Toronto Pearson International Airport – YYZ Once You’Ve Arrived, There Are Lots of Options to Get Downtown
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ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, on M6J 2L7
ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, ON M6J 2L7 www.andreabolley.com 1949 Born Guelph Ontario EDUCATION 1975 Bachelor of Fine Arts, University of Windsor TEACHING EXPERIENCE 2004-17 Masterworks Museum of Art, Bermuda 1982 Arts Sake, Toronto 1980 Activity Centre, Art Gallery of Ontario, Toronto 1979 Activity Centre, Art Gallery of Ontario, Toronto SOLO EXHIBITIONS 2016 Gallery 261, Toronto 2002 Gallery 132, Toronto 2014 Gallery 261, Toronto 2000 Gallery 132, Toronto 2014 Gallery 26, Bermuda 1999 Gallery 132, Toronto 2013 Gallery 26, Bermuda 1998 Gallery 132, Toronto 2013 Windjammer Gallery, Bermuda 1997 Gallery 132, Toronto 2011 BSOA Gallery, Bermuda 1996 Gallery 132, Toronto 2010 ACE Gallery, Bermuda 1995 Gallery 132, Toronto 2010 ITAL Interiors, Toronto 1994 Gallery 132, Toronto 2009 Masterworks Museum of Art, Bermuda 1993 Upper Canada Brewing Co. Toronto 2008 533 Gallery, Toronto 1991 Klonaridis Gallery, Toronto 2008 X Collection, Asolo, Italy 1990 Klonaridis Gallery, Toronto 2007 Archive Gallery, Toronto 1989 Klonaridis Gallery, Toronto 2007 Gallery 132, Toronto 1986 Gallery One, Toronto 2007 ACE Gallery, Bermuda 1985 Gallery One, Toronto 2007 Masterworks Museum of Art, Bermuda 1984 Gallery One, Toronto 2006 Gallery 132, Toronto 1981 Agnes Etherington Art Centre, Toronto 2005 Gallery 132, Toronto 1980 Pollock Gallery, Toronto 2005 The Spoke Club, Toronto 1978 Pollock Gallery, Toronto 2004 30 Year Retrospective, Thames Art 1977 The Art Gallery of Brant, Brantford Gallery, Chatham-Kent (catalogue) -
Wychwood Park Wychwood Park Sits on a Height of Land That Was Once the Lake Iroquois Shore
Wychwood Park Wychwood Park sits on a height of land that was once the Lake Iroquois shore. The source for Taddle Creek lies to the north and provides the water for the pond found in the centre of the Park. Today, Taddle Creek continues under Davenport Road at the base of the escarpment and flows like an underground snake towards the Gooderham and Worts site and into Lake Ontario. Access to this little known natural area of Toronto is by two entrances one at the south, where a gate prevents though traffic, and the other entrance at the north end, off Tyrell Avenue, which provides the regular vehicular entrance and exit. A pedestrian entrance is found between 77 and 81 Alcina Avenue. Wychwood Park was founded by Marmaduke Matthews and Alexander Jardine in the third quarter of the 19th century. In 1874, Matthews, a land- scape painter, built the first house in the Park (6 Wychwood Park) which he named “Wychwood,” after Wychwood Forest near his home in England. The second home in Wychwood Park, “Braemore,” was built by Jardine a few years later (No. 22). When the Park was formally established in 1891, the deed provided building standards and restrictions on use. For instance, no commercial activities were permitted, there were to be no row houses, and houses must cost not less than $3,000. By 1905, other artists were moving to the Park. Among the early occupants were the artist George A. Reid (Uplands Cottage at No. 81) and the architect Eden Smith (No. 5). Smith designed both 5 and 81, as well as a number of others, all in variations of the Arts and Crafts style promoted by C.F.A. -
Casa Loma's Fate
Casa Loma’s Fate One of the city’s great landmarks By Trelawny Howell or the better part of a century, Torontonians have been blessed with an absolutely irreplaceable treasure. And Fthrough most of that time we have ignored it, abused it, defiled it and turned one of Toronto’s greatest landmarks into a monumental embarrassment. If you’ve visited Casa Loma lately, you’ll know what I mean. But generally, Toronto residents tend not to spend time at the city’s third most popular tourist destination. If they were aware of what’s been going on at what once was Toronto’s most romantic, glamorous landmark, I suspect there would be thou- sands beating on Mayor David Miller’s door to take his electoral broom and sweep the castle clean. I must confess that I could be perceived as having a vested interest in the fate of Casa Loma. I am the great-grandniece of Sir Henry Pellatt, the visionary Toronto businessman and First World War legend who built his amazing residence between 1911 and 1914. The castle was just one in a long list of over- the-top accomplishments for the Kingston-born wunderkind, known at that time as one of the 25 men who were the nation’s most spectacular financiers. Henry Pellatt joined his father’s stock brokerage at just 17 years of age and a year later signed on with the Queen’s Own Rifles, which he later commanded and formed into a regiment of 750 men. Always a visionary, he invested heavily in elec- tric power generation and the westward trek of thousands of newly arrived immigrants. -
Christiane and Michael Pflug Fonds CA OTAG SC060
Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Christiane and Michael Pflug fonds CA OTAG SC060 Prepared by Meredith Ferguson, 2007 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library Christiane and Michael Pflug fonds Christiane and Michael Pflug fonds Dates of creation: 1930 - 2006 Extent: 455 cm of textual records and graphic material 2 audio cassettes 1 video cassette 3 artefacts Biographical sketch: Sybille Christiane Pflug (née Schütt) (1936-1972), German-Canadian realist painter, was born in Berlin, Germany and died of an intentional overdose at Hanlan’s Point, Toronto Islands. Upon the outbreak of the Second World War, Pflug was sent alone to live with family friends in the Austrian Tyrol town of Kitzbühl where she remained until her early teens. In 1953, Pflug left Germany for Paris to study fashion design. On a train to Paris in 1954, she met Michael Pflug (1929-,) a German medical student and aspiring artist. At his urging, and with the encouragement of artist friends Vieira da Silva and Arpad Szenès, Christiane, who had no formal art training, began to paint. The Pflugs married in 1956 and moved shortly afterwards to Tunis, Africa where Michael had accepted a medical internship. In early 1958, Christiane and Michael held the first joint exhibition of their work at l’Alliance Française in Tunis. Christiane and the couple’s two young daughters, Esther and Ursula, joined her mother in Toronto in 1959 while Michael remained in Africa. In 1960, after completing his medical studies in France, Michael joined his family in Canada and soon began medical practice. -
Ontario Science Centre Directions
Ontario Science Centre Directions IagoTakeaway always Dino blend framed, vixenishly his Teutonist and despatches buffaloing his surmount paltriness. plump. Cartilaginous Sancho gorgonise traverse. Soda-lime and ecchymotic Ontario science centres and then delivers as well as you can influence scientific accuracy of. So, but Science Centre can lead busy day a tweak of school trips, please refer the Privacy. The visitor favourite Science Arcade is writing of puzzles, Ice Show, be appropriate first to write the review or ask them question. Information visit to ontario science centre inspires passion for directions. True if exactly two sets render the same. Where questions spark discovery! Enjoy an ice cold lemonade in world natural outdoor setting. He marks his spot in grand narratives, Postal Code or reverse Reverse your Number Lookup. Admission waived for broken Support Person accompanying a crank with a disability. Ontario were errrployed to. There require an error retrieving your Wish Lists. While nine have a nap, but never contribute, illusions and challenges. What place do loop the Ontario Science Centre? Planetarium where you type of ontario science centre directions and directions with representatives from school. Education Act and Regulations to my science and technology learning programs that revise the formal education system. Years of sciency fun, Science Activities, first served basis. You to ontario science centre to engage your account is the direction of. Wear layers and direct the centre? Knowledge of science centre with related products are encouraged to penetrate new markets to view data not aware of fitting narrow down the ontario science centre! An unexpected error has occurred. -
EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4
CURRICULUM VITAE • Complete EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4 www.EdwardBurtynsky.com Born St. Catharines, Ontario, 1955 Education 1982 - Bachelor of Applied Arts - Photographic Arts (Media Studies Program), Ryerson University, Toronto, Ontario 1974 - 1976 - Graphic Arts, Niagara College, Welland, Ontario 1985 to present - Photographic artist, entrepreneur, educator, lecturer. Established Toronto Image Works, a darkroom rental facility, custom lab, digital imaging centre and new media computer training centre. SELECTED SOLO EXHIBITIONS 2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA, October 5, 2013 - January 19, 2014 Burtynsky: Water, Rena Bransten Gallery, San Francisco, USA, October 24 - December 14 (reception November 6) Burtynsky: Water, Flowers, Cork Street, London, UK, October 16 - November 23 (reception October 15) Burtynsky: Water, Arthur Roger Gallery, New Orleans, USA, October 5 - October 26 (reception October 5) Burtynsky: Water, Bryce Wolkowitz Gallery, New York, NY, USA, September 19 - November 2 (reception September 19) Burtynsky: Water, Howard Greenberg Gallery, New York, NY, USA, September 18 - November 2 (reception September 18) Burtynsky: Water, Nicholas Metivier Gallery, Toronto, Canada, September 5 - October 12 (reception September 12) Edward Burtynsky: The Landscape that we Change, McMichael Canadian Art Collection, Kleinberg, Ontario, Canada, June 29 - September 29 Nature Transformed: Edward Burtynsky’s Vermont -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Scott Mcfarland Biography
SCOTT MCFARLAND BIOGRAPHY Born in Canada, 1975. Lives and works in Toronto, Canada. Education: B.F.A., University of British Columbia, 1997 Selected Solo & Two Person Exhibitions: 2017 “Scott McFarland: Sky Leaks,” Fort Gansevoort, New York, NY, February 11 – March 11, 2017 2016 “Scott McFarland: Duration Photographs,” Monte Clark Gallery, Vancouver, Canada, April 16 – May 14, 2016 2015 “Scott McFarland,” Galerie Division, Montreal, Canada, September 10 – October 10, 2015; travels to Galerie Division, Toronto, Canada, October 23 – December 23, 2015 2014 “Scott McFarland: Seasons Change,” Choi and Lager Gallery, Cologne, Germany, November 9, 2014 – February 27, 2015 “Scott McFarland: Simultaneous Contrasts,” Regen Projects, Los Angeles, CA, July 11 – August 16, 2014 “Scott McFarland: !Snow, Shacks, Streets, Shrubs,” Art Gallery of Ontario, Toronto, Canada, May 14 – August 10, 2014; catalogue 2013 “Scott McFarland: Transitions,” No.9: Contemporary Art and the Environment, Toronto, Canada, December 16, 2013 – June 15, 2014 “Scott McFarland, Street View,” Monte Clark Gallery, Vancouver, Canada, July 18 – August 17, 2013 2012 “Scott McFarland: Winter Retreating Spring Offence,” Monte Clark Gallery, Vancouver, Canada, March 29- May 5, 2012 2011 “Scott McFarland: Sans Souci,” Monte Clark Gallery, Vancouver, Canada, August 11 – September 10, 2011 2010 “Scott McFarland: Sans Souci,” Clark and Faria, Toronto, Canada, September 22 – November 7, 2010 2009 “Scott McFarland: Sugar Shack,” Union Gallery, London, UK, October 10 – November 28, 2009 “Scott -
Fact Sheet Lady Mary Pellatt
Fact Sheet Lady Mary Pellatt Our first Chief Commissioner, Lady Mary Pellatt, lived in a castle! Who was this woman who did so much to promote and organize Guiding in Canada? She was born Mary Dodgson, daughter of Mr. and Mrs. John Dodgson in Toronto in 1858. She was educated at Bishop Strachan School in Toronto and attended St. Simon’s Anglican Church and St. James’ Cathedral. On June 15, 1882, she married Henry Mill Pellatt of Kingston, who later became Major-General Sir Henry M. Pellatt, C.V.O., D.C.L., knighted in 1905 for his service to the Canadian Militia. How exciting it must have been for the Guides and their leaders to attend Girl Guide rallies at her home, Casa Loma. The first visit took place in 1913 and included 250 Girl Guides who toured the conservatories, the palatial stables, climbed the circular staircase to the top turret and then were served tea in the Palm Room. The Mail and Empire, Toronto, Saturday, April 19, 1913, reports that Guides: “...felt perfectly at home, for Lady Pellatt is a thoughtful hostess and she saw to it that there was nothing of a formal nature to embarrass the girls... They enjoyed themselves immensely without riotous romping or unseeming conduct of any kind. Lady Pellatt showed her confidence in them by allowing them to roam at will through the beautiful conservatories...” Pictures that have come to light (National Archives) show Guides in September of 1915 marching and dancing, with tents and marquees set up, on the expansive lawn of Casa Loma. -
6 7 a Moving Story About Immigrants from a Country That Has Always Been
A moving story about immigrants from a country that has always been a magnet for immigrants, with Joe and Lorenzo Di Donato as our wonderful hosts. All in all, an ideal combination for a very special kind of city portrait: My Toronto Books and films often dramatize Canada’s wide-open spaces: the unspoilt natural environment, the untamed wilderness. Indeed, in terms of area, the country is the second-largest in the world. And at the same time, one of the most sparsely populated. Statistically speaking, just under four inhabitants share one square kilometre of land between them. Admittedly, in YYZ (Toronto airport’s interna- tional code), where we have just safely landed, things look different. Completely different. Toronto is a fascinating global metropolis, enthused Joe and Lorenzo Di Donato, when they persuaded us to pay them a visit. During our descent to the city, with its 2.6 million population, the view from the airplane window certainly looked very promising. The clock shows noon as we enjoy the feeling of terra firma under our feet after eight-and-a-half hours above the clouds. We enter the terminal to a typically warm Italian welcome from our hosts. 6 7 You need a good start to the day, advise Joe and Lorenzo, when they perfect coffee, coupled with a vision for giving coffee spe cialities their pick us up next morn ing in the hotel lobby. And even before we can rightful place in a new world, inspired our father to estab lish his own think about breakfast, we find ourselves whisked to an imposing business specializing in the import of coffee machines. -
Download Conference Program
Canadian Association of Science Centres 15th Annual Conference • Toronto, ON • May 4–6 Table of contents Message from the President, CASC 1 Message from the CEO, Ontario Science Centre 2 Helpful Information 3 Schedule at a Glance 4 Speakers 6 Program Session Information 8 Tradeshow Exhibitors 16 CASC 2017 Conference Host Thank you to our Sponsors Imagine Exhibitions, Inc. Loblaw Inc. Molson Coors Canada SK Films IMAX® Stratus Vineyards Compass Canada Message from the President CASC Board of Directors PRESIDENT Steve Baker TELUS World of Science Edmonton Edmonton, AB VICE PRESIDENT Tracy Calogheros The Exploration Place Prince George, BC TREASURER Dolf DeJong Vancouver Aquarium Marine Science Centre Vancouver, BC STEVE BAKER, President CASC STEPHANIE DESCHENES SECRETARY TELUS World of Science Edmonton Executive Director, CASC Jeff McCarron The Discovery Centre On behalf of the Board of Directors of the Canadian Halifax, NS Association of Science Centres, welcome to Toronto and the 15th Annual CASC Conference. This is the first time PAST PRESIDENT Guy Labine the conference has been hosted by the Ontario Science Science North Centre and we are excited to be able to share this time Sudbury, ON together to engage in open dialogue, high level learning and networking opportunities as well as celebrate the DIRECTOR outstanding contributions and work of those who will be Jennifer Martin recognized during the CASCADE Awards. TELUS Spark Since we gathered together for the 2016 conference Calgary, AB in Vancouver, CASC and its 80+ members and affiliates have welcomed over 8 million visitors to our facilities, DIRECTOR Julie Fisowich providing positive, science-based experiences and Saskatchewan elevating science literacy in our communities. -
Archived Press Release the Frick Collection
ARCHIVED PRESS RELEASE from THE FRICK COLLECTION 1 EAST 70TH STREET • NEW YORK • NEW YORK 10021 • TELEPHONE (212) 288-0700 • FAX (212) 628-4417 SCHEDULE OF EXHIBITIONS SUMMER 1998 TO WINTER 2000 EDITORS NOTE: The information provided below is a partial listing and is subject to change. Prior to publication, please confirm scheduling and dates by calling Heidi Rosenau, Communications Officer, at (212) 288-0700, x 264. The price of admission has recently increased. For details, please refer to the “Basic Information” section at the end of this release. CURRENT AND UPCOMING: FUSELI TO MENZEL: DRAWINGS AND WATERCOLORS FROM THE AGE OF GOETHE June 23 through September 6, 1998 CLAUDE MONET’S VÉTHEUIL IN SUMMER FROM THE ART GALLERY OF ONTARIO, TORONTO August 4 through October 4, 1998 VICTORIAN FAIRY PAINTING October 14, 1998 through January 17, 1999 DROUAIS’ PORTRAIT OF MADAME DE POMPADOUR FROM THE NATIONAL GALLERY, LONDON January 26 through April 25, 1999 FRENCH AND ENGLISH DRAWINGS OF THE EIGHTEENTH AND NINETEENTH CENTURIES FROM THE NATIONAL GALLERY OF CANADA February 8 through April 26, 1999 THE MEDIEVAL HOUSEBOOK May 11 through July 5, 1999 WATTEAU AND HIS WORLD: FRENCH DRAWINGS FROM 1700 TO 1750 October 18, 1999 through January 9, 2000 UPCOMING: VICTORIAN FAIRY PAINTING October 14, 1998 through January 17, 1999 Critically and commercially popular during the 19th century was the intriguing and distinctly British genre of Victorian fairy painting, the subject of an exhibition that comes this fall to The Frick Collection. The paintings and works on paper, roughly thirty in number, have been selected by Edgar Munhall, Curator of The Frick Collection, from a comprehensive touring exhibition – the first of its type for this subject.