New Masses Index 1926 - 1933 New Masses Index 1934 - 1935 New Masses Index 1936
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Guide to Oral History Collections in Missouri
Guide to Oral History Collections in Missouri. Compiled and Edited by David E. Richards Special Collections & Archives Department Duane G. Meyer Library Missouri State University Springfield, Missouri Last updated: September 16, 2012 This guide was made possible through a grant from the Richard S. Brownlee Fund from the State Historical Society of Missouri and support from Missouri State University. Introduction Missouri has a wealth of oral history recordings that document the rich and diverse population of the state. Beginning around 1976, libraries, archives, individual researchers, and local historical societies initiated oral history projects and began recording interviews on audio cassettes. The efforts continued into the 1980s. By 2000, digital recorders began replacing audio cassettes and collections continued to grow where staff, time, and funding permitted. As with other states, oral history projects were easily started, but transcription and indexing efforts generally lagged behind. Hundreds of recordings existed for dozens of discreet projects, but access to the recordings was lacking or insufficient. Larger institutions had the means to transcribe, index, and catalog their oral history materials, but smaller operations sometimes had limited access to their holdings. Access was mixed, and still is. This guide attempts to aggregate nearly all oral history holdings within the state and provide at least basic, minimal access to holdings from the largest academic repository to the smallest county historical society. The effort to provide a guide to the oral history collections of Missouri started in 2002 with a Brownlee Fund Grant from the State Historical Society of Missouri. That initial grant provided the seed money to create and send out a mail-in survey. -
Changing Attitudes Toward Charity: the Values of Depression-Era America As Reflected in Its Literature
CHANGING ATTITUDES TOWARD CHARITY: THE VALUES OF DEPRESSION-ERA AMERICA AS REFLECTED IN ITS LITERATURE By Steven M. Stary As a time of economic and political crisis, the Great Depression influenced authors who VRXJKWWRUHZULWH$PHULFD¶VXQGHUO\LQJmythology of rugged individualism into one of cooperative or communal sensibility. Through their creative use of narrative technique, the authors examined in this thesis bring their readers into close identification with the characters and events they describe. Creating connection between middle-class readers and the destitute subjects of their works, the authors promoted personal and communal solutions to the effects of the Depression rather than the impersonal and demeaning forms of charity doled out by lRFDOJRYHUQPHQWVDQGSULYDWHFKDULWLHV0HULGHO/H6XHXU¶V DUWLFOHV³:RPHQRQWKH%UHDGOLQHV´³:RPHQDUH+XQJU\´DQG³,:DV0DUFKLQJ´ DORQJZLWK7RP.URPHU¶VQRYHOWaiting for Nothing, are examined for their narrative technique as well as depictions of American attitudes toward charitable giving and toward those who receive charity. The works of Le Sueur and Kromer are shown as a SURJUHVVLRQFXOPLQDWLQJLQ-RKQ6WHLQEHFN¶VThe Grapes of Wrath later in the decade. By the end of the 1930s significant progress had been made in changing American values toward communal sensibility through the work of these authors and the economic programs of the New Deal, but the shift in attitude would not be completely accomplished or enduring. To my wife, Dierdra, who made it possible for me to keep on writing, even though it took longer than I thought it would. ii ACKNOWLEDGEMENTS Thank you to Dr. Don Dingledine, my thesis advisor, who has helped to see this work to completion. It is due to his guidance this project has its good points, and entirely my fault where it does not. -
Dr. Henry C. Black Dies Shepard Receives Great Freshmen Defeated in St
l'he Undergraduate Publication of ~tinitp t ' C!tolltge Volume XXIII HARTFORD, CONN., FRIDAY, M.A!R:CH 25, 1927 Number 22 DR. HENRY C. BLACK DIES SHEPARD RECEIVES GREAT FRESHMEN DEFEATED IN ST. OGILBY DISCUSSES STUDENT JUNIOR 'VARSITY HONOR. PATRICK'S DAY SCRAP. SUICIDES. BASKETBALl.. Was Recently Elected Trustee and Lays Part Blame on Church Awarded Guggenheim Fellowship S<•phomores Show Efficient Organiza Leeke's Men Make Creditable Long a Prominent Alumnus. Formalism. for 1927-28. tion. Showing. Dr. Henry Campbell Black, 67 years Formalisms of the church that run Professor Odell Shepard, Goodwin · About the seventh hour on th(> The Junior 'Varsity basketball years old, law ·author and editor of the cNmter to the experience of college .Professor of English Literature and morning of March 17, in the year o: proved to be one of the bright lights "Constitutional Review," died Satur cur Lord 1927, it befell that the mem f. tudents are partly responsible for of the basketball season. While the day afternoon at 2.45 o'clock at his head of the English department, has been awarded a Guggenheim Fellow bers of the Class of '29, duly enrolled many student suicides, in the opinion 'varsity was unable to score many 1·esidence, 2516 Fourteenth Street, of President Remsen B. Ogilby. ship for the year 1927-28. The fel 1n Trinity College, handed to the viotories to their credit the juniors Washington, D. C., after an illness of "Of grave concern to us," said Dr. lowship is one of those awarded by members of the Class of '30 what made the fine record of eleven wins three weeks. -
Lorne Bair :: Catalog 21
LORNE BAIR :: CATALOG 21 1 Lorne Bair Rare Books, ABAA PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 2621 Daniel Terrace Winchester, Virginia USA 22601 (540) 665-0855 Email: [email protected] Website: www.lornebair.com TERMS All items are offered subject to prior sale. Unless prior arrangements have been made, payment is expected with order and may be made by check, money order, credit card (Visa, MasterCard, Discover, American Express), or direct transfer of funds (wire transfer or Paypal). Institutions may be billed. Returns will be accepted for any reason within ten days of receipt. ALL ITEMS are guaranteed to be as described. Any restorations, sophistications, or alterations have been noted. Autograph and manuscript material is guaranteed without conditions or restrictions, and may be returned at any time if shown not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Overseas shipping will vary depending upon destination and weight; quotations can be supplied. Alternative carriers may be arranged. WE ARE MEMBERS of the ABAA (Antiquarian Bookseller’s Association of America) and ILAB (International League of Antiquarian Book- sellers) and adhere to those organizations’ standards of professionalism and ethics. PART ONE African American History & Literature ITEMS 1-54 PART TWO Radical, Social, & Proletarian Literature ITEMS 55-92 PART THREE Graphics, Posters & Original Art ITEMS 93-150 PART FOUR Social Movements & Radical History ITEMS 151-194 2 PART 1: AFRICAN-AMERICAN HISTORY & LITERATURE 1. CUNARD, Nancy (ed.) Negro Anthology Made by Nancy Cunard 1931-1933. London: Nancy Cunard at Wishart & Co., 1934. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood
LH 19_1 FInal.qxp_Left History 19.1.qxd 2015-08-28 4:01 PM Page 57 Michael Gold & Dalton Trumbo on Spartacus, Blacklist Hollywood, Howard Fast, and the Demise of American Communism 1 Henry I. MacAdam, DeVry University Howard Fast is in town, helping them carpenter a six-million dollar production of his Spartacus . It is to be one of those super-duper Cecil deMille epics, all swollen up with cos - tumes and the genuine furniture, with the slave revolution far in the background and a love tri - angle bigger than the Empire State Building huge in the foreground . Michael Gold, 30 May 1959 —— Mike Gold has made savage comments about a book he clearly knows nothing about. Then he has announced, in advance of seeing it, precisely what sort of film will be made from the book. He knows nothing about the book, nothing about the film, nothing about the screenplay or who wrote it, nothing about [how] the book was purchased . Dalton Trumbo, 2 June 1959 Introduction Of the three tumultuous years (1958-1960) needed to transform Howard Fast’s novel Spartacus into the film of the same name, 1959 was the most problematic. From the start of production in late January until the end of all but re-shoots by late December, the project itself, the careers of its creators and financiers, and the studio that sponsored it were in jeopardy a half-dozen times. Blacklist Hollywood was a scary place to make a film based on a self-published novel by a “Commie author” (Fast), and a script by a “Commie screenwriter” (Trumbo). -
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art
A Finding Aid to the Adolf Dehn Papers, 1912-1987, in the Archives of American Art Kathleen Brown Funding for the processing of this collection was provided by the Terra Foundation for American Art January 21, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 3 Arrangement..................................................................................................................... 4 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Biographical Material, circa 1920-1968..................................................... 6 Series 2: Correspondence, circa 1919-1982............................................................ 7 Series 3: Writings, circa 1920-1971...................................................................... -
Hungarian Studies Review, 29, 1-2 (1992): 7-27
A Communist Newspaper for Hungarian-Americans: The Strange World of the Uj Elore Thomas L. Sakmyster On November 6, 1921 the first issue of a newspaper called the Uj Elore (New Forward) appeared in New York City.1 This paper, which was published by the Hungarian Language Federation of the American Communist Party (then known as the Workers Party), was to appear daily until its demise in 1937. With a circulation ranging between 6,000 and 10,000, the Uj Elore was the third largest newspaper serving the Hungarian-American community.2 Furthermore, the Uj Elore was, as its editors often boasted, the only daily Hungarian Communist newspaper in the world. Copies of the paper were regularly sent to Hungarian subscri- bers in Paris, Berlin, Vienna, Moscow, Buenos Aires, and, on occasion, even smuggled into Budapest. The editors and journalists who produced the Uj Elore were a band of fervent ideologues who presented and inter- preted news in a highly partisan and utterly dogmatic manner. Indeed, this publication was quite unlike most American newspapers of the time, which, though often oriented toward a particular ideology or political party, by and large attempted to maintain some level of objectivity. The main purpose of Uj Elore, as later recalled by one of its editors, was "not the dissemination of news but agitation and propaganda."3 The world as depicted by writers for the Uj Elore was a strange and distorted one, filled with often unintended ironies and paradoxes. Readers of the newspaper were provided, in issue after issue, with sensational and repetitive stories about the horrors of capitalism and fascism (especially in Hungary and the United States), the constant threat of political terror and oppression in all countries of the world except the Soviet Union, and the misery and suffering of Hungarian-American workers. -
The Aesthetic Diversity of American Proletarian Fiction
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2001 The aesthetic diversity of American proletarian fiction Walter Edwin Squire University of Tennessee Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Squire, Walter Edwin, "The aesthetic diversity of American proletarian fiction. " PhD diss., University of Tennessee, 2001. https://trace.tennessee.edu/utk_graddiss/6439 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Walter Edwin Squire entitled "The aesthetic diversity of American proletarian fiction." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. Mary E. Papke, Major Professor We have read this dissertation and recommend its acceptance: Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Walter Squire entitled "The Aesthetic Diversity of American Proletarian Fiction." I have examined the final copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in English. -
PARTY. 303 Fourth AVE.E HEW Yo.Ak·J Q
PARTY. 303 fOURTH AVE.e HEW yo.aK ·~JQ "Freedom for All" Pamphlets This is the third of a new pamphlet series, "FREEDOM FOR ALL," published by the Socialist Party. The first was "VICTORY'S VICTIMS? ," a discussion of the Negro's future, by A. Philip Randolph and Norman Thomas. The second was "ITALY-VICTORY THROUGH REV OLUTION," by Roy Curtis. The next will be "WAR AGAINST WANT," a discussion of social security and full employment by Professor Mul ford Sibley. The fifth will be "PEACE WITH FREEDOM," a pro gram of Socialist peace aims, by Travers Clement. Special rates for these pamphlets are: 1 copy -- $ .10 3 copies -- .25 15 copies -- 1.00 100 copies -- 5.00 • Order From SOCIALIST PARTY 303 Fourth Avenue, New York 10, N. Y. GRamercy 7-9584 Published December 1943 o I 7 L·n 0 d Detr It 6 y ich;gan The Truth About Socialism By NORMAN THOMAS CHAPTER I ON'T read this pamphlet if you are afraid to know the D truth about socialism or fear that you might be per suaded to be a socialist. Don't read it if you think every thing is going to be lovely in America regardless of what you do about liberty, peace, jobs and plenty for all. But why another pa~phlet, you ask, when the books on socialism already existing could be piled' mountain high? The answer is, first, because misunderstandings of it h~ve been increased by the propaganda of its enemies and its false friends: and, second because the march of events makes necessary some reinterpretation of its essential prin ciples and their application. -
Tamwag Fawf000053 Lo.Pdf
A LETTER FROM AMERICA By Pam Flett- WILL be interested in hearing what you think of Roosevelt’s foreign policy. When he made the speech at Chicago, I was startled and yet tremendously thrilled. It certainly looks as if something will have to be done to stop Hitler and Mussolini. But I wonder what is behind Roosevelt's speech. What does he plan to do? And when you get right down to it, what can we do? It’s easy to say “Keep out of War,” but how to keep out? TREAD in THE FIGHT that the ‘American League is coming out with a pamphlet by Harty F. Ward on this subject—Neutrality llready and an American sent in Peace my order. Policy. You I’ve know you can hardly believe anything the newspapers print these days_and I’m depending gare end ors on hare caer Phiets. For instance, David said, hational, when we that read i¢ The was Fascist_Inter- far-fetched and overdone. But the laugh’s for on him, everything if you can that laugh pamphlet at it- Fe dered nigiae th fact, the pamphiot is more up- iendalainow than Fodey'eipener eso YOUR NEXT YEAR IN ART BUT I have several of the American League pamphlets—Women, War and Fascism, Youth Demands WE'VE stolen a leaf from the almanac, which not only tells you what day it is but gives you Peace, A Blueprint for Fascism advice on the conduct of life. Not that our 1938 calendar carries instructions on planting-time (exposing the Industrial Mobiliza- tion Plan)—and I’m also getting But every month of it does carry an illustration that calls you to the struggle for Democracy and Why Fascism Leads to War and peace, that pictures your fellow fighters, and tha gives you a moment’s pleasure A Program Against War and Fascism. -
Morris Leopold Ernst
Morris Leopold Ernst: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Ernst, Morris Leopold, 1888-1976 Title: Morris Leopold Ernst Papers Dates: 1904-2000, undated Extent: 590 boxes (260.93 linear feet), 47 galley folders (gf), 29 oversize folders (osf) Abstract: The career and personal life of American attorney and author Morris L. Ernst are documented from 1904 to 2000 through correspondence and memoranda; research materials and notes; minutes, reports, briefs, and other legal documents; handwritten and typed manuscripts; galley proofs; clippings; scrapbooks; audio recordings; photographs; and ephemera. The papers chiefly reflect the variety of issues Ernst dealt with professionally, notably regarding literary censorship and obscenity, but also civil liberties and free speech; privacy; birth control; unions and organized labor; copyright, libel, and slander; big business and monopolies; postal rates; literacy; and many other topics. Call Number: Manuscript Collection MS-1331 Language: English Note: The Ransom Center gratefully acknowledges the assistance of the National Endowment for the Humanities, which provided funds for the preservation and cataloging of this collection. Arrangement Due to size, this inventory has been divided into four separate units which can be accessed by clicking on the highlighted text below: Morris Leopold Ernst Papers--Series descriptions and Series I. through Series II., container 302.2 [Part I] Morris Leopold Ernst Papers--Series II. (continued), container 302.3 through