Scott Mcfarland Biography

Total Page:16

File Type:pdf, Size:1020Kb

Scott Mcfarland Biography SCOTT MCFARLAND BIOGRAPHY Born in Canada, 1975. Lives and works in Toronto, Canada. Education: B.F.A., University of British Columbia, 1997 Selected Solo & Two Person Exhibitions: 2017 “Scott McFarland: Sky Leaks,” Fort Gansevoort, New York, NY, February 11 – March 11, 2017 2016 “Scott McFarland: Duration Photographs,” Monte Clark Gallery, Vancouver, Canada, April 16 – May 14, 2016 2015 “Scott McFarland,” Galerie Division, Montreal, Canada, September 10 – October 10, 2015; travels to Galerie Division, Toronto, Canada, October 23 – December 23, 2015 2014 “Scott McFarland: Seasons Change,” Choi and Lager Gallery, Cologne, Germany, November 9, 2014 – February 27, 2015 “Scott McFarland: Simultaneous Contrasts,” Regen Projects, Los Angeles, CA, July 11 – August 16, 2014 “Scott McFarland: !Snow, Shacks, Streets, Shrubs,” Art Gallery of Ontario, Toronto, Canada, May 14 – August 10, 2014; catalogue 2013 “Scott McFarland: Transitions,” No.9: Contemporary Art and the Environment, Toronto, Canada, December 16, 2013 – June 15, 2014 “Scott McFarland, Street View,” Monte Clark Gallery, Vancouver, Canada, July 18 – August 17, 2013 2012 “Scott McFarland: Winter Retreating Spring Offence,” Monte Clark Gallery, Vancouver, Canada, March 29- May 5, 2012 2011 “Scott McFarland: Sans Souci,” Monte Clark Gallery, Vancouver, Canada, August 11 – September 10, 2011 2010 “Scott McFarland: Sans Souci,” Clark and Faria, Toronto, Canada, September 22 – November 7, 2010 2009 “Scott McFarland: Sugar Shack,” Union Gallery, London, UK, October 10 – November 28, 2009 “Scott McFarland,” Vancouver Art Gallery, Vancouver, Canada, October 3, 2009 – January 3, 2010 “Scott McFarland,” Regen Projects, Los Angeles, CA, May 23 – July 3, 2009 “A Cultivated View,” Canadian Museum of Contemporary Photography, Ottawa, Canada, April 11 – September 13, 2009; catalogue 2008 “Scott McFarland: New Works,” Monte Clark Gallery, Toronto, Canada, September 17 – November 2, 2008 2007 “Scott McFarland: Works on Paper,” Regen Projects, Los Angeles, CA, May 19 – June 30, 2007 “Scott McFarland: Works on Paper,” Monte Clark Gallery, Vancouver, Canada, March 17 – April 19, 2007 2005 “Scott McFarland: Another Photography,” Regen Projects, Los Angeles, CA, October 15 – November 12, 2005 “Analyzing Trapping Inspecting,” Union Gallery, London, UK, January 19 – March 26, 2005 2004 “Scott McFarland: Gardens,” Monte Clark Gallery, Vancouver, Canada, September 9 – October 9, 2004 2003 “Scott McFarland – Coastal Cabin,” Contemporary Art Gallery, Vancouver, BC, Canada, May 9 – June 29, 2003; catalogue “Boathouse,” Monte Clark Gallery, Toronto, Canada, September 18 – November 2, 2003 2002 “Scott McFarland,” Sharon Essor Gallery, London, UK, 2002 “Photonomena,” Monte Clark Gallery, Toronto, Canada, September 12 – October 13, 2002 “A Weird Science,” Evan Lee and Scott McFarland, Monte Clark Gallery, Vancouver, Canada, May 8 – June 4, 2002 2001 “Scott McFarland: Cabin,” Monte Clark Gallery, Vancouver, Canada, September 5 – 29, 2001 2000 “Hotel and Passenger: Owen Kydd and Scott McFarland,” Anodyne Gallery, Vancouver, Canada, 2000 1999 “Scott McFarland: Cabin,” Torstrasse 102, Berlin, Germany, 1999 1998 “Scott McFarland: New Works,” Or Gallery, Vancouver, Canada, January 10 – February 8, 1998 Selected Group Exhibitions: 2016 “Trove: A View of Toronto in 50 of its Treasures,” Luminato Festival, Hearn Generating Station, Toronto, Canada, June 10 – 26, 2016 “About Time: Photography in a Moment of Change,” San Francisco Museum of Modern Art, San Francisco, May 14 – September 25, 2016 “Counterpoints: Photography Through the Lens of Toronto Collections,” Justina M. Barnicke Gallery, University of Toronto Art Centre, Toronto, ON Canada, May 6 – July 30, 2016 2015 “Eye to Eye,” Presentation House Gallery, Vancouver, Canada, June 14 – July 26, 2015 2014 “Convergences: Selected Photographs from the Permanent Collection,” Getty Center, Los Angeles, CA, July 8 – October 19, 2014 “Cindy Sherman Meets Dzunuk'wa: From the Michael and Inna O'Brian Collection,” Satellite Gallery, Vancouver, Canada, February 14 – March 29, 2014 “Elevated: Contemporary Art in the AGO Tower,” Art Gallery of Ontario, Toronto, Canada, January 29, 2014 – September 27, 2015 “You've Really Got a Hold on Me,” Oakville Galleries, Oakville, Canada, June 8 – August 30, 2014 2013 “Installation alongside The Great Upheaval: Masterpieces from the Guggenheim, 1910- 1918, Art Gallery of Ontario, Toronto, Canada, November 30, 2013 – March 2, 2014 “A Discourse on Plants,” RH Gallery, New York, NY, March 2 – April 15, 2013 2012 “Builders: Canadian Biennial 2012,” National Gallery of Canada, Ottawa, Ontario, November 2, 2012 – February 18, 2013; catalogue “Inaugural Exhibition by Gallery Artists,” Regen Projects, Los Angeles, CA, September 22 – October 27, 2012 “20 Years,” Monte Clark Gallery, Vancouver, Canada, August 16, 2012 – January 2, 2013 “Repatriation,” Soctiabank CONTACT Photography Festival, Museum of Contemporary Canadian Art, Toronto, Canada, April 27 – June 3, 2012 2011 “Capture,” Monte Clark Gallery, Toronto, Canada, November 3 – 20, 2011 “Shore, Forest and Beyond!: Art from the Audain Collection,” Vancouver Art Gallery, Vancouver, Canada, October 29, 2011 – January 29, 2012 “Our Origins,” Museum of Contemporary Photography, Chicago, IL, July 29 – October 16, 2011 “The Digital Eye: Photographic Art in the Electronic Age,” Henry Art Gallery, Seattle, WA, July 9 – September 25, 2011; catalogue “Down the Garden Path,” Art Gallery of Greater Victoria, Victoria, Canada, February 18 – June 5, 2011 “Salon,” Monte Clark Gallery, Vancouver, Canada, January 20 – February 12, 2011 2010 “It Is What It Is: Recent Acquisitions of New Canadian Art,” National Gallery of Canada, Ottawa, Ontario, June 11, 2010 – April 10, 2011 “Salon,” Monte Clark Gallery, Vancouver, Canada, July 14 – August 14, 2010 “Visions of British Columbia: A Landscape Manual,” Vancouver Art Gallery, Vancouver, Canada, January 23 – April 18, 2010 2009 “Clark & Faria Presents,” Clark and Faria, Toronto, Canada, 2009 2007 “Garden of Eden: The Garden in Art since 1900,” Kunsthalle Emden, Emden, Germany, December 1, 2007 – March 30, 2008; traveled to Städtische Galerie, Bietigheim- Bissingen, Germany, April 19 – July 6, 2008 “New Photography 2007,” Museum of Modern Art, New York, NY, September 30, 2007 – January 1, 2008 “Crack the Sky: La Biennale de Montréal 2007,” Centre International d’art Contemporain de Montréal, Montréal, Canada, May 10 – July 8, 2007; catalogue “Toronto Photography Festival,” Museum of Contemporary Canadian Art, Toronto, Canada, May 5 – June 3, 2007 “The Constructed Image: Photographic Culture,” Museum of Contemporary Canadian Art, Toronto, Canada, May 3 – June 3, 2007 “Acting the Part: Photography as Theatre,” Vancouver Art Gallery, Vancouver, Canada, February 3 – May 21, 2007 “Re-Envisioning Habitat,” Oakville Galleries, Oakville, Canada, January 27 – March 18, 2007 2006 “Interventions,” Thomas Solomon Gallery @ Rental Gallery, Los Angeles, CA, December 16, 2006 – January 27, 2007 “[Grid < > Matrix]” Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO, October 25 – December 31, 2006 “A History of Photography,” Victoria and Albert Museum, London, UK, 2006 “75 Years of Collecting: Portrait of a Citizen,” Vancouver Art Gallery, Vancouver, Canada, September 23, 2006 – January 1, 2005 “Sound and Vision: Photographic and Video Images in Contemporary Canadian Art,” Museum of Fine Arts, Montreal, Canada, July 11 – October 22, 2006; traveled to Centre Culturel Canadien, Paris, France, September 26 – November 17, 2007; catalogue “Landscape: Recent Acquisitions,” Museum of Modern Art, New York, NY, May 26 – September 24, 2006 “Boys and Flowers,” Western Bridge, Seattle, WA, March 30 – August 12, 2006 “Click Doubleclick: The Documentary Factor,” Haus der Kunst, Munich, Germany, February 8 – April 23, 2006; traveled to Centre for Fine Arts, Brussels, Belgium, July 21 – August 27, 2006; catalogue “Faking Death: Canadian Art and the Canadian Imagination,” Jack Shainman Gallery, New York, NY, January 6 – February 4, 2006 2005 “Real Pictures, Photographs from the Collection of Claudia Beck and Andrew Gruft,” Vancouver Art Gallery, Vancouver, Canada, January 29 – May 29, 2005; catalogue “Buccolica,” Wallspace Gallery, New York, NY, May 20 – June 25, 2005 “Intertidal: Vancouver Art and Artists,” MUHKA, Antwerp, Belgium, December 17, 2005 – February 26, 2006; catalogue “Variations on the Picturesque,” Kitchener Waterloo Art Gallery, Ontario, Canada, December 2, 2005 – March 19, 2006; catalogue “Zeitgenossische Fotokunst Aus Kanada,” Neuer Berliner Kunstverien, Berlin, Germany, January 15 – February 27, 2005; traveled to Kunstmuseum Heidenheim, Heidenheim an der Brenz, Germany, July 24 – September 11, 2005; Kunstsammlungen der Stadtischen Museen Zwickau, Zwickau, Germany, April 3 – May 16, 2005; Städtische Galerie Waldkraiburg, Waldkraiburg, Germany, November 25, 2005 – January 22, 2006; catalogue 2004 “The Shadow of Production: Work from the Collection,” Vancouver Art Gallery, Vancouver, Canada, October 30, 2004 – January 16, 2005 “Fabulation,” curated by Marie Fraser, VOX, Montreal, Canada, August 28 – October 26, 2004 “Everything’s Gone Green: Photography and the Garden,” National Museum of Photography, Film and Television, Bradford, England, May 21 – September 26, 2004 “Important Canadian Art,” Ziehersmith Gallery, New York, NY, May 12 – June 19, 2004; catalogue 2003 “Various Properties,” Morris and Helen Belkin Art Gallery, Vancouver, Canada, January 17 – March
Recommended publications
  • Toronto Pearson International Airport – YYZ Once You’Ve Arrived, There Are Lots of Options to Get Downtown
    Transportation Toronto Pearson International Airport – YYZ Once you’ve arrived, there are lots of options to get downtown. Hop in a taxi, or arrange for a limo or take the light rail - they’re all conveniently waiting to take you where you want to go. http://www.torontopearson.com/en/toandfrom/ground/# Union Pearson Express speeds you from the airport to downtown Toronto in just 25 minutes, with trains departing every 15 minutes, 19 ½ hours a day. UP Express is North America’s first dedicated air-rail link, offering travelers a comfortable and reliable way to get in and out of the city without risking the uncertainties of city traffic. But, it also offers amenities that make the journey easier, like airline check-in kiosks, power outlets, luggage racks, onboard Wi- Fi, and up-to-the-minute flight information. Get a discount on your travel with UP Express! Just visit https://www.upexpress.com/ before July 21, 2019 and use promo code ACERS2019 to get your 25% discount on adult return tickets (round-trip) from Pearson Station to Union Station (regular price $24.70* CAD). Tickets are valid for 1 year. • select “From Pearson To Union,” • select an adult return ticket for your round-trip • Add to order then click the ‘Buy Now’ button and then Checkout to pay for ticket At checkout... • apply the promo code ACERS2019 during purchase Area Information Toronto has plenty to offer the international visitor. Visit Tourism Toronto, Toronto’s convention and visitor’s bureau for an up‐to‐date calendar of events, sample itineraries and more , http://www.seetorontonow.com/ ACerS Concierge: Have questions about the meeting location? Contact Greg Phelps for assistance.
    [Show full text]
  • ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, on M6J 2L7
    ANDREA BOLLEY CV 416-955-0660 261 Niagara Street [email protected] Toronto, ON M6J 2L7 www.andreabolley.com 1949 Born Guelph Ontario EDUCATION 1975 Bachelor of Fine Arts, University of Windsor TEACHING EXPERIENCE 2004-17 Masterworks Museum of Art, Bermuda 1982 Arts Sake, Toronto 1980 Activity Centre, Art Gallery of Ontario, Toronto 1979 Activity Centre, Art Gallery of Ontario, Toronto SOLO EXHIBITIONS 2016 Gallery 261, Toronto 2002 Gallery 132, Toronto 2014 Gallery 261, Toronto 2000 Gallery 132, Toronto 2014 Gallery 26, Bermuda 1999 Gallery 132, Toronto 2013 Gallery 26, Bermuda 1998 Gallery 132, Toronto 2013 Windjammer Gallery, Bermuda 1997 Gallery 132, Toronto 2011 BSOA Gallery, Bermuda 1996 Gallery 132, Toronto 2010 ACE Gallery, Bermuda 1995 Gallery 132, Toronto 2010 ITAL Interiors, Toronto 1994 Gallery 132, Toronto 2009 Masterworks Museum of Art, Bermuda 1993 Upper Canada Brewing Co. Toronto 2008 533 Gallery, Toronto 1991 Klonaridis Gallery, Toronto 2008 X Collection, Asolo, Italy 1990 Klonaridis Gallery, Toronto 2007 Archive Gallery, Toronto 1989 Klonaridis Gallery, Toronto 2007 Gallery 132, Toronto 1986 Gallery One, Toronto 2007 ACE Gallery, Bermuda 1985 Gallery One, Toronto 2007 Masterworks Museum of Art, Bermuda 1984 Gallery One, Toronto 2006 Gallery 132, Toronto 1981 Agnes Etherington Art Centre, Toronto 2005 Gallery 132, Toronto 1980 Pollock Gallery, Toronto 2005 The Spoke Club, Toronto 1978 Pollock Gallery, Toronto 2004 30 Year Retrospective, Thames Art 1977 The Art Gallery of Brant, Brantford Gallery, Chatham-Kent (catalogue)
    [Show full text]
  • Christiane and Michael Pflug Fonds CA OTAG SC060
    Art Gallery of Ontario E. P. Taylor Research Library and Archives Description & Finding Aid: Christiane and Michael Pflug fonds CA OTAG SC060 Prepared by Meredith Ferguson, 2007 317 Dundas Street West, Toronto, Ontario, Canada M5T 1G4 Reference Desk: 416-979-6642 www.ago.net/ago/library Christiane and Michael Pflug fonds Christiane and Michael Pflug fonds Dates of creation: 1930 - 2006 Extent: 455 cm of textual records and graphic material 2 audio cassettes 1 video cassette 3 artefacts Biographical sketch: Sybille Christiane Pflug (née Schütt) (1936-1972), German-Canadian realist painter, was born in Berlin, Germany and died of an intentional overdose at Hanlan’s Point, Toronto Islands. Upon the outbreak of the Second World War, Pflug was sent alone to live with family friends in the Austrian Tyrol town of Kitzbühl where she remained until her early teens. In 1953, Pflug left Germany for Paris to study fashion design. On a train to Paris in 1954, she met Michael Pflug (1929-,) a German medical student and aspiring artist. At his urging, and with the encouragement of artist friends Vieira da Silva and Arpad Szenès, Christiane, who had no formal art training, began to paint. The Pflugs married in 1956 and moved shortly afterwards to Tunis, Africa where Michael had accepted a medical internship. In early 1958, Christiane and Michael held the first joint exhibition of their work at l’Alliance Française in Tunis. Christiane and the couple’s two young daughters, Esther and Ursula, joined her mother in Toronto in 1959 while Michael remained in Africa. In 1960, after completing his medical studies in France, Michael joined his family in Canada and soon began medical practice.
    [Show full text]
  • EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4
    CURRICULUM VITAE • Complete EDWARD BURTYNSKY 80 Spadina Avenue, Suite 207 Toronto, Ontario, Canada M5V 2J4 www.EdwardBurtynsky.com Born St. Catharines, Ontario, 1955 Education 1982 - Bachelor of Applied Arts - Photographic Arts (Media Studies Program), Ryerson University, Toronto, Ontario 1974 - 1976 - Graphic Arts, Niagara College, Welland, Ontario 1985 to present - Photographic artist, entrepreneur, educator, lecturer. Established Toronto Image Works, a darkroom rental facility, custom lab, digital imaging centre and new media computer training centre. SELECTED SOLO EXHIBITIONS 2013 Burtynsky: Water, New Orleans Museum of Art (NOMA) / Contemporary Art Center (CAC), New Orleans, USA, October 5, 2013 - January 19, 2014 Burtynsky: Water, Rena Bransten Gallery, San Francisco, USA, October 24 - December 14 (reception November 6) Burtynsky: Water, Flowers, Cork Street, London, UK, October 16 - November 23 (reception October 15) Burtynsky: Water, Arthur Roger Gallery, New Orleans, USA, October 5 - October 26 (reception October 5) Burtynsky: Water, Bryce Wolkowitz Gallery, New York, NY, USA, September 19 - November 2 (reception September 19) Burtynsky: Water, Howard Greenberg Gallery, New York, NY, USA, September 18 - November 2 (reception September 18) Burtynsky: Water, Nicholas Metivier Gallery, Toronto, Canada, September 5 - October 12 (reception September 12) Edward Burtynsky: The Landscape that we Change, McMichael Canadian Art Collection, Kleinberg, Ontario, Canada, June 29 - September 29 Nature Transformed: Edward Burtynsky’s Vermont
    [Show full text]
  • Annual Report 1995
    19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p.
    [Show full text]
  • Download Conference Program
    Canadian Association of Science Centres 15th Annual Conference • Toronto, ON • May 4–6 Table of contents Message from the President, CASC 1 Message from the CEO, Ontario Science Centre 2 Helpful Information 3 Schedule at a Glance 4 Speakers 6 Program Session Information 8 Tradeshow Exhibitors 16 CASC 2017 Conference Host Thank you to our Sponsors Imagine Exhibitions, Inc. Loblaw Inc. Molson Coors Canada SK Films IMAX® Stratus Vineyards Compass Canada Message from the President CASC Board of Directors PRESIDENT Steve Baker TELUS World of Science Edmonton Edmonton, AB VICE PRESIDENT Tracy Calogheros The Exploration Place Prince George, BC TREASURER Dolf DeJong Vancouver Aquarium Marine Science Centre Vancouver, BC STEVE BAKER, President CASC STEPHANIE DESCHENES SECRETARY TELUS World of Science Edmonton Executive Director, CASC Jeff McCarron The Discovery Centre On behalf of the Board of Directors of the Canadian Halifax, NS Association of Science Centres, welcome to Toronto and the 15th Annual CASC Conference. This is the first time PAST PRESIDENT Guy Labine the conference has been hosted by the Ontario Science Science North Centre and we are excited to be able to share this time Sudbury, ON together to engage in open dialogue, high level learning and networking opportunities as well as celebrate the DIRECTOR outstanding contributions and work of those who will be Jennifer Martin recognized during the CASCADE Awards. TELUS Spark Since we gathered together for the 2016 conference Calgary, AB in Vancouver, CASC and its 80+ members and affiliates have welcomed over 8 million visitors to our facilities, DIRECTOR Julie Fisowich providing positive, science-based experiences and Saskatchewan elevating science literacy in our communities.
    [Show full text]
  • Archived Press Release the Frick Collection
    ARCHIVED PRESS RELEASE from THE FRICK COLLECTION 1 EAST 70TH STREET • NEW YORK • NEW YORK 10021 • TELEPHONE (212) 288-0700 • FAX (212) 628-4417 SCHEDULE OF EXHIBITIONS SUMMER 1998 TO WINTER 2000 EDITORS NOTE: The information provided below is a partial listing and is subject to change. Prior to publication, please confirm scheduling and dates by calling Heidi Rosenau, Communications Officer, at (212) 288-0700, x 264. The price of admission has recently increased. For details, please refer to the “Basic Information” section at the end of this release. CURRENT AND UPCOMING: FUSELI TO MENZEL: DRAWINGS AND WATERCOLORS FROM THE AGE OF GOETHE June 23 through September 6, 1998 CLAUDE MONET’S VÉTHEUIL IN SUMMER FROM THE ART GALLERY OF ONTARIO, TORONTO August 4 through October 4, 1998 VICTORIAN FAIRY PAINTING October 14, 1998 through January 17, 1999 DROUAIS’ PORTRAIT OF MADAME DE POMPADOUR FROM THE NATIONAL GALLERY, LONDON January 26 through April 25, 1999 FRENCH AND ENGLISH DRAWINGS OF THE EIGHTEENTH AND NINETEENTH CENTURIES FROM THE NATIONAL GALLERY OF CANADA February 8 through April 26, 1999 THE MEDIEVAL HOUSEBOOK May 11 through July 5, 1999 WATTEAU AND HIS WORLD: FRENCH DRAWINGS FROM 1700 TO 1750 October 18, 1999 through January 9, 2000 UPCOMING: VICTORIAN FAIRY PAINTING October 14, 1998 through January 17, 1999 Critically and commercially popular during the 19th century was the intriguing and distinctly British genre of Victorian fairy painting, the subject of an exhibition that comes this fall to The Frick Collection. The paintings and works on paper, roughly thirty in number, have been selected by Edgar Munhall, Curator of The Frick Collection, from a comprehensive touring exhibition – the first of its type for this subject.
    [Show full text]
  • Rotunda ROM Magazine Subject Index V. 1 (1968) – V. 42 (2009)
    Rotunda ROM Magazine Subject Index v. 1 (1968) – v. 42 (2009) 2009.12.02 Adam (Biblical figure)--In art: Hickl-Szabo, H. "Adam and Eve." Rotunda 2:4 (1969): 4-13. Aesthetic movement (Art): Kaellgren, P. "ROM answers." Rotunda 31:1 (1998): 46-47. Afghanistan--Antiquities: Golombek, L. "Memories of Afghanistan: as a student, our writer realized her dream of visiting the exotic lands she had known only through books and slides: thirty-five years later, she recalls the archaeoloigical treasures she explored in a land not yet ruined by tragedy." Rotunda 34:3 (2002): 24-31. Akhenaton, King of Egypt: Redford, D.B. "Heretic Pharoah: the Akhenaten Temple Project." Rotunda 17:3 (1984): 8-15. Kelley, A.L. "Pharoah's temple to the sun: archaeologists unearth the remains of the cult that failed." Rotunda 9:4 (1976): 32-39. Alabaster sculpture: Hickl-Szabo, H. "St. Catherine of Alexandria: memorial to Gerard Brett." Rotunda 3:3 (1970): 36-37. Keeble, K.C. "Medieval English alabasters." Rotunda 38:2 (2005): 14-21. Alahan Manastiri (Turkey): Gough, M. "They carved the stone: the monastery of Alahan." Rotunda 11:2 (1978): 4-13. Albertosaurus: Carr, T.D. "Baby face: ROM Albertosaurus reveals new findings on dinosaur development." Rotunda 34:3 (2002): 5. Alexander, the Great, 356-323 B.C.: Keeble, K.C. "The sincerest form of flattery: 17th-century French etchings of the battles of Alexander the Great." Rotunda 16:1 (1983): 30-35. Easson, A.H. "Macedonian coinage and its Hellenistic successors." Rotunda 15:4 (1982): 29-31. Leipen, N. "The search for Alexander: from the ROM collections." Rotunda 15:4 (1982): 23-28.
    [Show full text]
  • Museums and the Web 2006
    10 th Museums and the Web 2007 Museums and the Web 2006 April 11-14, 2007 March 22-25, 2006 San Francisco, California, USA Albuquerque, New Mexico, USA Call For Participation Final Program www.archimuse.com /mw2007 / www.archimuse.com /mw2006 / Themes for 2007 include: Social Issues and Impact Applications Museum 2.0 Services • Building Communities • Wireless Inside/Outside • Podcasting, Blogging, RSS, Social • Public Content Creation • Visitor Support On-site + On-line Tagging, Folksonomy, Wikis, Cell • On-going Engagement • Schools + Educational Programs Phone Tours ... Organizational Strategies • E-commerce for Museums • Museum Mashups • Building + Managing Web Teams Technical and Design Issues Evaluation + User Studies • Multi-Institutional Ventures • Standards, Architectures + Protocols • Impact Studies • Facilitating Change • Interface + Design Paradigms • User Analysis + Audience • Sustainability • New Tools + Methods Development • Managing Content + Metadata • Site Promotion Session Formats Choose the right presentation format for your proposal. Even the best ideas can be Please co-ordinate your proposals with rejected if proposed for an inappropriate venue. your collaborators. Multiple proposals • Research? about the same project will not be Propose a Paper, to be given in a formal session with other papers and accepted. Proposals for sessions should discussion be submitted as individual papers with • Case Study? a covering note. Papers are reviewed Present a Paper or a Demonstration, depending on whether you wish to individually; full sessions are rarely emphasize generalizability, or your specific case accepted. • Methods and Techniques? Teach a Pre-conference Workshops (full or half-day) or Mini-workshop (1hr) Deadlines • Debate or Problem Statement? • September 30, 2006 for papers, Engage colleagues in a Professional Forum workshops, mini-workshops + • Product to Show? professional forums (written paper Propose an Exhibit (commercial) or Demonstration (non-commercial) required by Jan.
    [Show full text]
  • Hammerbook.Pdf
    Francis Alÿs: Politics of Rehearsal Francis Alÿs: Politics of Rehearsal Russell Ferguson Hammer Museum, Los Angeles Steidl This publication accompanies the exhibition “Francis Alÿs: Politics of Rehearsal,” organized by Russell Ferguson and presented at the Hammer Museum, Los Angeles, 30 September 2007–20 February 2008. “Francis Alÿs: Politics of Rehearsal” has been generously supported by Fundación/Colección Jumex and Heidi and Erik Murkoff. Additional support has been provided by the Peter Norton Family Foundation and the David Teiger Curatorial Travel Fund. All works courtesy of David Zwirner, New York. Copy-edited by Jane Hyun Designed by Lorraine Wild and Leslie Sun, Green Dragon Office, Los Angeles Printed by Steidl, Göttingen, Germany Copublished by the Hammer Museum, 10899 Wilshire Boulevard, Los Angeles, California 90024; and Steidl, Düstere Strasse 4, 37073 Göttingen, Germany The Hammer Museum is operated by the University of California, Los Angeles. Occidental Petroleum Corporation has partially endowed the Museum and constructed the Occidental Petroleum Cultural Center Building, which houses the museum. Copyright © 2007 by the Regents of the University of California. Director’s Foreword 7 All rights reserved. No part of this book may be reproduced in any form by any electronic or mechanical means Acknowledgments 8 (including photocopying, recording, and information storage or retrieval) without permission in writing from the publisher. Francis Alÿs: Politics of Rehearsal 11 Russell Ferguson ISBN 978-0-943739-32-8 frontispiece: study for Rehearsal, 2007 Selected Exhibition History and Bibliography 125 Library of Congress Control Number: 2007931757 DVD (back cover): Printed and bound in Germany Politics of Rehearsal, 2007 Video 30 minutes Courtesy David Zwirner, New York director’S foreword It is a great pleasure to bring the work of Francis Alÿs to the Hammer Museum.
    [Show full text]
  • May 16, 2016 Art Gallery of Ontario
    May 16, 2016 Art Gallery of Ontario Hurvin Anderson Backdrop May 19–August 21, 2016 Art Gallery of Ontario 317 Dundas Street West Toronto Ontario M5T 1G4 Canada T +1 877 225 4246 Hurvin Anderson, Flat Top, 2008. Oil on canvas, 98 3/8 x 81 7/8 inches. Courtesy of Thomas Dane, London. © 2016 Hurvin Anderson. Be it the lush tropical foliage of Trinidad, the sight of a container for a Jamaican patty or the hum of Birmingham’s living room barbershops, the subjects in British artist Hurvin Anderson’s large- scale paintings, sculptures, drawings and photographs are bursting with colour and life, but they remain ever so slightly out of reach—seen behind fences, masked by decorative grills or graphic packaging. The Art Gallery of Ontario offers a glimpse into these scenes in Anderson’s fi rst Ca- nadian solo exhibition, opening on May 19, 2016. Hurvin Anderson: Backdrop is the artist’s most comprehensive exhibition to date, featuring recent paintings alongside previously unseen sculp- ture, drawings and photography. Filling the entire fourth fl oor of the AGO’s Contemporary Tower, the exhibition runs until August 21, 2016. Anderson was born in Birmingham, United Kingdom, to Jamaican parents. His source material often stems from formative experiences in Birmingham’s local black community as well as in Trini- dad, where he became intimately familiar with the island’s landscape and its motifs. Known for his distinct fi gurative painting style, he layers brights colours under hints of restraint, placing vague barriers between the viewer and the subject—such as the grill in 2005’s Welcome: Carib or the angular confi nes of the living room barbershop as portrayed in Peter’s: Sitter III (2009).
    [Show full text]
  • Tuesday March 24, 2009
    Tuesday March 24, 2009 Conference Kick-off Social Events 6:30 PM A Walking Tour of Toronto’s Premiering Gallery Tour at the Corporate Art Collections Royal Ontario Museum Enjoy an exclusive after-hours tour of some of the ROM’s Organized by the Canadian Federation of Friends of newest world-class Natural History galleries. Learn about the Museums, and the Professional Art Dealers Association development of these galleries, from inception to opening, of Canada, this evening highlights a wonderful selection and hear about some of the star artefacts and specimens of Toronto’s most prominent and exciting corporate from those who know them best — ROM Curators! Tour to collections. Knowledgeable in-house curators will lead be followed by a wine-and-hors d’oeuvres reception. delegates through two private collections. Delegates will be assigned to one of four tours, will be led by guides Fee: $0. Open to all CMA delegates and guests. Delegates and walk to each venue. are required to make their own way to the ROM. The museum is easily accessible by the Museum subway stop. Fee: $0. Open to all CMA delegates and guests. Pre-registration required. Limited to 7 people. Includes tour and reception. Transportation not included! Pre-registration required. Limited to 110 people. 1 lll CMA 009 National Conference Tuesday ICOM Canada Reception The York Quay Centre and the Powerplant at Harbourfront Centre welcome ICOM Canada members to Toronto. This will be an evening where you will experience a broad range of local, national and international contemporary fine arts, new media, design, architecture, and craft followed by a wine-and-hors d’oeuvres reception.
    [Show full text]