte-Victoire; Andre Derain, Still Life; Walt Thomas Biddle (returned) Mountains; Chinese Qing Dynasty, Archery Contest; Kuhn, Green Apples and Scoop; The White Clown; Library of Congress George Cuitt, the Younger, Easby Abbey, near Rich- Berthe Morisot, Young Woman with a Straw Hat; Carl Milles, Head of Orpheus mond; Andre Derain, Road in Provence; Jean-Louis

98 Forain, Behind the Scenes; Captain Edward H. National Gallery Loans to 22 February-21 May 1995 Molyneux, Chapel in Provence; Thomas Sully, Thomas Juan van der Hamen y Leon, Still Life with Sweets Alston; Frits Thaulow, River Scene; Eugene Lawrence Temporary Exhibitions and Pottery Vail, The Flags, Saint Mark's, Venice—Fete Day Works in National Lending Service * London, Royal Academy of Arts Mme Justice Ruth Bader Ginsburg THE GLORY OF VENICE, 15 September- Mark Rothko, The Omen; Untitled AUSTRALIA 14 December 1994 Mr. Justice Anthony Kennedy Brisbane, Queensland Art Gallery 7 paintings and 40 graphic works by 18th-century Jean Beraud, Paris, rue du Havre; Dutch 17th Cen- MATISSE, 29 March-14 May 1995 Venetian artists; 6 paintings (including 1 new work tury, Flowers in a Classical Vase; John Ferneley, Henri Matisse, Odalisque; Still Life; Woman Seated in not lent to England) and 2 graphic works circulated Heaton Park Races (returned); , Siberian an Armchair; circulated to National Gallery of Aus- to Museo del Settecento Veneziano—Ca'Rezzonico, Venice, 25 May-30 July 1995 (3 paintings Dogs in the Snow; Henri Moret, The Island of Raguenez, tralia, Canberra, 6 June-16 July 1995; and National Brittany; after Marco Ricci, View of the Mall in Saint Gallery of Victoria, Melbourne, remained until 30 September 1995); and 9 graphic works (including 6 new works not lent to England) James's Park 8 August-3 September 1995 circulated to Gallerie dell'Accademia, Venice, Melbourne, National Gallery of Victoria Mme Justice Sandra Day O'Connor 25 May-30 July 1995 5 George Catlin paintings RENOIR: MASTER IMPRESSIONIST, 19 September-30 October 1994 London, Tate Gallery Mr. Justice Auguste Renoir, Mile. Charlotte Berthier; Young Span- JAMES MCNEILL WHISTLER, 12 October 1994- James Bard, Steamer "St. Lawrence"; Gilbert Stuart, ish Woman with a Guitar; Young Woman Braiding Her 8 January 1995 George Washington; Thomas Sully, Henry Pratt; Hair; circulated to Art Gallery of New South Wales, 5 paintings and 12 graphic works by James McNeill Augustus Vincent Tack, Charles Evans Hughes; Sydney, 6 November 1994-8 January 1995 Whistler; circulated to Musee d'Orsay, Paris, Alexander Helwig Wyant, Peaceful Valley 6 February-30 April 1995 Mr. Justice David Souter AUSTRIA , Rembrandt Peale, George Washington; Gilbert Stuart, Vienna, BONNARD AT THE VILLA LE BOSQUET, Captain Joseph Anthony; after Gilbert Stuart, William JACOPO TINTORETTO—I RITRATTI, 31 May- 9 September-30 October 1994 Constable; James Lloyd; Augustus Vincent Tack, Har- 30 October 1994 Pierre Bonnard, Stairs in the Artist's Garden * lan F. Stone Jacopo Tintoretto, Doge Alvise Mocenigo and Family Mr. Justice John Paul Stevens before the Madonna and Child; Portrait of a Man as FRANCE American 19th Century, Portland Harbor, Maine; Saint George Paris, Galeries nationales d'Exposition du Grand George Catlin, Scene from the Lower Mississippi; Palais Eduard Gaertner, City Hall at Torun; Alphonse BELGIUM , 27 September 1994- Legros, Hampstead Heath; Franz Xaver Winterhalter, , Brugge Groeningemuseum 2 January 1995 Queen Victoria , 12 August-15 November 1994 Nicolas Poussin, The Baptism of Christ; Road along a Residence of the Vice President of the United Hans Memling, Portrait of a Man with an Arrow Winding River; the Baptism circulated along with Poussin's Assumption of the Virgin to Royal Academy States Brussels, Palais des Beaux Arts of Arts, London, 19 January-16 April 1995 , Memories FIAMMINGHI A ROMA, 1508-1608, 24 February- The White House 21 May 1995 CEZANNE, 26 September 1995-1 January 1996 9 George Catlin paintings; Thomas Sully, Andrew Giovanni Sons, The Judgment of Paris; circulated to Paul Cezanne, Le Chateau Noir; Harlequin; Houses Jackson Palazzo delle Esposizioni, Rome, 7 June- in Provence 4 September 1995 White House Preservation Office Musee d'Art Moderne de la Ville de Paris American 18th Century, Attack on Bunker's Hill, with ANDRE DERAIN, 18 November 1994- CANADA the Burning of Charles Town; A. Hashagen, Ship 19 March 1995 "Arkansas" Leaving ; John Wesley Jarvis, The Montreal Museum of Fine Arts Andre Derain, Charing Cross Bridge, London *; Moun- Commodore John Rodgers; John Neagle, Colonel Augus- LOST PARADISE: SYMBOLIST EUROPE, 8 June- tains at Collioure *; Still Life *; View of the tus James Pleasonton; John Vanderlyn, John Sudam 15 October 1995 Thames * , Parau na te Varua ino (Words of the Indiana Paris, Musee national d'art moderne, Centre Devil) * Indianapolis Museum of Art Georges Pompidou , Christ in Limbo; Larry Bell, Chrome Toronto, CONSTANTIN BRANCUSI, 11 April-21 August 1995 and Glass Construction; Robert Irwin, Untitled GAINSBOROUGH'S "THE HARVEST WAGON," Constantin Brancusi, Bird in Space; Bird in Space (returned); Mark Rothko, Sketch for Mural H; Tony 29 July-8 October 1995 Paris, Musee National des Monuments Fran^ais Smith, Untitled (returned) Gainsborough Dupont, George IV as Prince of Wales ITALIAN RENAISSANCE ARCHITECTURE, Kansas DENMARK 25 April-31 July 1995 Master of the Barberini Panels, The Annunciation; Copenhagen, Ordrupgaardsamlingen Lawrence, Spencer Museum of Art Sperandio, Francesco I Sforza, 1401-1466, 4th Duke of DEGAS MONOTYPES, 14 October 1994- Mark Rothko, Untitled 1450 (obverse) 15 January 1995 Pennsylvania Edgar Degas, Mile Becat; Woman by a Fireplace; GERMANY Doylestown, James A. Michener Art Museum Woman Reading (Liseuse) , The Landing of Columbus Berlin, Neue Nationalgalerie BERLIN — NEW YORK, Texas ENGLAND 21 December 1994—17 April 1995 London, Barbican Art Gallery Austin, Archer M. Huntington Art Gallery Walker Evans, 3 Subway Portrait photographs; A BITTER TRUTH — THE AVANT-GARDE AND THE Mark Rothko, Untitled George Grosz, Sportsman; Alfred Stieglitz, From An GREAT WAR, 29 September-11 December 1994 American Place, Southwest; From My Window at an Corpus Christi, Art Museum of South Texas Felix Vallotton, The Church of Souain Marco Tintoretto, Lamentation American Place, North; circulated to Staatsgalerie London, Hayward Gallery , 7 September-3 December 1995 Virginia THE ROMANTIC SPIRIT IN 1790-1990, Museum Bochum 29 September 1994-8 January 1995 Fairfax, George Mason University THE ART OF THE ARMENIANS, 14 January- , The Forest Alfredo Halegua, America; Lila Pell Katzen, 17 April 1995 Antecedent LANDSCAPES OF FRANCE: IMPRESSIONISM AND Arshile Gorky, The Artist and His Mother ITS RIVALS, 17 May-28 August 1995 Braunschweig, Herzog Anton Ulrich-Museum Berthe Morisot, Hanging the Laundry out to Dry *; for exhibition at Burg Dankwarderode The Harbor at Lorient; Camille Pissarro, The Fence * HENRY THE LION AND HIS TIME, 6 August- London, The National Gallery 12 November 1995 SPANISH STILL-LIFE: FROM VELAZQUEZ TO GOYA, German 12th Century, Initials V and D; Saints

99 Cyprian, Vitus, Stephan, and Cornelius; German 13th Matteo de' Pasti, Leone Battista Alberti, 1404-1472, SPAIN Century, The Judge Judah (?) Architect and Writer on Art and Science (obverse); Madrid, Fundacidn "la Caixa" Sperandio, Francesco I Sforza, 1401-1466, 4th Duke , Kathe Kollwitz Museum Koln KANDINSKY / MONDRIAN: DOS CAMINOS HACIA LA of Milan 1450 (obverse) KATHE KOLLWITZ: MEISTERWERKE DER ZEICH- ABSTRACCION, 16 September- NUNG, 20 April-2 July 1995 13 November 1994 JAPAN Kathe Kollwitz, Four People Seated on a Bench; , Improvisation 31 (Sea Battle) The Homeless; Mother and Child Chiba, Kawamura Memorial Museum of Art Madrid, Fundacidn Coleccion Thyssen-Borne- DAVID SMITH RETROSPECTIVE, 5 October- Schirn Kunsthalle Frankfurt misza 20 November 1994 NICOLAS DE STAEL — RETROSPEKTIVE, EL SIGLO DE ORO DEL PAISAJE HOLANDSS, David Smith, Voltri VII 23 September-27 November 1994 10 October 1994-12 February 1995 Nicolas de Stael, Ballet MARK ROTHKO RETROSPECTIVE, 23 September- Meindert Hobbema, A Farm in the Sunlight 5 November 1995 Leipzig, Museum der Bildenden Kunste Madrid, Museo Nacional Centro de Arte Reina 8 paintings * and 8 works on paper by Mark LUCAS CRANACH: PAINTER-ENTREPRENEUR FROM Sofia FRANCONIA, 7 September-5 November 1994 Rothko FRANZ KLINE: ART AND THE STRUCTURE OF Lucas Cranach the Elder, Portrait of a Man; Portrait of Nagoya, Aichi Prefectural Museum of Art IDENTITY, 27 September-21 November 1994 a Woman , 3 February-2 April 1995 Franz Kline, Four Square *; circulated to Saarland Museum, Saarbrucken, Germany, 11 December Munich, Haus der Kunst Andrew Wyeth, Snow Flurries; circulated to The 1994-5 February 1995 ROY LICHTENSTEIN, 14 October 1994-9 January Bunkamura Museum of Art, , 15 April- 1995 4 June 1995; Fukushima Prefectural Museum of SWEDEN Roy Lichtenstein, Look Mickey; circulated to Deich- Art, 10 June-16 July 1995; and the Nelson-Atkins torhallen Hamburg, 1 February-30 April 1995; Museum of Art, Kansas City, 24 September- Stockholm, Nationalmuseum Palais des Beaux Arts, Brussels, 1 June- 26 November 1995 GOYA, 7 October 1994-8 January 1995 30 August 1995; and Wexner Center for the Arts, Machida City Museum of Graphic Arts Francisco de Goya, Bartolome Sureda y Miserol Columbus, , 24 September 1995-7 January : PRINTS, 2 October- Stockholm, Prins Eugens Waldemarsudde 1996 23 November 1994 ANDERS ZORN, 15 September-11 December 1994 I FARNESE: ARTE E COLLEZIONISMO, 1 June- 9 Helen Frankenthaler prints Anders Zorn, Hugo Reisinger *; circulated to Gote- 27 August 1995 Tokyo, National Museum of Western Art borgs Konstmuseum, Goteborg, 26 December , Ranuccio Farnese; circulated to Museo e Gal- 1874: THE YEAR OF IMPRESSIONISM, 1994-26 March 1995 lerie Nazionali di Capodimonte, , 20 September-27 November 1994 30 September-17 December 1995 Jean-Baptiste-Camille Corot, Saint Sebastian Succored SWITZERLAND Munich, by the Holy Women *; Edouard Manet, Ball at the Kunsthaus Zurich HANS MEMLING'S "SAINT JOHN THE BAPTIST" AND Opera *; Gare Saint-Lazare; Berthe Morisot, The Har- DEGAS—PORTRAITS, 4 December 1994- "SAINT VERONICA," 16 March-11 June 1995 bor at Lorient; Camille Pissarro, Orchard in Bloom, 5 March 1995 ; Auguste Renoir, The Dancer; Madame Hans Memling, Saint Veronica Edgar Degas, Rene-Hilaire De Gas, Grandfather of the Henriot Munich, Stadtische Galerie im Lenbachhaus Artist; Self-Portrait; Woman Viewed from Behind; the THE INNOCENT EYE: CHILDREN'S ART AND THE Tokyo, Sezon Museum of Art print Rene-Hilaire De Gas, Grandfather of the Artist MODERN ARTIST, 25 May-13 August 1995 RICHARD TUTTLE, 7 September-10 October 1995 circulated to Kunsthalle Tubingen, Germany, Joan Mird, The Flight of the Dragonfly before the Sun; Richard Tuttle, Red Spiral Drawing; Rendering of 12th 18 March-18 June 1995 circulated to Kunstmuseum Bern, 7 September- Spiral Drawing; Stacked Color with Wavy and Straight 26 November 1995 Side UNITED STATES Munster, Westfalisches Landesmuseum fur Kunst Yokohama Museum of Art Alabama und Kulturgeschichte ROBERT FRANK: MOVING OUT, 11 February- Montgomery Museum of Fine Arts REMBRANDT AND THE OLD TESTAMENT, 9 April 1995 AMERICA AS ART, 11 August 1995- II September-20 November 1994 71 photographs by Robert Frank; circulated to Kun- 1 September 1996 sthaus Zurich, Zurich, 11 May-30 July 1995; and Rembrandt Workshop, Joseph Accused by Potiphar's Mark Rothko, Untitled * Wife Stedelijk Museum, Amsterdam, 9 September-29 October 1995 Arizona ISRAEL Scottsdale Center for the Arts Jerusalem, The THE NETHERLANDS -: REDEFINING ART, 1958-62, CAMILLE PISSARRO, 11 October 1994- Amsterdam, Rijksmuseum 4 November 1994—1 January 1995 9 January 1995 THE ART OF DEVOTION IN THE LATE MIDDLE AGES , A Boy for Meg *; circulated to the Camille Pissarro, Hampton Court Green; circulated 1300-1500, 26 November 1994-27 February 1995 Equitable Gallery, New York, 27 January-26 March along with Pissarro, Two Women Chatting by the Sea, Hans Memling, Saint Veronica 1995 St. Thomas * to the Jewish Museum, New York, The Hague, Haags Gemeentemuseum Tucson, University of Arizona Museum of Art 26 February-16 July 1995 PIET MONDRIAN: 1872-1944, 18 December MARK ROTHKO: THE SPIRIT OF MYTH, EARLY PAINTINGS FROM THE 1930S AND 1940S, 5 Janu- ITALY 1994-30 April 1995 Piet Mondrian, Diamond Painting in Red, Yellow, and ary-26 February 1995 Rimini, Museo della Citta Blue 26 Mark Rothko paintings * IL TRECENTO RIMINESE: MAESTRI E BOTTEGHE TRA California ROMAGNA E MARCHE, 20 August 1995- The Hague, Mauritshuis 6 January 1996 PAULUS POTTER: PAINTINGS, DRAWINGS, AND Berkeley, University Art Museum Master of the Life of Saint John the Baptist, The ETCHINGS, 8 November 1994-13 March 1995 THE NEW CHILD: BRITISH ART AND THE ORIGINS Baptism of Christ; Madonna and Child with Angels; Paulus Potter, A Farrier's Shop OF MODERN CHILDHOOD, 23 August- Scenes from the Life of Saint John the Baptist 19 November 1995 SCOTLAND Rome, Palazzo delle Esposizioni Sir Henry Raeburn, John Tait and His Grandson TIZIANO: AMOR SACRO E AMOR PROFANO, Edinburgh, National Gallery of Scotland Los Angeles County Museum of Art 15 March-22 May 1995 THE CURRENCY OF FAME: PORTRAIT MEDALS OF THE PRINTS OF ROY LICHTENSTEIN, 16 February- Antonio Lombardo, Peace Establishing Her Reign; THE RENAISSANCE, 22 September 1994- 30 April 1995 Benedetto Montagna, Birth of Adonis; The Rape of 8 January 1995 34 Roy Lichtenstein prints; circulated to Dallas Europa; follower of Titian, Venus Blindfolding Cupid 28 Renaissance medals Museum of Art, 28 May-6 August 1995; and The Venice, Palazzo Grass: spa FROM MONET TO MATISSE: , Southampton, New York, ARCHITETTURE DEL RINASCIMENTO, 1 April- IN FRANCE 1874-1914, 11 August-23 October 1994 10 September-26 November 1995 11 November 1994 Paul Gauguin, in Brittany *

100 THE HUMAN FIGURE IN AMERICAN SCULPTURE, Marietta/Cobb Museum of Art Boston College Museum of Art 23 February-14 May 1995 AMERICAN NAIVE PAINTINGS FROM THE MEMORY AND THE MIDDLE AGES, 8 February- Paul Manship, Dancer and Gazelles; circulated to NATIONAL GALLERY OF ART, 15 September- 21 May 1995 Montgomery (Alabama) Museum of Fine Arts, 22 November 1995 Albrecht Durer, The Mass of Saint Gregory 35 early American paintings (34*) 22 June-10 September 1995 Museum of Fine Arts, Boston Los Angeles, The Museum of Contemporary Art, Idaho SOL LEWITT DRAWINGS, 10 September- 20 November 1994 The Temporary Contemporary Boise Art Museum CLAES OLDENBURG: AN ANTHOLOGY, 2 July- 10 Sol LeWitt drawings AMERICAN NAIVE PAINTINGS FROM THE 3 September 1995 NATIONAL GALLERY OF ART, 29 April- : THE PAINTER'S PRINTS, 8 February- Claes Oldenburg, Clarinet Bridge; Glass Case with Pies 25 June 1995 7 May 1995 (Assorted Pies in a Case); Soft Drainpipe-Red (Hot) Ver- 35 early American paintings (34*) 5 Emil Nolde prints; circulated to Los Angeles sion County Museum of Art, 8 June-10 September Illinois San Diego Museum of Art 1995 The MARK ROTHKO: THE SPIRIT OF MYTH, EARLY JOHN SINGLETON COPLEY'S AMERICA, 7 June- MONET RETROSPECTIVE, 14 July- PAINTINGS FROM THE 1930S AND 1940S, 15 August 1995 12 November 1995 18 March-28 May 1995 John Singleton Copley, Epes Sargent; Eleazer Tyng; 26 Mark Rothko paintings * , The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias); The Bridge at circulated to the Metropolitan Museum of Art, Connecticut Argenteuil; The Cradle—Camille with the Artist's Son New York, 19 September 1995-7 January 1996 Hartford, Wadsworth Atheneum Jean; Woman with a Parasol—Madame Monet and Her DIALOGUE: JOHN WILSON/JOSEPH NORMAN, : LANDSCAPE INTO HISTORY, Son 21 July-3 December 1995 Joseph Norman, Notorious; Slum Gardens No. 3 11 September—4 December 1994 Chicago, Terra Museum of American Art Thomas Cole, A View of the Mountain Pass Called the REVISITING AMMI PHILLIPS: FIFTY YEARS OF Heritage Plantation of Sandwich Notch of the White Mountains (Crawford Notch); The AMERICAN PORTRAITURE, 8 October- AMERICAN FOLK ART PORTRAITS OF CHILDREN, Voyage of Life: Childhood; The Voyage of Life: Youth; The3 1 December 1994 13 May-29 October 1995 Voyage of Life: Manhood; The Voyage of Life: Old Age; Ammi Phillips, Lady in White *; Alsa Slade *; Joseph American 19th Century, Girl with Toy Rooster *; circulated to the , 13 January- Slade * William Matthew Prior, Child with Straw Hat *; 2 April 1995 Joseph Whiting Stock, Mary and Francis Wilcox * Kansas District of Columbia Williamstown, Sterling and Francine Clark Art Wichita Art Museum Institute The Library of Congress MASTER PRINTS FROM GEMINI G.E.L., 24 Decem- FRENCH EIGHTEENTH-CENTURY BOOKS AND THEIR TEMPLE OF LIBERTY: BUILDING THE CAPITOL FOR ber 1994-12 March 1995 ILLUSTRATORS, 26 September-31 December 1995 A NEW NATION, 22 February-4 July 1995 40 American prints * Jean-Antoine Houdon, George Washington Hubert Francois Gravelot, First Day, Frontispiece FACES AND FIGURES: PRINTS FROM THE Michigan National Portrait Gallery TAMARIND LITHOGRAPHY WORKSHOP, IN PURSUIT OF THE BUTTERFLY: PORTRAITS OF 24 December 1994-12 March 1995 The Detroit Institute of Arts JAMES A. MCNEILL WHISTLER, 28 April- 50 contemporary prints * ALLEGORY OF THE DREAMS OF MEN, 13 August 1995 19 November-31 December 1994 Louisiana Aubrey Beardsley, Caricature of J. M. Whistler; Carlo Jacopo Tintoretto, Summer Pellegrini, Whistler; Harper Pennington, Portrait of Baton Rouge, Louisiana Arts and Science Center Minnesota Whistler with a Paintbrush; Sir Leslie Ward, Whistler; Inc. James McNeill Whistler, The Title to the French Set AMERICAN NAIVE PAINTINGS FROM THE , Frederick R. The White House NATIONAL GALLERY OF ART, 6 December 1994- "DICTATED BY LIFE": MARSDEN HARTLEY'S GER- TWENTIETH-CENTURY AMERICAN SCULPTURE AT 15 January 1995 MAN PAINTINGS AND ROBERT INDIANA'S HARTLEY THE WHITE HOUSE, 10 April-10 September 1995 35 early American paintings (34*) ELEGIES, 14 April-18 June 1995 Marsden Hartley, The Aero David Smith, Cubi XXVI * New Iberia, Live Oak Gardens Foundation Inc. Florida AMERICAN NAIVE PAINTINGS FROM THE New Mexico NATIONAL GALLERY OF ART, 27 September- Coral Gables, The Lowe Art Museum Santa Fe, Museum of Fine Arts 30 November 1994 THE POETRY OF FORM: RICHARD TUTTLE SOUTH AMERICAN INDIAN PAINTINGS BY GEORGE 35 early American paintings (34*) CATLIN, 8 December 1994-6 February 1995 DRAWINGS, 10 March-18 June 1995 35 George Catlin paintings * The Historic New Orleans Collection 35 Richard Tuttle drawings THE GRAND AMERICAN AVENUE: 1850-1920, New York Miami, Center for the Fine Arts 13 September-10 December 1994 PICTURING HISTORY: AMERICAN PAINTING John Singer Sargent, Mathilde Townsend *; circulated The Brooklyn Museum 1770-1930, 6 August-9 November 1994 to Harold Washington Public Library, Chicago, LEON POLK SMITH: AMERICAN PAINTER, John Singleton Copley, The Death of 21 January-18 March 1995 29 September 1995-7 January 1996 the Earl of Chatham * Leon Polk Smith, Stretch of Black III * Maryland Pensacola Museum of Art Buffalo, Albright-Knox Art Gallery Baltimore, The Walters Art Gallery AMERICAN NAIVE PAINTINGS FROM THE THE PAINTINGS OF , GAUGUIN AND THE SCHOOL OF PONT-AVEN, NATIONAL GALLERY OF ART, 1 February- 24 September-31 December 1994 1 April 1995 19 November 1994-19 January 1995 Sylvia Plimack Mangold, Untitled; circulated to Paul Gauguin, Breton Girls Dancing, Pont-Aven 35 early American paintings (34*) Wadsworth Atheneum, Hartford, 5 February- Sarasota, The John and Mable Ringling BERNARDO STROZZI, 8 September- 2 April 1995; and Sarah Campbell Blaffer Gallery, Museum of Art 1 December 1995 , 9 September- A GOLDEN HARVEST: PAINTINGS BY ADAM Bernardo Strozzi, Bishop Alvise Grimani 22 October 1995 PYNACKER, 12 October-31 December 1994 Massachusetts Glens Falls, The Hyde Collection Adam Pynacker, Wooded Landscape with Travelers * MILTON AVERY: WORKS ON PAPER, Boston, Isabella Stewart Gardner Museum 6 September-12 November 1995 Georgia ART'S LAMENT: CREATIVITY IN THE FACE OF 57 Milton Avery prints *, 2 plates *, and 1 wood- DEATH, 9 September-23 October 1994 Atlanta, block * FINE ART AT THE COTTON STATES AND INTERNA- Tanzio da Varallo, Saint Sebastian; circulated to TIONAL EXPOSITION, 19 August-31 December Bowdoin College Museum of Art, Brunswick, Hempstead, Hofstra Museum 1995 Maine, 7 November-31 December 1994 NORTH AMERICAN INDIAN PAINTINGS BY GEORGE , Drawbridge—Long Branch Rail CATLIN (and 5 supplementary works), Road, Near Mianus

101 11 September-23 October 1994 CATLIN, 20 January-28 February 1995 55 George Catlin paintings * 50 George Catlin paintings * Katonah Museum of Art Lancaster, Leonard, and Mildred Rothman MEDIEVAL MONSTERS: DRAGONS AND FANTASTIC Gallery, Franklin and Marshall College CREATURES, 14 January-16 April 1995 CHRISTIAN STRENGE, 6 September- Master AG, Saint George and the Dragon; Master FVB 15 December 1995 and Israhel van Meckenem, Saint George and the Christian Strenge, Fraktur Vorschrift Dragon Philadelphia Museum of Art New York, Americas Society ROLYWHOLYOVER A CIRCUS, 2 June-31 July 1995 PICTURING THE FRONTIER: THE URUGUAYAN Jasper Johns, Numbers SCENES OF JUAN MANUEL BLANES, 4 October- Philadelphia, The Woodmere Art Museum 23 December 199.4 THE SPIRIT OF WAR AND THE SPIRIT OF PEACE, George Catlin, Ostrich Chase, Buenos Aires—Auca *; 2 May-30 July 1995 circulated to Center for the Fine Arts, Miami, Jasper Francis Cropsey, The Spirit of War 7 January-12 March 1995; and , 7 April-18 June 1995 Selinsgrove, Lore Degenstein Gallery NORTH AMERICAN INDIAN PAINTINGS BY GEORGE New York, The Equitable Gallery CATLIN, 8 March-30 April 1995 MODERN HIEROGLYPHS: GESTURAL DRAWING AND 50 George Catlin paintings * THE EUROPEAN VANGUARD 1900-1918, 28 March-6 May 1995 South Carolina , Three Figures; , Columbia, McKissick Museum Bather Lying on the Beach among Rocks AMERICAN NAIVE PAINTINGS FROM THE NATIONAL New York, The Metropolitan Museum of Art GALLERY OF ART, 9 July- ORIGINS OF IMPRESSIONISM, 19 September 1994- 27 August 1995 8 January 1995 35 early American paintings (34*) Frederic Bazille, The Ramparts at Aigues-Mortes *; Texas Paul Cezanne, The Artist's Father; Edouard Manet, Still Life with Melon and Peaches; Claude Monet, Fort Worth, Amon Carter Museum Bazille and Camille (Study for "Dejeuner sur I'Herbe") AND REALISM: THE PAINTING OF MODERN LIFE, 1885-1915, PAINTING AND ILLUMINATION IN EARLY RENAIS- 22 August-30 October 1994 SANCE FLORENCE 1300-1450, 17 November George Bellows, Club Night *; , Allies 1994-26 February 1995 Day, May 1917 *; circulated to the Denver Art Italian 15th Century, Christ Giving the Keys to Saint Museum, 3 December 1994-5 February 1995; and Peter; follower of Lorenzo Monaco, Praying Prophet; Los Angeles County Museum of Art, 6 March- Master of the Dominican Effigies, Christ and the Vir- 14 May 1995 gin Enthroned with Forty Saints; Master of the Dominican Effigies, The Nativity with the Annuncia- THOMAS COLE'S PAINTINGS OF EDEN, tion to the Shepherds; workshop of Pacino di 18 February-28 May 1995 Bonaguida, Christ in Majesty with Twelve Apostles Thomas Cole, The Bridge of Fear; John Milton (author) and John Martin, Paradise Lost (volume I) New York, The Museum of Modern Art Houston, Contemporary Arts Museum MAPPING, 5 0ctober-20 December 1994 Arshile Gorky, The Liver Is the Cock's Comb, 1944, 2 X IMMORTAL: ELVIS AND MARILYN, 6 drawings Albright-Knox Art Gallery, Buffalo, New York, 4 February-26 March 1995 Gift of Seymour H. Knox, was seen in the Gorky A CENTURY OF ARTISTS' BOOKS, 19 October , Test Stone #1; circulated to exhibition 1994-24 January 1995 Mint Museum of Art, Charlotte, North Carolina, Max Beckmann, The Apocalypse 15 April-30 June 1995; and Cleveland Museum of ALFRED STIEGLITZ AT LAKE GEORGE, 14 September Art, 2 August-23 September 1995 1995-2 January 1996 San Antonio Museum of Art 49 Alfred Stieglitz photographs 500 YEARS OF , 7 April- New York, The 20 August 1995 THE SUBLIME IS NOW: THE EARLY WORK OF BAR- Auguste Renoir, Picking Flowers NETT NEWMAN, 21 October-26 November 1994 Virginia , Pagan Void West Virginia Lynchburg, Maier Museum of Art, Randolph- New York, Whitney Museum of American Art Macon Women's College Huntington Museum of Art BLACK MALE: REPRESENTATIONS OF MASCULINITY MASTER PRINTS FROM GEMINI G.E.L., MARK ROTHKO: THE SPIRIT OF MYTH, EARLY IN CONTEMPORARY AMERICAN ART, 10 November 22 August-16 October 1994 PAINTINGS FROM THE 1930S AND 1940S, 1994-5 March 1995 40 American prints * 25 September-5 December 1994 Barkley Leonnard Hendricks, George Jules Taylor * 26 Mark Rothko paintings * Washington EDWARD HOPPER AND THE AMERICAN IMAGINATION, 21 June-15 October 1995 Edward Hopper, Cape Cod Evening * A GIFT TO AMERICA: MASTERPIECES OF EUROPEAN PAINTING FROM THE SAMUEL H. KRESS COLLEC- Ohio TION, 15 September-20 November 1994 Art Museum Francois-Hubert Drouais, Group Portrait; El Greco I TELL OF MY HEART: THE ART OF HORACE PIPPIN, (Domenikos Theotokopoulos), Laocoon; Jean- 28 July-9 October 1994 Auguste-Dominique Ingres, Monsieur Marcotte; Sir Horace Pippin, Interior; circulated to the Baltimore , Marchesa Brigida Spinola Doria; Museum of Art, 26 October 1994-1 January 1995; Sebastiano del Piombo, Portrait of a Humanist; and the Metropolitan Museum of Art, New York, Antoine Watteau, Italian Comedians; circulated to 1 February-30 April 1995 the Fine Arts Museums of San Francisco, California Palace of the , 17 December Pennsylvania 1994-4 March 1995 Bethlehem, Payne Gallery, Moravian College NORTH AMERICAN INDIAN PAINTINGS BY GEORGE

102 Temporary Loans to Museum Lenders to Exhibitions Roy and Cecily Langdale Davis Leon and Marian Despres Collections Deutsche Bank AG, Frankfurt am Main The Duke of Devonshire and Chatsworth House UNITED STATES Private Collections Trust Hester Diamond New York Maida and George Abrams Anonymous Lenders Her Majesty Queen Elizabeth II The Metropolitan Museum of Art , Inc. Marg and Jim Fleck, Toronto 12 October 1994-12 October 1999 Mrs. Milton Avery Aaron Fleischman Francesco di Giorgio Martini, God the Father Sur- Milton Avery Trust Mary Frank rounded by Angels and Cherubim Curtis O. Baer Collection Robert Frank The Fukuoka City Bank, Ltd. North Carolina Stephens Inc., Little Rock, Arkansas Collection Beyelet, Basel Mrs. Andrew Fuller Raleigh, North Carolina Museum of Art Max Bill, Switzerland Robin Quist Gates 15 August 1995-22 September 1996 BlumHelman Gallery Gemini G.E.L. John Quidor, The Return of Rip Van Winkle The Edward R. Broida Trust Dr. and Mrs. Phillip T. George, Miami Mrs. Ruth Bromberg GFT (U.S.A.) Corp., New York Mr. and Mrs. Donald L. Bryant, Jr. Gilman Paper Company Collection Mr. and Mrs. Gilbert Butler Arne and Milly Glimcher Gallery Mr. and Mrs. Marco Grassi Paul Channon, MP Mr. and Mrs. Stanley R. Gumberg, Pittsburgh Christie's, New York Robert H. Halff Marc Ham

103 Mr. Stephen Hahn Mr. and Mrs. Richard Waitzer Mrs. Teresa Heinz (and the late Senator John Paul F. Walter Heinz) The Warner Collection of Gulf States Paper Corpo- The Helman Collection ration, Tuscaloosa, Alabama, USA Anne and William J. Hokin, Chicago Thilo von Watzdorf, New York Mondrian Estate/Holtzman Trust Sheila and Wally Weisman Frederick W. Hughes Cheryl and Henry Welt IVAM, Institute Valenciano de Arte Moderno, Gen- eralitat Valenciana, Valencia Mrs. John Hay Whitney Carroll Janis Mr. and Mrs. Robert J. Woods, Jr. Maria and Conrad Janis, Beverly Hills Anita and Julius L. Zelman Collection Mr. and Mrs. Morton L. Janklow, New York Mr. and Mrs. Donald Jonas Public Collections Estate Ruth and Jacob Kainen Austria Shirley Latter Kaufmann Vienna: Graphische Sammlung Albertina; Kunsthis- E.W. Kornfeld, Bern torisches Museum; Museum moderner Kunst Emily Fisher Landau, New York Stiftung Ludwig Wien; Osterreichische National- Barbara and Richard S. Lane bibliothek Dr. and Mrs. John E. Larkin, Jr. Canada Margo Leavin, Los Angeles Montreal Museum of Fine Arts James Lees-Milne Collection, Bath Ottawa: Canadian Museum of Contemporary Pho- Alicia Legg, Cockeysville, Maryland tography; National Gallery of Canada Greta and Herb Levari Toronto: Art Gallery of Ontario Joseph K. Levene Vancouver Art Gallery Roy Lichtenstein Mr. and Mrs. William Lobkowicz Denmark The John McEnroe Gallery Copenhagen: Statens Museum for Kunst Joshua Mack and Ron Warren Hillerod: Nationalhistoriske Museum pa Frederiks- Paul G. and Elaine S. Marks borg James Maroney, New York France Stephen Mazoh Musee d'Art Americain Mr. Richard L. Menschel Paris: Centre national d art et de culture Georges Robert and Jane Meyerhoff, Phoenix, Maryland Pompidou; Musee d'Orsay; Musee du Louvre Robert Miller Gallery, Inc. Canaletto, The Bacino di San Marco (Looking East), Germany The Patsy R. and Raymond D. Nasher Collection, c. 1738, Courtesy, Museum of Fine Arts, Boston, Staatliche Museen zu Berlin, Preussischer Kulturbe- Dallas was exhibited in The Glory of Venice sitz Hinton Ampner, The Ralph Dutton Collection (The Cologne: ; Wallraf-Richartz- National Trust) Museum Mr. and Mrs. S. I. Newhouse, Jr. Staatliche Kunstsammlungen Professor William B. O'Neal Dusseldorf: Kunstsammlung Nordrhein-Westfalen Mr. and Mrs. Richard E. Oldenburg Frankfurt am Main: Museum fur Moderne Kunst Claes Oldenburg and Coosje van Bruggen, Hamburg: Hamburger Kunsthalle New York Landesmuseum Mainz Reinhard Onnasch, Berlin Munich: Bayerische Staatsgemaldesammlungen; : Museum Boymans-van Beuningen Rot- Michael and Judy Ovitz Staatliche Graphische Sammlung terdam Pace/MacGill Gallery, New York Staatsgalerie Stuttgart The Hague: Haags Gemeentemuseum; Koninklijk PaceWildenstein Worms: Kunsthaus Heylshof Kabinet van Schilderijen Mauritshuis PaineWebber Group Inc., New York John and Mary Pappajohn Ireland Sally Engelhard Pingree Dublin: National Gallery of Ireland Warsaw: Royal Castle Museum Mr. and Mrs. Gerhard E. Pinkus Israel Portugal Richard and Lois Plehn Jerusalem: Israel Museum Lisbon: Fundaqao Calouste Gulbenkian Kimiko and John Powers Spain Ratjen Fountation, Vaduz Italy Barcelona: Museu Nacional d'Art de Catalunya Ms. Michal Rovner Aquileia: Museo Civico del Patriarcato Madrid: Fundacion Coleccion Thyssen-Bornemisza Mr. and Mrs. Edward Rosenthal Bassano del Grappa: Museo Biblioteca Archivio The Judith Rothschild Foundation Florence: Archivio di Stato; Casa Buonarroti; Galle- Sweden Saff Tech Arts ria degli ; Museo degli Argenti; Museo dell'- Stockholm: ; Nationalmuseum of Denise and Andrew Saul Opera di Santa Maria del Fiore; Palazzo Maru- Sweden; Universitets Konstamling Graf von Schonborn Kunstsammlungen celli-Fenzi Switzerland Eugene M. Schwartz Associates, Inc. Pa via: Museo Civico del Castello Visconteo Offentliche Kunstsammlung Basel Mitchell C. Shaheen, The Brett Mitchell Rome: Galleria Nazionale d'Arte Moderna Winterthur: Fotomuseum Winterthur Collection, Inc. Vatican City: Biblioteca Apostolica Vaticana; Fab- Zurich: Kunsthaus Zurich; Kunstmuseum Win- Mr. and Mrs. Nelson Shanks brica di San Pietro terthur A.C.H.W. Smid-Verlee Venice: Chiesa della Santa Maria della Conso- Joseph and Ruth Solman, USA lazione; Chiesa di San Stae; Chiesa di San Vitale; United Kingdom Sonnabend Collection Civici Musei Veneziani d'Arte e di Storia; Galleria St. Helier: Mauritshuis Kunst N.V. Querini-Stampalia; Gallerie dell'Accademia; Stephen Mazoh & Co., Inc. United Kingdom - England Collezione Peggy Guggenheim; Museo Correr; Allan Stone Gallery Birmingham: Barber Institute of Fine Arts Palazzo Grassi Mr. and Mrs. Eugene V. Thaw Cambridge: Vicenza: Museo Civico d'Arte e Storia Mr. and Mrs. R. M. Thune Canterbury: Royal Museum and Art Gallery Thyssen-Bornemisza Collection Netherlands London: British Architectural Library; British Martin and Renee Tolcott Amsterdam: Rijksmuseum; Stedelijk Museum Library; British Museum; National Gallery; Tate Tyler Graphics Ltd : Stedelijk Van Abbemuseum Gallery; Victoria and Albert Museum Arthur and Charlotte Vershbow Haarlem: Frans Halsmuseum; Teylers Museum Oxford: The Dorothy and Herbert Vogel Collection Otterlo: Kroller-Miiller Museum Donald Vogler

104 United Kingdom - Scotland Maryland Ithaca: Herbert F. Johnson Museum of Art Edinburgh: National Galleries of Scotland; Scottish Baltimore: ; Johns Hop- New York: Cooper-Hewitt National Design National Gallery of Modern Art kins University; Walters Art Gallery Museum; Pierpont Morgan Library; Solomon R. Guggenheim Museum; Metropolitan Museum of Glasgow: Glasgow Museums; Hunterian Museum Massachusetts Art; Museum of Modern Art; New York Public and Art Gallery Amherst: Mead Art Museum Library; Whitney Museum of American Art United States Andover: Addison Gallery of American Art Utica: Munson-Williams-Proctor Institute Boston: Isabella Stewart Gardner Museum; California Museum of Fine Arts, Boston Ohio Los Angeles: Los Angeles County Museum of Art; Cambridge: Fogg Art Museum; Harvard University Cincinnati: ; Taft Museum Museum of Contemporary Art Art Museums; Houghton Library Museum of Fine Cleveland Museum of Art Malibu: J. Paul Getty Museum Arts, Springfield Toledo Museum of Art Pasadena: of Art Wellesley: Margaret Clapp Library San Francisco Museum of Modern Art Oklahoma Williamstown: Sterling and Francine Clark Art Tulsa: Thomas Gilcrease Institute of American His- Connecticut Institute tory and Art Hartford: Wadsworth Atheneum Michigan Middletown: Davison Art Center Pennsylvania Detroit Institute of Arts New Haven: Yale Center for British Art; Yale Uni- Greensburg: Westmoreland Museum of Art versity Art Gallery Minnesota Philadelphia: Philadelphia Museum of Art; Wood- Minneapolis Institute of Arts; mere Art Museum District of Columbia Pittsburgh: ; Hirshhorn Museum and Missouri Sculpture Garden; Library of Congress; National Kansas City: Nelson-Atkins Museum of Art Rhode Island Museum of American Art; Phillips Collection; St. Louis: ; Washington Providence: Museum of Art, Rhode Island School of White House University Gallery of Art Design Florida New Hampshire Texas : Museum of Fine Arts : Hood Museum of Art Fort Worth: Amon Carter Museum; Kimbell Art Hawaii New Jersey Museum Honolulu: Honolulu Academy of Arts Houston: Museum of Fine Arts, Houston; Menil Princeton: Art Museum, Princeton University Illinois Collection Art Institute of Chicago New York Washington Brooklyn Museum Iowa Seattle Art Museum Buffalo: Albright-Knox Art Gallery

105 Lenders of Works of Art sections; Revolutionary Figure; Scene of Comical Riders; Wild Birds; Cripple; Yves Klein, The Blue Night; Fer- Displayed with the Gallery's nand Leger, Man with a Dog; Still Life; Roy Lichten- Collections stein, Live Ammo; Rene Magritte, Underground Fire; Joan Miro, Spanish Dancer; Drawing-Collage; , Amorous Parade; Rotation de Naivete; Pablo Roger Arvid Anderson Collection Picasso, Compote Dish, Glass, Bottle and Pipe; Young Circle of Michelangelo Buonarroti, Head of Christ Girl with Left Arm Raised; Nude; Man Ray, Indestruc- Irving Blum, New York, NY tible Object; Gift; Repainted Mask; It's Springtime; Archi- Andy Warhol, 32 Soup Cans texture; The Rope Dancer Accompanies Herself with Her Shadows; Revolving Doors: The Meeting; Rayograph; Jean-Christophe Castelli Object of Destruction; Mirror to Die of Laughter; Self-Por- Jasper Johns, Fool's House trait; Smoking Device; Robert Ryman, Register; Kurt Cooper-Hewitt National Museum of Design, Schwitters, ; Collage; Nuin; Du Mauri; Gino Smithsonian Institution, Bequest of Erskine Severini, The Argentine Tango; Yves Tanguy, On the Hewitt Other Side of the Bridge Giovanni Domenico Tiepolo, The Immaculate Concep- North Carolina Museum of Art, Raleigh, Pur- tion chased with funds from the State of North Car- Fine Arts Museums of San Francisco, Mildred olina Anna Williams Collection Jean-Marc Nattier, Portrait of a Lady as a Vestal Virgin Antoine Watteau, The Foursome Collection of Robert Rauschenberg Helen Frankenthaler Robert Rauschenberg, Barge; Black Painting; White Helen Frankenthaler, Mountains and Sea Painting Hispanic Society of America, New York Musee du Louvre Reunion des Musees Nationaux, John Singer Sargent, The Spanish Dance Paris Mr. and Mrs. Michal Hornstein, Montreal Venetian 16th Century, Boy on a Dolphin Paulus Bor, Still Life with Travel Pouch; Caesar van Schroder Collection, London Everdingen, Rape of Europa; Jacques Linard, Still Life Hans Mielich, Portrait of a Woman of Shells Collection of Candida and Rebecca Smith Collection of Mr. and Mrs. Raymond J. Horowitz David Smith, Aggressive Character; Lunar Arcs on One , Cafe Terrace Leg; Ninety Father; Ninety Son; Untitled (December 12); Peter A. Jay Voltri XVI; Black-White Forward; Tank Totem IX; Con- Gilbert Stuart, John Jay struction with Forged Neck; Portrait of a Painter; Gondola II; Sentinel V; Woman Bandit; Zig V Collection of Jasper Johns Jasper Johns, Between the Clock and the Bed; Field Washington County Museum of Fine Arts, Hager- Painting; No; Target; White Flag stown, Maryland , Catskill Creek, New York; Collection of Boris Leavitt Thomas Moran, Lower Manhattan from Communipaw, Jean Arp, Hurlou; William Baziotes, Tropical; Adolph New Jersey Gottlieb, Coalescence; , Beggar's Joy; Willem de Kooning, Woman; , Dark Washington National Cathedral Semi-Circle Florentine 15th Century, Dalmatic with woven panels and braid Manoogian Collection , The Jolly Flatboatmen White House Collection Paul Cezanne, The Forest; House on the Marne; House The Manoogian Foundation on a Hill; Still Life with Skull Richard Caton Woodville, War News from Mexico Collection of David Whitney Collection of Mr. and Mrs. Paul Mellon Jasper Johns, Harlem Light Richard Diebenkorn, Ocean Park No. 87; Ocean Park No. 61 Erving and Joyce Wolf Francis Augustus Silva, Indian Rock, Narragansett Bay Metropolitan Museum of Art, New York Francesco di Giorgio Martini, The Nativity Mr. and Mrs. Sidney R. Yates , Piano mecanique National Museum of Health and Medicine of the Armed Forces Institute of Pathology, Wash- Anonymous ington, DC Bernardo Bellotto, Pima, The Fortress of Sonnenstein; Thomas Eakins, Dr. John H. Brinton Botticelli, Portrait of a Young Man Holding a Medallion; Francesco Botticini, Head of a Man; Giovanni Cari- Morton G. Neumann Family Collection ani, A Concert; Giuseppe Maria Crespi, Personification Jean Arp, Automatic Drawing; Calligraphy of Navels; of Painting; Claude Lorrain, Rest on the Flight; Edgar Automatic Drawing; Constellation of White Forms on Degas, Alexander and Bucephalus; Arshile Gorky, Self- Gray; Andre Breton, Valentine Hugo, Greta Knutson Portrait; Composition; Still Life on the Table; The Limit; and , Exquisite Corpse; , Portrait of Master Bill; Ellsworth Kelly, Three Gray Red Accent; Joseph Cornell, Carousel; Robert Delau- Panels (triptych); Willem de Kooning, Untitled III; nay, The Windows; , Contra-Com- Roy Lichtenstein, Cosmology; Edouard Manet, position; Jean Dubuffet, Antonin Artaud aux Houppes; Jeanne—Le Printemps; Jacopo , Leader in a Parade Uniform; The Ceremonious One; Dho-Venus and Cupid at the Forge of Vulcan; Robert tel Hairy with Yellow Teeth; , Trophy Hyper- Rauschenberg, Blue Eagle; Sebastiano Ricci, Pyg- trophied; My Anxious Friend; , Concetto malion and Galatea; Frank Stella, Zeltweg; Giovanni Spaziale Attese; , Observing Head; Battista Tiepolo, Venus and Apollo; Bartholomeus Seated Woman; Juan Gris, Banjo with Glasses; Hannah van der Heist, Portrait of Two Men Hoch, Collage; Marcel Jean, Horoscope; Spector of the Taking down Woman, 1976, by Joan Miro: the Gardenia; , Self-Portrait; Ringing for Fish; tapestry, weighing more than one ton, is faced with Harlequin on the Bridge; Australian Landscape; A Vil- cotton muslin, lowered by riggers, and rolled for lage as Relief-play; Still Life of Autumn Flowers; Town storage by staff from the registration and conserva- Castle; Old Lady; Barking Dog; Physiognomies of Cross- tion departments

106

Changes of Attribution Changes of Attribution

The following changes of attribution Paintings are the result of scholarly research Number, title, date Attribution Changes to using the latest art historical investiga- 1992.51.3 Attributed to Abraham Imitator of Abraham tions and scientific examinations. It is Vase of Flowers in a Niche Bosschaert Bosschaert the policy of the National Gallery of Art mid-18th century, reworked in 20th century to publish these changes regularly. The following changes were made and 1942.9.7 Canaletto Bernardo Bellotto approved by the Gallery's board of Campo San Zanipolo, Venice The Campo di SS, Giovanni e Paolo, Venice 1743/1747 trustees during the 1995 fiscal year. Each list is arranged in alphabetical 1939.1.159 Follower of Caravaggio Pensionante del Saraceni Still Life with Fruit and Carafe order according to former attribution. Changes of title and date are included if 1949.1.6 Francesco Guardi Follower of Francesco Guardi they were a part of the attribution Rialto Bridge, Venice c. 1770/1800 change. 1939.1.218 Master of the Barberini Fra Carnevale The Annunciation Panels c. 1448

1952.5.49 Nicolas Poussin Follower of Nicolas Poussin Holy Family on the Steps

1942.9.58 Rembrandt Workshop Follower of Rembrandt van Head of Saint Matthew Rijn date uncertain

Sculpture 1937.1.116 Agostino di Duccio Style of Agostino di Duccio Madonna and Child 1460s or later

1942.9.112 Desiderio da Settignano Probably Florentine 15th "Marietta Strozzi" Century A Young Lady 1450/1475, with later alterations

1952.5.104 Probably Flemish 16th Century, Emperor Charles V after a model by Leone Leoni 1550/1568

1939.1.326 Andrea del Verrocchio Circle of Andrea del Verrocchio A Lady of the Vespucci A Lady ' Family (?) 1475/1485

Prints 1943.3.206 Clifford Isaac Addams Charles K. Gleeson La Cite Paris

1943.3.3350 Theodor de Bry Johannes Manias Jewelry Ornament Bow Embellished with Flowers

1943.3.3351 Theodor de Bry Johannes Manias Jewelry Ornament Star Embellished with Flowers

1943.3.3352 Theodor de Bry Johannes Manias Jewelry Ornament Pendant Embellished with Flowers

1943.3.3353 Theodor de Bry Johannes Manias Jewelry Ornament Cross Embellished with Flowers

108 Henderson, Anne, and Mary Ellen Wilson. "Spanish Art." Art Education 48/4 (July 1995): 25-27 and 30-31. Kelly, Franklin. "American Landscape Pairs of the 1850s." Antiques (November 1994). . Thomas Cole's Paintings of Eden. Exh. cat., Amon Carter Museum. Fort Worth, 1995. Kryder-Reid, Elizabeth. " 'With Manly Courage': Reading the Construction of Gender in a Nine- teenth-Century Religious Community." In "Those of Little Note": Gender, Race, and Class in Historical Archaeology, ed. Elizabeth M. Scott, 97-114. Tucson, 1994. Lewis, Douglas. "The Progeny of Centaurs: An Early Work by Francois Rude and Its Influence on Romantic Sculpture." In La Scultura: Studi in Onore di Andrew S. Ciechanowiecki, Antologia di Belle Arti 48/51 (December 1994): 140-146. . "Rudolf Wittkower." In A Generous Vision: Samuel H. Kress Professors, 1965-1995, 28-29. National Gallery of Art, Center for Advanced Study in the Visual Arts. Washington, 1995. , contributor. Tiziano: Amor Sacro e Amor Pro- fano. Exh. cat., Palazzo delle Esposizioni, Rome. Marc Chagall, Les Sept Peches Capitaux, published Milan, 1995. 1926, Gift of Mr. and Mrs. Gerhard E. Pinkus, Luchs, Alison, contributor. Tiziano: Amor Sacro e 1994.90.1 Amor Profano. Exh. cat., Palazzo delle Esposizioni, Rome. Milan, 1995. . Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490-1530. Cambridge and New York, 1995. Millon, Henry A. "Da Nicolo V a Giulio II, da Bernardo Rossellino a Donato Bramante: timori per l'antica basilica e progetti per la nuova." In Pier Staff Publications Doumato, Lamia. Review of The Paris Salons, Luigi Silvan, San Pietro. Antonio da Sangallo. Antonio 1895-1914 by Alastair Duncan. Art Documentation Labacco: un progetto e un modello, storia e restauro, (summer 1995): 47-48. 11-14. Milan, 1994. Barbour, Daphne. "Degas' Little Dancer: Not Just . "Filippo Juvarra e Palladio." In Prolusione al a Study in the Nude." Art Journal (summer 1995): . Review of One of a Kind: American Art Jew- elry Today by Susan G. Lewin. Choice (March 1995): XXXVII corso sull'architettura di Andrea Palladio, Cen- 28-32. 117. tra Internationale di Studi di Architettura Andrea and Shelley Sturman. "The Materials of Palladio, 1-66. Vicenza, 1995. the Sculptor: Degas' Techniques." Apollo (August . Review of Greek Gold: Jewelry of the Classical World by Dyfri Williams and Jack Ogden. Choice Moore, Barbara. Multicultural Art Print Series: 1995): 49-54. (January 1995): 118-119. of the Americas. Getty Center for Edu- . "Degas' Women in Washington: Four Case cation in the Arts. Santa Monica, 1994. . Review of The Splendor of Ethnic Jewelry: Studies." In From Marble to Chocolate: The Conserva- From the Colette and Jean-Pierre Ghysels Collection by Rachwald, Anna. Review of Visual Art in Poland: tion of [Tate Gallery, London] (Sep- France Borel. Choice (January 1995): 93-94. An Annotated Bibliography of Selected Holdings in the tember 1995), 33-38. Library of Congress by Janina W. Hoskins. Slavic and Gregory P.J. Most. "Beyond France, Brodie, Judith, contributor. The Touch of the Artist: Review (fall 1995). Beyond the Book: French Architectural Information Master Drawings from the Woodner Collections. Exh. Robison, Andrew, contributor. The Touch of the cat., National Gallery of Art. Washington, 1995. in North America." Art Documentation (summer 1995): 14-15. Artist: Master Drawings from the Woodner Collections. Brown, David Alan. Introduction to Roger Fry, Exh. cat., National Gallery of Art. Washington, Feigenbaum, Gail. "Mastering the Past: Notes . New York, 1995. 1995. on Artistic Practice and the Beginnings of the Causey, Faya. "A Roman Marble Column from the Baroque in Italy." In Going for Baroque, 9-12. Exh. Springer, Julie. Review of Sisters of the Brush: William Randolph Estate." In Antigua Inc., Ancient cat., Walters Art Gallery. Baltimore, 1995. Women's Artistic Culture in Late Nineteenth-Century Art and Numismatics, Catalogue I. Woodland Hills, CA, Paris by Tamar Garb. Belles Lettres 10/5 (spring . Review of Drawing in Bologna, 1500-1600 1995. 1995): 15. [Courtauld Institute Galleries, 1992]. Master Draw- ."Lovemaking or Banqueting?" Abstract in ings 33, no. 1 (1995): 80-81. Tangires, Helen. "Contested Space: The Life and American Journal of Archaeology 99, no. 2 (April Death of Center Market." In Washington History 1 1995): 355. Fine, Ruth E. "Dots, Stripes, Strokes, and Foil: Roy (1995): 46-67. Lichtenstein's High Tech Classicism." In The Prints of Consagra, Francesca. "De Rossi and Falda: A Roy Lichtenstein: A Catalogue Raisonne, 1948-1993. Walsh, Judith. "A Summer's Pleasure: Incoming Successful Collaboration in the Print Industry of New York, 1994. Tide by Winslow Homer." American Art Journal 1/2 Seventeenth-Century Rome." In The Craft of Art: (1993). Originality and Industry in the Italian Renaissance and , contributor. Whistler. Exh. cat., Tate Gallery. Barbara Berrie, and Michael Palmer. Baroque Workshop, ed. A. Ladis and C. Woods. London, 1995. "The Identification of Deliberately Discolored Red Athens, GA, 1995. , contributor. North American Women Artists of Lead in Traditional Japanese Woodblock Prints Denker, Eric. In Pursuit of the Butterfly: Portraits of the Twentieth Century: A Biographical Dictionary. New (1773 to 1906).' American Institute of Conservation James McNeill Whistler. Exh. cat., National Portrait York, 1995. Abstracts, 1994. Gallery. Washington, 1995. Grasselli, Margaret Morgan, contributor and Wilson, Mary Ellen. "GalleryCards: Animals." In . "Whistler: Image and Icon, with a Com- general editor. The Touch of the Artist: Master Draw- School Arts 94/2 (October 1994): 31-32. plete Illustrated Checklist of Portraits of Whistler." ings from the Woodner Collections. Exh. cat., National Diss., University of Virginia, 1995. Gallery of Art. Washington, 1995.

109

RUSTEES, C ITTEE OFFICE

Board of Trustees Audit Committee (as of 30 September 1995) (as of 30 September 1995) Ruth Carter Stevenson, Chairman Ruth Carter Stevenson, Chairman Robert H. Smith, President Robert E. Rubin, William H. Rehnquist, The Secretary of the Treasury The Chief Justice of the United States Robert H. Smith Warren Christopher, Alexander M, Laughlin The Secretary of State Robert F. Erburu Robert E. Rubin, Louise W. Mellon The Secretary of the Treasury I. Michael Heyman, The Secretary of the Smithsonian Institution Finance Committee Alexander M. Laughlin (as of 30 September 1995) Robert F. Erburu Robert H. Smith, Chairman Louise W. Mellon Robert E. Rubin, The Secretary of the Treasury Paul Mellon, Honorary Trustee I. Michael Heyman, John R. Stevenson, Trustee Emeritus The Secretary of the Smithsonian Institution Ruth Carter Stevenson Alexander M. Laughlin Robert F. Erburu Louise W. Mellon

Art and Education Committee (as of 30 September 1995) Robert H. Smith, Chairman Earl A. Powell III Ruth Carter Stevenson Alexander M. Laughlin Robert F. Erburu Louise W. Mellon

Edouard Manet, Tama, the Japanese Dog, c. 1875, Collection of Mr. and Mrs. Paul Mellon, 1995.47.12

111 W]

Ruth Carter Stevenson Robert H. Smith William H. Rehnquist Warren Christopher Chairman President The Chief Justice of the The Secretary of State United States

** ft

' ^

Robert E. Rubin I. Michael Heyman Alexander M. Laughlin Robert F. Erburu The Secretary of Treasury The Secretary of the Smithsonian Institution

Louise W. Mellon Paul Mellon John R. Stevenson Honorary Trustee Trustee Emeritus

Trustees' Council (as of 30 September 1994)

Trustees' Council Doris Fisher Judith W. Laughlin Executive Officers Director Emeritus (as of 30 September 1995) Aaron I. Fleischman Yvonne Lenart Robert H. Smith, President J. Carter Brown Julie Folger David O. Maxwell Edwin L. Cox, Chairman Earl A. Powell III, Director Marina I<. French Joyce Menschel Lois de Menil, Vice-Chair- Alan Shestack, man Camilla Chandler Frost Harvey S. Shipley Miller Deputy Director Leonore Annenberg Morton Funger Frank H. Pearl Henry A. Millon, Nancy Lee Bass Jo Ann Ganz Diana C. Prince Dean, Center for Advanced Study in the Visual Arts Daniel N. Belin Frederic C. Hamilton Sharon Percy Rockefeller Richard M. Scaife Darrell Willson, W. L. Lyons Brown Jr. Teresa Heinz Administrator James S. Smith John H. Bryan Jr. George F. Jewett Jr. Ann R. Leven, Treasurer Benjamin F. Stapleton III Calvin Cafritz Ruth C. Kainen Philip C. Jessup Jr., Louisa Duemling Linda Kaufman John C. Whitehead Secretary and General Counsel James T. Dyke Richard A. Kirstein Andrea Woodner Joseph J. Krakora, Leonard A. Lauder Dian Woodner External Affairs Officer

112 FF (as of February 1996)

OFFICE OF THE Gretchen Hirschauer Research Assistant, Rothko DIRECTOR Staff Assistant catalogue Director William Breazeale Laili Nasr Earl A. Powell III Research Assistant Baroque Paintings Molly Donovan Deputy to the Director Curator, Northern Baroque Carol W. Kelley Staff Assistant Arthur K. Wheelock Jr. Lisa Coldiron Executive Assistant to the Staff Assistant Director Kathryn Haw Curatorial Records and Files Angela M. LoRe Head of Department American and British Staff Assistants Nancy H. Yeide Debra S. Tatman Paintings Assistant Ann M. Wieman Curator and Deputy Senior Anne L. Halpern Internal Auditor Curator of Paintings Nicolai Cikovsky Jr. Larry L. Lewis PRINTS, DRAWINGS, Auditor Curator PHOTOGRAPHS, AND Orin Wolf Franklin Kelly SCULPTURE Associate Curator Andrew W. Mellon Senior Nancy Anderson Curator Assistant Curator OFFICE OF THE Andrew Robison Deborah Chotner DEPUTY DIRECTOR Office Manager Exhibitions Assistant Deputy Director Susanne L. Cook Charles Brock Alan Shestack Staff Assistant Staff Assistant Administrator for Policy and Renee Maurer Stephenie Schwartz Programs Exhibitions Secretary Elizabeth Driscoll Pochter French Paintings David S. McMullen Senior Staff Assistant Curator and Head of Old Master Prints Jean Stensland epartment Curator and Head of Depart- Staff Assistant Philip Conisbee ment Harmony Haskins Assistant Curators H. Diane Russell Florence E. Coman Associate Curator PAINTINGS AND 20TH- Kimberly A. Jones Virginia Clayton CENTURY ART 20th-century Art Assistant Curator Senior Curator of Paintings Curator and Head of Gregory D. Jecmen Edgar Peters Bowron Department Old Master Drawings Renaissance Paintings Mark Rosenthal Curator and Head of Curator, Italian Renaissance Curator Department David Alan Brown Maria Prather Margaret Morgan Grasselli Curator, Northern Renais- Assistant Curator Associate Curator sance Jeffrey S. Weiss Judith A. Brodie John Oliver Hand Mark Rothko catalogue Assistant Curator Assistant Curator, Italian raisonne author Ann MacNary Renaissance David Anfam

113 Modern Prints and Conservation Administrator Matter/Framer Stefan Wood Photographic Archives Drawings Michael Skalka Jenny Ritchie Head of Exhibits Shop Curator Curator and Head of Editorial Assistant Frame Conservator Floyd Everly Ruth R. Philbrick Department Janice Gruver Stephan Wilcox Carpenters Cataloguer of English and Ruth E. Fine Staff Assistants Assistant Frame Conservator Richard Bruce French Art Assistant Curators Deborah A. Barclift Richard Ford Lester Dumont Richard W. Hutton Carlotta J. Owens Francesca Dougherty Technician Paul Heath Cataloguer of Architecture Charles M. Ritchie Elizabeth Murphy Miller Mack Andrea R. Gibbs Painting Conservation Research Assistant Randy Payne Cataloguer of Italian Art Chairman, Painting Depart- Victoria Foster EXHIBITIONS Thomas Piddington Karen H. Weinberger ment Chief of Exhibitions Head of Lighting Shop Cataloguer of 20th-century Photographs David Bull D. Dodge Thompson Jeffrey Bramhall Art Curator and Head of Conservator and Head of Exhibition Officers Electricians Meg Melvin Department Department Naomi R. Remes Robert Benoit Cataloguing Assistant Sarah Greenough Sarah Fisher Ann Bigley Robertson William Mahan JoAnne Purnell Assistant Curator Conservators Linda Thomas Head of Paint Shop Circulation Desk Technician Julia Thompson Carol Christensen Exhibition Office Manager Frank Figgins Wendy A. Cole Staff Assistant Ann Hoenigswald Kathleen McCleery Painters/Finishers Secretary Christian Carr Jay Krueger Assistant for Exhibition Robert Barnett Debra K. Massey Catherine Metzger Sculpture and Decorative Administration Dennis Bult Clerk Typist Michael Swicklik Jennifer Fletcher Joseph Richardson Geneva Rosenboro Arts Associate Conservator for the Photographer Curator Systematic Catalogue Exhibition Programs Slide Library Douglas Lewis Robert Shelley Elizabeth Walmsley Head of Department Chief Slide Librarian Associate Curator and Acting Susan M. Arensberg Gregory P. J. Most Head of Department Paper Conservation LIBRARY Assistant Curator Associate Slide Librarian Alison Luchs Conservator and Head of Executive Librarian Isabelle Dervaux Nicolas A. Martin Assistant Curator Department Neal T. Turtell Assistant Curator for Video Assistant Slide Librarians Donald Myers Shelley Fletcher Staff Assistant Programs Daniel Molting Staff Assistant Conservator Kate M. Allen Elyse Kunz Thomas O'Callaghan Jr. Missy Beck Judith Walsh Project Coordinator Collection Development Trish Ballard Assistant Conservator Roily T. Strauss Librarian REGISTRATION AND Yoonjoo Strumfels Caroline H. Backlund EDITORS OFFICE Conservation Technician LOANS DESIGN AND Editor-in-Chief Carol Eggert Acquisitions INSTALLATION Frances P. Smyth Office of the Registrar Permanent Collection Mat- Head of Acquisitions Senior Curator, Chairman of Production Manager Chief Registrar ting/Framing Anna M. Rachwald Design Chris Vogel Sally Freitag Elaine Vamos Order Processing Assistant Gaillard Ravenel Senior Editor, and Manager Associate Registrar for Loans Mary Masters Deputy Senior Curator, Chief of the Systematic Catalogue Judith Cline Object Conservation Serials Assistants of Design Mary Yakush Registrar for Exhibitions Conservator and Head of Bruce B. Hebblethwaite Mark Leithauser Editors Michelle Fondas Department Inge F. Newstead Head of Lighting Design and Tam L. Curry Associate Registrar Shelley Sturman Acquisitions Technicians Production Susan Higman Lauren Mellon Cluverius Conservator Susan Clay Gordon Anson Julie Warnement Assistant Registrar for Judy L. Ozone Beatrice D. Poindexter Production Coordinators Editor, CASVA Publications Collections Associate Conservator Robert A. Delehanty Carol Eron Martha Blakeslee Daphne Barbour William Bowser Designers Staff Assistant/Temporary Anne Kelley Cataloguing and Processing Textile Conservation Margaret Bauer Assistant Registrar John Olson Head of Cataloguing Conservator Roger C. Lawson Phyllis Hecht Melissa Stegeman Architect Julia Burke Cataloguers Assistant Editor, Systematic Staff Assistant Senior Architect Jane D. Collins Catalogue Michele Winkler Scientific Research James M. Grupe Elizabeth Dedick Katherine M. Whann Supervisory Museum Department Assistant Gallery Architect Trudi W. Olivetti Production Assistant Specialist Head of Department Carl M. Campioli Cathy F. Quinn Jennifer Wahlberg Daniel Shay E. Rene de la Rie Interior Design Specialist Marsha D. Spieth Production Editor Art Services Specialists Senior Conservation Scientist Susan Ritterpusch Paula Zech Ulrike Mills Robert Cwiok Barbara H. Berrie Architects Bindery Assistant Budget and Project Ellen Evangeliste Research Conservator for Bruce D. Condit Jane E. Higgins Coordinator Andrew Krieger Painting Technology William H. Cross Jr. Cataloguing Assistants Maria E. A. Tousimis Johnnie Mizell E. Melanie Gifford Denise M. Lind J. Bryan Lane Project Assistant Gary Webber Organic Chemist Program Assistant Sharon Millman Mariah R. Seagle Art Services Technicians Suzanne Quillen Lomax Margaret A. Byrum Lowell Gilbertson Conservation Scientists Secretary Reader Services Imaging and Visual Services Goven Martinez Lisha D. Glinsman Jane Davies Head of Reader Services Head of Department Pierre Richard Michael R. Palmer Architects Lamia Doumato Ira Bartfield James Clark Laboratory Assistant Linda Heinrich Reference Librarian Supervisory Photographer Joseph Swider William Wilson Loans and the National Donna Kwederis Frances P. Lederer Maquette Production Photographers Lending Service Loans and Exhibitions Reference Assistant Jane Rodgers Dean Beasom Head of Department Conservation George (Ted) T. Dalziel Jr. Office Manager Robert Grove Stephanie T. Belt Head of Department/Deputy Interlibrary Loan Assistant Gina O'Connell Thomas F.J. McGill Jr. Philip Charles Jr. Loan Officer Chief of Conservation Budget Analyst Lorene Emerson Lisa E. Mariam Mervin Richard Vertical Files Librarian Diane Richard Archives Photographer Staff Assistant Coordinator of Roberta Geier Head of Silkscreen David Applegate Julie Lattin Matting/Framing Services Circulation Assistants Museum Specialist Hugh Phibbs Barbara Keyes Katrina Widder Silkscreen Production David Diaz Barbara Bernard CONSERVATION Associate Conservator Lisa Farrell Laboratory Technicians Chief of Conservation Michael Pierce Glenn Perry Anthony Grohowski Ross Merrill Jeff Wilson James Locke

114 Museum Technicians Elisa Patterson OFFICE OF THE Electrician Leader Leora Richardson Sarah Sibbald Mary Anne Probus ADMINISTRATOR Daniel Smith Aleta Richmond Sara Sanders-Buell Program Assistant Administrator Electricians Betty Rufus Barbara Chabrowe Carol F. Lippitt Darrell R. Willson Fred Dodge Evelyn Scott Secretary Supervisor, Booking and Deputy Administrator Melvin Klugh Lorraine Staggs Amy Densford Shipping Charles H. Schneider Carlton Williams Anne Steadham Roland Young Assistant to the George Britt Rayfield Stevenson EDUCATION DIVISION Affiliate Loans System Coor- Administrator Electrician Worker Mable Stokes Head of Education dinator Andrew McCoy David Cole Angeline Sutton Linda Downs Kendrick Ashton Staff Assistants Electrician Helper Elsie Thompson Division Administrator Lead Booking Clerk Anne Campion Leslie Raspberry Sheila Tyler Margot E. Grier Martha H. Aspron Stephanie Topolgus Elevator Mechanic Foreman John Walker Staff Assistant Booking & Shipping Clerk Welden Daugherty Diana Wells Pamela Chewning Cassandra Raspberry EEO OFFICE Elevator Mechanic James Wells Division Receptionist Staff Program Shipping Techni- Willie Parker Barbara White EEO Officer Assistant cians Zilphia Wright Cathy Yates Plumbing Shop Marta Morgan Michael G. Bryant Supervisor Building Operations Jennifer A. Cross Adult Programs Mike Warrick Department Dion Redman Head of Department FACILITIES Leader Manager Lynn Russell Teacher and School MANAGEMENT Paul Dale Robert Jannone Coordinator of Tours and Programs DIVISION Pipefitters Planner Estimator Lectures Head of Department Gregory Evans Fred Crickenberger Eric Denker LeVern Jacobs Anne Henderson Office of the Facility Energy Conservation Staff Lecturers Joseph Thomas Coordinator of Teacher Pro- Manager Energy Conservation Frances Feldman grams Facility Manager Building Services Supervisor Philip Leonard Julie A. Springer Gregg Reynolds Department Dennis Donaldson J. Russell Sale Coordinator of Multiple Visit Secretary Manager Planner Estimator Coordinator of Adult Pro- Program Gwendolyn Harriston Dan Hamm Charles Gillespie gram Docents Sally Shelburne Program Assistant Secretary Wilford W. Scott Program Assistant, Teacher Linda Hilliard Utility Systems Repairer- Barbara Stevens Coordinator of Film Pro- Programs Operators Building Maintenance grams Leslie Graham Customer Service Center BAS Manager Department Margaret Parsons Tour Scheduler Project Specialist Larry Varner Manager Curator, Academic Programs Gerry Rogers Mike Brown Foremen Gail Feigenbaum Staff Assistant Craig A. MacFarlane Donald Young Coordinator of Intern Pro- Heidi Hinish Secretary Inventory Control Juan Delano grams Judith Williams Inventory Specialists Joseph Barnes Faya Causey Planner Estimator Christopher Baumann Zery Mingo Program Assistant, Film Allan Riggles David Duggin Acting Foreman Victoria Toye CENTER FOR Anthony Thomas Carpentry Shop Housekeeping Program Assistant, Academic ADVANCED STUDY Leader Supervisor General Foreman Programs IN THE VISUAL Oscar Riley Alvin Adams Charles Boone Rachel Orgeron Utility Systems Repairer- ARTS Wood Crafter Leaders Supervisors Staff Assistant Operators Dean Dorson Abney James Abraham Maury Pully Noel Ashton Henry A. Millon George McDonald Mary Battle Docent Liaison/Staff Assistant Lester Barry Associate Dean Wood Crafters Willie Cook Lisa Black Nathaniel Bethune Therese O'Malley Reginald Kellibrew Frank Ford Larry Brown Education Publications Assistant Dean Willard Menson Darrell Waytes Walter Coehins Joanne Pillsbury John Rogers Leaders Head of Department Roger Dunning Barbara Moore Research Assistants Peter Urban Paul Cotton Sterling Fisher Francesca Consagra Carpenters Geraldine Crawford Production Coordinator Eugene Guthrie Anne Helmreich Francis Dyson Jr. James Hardy Donna Mann James Hamilton Writer-Editors Mary Pye Anthony Givens Eva Harrison Pauline Maguire Robert Hamilton Carla Brenner Housekeepers Paint Shop Frank Lim William J. Williams Staff Assistant Maurice Anderson Supervisor James Miller Senior Editor Micro Gallery Helen Tangires Kenneth Betts Rhonda McCord Harvey Moore Barclay Gessner Assistant to the Program of George Bridges Painter Leader Clifton Mutts Special Meetings Catherine Brown Staff Assistant Thomas Harts wick John Ott Anne Zapletal Kathleen Lane Lamont Brown Glazer Jesus Pena Assistant to the Program of Gerald Carthorne Edwin Butler Presley Rand Education Resources Fellowships James Clark Painters Shawn Sizemore Head of Department Deborah Gomez Lewis Dobbs Joseph Copeland Larry Smith Ruth R. Perlin Assistant to the Program of Bernessa Drain Lester Smith James Stevens Supervisory Program Regular Meetings Geraldine Drayton Plasterer Mark Teed Specialist Elizabeth Kielpinski Raymond Frazier Larry Welch Alexander Tonic Leo J. Kasun Secretary to the Kress and Isaac Graham Coordinating Curator of Art Anthony Walker Mellon Professors Mason Shop Josephine Hallaman Wayne Valentine Information Abby Krain Supervisor Michon Hallamon Christopher With James Wilson Secretary to Research Roland Martin Carolyn Harvey Supervisory Art Information Instrument Mechanics Programs Mason Leader Brock Hawkins Specialist Eugene Givens Stephanie Kristich Joseph Sandleitner Carroll Jamison Carol Boyes Edward Heffner Mason Dorothy Johnson Senior Art Information William Sutton Michael Proctor Paul Kelley Building Automation Specialist Angela Lee Specialists John Cogswell Electric Shop Leonard Lyles Phillip Grimm Art Information Specialists Supervisor Theodora McCard Margaret Baucom Stephen Bradish Ed Hanna

115 Office of the Chief of Daniel Bailey Franklin Smalls Felisha Jones ADMINISTRATIVE Protection Services Leonard Bashful William Smallwood Kenneth Jones SERVICES Chief Gwendolyn Bell Leroy Smith Dennis Jordan Chief of Administrative James J. Davis Ludwig Bednar Jr. Timothy Smith Crystal Kelly Services Investigator Vander Blount Vernon Smith Charles Leggett Cathy Yates Enis Pinar Richard Bock Gregory Stevenson Tyrone Lewis Administrative Officer Secretary Michelle Brown Reathel Stewart Fransonia Littles Sharlene Mobley Catherine Aldrich Ronald Brown Michael Strong Marvin Mallard Clerk Typist Samuel Brown William Thorne Mathew Christy Allen Administration/Special Tyrone Brown James Townsend Victor McCrea Administrative Clerk Operations Otis Butler Larry Turner Leroy Miller Scott Stephens Deputy Chief George Caldwell Eugenio Velazquez Leroy Moreno Support Services George S. Martin Bruce Carter Alvester Warren Timothy Nicholson Deputy Chief of Training Officer Ellis Caudle Linda West Willie Norman Administrative Services Joseph Maddox Luther Clark Laverne Whitted John Norris Edward Harrison Personnel Security Specialist Robert Conyers Alfred Williams Leslie Parks Program Assistant Pamela Davis Michael Cooper Barry Williams James Phillips Office Automation Assistants Michael Copeland Richard Wood Chris Privott Barbara Caldwell Annette Brown Venus Cristwell Roddie Worthington Willie Pugh Mail & File Margaret Myers John Davis Ralph Wright Gary Reed Mailroom Supervisor Saundra Williams Yvette Dixon Willie Wright Robert Rice Clifton Fleet Office Clerk Ronald Estes James Yancey William Richardson Mail Clerks Joseph Lawrence Robert Evans Gallery Security Officers Dana Roberson James Arnold Fire and Safety Virtus Evans Rukan Ahmed Kenneth Rowe Felton Byrd Deputy Chief Gregory Ford Douglas Aldrich Ronald Sewell Jose Vallecillo Harold Michael Timothy Fortt Phillip Arnett John Sherrill Printing & Duplicating Occupational Health Special- Winston Franklin Latina Bailey Maxine Simmons Offset Press Operators ists Antone Gatewood Silva Barkley Willie Sims Patrick Beverly Russell Grice Robert Gayleard Dora Barksdale John Smith Frank Schiavone Joseph Harchick Emanuel Goddard Richard Battle Milton Sochor Jr. Equipment Operator Secretary Francis Goler Hugh Bazemore Alexander Stephens James Morris Anne Rogers Harry Groce Trevor Bennett Altina Sumter George Hamilton William Britton Kathy Sutton Transportation Operations Darrell Harley Linwood Brock Nathaniel Tucker Drivers Deputy Chief Burley Harris Steven Brock Lee Turk Warren McMichael James L. Banks Tawania Harvey Milan Bryant Raymond Tyndle Grady Williamson Captains of the Guard Barbara Height Wayne Buckner Juanita Walker Supply & Property James Thompson Peter Henderson Jr. Vincent Burford John Washington Supply Officer Ronald J. Lowe Donna Hinton Benjamin Burgess Gregory Watson Ted Harper Executive Officer David Hodges Alvin Burts Michael Webster Supply Technician Larry Kaylor Priscilla Hopkins Richard Byrd Verda Whitlow Nathan Howell Office Automation Clerk Edgar Hopson David Caldwell Celia Whitney Supply Clerks Jesus Jimenez Joseph Hudson Joseph Callaham Ronald Wilkins Paul Fortune Security Drivers Calvin Johnson Shawn Calloway James Williams Anthony Sean Milliard Joshua Mewborn Edward Johnson Michelle Cameron Lynn Williams James Tasker Frank Johnson James Canada Rita Williams Warehouse &- Distribution Security Lieutenants Yamashita Johnson Joe Cardwell Andre Wilson Warehouse Manager Richard Allen Ronald Jones Albert Carr Jr. Derek Wilson Paul Rodriguez Quentin Arnold Veronica Jones Jesus Castro Carolyn Windear Warehouse Leader George Boomer Quellan Josey Willard Catlett Ann Wyder Sam Baugh Milton Cox Willie Joyner Edward Chapman Materials Handlers Technical Services Jerome Edwards Stinson Kelly Walter Colbert Deena Acker Deputy Chief Daniel Miller Franklin Lewis Leslie Copeland Darnell Brandon David Schott Marlene Tucker Joe Lewis John Costello Alfred Cohen Technical Services Foreman Supervisory Sergeants Robert Lewis James Dabney-Palmer Angelo Catucci Hajji Al-Hadith Gary Lindsey Wade Davis AUDIOVISUAL Electronic Mechanics Dianne Allison Amos Lynch James Deas SERVICES Willie Barnes George Mackie Dennis Diggs Donnie Mercer Chief of Audiovisual Services Patrick Parrett Bernard demons Eunice McQueen Jerry Doss Thomas Valentine Nathaniel Stroman Armando Hartley Frank Meyers Adrian Dove Assistant Locksmiths Maurice Johnson Joseph Midgette Roby Ellis Dorian Breau William Johnson Charles S. Moody Neil Floyd Robert Brown Radio Production Specialist Ty Cullins Alonzo Kennedy Jasper Morris David Fobbs John Conway William Shaw Roger Kraft Dexter Moten Paul Ford Projectionists Console Operator Supervisors Donna Linder Hubert Nicholls Edward Foster Jeannie Bernhards Frank Ebb Ricky Manuel Justina Page Carlton Gaines Paavo Hantsoo Walter Queen Lawrence Marshall Vincent Parker Johnnie Gallop Console Operators Jimmy Myers Joyce Palmer Paul Gresham PERSONNEL John Palmer Joe Peterson Betty Harper Robert Brooks Personnel Officer eleven Brown Karen Perry Sandra Powell Alice Holloman Michael Bloom Derrick Hairston Jeroboam Powell Ronald Randall Fred Holmes Assistant Personnel Officer Stanley Harley Anthony Thompson Jerry Reaves Herman Howard Meredith Weiser Ernest Reynolds Edward Watson Darrell Rhoades Tyrone Howard Systems Specialists Console Operator Trainees Raymond Watson Edward Roberts Michele Caputo Cheryl Miles George Woodall Patrick Rogers Alan Jenkins Darryl Cherry Vincent Parker Sheila Wright Andrew Robinson Andre Johnson Personnel Specialists Gallery Protection Officers Thomas Savoy Ivy Johnson Lucia Pollock James Allison Jr. Calvin Simmons Wayman Johnson Terrence Snyder

116 Staffing Specialists Accounting Technicians Visual Presentation Hilary Godshalk Program Specialist Rick Decuir Roberta Bellofatto Manager Melissa Hayes Lisa Scalzo-Hamm Linda Pettiford Cynthia W. Czubat Therese Marie Smith- Christopher Hunter Staff Assistant Employee Relations Advisors Dyann Nelson-Reese Stripling Sylvia Jenkins Eve Blackburn Mark Adelman Stephanie L. Thorpe Technician Tamara Johnson Luis Baquedano Valerie M. Wright Michael Church Kenneth Nichols DEVELOPMENT Staff Assistants Joseph Rivers Development Officer Payroll Retail Systems Tammy Bennett Mildred Shivers Laura S. Fisher Supervisory Pay Technician Systems Manager Gwendolyn Hines Kyanna Thompson Deputy for Major and Emma G. Moses G. Lee Cathey Staffing Clerk Victor Turner Campaign Gifts Civilian Pay Technicians Programmer Catherine Oh Jacqueline Voorhies Patricia A. Donovan Sharon Black Alexander Bloshteyn EEO Specialist Merchandise Stock Clerks Deputy for Annual and Eric Humphrey Systems Analyst Rita Cacas Terry W. Gibson Deferred Gifts Martin J. Drake Data Processing Linda A. Hunt Melanie Jarratt Wolfe Network Administrator Development Specialists RESOURCE Assistant Treasurer/Manage- Mail Order Jennifer Sauer Elizabeth A. Hutcheson ACQUISITION ment Information Systems Lead Mail Clerk Salina Muellich Chief of Resource Acquisition Richard C. Snyder Retail Accounting E. Jean Mitchell Tania Lee Jane V. Singley Supervisory Computer Accounting Manager Mail Order Clerk Randi Nordeen Supervisory Contract Specialists Michael J. Chapman John Brady Development Specialist, Specialists Henry B. Clark Sales Audit Supervisor Shipping Clerk Foundation Relations Carolyn A. Perry Dolorace D. Bowman Earlene Bright Denise C. Graves Melissa B. McCracken Mary Taneyhill Robin D. Dowden Sales Audit Clerk Accounts Receivable Clerk Research Associate Contract Specialists Susan E. Farr Michelle Rodriguez Carol L. Messineo Claudine Lewis Computer Specialists Inventory Analyst Rita Monner Shirley Roberts Jack M. Tucker Richard Eckert Warehouse Operations Network Administrator Jeanette Rogue Susan Y. Hsia Operations Supervisor John Carstens Store & Warehouse Purchasing Agent Chris Caldwell Steve Richardson Membership Coordinator Mamie L. Gordon Rick Foster Operations Lead Materials Handler Margaret A. Porta Travel Coordinator Karen Canada Operations Manager Doug Bishop Membership Associate Sandy Dean Computer Operators Karen L. Boyd Materials Handlers Samantha Neukom Procurement Technicians Marquita E. Dewald West Building Shop Raymond M. Earp Membership Assistant Rachael Smith E. R. Johnson Karen J. Martin Store Manager Marvin M. Walton Staff Assistant Nathaniel Tucker John H. McNeil Nancy G. Vibert Stock Worker Ellen McCarthy Procurement Technician/Staff Assistant Store Managers Terrence Smith Assistant TELECOMMUNICATIONS Craig Himmons Truck CORPORATE Julie Fetter Telephone Systems Stephen McKevitt James B. Everett RELATIONS Administrator Book Information Specialists Corporate Relations Officer Ira Bozeman Stephen Bjorneboe Sandra Masur Head Telephone Operator Mary J. Powell OFFICE OF THE OFFICE OF Deputy Corporate Relations Minnie Barbour Lead Cashier TREASURER SECRETARY- Officer Operators C. Kelly Mayle Treasurer GENERAL COUNSEL Lisa Claudy Barbara Coleman Cashiers Ann R. Leven Secretary and General Senior Corporate Relations Zewdie Simms Connie Cahanap Executive Assistant Counsel Associate Jeffrey Craig Alfreda M. Spraggins Philip C. Jessup Jr. Diane D. Colaizzi GALLERY SHOPS Sean Griffith Assistant Treasurer/Invest- Deputy Secretary and Deputy Executive Assistant Assistant Administrator for Mary Heiss ment Management General Counsel Catherine C. Labib Business Activities Cyrilla Hickey Michael W. Levine Elizabeth A. Croog Program Specialist R. Keith Webb Vicki James Supervisory Operating Associate General Counsel Jeanette Crangle Beers Assistant Chief/Merchandise Nancy Kotz Accountant Nancy Robinson Breuer Manager Licensing and Cassandra Martin Kelly Liller Marilyn Tebor Shaw PRESS AND PUBLIC Product Development Margaret Monahan Budget Officer Legal Assistant INFORMATION Ysabel L. Lightner Gregory Pavlovcak William H. Roache Sarah E. Fontana Kim Peacock Press and Public Information Budget Analyst Assistant Secretary Office Administration & Kyser Pogue Officer Jean Krevinas Kathryn K. Bartfield Marketing Kathryn Swan Deborah Ziska Assistant to the Treasurer for Staff Assistant Office Manager Karla Winters Publicist Risk Management and Carol A. Christ Laura A. Fitzgerald Henry Zecher Ann Greer Special Projects Secretary Staff Assistants Merchandise Stock Clerk Program Assistant Nancy Hoffmann Montrue V. Conner Mary Hamel-Schwulst E. Leon Wyatt Lila W. Kirkland Financial Program Specialist Jonathan F. Walz Staff Assistant Rosa E. Jackson Marketing Specialist Concourse Book Store GALLERY ARCHIVES Susan Evashevski Secretary Carroll A. Thomas Store Manager Chief of Gallery Archives Receptionist Sherry Shaw-Johnson Calvin O. Roebuck Maygene F. Daniels Mary McCormack Merchandising Assistant Store Managers Senior Archivist General Accounting Product Development Louise Coward Anne G. Ritchie SPECIAL EVENTS Comptroller Specialist/Buyer Robert Jacobs Archives Technicians Assistant to the Director for Dale C. Rinker Judy C. Luther Book Information Specialists Albert G. Wagner Special Events Staff Assistant Graphics Designer/Buyer David Peterson Katherine Moore Genevra O. Higginson Jane Alloy Noriko K. Bove William Mullenex Staff Assistant Systems Accountant Book Buyers Lead Cashier Pauline M. Watona Carol Ann Proietti Dennis Callaghan Michael Bowhay Assistants Financial Program Specialist OFFICE OF Cashiers Catharine Barnett Brenda M. Stevenson Buyers EXTERNAL AFFAIRS Leili Amirgholi Audrey Charlson Operating Accountants Janet Kerger External Affairs Officer Kathryn Coney Kara Dickey Ruth E. Lewis Mary K. Sard Joseph J. Krakora Heather Davis Kerry O'Donnell Linda K. Smith Assistant to XAO and Chief Miriam Davis Christina C. Rich Accountant of Visitor Services Kristen Frank Betsy Welch Adele Stevens Sandra Creighton

117 SPECIAL PROJECTS 20th-century Art VOLUNTEER DOCENTS Adriana Hopper Ludmila Pruner Special Projects Officer Jennifer Bowden (fiscal year 1995) Marta Horgan Maria Amelia Ramaciotti Pamela Jenkinson Dana Miller Sandy Horowitz Pickett Davis Randolph Karin Akerson Special Projects Associates Lawrence Pollet Marilyn G. Horwood Karen Redfern Ann G. Allen Jason N. R. Herrick Carol Pope Howerton Peggy Rice Modern Prints and Drawings Hannah Aurbach Heather Sack Anne Irving Rutgera Rivera Ulla Peers Barbara Baker Lisa Jaeger Isabel Rodriguez JiYYu Rosalie Baker Francesca Janni Estelle Rogers VISITOR SERVICES Jane Barton 20th-century Art & Modern Marilyn Jenkinson Jo Roland Deputy Chief of Visitor Kathleen Battle Prints and Drawings Leigh Jones Eileen Dugan Romano Services Heinz Bauer Eileen McKiernan Gonzalez Joan Jordano Deborah Rucci Carole Burton B. J. Beers Sunhee Kang Sheila Ruffine Senior Exhibition Supervisor Photographs Elvera Berson Evelyn Katz Marie Noelle Scaduto-Men- Frances Winston Kirsten Baumann Gail Briggs Wendy Grossman Carolyn Kelloff dola Exhibition Aides Florence Brodkey Marney Kennedy Mary Schaad Vrej Armenian Sculpture Rhona Brose Claudia Kiguel Suzanne Schiffman Catherine Kazmierczak Arne Flaten Ana Maria Brown Ilze King Tazuko Schmitz Jean Langley Teri Wheelwright Susan C. Bruce Gwendolyn Kinney Mary Leigh Shepard Angela Rooney Donna Burnett Curatorial Records Phyllis L. Knight Iris Silverman Marketing Coordinator Brigit Bush Julie Hart Gunter Koenig Joan Silverman Francine Linde James R. Byron Patricia Kraemer Beatriz Slotkoff Registration and Loans Karen Campbell Carol Kuehl Anne Louise Smith HORTICULTURE Alice Donohoe Sheila Campbell Barbara Kurtz Celia Steingold Chief of Horticulture Sabina Fogle Mary Ann Cameron Marie Kux Gladys Stifel Donald Hand Kim Heitzman Nancy Cammack Katherine LaBuda Mary Sullivan Assistant Horticulturist Conservation Silvia Canessa Jean Langley Patricia Sulzman Dianne Cina Katie Holbrow Marie Capalaces Anne Lanman Mary Ann Sures Horticulturists Elizabeth Leto Daniel Casse Daniele Lantran Karen A. Telis Deirdre Armstrong Rocio Prieto Lynette Chambers Jo Ann Larsen Gale Templeton Marge Church Margaret Raines Mary Anne Clancy Anne-Marie Lee Ruth Thomas David Gentilcore Martha Simpson Elizabeth Corbin Rosalie Lesser Susan Toerge Juli Goodman Catherine Smith Jeannette Cox Peter Levitt Susan Van Nice James Kaufmann Kirsten Younger Leslie Cohen Doris Loftness Ginger Vanderver Cynthia Lawless Robert D'Annucci Exhibition Programs Kay Looney Suzanne Vegh Gardener Leaders Kitty Davis Joohee Lee Jean Loper Rosario Velasquez Greatheart Vivien DeLima Divya Muralidhara Anne Lowenstein Joy Vige James Stewart Nathalie d'Ursel Nadine Shamounki Camilla M. Lundell Joanne Vinyard Gardeners Margaret W. Doole Ana Marie Macchetto Josephine Wang Franklin DeFreece Design and Installation Graciella Dourojeanni Andrew McCready Julie Warnement Ronald McGill Heather Nolin Hope Emerling Rebekah McKenna Jane Weems Ronald Terrell Education Karen Epelbaum Ursula McKinney Maria Elena Weissman Jack Becker (Fellow) Erika Engelmann Virginia McQuoid Anne West MUSIC Laura Manies Sylviene Experton Barbra Mann William F. Whalen Assistant to the Director Lucy Maulsby Mary Ellen Fahy Patricia Martin Sue White for Music Nan Hee MeHinn Elizabeth Farrell Terry Matan Kathleen Williams George Manos Elizabeth Morin Sharon Feldman Betty W. Mezines Fran Winston Music Program Assistant Erik Neil (Fellow) Paula Ferdinand Caroline Miller Dorothy Wright Juliana Munsing Elaine Ruffolo Sima Ficks Elaine Miller Fred Yamada Music Program Specialist Alessandra Figliuoli Library, Baroque Paintings, Lorraine Mills Lois Young Stephen Ackert Deborah File Graphic Arts Michelle Minyard Joan Zeizel Music Librarian Harriet J. Finkelstein Katrien Goethals Eleanor Monahan Gianna Zucchi George Gillespie Virginia Flavin Tessa Luger Robbie Anne Morris Joyce Frazier Joan Morton ART INFORMATION INTERNS Slide Library Phyllis Freirich Judith Newton Jennifer Cavin Joyce Gamse VOLUNTEERS Renaissance Paintings Laureen H. Nicholson Michael Wilson Mary Gibb Julie Lattin Elizabeth Niederman Claire Ackerman Editors Office Thomas Gilday Elsie Aranda Baroque Paintings Saka Noma Alessandra Phillips Betty Ann Gilmore Mary Ann Arbo Nur Nossuli Aneta Georgievska-Shine Pauline Gilstrap Imaging and Visual Services Mary Catharine O'Connell Eleanor Augustine Meredith Hale Irya Gittelson Allison Needle Gail Ostergaard Rosalie Baker Esmee Quodbach Kay Glenday Cecilia Ouspensky Edith Ball Alicia Walker Gallery Archives Lucy Goss Weezie Valerie Ballard American Paintings Julie Carmelich Jonathan Gray Patty Owens Eleanor Bateman Katherine McCarthy Frederick Franke Kathy Green Anne Padelford Georgienne Bednar Jenny Parker Virginia Robbins Beth Griffith Martha Parker Barbara Behr Rebecca Zeltinger Deborah L. Griffith Mary Bell French Paintings Connie Patrick Nancy Hafer Lela Graybill Press and Public Information Hedwig Pasolini Diane Soucy Bergan Florence Hall Katherine Hamm Susan Evashevski Joy Peabody-Ogden Catherine Beyer Ludwine Hall Alexis Harrigan Annabel Perlik Marian Binder Carol Hallene Special Events Maxie Phillips Janet Boccia Melissa Harris Cara Dickie Miriam Piers Thomas Bossung Nadine Harth Danielle Phips Lily Pineiro Bettyjane Boudreau Florence Heller Judith Pomeranz Joyce Bourke Shannon Hobbs Anne Prange Cynthia Brown Jane Hochberg Anastasia Pratt Amy Bruins Nira Hodos Christine Prichard Laina Bush Jennifer Hollings Rolf Preisendorfer Mario Cader-Frech Sharon Holtzman A.J. Campbell

118 Marian Carroll Geri Markle Patricia Casson Sarah Marsten Chuck Chandler Harriett Mathews Joan Chapin Emilou Melvin Louise Chubb Barbara Mered Kimball Clark Lynne Middleton Simone Clarke Christine Monsen Lynn Cleary Dale Moran Pat Clopper Barbara Morris Jean Cohen Yolanda Morris Marlene Conner Nika Moscalionov Maureen Cook Susan Murphree Janet Cooper Alexandra Neustadt Marcia Corey Terry Neves Sherry Cross Jean Nida Abby Daniels Darvine Noel Paula DeMichele Suzanne Odom Liz des Cognets Anne O. Padelford Teri Des Hosiers Ursula Pariser Verda Deutscher Roberta Peel Jan Donaldson Fran Pelton Kimberly Doyle Rosetta Penna Donna Edmondson June Ramey Estelle Eisendrath Deirdre Reid JoAnne Fanelli Annette Rich Judith Feldman Judith Rich Jack Ferry Bette Richardson Barbara Fisher Arlene Ring Sue Fretts Sara Roberts Marianne Freudenthal Chris Rowsome Marguerite Fry Margit Ruben Pamela Fry Suzannah Rubens Agnes Gavin Howard Sanders Nancy Gelman Jill Schatken Jean Gerhardt Audri Schiller Annette Goldschmidt Roberta Schneidman Charlotte Greathouse Marilyn Schwaner Helena Gunnarsson Carl Shugaar Marylee Hair Margaret Sickels Mary Hanrahan Heidi Sieck Tawney Harding Esther Slaff Betty Hatch Linda Stamp Alice Haywood Joan Steigelman Jo Ann Hearld Debra Strickland Judith Heck Bonnie Sweet Drucilla Hopper Gale H. Templeton Claire Horowitz Kay Thomas Eileen Hurley Grace Tull Florence Imburg Ward Van Wormer Carmen Iribarren Barbara Vondy Jane Irvin Fran Walls David Iverson Moon-Shia Wang Bernice Jacobsen Cecile West Miriam Jacobson Eleanor Williams Barbara Jensen Eileen Winkelman Marilyn Jonnes Fran Winston Jill Kasle Maria I. Wood Nancy Kotz Merriam Woodhouse Elaine Krassner Walter Woodhouse Sally Ann Kreisberg Gerry Wyche Susan Krutt Tony Yared Adel Labib Rubye Youngblood Stephen Lake Dena Zenti Ava John Lambert Shirley La vine Mary Lawler Marion Lebanik Ilse Lewy Susan Lightsey Lyle Lipschultz Marty Longan Virginia McCormick Joyce MacCorquodale Rebekah McKenna Virginia McQuoid Eileen Mandle Don Markle

Donors During Fiscal Year 1994 1 October 1994 to 30 September 1995

The Ahmanson Foundation Ormond and Hazel Hunt John Chamberlain Allade, Inc. Patti Birch 1991 Trust Chatam, Inc. Alsdorf Foundation David A. Blanton III Charitable George Miller Chester Jr. and American Express Foundation Trust Laura Dinsmore Chester Helen Andersen Rosalie V. Blouin Chevy Chase Bank Stephen and Betty Jane Andrus Anthony Blumka Mary Cole Childs Revocable Anonymous Mark Borghi Trust Anonymous in memory of David Bradshaw The Circle of the National Robert Amory Jr. Suzanne Braun Gallery of Art Richard Anuszkiewicz Brawner Company, Inc. The Clark Construction Group, Arcana Foundation, Inc. Carl E. and Janet M. Bredlau Inc./The George Hyman Con- ARCO Foundation Inc. Lucy Taylor Bremner struction Company/OMNI Art Institute of Chicago Timothy Taylor Bremner Construction, Inc. The Art Seminar Group, Inc. The Family Foundation Mr. and Mrs. Robert G. Ann M. Askew Carolyn and Kenneth D. Brody Cleveland AT&T Global Information Foundation Clipper Cruise Line Solutions Ruth and Joseph Bromberg Chuck Close Andrew Athy Jr. Brown Group Inc. Charitable Collectors Committee of the Martin and Liane W. Atlas Trust National Gallery of Art Elizabeth E. and Charles J. Dorothy A. Brown College Art Association Aulicky Sr. W. L. Lyons Brown Jr. Communities Foundation of Austrian Cultural Institute The Buhl Family Foundation, Texas Milton and Sally Avery Arts Inc. Coopers & Lybrand Foundation, Inc. George R. Bunker Living Trust The Donald and Maria Cox Trust Barra Foundation Melanie Gayle Bunn Ed Cox Foundation Anne Baruch William Burroughs Warren J. and Claire A. Cox The Baruch Fund Mrs. C. P. Cabell and Catharine Mary E. Crawley Lisa and Leonard Baskin C. Bennett The Nathan Cummings L. Graeme Bell III Dr. Edward and Mildred Cafritz Foundation, Inc. BellSouth Corporation Family Foundation, Inc. D & DF Foundation Claire Kaufman Benjack The Morris and Gwendolyn Daiichi Pharmaceutical Co. Ltd. Berger Foundation Cafritz Foundation Ethel E. Danzansky Diane & Norman Bernstein Mr. and Mrs. William N. Cafritz Arthur Vining Davis Foundations , Butterfly, 1976, Foundation Oliver T. Carr Jr. Davies/Weeden Fund Gift of Perry R. and Nancy Lee Bass, Jane and Raphael Bernstein Amon G. Carter Foundation Dr. and Mrs. Gerald S. Dean in 1995.6.1 Robert Hunt Berry in memory of Carroll J. Cavanagh honor of the marriage of

121 Louis H. Nevins and Sherry The J. Paul Getty Trust The Elbrun and Peter Kimmel- Pepita Milmore Memorial Fund Kempler Mones Carl and Nancy Gewirz Fund, Inc. man Foundation, Inc. Trust Virginia Lynch Dean Gilman Investment Company Betty B. and James S. Klein in Mobil Corporation Rita A. Deegan Gilman Paper Company memory of Andrew S. Peters Robert W. and Maura Burke Mrs. Adolf Dehn Arthur A. and Carol Goldberg The Klein Family Foundation Inc. Morey Charitable Trust The Charles Delmar Foundation Goldman Sachs International Alice Stockton Konze Fund of the The Morningstar Foundation The Gladys Krieble Delmas Limited Fidelity Investments Charitable Muchnic Foundation, Inc. Foundation The Horace W. Goldsmith Gift Fund Evelyn Stefansson Nef Dr. Lois de Menil and Dr. Georges Foundation Stephen P. Koster Jill Newhouse de Menil Gordon Fund Samuel H. Kress Foundation Hugh O'Donnell Lesley Dill Calvin C. and Harriet R. Gould Frances C. Land Revocable Trust Ralph E. Ogden Foundation, Inc. Geraldine R. Dodge Foundation Charitable Trust Terry J. Lassar in memory of The Georgia O'Keeffe Foundation Incorporated Dr. Alan Gowans Duncan Hazelwood Estate of William B. O'Neal The Douglass Foundation Graham Foundation for Albert Lauber Jr. Algesa and Joseph O'Sickey The Max and Victoria Dreyfus Advanced Studies In The Lauder Foundation, Leonard Pace/MacGill Gallery Foundation Inc. The Fine Arts and Evelyn Lauder Fund Mrs. Thomas A. Parrott The Driggs Corporation Alexander M. Laughlin Pennzoil Company Robert Dubbin in honor of Andy The Philip L. Graham Fund Alice Lawrence Foundation Inc. Robert and Chris Petteys Dubbin Graphicstudio/University of Thomas Le Claire The Philanthropic Collaborative, Lammot du Pont South Florida Helen Sperry Lea Foundation Inc. James T. Dyke Virginia D. and Grant S. Lehman/Smith/Wiseman & Philips Electronics North America Ebsworth Foundation Green Jr. Associates Corporation Robert and Brenda Edelson Monica & Hermen Greenberg Leighton-Oare Foundation, Inc. Ivan Phillips and Neil Phillips Mercedes H. Eichholz Foundation Marc E. Leland Foundation Pine Level Foundation Louis E. and Marcia M. GTE Foundation The Lemon Foundation Mr. and Mrs. Gerhard E. Pinkus Emsheimer Charitable Trust Guest Services Mrs. Harry Lenart in honor of Polaroid Corporation Philanthropic Fund Gulf States Paper Corporation Dr. and Mrs. Earl A. Powell III Vivian O. & Meyer P. Potamkin The Charles Engelhard Helena Gunnarsson The Leonora Foundation, Inc. Foundation Foundation Leo S. Guthman Fund Eda Levi tine Orpha J. Poupore Lionel C. Epstein Evelyn & Walter Haas Jr. Fund Douglas Lewis Kimiko and John Powers Frank M. Ewing Foundation, Inc. Miriam and Peter Haas Fund The Sydney & Frances Lewis Frederick Henry Prince Testamen- The Excelsior Fund Stephen Hahn Foundation tary Trust Eleventh Clause Fannie Mae Foundation Evelyn A. J. Hall 1952 Charitable John J. and Judith Looney Pro Helvetia The William Stamps Parish Fund Trust Courtney and Karen Lord R & S Associates The Fay Improvement Company Estate of Dorothea Villard Louisville Community The Ravenal Foundation G. W. and Candy Fazakerley Hammond Foundation Depository, Inc. Mrs. Helen S. T. Reed in honor of Fein Foundation Harmon-Meek Gallery, Florida The Henry Luce Foundation, Inc. Henry A. Millon The Fifth Floor Foundation The John A. Hartford Karl Lunde David and Mary Robinson Roger S. Firestone Foundation Foundation, Inc. Edward E. MacCrone Charitable Susan and Elihu Rose The Aaron I. Fleischman Mr. Francis W. Hatch Trust Foundation, Inc. Foundation The Hechinger Foundation Susan P. MacGill James Rosenquist Mrs. Selma L. Flesch in honor of Vira I. Heinz Endowment The Marks Foundation The Herbert & Nannette Sarah Epstein and Donald The William and Flora Hewlett Marpat Foundation, Inc. Rothschild Memorial Fund Collins Foundation Mars Foundation David E. Rust The Folger Fund Robert B. and Rosalyn Hirsch Gloria C. Marsteller Rutco Incorporated Mr. and Mrs. Lee Merritt Folger Foundation Edward J. and Ann R. Mathias Michael S. Sachs, Inc. Ford Motor Company Margaret Mellon Hitchcock Charitable Foundation of the Joel W. and Arlene Sainer in The Foundation for the National Margaret Mellon Hitchcock Fidelity Investments Charitable memory of Andrew Peters Capital Region Foundation Gift Fund Saltzman Foundation, Inc. Roger and Vicki Sant Fund The H.C. Hofheimer II Family The Maxon Foundation Barbara and Eugene M.* Esthy and James Adler Foundation Peter McBean Schwartz Philanthropic Fund John Jay Hopkins Foundation The Eugene McDermott Scurlock Foundation The Foundation for New Era Lauren R. and John D. Howard Foundation 1718 Investments Philanthropy IBM International Foundation Thomas & Frances McGregor Robert F. and Anna Marie Rita R. Fraad The Japan Foundation Foundation Shapiro Foundation, Inc. Robert Frank George F. Jewett Jr. 1965 Trust The Andrew W. Mellon Shell Oil Company Foundation The Franklin Mint James A. Johnson Jr. Foundation Stephen & Barbara Sherwin Arnold D. Frese Foundation, Inc. Josten Fund, Inc. Louise W. Mellon Foundation Friends of Arthur Wheelock Kahn Family Foundation Paul Mellon The Shifting Foundation David M. Frost Estate of Max Kahn R. IC. Foundation Richard A. Simms The Jo Ann and Julian Ganz Jr. Ruth and Jacob Kainen Joyce and Robert Menschel Sky Meadow Fund, Inc. Foundation Trust S. Kann Sons Company Robert and Joyce Menschel Lawrence M. and Sandra H. Estate of Marie-Louise Garbaty Foundation, Inc. Foundation Small The David Geffen Foundation Alex Katz Robert and Jane Meyerhoff Robert H. Smith Family Gerry Brothers & Co. Edward G. Kaufman Collection Foundation Ann and Gordon Getty Anna-Maria & Stephen Kellen Mark Millard Estate Virginia L. Snider Foundation Foundation Edward S. and Joyce I. Miller Barbara R. Sobernheim in John H. ICilgore Harvey S. Shipley Miller and memory of Rudolf Sobernheim * deceased J. Randall Plummer Ann Solomon

122 Frederick Sommer Dorothy E. Fletcher Collectors Committee Mr. and Mrs. Frederic C. Savannah Gibson (as of 30 September 1995) Hamilton Soros Humanitarian Foundation Joseph W. and Virginia H. Colorado Alan D. Spiegel and Jeffrey Gillingham Mrs. Joseph H. Hazen * Schwartz in memory of Flora Jacobson Mr. Robert E. Abrams New York New York Pablo Frank James Kennedy Ms. Susan Morse Hilles Natalie Davis Spingarn Joe Nevin Mrs. James W. Alsdorf Massachusetts Natalie Davis Spingarn Trust Nancy A. Paquin Illinois The Honorable Oveta Culp Robert Stackhouse K. Yvonne Porter Mr. and Mrs. Dennis Alter Hobby * Pennsylvania Jane Stern Family Foundation, Helen A. Swenson Texas Inc. Colonel David B. and Barbara Mr. and Mrs. Steven Ames Mr. and Mrs. R. L. Ireland III New York Marcia A. Stern in memory of S. Tudor Georgia Mr. Jerry Mallick and Mrs. Gifts in memory of Meredith Mrs. Anne H. Bass The Honorable John N. Irwin II New York Lucille Mallick Moore: and Mrs. Irwin New York Mrs. Ruth Carter Stevenson Martha K. Babcock Mr. and Mrs. Robert M. Bass The Philip and Lynn Straus Mr. and Mrs. Norman D. Texas Mr. and Mrs. George F. Jewett, Jr. Foundation, Inc. Hersberger Mr. and Mrs. Jack Blanton Texas California Carolyn and Richard Susel Sara R. Huber Mr. and Mrs. George M. Mollis Taggart Galleries, Inc. Martha Huber Sanders Mr. and Mrs. Eli Broad California Kaufman Time Warner, Inc. Gifts in memory of Oscar Virginia United Technologies Corporation Naumann: The Honorable Ann Brown and Mr. Donald A. Brown Ms. Alexandra Kahn and Mr. Van Otterloo Charities Fund Robert L. Billingsley District ol Columbia John D. Graubert The Vanguard Group Foundation President and Mrs. William J. Ms. Catherine M. Conover District ol Columbia Vaughn Foundation Fund Clinton District of Columbia Mr. and Mrs. Stephen M. Kellen Mr. and Mrs. Alexander P. N. Clopper Mr. Edwin L. Cox New York Vershbow Carla Duryea Texas Mr. and Mrs. Peter Kimmelman Sergei Volkov Mindy Frankfurter Mr. David L. Davies New York Walker & Dunlop Marc Hoberman California Robert P. and Arlene R. Kogod George W. and Helen B. Walsh Holly Holt Mr. and Mrs. John R. Donnell District ol Columbia John D. Weeden Susan E. La vine Florida Mr. and Mrs. Werner H. ICra- Weingart Foundation Ann McCoy The Honorable Robert W. marsky Betsey Cushing Whitney Victor Naumann Duemling and Mrs. Duemling New York Mark Wilchusky Wayne Skinner District of Columbia Mr. and Mrs. Don Lebell The Dave H. and Reba W. Albert W. and Phyllis A. Ward Mr. and Mrs. Barney A. Ebsworth District of Columbia Dorothy S. Wortman Williams Foundation Missouri Mr. and Mrs. Judd Leighton Marguerite Neel Williams 1991 Mr. and Mrs. James A. Elkins, Jr. Indiana Charitable Lead Annuity Trust Texas The Honorable Marc E. Leland Edward Foss Wilson Trust Mrs. Charles W. Engelhard and Mrs. Leland Robert F. Wilson Foundation New Jersey District of Columbia Wood-Rill Foundation Mr. and Mrs. Thomas M. Evans Mr. Irvin L. Levy Wyeth Endowment for American New York Texas Art Mr. and Mrs. John D. Firestone Mr. and Mrs. Edward C. MacEwen Gifts in memory of Ruth District of Columbia Benedict: Connecticut Mr. and Mrs. Donald G. Fisher Mr. and Mrs. Frederick R. Mayer Martin and Liane W. Atlas California Eric Denker Colorado Mr. Aaron I. Fleischman Lionel C. Epstein District of Columbia Mrs. Eugene McDermott Ruth E. Fine Texas Mr. and Mrs. Milo S. Gates Jacob and Ruth Cole Kainen California Mr. Henry S. McNeil, Jr. Joan A. Lees Pennsylvania Mr. David Geffen Douglas V. and Katherine C. California Mr. and Mrs. Paul Mellon Rigler District of Columbia Dr. and Mrs. Phillip T. George Mr. and Mrs. Edwin Van R. Lee G. Rubenstein Florida Frances P. Smyth Milbury Mr. and Mrs. Gordon P. Getty Pennsylvania Jack and Margrit Vanderryn California Washington Print Club Mrs. O. Ray Moore Mr. and Mrs. Carl S. Gewirz Georgia Gifts in memory of William Maryland Eggers McDonald: Paul and Camilla Oliver- Mrs. Katharine Graham Hoffmann Harold W. and Jane P. Arberg District of Columbia Art Instruction Schools Illinois Mr. George Gund, III and Ms. Joan Beerweiler Mr. and Mrs. David Pincus lara Lee Pennsylvania Jon R. and Connie L. Berg California Ernestine E. Callahan Mrs. Sally Pingree Mr. Leo S. Guthman District ol Columbia Terri Cohen Illinois Crew of D.C. Fireboat Mr. and Mrs. Ronald A. Pizzuti Mr. and Mrs. Peter E. Haas Ohio Karen Day California Karen Fishbein The Honorable Leon B. Polsky Mrs. Melville W. Hall and Mrs. Polsky New York New York * deceased

123 Mr. and Mrs. Frederick H. Prince The Circle of the National Mr. and Mrs. Hugh Halff Jr. Mrs. John U. Nef District of Columbia Gallery of Art Texas District of Columbia Mrs. A. N. Pritzker Mrs. James Hayes Miss Diane A. Nixon Illinois (as of 30 September 1995) Virginia New York Mr. and Mrs. Thomas J. Pritzker Co-chairs Mrs. Gale Hayman-Haseltine and Mr. and Mrs. Lucio A. Noto Illinois Dr. William Haseltine Virginia Mrs. Juliet C. Folger General Dillman A. Rash District of Columbia Commander Lester Edwin Ogilvy Kentucky Mr. David O. Maxwell The Honorable John W. and Mrs. Ogilvy Mr. and Mrs. Stewart A. Resnick Sustaining Members Hechinger Sr. and Mrs. District of Columbia Hechinger California Anonymous Mr. and Mrs. C. Wesley Peebles District of Columbia Mr. and Mrs. George Ross In memory of Robert Amory Jr. Virginia Mr. and Mrs. Charles T. Pennsylvania Mrs. Everett B. Birch Mrs. John A. Pope Hellmuth Sr. Mrs. Howard Ross New York District of Columbia Maryland New York The Honorable Daniel J. Boorstin Mr. and Mrs. Norman S. Portenoy Mr. and Mrs. Joseph H. Hennage Mrs. Madeleine H. Russell and Mrs. Boorstin District of Columbia Virginia California District of Columbia Dr. and Mrs. Meyer P. Potamkin Mr. and Mrs. Wallace F. Holladay Mrs. Louisa Stude Sarofim Mr. and Mrs. W. L. Lyons Pennsylvania District of Columbia Texas Brown Jr. Mrs. Lewis T. Preston Mr. and Mrs. Raymond J. Mr. and Mrs. Andrew M. Saul Kentucky District of Columbia Horowitz New York Mr. and Mrs. Calvin Cafritz The Reverend and Mrs. Charles P. New York Mr. and Mrs. Rudolph B. District of Columbia Price Mr. and Mrs. Arthur Johnson Schulhof Major General (Ret.) Daniel S. Virginia Maryland New York Campbell and Mrs. Campbell Mr. and Mrs. Milton Ritzenberg Ms. J. Lisa Jorgenson and Mr. Mr. and Mrs. Charles R. Schwab Texas District of Columbia David Doniger California Mr. and Mrs. David C. Cole Mr. Mark Samuels Lasner District of Columbia Mr. and Mrs. Richard L. Selle Virginia District of Columbia Mr. and Mrs. J. Howard Joynt III New York Mr. and Mrs. Clement E. Conger Mr. and Mrs. Roger W. Sant District of Columbia Mr. and Mrs. Robert F. Shapiro Virginia District of Columbia Mr. and Mrs. Jacob Kainen New York Mrs. Catherine G. Curran Mrs. Stanley J. Sarnoff Maryland Mr. and Mrs. Stephen A. Simon New York Maryland The Honorable Randolph A. District of Columbia Mr. and Mrs. Bruce B. Dayton Rear Admiral Tazewell Shepard Kidder* and Mrs. Kidder* Minnesota Jr. and Mrs. Shepard Mr. William Kelly Simpson District of Columbia New York Mr. and Mrs. Leslie Douglas District of Columbia Mr. and Mrs. James M. Kline District of Columbia Mrs. Muller Sheppard Mr. H. Peter Stern and Dr. District of Columbia Margaret Johns Mr. and Mrs. James T. Dyke Virginia Dr. Steven Lunzer New York Arkansas Mr. and Mrs. Raja W. Sidawi District of Columbia Mrs. Ruth Carter Stevenson Mr. and Mrs. Paul H. Flicker New York The Honorable John D. Texas Maryland Mr. and Mrs. Albert H. Small Macomber and Mrs. Macomber Maryland Mr. and Mrs. James M. Mr. and Mrs. Robert F. Erburu District of Columbia Vaughn, Jr. California Mr. and Mrs. Richard S. Smith The Honorable Leonard H. Marks Texas Pennsylvania Mr. Walter Fitch III and Mrs. Marks Mr. Thomas Walther California District of Columbia Mr. and Mrs. Mallory Walker New York District of Columbia The Honorable William H. G. Mr. Frederick P. Mascioli Mr. and Mrs. Keith Wellin FitzGerald and Mrs. FitzGerald District of Columbia Mr. and Mrs. Jonathan W. New York District of Columbia Warner Sr. Mr. and Mrs. Edward J. Mathias Alabama Mrs. John Hay Whitney Mr. and Mrs. Lee M. Folger Maryland New York District of Columbia Mr. and Mrs. Henry B. Weaver Mr. and Mrs. David O. Maxwell Virginia Mr. and Mrs. Dave H. Williams Mr. and Mrs. John French III District of Columbia New York New York Mrs. Robert M. Weidenhammer Mr. and Mrs. Frederick R. Mayer Maryland Mr. and Mrs. William Wilson III Cynthia and Colorado California Maryland Mrs. Thomas Lyle Williams Jr. Mrs. James R. McAlee Georgia Mr. and Mrs. William Wood Mrs. Camilla Chandler Frost Maryland Prince California Dr. and Mrs. Edward T. Wilson Mr. and Mrs. Raymond L. Illinois Maryland Mr. and Mrs. John T. Gibson McGuire District of Columbia District of Columbia Mrs. Frank L. Wright Virginia Mr. and Mrs. Michael L. Mr. and Mrs. Gilbert D. Mead Glassman District of Columbia Mr. and Mrs. Sidney S. Zlotnick Maryland District of Columbia Mr. and Mrs. Paul Mellon Mr. Albert H. Gordon Virginia Supporting Members New York Mr. and Mrs. Robert B. Menschel Ms. Rebecca Abrams and Mr. Mr. and Mrs. Calvin C. Gould New York Nathan Benn Massachusetts Mr. and Mrs. Robert E. Meyerhoff District of Columbia Mr. C. Boyden Gray Maryland Mr. and Mrs. Dana Tarbell District of Columbia Ms. Julienne M. Michel Ackerly II Mr. and Mrs. Hermen Greenberg District of Columbia District of Columbia District of Columbia Mr. and Mrs. Nicholas Millhouse Mr. and Mrs. James B. Adler The Honorable Najeeb E. Halaby New York Maryland and Mrs. Halaby Mr. and Mrs. A. Fenner Milton Mr. M. Bernard Aidinoff Virginia District of Columbia New York * deceased

124 Mrs. Carolyn Alper Mr. and Mrs. Bernard Fein Mr. and Mrs. John L. Loeb Mr. and Mrs. Samuel Alward District of Columbia New York New York District of Columbia Mrs. Edwin M. Ashcraft III Mrs. William T. Finley Jr. Dr. and Mrs. Bruce K. MacLaury Mrs. Louise Steinman Ansberry District of Columbia District of Columbia District of Columbia Pennsylvania Miss Gillian Attfield Mr. and Mrs. Wolfgang K. Flottl Mrs. Virginia C. Mars Ms. Alexandra Armstrong and New York New York Virginia Mr. Jerry J. McCoy Ms. Gwendolyn Baptist Mr. David M. Frost Mrs. Jack C. Massey District of Columbia Maryland Virginia Florida Mrs. John W. Auchincloss Mr. and Mrs. Thomas M. Barry Mr. John A. Geissman The Honorable G. William Miller District of Columbia District of Columbia District of Columbia and Mrs. Miller Mr. Richard Brown Baker Mr. and Mrs. Howard M. Bender Mr. and Mrs. Michael C. Gelman District of Columbia New York Maryland Maryland Mrs. Roy Nutt Mr. Dwight H. Barnes The Honorable Robert O. Blake Sheila and Patrick Gross Washington California Sr. and Mrs. Blake Maryland Mr. and Mrs. Donald R. Osborn The Honorable John W. Barnum District of Columbia Mr. and Mrs. Corbin Gwaltney New York and Mrs. Barnum Mr. and Mrs. Huntington T. Block Maryland Mr. and Mrs. John N. Palmer District of Columbia District of Columbia Mr. and Mrs. Peter E. Haas Sr. Mississippi Dr. and Mrs. Jordan Baruch Mr. and Mrs. Allen J. Bloom California Mrs. Jefferson Patterson District of Columbia Maryland Mrs. Elisha Hanson District of Columbia Mr. and Mrs. Edwin S. Bell Mr. and Mrs. John G. Boyd District of Columbia Sandra Payson Texas District of Columbia Mrs. B. Lauriston Hardin Jr. District of Columbia Mr. L. Graeme Bell III and Mr. and Mrs. Thomas H. District of Columbia Mr. and Mrs. Nathan W. Pearson Ms. Claudia Cooley District of Columbia Broadus Jr. Mrs. Iola S. Haverstick Pennsylvania Maryland New York Mr. and Mrs. Benjamin T. Pierce Mr. and Mrs. David Benjack Virginia Mr. and Mrs. Marc H. Brodsky Mr. and Mrs. J. Dean Herman District of Columbia District of Columbia Virginia Mr. and Mrs. Whayne S. Quin Mr. Munir P. Benjenk District of Columbia Mr. and Mrs. Harry A. Brooks Mrs. Thomas Hitchcock Jr. District of Columbia New York New York The Honorable John D. Rocke- Mrs. William Tapley Bennett Jr. District of Coiumbia Mr. and Mrs. Raymond C. Mr. and Mrs. S. Roger Horchow feller IV and Mrs. Rockefeller Brophy Texas District of Columbia Mr. and Mrs. Irving D. Berger District of Columbia District of Columbia Mr. Clark F. Hoyt and Ms. Linda Mr. David E. Rust Mrs. Poe Burling Kauss District of Columbia Mrs. Edwin A. Bergman District of Columbia Florida Mr. and Mrs. Derald H. Illinois Mr. and Mrs. Louis M. Byron Mr. R. Bruce Hunter Ruttenberg The Honorable Max N. Berry and District of Columbia Virginia New York Mrs. Berry District of Columbia The Honorable John E. Chapoton The Honorable R. Tenney Mr. and Mrs. Paul M. Shatz and Mrs. Chapoton Johnson and Mrs. Johnson District of Columbia Mr. Robert Hunt Berry District of Columbia Maryland Mr. and Mrs. Stephen F. Sherwin Michigan Mrs. Kevin P. Charles Mr. Peter W. Josten District of Columbia Mr. and Mrs. Albert J. Maryland New York The Honorable George P. Shultz Beveridge III District of Columbia The Honorable Robert H. Charles Mr. and Mrs. Richard Kaufman and Mrs.* Shultz and Mrs. Charles District of Columbia California Mr. and Mrs. James I. Black III District of Columbia New York Mr. and Mrs. Norman V. Kinsey Mr. and Mrs. Andrew Stephen Mr. and Mrs. Donald M. Cox Louisiana District of Columbia Mrs. James H. Blackwell New York New York Lieutenant Colonel William IC. Dr. and Mrs. Barry S. Strauch Mr. and Mrs. J. Wendell Grain Konze and Mrs. Konze Virginia The Honorable William McC. District of Columbia Maryland Mr. and Mrs. Joseph G. Tompkins Blair Jr. and Mrs. Blair District of Columbia Ms. Susan R. Cullman Mrs. Alvin A. Kraft Virginia District of Columbia District of Columbia Mr. John Edward Toole Mr. David A. Blanton III California Mr. and Mrs. Donald de Laski Mr. and Mrs. Anthony A. District of Columbia Virginia Lapham The Honorable Alexander B. Count and Countess Peder Bonde The Honorable C. Douglas Dillon District of Columbia Trowbridge and Mrs. Trowbrige District of Columbia and Mrs. Dillon Mr. Albert Lauber Jr. and District of Columbia Mr. and Mrs. William P. New York Mr. Craig Hoffman Mr. Melvin R. Weaver Bowden Jr. Mrs. Gaylord Donnelley District of Columbia California New York Illinois Ms. Alice K. Lawrence Mr. and Mrs. P. Devers Weaver II Mr. and Mrs. George M. Nancy and Douglas Drysdale Connecticut Virginia Brady Jr. Maryland District of Columbia Mr. and Mrs. Sperry Lea Mr. and Mrs. Alan F. Wohlstetter Mr. and Mrs. Jonathan S. District of Columbia Maryland The Honorable William E. Brock III and Mrs. Brock England Mr. and Mrs. Don Lebell Ms. Jeanne R. Zeydel District of Columbia District of Columbia District of Columbia District of Columbia The Honorable Kenneth D. Brody Mr. and Mrs. Richard England Mr. and Mrs. Joseph B. Ledbetter Contributing Members and Mrs. Brody District of Columbia Tennessee Mr. and Mrs. William S. Abell District of Columbia Lionel C. and Elizabeth P.S. Mr. William J. Levy Maryland Mrs. Wiley T. Buchanan Jr. Epstein District of Columbia District of Columbia Mr. and Mrs. Charles F. Adams District of Columbia Mr. and Mrs. Sydney Lewis Massachusetts The Honorable Philip W. Buchen Mr. and Mrs. Frank M. Ewing Virginia Maryland Dr. David W. Ailing and Mrs. Buchen Mrs. Jean C. Lindsey Maryland District of Columbia Mississippi * deceased

125 Mr. and Mrs. B. Bernei Mr. and Mrs. Winthrop W. Mr. John Peters Irelan Dr. and Mrs. David A. Morowitz Burgunder Jr. Faulkner District of Columbia District of Columbia Maryland District of Columbia Mr. and Mrs. Hugh N. Jacobsen Mr. and Mrs. Richard P. Moser Mr. and Mrs. Richard I. Burnham Dr. and Mrs. James J. District of Columbia Virginia District of Columbia Ferguson Jr. Mr. James A. Johnson Jr. Mr. and Mrs. Patrick Munroe Mrs. Arthur F. Burns Maryland Virginia Maryland District of Columbia Mr. and Mrs. Thomas D. Mr. and Mrs. Evan Jones Mrs. Franklin D. Murphy Miss Elizabeth A. Burton Fingleton Maryland California Virginia District of Columbia Mr. and Mrs. Peter H. Jost The Honorable Paul H. Nitze and The Honorable John Thiers Mr. and Mrs. Max M. Fisher District of Columbia Mrs. Leezee Porter Nitze Michigan Calkins Mr. and Mrs. B. Franklin Kahn District of Columbia District of Columbia Mr. and Mrs. William J. Maryland The Honorable William Nitze II Flather III Mr. Carroll J. Cavanagh and Mr. and Mrs. Edward G. Kaufman and Mrs. Nitze District of Columbia Ms. Candida Smith Virginia District of Columbia Mr. and Mrs. Alvin Friedman New York Mr. Lawrence Kirstein Mr. Gerson Nordlinger Jr. District of Columbia Ms. Joy S. Chambers District of Columbia District of Columbia Mr. and Mrs. Darryl N. Garrett Virginia Mrs. Elizabeth L. Klee Mr. and Mrs. John L. Oberdorfer District of Columbia Mrs. Harold W. Cheel District of Columbia District of Columbia New Jersey Dr. and Mrs. Gerald E. Gaull Mr. and Mrs. W. Loeber Landau Mr. and Mrs. Christopher Ogden District of Columbia Mrs. Blair Childs New York District of Columbia District of Columbia Mr. and Mrs. Robert J. Geniesse Mr. and Mrs. William Lane Mrs. Ricard R. Ohrstrom District of Columbia Mr. and Mrs. Thomas C. Clarke District of Columbia Virginia Maryland Mr. and Mrs. Edward H. Gerry Mr. and Mrs. Arthur Lazarus Jr. Dr. and Mrs. David B. Pall New York The Honorable William T. District of Columbia New York Coleman Jr. and Mrs. Coleman Mr. and Mrs. William T. Gibb Ms. Debra Lehman-Smith The Honorable Charles H. Percy Virginia Maryland District of Columbia and Mrs. Percy Mr. and Mrs. Terence W. Collins Mrs. Charles C. Glover III District of Columbia Mr. and Mrs. Herbert J. Lerner District of Columbia District of Columbia District of Columbia Mr. and Mrs. Alan L. Potter Mrs. H. Dunscombe Colt Mr. and Mrs. Joseph I. Goldstein Florida Mr. and Mrs. Finlay Lewis District of Columbia District of Columbia District of Columbia Mrs. Thomas Malcolm Price Mr. Lloyd E. Cotsen Mr. and Mrs. Robert E. Goldsten District of Columbia Mrs. Charles T. G. Looney California District of Columbia Maryland Dr. and Mrs. Coleman Raphael Mrs. Shirley lone Cowell Ms. Mary Anne Goley Maryland Mr. and Mrs. E. A. G. Manton Florida Virginia New York Mr. and Mrs. Earl C. Ravenal Major General Willis D. Ms. Elizabeth Marsteller Gordon District of Columbia Mr. and Mrs. Tom F. Marsh Crittenberger Jr. and Mrs. California Texas Miss Berenice Anne Reed Crittenberger Mrs. Gordon Gray Maryland Mrs. Thomas E. Marston Virginia District of Columbia Virginia Mr. and Mrs. Donald H. Mrs. Richard Malcolm Cutts Mr. and Mrs. William H. Richardson The Honorable William Virginia Greer Jr. Florida McChesney Martin Jr. and Mrs. Mr. and Mrs. Stuart C. Davidson District of Columbia Martin Mr. and Mrs. Eugene B. District of Columbia Mrs. Nina B. Griswold District of Columbia Roberts Jr. Mrs. Lee Dayton Florida Maryland Mrs. Violet B. McCandlish Virginia The Honorable William R. Haley District of Columbia Mr. and Mrs. Elihu Rose Mr. and Mrs. Michael D. and Mrs. Haley New York Mr. and Mrs. James A. McICenna Dingman District of Columbia Maryland Ms. Helen G. Ross New Hampshire Mr. and Mrs. Newman T. Virginia Mr. and Mrs. Chester B. Mr. and Mrs. Fitz Eugene Halvorson Jr. McLaughlin Jr. Mr. and Mrs. James W. Rouse Dixon Jr. District of Columbia Florida Maryland Pennsylvania Mr. and Mrs. Louis J. Hector Mr. and Mrs. Christopher I(. Dr. and Mrs. Paul S. Russell Mr. and Mrs. Donald J. Douglass Florida Mellon Massachusetts Texas The Honorable Richard M. Helms Maryland Mrs. Victor Sadd Mr. Lammot du Pont and Mrs. Helms Mrs. Robert B. Menapace Virginia District of Columbia District of Columbia District of Columbia Mr. and Mrs. Arnold A. Saltzman Mr. and Mrs. Robert E. Eberly Mr. and Mrs. Joseph W. Dr. and Mrs. Robert Mendelsohn New York Pennsylvania Henderson III Maryland The Honorable James H. Scheuer Mr. Nik B. Edes District of Columbia Mr. and Mrs. Richard M. and Mrs. Scheuer District of Columbia Mr. and Mrs. Robert B. Hirsch Merriman District of Columbia District of Columbia Mr. and Mrs. R. Augustus District of Columbia Mr. and Mrs. Irwin Schneiderman Edwards Mr. Henry C. Hofheimer II The Honorable Charles A. Meyer New York Virginia Virginia and Mrs. Meyer Mr. and Mrs. W. H. Shapley Mr. and Mrs. Julian Eisenstein Ms. Sari Hornstein and Mr. David Illinois District of Columbia District of Columbia Lightfoot Ms. Hope Ridings Miller Mr. and Mrs. Clyde E. Shorey Jr. Maryland Mr. and Mrs. Arthur D. Emil District of Columbia District of Columbia New York Mr. and Mrs. R. Bruce Hughes Mrs. Edward P. Moore Mrs. John Farr Simmons District of Columbia Dr. and Mrs. Stephen E. Epstein District of Columbia District of Columbia Virginia The Honorable Hadlai A. Hull and Dr. and Mrs. W. Tabb Moore Dr. and Mrs. Richard A. Simms Mrs. Hull Mrs. Norman Farquhar District of Columbia California District of Columbia District of Columbia Mr. and Mrs. Robert W. Morey Mrs. Miriam H. Smith Mr. and Mrs. Allan R. Hurwitz California District of Columbia Maryland

126 Mr. and Mrs. Leonard A. Benefactors of the Oscar L. Milmore, in memory of Charles E. Culpeper Foundation, Solomon National Gallery of Art Pepita Milmore Inc. Florida Angelika Wertheim Frink Knight Foundation The Honorable Samuel Spencer FOUNDING BENEFACTORS Burton G. and Emily Hall William Stamps Parish Fund and Mrs. Spencer Andrew William Mellon Tremaine Sydney and Frances Lewis Maryland Samuel Henry Kress Herbert N. and Nannette F. The J. Paul Getty Trust Mr. and Mrs. Jerome Spingarn Joseph E. Widener in memory of Rothschild Southwestern Bell Corporation District of Columbia Peter A.B. Widener David K. E. Bruce Guest Services, Inc. Mrs. Frederick M. Stafford Chester Dale Cornelius Van Schaak Roosevelt Reader's Digest Association New York Lessing J. Rosenwald Enid Annenberg Haupt Annalee Newman Mr. and Mrs. Craig R. Stapleton Paul Mellon David Edward and Margaret Mrs. John D. Rockefeller 3rd Connecticut Ailsa Mellon Bruce Eustis Finley Rita Schreiber Dr. and Mrs. Irwin M. Stelzer Rush Harrison Kress Morris and Gwendolyn Cafritz Robert Frank Colorado Katharine Graham Betsey Gushing Whitney Drs. Edward and Joan Stemmler FOUNDING BENEFACTORS- PRINTS AND DRAWINGS The Andrew W. Mellon Leo Castelli District of Columbia Foundation Pamela C. Harriman Lessing J. Rosenwald Mr. and Mrs. Terence P. Stewart The Woodward Foundation Arnold and Mildred Glimcher W.G. Russell Allen District of Columbia Robert H. and Virginia Pratt Richard A. and Lee G. Kirstein Joseph E. Widener Ms. Carolyn J. Stopak Thayer The Woodner Family Mrs. Walter B. James Maryland Georgia O'Keeffe Dorothy and Herbert Vogel R. Horace Gallatin Mr. and Mrs. Philip A. Straus John and Louise Booth The Avery Family Samuel H. Kress Foundation New York Gemini G.E.L. Victoria Nebeker Coberly Ruth K. Henschel Jane Eustis Suydam Grace Vogel Aldworth Jo Ann and Julian Ganz Jr. The Woodward Foundation District of Columbia John Hay Whitney Catherine Gamble Curran Robert H. and Clarice Smith Mr. and Mrs. Edward F. The Kresge Foundation Mr. and Mrs. Richard Mellon Georgia O'Keeffe Swenson Jr. The A. W. Mellon Educational Scaife Florida The Mark Rothko Foundation and Charitable Trust Sarah Scaife Foundation Dorothy J. and Benjamin B. Mr. Mollis C. Taggart Dorothea Tanning Ernst Perry R. and Nancy Lee Bass New York Smith Doris Dick Havemeyer Eugene L. and Marie-Louise Julia B. Engel Mrs. Waverly Taylor Walter H. and Leonore Garbaty District of Columbia Paul and Bunny Mellon Annenberg Estate of William B. O'Neal John C. Marin Jr. Mrs. Benjamin W. Thoron David Rockefeller Stephen Hahn District of Columbia The Armand Hammer Foundation Samuel H. Kress Foundation Edith G. Rosenwald PATRONS' PERMANENT FUND The Honorable Russell E. Train John Davis and Olivia Stokes and Mrs. Train Ruth and Jacob Kainen Hatch FOUNDING PATRONS District of Columbia The Mark Rothko Foundation John Hay Whitney Mr. Thurston Twigg-Smith BENEFACTORS (1941-1994) Stavros S. Niarchos Walter H. and Leonore Hawaii Frieda Schiff Warburg Dorothy J. and Benjamin B. Annenberg Mrs. Herbert A. Vance Adeline Havemeyer Smith Paul Mellon Illinois Frelinghuysen Mrs. Max Beckmann Robert H. and Clarice Smith Mr. and Mrs. C. Woods Vest Jr. Duncan Phillips Julia B. Engel Ian Woodner District of Columbia Kate Seney Simpson Arnold D. Frese Foundation Lila Acheson Wallace Mr. John Walker III* Harris Whittmore Mrs. Charles W. Engelhard Lois and Georges de Menil Florida Barbara Hutton Foundation Stavros S. Niarchos Mr. and Mrs. Robert D. Wallick Ralph and Mary Booth Family of Constance B. Mellon Mrs. Charles W. Engelhard District of Columbia William Nelson Cromwell In memory of Mrs. George R. In honor of Beuford and Teden Ms. Virginia S. Warner Benjamin E. and Regine S. Levy Brown Cole Virginia Adolph Caspar Miller Lila Acheson Wallace The Andrew W. Mellon Mr. George T. Webb Sam A. and Margaret Lewisohn The Ahmanson Foundation Foundation District of Columbia Therese K. and Herbert N. Straus Amon G. Carter Foundation Arnold D. Frese Foundation The Honorable Caspar W. William Robertson Coe John C. and Jaan Whitehead Eugene L. and Marie-Louise Weinberger and Mrs. Horace Havemeyer Joe L. and Barbara B. Allbritton Garbaty Weinberger Bernice Chrysler Garbisch District of Columbia Robert M. and Anne T. Bass Richard King Mellon Foundation Edgar William Garbisch Hallmark Educational Guest Services, Inc. Mrs. John K. White Syma Aaron Busiel Virginia Foundations Jill and Arthur M. Sackler Eugene and Agnes Meyer The Barra Foundation Ms. Jaan W. Whitehead Edith Stuyvesant Gerry PATRONS District of Columbia Ruth K. Henschel John R. Stevenson Lillian S. Timken Mark J. Millard Samuel H. Kress Foundation The Honorable Charles S. Ferdinand Lammot Belin Whitehouse and Mrs. University of South Florida Philip L. Graham Fund Adele R. Levy Whitehouse Foundation Ruth Carter Stevenson Alvan T. Fuller Virginia Jill and Arthur M. Sackler Robert P. and Arlene R. Kogod Horace Havemeyer Jr. Mrs. William B. Willard John Marin Jr. Family of William Larimer Mellon Harry Waldron Havemeyer District of Columbia Robert and Jane Meyerhoff Amon G. Carter Foundation Josephine Bay and C. Michael Professor John Wilmerding The Armand Hammer Foundation Mrs. George Angus Garrett Paul New Jersey Edith G. Rosenwald Joe L. and Barbara B. Allbritton Arthur Sachs Mr. Robert W. Wilson Family Petschek (Aussig) Eugene and Agnes E. Meyer W. Averell Harriman, in memory New York T. Jefferson Coolidge Jr. Foundation of Marie N. Harriman Mr. and Mrs. Hugh E. Witt Mary Hemingway Gordon and Copey Hanes Robert H. and Clarice Smith Virginia John C. and Jaan Whitehead

* deceased

127 IBM Corporation Perry R. and Nancy Lee Bass The Leonard and Evelyn Lauder Sydney and Frances Lewis GIFTS AND Fund Edwin L. Cox Walter and Elise Haas Fund George M. and Linda H. Kaufman BEQUESTS Anne Burnett and Charles Tandy Edward G. Kaufman and Ann Foundation Claire Kaufman Gerald J. and Judith Miller David Rockefeller The buildings, collections, and many of the pro- Thomas M. and Betty B. Evans Frederick R. and Jan Mayer Stephen M. and Anna-Maria Mobil Foundation, Inc. grams of the National Gallery are largely the result Kellen Ronald S. and Jo Carole Lauder of private generosity, as the Gallery must rely on Lucille and George F. Jewett Jr. In memory of Mrs. George R. private support to fund art acquisition and many Hallmark Educational Brown special projects. The Board of Trustees has full Foundations Brady Foundation Robert Wood Johnson Jr. Sarah Scaife Foundation authority to receive funds and property, both real Charitable Trust Knight Foundation and personal, for the general purposes of the The Florence and John Schu- Mars Foundation National Gallery of Art. mann Foundation E. I. du Pont de Nemours and Jo Ann and Julian Ganz Jr. Company Gifts may be made by check payable to the The Barra Foundation Melvin S. and Ryna G. Cohen Trustees of the National Gallery of Art. Richard A. and Lee Kirstein William Randolph Hearst Arthur A. and Alison B. Birney Foundation Donations of works of art to the Gallery's collec- Norma Lee and Morton Funger George H. and Tessie A. Hurwitz tion are subject to approval by the Board of William and Eleanor Wood Prince Gordon and Ann Getty B. Francis Saul Katharine Graham Trustees. Offers of such gifts should be discussed in The Artery Organization, Inc. Robert M. and Anne T. Bass advance with the Secretary and General Counsel Milton J. and Carroll Petrie Richard A. and Jane Manoogian (telephone 202 842-6363). Offers of gifts of books William Stamps Parish Fund of art historical importance should be discussed in Family of Oliver T. Carr Jr. The Riggs Bank of Washington, advance with the Executive Librarian (telephone D.C. 202 842-6505). Potomac Electric Power Company The George Hyman Construction Deferred gifts, by which a donor makes a commit- Company ment to benefit the Gallery at a later date, can Seymour H. Knox enable many donors to make substantially larger The Ahmanson Foundation Diane and Norman Bernstein contributions than by an outright gift and can Kathrine D. Folger maximize tax benefits and cost-effectiveness of Janet A. Hooker making a gift. You may indicate that the National Foundation Gallery of Art is to receive a certain sum of money, Annelise and William H.G. FitzGerald property, works of art, or a percentage of your The Charles A. Dana Foundation estate. If you are considering a bequest or other George W. Wyckoff form of deferred gift, we encourage you to discuss Averell and Pamela Harriman confidentially how you would like your intended In memory of Ella Milbank Foshay gift to be used by contacting the Development The Times Mirror Foundation Officer (telephone 202 842-6372). Family of Constance B. Mellon Alletta and Peter McBean Alexander M. and Judith W. Laughlin Charles U. and Janet C. Harris Reader's Digest Association Laurance S. and Mary Rockefeller GTE Corporation All gifts and bequests are deductible, within the limits Dorothy Rodgers in memory of prescribed by law, for applicable federal tax purposes. Richard Rodgers Andrew P. and Geraldine Spreckels Fuller John and Susan Gutfreund Exxon Corporation Charles E. Culpeper Foundation, Inc. Alice and John B. Rogers Edwin Van R. and Cassandra Mellon Milbury Henry J. Heinz II Robert W. and Louisa C. Duemling

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